Week 5 Strictly Come Dancing


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Last weekend, Strictly Come Dancing Last weekend, Strictly Come Dancing

:00:12.:00:17.

went supernatural, in our Hallowe'en horror fest. Our spookily

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spectacular stars handed of treats, and the occasional trick.

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Some were fang-tastic. That really was a tango with a bite. Some were

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fright.Ingly fiery. You great big, butch bull fighter. And something

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# Upside-down # # Upside-down #

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it was a miracle. Some failed to get into the spirit, blasting

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couple out of the competition for good. This week, they will

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channel their inner champions, because tonight they are fighting

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for a place in our top ten. Let's have it. The masks might be off,

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but the game faces are going on. Can you do this? I can do this. I'm

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gonna do it. Strictly's bout begins. Contenders, ready.

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Live, from Television Centre, please Live, from Television Centre, please

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AUDIENCE CLAPPING IN welcome your hosts, Sir Bruce

:02:13.:02:23.
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shall we, shall we? Because we can. shall we, shall we? Because we can.

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That way. No, I was worried about them.

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and children, and Strictly Come Dancing. It's nice to

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They are a good strong audience in They are a good strong audience in

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strong voice. I warmed them didn't I? Nice to see you,

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Have you had a go to the week? exciting week, I decided to buy

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myself the new smartphone. Ooh! It's only right that someone like me

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has the very latest in technology. Ooh, what's it like? It has

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internet, 4G of course, email, and it syncs itself to every other

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device I've got. Nice. It satellite navigation, you can

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to people face-to-face, and I can listen to 200,000 songs and 160

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photos. It really is a smart phone. LAUGHTER. Why are you looking so

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worried? I don't know how to switch it on. LAUGHTER.

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For goodness sake, made me look a fool. Don't make me look foolish.

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Right then, last week our Strictly Hallowe'en special saw plenty of

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scares. Good opening, wasn't it? They loved it. They laughed at the

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right time. We had to say goodbye to our third couple,

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Ola Jordan. Yes, Hallowe'en might be over but the terror of the

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dance-off is never too far away as our 11 remaining stars face the

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judges yet again. Oh yes. It's Bonfire Night but the

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will be happening right tonight. As well as the judges'

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scores our couples are dancing your votes and you can make the

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difference between your favourites staying or leaving the

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forever. Well, enough of this banter! LAUGHTER. You started it.

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It's time to meet - trying to make it dramatic. OK. The stars of our

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show. Drama, I love that. CHEERING partner Pasha Kovalev. Westlife's

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Nicky Byrne and his partner Karen Hauer.

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partner Natalie Lowe. Riley and her partner Robin Windsor.

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Olympic Flavia Cacace. Tracy Beaker star

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Dani Harmer and her partner Vincent Simone. Presenter and performer

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James Jordan. Showbusiness reporter Richard Arnold and his partner Erin

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Boag. Olympic golden cyclist Brendan Cole; and finally,

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Salmon and his partner Kristina Rhianoff. APPLAUSE .

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You look marvellous, all of you. You look marvellous, all of you.

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There they all are, and I know a of people are very upset that our

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sexy blonde dancer is no longer here. I don't mean Ola, who was

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voted out; I mean Vincent who was wearing that stupid wig. Stupid -

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oh, blimey, I think that one is worse! There's more. Let me know

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afterwards, I wouldn't mind borrowing it to wash the car. Right,

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our stars are burning up the ballroom, you

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button to hear expert commentary from Karen Hardy and this week she

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is joined by the legendary Lionel Blair. Hello up there. Good to see

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you, Lionel. I'm so glad it isn't Tony. Indeed. Tony Blair. Tony

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Blair. I really am glad. LAUGHTER. Right. Press the red button now

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you are all set. Yes, it's time get started, I think. I have

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mucking about enough. The first couple tonight is

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and her partner Pasha and her partner

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couple tonight is Kimberley Walsh couple tonight is Kimberley Walsh

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and her partner pasta - sorry, I really thought it was pasta.

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LAUGHTER. You look at it. APPLAUSE. Another dish. Yes, there's a rumour

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that Girls Aloud might get back together. Yes, and Kimberley said "I

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wanted to keep it a secret, I can't imagine how it got out. I only told

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one person", and I said "Who did you tell?" She said "Richard Arnold".

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Here they are in training. Have a lovely show.

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Hallowe'en night was really good Hallowe'en night was really good

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Hallowe'en night was really good fun, a bit different to a usual

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fun, a bit different to a usual fun, a bit different to a usual

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Hallowe'en night was Saturday night. Who is not

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of the big bad wolf? Not her! I was trying the whole week to get

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Kimberley scared. Nothing I did worked. I am a scary wolf. You are

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not, you are like a puppy dog. It was our highest score so far. 8.

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When I saw all the 8s popping up, I was like: yes! Get off!

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This week, we are dancing the salsa This week, we are dancing the salsa

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to Naughty Girl, Beyonce. It's little bit more up my street,

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think. We completely changed the character, going from scary wolf

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very sexy salsa dance. Salsa is all about twisting, which is a little

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bit unfortunate for me this week, because I've injured my knee. Every

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time I go to do a step, it's twinging which is when I get the

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real pain. I kind of scraped through Saturday night, but obviously

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has done more harm than good so I'm paying for it this week. Worst case

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scenario, she is going to be looking pretty, standing in the middle of

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the floor and I'm just going to prance around her. Ice on it

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20 minutes. Think we are managing make it work. It's always nice to

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have more time, but this is what we've got and that's what

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gonna deal with. Saturday, bring it on.

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Apology for the loss of subtitles for 88 seconds

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and Pasha Kovalev. MUSIC: Naughty Girl

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What about that? Wasn't that good? I What about that? Wasn't that good? I

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tell you, what a start, my love. Well done. Pasha, that was really -

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I'm pasta! A lovely routine, lovely routine, and of course we

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have our judges, please welcome Craig, Darcey, Len and Bruno.

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APPLAUSE. I must say, we are all looking

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forward tonight to the bonfire party, we really are. It will be a

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right free for all. I've a little bit of what you fancy

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you good, although in your case Darcey it doesn't include Louis.

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Ooh! What were you doing last week? week?? I wouldn't get time to

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that. I saw a close-up of you doing this. Shocking. I don't know how

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got the job. LAUGHTER. Anyway, we don't need people like that, do we,

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Len? Of course, that's the way, aha, aha, I like it. I tell you what,

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it's the return of Nimble Kimble. The lifts were clean, it was a

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sparkler. I'm not sure but I there was maybe one little incident

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early on, with the arms, maybe something went a little bit

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but I tell you what, I loved it when you came up and flaunted yourself at

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me. Do that every week and you get an extra mark. LAUGHTER. It was

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just for you, was it? Just for you. No, the whole routine was absolutely

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- Bruno? Kimberley, yes, tease me to death! So naughty, so saucy, so

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fiercely sexy. And those luscious hips. I'm telling you, that hip

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action was spotless. The armology is intricate and beautiful. Mount and

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dismount with ease. Have you done that before? LAUGHTER.

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should do it again because that was brilliant. It was brilliant.

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Absolutely brilliant. APPLAUSE. Right, now then, what about

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Craig? Lassivious, licentious, loved it darling. He loved it! Now,

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Darcey? Kim Kimberley, it is you are such a natural performer,

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every lift was beautiful and it a seamless wrap lift round Pasha's

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neck. I mean, that's not easy. Did you it. You really did. APPLAUSE.

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Don't forget, it's a team. What did you think of pasta, er Pasha?

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like pasta. Who doesn't? Anyway, you go, it was a great start. Thank

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you for doing that. Off you go. APPLAUSE

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CHEERING. Come on, Nimble Kimble is CHEERING. Come on, Nimble Kimble is

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back. Look, that's the way you kick off a show. Aha, aha. That's the

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way we like it. What was it, spotless hips, that's what we are

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talking about. Always good. The sexy salsa, more your style of

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dancing with Girls Aloud. How did you find it? Yes, I did feel

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little bit more comfortable that. But she is still humble, I

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love that. A total Goddess but humble Goddess. Tricky

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situation this week, kneegate for you this week, a lot of pain?

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was tough, we didn't really get to run the dance until Wednesday and

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Thursday. So not as much training as you like. Still came up with

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goods and a flying swing. That cool. Like that.

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CHEERING. Come on, a 9! Is that your CHEERING. Come on, a 9! Is that your

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first 9? First 9. And the highest score in the competition so far.

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Yes. Good girl, that was hot and spicy. Once all our stars have

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danced we will be opening the phone lines and there are two ways you can

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Don't call until after all of our Don't call until after all of our

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couples dance, if you do, your vote won't count and you still

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charged. For our next couple,

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Robin Windsor. CHEERING AND APPLAUSE . Yes, a very popular couple. Lisa

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came up to me today a rumour going around that I fancy

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someone on the show. I said there have always been rumours on this

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show about people fancying other people. I even found out who fancies

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me today, and I'm not happy about it. LAUGHTER. She said "Why, who

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fancies you?", I said "Nobody". Ah! Nobody in nine years. Not even

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Widdecombe. Mind you, I think secretly she does. LAUGHTER. Anyway,

:16:35.:16:45.
:16:45.:16:47.

That was the fastest Charleston I've That was the fastest Charleston I've

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ever seen again. The foodwork, because of the speed,

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been cleaner and sharper. You were basically just doing step, touch,

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step, back. I genuinely do agree with what Craig said but I

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really, really work hard and I will prove him wrong. Let's look who

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down at the bottom. Seeing the leaderboard and where we were in

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table I was a bit like: I don't really want to be there. It has

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given us food for thought so definitely time for improvement.

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This week there is going to be no giggling, we are going to be very

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poised, very serious because we are doing the tango. It's got to be

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mmm-tt. When he looks at me like that, says we've got to be sultry, I

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can't take him seriously and I start laughing. We are back into ballroom

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hold and ballroom frame been Lisa's downfall so far so we

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are concentrating on frame and footwork. OK, relax, relax.

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LAUGHING . I do want Len to say your posture is great, your lean is

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great, footwork great, you have done your posture correctly and feet are

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in the right position. Just got stop giggling, that's the problem.

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Come Saturday night, it needs to serious. LAUGHING . Who are we

:18:05.:18:15.
:18:15.:18:15.

Apology for the loss of subtitles for 88 seconds

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What about it? Lisa, how did you What about it? Lisa, how did you

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What about it? Lisa, how did you keep a straight face through that?

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keep a straight face through that? keep a straight face through that?

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Dancing the tango, Because your giggle has been - I

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know. But it was fantastic. I was watching you and I thought "She is

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going to break in a minute". Right, while you take a moment to catch

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your breath, I will take a moment to welcome our fabulous singers,

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Arch and his wonderful orchestra. CHEERING AND APPLAUSE

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Lovely. Now then, Bruno? Oh, Lisa, Lovely. Now then, Bruno? Oh, Lisa,

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you are always ready to give Focus, intent, this man is mine,

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nobody is going to take him from me until I'm done, then you throw him

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away at the end. Way to go. Nobody can ever fault you for delivering.

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You do deliver. You really do. contact, I tell you. Glued together,

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you were. Nobody - nobody could ever separate you. Of course, tango is

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tricky. Some bits could have been sharper, especially the little

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flick, when you do in the runs, in the footwork, line could have been

:21:10.:21:14.

better, but as always you can never fault your performance. No. APPLAUSE

:21:14.:21:24.
:21:24.:21:25.

Now then, Craig? Well, I can, Now then, Craig? Well, I can,

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darling. AUDIENCE: Boo! You more performance in the footwork,

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more glide across the floor. Your hand needs shaping, very stiff and

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flat. It's a tango, my old There was too much up and down is

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what I am trying to say. What you talking about? He

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nonsense. You've had your moment, darling. Explain it to me. You need

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a stronger preparatory head, which means that. And what I want

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as well, on the positive side, it's nice to see you doing something

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seriously, and I thought the routine itself was amazing. Ah, well,

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happy ending. APPLAUSE. Craig, was lovely. But why do you love

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tease these two? All right, Darcey? Well, Lisa, for me you did create

:22:24.:22:27.

that sharp head. Occasionally are so many turns you got

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dizzy that dizzy

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dizzy, but you did have that clean, sharp change of direction. I was

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only missing it in the feet so could have been cleaner and sharper

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on that beat, OK, so punch that next time, but you do, you always

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give a wonderful performance. She does. Always does. Focus. Finally?

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You see, you do. You come out and perform. Whatever dance you get,

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debut for debut

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perform. Whatever dance you get, go for it 100%. I thought it was

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sharp and had attack. The tango isn't totally performance-driven. It

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needed a bit of refine. In the feet and in the hold, but as for

:23:09.:23:16.

attitude, fabulous. A bit of refinement. So fabulous. Now giggle

:23:16.:23:26.
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for me. That's it, away you go. Up the stairs. CHEERING

:23:28.:23:30.

Yeah! She was worried about this Yeah! She was worried about this

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one, a little bit, weren't you? was really worried about this one

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because I wanted to really, really get the ballroom right but no, that

:23:37.:23:40.

was nice what they said. You were worrying about keeping the straight

:23:40.:23:44.

face and nailing the serious side. Show us your mean and moody. She is

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selling it. Trying. They all can't fault the performance, and you

:23:49.:23:54.

deliver. Now, we are halfway almost - next week is halfway point

:23:54.:23:57.

in the competition. How do you the atmosphere is getting between

:23:57.:24:02.

the couples? Is the competition hotting up a bit? It's just

:24:02.:24:05.

brilliant, we are all having such a brilliant time and loving every week

:24:05.:24:11.

and it's lovely to see us all grow and grow week after week. Apart

:24:11.:24:21.
:24:21.:24:31.

from Vincent. Especially Vincent's hair.

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Lovely. 27. Slightly confidential Lovely. 27. Slightly confidential

:24:39.:24:49.
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tips from Len. What do you think, did Lisa's tango tickle your fancy?

:24:53.:24:57.

Don't pick up the phone until lines Don't pick up the phone until lines

:24:57.:25:03.

open later. Look, the seriousness gone now. Denise and James

:25:03.:25:13.
:25:13.:25:13.

oh so romantic. Next up is Richard and Erin rich.

:25:13.:25:17.

Next up is Richard and Erin Next up is Richard and Erin.

:25:17.:25:21.

are dancing to Hey Big Spender. That reminds me of Len last week.

:25:22.:25:26.

the show he went up to the bar, opened his wallet, took

:25:26.:25:29.

and said "This is for the crew". Then he took another fifty and said

:25:29.:25:36.

"To hell with it, let's make it a pound." LAUGHTER. Yes, Len, you

:25:36.:25:46.

are the last of the big spenders. Anyway, here they are in training.

:25:46.:25:49.

I loved every minute of it and the I loved every minute of it and the

:25:49.:25:51.

I loved every minute of it and the crowd were terrific. When they got

:25:51.:25:52.

crowd were terrific. When they got crowd were terrific. When they got

:25:52.:25:52.

I loved every minute on their feet at the end, that

:25:52.:25:56.

an extraordinary moment, I've never felt like that before in my life.

:25:56.:26:03.

You great, big, butch bullfighter. The capework was very good and the

:26:03.:26:09.

turn out of it was good. However, that jette, you should never have

:26:09.:26:13.

done that. He said we never should have tried it. I want to try

:26:13.:26:18.

everything while I'm here and I'm going to continue to do so. This

:26:18.:26:25.

week I'm dancing to Hey Big Spender, so I thought I would

:26:25.:26:32.

so I thought I would give Erin a taste of my celebrity lifestyle. Are

:26:32.:26:37.

you enjoying the luxury? You can't beat a bit of chickennal fresco.

:26:37.:26:42.

That's not what I had in mind. You will love what I have in mind next.

:26:42.:26:48.

What do you think of my boat? I'm not getting into that. You've got

:26:48.:26:53.

one more chance. How about this? The only way to see London. What a

:26:53.:26:58.

beautiful view. Stop! You have no idea how to treat a lady. Hey? I

:26:58.:27:08.

will see you around. Oh, am I glad to see you, James, what a day.

:27:08.:27:18.
:27:18.:27:24.

Night, Erin. Richard? and Erin Boag.

:27:24.:27:34.
:27:34.:27:34.

Apology for the loss of subtitles for 88 seconds

:27:34.:29:03.

CHEERING AND APPLAUSE. I'm so sorry. CHEERING AND APPLAUSE. I'm so sorry.

:29:03.:29:08.

Oh, what happened? I know. It just went. The other side, the other

:29:08.:29:15.

side. Ah. I'm so sorry. You went to pieces. I know, and in the dress

:29:15.:29:18.

rehearsal you were so good. This afternoon, he was wonderful. It

:29:18.:29:22.

just went. That is a great I'm sorry about that. If they ever

:29:22.:29:28.

do a remake of - Shall we now? No, you've got to stay and

:29:28.:29:31.

take your punishment if we start with Craig, it can only get better.

:29:31.:29:41.
:29:41.:29:42.

LAUGHTER . That wasn't bad, was it? Yes, good. All right Craig, go on. A

:29:42.:29:50.

complete dance disaster. BOOING. It all went horribly wrong. It was

:29:50.:29:54.

going so well. No, it wasn't going well, it was going all right. And

:29:54.:29:58.

then it went all horribly wrong. He was so good this afternoon. We

:29:58.:30:04.

should have filmed it. Anyway, Darcey dear? Richard, when you

:30:04.:30:08.

off balance like that, the best thing is the thighs, they are a bit

:30:08.:30:11.

wooden and I think that's when balance went because you've got to

:30:11.:30:18.

make sure the knees have nice soft bend in them and use the thighs in

:30:18.:30:24.

the floor. I've got so much loose change between my cheeks, from last

:30:24.:30:31.

week, I'm running out of places to put it, Darcey. I can't even follow

:30:31.:30:35.

that. Every week you have that was just a shame, because you

:30:35.:30:39.

just lost your focus. One of those nights. We've all been - we've all

:30:39.:30:44.

done it, everybody here and on the panel, we've all blanked, all right?

:30:44.:30:54.
:30:54.:30:54.

Len? It was a tad ploy. I'm going to call youd plod-father. A tad

:30:54.:31:01.

plody. Listen, ask Erin, this is of the most difficult ballroom

:31:01.:31:05.

dances for the men. What happens is when the pros go wrong,

:31:05.:31:08.

they are back but celebrities it take as while

:31:08.:31:16.

that page rates it, but - it exaggerates it, but it's a really

:31:16.:31:20.

tough dance and I thought you came out and did a really good job.

:31:20.:31:25.

one of those things. Richard, my darling, you are a bit too

:31:25.:31:29.

a big spender, aren't you? Should sit down for this? You had

:31:29.:31:33.

on you like a frozen haddock. it was a like a puppet and

:31:34.:31:38.

the strings. Oh God, what I'm doing. You know, it all

:31:38.:31:42.

went terribly, terribly wrong. I know. So I am sure if you come

:31:42.:31:47.

back, it's going to be much, much better. I hope so. I am now going

:31:47.:31:52.

to make you - Arnold, listen - Sorry, Bruce. I'm going to make you

:31:52.:32:02.
:32:02.:32:08.

my favourite. Get off! APPLAUSE

:32:08.:32:12.

Keep going, keep going. Come back Keep going, keep going. Come back

:32:12.:32:15.

here. Do you know what, Tess, can I just say something, we've heard

:32:15.:32:21.

these tales over ten series, the tales where you forget your routine

:32:21.:32:26.

and we rehearsed it within an inch of its life didn't we? Yes. And

:32:26.:32:30.

just went. I thought the cameras are rolling, this is no dress rehearsal.

:32:30.:32:36.

We are going to be on the forever! LAUGHTER. We all loved it

:32:36.:32:41.

up here, didn't we? Oh yes. Darcey said you have improved, you

:32:41.:32:45.

lost focus. It could happen to anybody. It's awful. I mean, it

:32:45.:32:50.

could happen to anyone. It did happen. Another question, has this

:32:50.:32:58.

new macho persona of yours won you legion of female fans?

:32:58.:33:04.

all quarters, in fact the cab driver who dropped me off today said "What

:33:04.:33:09.

are you wearing, what is that scent?" Unbelievable, isn't it?

:33:09.:33:12.

Just attracting people left, right and centre. I part from this one,

:33:12.:33:22.
:33:22.:33:34.

That's fair enough, Tess. It is That's fair enough, Tess. It is

:33:34.:33:42.

fair. Not your strongest score. All is not yet lost. Please vote. If our

:33:43.:33:46.

Richard set your Bonfire Night on fire with that routine, he is going

:33:46.:33:56.

Call after all of our couples have Call after all of our couples have

:33:56.:33:59.

danced if you want to see him sashaying across that floor one

:33:59.:34:04.

week. Our next couple is

:34:04.:34:14.
:34:14.:34:14.

and James Jordan. APPLAUSE . Denise Van Outen, what a lovely name.

:34:14.:34:19.

Having three parts to your name can make you seem sophisticated,

:34:19.:34:24.

cultured, you know, one of the elite. Mind you, it can go the other

:34:24.:34:31.

way, like Craig Revel Horwood. LAUGHTER. Or Anton du Beke. Or as I

:34:31.:34:40.

call him du Burk. Anyway, here are in training. I found the

:34:40.:34:42.

cha-cha-cha very difficult to learn and it was something that James

:34:42.:34:45.

tried to work on with me, and unfortunately I kind of let him

:34:45.:34:49.

a little bit on the night. It was a little jolty and wooden, you

:34:50.:34:53.

work on that. Craig was right. could feel it when I was doing the

:34:53.:34:56.

dance. The thing is, I loved being in character and got a little

:34:57.:35:02.

carried away and just the technique. It wasn't quite

:35:02.:35:05.

crisp as I would have liked. It's justified and it has put fire in my

:35:05.:35:10.

belly and given me something to on. This week, we are dancing the

:35:10.:35:15.

Viennese waltz. Basically, it's quite a simple dance. It has three

:35:15.:35:19.

steps one way, three steps the other way, and you add a little fleckerl

:35:19.:35:25.

in. Lovely. Personality-wise I'm more of a Latin girl, definitely.

:35:25.:35:29.

If Denise is going to master dance she has to love ballroom

:35:29.:35:34.

I'm going to show her how much people really love ballroom dancing.

:35:34.:35:38.

This is brilliant. It just makes me feel really good. I love it.

:35:39.:35:43.

about listening to of the music and allowing

:35:43.:35:48.

be led, I think. Are you yet? Starting to. Get on the right

:35:48.:35:53.

foot then. Excuse me, could I this partner from you? Finally,

:35:53.:35:59.

real man. What are you doing on Saturday night? I'm free. James,

:35:59.:36:09.
:36:09.:36:12.

I've got a new dance partner. Nice. Van Outen and her partner James

:36:12.:36:22.
:36:22.:36:22.

Apology for the loss of subtitles for 88 seconds

:36:22.:37:43.

Jordan. MUSIC At Last.

:37:43.:37:51.

Are you OK? Well done. Wasn't that Are you OK? Well done. Wasn't that

:37:51.:37:56.

lovely? Wasn't that beautiful? Ah. That really got me, I tell you,

:37:57.:38:03.

that. Thank you. A beautiful song, beautifully sung, and magnificently

:38:03.:38:06.

danced. Thank you. Thank you. That was so emotional. I nearly

:38:06.:38:11.

on there with you. Len? Poise, posture, performance. First class.

:38:11.:38:16.

More turns than a Catherine Wheel. Absolutely spectacular,

:38:16.:38:22.

you. You are right. You are right. That was. You don't know how

:38:22.:38:32.
:38:32.:38:32.

that was. Bruno? A romantic dream, set to music. Flowing, fluid, the

:38:32.:38:37.

rotation was exquisite. The two spins into hold, seamless. They are

:38:37.:38:46.

so difficult to do. That was so pretty. And the fleckerl. I love

:38:46.:38:52.

doing the fleckerl. And you do it beautifully, my dear. You

:38:52.:38:58.

fleckerl any time. Fabulous. think I've got a fleckerl left in

:38:58.:39:08.
:39:08.:39:09.

me. All right, Craig? One word: a-maz-ing. You wait until you see

:39:09.:39:19.
:39:19.:39:20.

that. Go on, off you go. It was wonderful. CHEERING AND APPLAUSE .

:39:20.:39:24.

Well done, there's a fleckerl in the Well done, there's a fleckerl in the

:39:24.:39:28.

house. You have said that is not your friend but the

:39:28.:39:34.

loved it. Was it tough? I was getting really dizzy when I started

:39:34.:39:37.

practising at the beginning of week. And you are dizzy anyway. I

:39:37.:39:43.

am a dizzy blonde, but I love it now. Much better than dress

:39:43.:39:46.

rehearsal. It was a disaster. So I'm very proud of you,

:39:46.:39:51.

Thank you, thank you. Last week you lost your lead on the leaderboard to

:39:51.:39:54.

Louis. Do you think tonight might get back on top? We will

:39:54.:40:04.
:40:04.:40:15.

Who knows? BOOING

:40:15.:40:19.

yes! Yes, look at that then. 35. yes! Yes, look at that then. 35.

:40:19.:40:25.

Top score. Really well deserved. Thank you. See, ballroom girl. She

:40:25.:40:31.

is a ballroom girl. Did Denise and James' ballroom melt your heart? Who

:40:31.:40:39.

would have thought they could be so sweet?

:40:39.:40:42.

Good phone action, Denise. What an explosive night it has been already.

:40:42.:40:43.

explosive night it has been already. explosive night it has been already.

:40:43.:40:45.

Good phone action, Are you ready for some more? You

:40:45.:40:47.

want some more, ladies and gentlemen? CHEERING. That was a

:40:47.:40:54.

Who is next, Bruce? Our fifth couple is

:40:54.:40:59.

Pendleton and her partner Brendan Cole. CHEERING AND APPLAUSE . Very

:40:59.:41:03.

popular couple. Now then, last week they pretended to get married but

:41:03.:41:07.

this week has been anything but a honeymoon. Here they are in

:41:07.:41:13.

I was really pleased with my I was really pleased with my

:41:13.:41:15.

I was really pleased with my performance on Saturday. But I've

:41:15.:41:16.

performance on Saturday. But I've performance on Saturday. But I've

:41:16.:41:18.

I was really pleased never been to a Hallowe'en party

:41:18.:41:21.

before, so it was by far the most Hallowe'eny thing I've ever done in

:41:21.:41:25.

my life. I have faith in you, you've got to have faith in

:41:26.:41:33.

yourself. This was a proper tango. Well done. Oh my God, you! This

:41:33.:41:39.

week, Brendan and I will be dancing the samba. How am I supposed to

:41:39.:41:44.

keep up with that? Samba is ridiculous. So many different

:41:44.:41:49.

rhythms to learn. Timings and it takes commitment. That's so

:41:49.:41:53.

complicated. It's less complicated, just one step. I don't feel I know

:41:53.:41:58.

what we are doing at all. I thought you wanted to change it so I changed

:41:58.:42:03.

it and - But that's a change. I think one of the biggest

:42:03.:42:09.

things that Victoria struggles with is that she is good at it. It will

:42:09.:42:13.

never be perfect but we make it as good for us as we possibly can. I

:42:13.:42:17.

decided to leave. Things that is part of Strictly Come

:42:17.:42:20.

Dancing. I'm very used to it. you have a difference of opinion

:42:20.:42:23.

just makes you realise that you really need to work together as a

:42:23.:42:26.

team. Brendan and I came in together today, got straight down to work,

:42:26.:42:31.

which is exactly what we needed do. I gave him a bit of a cuddle.

:42:31.:42:34.

You need to get back on your after you have fallen off. We can

:42:34.:42:39.

that because we have a strong bond. It might take a bit of a miracle

:42:39.:42:45.

it would be really great to bring a samba party to Saturday night.

:42:45.:42:54.

Dancing the samba, Pendleton and Brendan Cole.

:42:54.:43:04.
:43:04.:43:04.

Apology for the loss of subtitles for 88 seconds

:43:04.:44:29.

MUSIC: It's Not Unusual. CHEERING AND APPLAUSE

:44:29.:44:38.

Good job, babe. You saucy, saucy Good job, babe. You saucy, saucy

:44:38.:44:38.

Good job, babe. You saucy, saucy Victoria. I didn't think you would

:44:39.:44:40.

Victoria. I didn't think you would Victoria. I didn't think you would

:44:40.:44:42.

Good job, babe. You ever do that. Len, start us off. I

:44:42.:44:44.

read this week we've come out of the recession and I think you've come

:44:45.:44:49.

out of your shell because to come up on this stage thing and dance

:44:49.:44:55.

front of millions of people I think is very brave and courageous. It was

:44:55.:44:58.

very neat and nice. Occasionally you were a little bit unstable in

:44:58.:45:06.

places, but I thought your bravery was terrific. Well done. APPLAUSE.

:45:06.:45:13.

Now then, Bruno? Yes, Victoria does Vegas, and it was all very, very

:45:13.:45:16.

promising at the beginning. problem started when you went to

:45:16.:45:22.

dance floor. It was Las Vegas hangover. What? No, samba has

:45:22.:45:29.

much stronger, much more and you were shaky. I was shaking.

:45:29.:45:36.

That was choreographed. Yes, choreograph the hangover. No, I'm

:45:36.:45:40.

sorry, on week five the move be clean, it has to be precise, you

:45:40.:45:44.

have to do much, much more. We total you before, work on your strength,

:45:44.:45:49.

especially on these dances. You have to be on it. You

:45:49.:45:54.

cannot be behind it. But it was a shake samba. It started

:45:54.:45:59.

Craig? I thought it was a little lumpish and awkward in places. Your

:45:59.:46:02.

free arm also needs a lot of attention, you can't forget

:46:02.:46:11.

that is there. Those steps, - that was just walking backwards,

:46:11.:46:18.

funny. Then why were you doing darling? A bit of a non-event, but

:46:18.:46:22.

actually I thought you coped quite well with the whole routine,

:46:22.:46:28.

really did. APPLAUSE. And finish up with, Darcey? No,

:46:28.:46:31.

Victoria, you started so well, is right, if you get on this stage

:46:31.:46:36.

and you can do that, you are show girl. You really are. But the

:46:36.:46:41.

heels did help, but you just lose your focus at the very end, that's

:46:41.:46:45.

the only thing. You kept from the beginning and then you lose

:46:45.:46:49.

your focus. Don't tell coming to the end, yes? But I did

:46:49.:46:52.

enjoy it. You did improve, you did improve. Definitely another

:46:53.:46:57.

improvement. Off you go. Thank you, Brendan and Victoria. CHEERING

:46:57.:47:07.

She is a showgirl, just for one She is a showgirl, just for one

:47:07.:47:10.

night. A shaky showgirl. Still shaking. Still shaking a little

:47:11.:47:14.

bit. It's over now. Outside of Strictly you are the best in

:47:14.:47:17.

world at what you do. How it sort of starting a new discipline

:47:18.:47:22.

and every week having to come up with a different dance? Erm, it's

:47:22.:47:26.

tough. I didn't expect to be a great dancer, I've never done it before. I

:47:26.:47:29.

haven't even had a hangover before so that's something I've just learnt

:47:29.:47:34.

all about out there, that's what I do. So yes, it is really

:47:34.:47:37.

challenging. Does it help having Brendan by your side?

:47:37.:47:41.

yes. Thank you. He has after me so much this week, he is a

:47:41.:47:46.

rock, thank you. Brendan, the samba, and we won't mention the

:47:46.:47:53.

curse of the samba - Don't say it, it's a tough dance. Too much to do

:47:53.:47:57.

in a short space of time but done now, we never have to do it

:47:57.:47:59.

again. We are spoiling you, Brendan, three ladies on

:47:59.:48:09.
:48:09.:48:21.

AUDIENCE: Ooh! Fair enough. AUDIENCE: Ooh! Fair enough.

:48:21.:48:21.

AUDIENCE: Ooh! Fair enough. Brendan saying fair enough. What did

:48:21.:48:22.

Brendan saying fair enough. What did Brendan saying fair enough. What did

:48:22.:48:24.

AUDIENCE: Ooh! you think? If you thought Victoria's

:48:24.:48:34.

Come on, go. Come on. What are we Come on, go. Come on. What are we

:48:34.:48:39.

doing? Oh, we are dancing, we are partying. Samba, right. Don't call

:48:39.:48:45.

until all our couples have danced. Shake it, go on, shake it. Can

:48:45.:48:50.

Michael repeat last week's miracle on the floor? It's all going on up

:48:50.:48:58.

here, Bruce. Too much? Bruce?

:48:58.:49:01.

You know, we have a lazy stage crew You know, we have a lazy stage crew

:49:01.:49:06.

this week. They've left these two bits of scenery. LAUGHTER. Just

:49:06.:49:10.

hanging round the place. What can I possibly do with them? Don't tell

:49:10.:49:15.

me, Bruno. LAUGHTER. Anyway, I'm doing a joke here and it's good in a

:49:15.:49:19.

way because I never get the audience so near, so it's good, so don't

:49:19.:49:22.

forget to laugh at the joke at the end of it, all right? Here we go.

:49:22.:49:29.

Don't keep doing that, dear. Right. LAUGHTER . No, don't keep doing it.

:49:29.:49:38.

Right, our next couple - LAUGHTER - is Louis Smith and Flavia Cacace. Oh

:49:38.:49:48.
:49:48.:49:50.

yes. Now, they are doing the samba. He will have his shirt open to the

:49:50.:49:57.

waist. And it will be passionate, hot and a steamy routine. I will be

:49:57.:50:00.

standing around at the end of it with a glass of cold water for Louis

:50:00.:50:09.

and a bucket of cold water Darcey. No! Forget it! Oh yes, all

:50:09.:50:15.

right, it's always funny to - OK, with the right foot. Kick,

:50:15.:50:23.

kick, kick, here they are in training.

:50:23.:50:26.

Last week was unbelievable. We went Last week was unbelievable. We went

:50:26.:50:29.

out there, we did the tango, and it was Flavia's favourite dance so it

:50:30.:50:36.

# Ain't no stopping us now # Ain't no stopping us now

:50:36.:50:38.

# Ain't no stopping us now # We are on the move #

:50:38.:50:39.

# We are on the move # # We are on the move #

:50:39.:50:41.

# Ain't no I loved it. The first killer tango

:50:41.:50:51.

It was an amazing experience, to It was an amazing experience, to

:50:51.:50:58.

receive the first 9s of the series. You know, I have only been dancing

:50:58.:51:01.

five weeks and to start getting nines on the show was

:51:01.:51:09.

feeling. SCREAMING. This week we are dancing the samba. Judges in the

:51:09.:51:12.

samba are looking for lots of energy. It's party time. You've

:51:12.:51:20.

to go for it. Ah! The hardest thing about this routine is being very

:51:20.:51:25.

flamboyant with it. I can't do it. Unless it's on his terms, Louis

:51:25.:51:28.

find it quite hard to let little bit. I feel like an idiot

:51:28.:51:33.

though when you don't do it right. Today Flavia brought in all

:51:33.:51:38.

crazy things, palm trees, hula skirts, to help me get into the

:51:38.:51:41.

spirit of the thing. I feel ridiculous. I think it will take

:51:41.:51:45.

some time for him to have courage to let people see it.

:51:45.:51:49.

Louis can bring his flamboyant side out on Saturday then we are in with

:51:49.:51:52.

a chance. I'm not quite there but hopefully I will be

:51:52.:51:58.

the samba. Dancing the samba,

:51:58.:52:08.
:52:08.:52:08.

Apology for the loss of subtitles for 88 seconds

:52:08.:53:43.

his partner Flavia Cacace. MUSIC: La Bomba

:53:43.:53:45.

CHEERING AND APPLAUSE. Oh look, oh CHEERING AND APPLAUSE. Oh look, oh

:53:45.:53:51.

look. Can't stop them. Look at this. Look at all this. Look at that,

:53:51.:53:57.

Louis, look! And over here. You've done it again. Thanks to this little

:53:58.:54:05.

lady here. Oh, I tell you what, you really have got it. In peak

:54:06.:54:12.

condition. A wonderful samba. Bruno? Louis, you have to be the King of

:54:12.:54:21.

hypnotic pelvic gyrations and rotation. There's a girl over here,

:54:21.:54:24.

cross-eyed and dribbling, she has lost all control of herself.

:54:24.:54:31.

switch it on. This Latin dance, it suits you perfectly. It's like

:54:31.:54:37.

Savile Row suit for you. At times though you turn into salsa. You

:54:37.:54:40.

to be careful because you must maintain a style for each dance.

:54:40.:54:43.

was fantastic to watch but stylistically you went into a bit

:54:43.:54:49.

a salsa, but we still loved it. APPLAUSE. Yes, it was very special,

:54:49.:54:55.

very special. Craig? The samba can sometimes look a little bit minutesy

:54:55.:55:00.

but you actually made it look very masculine, which was an absolute joy

:55:00.:55:06.

- can sometimes be mincey. You did lose that double bounce action which

:55:06.:55:12.

is so difficult to get and you missed a couple of a two, a three, a

:55:12.:55:21.

fours, but well done. Darcey, did you think, my dear? Sorry, I

:55:21.:55:30.

disagree. I was a bit disappointed. It was a bit safe. AUDIENCE: Ooh!

:55:30.:55:34.

The moves were too calculated for me, I wanted it to be much freer.

:55:34.:55:39.

BOOING . I mean, we've seen so brilliant performances and

:55:39.:55:47.

So Darcey wants you to be free, So Darcey wants you to be free,

:55:47.:55:52.

well, I don't know. Len? Every studio in Britain will be

:55:52.:55:57.

congratulating you because there were so many recognisable samba

:55:57.:56:04.

steps. Yes. Back rocks, the plait, the May pole, rolling off the arm,

:56:04.:56:07.

so many recognisable steps from the samba. You messed up the start of

:56:07.:56:10.

the running promenades, unfortunately - I won't say

:56:10.:56:19.

all great, well done! Yes. CHEERING. It was wonderful. They are

:56:19.:56:25.

on their feet. The pair of you are so good. Up the stairs. CHEERING

:56:25.:56:34.

Standing ovation in the studio and Standing ovation in the studio and

:56:34.:56:38.

the first boos of the series for poor Darcey. No one else found it

:56:38.:56:42.

little bit flat. We all loved it here actually. Finally got your

:56:42.:56:45.

shirt undone. Did that take much convincing? A little bit. It did

:56:45.:56:49.

but I've lost a bit of the last couple of days so I thought

:56:49.:56:53.

today's the day, let's get it down. If you are going to get it out, get

:56:53.:56:58.

it out today. Beautifully done. of the leaderboard last week, first

:56:58.:57:01.

nines of the series, dancing five weeks, an absolute

:57:01.:57:04.

you starting to feel all? A little bit if I'm honest. A

:57:04.:57:08.

few people have gone and competition is definitely heating

:57:08.:57:13.

so it's important to get it right on the day. Amazing. Did you

:57:13.:57:18.

that? I did. One of the hardest for you, a challenging dance. It

:57:18.:57:23.

was, yes, but liked the vibe. We enjoyed the hypnotic hips, and

:57:23.:57:33.
:57:33.:57:34.

I still like your performance, I still like your performance,

:57:34.:57:44.
:57:44.:57:50.

I still can't get over his. Bruno I still can't get over his. Bruno

:57:50.:57:52.

I still like your didn't agree with that 6 of Craig's.

:57:52.:57:55.

What do you think? You might life is a beach for these two but

:57:55.:57:59.

they still need your votes. If you want Louis' beach party to continue,

:57:59.:58:09.
:58:09.:58:11.

Louis might zip his shirt back up. Louis might zip his shirt back up.

:58:11.:58:16.

We don't want that, do we? No, to you, Bruce.

:58:16.:58:20.

Please. Our next Salmon and his partner Kristina

:58:20.:58:27.

Rhianoff. CHEERING AND APPLAUSE . Colin, he is a nice fella but such

:58:27.:58:35.

name dropper. He told me he starred in Prime Suspect with Dame Helen

:58:35.:58:41.

Mirren and in Bond films with Dame Judi Dench. I said all right, you've

:58:41.:58:46.

starred with two Dames. with three Dames,

:58:46.:58:56.
:58:56.:58:57.

and a Widow Twanky. I mean, a name dropper. Here they are in training.

:58:57.:58:59.

This is one Hallowe'en, I promise This is one Hallowe'en, I promise

:58:59.:59:03.

you, I will never forget. It was terrifying. Very flat footed all

:59:03.:59:06.

the way through. I thought I had the way through. I thought I had

:59:07.:59:10.

danced well so it was really disappointing. The couple who will

:59:10.:59:15.

compete in the dance-off is - There was a lamp in the throat. Yes, hard

:59:15.:59:19.

actually. Colin and Kristina. In all honesty it's like the bottom of

:59:19.:59:22.

your world has dropped out you give it everything and then it

:59:22.:59:28.

dawns on you that it clearly wasn't good enough. I'm going to have to

:59:28.:59:32.

save Colin and Kristina. I want to go, I really didn't want

:59:32.:59:34.

go. Colin and Kristina. It was incredible sense of relief

:59:34.:59:39.

had got through to this week and we live to fight another day.

:59:40.:59:43.

This week we've got the foxtrot we are dancing to Accentuate The

:59:43.:59:51.

Positive. That's exactly what we are going to do: accentuate the

:59:51.:59:56.

positive. Foxtrot really suits Colin's personality. He is a suave

:59:56.:00:00.

gentleman. In the past, we have struggled with my height but now I'm

:00:00.:00:06.

going to use it to my advantage. I will do the kicks, if you want

:00:06.:00:12.

actually - I can do it. I said want to do it but she said OK but

:00:12.:00:16.

you must point your feet. Impressive that it's so high, not

:00:16.:00:19.

impressive that toes are backwards. I suspect it may be one of the

:00:19.:00:25.

biggest kicks on Strictly because I'm one of the tallest guys

:00:25.:00:33.

been on. Dancing the foxtrot,

:00:33.:00:43.
:00:43.:00:43.

Apology for the loss of subtitles for 88 seconds

:00:43.:02:13.

and Kristina Rihanoff. MUSIC: Accentuate The Positive

:02:13.:02:17.

Kristina, that was lovely. Those Kristina, that was lovely. Those

:02:17.:02:23.

kicks, those kicks were marvellous. You should have been a tiller girl.

:02:23.:02:26.

But only two of them, you could done four of those at least. It

:02:26.:02:32.

fantastic. Right, Darcey? thank you. You lifted your chin, not

:02:32.:02:36.

just your eyes, and you glided beautifully, even with those really

:02:36.:02:44.

long legs. That's not easy. I just would say those kicks were competing

:02:44.:02:50.

with John Cleese though in the Funny Walks but your feet were pointed,

:02:50.:02:55.

they were. Well done. OK, Len? Well, funnily enough, I didn't think

:02:55.:02:59.

you glided quite enough. It was you were dancing on a shag pile

:02:59.:03:04.

carpet on occasions. BOOING. I liked it, so don't start all that.

:03:04.:03:08.

Give us a chance. However, very, very difficult dance. There

:03:08.:03:12.

are so many changes of rhythm, slows and quicks and then a whole load of

:03:12.:03:16.

quick. I thought you coped really well with a difficult dance, just

:03:16.:03:22.

try and glide more. And move more. You got to move more, go on! All

:03:22.:03:28.

right, OK. You can do smart, elegant, with an aura of

:03:28.:03:30.

sophistication. You are a great actor, you can do that. And the

:03:30.:03:34.

legs, I'm telling you, you got more extension than Darcey Bussell. You

:03:34.:03:39.

know? And it's all lovely, but is right, it needed a little more

:03:39.:03:43.

movement, but a great performance. It was, absolutely. Loved it,

:03:43.:03:49.

it. Well done with him, Kristina. Off you go there. Colin, be proud.

:03:49.:03:57.

Up the stairs. CHEERING Up the stairs. CHEERING AND APPLAUSE

:03:57.:03:59.

You suave gentleman, Colin. And You suave gentleman, Colin. And

:03:59.:04:02.

those high kicks, I believe, your idea, were they not? They were

:04:02.:04:11.

indeed, yes. Oh my gosh! One more, just because we can. Definitely

:04:11.:04:17.

record-breaking high kicks, the highest in Strictly history. Even

:04:17.:04:19.

Brendan pulled something just watching. You were in the dance-off

:04:19.:04:23.

last week, has that changed focus? Yes, we came in Monday,

:04:23.:04:26.

there was not a lot of humour around, but very focused, but I

:04:26.:04:30.

you what, I was still alive on Monday morning which was the thing

:04:30.:04:34.

that we dreaded. It was scary. Happy to still be here, yes.

:04:34.:04:38.

Absolutely. I think your family are in tonight? Do they for

:04:38.:04:43.

step? They do, yes. Look, she is, she is a beautiful girl.

:04:43.:04:53.
:04:53.:05:05.

Yes, they are amazing. proud of my family. Scores are in.

:05:05.:05:08.

27 out of 40, I think that's your 27 out of 40, I think that's your

:05:08.:05:11.

personal best to date, Colin? it is our best, very happy.

:05:11.:05:15.

well done in the foxtrot. want Colin to avoid the foxtrot this

:05:15.:05:25.
:05:25.:05:28.

Vote when lines open later. If you Vote when lines open later. If you

:05:28.:05:33.

fancy socialising with fellow Strictly fans, then check us out. So

:05:33.:05:36.

many options. That was fabulous. Back to you, Bruce.

:05:36.:05:46.
:05:46.:05:47.

OK, our next couple is and Karen Hauer. Now then, Nicky has

:05:48.:05:53.

two sons, twin boys they are, and I said to him "That must be an awful

:05:53.:05:57.

worry?", he said "You mean because twins are always getting into

:05:58.:06:05.

trouble? He said no, worse than that, they could turn out like

:06:05.:06:10.

Jedward". Ooh, all right, are in training.

:06:10.:06:12.

I actually really enjoyed the I actually really enjoyed the

:06:12.:06:13.

I actually really enjoyed the performance on Saturday night. It

:06:13.:06:14.

performance on Saturday night. It performance on Saturday night. It

:06:14.:06:15.

I actually really was like being a part after live

:06:15.:06:20.

movie set. The whacky Professor has found his secret formula. You

:06:20.:06:25.

at it like a rooster with a booster. You kept in character, I like

:06:25.:06:28.

fact you kept your glasses on. I was supposed to take the glasses

:06:28.:06:31.

off. I didn't even notice, I thought he did take them off. It

:06:31.:06:36.

was only when the music stopped and the crowd started clapping, I seen

:06:36.:06:41.

these rims around my face, I was like "I was supposed to take these

:06:41.:06:45.

off". Do weeks now where it has gone really, really well so honestly

:06:45.:06:51.

we can't complain - two weeks now. Get in, come on! I will pretend

:06:51.:06:58.

that I'm Brendan Cole. This week we are dancing the rumba

:06:58.:07:04.

to Don't Wanna Miss a Thing by Aerosmith. The judges are mainly

:07:04.:07:09.

picking out posture. You look you are drowning. I have been since

:07:09.:07:13.

the start of this competition. I am being very tough on keeping the

:07:13.:07:16.

posture. We really want to show the judges that he is improving. Where

:07:16.:07:20.

is your posture? Everything is: knees straight, posture. Pop that

:07:20.:07:24.

leg in. Don't pick up your feet. I swear, I will glue them to

:07:24.:07:28.

floor. What better way to get stuck in than to say: right, you are

:07:28.:07:32.

to do it, let's do it. You are doing ballet but then Kung Fu on

:07:32.:07:36.

that one. I do work him really hard but in the end he gives me the

:07:36.:07:39.

results I'm looking for. We don't want them to see your weak points.

:07:39.:07:43.

What weak points? You have no weak points. I don't know what you are

:07:43.:07:53.
:07:53.:08:01.

talking about. Dancing the rumba, Nicky Byrne and Karen Hauer.

:08:01.:08:11.
:08:11.:08:11.

Apology for the loss of subtitles for 88 seconds

:08:11.:09:37.

Well done, Nicky. Were you pleased Well done, Nicky. Were you pleased

:09:37.:09:40.

with him, Karen? You pleased your boy? I should think so too.

:09:40.:09:47.

Great. Darcey, we will start with you. Yes, Nicky, this is the dance

:09:47.:09:51.

of love and I know you've worked very hard, I can see that, but I

:09:51.:09:55.

would have liked you to all the way through. There

:09:55.:09:59.

beautiful poses and everything. The only thing I would like, it's hard I

:09:59.:10:05.

know, because it's hard to sustain and it's slow, and you did achieve

:10:05.:10:11.

an amazing turn. That ice skating lift, where you just held her and

:10:11.:10:15.

that went on and on, so great control, but more

:10:15.:10:18.

content next time, please. That's what I was missing. OK,

:10:18.:10:23.

straight to Bruno? I thought, Nicky, you really had plenty of

:10:23.:10:27.

intensity and purpose. I actually felt he had a lot, a lot of

:10:27.:10:30.

chemistry. He was playing the girl. If anything, he was playing her too

:10:30.:10:34.

much. He was like Usain much. He was like

:10:34.:10:40.

much. He was like Usain Bolt, you know? I disagree with you in that

:10:41.:10:44.

respect. The only thing he have done, a little more propulsion

:10:44.:10:49.

in the hip action but you were intent into playing her that that

:10:49.:10:52.

was a little weak but I'm sorry to disagree, the performance was

:10:52.:10:58.

actually very strong. every minute of it. APPLAUSE. Yes,

:10:58.:11:02.

and we will finish with you, Craig? For me it was just a series of

:11:02.:11:05.

presentations and, if it was a dance about just presenting your girl,

:11:05.:11:09.

then that would be fine, but for me not enough basic rumba in there. I

:11:09.:11:13.

would have liked to have seen more hip action and just basics. You

:11:13.:11:19.

didn't get the story. He finished it well. It was really lovely.

:11:19.:11:23.

Thank you. Be very proud about it. Cheers. Improvement all the time.

:11:23.:11:33.
:11:33.:11:34.

Go on, off you go there. Karen Nicky. APPLAUSE

:11:34.:11:38.

Thank you. Lots of chemistry, said Thank you. Lots of chemistry, said

:11:38.:11:41.

Bruno. You two have got a really sweet brother-sister type of

:11:41.:11:45.

relationship. Was it a stretch getting sexy in the rumba? Yes,

:11:45.:11:49.

it's a hard dance, very slow. talk to the pros and they all say

:11:49.:11:52.

it's one of the hardest. The is slow and obviously the intensity

:11:52.:11:54.

has got to be there but that was I did my best. Probably the

:11:54.:11:58.

toughest dance for the male celebrity because it's very slow,

:11:58.:12:01.

very emotive, you've got to wear your heart on the

:12:01.:12:06.

you? Yes, and I spoke to James and Brendan before we went on and they

:12:06.:12:10.

were giving me tips and obviously they gave me the wrong ones!

:12:10.:12:20.
:12:20.:12:21.

LAUGHTER. Don't listen! Scores are in.

:12:21.:12:31.
:12:31.:12:37.

You are still improving, Nicky. That would be a great score.

:12:37.:12:37.

That would be a great score. That would be a great score.

:12:37.:12:38.

You are still improving, Improving, right? Yes. If you

:12:38.:12:47.

don't want Nicky to miss a thing in the Strictly ballroom, call.

:12:47.:12:49.

Lines are open until later so just Lines are open until later so just

:12:49.:12:54.

hold your horses for now. Nice one, Nicky. We loved it. Thank you. Back

:12:54.:12:59.

to you, Bruce. OK, our next couple

:12:59.:13:06.

and her partner Artem Chigvinstev. Yes, she is Fern, she is lovely. You

:13:06.:13:13.

know, Fern asked me if I like Fireworks Night. I said "No, not

:13:13.:13:18.

after what happened last year. For safety's sake I put all my fireworks

:13:18.:13:22.

in a biscuit tin. I got so fiddling around for a Catherine

:13:22.:13:26.

Wheel, I finally got one, then spent 20 minutes trying to light a Jammy

:13:26.:13:30.

Dodger". I thought it was funny myself. Never mind. LAUGHTER.

:13:30.:13:33.

gone now. That's the trouble live television. Here they are in

:13:33.:13:43.
:13:43.:13:44.

All sorts of things went wrong for All sorts of things went wrong for

:13:44.:13:49.

me. Nerves, forgetting the steps. Oh, it was a nightmare. You've got

:13:49.:13:58.

the how but it hasn't got the wow. resolved myself to dancing in the

:13:58.:14:05.

dance-off. The couple in the bottom two tonight is Colin and Kristina.

:14:05.:14:09.

Artem and I looked at each other and couldn't take it in. Are

:14:09.:14:13.

shock? Absolute shock. To that people bothered to pick up the

:14:13.:14:18.

telephone and vote for us and keep us in, actually makes me quite

:14:18.:14:24.

emotional, thinking people will pick up the phone, so thank you. This

:14:24.:14:27.

week we are doing a paso. It's very aggressive, a lot of passion,

:14:27.:14:35.

feel like we need to bring the fiery side of Fern . Seven. Not severrrn.

:14:35.:14:42.

Seven. Seven. So I'm bringing an expert to help me out. Look at

:14:42.:14:46.

me. Show your body. It's all looking at people and making them

:14:46.:14:50.

want you. Imagine I am me. She was just great, a bit

:14:50.:14:57.

work. Don't worry. A bit of hips, arms and attitude. I loved her. Just

:14:57.:15:03.

what I needed. LAUGHTER. I think after Lucia, there is changes

:15:03.:15:07.

Fern. You need to get some work done, come on. I feel transformed.

:15:07.:15:17.
:15:17.:15:18.

just hope that fiery Fern comes out on Saturday night. Dancing the paso

:15:18.:15:27.

doble, Fern Britton and Artem Chigvintsev.

:15:27.:15:37.
:15:37.:15:37.

Apology for the loss of subtitles for 88 seconds

:15:37.:17:13.

That's it, come on Artem, up. Oh, That's it, come on Artem, up. Oh,

:17:13.:17:17.

lovely. Are you all right, my darling? Are you OK? Yes, I fell

:17:17.:17:20.

over a couple of times. And all that sliding on your bottom. I

:17:20.:17:26.

know! I hope you didn't get any splinters. For goodness sake.

:17:26.:17:32.

LAUGHTER. Could be very nasty for her. Start off with you, Len.

:17:32.:17:40.

Artem, it's like looking mirror. LAUGHTER. You didn't bring

:17:40.:17:46.

your Poppy! Never mind where the poppy is. Listen, paso doble, if it

:17:46.:17:51.

was a firework, it's a banger. Now, this fizzed but it never exploded.

:17:51.:17:59.

That's the bottom line. AUDIENCE: Oh! Oh dear. Bruno? Yes, for a

:17:59.:18:04.

moment I started to see the Fern on fire, but then off you go, you

:18:04.:18:08.

dusting and polishing the floor again. You know, this is not chores,

:18:08.:18:12.

it's a dance that requires strength, lines, artistry. You know, get that

:18:12.:18:16.

fire out. Get that power out. have been telling you, week after

:18:16.:18:21.

week, you've got to deliver. You've got to get it out there! Right, OK.

:18:21.:18:27.

A bit severe. OK, Craig? I've got to admit, I was slightly distracted

:18:27.:18:37.
:18:37.:18:42.

by Artem's torso. So was I. I manage - Yes, cover yourself up,

:18:42.:18:46.

for goodness sake. BOOING . !

:18:46.:18:52.

for goodness sake. BOOING . CHEERING CHEERING. I did manage to see

:18:52.:19:02.
:19:02.:19:03.

wobbles, however in there. still warm. LAUGHTER. We will

:19:03.:19:07.

finish with Darcey. Well, I liked the choreography, I liked what you

:19:07.:19:10.

did with your skirt, that you were using a cape. It was assertive for

:19:10.:19:18.

me, and I thought there was a fire, Fern. CHEERING. Oh, don't look so

:19:18.:19:22.

unhappy. I'm going to make you my second favourite. Oh, that's

:19:23.:19:26.

right then. Will that cheer you up? Oh yes, yes. It was lovely. Go on

:19:27.:19:36.
:19:37.:19:41.

then, off you go. That's it. Wonderful. CHEERING AND APPLAUSE

:19:41.:19:43.

Fern, how you could concentrate, I Fern, how you could concentrate, I

:19:43.:19:47.

mean even Craig was flustered, that's a first. It is quite

:19:47.:19:50.

something to concentrate know? Indeed, all that

:19:50.:19:55.

about and then he takes his top off. Mm-hm. All right. Did you think

:19:55.:20:01.

you brought the passion to the floor? I really did try, you know.

:20:01.:20:05.

The face, the attitude, it was all there. Last week, you thought you

:20:05.:20:09.

were - you were convinced you were going to be in the dance-off? Yes.

:20:09.:20:12.

You must have a lot of public support. I think we have and I

:20:12.:20:17.

can't thank you enough. That's just - obviously this is a ploy -

:20:17.:20:27.
:20:27.:20:46.

APPLAUSE . Wowzer. I think that's APPLAUSE . Wowzer. I think that's

:20:46.:20:49.

your joint highest score, is it, date? Yes. Yes, can we do this

:20:49.:20:56.

every time? Fern, please! you think, if they got you shaking

:20:56.:21:06.
:21:06.:21:08.

03. 03 is a good number. Make sure 03. 03 is a good number. Make sure

:21:08.:21:13.

you vote for your favourite as we open the phonelines. Who

:21:13.:21:16.

dancing next, Bruce? Oh, sorry. LAUGHTER. Sorry about

:21:16.:21:21.

that, another show going on here. LAUGHTER. Our next couple is

:21:21.:21:31.

Michael Vaughan and Natalie Lowe. CHEERING AND APPLAUSE . Come on.

:21:31.:21:36.

Now, after two Latin dances, last week Michael discovered he was

:21:36.:21:41.

the ballroom type. He is so happy tonight, he is doing the foxtrot. He

:21:41.:21:49.

is like a kid in a candy shop. they are in training.

:21:49.:21:52.

What I delivered Saturday night I What I delivered Saturday night I

:21:52.:21:56.

was amazed by. I didn't really think I had that in me. But when the crowd

:21:56.:22:00.

start getting into it, it gives a massive lift.

:22:00.:22:03.

# Today this could be # Today this could be

:22:03.:22:05.

# The greatest day of our lives #

:22:05.:22:09.

# That was more than magical, it was a

:22:09.:22:16.

miracle! It was a great feeling. We are not used to it. I've not had

:22:16.:22:23.

feelings like that for a long, time. 8. 8. What's going on here?

:22:23.:22:32.

8. Joint second! It was special moment in my dancing career.

:22:32.:22:36.

I saw a real change in Michael last I saw a real change in Michael last

:22:36.:22:39.

week. I want to keep that fighting spirit alive so where better

:22:39.:22:44.

to take him than Lords? Home sweet home, what do you make of that for a

:22:44.:22:49.

dance floor? I don't think quite right for us. Ah, the Long

:22:49.:22:53.

Room. This is the most I've felt in six weeks. I

:22:53.:22:57.

guarantee it is the first they've ever allowed a dance in the

:22:57.:23:07.

Long Room. It's a nice floor actually. COMMENTATOR: Vaughan is

:23:07.:23:13.

stepping out to bat. Vaughan has led England to victory in the Ashes.

:23:13.:23:16.

has certainly given me the motivation to hopefully get out

:23:16.:23:23.

there this Saturday and put another good performance. Dancing

:23:23.:23:33.
:23:33.:23:34.

the foxtrot, Natalie Lowe.

:23:34.:23:44.
:23:44.:23:44.

Apology for the loss of subtitles for 88 seconds

:23:44.:25:14.

Well done, Michael and Natalie. A Well done, Michael and Natalie. A

:25:14.:25:17.

lovely foxtrot. You've done it with that. Absolutely beautiful,

:25:17.:25:23.

beautiful. Right, Bruno, start us off. Michael, still in the zone,

:25:23.:25:27.

sailing away with confidence and control. Natalie, what a good job. I

:25:27.:25:31.

hope you are going to be able carry the momentum in the Latin

:25:32.:25:34.

because I hope this dream continue for you. Well done. Thank

:25:34.:25:40.

you so much. So do I. Well done, good job, darling. So good. The

:25:40.:25:45.

transformation has been wonderful, Michael. Craig? The steps were all

:25:45.:25:50.

there. Just add three things: style, you need to add swing and you need

:25:50.:25:54.

to add sway, and then it will be perfect. Swing and sway, yes.

:25:54.:26:00.

far off. Thank you. Darcey? No, Michael for me you shine in

:26:00.:26:05.

ballroom. CHEERING. You do, you are elegant, you are grateful and you

:26:05.:26:08.

glide. You seem so in control those moves. I would just watch your

:26:08.:26:12.

neck. You can sometimes look little stiff. Just lean it over,

:26:12.:26:16.

relax it, because you look - you are gazing at your beautiful girl, I can

:26:16.:26:21.

see, but yeah, wear tails every week, please. Very nice. Good,

:26:21.:26:29.

good. Len? Obese foxtrot of the night, easy peasy. Well done. That's

:26:29.:26:35.

all you are going to say? Away go. Thank you, darling, lovely.

:26:35.:26:45.
:26:45.:26:46.

Yes, you looked like you were loving Yes, you looked like you were loving

:26:46.:26:47.

every single moment of that, every single moment of that,

:26:47.:26:49.

Yes, you looked Michael. I did really enjoy

:26:49.:26:52.

We've worked really hard again. You still get very nervous before but

:26:52.:26:56.

just try and enjoy every single moment. It has been a good week.

:26:56.:27:00.

Really good. Last week you smashed it, Bruno said it was a miracle lass

:27:00.:27:03.

week. Did that give you you needed? Yes, you do always need

:27:03.:27:10.

to improve on your confidence and last week certainly did mine. Next

:27:10.:27:18.

week will be Latin so that will be a test. The salsa. The ballroom boy

:27:18.:27:21.

can do salsa, is that a promise? I will give it everything. We

:27:21.:27:31.
:27:31.:27:43.

CHEERING . 31, joint top score CHEERING . 31, joint top score

:27:43.:27:47.

again. I know, fantastic. Thank you. Amazing score. Really well done.

:27:47.:27:50.

Michael gave the judges the sweetest feeling but did he have

:27:50.:28:00.

Not much longer to wait now before Not much longer to wait now before

:28:00.:28:07.

you can call. Only one dance left to go. Who is the lucky couple, Bruce?

:28:07.:28:17.

Right, our final couple is Dani and Vincent. Yes, what a great little

:28:17.:28:22.

pair they are. Dani asked would be spending Fireworks Night

:28:22.:28:26.

this year. I said the same always do: close to my dogs, under

:28:26.:28:33.

the table. LAUGHTER . Bless them, they do comfort me. LAUGHTER. Shut

:28:33.:28:38.

up, for goodness sake, I've got feelings! Anyway, here they

:28:38.:28:45.

Last week was absolutely amazing. I Last week was absolutely amazing. I

:28:45.:28:50.

loved having Anton in our routine. He made a perfect monster. He was

:28:50.:28:54.

probably one of the best monsters I've ever seen until he took

:28:54.:28:59.

mask off which was worse than actual mask. I would have gotten

:28:59.:29:06.

away with it if it wasn't for those meddling kids. If that was a

:29:06.:29:10.

sandwich, it would have been tasty, satisfying and sets you up for the

:29:10.:29:17.

This week, we are dancing the jive. This week, we are dancing the jive.

:29:17.:29:27.
:29:27.:29:29.

We are dancing to Olly Murs' With Me Tonight. It feels very 50s.

:29:29.:29:34.

Of course she was born in the How am I supposed to get into the

:29:34.:29:40.

# Thursday, Friday, happy days # Thursday, Friday, happy days

:29:40.:29:50.
:29:50.:29:50.

# Saturday, what a day # Rocking all week with you #

:29:51.:29:56.

Extremely Days is filmed in front of Extremely Days is filmed in front of

:29:56.:30:06.

a live studio audience. Strictly days. High sweet cheeks. Will you

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dance with me this Saturday? many times? I've already got a

:30:09.:30:19.
:30:19.:30:29.

Him? 'eh!. Dancing the jive, Harmer and Vincent Simone.

:30:29.:30:39.
:30:39.:30:39.

Apology for the loss of subtitles for 88 seconds

:30:39.:32:05.

You are two little demons, that's You are two little demons, that's

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what you are. Wonderful. Dani and Vincent, marvellous. I love, I love

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the quiff. I love it too. And it's bigger than Craig's.

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mine too, I might blow that next week, darling. Might borrow that.

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You need to keep your legs together, I copped a massive eyeful. I'm

:32:33.:32:42.

sorry. LAUGHTER. What did he say? What did he say? I didn't hear it.

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What did he say? I loved it, loved it. LAUGHTER. Carry on then,

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Darcey. I didn't hear what he said. So Darcey, maybe we shouldn't,

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right. Dani, I loved this jive. You got the style perfectly, the

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all the way through. That bother me, the only thing that

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bothered me was your turns. Keep the feet really close together. Your

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heels have got to be close together, but wonderful. Loved it. It

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really good, really good. Absolutely marvellous. Len? Clean as a

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whistle, crisp as a Pringle and absolutely marvellous. I loved it.

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Well done both of you, that's it. And Bruno? Oh yes, my darling,

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really was a cutey pie of a jive. Arms everywhere, you hit every beat,

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constantly. You were never off it. Yes, the turns sometimes could be

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cleaner, but I tell you, it was of joy. Little munchkins, you are.

:33:52.:33:57.

Go on, off you go. Jump up stairs. There you go, marvellous.

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How about that? CHEERING APPLAUSE

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Happy days, hey! See the thumbs. A Happy days, hey! See the thumbs. A

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cutey pie of the jive, my pocket dynamo. Great routine, did

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you enjoy it? Thank you for up such a wonderful dance, I loved

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it. Can we do it again? No, actually, don't! I'm improving each

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week, aren't I? Yes, the wig, give us a twirl. Bring on Christmas.

:34:37.:34:47.
:34:47.:35:03.

That's worth a thumbs up. Your first That's worth a thumbs up. Your first

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It was better than that. nine, and your highest score. Yes.

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Yes, highest score to date. Well, did Dani and Vincent make your heart

:35:10.:35:15.

go boom this Bonfire Night? If they did, call.

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LAUGHTER. Check out Vinnie, he is so LAUGHTER. Check out Vinnie, he is so

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cool. And the body roll. Stop it. We've seen plenty of fireworks from

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our stars tonight. It's not over yet. Let's see who is rocking to the

:35:32.:35:37.

top of the leaderboard and at the bottom.

:35:37.:35:47.
:35:47.:35:48.

Down in the bottom spot, Richard and Down in the bottom spot, Richard and

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Erin. Now, of course, anything happen in the next half hour.

:35:51.:35:54.

have the power as you cast your vote because the phone lines are now

:35:54.:36:01.

happy about that. Your favourites happy about that. Your favourites

:36:01.:36:03.

need every vote in order to stay of the dance-off and lines will

:36:03.:36:09.

close at 8.30 tonight so get dialling. Calls cost 15p,

:36:09.:36:14.

phone lines may vary. Please get permission from whoever pays

:36:14.:36:17.

bill. Here is a reminder of tonight's sparkling performances

:36:17.:36:27.
:36:27.:36:28.

Apology for the loss of subtitles for 88 seconds

:36:28.:39:35.

Well now, didn't you all do well? I Well now, didn't you all do well? I

:39:35.:39:42.

tell you, what a show. Indeed, certainly started Bonfire Night

:39:42.:39:45.

a bang. They are going to rely on your votes if they are to

:39:45.:39:49.

the competition. Remember, lines close at 8.30 tonight so get

:39:49.:39:52.

dialling. In tomorrow night's results show,

:39:52.:39:55.

results show, the two couples the lowest scores will face each

:39:55.:39:58.

other in the dreaded dance-off. other in the dreaded dance-off. No!

:39:58.:40:03.

Oh yes, and one of them will have to leave the ballroom. It's always

:40:03.:40:07.

sad. As well as the drama, a little something from everyone,

:40:07.:40:15.

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