Browse content similar to 2011. Check below for episodes and series from the same categories and more!
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APPLAUSE AND CHEERING | 0:00:14 | 0:00:18 | |
'She's so inoffensive, she's offensive. | 0:00:18 | 0:00:20 | |
'Ladies and gentlemen, please welcome your host, | 0:00:20 | 0:00:23 | |
'the fabulous Ruth Jones!' | 0:00:23 | 0:00:25 | |
# So here she is Merry Christmas | 0:00:25 | 0:00:28 | |
# Everybody's having fun | 0:00:28 | 0:00:31 | |
# Look to the future now | 0:00:31 | 0:00:34 | |
# It's only just | 0:00:34 | 0:00:36 | |
# Begu-u-u-n. # | 0:00:36 | 0:00:41 | |
CHEERING | 0:00:41 | 0:00:45 | |
Ohh! Hello and welcome to my Christmas Cracker! | 0:00:45 | 0:00:48 | |
We've got a real festive feast for you on the show tonight. | 0:00:48 | 0:00:52 | |
Cockney comedy king, Micky Flanagan... | 0:00:52 | 0:00:54 | |
CHEERING | 0:00:54 | 0:00:56 | |
..all-singing, all-dancing, living legend, Lulu... | 0:00:56 | 0:00:59 | |
CHEERING | 0:00:59 | 0:01:01 | |
..music from the brilliant Manic Street Preachers... | 0:01:01 | 0:01:04 | |
CHEERING | 0:01:04 | 0:01:06 | |
..and in a second I'll be reunited | 0:01:06 | 0:01:08 | |
with my dear friend, the fabulous James Corden! | 0:01:08 | 0:01:11 | |
CHEERING | 0:01:11 | 0:01:13 | |
Hey, but what do you think about my houseband | 0:01:13 | 0:01:17 | |
and the fantastic Segue Sisters! | 0:01:17 | 0:01:21 | |
My first guest is an immensely talented actor, writer, | 0:01:21 | 0:01:24 | |
presenter and electrician. | 0:01:24 | 0:01:26 | |
LAUGHTER | 0:01:26 | 0:01:28 | |
Please welcome my dear, dear friend, | 0:01:28 | 0:01:30 | |
James Corden! | 0:01:30 | 0:01:32 | |
APPLAUSE | 0:01:32 | 0:01:33 | |
# Whatever I said Whatever I did I didn't mean it | 0:01:33 | 0:01:36 | |
# I just want you back for good Want you back | 0:01:36 | 0:01:39 | |
# Want you back Want you back for good | 0:01:39 | 0:01:43 | |
# Whenever I'm wrong Just tell me the song | 0:01:43 | 0:01:45 | |
# And I'll sing it | 0:01:45 | 0:01:47 | |
# We'll be right and understood | 0:01:47 | 0:01:49 | |
# Want you back, want you back | 0:01:49 | 0:01:51 | |
# See I want you back for good... # | 0:01:51 | 0:01:55 | |
CHEERING | 0:01:55 | 0:01:56 | |
Well, do you know what, it's come to something | 0:01:56 | 0:01:59 | |
when I have to invite you as a guest on to my chat show | 0:01:59 | 0:02:02 | |
to sit on the sofa and have a catch up! | 0:02:02 | 0:02:04 | |
I saw you last week! | 0:02:04 | 0:02:06 | |
See, he won't join in! | 0:02:06 | 0:02:08 | |
-No, I... -I saw you for how long? | 0:02:08 | 0:02:10 | |
Only about half an hour. | 0:02:10 | 0:02:12 | |
Exactly! We used to spend hours together! | 0:02:12 | 0:02:14 | |
I know, it is weird, isn't it? | 0:02:14 | 0:02:16 | |
At the moment you are in this hit show in the West End, | 0:02:16 | 0:02:20 | |
One Man, Two Guvnors. | 0:02:20 | 0:02:21 | |
If you haven't seen it, it's amazing! Have a look at this. | 0:02:21 | 0:02:24 | |
I am my own worst enemy. Stop being negative. | 0:02:24 | 0:02:27 | |
I'm not negative. I'm being realistic. | 0:02:27 | 0:02:29 | |
I'll screw it up. I always do. | 0:02:29 | 0:02:30 | |
Who screws it up? You! | 0:02:30 | 0:02:32 | |
A role model for village idiots! Me? You're nothing! | 0:02:32 | 0:02:35 | |
You're the cock up! Don't you call me a cock up, you cock up! | 0:02:35 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:41 | |
You slapped me! Yes, I did! And I'm glad I did because... | 0:02:41 | 0:02:43 | |
Oh, ho, ho...that hurt! | 0:02:43 | 0:02:45 | |
Good, because you started it! | 0:02:45 | 0:02:47 | |
HE SCREAMS | 0:02:47 | 0:02:49 | |
HE CHOKES AND GASPS | 0:02:49 | 0:02:53 | |
APPLAUSE | 0:02:55 | 0:02:58 | |
It's so incredibly physical. | 0:02:58 | 0:03:02 | |
That's the thing I can't get over. Are you covered in bruises? | 0:03:02 | 0:03:05 | |
Yes... It's not all like that. | 0:03:05 | 0:03:08 | |
There are other people in it. | 0:03:08 | 0:03:10 | |
Yes, it hurts every night, | 0:03:10 | 0:03:13 | |
it really does. | 0:03:13 | 0:03:15 | |
I come on stage and within about two minutes, I have to roll | 0:03:15 | 0:03:19 | |
over the back of the sofa, there's that, there's a lot of running. | 0:03:19 | 0:03:23 | |
My legs often hurt, but they never really hurt when I'm doing it. | 0:03:23 | 0:03:26 | |
When I'm doing it, it's just great. | 0:03:26 | 0:03:28 | |
I'll be amazed if I ever play a better part. | 0:03:28 | 0:03:31 | |
It's an amazing role, and he is superb in it. | 0:03:31 | 0:03:34 | |
I am not just saying it, he's absolutely incredible in it. | 0:03:34 | 0:03:38 | |
Is it true you accepted it without even reading the play? | 0:03:38 | 0:03:41 | |
Nicholas Hytner... | 0:03:41 | 0:03:42 | |
Sir Nicholas Hytner, I should say, | 0:03:42 | 0:03:44 | |
..directed a play I was in called The History Boys, | 0:03:44 | 0:03:47 | |
and is the Artistic Director of the National Theatre... | 0:03:47 | 0:03:50 | |
-So weird me telling you this... -I know! | 0:03:50 | 0:03:53 | |
You know the answers to all of these questions, you know all the answers. | 0:03:53 | 0:03:56 | |
This is so...it's the weirdest thing. It's like... | 0:03:56 | 0:04:00 | |
It's like you've been in a coma! | 0:04:00 | 0:04:02 | |
He called and said, | 0:04:02 | 0:04:04 | |
"Do you want to do a play in the National Theatre?" I said, "Yes." | 0:04:04 | 0:04:07 | |
And he said, "Don't you want to know what it is?" I said, "No." | 0:04:07 | 0:04:10 | |
The truth is, I think if you're an actor in Britain | 0:04:10 | 0:04:13 | |
and you get to work at the National Theatre, particularly with him, | 0:04:13 | 0:04:17 | |
you're one of the luckiest in the country. So next year in April, | 0:04:17 | 0:04:20 | |
we go to Broadway and we'll do the play there. | 0:04:20 | 0:04:24 | |
You're going to New York under different circumstances from last time | 0:04:24 | 0:04:29 | |
because you'll be going as a dad this time. | 0:04:29 | 0:04:31 | |
James has become a father! | 0:04:31 | 0:04:33 | |
CHEERING AND APPLAUSE | 0:04:33 | 0:04:37 | |
True. It's, um... | 0:04:37 | 0:04:38 | |
-How's that turning out? -Great! Brilliant! | 0:04:38 | 0:04:40 | |
I have to say, because I am very proud of this, | 0:04:40 | 0:04:43 | |
but James and Jules have asked me to be godmother to baby Max. | 0:04:43 | 0:04:47 | |
APPLAUSE | 0:04:47 | 0:04:50 | |
And I've been thinking, | 0:04:50 | 0:04:52 | |
I am just wondering what you expect of me as a godmother. | 0:04:52 | 0:04:56 | |
Mostly financial! | 0:04:56 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:59 | |
As Max starts to speak, | 0:04:59 | 0:05:01 | |
he may start asking you quite awkward questions. | 0:05:01 | 0:05:05 | |
And so, I have written a few questions down to see... | 0:05:05 | 0:05:09 | |
-just to give you preparation, so you're ready with the answers. -OK. | 0:05:09 | 0:05:13 | |
This is the kind of thing he might ask you. | 0:05:13 | 0:05:16 | |
Daddy, where do babies come from? | 0:05:16 | 0:05:19 | |
You should talk to your mum about that. | 0:05:19 | 0:05:23 | |
Daddy, why is water wet? | 0:05:23 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:29 | |
You should talk to your mum about that. | 0:05:29 | 0:05:33 | |
What's GDP expressed as a percentage of average earnings? | 0:05:33 | 0:05:37 | |
LAUGHTER | 0:05:37 | 0:05:39 | |
Average earnings? You should talk to your godmother about that! | 0:05:39 | 0:05:43 | |
APPLAUSE | 0:05:43 | 0:05:47 | |
Daddy, will they do another episode of Gavin and Stacey? | 0:05:47 | 0:05:50 | |
AUDIENCE: Yes! | 0:05:50 | 0:05:53 | |
Well, here's the thing! | 0:05:53 | 0:05:56 | |
I have looked at the prices of your schools! | 0:05:56 | 0:06:01 | |
Probably yeah! No... | 0:06:01 | 0:06:03 | |
CHEERING | 0:06:03 | 0:06:07 | |
The thing is, we do get asked that a lot... We're asked, | 0:06:07 | 0:06:11 | |
"Will there be any more Gavin and Stacey?" It's lovely to be asked. | 0:06:11 | 0:06:15 | |
I find it funny...cos I always say the same thing, which is true, | 0:06:15 | 0:06:19 | |
that we haven't had any time. | 0:06:19 | 0:06:22 | |
I think, the thing is, it's a big thing. | 0:06:22 | 0:06:24 | |
It's a big thing to go back to it. | 0:06:24 | 0:06:27 | |
The worst thing that could happen is we ruin this thing | 0:06:27 | 0:06:31 | |
that we're both so proud of. | 0:06:31 | 0:06:35 | |
I think we sort of decided we wouldn't write a series, | 0:06:35 | 0:06:38 | |
because it's gone on such a journey | 0:06:38 | 0:06:40 | |
and, if we were to go back, it would only be for a special. | 0:06:40 | 0:06:44 | |
I mean, I'm up for it, if you are. | 0:06:44 | 0:06:47 | |
Yeah. Shall we, then? | 0:06:47 | 0:06:50 | |
I think we will. I think... | 0:06:50 | 0:06:51 | |
CHEERING | 0:06:51 | 0:06:54 | |
You know that I'm quite keen to do a musical. | 0:06:54 | 0:06:57 | |
I think a musical version of Gavin and Stacey would be a good idea, | 0:06:57 | 0:07:02 | |
I really do. | 0:07:02 | 0:07:04 | |
-I think you're saying this for comedy effect. -I do! | 0:07:04 | 0:07:07 | |
You would write a Gavin and Stacey musical | 0:07:07 | 0:07:09 | |
-and we'd do it in the West End or something? -Definitely. | 0:07:09 | 0:07:13 | |
But what would the story be? | 0:07:13 | 0:07:15 | |
Well, we can come up with something! | 0:07:15 | 0:07:17 | |
Where would the houses be? The cars? You know... | 0:07:17 | 0:07:19 | |
That's the magic of theatre! | 0:07:19 | 0:07:21 | |
We'll get the audience to help us. | 0:07:21 | 0:07:23 | |
Give us a location, or a scene between Smithy and Nessa. | 0:07:23 | 0:07:28 | |
-AUDIENCE: On the island. -On the island! | 0:07:28 | 0:07:32 | |
Give me a reason why Smithy and Nessa should get together. | 0:07:32 | 0:07:36 | |
AUDIENCE: They love each other! | 0:07:36 | 0:07:38 | |
They don't love each other! Have you ever seen it? | 0:07:38 | 0:07:43 | |
AUDIENCE: They have great sex! | 0:07:43 | 0:07:45 | |
Because they have great sex? OK! | 0:07:45 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:50 | |
We're going to join our band and see if we can come up with a song... | 0:07:50 | 0:07:54 | |
-This will either be brilliant, or the worst thing ever! -Absolutely! | 0:07:54 | 0:07:58 | |
CHEERING | 0:07:58 | 0:08:01 | |
I feel like I'm on Whose Line Is It Anyway! | 0:08:10 | 0:08:13 | |
-We'll get in the mood, in character! -This is a bad idea! | 0:08:13 | 0:08:18 | |
-I can't remember how to do the character! -Go on, do some Nessa! -Oh, what's occurring? -Ohh! | 0:08:18 | 0:08:24 | |
CHEERING | 0:08:24 | 0:08:25 | |
Can you do some Smithy? You've done Smithy quite recently. | 0:08:25 | 0:08:28 | |
I do it all the time! | 0:08:28 | 0:08:30 | |
PIANO PLAYS | 0:08:30 | 0:08:33 | |
All right, Smithy? What's occurring? | 0:08:33 | 0:08:35 | |
-All right! -What you doing on the island? | 0:08:35 | 0:08:39 | |
# This and that I'm doing this and that | 0:08:39 | 0:08:43 | |
# It's none of your business Get out of my face | 0:08:43 | 0:08:48 | |
# I don't know what you're doing here You're on my land | 0:08:48 | 0:08:53 | |
# This is my place this is my territory | 0:08:53 | 0:08:57 | |
# Don't go on about it | 0:08:57 | 0:08:59 | |
# I just came down to see the boy | 0:08:59 | 0:09:04 | |
# The boy he loves you no doubt | 0:09:05 | 0:09:07 | |
# He loves you no doubt | 0:09:07 | 0:09:09 | |
# He looks at you and he says my dad | 0:09:09 | 0:09:11 | |
# Yeah I love you But he's a Welsh boy | 0:09:11 | 0:09:15 | |
# Don't give me that | 0:09:15 | 0:09:16 | |
-# He's a Welsh boy -He's English | 0:09:16 | 0:09:18 | |
# He don't want none of your Essex crap... # | 0:09:18 | 0:09:21 | |
CHEERING AND APPLAUSE | 0:09:21 | 0:09:26 | |
-That is a different tune. -Let's have a mood change. | 0:09:33 | 0:09:38 | |
-You said all that Essex...? -Yeah. | 0:09:38 | 0:09:39 | |
# Gavlar, oh Gavlar | 0:09:44 | 0:09:48 | |
# I miss you since you've moved down to Wales | 0:09:49 | 0:09:55 | |
-# Gavlar, I'm stuck with Pamelar -Pamela | 0:09:55 | 0:10:01 | |
# And Mick and you are down there with those sheep shaggers | 0:10:01 | 0:10:07 | |
# What is this place called Billericay? | 0:10:10 | 0:10:14 | |
# It's full of people who are called Nicky... # | 0:10:17 | 0:10:21 | |
Eh? | 0:10:21 | 0:10:23 | |
# They are very hard and they are all very tricky... # | 0:10:23 | 0:10:26 | |
Nice. | 0:10:26 | 0:10:29 | |
# I don't want my boy growing up to be like that. # | 0:10:29 | 0:10:33 | |
Twat! | 0:10:33 | 0:10:35 | |
Oh, dear. We have to talk about the other big thing | 0:10:45 | 0:10:49 | |
-you have done this year which is your autobiography. -Yeah. | 0:10:49 | 0:10:55 | |
James Corden May I Have Your Attention Please? Brilliant title. | 0:10:55 | 0:10:58 | |
A fantastic read, I have to say. | 0:10:58 | 0:11:01 | |
-I was touched that you read it. I really was. -Can I be honest? | 0:11:01 | 0:11:04 | |
-I did first of all... -Flick read it. -No, I read it. -You read your bits first. | 0:11:04 | 0:11:09 | |
I flicked to look at my bits. "What has he said about me?" Then I got engrossed. | 0:11:09 | 0:11:13 | |
You didn't put in the story about the squirrel. I love that story when you dressed up as a squirrel. | 0:11:13 | 0:11:18 | |
I wanted to tell it. It was a harvest festival and we all had to dress up | 0:11:18 | 0:11:24 | |
as different animals and we were going to march through the town. | 0:11:24 | 0:11:28 | |
I said, "Mum in two weeks I have got to be a squirrel." | 0:11:28 | 0:11:33 | |
Two weeks went by and the night before, I went, "Mum have you made my squirrel outfit?" She just went... | 0:11:33 | 0:11:38 | |
And I knew from the look on her face, | 0:11:38 | 0:11:40 | |
this was the first time she had thought about the squirrel outfit since the last time. | 0:11:40 | 0:11:45 | |
Cut to me in a brown jumper, a pair of my sister's brown leggings... | 0:11:45 | 0:11:53 | |
..shoe polish on my nose, with whiskers like this, | 0:11:55 | 0:12:02 | |
and then my mum, the final insult to injury, | 0:12:02 | 0:12:05 | |
my mum got a pair of her tights | 0:12:05 | 0:12:08 | |
and put one leg inside the other and put rolled up pairs of jeans | 0:12:08 | 0:12:15 | |
in the tights and safety pinned them to my arse. Right? | 0:12:15 | 0:12:20 | |
All I had was what could only have looked like | 0:12:20 | 0:12:27 | |
a huge poo dragging on the floor. | 0:12:27 | 0:12:33 | |
And my own trainers, white trainers. I turn up to school. | 0:12:33 | 0:12:37 | |
Some of them had big bushy tails with wire in them and little paws. | 0:12:37 | 0:12:41 | |
I was just in a brown tracksuit and it was dragging on the floor. | 0:12:44 | 0:12:50 | |
It was so bad that even the bullies | 0:12:50 | 0:12:53 | |
who would have jumped on an opportunity like that were looking at me going, | 0:12:53 | 0:12:58 | |
"His mum has done him over there." | 0:12:58 | 0:13:01 | |
Do you know what I mean? | 0:13:03 | 0:13:05 | |
-It's been lovely to have a chat with you. I don't get to chat with you that often. -It's nice. | 0:13:06 | 0:13:12 | |
-Have you got any ambitions that you still want to achieve? -Honestly? | 0:13:12 | 0:13:19 | |
-I want to write something else with you. -Aw! -Truly. | 0:13:19 | 0:13:23 | |
To get back into a room and try and think of some characters | 0:13:27 | 0:13:31 | |
and a story and try and tell it as well as we told the last one. | 0:13:31 | 0:13:36 | |
-That's what I would like to do. -I hope that we get to do that as well. | 0:13:36 | 0:13:39 | |
James Corden, thank you so much. | 0:13:39 | 0:13:41 | |
My next guest has gone from being a Billingsgate fish porter to a sell-out stand-up. | 0:13:50 | 0:13:55 | |
Before we meet him let's have a look at him in action. | 0:13:55 | 0:13:59 | |
There are young men in this room who do not realise what | 0:13:59 | 0:14:02 | |
men my age have had to put up with. | 0:14:02 | 0:14:03 | |
We've seen everything change. We caught the fag end of when men were in charge. | 0:14:03 | 0:14:09 | |
Properly in charge. | 0:14:09 | 0:14:10 | |
"I've got a pair of bollocks and a day job - I must be in charge." | 0:14:10 | 0:14:15 | |
They used to walk about, doing nothing, walk about in their pants. | 0:14:15 | 0:14:21 | |
They would come home and put the money on the table and walk about in their pants. | 0:14:23 | 0:14:28 | |
My old man did nothing. | 0:14:31 | 0:14:34 | |
If he shut a cupboard door, he thought he was helping out. | 0:14:34 | 0:14:37 | |
"Shut that door for you, Sylvie!" | 0:14:39 | 0:14:43 | |
"I'm going down the pub for a week." | 0:14:45 | 0:14:47 | |
Micky Flanagan, ladies and gentlemen. | 0:14:47 | 0:14:50 | |
# Oh Micky you're so fine you're so fine you blow my mind | 0:14:50 | 0:14:53 | |
# Hey, Micky | 0:14:53 | 0:14:55 | |
# Oh Micky what a pity you don't understand | 0:14:55 | 0:14:58 | |
# You take me by the heart when you take me by the hand | 0:14:58 | 0:15:00 | |
# Oh, Micky you're so pretty can't you understand? | 0:15:00 | 0:15:03 | |
# It's guys like you, Micky | 0:15:03 | 0:15:05 | |
# What you do Micky, do Micky Don't break my heart, Mickey. # | 0:15:05 | 0:15:10 | |
CHEERING AND APPLAUSE | 0:15:10 | 0:15:12 | |
Thank you. | 0:15:12 | 0:15:13 | |
-You're looking fantastic. -Oh, thanks. -I have to say. | 0:15:16 | 0:15:19 | |
-Me mum got me ready. -Really?! -Done a better job than your mum! | 0:15:19 | 0:15:23 | |
Sounds a bit like lazy, doesn't she, his mum? | 0:15:23 | 0:15:27 | |
-You're just hugely successful now. -Yeah, I know. | 0:15:27 | 0:15:30 | |
-Isn't it, your tour has been record-breaking? -I know, yeah. | 0:15:30 | 0:15:35 | |
Yours was the fastest-selling comedy tickets since Eddie Izzard's live tour four years ago? | 0:15:35 | 0:15:40 | |
It's amazing, isn't it? If it carries on, I'm going to sign off! | 0:15:40 | 0:15:44 | |
I am! It's been murder getting back every other Tuesday. | 0:15:44 | 0:15:48 | |
And when the helicopter lands on top of the unemployment benefit office, it's causing a bit of suspicion. | 0:15:48 | 0:15:54 | |
Yeah. Do you get recognised a lot now? | 0:15:54 | 0:15:57 | |
I was in Brighton a couple of weeks ago. We took my little boy down and I put him on these motorbike things. | 0:15:57 | 0:16:03 | |
You know, so, I'm standing there, | 0:16:03 | 0:16:05 | |
a bloke went, "Can I have a photograph, mate?" And I went, "Yeah, all right." | 0:16:05 | 0:16:09 | |
I looked over at my friends, and I'm like, showbiz, you know. | 0:16:09 | 0:16:12 | |
Two minutes later, a bloke came over to me and went, | 0:16:12 | 0:16:16 | |
"I've just put 50p in one of the bikes, mate, they're not working over there". | 0:16:16 | 0:16:21 | |
I was like, "I don't work here, mate!" | 0:16:21 | 0:16:24 | |
Do you find now you're meeting all sorts of people? | 0:16:24 | 0:16:26 | |
Do you get star struck at all? | 0:16:26 | 0:16:28 | |
Do you know who I met? Kevin McCloud. | 0:16:28 | 0:16:31 | |
Isn't it strange the people that have really thrown me, because I've been watching him for years. | 0:16:31 | 0:16:35 | |
-On Grand Designs. -In our house, he's a god. | 0:16:35 | 0:16:38 | |
The highlight of our week is if we stumble onto an episode of Grand Designs me and the wife ain't seen. | 0:16:38 | 0:16:44 | |
The tension in the room, it builds and builds. | 0:16:44 | 0:16:47 | |
It's just as good when it's one you have seen though! | 0:16:47 | 0:16:50 | |
And you know they've made a really great house. | 0:16:50 | 0:16:53 | |
It's nice because if you ain't seen it, it's always, is the glass going to turn up? | 0:16:53 | 0:16:57 | |
You look at each other halfway through and, "I can't take it, babe! | 0:16:57 | 0:17:02 | |
"All the way from Germany in two weeks. | 0:17:02 | 0:17:04 | |
"If that glass don't turn up before winter, the whole thing is going to be ruined." | 0:17:04 | 0:17:08 | |
Kevin McCloud, because when I met him I was like "I'm really pleased to meet you." | 0:17:08 | 0:17:13 | |
You say something stupid - "I've done my house up!" And he goes... | 0:17:13 | 0:17:16 | |
TAKES A DEEP SIGH | 0:17:16 | 0:17:18 | |
-You happened to mention your DVD. Again, fantastic. -It's brilliant. | 0:17:21 | 0:17:25 | |
I mean we can't even discuss this, but I do love your theory | 0:17:25 | 0:17:29 | |
behind why there are so many teenage pregnancies these days compared to previous years. | 0:17:29 | 0:17:35 | |
Yes, there's less foreplay now, or what our parents would call heavy petting. | 0:17:35 | 0:17:39 | |
-Yes, yes. -Basically, fingering has disappeared, hasn't it? | 0:17:39 | 0:17:43 | |
That's the truth of the matter. | 0:17:45 | 0:17:46 | |
The kids aren't interested. "Leave it out, I ain't fingering her. | 0:17:46 | 0:17:51 | |
"I ain't wasting my time fingering!" | 0:17:51 | 0:17:54 | |
It's true, it's absolutely true! | 0:18:00 | 0:18:03 | |
When I was at school, it was all about fingering. | 0:18:03 | 0:18:06 | |
No-one was thinking... No-one was thinking about sex! It was, like, not until we got to college. | 0:18:06 | 0:18:12 | |
At school, it was like, you'd just come in the next day, | 0:18:12 | 0:18:15 | |
"How did you get on?" "Fingered her." | 0:18:15 | 0:18:17 | |
But you also do talk about, erm, titting her up. | 0:18:17 | 0:18:21 | |
Yeah, I mean obviously you've got to do your titting up time. | 0:18:21 | 0:18:26 | |
-Which can be anywhere from three to six months. -Yes. | 0:18:26 | 0:18:30 | |
Starting off over the jumper. Then you get under the jumper. | 0:18:30 | 0:18:34 | |
-But above the bra? -Sometimes above the coat, if it's winter. | 0:18:34 | 0:18:37 | |
But eventually you get to hold her tit. | 0:18:37 | 0:18:39 | |
You don't know what to do with the tit. You walk home in a daze. | 0:18:39 | 0:18:44 | |
I've held a tit! It just makes me think, you know... | 0:18:44 | 0:18:48 | |
kids...it all goes through it too quickly, you know? | 0:18:48 | 0:18:51 | |
I mean I didn't have sex until I was like 27. | 0:18:51 | 0:18:54 | |
AUDIENCE LAUGHS | 0:18:54 | 0:18:55 | |
Let's talk about where you started off | 0:18:58 | 0:19:00 | |
because you've come to comedy a bit later. | 0:19:00 | 0:19:04 | |
Yes, I'm not a big rusher. | 0:19:04 | 0:19:06 | |
You started off as a fish porter in Billingsgate market. | 0:19:06 | 0:19:10 | |
My first job was as a Billingsgate fish porter, that was me at 17. | 0:19:10 | 0:19:15 | |
-You earned a lot of money doing it, didn't you? -I did, yes. | 0:19:15 | 0:19:18 | |
-In 1980, I was earning £250 a week. -That was a lot! -Cor! | 0:19:18 | 0:19:23 | |
Talk about a catch! | 0:19:23 | 0:19:26 | |
-You also do a wonderful cockney walk. -Yeah, I do, yeah. | 0:19:27 | 0:19:32 | |
I just wondered whether you'd share it with our lovely audience. | 0:19:32 | 0:19:37 | |
You want it to try and catch on? | 0:19:37 | 0:19:38 | |
-Yes, because we don't really have a walk in Wales. -Do you not? -No. | 0:19:38 | 0:19:44 | |
My friend Gillian does a walk that looks like she's just baked a sponge. | 0:19:44 | 0:19:48 | |
-Yes, all right. Let me just give that one a little try. -OK. | 0:19:48 | 0:19:51 | |
What's the point? You bake a sponge cake... | 0:19:51 | 0:19:54 | |
No one comes round. | 0:19:54 | 0:19:57 | |
-Oi oi! -I've got a few little props there. | 0:19:59 | 0:20:02 | |
Fish, now you know about fish, it can be very dangerous if it isn't fresh. | 0:20:02 | 0:20:07 | |
The things to look out for are the very bright eyes, | 0:20:07 | 0:20:11 | |
clear, healthy, firm skin, not too smelly. | 0:20:11 | 0:20:17 | |
Same sort of criteria you'd use for a one-night stand. | 0:20:17 | 0:20:20 | |
So the cockney has got a few walks. I can take you through the main three, right? | 0:20:23 | 0:20:27 | |
Your first one is your casual cockney walk. | 0:20:27 | 0:20:30 | |
This is just your Cockney walking about. | 0:20:30 | 0:20:34 | |
Nothing special going on, just walking about. | 0:20:34 | 0:20:37 | |
This tends to attract women. | 0:20:37 | 0:20:39 | |
Women start looking over, they think, "He looks reliable." | 0:20:42 | 0:20:46 | |
I bet he'd come home every now and then, that one. | 0:20:46 | 0:20:49 | |
That's just your casual cockney walk. | 0:20:50 | 0:20:53 | |
There's a slightly tough... | 0:20:53 | 0:20:55 | |
If the cockney feels threatened, he'll widen slightly. | 0:20:55 | 0:20:58 | |
This is when the cockney is under threat. The gait will widen. | 0:21:01 | 0:21:06 | |
The head will drop a bit. Just a bit, a bit wider. | 0:21:06 | 0:21:10 | |
Your third one is for when the cockney is busy, | 0:21:13 | 0:21:17 | |
which he is sometimes. Not very often. | 0:21:17 | 0:21:20 | |
This is slightly more with the shoulders. | 0:21:20 | 0:21:23 | |
APPLAUSE | 0:21:23 | 0:21:25 | |
Thank you! | 0:21:28 | 0:21:30 | |
Were you the class clown? They were all, "He was the class clown!" | 0:21:32 | 0:21:37 | |
And then you become a stand-up comedian? Was that the case for you? | 0:21:37 | 0:21:41 | |
I mean everyone was a clown. Everyone did whatever they could. | 0:21:41 | 0:21:45 | |
The chief things in school were to try to get the teacher to either cry or attack another pupil. | 0:21:45 | 0:21:51 | |
This was the genuine aim of the pupil, if we could just get him to break down | 0:21:51 | 0:21:56 | |
or possibly attack one of the weaker children. | 0:21:56 | 0:22:00 | |
In metalwork once, what I thought would be really funny | 0:22:00 | 0:22:03 | |
is every time the metalwork teacher finished the sentence, I went, "Hmm." | 0:22:03 | 0:22:08 | |
Ah, it was killing! We were getting massive laughs! | 0:22:08 | 0:22:13 | |
The metalwork teacher, nice fella, Mr Filmer, in his 50s, 60s, decent, good bloke. | 0:22:13 | 0:22:19 | |
He just walked past. Bosh, right up. | 0:22:19 | 0:22:23 | |
Decked me on the floor. | 0:22:23 | 0:22:25 | |
I went, "Ughh!" and he went, "Hmmm." | 0:22:25 | 0:22:28 | |
What were your classmates like? Was there a lot of ambition to...? | 0:22:32 | 0:22:36 | |
No, school was somewhere they sent us before we went to work. | 0:22:36 | 0:22:40 | |
And I've said many times, | 0:22:40 | 0:22:42 | |
the careers officer turned up, Christ knows what he thought he was doing, | 0:22:42 | 0:22:46 | |
but he stood there, asked us what we wanted to do with our lives, | 0:22:46 | 0:22:49 | |
and this is the absolute truth - the most ambitious kid in the class | 0:22:49 | 0:22:52 | |
was a kid called Gary Hutton because he wanted to drive a van. | 0:22:52 | 0:22:56 | |
"Sir, I'm going to drive a van!" | 0:22:58 | 0:23:01 | |
We were all like, "You dreamer, Hutton! | 0:23:01 | 0:23:04 | |
"You ain't gonna drive a van, man! | 0:23:04 | 0:23:07 | |
"You know why we is here, we is here to carry the stuff TO the van!" | 0:23:07 | 0:23:11 | |
When I was in school, I was... I was head girl. | 0:23:11 | 0:23:14 | |
I'm not going to lie, I'm not going to be ashamed, I was head girl. | 0:23:14 | 0:23:17 | |
-There's me, there. I look like I've just baked a sponge there! -You do! | 0:23:17 | 0:23:23 | |
-James, do you think we'd have got on in school? -We'd have got on because of the school play. | 0:23:23 | 0:23:28 | |
So we'd have got on for about six weeks a year. | 0:23:28 | 0:23:30 | |
Aww! I think I'd have gone more for Micky | 0:23:30 | 0:23:33 | |
because he was more my age group, | 0:23:33 | 0:23:35 | |
and also I'd have gone for his fashion sense, I think. | 0:23:35 | 0:23:39 | |
-Aww. -Look at that! -Sweet! | 0:23:39 | 0:23:40 | |
There wasn't one single natural fibre in that jumper! | 0:23:40 | 0:23:44 | |
I used to internally combust. I was like, if you put that jumper on me, | 0:23:47 | 0:23:51 | |
I'd go, "Mum, I'll be hot in about three seconds!" | 0:23:51 | 0:23:54 | |
"Go on, put that on, you'll be all right." | 0:23:54 | 0:23:58 | |
-What's Christmas going to be like for you? -I'll be drunk most of it. -Drunk. | 0:23:58 | 0:24:02 | |
I like Christmas, it's the only time you can have a glass of champagne at half past nine in the morning. | 0:24:02 | 0:24:08 | |
-And people frown upon you if you don't. -Yeah, they go, "Drink?" | 0:24:08 | 0:24:11 | |
-You go, "No, you're all right." -Come on, it's Christmas! -Party pooper! | 0:24:11 | 0:24:15 | |
It's very much my wife's mum comes round and she cooks the dinner. | 0:24:15 | 0:24:21 | |
She's a really nice woman because she's... She's a psychiatrist | 0:24:21 | 0:24:25 | |
and she's serenity personified. | 0:24:25 | 0:24:27 | |
I've been with her when we've been in car accidents, | 0:24:27 | 0:24:29 | |
I've been to her home when it's been burgled, | 0:24:29 | 0:24:32 | |
she just goes..."Part of life." | 0:24:32 | 0:24:35 | |
She came round to do the dinner one day, I heard her say, "You wanker!" | 0:24:37 | 0:24:41 | |
I went in, I went, "Hilary, what's the matter?" | 0:24:41 | 0:24:44 | |
She went, "The cauliflower cheese has not browned off." | 0:24:44 | 0:24:47 | |
-That's what broke her, the cauliflower cheese. -Really? | 0:24:48 | 0:24:52 | |
Yes, she just got to such a pitch. | 0:24:52 | 0:24:54 | |
She took it out the oven, and she was like, "Wanker!" | 0:24:54 | 0:24:58 | |
Your little boy, how will you keep him entertained over Christmas? | 0:24:58 | 0:25:02 | |
I'm going to be really creative, I'm going to think things through, | 0:25:02 | 0:25:06 | |
-and put him in front of the telly. Can I tell you a little story? -Yes. | 0:25:06 | 0:25:10 | |
It's a little bit odd because you know... I was watching the news, | 0:25:10 | 0:25:13 | |
you know when the Gaddafi thing was going on? It was horrible footage. | 0:25:13 | 0:25:17 | |
-Hmm. -My wife brought him in from school. I'd gone to the toilet, | 0:25:17 | 0:25:20 | |
and when I came back he was watching the Gaddafi footage. He was a bit shaken up. | 0:25:20 | 0:25:24 | |
He said, "Daddy, what has that man done?" | 0:25:24 | 0:25:27 | |
I said, "Well the thing is, son, that crowd have just found out that, when he was a little boy, | 0:25:27 | 0:25:32 | |
"he used to get his parents up really early in the morning. | 0:25:32 | 0:25:36 | |
"They're not having it, son. They're not having it." He said, "I'll take some colouring to bed with me." | 0:25:39 | 0:25:45 | |
I said, "Now you're thinking, son, now you're thinking." | 0:25:45 | 0:25:48 | |
-What does next year hold for you at the moment? -I'm going to write the book. -Are you? | 0:25:48 | 0:25:52 | |
-They've asked me to write a book, yes. -An autobiography? -Yes. | 0:25:52 | 0:25:56 | |
I'm going to have to be very careful. | 0:25:56 | 0:25:58 | |
-Mmmm. -I don't want to end up being called Supergrass! | 0:25:58 | 0:26:02 | |
Every East End face is gonna be straight... "If he's grassed me up, I'll have his legs!" | 0:26:05 | 0:26:10 | |
So I'm going to enjoy doing it. I think people are interested. | 0:26:10 | 0:26:14 | |
You do something really well, and for some reason people go, | 0:26:14 | 0:26:18 | |
"Could you just fill in the gaps for us?" | 0:26:18 | 0:26:20 | |
So I'm looking forward to it. | 0:26:20 | 0:26:23 | |
I look forward to reading it when you've written it. | 0:26:23 | 0:26:26 | |
Ladies and gentlemen, Micky Flanagan. | 0:26:26 | 0:26:28 | |
APPLAUSE | 0:26:28 | 0:26:30 | |
Thank you. | 0:26:30 | 0:26:31 | |
My next guest has been a huge star for five decades. | 0:26:33 | 0:26:36 | |
I'm really excited to have her on the show. | 0:26:36 | 0:26:39 | |
Please give a massive Welsh welcome to Lulu! | 0:26:39 | 0:26:42 | |
APPLAUSE | 0:26:42 | 0:26:44 | |
# You can dance, you can jive | 0:26:44 | 0:26:47 | |
# Having the time of your life | 0:26:47 | 0:26:51 | |
# Ooh, see that girl Watch that scene | 0:26:51 | 0:26:55 | |
# Diggin' the dancing queen | 0:26:55 | 0:26:59 | |
# Diggin' the dancing queen | 0:26:59 | 0:27:04 | |
# Diggin' the dancing queen! # | 0:27:04 | 0:27:07 | |
Can I just say, your achievements - there's not enough room to write them down. Amazing. | 0:27:11 | 0:27:15 | |
A child star at the age of 15, | 0:27:15 | 0:27:17 | |
you've released more than 20 albums and 70 singles, | 0:27:17 | 0:27:22 | |
you've sung the theme to a James Bond film, won the Eurovision Song contest, | 0:27:22 | 0:27:26 | |
and you hosted your own chat show. Do you ever think, | 0:27:26 | 0:27:28 | |
"I could have done a bit more!"? | 0:27:28 | 0:27:31 | |
MICKY: Lazy! | 0:27:32 | 0:27:33 | |
Yeah, definitely. I've just been sitting on my laurels. | 0:27:35 | 0:27:39 | |
But absolutely incredible career. | 0:27:39 | 0:27:43 | |
-The crazy thing is, I still think there's more to do. -Yeah. Good! | 0:27:43 | 0:27:47 | |
I'm not the kind of person who does think that it's over. | 0:27:47 | 0:27:51 | |
No, we haven't had enough of her yet, have we? | 0:27:51 | 0:27:55 | |
15 when you started - it must have been quite a scary environment | 0:27:55 | 0:27:58 | |
for a 15-year-old girl. | 0:27:58 | 0:28:01 | |
I wanted to be an R&B singer, rock'n'roll, | 0:28:01 | 0:28:04 | |
I did not want to be a pop singer. | 0:28:04 | 0:28:07 | |
I tried to be true to myself, | 0:28:07 | 0:28:10 | |
and then I worked with the record executives and producers | 0:28:10 | 0:28:13 | |
and people who thought I should do certain things. I disagreed with them. | 0:28:13 | 0:28:17 | |
That was tough for me, and I would go home and cry all the time. | 0:28:17 | 0:28:23 | |
But I would sort of agree to do it. | 0:28:23 | 0:28:25 | |
But you knew your own mind at that age. You knew what you wanted to do. | 0:28:25 | 0:28:29 | |
Yes, I did, but it's hard when you're 15. | 0:28:29 | 0:28:32 | |
But of course, a lot of the things I was guided to do | 0:28:32 | 0:28:36 | |
that initially I didn't want to do, were successful, so I clocked that. | 0:28:36 | 0:28:41 | |
I clocked that. | 0:28:41 | 0:28:42 | |
I think I learned a lot from being in the business at such a young age. | 0:28:42 | 0:28:47 | |
You're from Glasgow originally. My Welsh accent kind of comes and goes. | 0:28:47 | 0:28:51 | |
Does your Scottish accent come and go? | 0:28:51 | 0:28:54 | |
As soon as I hear him talk Cockney, I want to go right into it. | 0:28:54 | 0:28:57 | |
When I was in To Sir, With Love, which is a film I did when I was 16, | 0:28:57 | 0:29:01 | |
I had a very thick Scottish accent. | 0:29:01 | 0:29:04 | |
And it was set in the East End of London, | 0:29:04 | 0:29:07 | |
so the first week of filming, I decided I'm going to get this accent, ain't I! | 0:29:07 | 0:29:11 | |
-IN COCKNEY ACCENT: -I want to talk like them! I'm not going to talk like I do. | 0:29:11 | 0:29:16 | |
That would make me different. | 0:29:16 | 0:29:18 | |
So I realised quite quickly I could do accents. | 0:29:18 | 0:29:21 | |
You mentioned To Sir, With Love - that was a big influence on you, wasn't it, that film? | 0:29:21 | 0:29:25 | |
It was. When I was thinking about being a schoolteacher, | 0:29:25 | 0:29:30 | |
those films rung in my mind. | 0:29:30 | 0:29:32 | |
The ones where you win the kids over. | 0:29:32 | 0:29:34 | |
-And Sidney PWA-tier, which is how you have to say it... -Sidney PWA-tier! | 0:29:34 | 0:29:39 | |
PWA-tier! | 0:29:39 | 0:29:41 | |
You can't say Sidney Potter, as I think Del Boy did once! | 0:29:41 | 0:29:44 | |
It was based on an East End school, | 0:29:46 | 0:29:48 | |
and I thought, "I'll go in and be like Sidney PWA-tier." | 0:29:48 | 0:29:52 | |
-It didn't work out. -It didn't work! | 0:29:52 | 0:29:54 | |
One of them done a poo in my desk. | 0:29:54 | 0:29:57 | |
You've worked with some incredible names in your time. | 0:30:00 | 0:30:03 | |
-I've been around a long time. -The Beatles! Tom Jones. -Yes, Tom. | 0:30:03 | 0:30:07 | |
-Michael Caine. What was it like working with them? -I worked with... | 0:30:07 | 0:30:11 | |
-With James - the best, obviously. -The best! When he was a baby! | 0:30:11 | 0:30:15 | |
It was called Whatever Happened To Harold Smith? | 0:30:15 | 0:30:18 | |
-I played Lulu's love interest. -Did you?! Really? | 0:30:18 | 0:30:22 | |
I played her son's best friend. | 0:30:22 | 0:30:25 | |
-Were you a MILF? -A MILF?! -LAUGHTER | 0:30:25 | 0:30:29 | |
Did you have to kiss and everything? | 0:30:29 | 0:30:31 | |
-No, I had to squeeze Lulu's bum. It was terrific. -A little bit was left to the imagination, | 0:30:31 | 0:30:37 | |
-which is the way I like it. -Leave them wanting more. | 0:30:37 | 0:30:40 | |
We were talking about the people you worked with, and about being star-struck. | 0:30:40 | 0:30:44 | |
-When you worked with people like the Beatles, were you a bit overwhelmed? -I was, I was just 15. | 0:30:44 | 0:30:49 | |
But they were so nice to me. | 0:30:49 | 0:30:51 | |
I mean, all the people I worked with, whether it was Jimi Hendrix, | 0:30:51 | 0:30:54 | |
whether it was The Who, or The Beatles or The Stones, | 0:30:54 | 0:30:59 | |
-they used to pat me on the head. I was the little one. -Awww! | 0:30:59 | 0:31:03 | |
I know you've been asked about where the name Lulu comes from millions of times. | 0:31:04 | 0:31:09 | |
But I bet you've never been asked it in Welsh. So here goes.... | 0:31:09 | 0:31:12 | |
Mae diddordeb mawr 'da fi mewn enwau. O le ddaeth yr enw Lulu? | 0:31:12 | 0:31:19 | |
SHE MOUTHS AUDIENCE: Ooooh! | 0:31:19 | 0:31:23 | |
-Beautiful! Beautiful. -Where does it come from? | 0:31:23 | 0:31:26 | |
My manager, the woman who discovered me when I was 15, | 0:31:26 | 0:31:30 | |
said I was a lulu of a kid. | 0:31:30 | 0:31:32 | |
I think it's an American expression, it means something's great. | 0:31:32 | 0:31:36 | |
Can I say something as well, in bingo, if you go "House!" | 0:31:36 | 0:31:40 | |
and they come over and check your numbers and they're wrong, | 0:31:40 | 0:31:44 | |
it's a lulu. | 0:31:44 | 0:31:45 | |
-SHE SQUEALS -Is it? -I think he's lying. Is that true? | 0:31:45 | 0:31:50 | |
Often the woman will be checking, and she'll go, "Sorry, it's a lulu!" | 0:31:50 | 0:31:55 | |
-I went out with a girl once who called her...a Lulu. -Did she? -Really?! | 0:31:55 | 0:32:00 | |
I said, "Where are you off to?" She said, "I'm off to get my lulu waxed." | 0:32:00 | 0:32:06 | |
No! | 0:32:06 | 0:32:07 | |
-I'm not a big Strictly fan, I don't follow it that well. -Neither did I! | 0:32:07 | 0:32:14 | |
-But you did incredibly well. -Thank you. I've always loved to dance. | 0:32:14 | 0:32:19 | |
My brothers and sister and my parents... | 0:32:19 | 0:32:22 | |
My parents met in a dancehall. We all loved to dance. | 0:32:22 | 0:32:25 | |
I'd been asked to do Strictly before, but at this point | 0:32:25 | 0:32:28 | |
I think I was lulled into a false sense of security and thought, | 0:32:28 | 0:32:32 | |
"You know, I could probably do that." | 0:32:32 | 0:32:34 | |
-But I loved it. -Are you glad you did it? | 0:32:34 | 0:32:39 | |
I would do it again, | 0:32:39 | 0:32:41 | |
for the absolute exhilaration | 0:32:41 | 0:32:44 | |
and the physical adrenaline, and the learning. | 0:32:44 | 0:32:46 | |
I wanted to learn to dance, and I thought, I've got a chance. | 0:32:46 | 0:32:50 | |
I think I was in for about six weeks all in all. | 0:32:50 | 0:32:56 | |
-You did incredibly, didn't she? -I really enjoyed it. -APPLAUSE | 0:32:56 | 0:32:59 | |
Do you think that, as a Scot, that... | 0:33:02 | 0:33:05 | |
I always want to call it "Mahogmanay"! | 0:33:05 | 0:33:08 | |
I like that! I'm going to do that from now on! Mahogmanay! | 0:33:08 | 0:33:13 | |
Do you think Hogmanay is more important than Christmas? | 0:33:13 | 0:33:16 | |
I don't know if it's more important. But I think to a lot of Scots it is, yes. | 0:33:16 | 0:33:20 | |
As a child, we used to have Christmas for the kids. | 0:33:20 | 0:33:23 | |
I know a lot of it is for the kids, | 0:33:23 | 0:33:25 | |
but basically it was absolutely for the kids, | 0:33:25 | 0:33:28 | |
then you did nothing but wash, clean and cook and get everything ready. | 0:33:28 | 0:33:33 | |
They go mental up there. | 0:33:33 | 0:33:35 | |
-IN A SCOTTISH ACCENT: -They go mental! We're all going Scottish now! | 0:33:35 | 0:33:39 | |
It's true. Nobody celebrates Hogmanay the way they do in Scotland. | 0:33:39 | 0:33:43 | |
-I think it's something to do with the drinking. They love a drink. -No! | 0:33:43 | 0:33:47 | |
I noticed it when I was there, when I was coming out of the pub at six in the morning! | 0:33:47 | 0:33:51 | |
-They don't do that! -Someone passed me and called me a lightweight! | 0:33:51 | 0:33:56 | |
Before we finish tonight, me and the audience have done a special little thing for you. | 0:33:56 | 0:34:01 | |
You've got your iconic opening to the song Shout, which is that... | 0:34:01 | 0:34:04 | |
# We-e-e-e-e-e-e-e-e-ell... # | 0:34:04 | 0:34:11 | |
Very good! | 0:34:11 | 0:34:13 | |
If someone just tuned in at that moment, they'd go, "Oh, the TV's gubbed." | 0:34:15 | 0:34:19 | |
-Me and the audience have prepared a Welsh one for you. -Awww! | 0:34:21 | 0:34:25 | |
It's a Welsh version, a Welsh opening to the song Shout. Here we go. | 0:34:25 | 0:34:29 | |
-That's original. -One, two, three. | 0:34:29 | 0:34:31 | |
-IN STRONG WELSH ACCENT: Well... -You know you make me want to shout. | 0:34:31 | 0:34:36 | |
-That's so sweet! -Is the Welsh version. | 0:34:36 | 0:34:39 | |
That is the most original thing, because everywhere I go, | 0:34:39 | 0:34:42 | |
people want me to do that bit, and I go, "Och, not again!" | 0:34:42 | 0:34:45 | |
-We've done it for YOU. We brought it to you instead. -Thank you. | 0:34:45 | 0:34:49 | |
Ladies and gentlemen, the sensational Lulu! | 0:34:49 | 0:34:52 | |
APPLAUSE | 0:34:52 | 0:34:54 | |
I hope you all have a wonderful Christmas. | 0:34:57 | 0:35:00 | |
A big thank you to you all for watching. | 0:35:00 | 0:35:03 | |
Thanks to my house band and the Segue sisters. | 0:35:03 | 0:35:05 | |
APPLAUSE AND CHEERING | 0:35:05 | 0:35:06 | |
-And of course, to my fabulous guests. To Lulu! -APPLAUSE AND CHEERING | 0:35:06 | 0:35:12 | |
-To Micky Flanagan. -APPLAUSE AND CHEERING | 0:35:12 | 0:35:14 | |
-And to James Corden! -APPLAUSE AND CHEERING | 0:35:14 | 0:35:17 | |
And to play us out tonight, | 0:35:17 | 0:35:20 | |
celebrating an incredible 21 years in the charts, here they are | 0:35:20 | 0:35:23 | |
with their current single This Is The Day, it's the Manic Street Preachers. | 0:35:23 | 0:35:27 | |
APPLAUSE AND CHEERING | 0:35:27 | 0:35:29 | |
# You didn't wake up this morning cos you didn't go to bed | 0:35:48 | 0:35:52 | |
# You were watching the whites of your eyes turn red | 0:35:52 | 0:35:55 | |
# The calendar on your wall | 0:35:55 | 0:35:59 | |
# Is ticking the days off | 0:35:59 | 0:36:03 | |
# You've been reading some old letters | 0:36:03 | 0:36:06 | |
# You smile and you think how much you've changed | 0:36:06 | 0:36:09 | |
# And all the money in the world | 0:36:09 | 0:36:13 | |
# Couldn't bring back those days | 0:36:15 | 0:36:18 | |
# You pull back the curtains and the sun burns into your eyes | 0:36:32 | 0:36:38 | |
# You watch a plane flying across a clear blue sky | 0:36:39 | 0:36:45 | |
# This is the day your life will surely change | 0:36:46 | 0:36:52 | |
# This is the day when things fall into place | 0:36:53 | 0:37:00 | |
# You could've done anything if you'd wanted | 0:37:07 | 0:37:14 | |
# And all your friends and family think that you're lucky | 0:37:14 | 0:37:21 | |
# But the side of you they'll never see | 0:37:21 | 0:37:24 | |
# Is when you're left alone with the memories | 0:37:24 | 0:37:28 | |
# That hold your life together | 0:37:28 | 0:37:32 | |
# Together like glue | 0:37:33 | 0:37:37 | |
# You pull back the curtains And the sun burns into your eyes | 0:37:50 | 0:37:57 | |
# You watch a plane flying across a clear blue sky | 0:37:57 | 0:38:03 | |
# This is the day your life will surely change | 0:38:05 | 0:38:12 | |
# This is the day when things fall into place | 0:38:12 | 0:38:18 | |
# This is the day your life will surely change | 0:38:19 | 0:38:26 | |
# This is the day when things fall into place | 0:38:26 | 0:38:32 | |
# This is the day | 0:38:34 | 0:38:37 | |
# This is the day. # | 0:38:40 | 0:38:44 | |
Subtitles by Red Bee Media Ltd | 0:38:48 | 0:38:52 | |
Email [email protected] | 0:38:52 | 0:38:57 |