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Last weekend, Strictly Come Dancing Last weekend, Strictly Come Dancing | :00:12. | :00:17. | |
went supernatural, in our Hallowe'en horror fest. Our spookily | :00:17. | :00:25. | |
spectacular stars handed of treats, and the occasional trick. | :00:25. | :00:31. | |
Some were fang-tastic. That really was a tango with a bite. Some were | :00:31. | :00:39. | |
fright.Ingly fiery. You great big, butch bull fighter. And something | :00:39. | :00:48. | |
# Upside-down # # Upside-down # | :00:48. | :00:55. | |
it was a miracle. Some failed to get into the spirit, blasting | :00:55. | :00:59. | |
couple out of the competition for good. This week, they will | :00:59. | :01:02. | |
channel their inner champions, because tonight they are fighting | :01:02. | :01:10. | |
for a place in our top ten. Let's have it. The masks might be off, | :01:10. | :01:15. | |
but the game faces are going on. Can you do this? I can do this. I'm | :01:15. | :01:22. | |
gonna do it. Strictly's bout begins. Contenders, ready. | :01:22. | :01:32. | |
:01:32. | :02:09. | ||
Live, from Television Centre, please Live, from Television Centre, please | :02:09. | :02:13. | |
AUDIENCE CLAPPING IN welcome your hosts, Sir Bruce | :02:13. | :02:23. | |
:02:23. | :02:28. | ||
shall we, shall we? Because we can. shall we, shall we? Because we can. | :02:28. | :02:30. | |
That way. No, I was worried about them. | :02:30. | :02:34. | |
and children, and Strictly Come Dancing. It's nice to | :02:34. | :02:44. | |
They are a good strong audience in They are a good strong audience in | :02:44. | :02:48. | |
strong voice. I warmed them didn't I? Nice to see you, | :02:48. | :02:53. | |
Have you had a go to the week? exciting week, I decided to buy | :02:53. | :03:00. | |
myself the new smartphone. Ooh! It's only right that someone like me | :03:00. | :03:06. | |
has the very latest in technology. Ooh, what's it like? It has | :03:06. | :03:14. | |
internet, 4G of course, email, and it syncs itself to every other | :03:14. | :03:17. | |
device I've got. Nice. It satellite navigation, you can | :03:17. | :03:27. | |
to people face-to-face, and I can listen to 200,000 songs and 160 | :03:27. | :03:33. | |
photos. It really is a smart phone. LAUGHTER. Why are you looking so | :03:33. | :03:38. | |
worried? I don't know how to switch it on. LAUGHTER. | :03:38. | :03:44. | |
For goodness sake, made me look a fool. Don't make me look foolish. | :03:44. | :03:50. | |
Right then, last week our Strictly Hallowe'en special saw plenty of | :03:50. | :03:57. | |
scares. Good opening, wasn't it? They loved it. They laughed at the | :03:57. | :04:03. | |
right time. We had to say goodbye to our third couple, | :04:03. | :04:09. | |
Ola Jordan. Yes, Hallowe'en might be over but the terror of the | :04:09. | :04:12. | |
dance-off is never too far away as our 11 remaining stars face the | :04:13. | :04:16. | |
judges yet again. Oh yes. It's Bonfire Night but the | :04:16. | :04:20. | |
will be happening right tonight. As well as the judges' | :04:21. | :04:23. | |
scores our couples are dancing your votes and you can make the | :04:23. | :04:28. | |
difference between your favourites staying or leaving the | :04:28. | :04:34. | |
forever. Well, enough of this banter! LAUGHTER. You started it. | :04:34. | :04:39. | |
It's time to meet - trying to make it dramatic. OK. The stars of our | :04:39. | :04:49. | |
:04:49. | :04:56. | ||
show. Drama, I love that. CHEERING partner Pasha Kovalev. Westlife's | :04:56. | :05:00. | |
Nicky Byrne and his partner Karen Hauer. | :05:00. | :05:07. | |
partner Natalie Lowe. Riley and her partner Robin Windsor. | :05:07. | :05:13. | |
Olympic Flavia Cacace. Tracy Beaker star | :05:13. | :05:17. | |
Dani Harmer and her partner Vincent Simone. Presenter and performer | :05:17. | :05:26. | |
James Jordan. Showbusiness reporter Richard Arnold and his partner Erin | :05:26. | :05:36. | |
:05:36. | :05:36. | ||
Boag. Olympic golden cyclist Brendan Cole; and finally, | :05:36. | :05:46. | |
:05:46. | :05:49. | ||
Salmon and his partner Kristina Rhianoff. APPLAUSE . | :05:49. | :05:52. | |
You look marvellous, all of you. You look marvellous, all of you. | :05:52. | :05:56. | |
There they all are, and I know a of people are very upset that our | :05:56. | :06:01. | |
sexy blonde dancer is no longer here. I don't mean Ola, who was | :06:01. | :06:07. | |
voted out; I mean Vincent who was wearing that stupid wig. Stupid - | :06:07. | :06:12. | |
oh, blimey, I think that one is worse! There's more. Let me know | :06:12. | :06:17. | |
afterwards, I wouldn't mind borrowing it to wash the car. Right, | :06:17. | :06:21. | |
our stars are burning up the ballroom, you | :06:21. | :06:23. | |
button to hear expert commentary from Karen Hardy and this week she | :06:23. | :06:32. | |
is joined by the legendary Lionel Blair. Hello up there. Good to see | :06:32. | :06:42. | |
:06:42. | :06:42. | ||
you, Lionel. I'm so glad it isn't Tony. Indeed. Tony Blair. Tony | :06:42. | :06:51. | |
Blair. I really am glad. LAUGHTER. Right. Press the red button now | :06:51. | :06:54. | |
you are all set. Yes, it's time get started, I think. I have | :06:54. | :07:00. | |
mucking about enough. The first couple tonight is | :07:01. | :07:01. | |
and her partner Pasha and her partner | :07:01. | :07:05. | |
couple tonight is Kimberley Walsh couple tonight is Kimberley Walsh | :07:05. | :07:10. | |
and her partner pasta - sorry, I really thought it was pasta. | :07:10. | :07:20. | |
:07:20. | :07:24. | ||
LAUGHTER. You look at it. APPLAUSE. Another dish. Yes, there's a rumour | :07:24. | :07:30. | |
that Girls Aloud might get back together. Yes, and Kimberley said "I | :07:30. | :07:34. | |
wanted to keep it a secret, I can't imagine how it got out. I only told | :07:34. | :07:42. | |
one person", and I said "Who did you tell?" She said "Richard Arnold". | :07:42. | :07:48. | |
Here they are in training. Have a lovely show. | :07:48. | :07:50. | |
Hallowe'en night was really good Hallowe'en night was really good | :07:50. | :07:51. | |
Hallowe'en night was really good fun, a bit different to a usual | :07:51. | :07:53. | |
fun, a bit different to a usual fun, a bit different to a usual | :07:53. | :07:54. | |
Hallowe'en night was Saturday night. Who is not | :07:54. | :07:59. | |
of the big bad wolf? Not her! I was trying the whole week to get | :07:59. | :08:05. | |
Kimberley scared. Nothing I did worked. I am a scary wolf. You are | :08:05. | :08:11. | |
not, you are like a puppy dog. It was our highest score so far. 8. | :08:11. | :08:19. | |
When I saw all the 8s popping up, I was like: yes! Get off! | :08:19. | :08:24. | |
This week, we are dancing the salsa This week, we are dancing the salsa | :08:24. | :08:28. | |
to Naughty Girl, Beyonce. It's little bit more up my street, | :08:28. | :08:31. | |
think. We completely changed the character, going from scary wolf | :08:31. | :08:37. | |
very sexy salsa dance. Salsa is all about twisting, which is a little | :08:37. | :08:42. | |
bit unfortunate for me this week, because I've injured my knee. Every | :08:42. | :08:47. | |
time I go to do a step, it's twinging which is when I get the | :08:47. | :08:53. | |
real pain. I kind of scraped through Saturday night, but obviously | :08:53. | :08:58. | |
has done more harm than good so I'm paying for it this week. Worst case | :08:58. | :09:01. | |
scenario, she is going to be looking pretty, standing in the middle of | :09:01. | :09:04. | |
the floor and I'm just going to prance around her. Ice on it | :09:04. | :09:08. | |
20 minutes. Think we are managing make it work. It's always nice to | :09:08. | :09:11. | |
have more time, but this is what we've got and that's what | :09:11. | :09:16. | |
gonna deal with. Saturday, bring it on. | :09:16. | :09:26. | |
:09:26. | :09:26. | ||
Apology for the loss of subtitles for 88 seconds | :09:26. | :10:54. | |
and Pasha Kovalev. MUSIC: Naughty Girl | :10:54. | :11:04. | |
:11:04. | :11:05. | ||
What about that? Wasn't that good? I What about that? Wasn't that good? I | :11:05. | :11:15. | |
tell you, what a start, my love. Well done. Pasha, that was really - | :11:15. | :11:18. | |
I'm pasta! A lovely routine, lovely routine, and of course we | :11:18. | :11:23. | |
have our judges, please welcome Craig, Darcey, Len and Bruno. | :11:23. | :11:30. | |
APPLAUSE. I must say, we are all looking | :11:30. | :11:33. | |
forward tonight to the bonfire party, we really are. It will be a | :11:33. | :11:36. | |
right free for all. I've a little bit of what you fancy | :11:37. | :11:43. | |
you good, although in your case Darcey it doesn't include Louis. | :11:43. | :11:53. | |
Ooh! What were you doing last week? week?? I wouldn't get time to | :11:53. | :11:57. | |
that. I saw a close-up of you doing this. Shocking. I don't know how | :11:57. | :12:03. | |
got the job. LAUGHTER. Anyway, we don't need people like that, do we, | :12:03. | :12:11. | |
Len? Of course, that's the way, aha, aha, I like it. I tell you what, | :12:11. | :12:15. | |
it's the return of Nimble Kimble. The lifts were clean, it was a | :12:15. | :12:19. | |
sparkler. I'm not sure but I there was maybe one little incident | :12:19. | :12:24. | |
early on, with the arms, maybe something went a little bit | :12:24. | :12:28. | |
but I tell you what, I loved it when you came up and flaunted yourself at | :12:28. | :12:33. | |
me. Do that every week and you get an extra mark. LAUGHTER. It was | :12:33. | :12:38. | |
just for you, was it? Just for you. No, the whole routine was absolutely | :12:38. | :12:48. | |
:12:48. | :12:49. | ||
- Bruno? Kimberley, yes, tease me to death! So naughty, so saucy, so | :12:49. | :12:55. | |
fiercely sexy. And those luscious hips. I'm telling you, that hip | :12:55. | :13:01. | |
action was spotless. The armology is intricate and beautiful. Mount and | :13:01. | :13:05. | |
dismount with ease. Have you done that before? LAUGHTER. | :13:05. | :13:08. | |
should do it again because that was brilliant. It was brilliant. | :13:08. | :13:13. | |
Absolutely brilliant. APPLAUSE. Right, now then, what about | :13:13. | :13:23. | |
:13:23. | :13:30. | ||
Craig? Lassivious, licentious, loved it darling. He loved it! Now, | :13:30. | :13:35. | |
Darcey? Kim Kimberley, it is you are such a natural performer, | :13:35. | :13:40. | |
every lift was beautiful and it a seamless wrap lift round Pasha's | :13:40. | :13:46. | |
neck. I mean, that's not easy. Did you it. You really did. APPLAUSE. | :13:46. | :13:55. | |
Don't forget, it's a team. What did you think of pasta, er Pasha? | :13:55. | :14:00. | |
like pasta. Who doesn't? Anyway, you go, it was a great start. Thank | :14:00. | :14:08. | |
you for doing that. Off you go. APPLAUSE | :14:08. | :14:14. | |
CHEERING. Come on, Nimble Kimble is CHEERING. Come on, Nimble Kimble is | :14:14. | :14:19. | |
back. Look, that's the way you kick off a show. Aha, aha. That's the | :14:19. | :14:23. | |
way we like it. What was it, spotless hips, that's what we are | :14:23. | :14:27. | |
talking about. Always good. The sexy salsa, more your style of | :14:27. | :14:30. | |
dancing with Girls Aloud. How did you find it? Yes, I did feel | :14:30. | :14:33. | |
little bit more comfortable that. But she is still humble, I | :14:33. | :14:37. | |
love that. A total Goddess but humble Goddess. Tricky | :14:37. | :14:41. | |
situation this week, kneegate for you this week, a lot of pain? | :14:41. | :14:45. | |
was tough, we didn't really get to run the dance until Wednesday and | :14:45. | :14:49. | |
Thursday. So not as much training as you like. Still came up with | :14:49. | :14:53. | |
goods and a flying swing. That cool. Like that. | :14:53. | :15:03. | |
:15:03. | :15:20. | ||
CHEERING. Come on, a 9! Is that your CHEERING. Come on, a 9! Is that your | :15:20. | :15:24. | |
first 9? First 9. And the highest score in the competition so far. | :15:24. | :15:29. | |
Yes. Good girl, that was hot and spicy. Once all our stars have | :15:29. | :15:32. | |
danced we will be opening the phone lines and there are two ways you can | :15:32. | :15:42. | |
:15:42. | :15:47. | ||
Don't call until after all of our Don't call until after all of our | :15:47. | :15:52. | |
couples dance, if you do, your vote won't count and you still | :15:52. | :15:59. | |
charged. For our next couple, | :15:59. | :16:05. | |
Robin Windsor. CHEERING AND APPLAUSE . Yes, a very popular couple. Lisa | :16:05. | :16:10. | |
came up to me today a rumour going around that I fancy | :16:10. | :16:14. | |
someone on the show. I said there have always been rumours on this | :16:14. | :16:17. | |
show about people fancying other people. I even found out who fancies | :16:17. | :16:22. | |
me today, and I'm not happy about it. LAUGHTER. She said "Why, who | :16:22. | :16:31. | |
fancies you?", I said "Nobody". Ah! Nobody in nine years. Not even | :16:31. | :16:35. | |
Widdecombe. Mind you, I think secretly she does. LAUGHTER. Anyway, | :16:35. | :16:45. | |
:16:45. | :16:47. | ||
That was the fastest Charleston I've That was the fastest Charleston I've | :16:47. | :16:50. | |
ever seen again. The foodwork, because of the speed, | :16:50. | :16:53. | |
been cleaner and sharper. You were basically just doing step, touch, | :16:53. | :16:57. | |
step, back. I genuinely do agree with what Craig said but I | :16:57. | :17:02. | |
really, really work hard and I will prove him wrong. Let's look who | :17:02. | :17:06. | |
down at the bottom. Seeing the leaderboard and where we were in | :17:06. | :17:10. | |
table I was a bit like: I don't really want to be there. It has | :17:10. | :17:15. | |
given us food for thought so definitely time for improvement. | :17:15. | :17:19. | |
This week there is going to be no giggling, we are going to be very | :17:19. | :17:24. | |
poised, very serious because we are doing the tango. It's got to be | :17:24. | :17:30. | |
mmm-tt. When he looks at me like that, says we've got to be sultry, I | :17:30. | :17:34. | |
can't take him seriously and I start laughing. We are back into ballroom | :17:34. | :17:39. | |
hold and ballroom frame been Lisa's downfall so far so we | :17:39. | :17:45. | |
are concentrating on frame and footwork. OK, relax, relax. | :17:45. | :17:50. | |
LAUGHING . I do want Len to say your posture is great, your lean is | :17:50. | :17:57. | |
great, footwork great, you have done your posture correctly and feet are | :17:57. | :18:00. | |
in the right position. Just got stop giggling, that's the problem. | :18:00. | :18:05. | |
Come Saturday night, it needs to serious. LAUGHING . Who are we | :18:05. | :18:15. | |
:18:15. | :18:15. | ||
Apology for the loss of subtitles for 88 seconds | :18:15. | :20:07. | |
What about it? Lisa, how did you What about it? Lisa, how did you | :20:07. | :20:09. | |
What about it? Lisa, how did you keep a straight face through that? | :20:09. | :20:11. | |
keep a straight face through that? keep a straight face through that? | :20:11. | :20:13. | |
Dancing the tango, Because your giggle has been - I | :20:13. | :20:16. | |
know. But it was fantastic. I was watching you and I thought "She is | :20:16. | :20:21. | |
going to break in a minute". Right, while you take a moment to catch | :20:21. | :20:25. | |
your breath, I will take a moment to welcome our fabulous singers, | :20:25. | :20:34. | |
Arch and his wonderful orchestra. CHEERING AND APPLAUSE | :20:34. | :20:41. | |
Lovely. Now then, Bruno? Oh, Lisa, Lovely. Now then, Bruno? Oh, Lisa, | :20:41. | :20:44. | |
you are always ready to give Focus, intent, this man is mine, | :20:44. | :20:49. | |
nobody is going to take him from me until I'm done, then you throw him | :20:49. | :20:52. | |
away at the end. Way to go. Nobody can ever fault you for delivering. | :20:52. | :20:57. | |
You do deliver. You really do. contact, I tell you. Glued together, | :20:57. | :21:03. | |
you were. Nobody - nobody could ever separate you. Of course, tango is | :21:03. | :21:05. | |
tricky. Some bits could have been sharper, especially the little | :21:06. | :21:10. | |
flick, when you do in the runs, in the footwork, line could have been | :21:10. | :21:14. | |
better, but as always you can never fault your performance. No. APPLAUSE | :21:14. | :21:24. | |
:21:24. | :21:25. | ||
Now then, Craig? Well, I can, Now then, Craig? Well, I can, | :21:25. | :21:31. | |
darling. AUDIENCE: Boo! You more performance in the footwork, | :21:31. | :21:36. | |
more glide across the floor. Your hand needs shaping, very stiff and | :21:36. | :21:41. | |
flat. It's a tango, my old There was too much up and down is | :21:41. | :21:48. | |
what I am trying to say. What you talking about? He | :21:48. | :21:55. | |
nonsense. You've had your moment, darling. Explain it to me. You need | :21:55. | :21:59. | |
a stronger preparatory head, which means that. And what I want | :21:59. | :22:04. | |
as well, on the positive side, it's nice to see you doing something | :22:04. | :22:11. | |
seriously, and I thought the routine itself was amazing. Ah, well, | :22:11. | :22:18. | |
happy ending. APPLAUSE. Craig, was lovely. But why do you love | :22:18. | :22:24. | |
tease these two? All right, Darcey? Well, Lisa, for me you did create | :22:24. | :22:27. | |
that sharp head. Occasionally are so many turns you got | :22:27. | :22:29. | |
dizzy that dizzy | :22:29. | :22:34. | |
dizzy, but you did have that clean, sharp change of direction. I was | :22:34. | :22:39. | |
only missing it in the feet so could have been cleaner and sharper | :22:39. | :22:43. | |
on that beat, OK, so punch that next time, but you do, you always | :22:43. | :22:50. | |
give a wonderful performance. She does. Always does. Focus. Finally? | :22:50. | :22:53. | |
You see, you do. You come out and perform. Whatever dance you get, | :22:53. | :22:55. | |
debut for debut | :22:55. | :23:01. | |
perform. Whatever dance you get, go for it 100%. I thought it was | :23:01. | :23:04. | |
sharp and had attack. The tango isn't totally performance-driven. It | :23:04. | :23:09. | |
needed a bit of refine. In the feet and in the hold, but as for | :23:09. | :23:16. | |
attitude, fabulous. A bit of refinement. So fabulous. Now giggle | :23:16. | :23:26. | |
:23:26. | :23:28. | ||
for me. That's it, away you go. Up the stairs. CHEERING | :23:28. | :23:30. | |
Yeah! She was worried about this Yeah! She was worried about this | :23:30. | :23:33. | |
one, a little bit, weren't you? was really worried about this one | :23:33. | :23:37. | |
because I wanted to really, really get the ballroom right but no, that | :23:37. | :23:40. | |
was nice what they said. You were worrying about keeping the straight | :23:40. | :23:44. | |
face and nailing the serious side. Show us your mean and moody. She is | :23:44. | :23:49. | |
selling it. Trying. They all can't fault the performance, and you | :23:49. | :23:54. | |
deliver. Now, we are halfway almost - next week is halfway point | :23:54. | :23:57. | |
in the competition. How do you the atmosphere is getting between | :23:57. | :24:02. | |
the couples? Is the competition hotting up a bit? It's just | :24:02. | :24:05. | |
brilliant, we are all having such a brilliant time and loving every week | :24:05. | :24:11. | |
and it's lovely to see us all grow and grow week after week. Apart | :24:11. | :24:21. | |
:24:21. | :24:31. | ||
from Vincent. Especially Vincent's hair. | :24:31. | :24:39. | |
Lovely. 27. Slightly confidential Lovely. 27. Slightly confidential | :24:39. | :24:49. | |
:24:49. | :24:53. | ||
tips from Len. What do you think, did Lisa's tango tickle your fancy? | :24:53. | :24:57. | |
Don't pick up the phone until lines Don't pick up the phone until lines | :24:57. | :25:03. | |
open later. Look, the seriousness gone now. Denise and James | :25:03. | :25:13. | |
:25:13. | :25:13. | ||
oh so romantic. Next up is Richard and Erin rich. | :25:13. | :25:17. | |
Next up is Richard and Erin Next up is Richard and Erin. | :25:17. | :25:21. | |
are dancing to Hey Big Spender. That reminds me of Len last week. | :25:22. | :25:26. | |
the show he went up to the bar, opened his wallet, took | :25:26. | :25:29. | |
and said "This is for the crew". Then he took another fifty and said | :25:29. | :25:36. | |
"To hell with it, let's make it a pound." LAUGHTER. Yes, Len, you | :25:36. | :25:46. | |
are the last of the big spenders. Anyway, here they are in training. | :25:46. | :25:49. | |
I loved every minute of it and the I loved every minute of it and the | :25:49. | :25:51. | |
I loved every minute of it and the crowd were terrific. When they got | :25:51. | :25:52. | |
crowd were terrific. When they got crowd were terrific. When they got | :25:52. | :25:52. | |
I loved every minute on their feet at the end, that | :25:52. | :25:56. | |
an extraordinary moment, I've never felt like that before in my life. | :25:56. | :26:03. | |
You great, big, butch bullfighter. The capework was very good and the | :26:03. | :26:09. | |
turn out of it was good. However, that jette, you should never have | :26:09. | :26:13. | |
done that. He said we never should have tried it. I want to try | :26:13. | :26:18. | |
everything while I'm here and I'm going to continue to do so. This | :26:18. | :26:25. | |
week I'm dancing to Hey Big Spender, so I thought I would | :26:25. | :26:32. | |
so I thought I would give Erin a taste of my celebrity lifestyle. Are | :26:32. | :26:37. | |
you enjoying the luxury? You can't beat a bit of chickennal fresco. | :26:37. | :26:42. | |
That's not what I had in mind. You will love what I have in mind next. | :26:42. | :26:48. | |
What do you think of my boat? I'm not getting into that. You've got | :26:48. | :26:53. | |
one more chance. How about this? The only way to see London. What a | :26:53. | :26:58. | |
beautiful view. Stop! You have no idea how to treat a lady. Hey? I | :26:58. | :27:08. | |
will see you around. Oh, am I glad to see you, James, what a day. | :27:08. | :27:18. | |
:27:18. | :27:24. | ||
Night, Erin. Richard? and Erin Boag. | :27:24. | :27:34. | |
:27:34. | :27:34. | ||
Apology for the loss of subtitles for 88 seconds | :27:34. | :29:03. | |
CHEERING AND APPLAUSE. I'm so sorry. CHEERING AND APPLAUSE. I'm so sorry. | :29:03. | :29:08. | |
Oh, what happened? I know. It just went. The other side, the other | :29:08. | :29:15. | |
side. Ah. I'm so sorry. You went to pieces. I know, and in the dress | :29:15. | :29:18. | |
rehearsal you were so good. This afternoon, he was wonderful. It | :29:18. | :29:22. | |
just went. That is a great I'm sorry about that. If they ever | :29:22. | :29:28. | |
do a remake of - Shall we now? No, you've got to stay and | :29:28. | :29:31. | |
take your punishment if we start with Craig, it can only get better. | :29:31. | :29:41. | |
:29:41. | :29:42. | ||
LAUGHTER . That wasn't bad, was it? Yes, good. All right Craig, go on. A | :29:42. | :29:50. | |
complete dance disaster. BOOING. It all went horribly wrong. It was | :29:50. | :29:54. | |
going so well. No, it wasn't going well, it was going all right. And | :29:54. | :29:58. | |
then it went all horribly wrong. He was so good this afternoon. We | :29:58. | :30:04. | |
should have filmed it. Anyway, Darcey dear? Richard, when you | :30:04. | :30:08. | |
off balance like that, the best thing is the thighs, they are a bit | :30:08. | :30:11. | |
wooden and I think that's when balance went because you've got to | :30:11. | :30:18. | |
make sure the knees have nice soft bend in them and use the thighs in | :30:18. | :30:24. | |
the floor. I've got so much loose change between my cheeks, from last | :30:24. | :30:31. | |
week, I'm running out of places to put it, Darcey. I can't even follow | :30:31. | :30:35. | |
that. Every week you have that was just a shame, because you | :30:35. | :30:39. | |
just lost your focus. One of those nights. We've all been - we've all | :30:39. | :30:44. | |
done it, everybody here and on the panel, we've all blanked, all right? | :30:44. | :30:54. | |
:30:54. | :30:54. | ||
Len? It was a tad ploy. I'm going to call youd plod-father. A tad | :30:54. | :31:01. | |
plody. Listen, ask Erin, this is of the most difficult ballroom | :31:01. | :31:05. | |
dances for the men. What happens is when the pros go wrong, | :31:05. | :31:08. | |
they are back but celebrities it take as while | :31:08. | :31:16. | |
that page rates it, but - it exaggerates it, but it's a really | :31:16. | :31:20. | |
tough dance and I thought you came out and did a really good job. | :31:20. | :31:25. | |
one of those things. Richard, my darling, you are a bit too | :31:25. | :31:29. | |
a big spender, aren't you? Should sit down for this? You had | :31:29. | :31:33. | |
on you like a frozen haddock. it was a like a puppet and | :31:34. | :31:38. | |
the strings. Oh God, what I'm doing. You know, it all | :31:38. | :31:42. | |
went terribly, terribly wrong. I know. So I am sure if you come | :31:42. | :31:47. | |
back, it's going to be much, much better. I hope so. I am now going | :31:47. | :31:52. | |
to make you - Arnold, listen - Sorry, Bruce. I'm going to make you | :31:52. | :32:02. | |
:32:02. | :32:08. | ||
my favourite. Get off! APPLAUSE | :32:08. | :32:12. | |
Keep going, keep going. Come back Keep going, keep going. Come back | :32:12. | :32:15. | |
here. Do you know what, Tess, can I just say something, we've heard | :32:15. | :32:21. | |
these tales over ten series, the tales where you forget your routine | :32:21. | :32:26. | |
and we rehearsed it within an inch of its life didn't we? Yes. And | :32:26. | :32:30. | |
just went. I thought the cameras are rolling, this is no dress rehearsal. | :32:30. | :32:36. | |
We are going to be on the forever! LAUGHTER. We all loved it | :32:36. | :32:41. | |
up here, didn't we? Oh yes. Darcey said you have improved, you | :32:41. | :32:45. | |
lost focus. It could happen to anybody. It's awful. I mean, it | :32:45. | :32:50. | |
could happen to anyone. It did happen. Another question, has this | :32:50. | :32:58. | |
new macho persona of yours won you legion of female fans? | :32:58. | :33:04. | |
all quarters, in fact the cab driver who dropped me off today said "What | :33:04. | :33:09. | |
are you wearing, what is that scent?" Unbelievable, isn't it? | :33:09. | :33:12. | |
Just attracting people left, right and centre. I part from this one, | :33:12. | :33:22. | |
:33:22. | :33:34. | ||
That's fair enough, Tess. It is That's fair enough, Tess. It is | :33:34. | :33:42. | |
fair. Not your strongest score. All is not yet lost. Please vote. If our | :33:43. | :33:46. | |
Richard set your Bonfire Night on fire with that routine, he is going | :33:46. | :33:56. | |
Call after all of our couples have Call after all of our couples have | :33:56. | :33:59. | |
danced if you want to see him sashaying across that floor one | :33:59. | :34:04. | |
week. Our next couple is | :34:04. | :34:14. | |
:34:14. | :34:14. | ||
and James Jordan. APPLAUSE . Denise Van Outen, what a lovely name. | :34:14. | :34:19. | |
Having three parts to your name can make you seem sophisticated, | :34:19. | :34:24. | |
cultured, you know, one of the elite. Mind you, it can go the other | :34:24. | :34:31. | |
way, like Craig Revel Horwood. LAUGHTER. Or Anton du Beke. Or as I | :34:31. | :34:40. | |
call him du Burk. Anyway, here are in training. I found the | :34:40. | :34:42. | |
cha-cha-cha very difficult to learn and it was something that James | :34:42. | :34:45. | |
tried to work on with me, and unfortunately I kind of let him | :34:45. | :34:49. | |
a little bit on the night. It was a little jolty and wooden, you | :34:50. | :34:53. | |
work on that. Craig was right. could feel it when I was doing the | :34:53. | :34:56. | |
dance. The thing is, I loved being in character and got a little | :34:57. | :35:02. | |
carried away and just the technique. It wasn't quite | :35:02. | :35:05. | |
crisp as I would have liked. It's justified and it has put fire in my | :35:05. | :35:10. | |
belly and given me something to on. This week, we are dancing the | :35:10. | :35:15. | |
Viennese waltz. Basically, it's quite a simple dance. It has three | :35:15. | :35:19. | |
steps one way, three steps the other way, and you add a little fleckerl | :35:19. | :35:25. | |
in. Lovely. Personality-wise I'm more of a Latin girl, definitely. | :35:25. | :35:29. | |
If Denise is going to master dance she has to love ballroom | :35:29. | :35:34. | |
I'm going to show her how much people really love ballroom dancing. | :35:34. | :35:38. | |
This is brilliant. It just makes me feel really good. I love it. | :35:39. | :35:43. | |
about listening to of the music and allowing | :35:43. | :35:48. | |
be led, I think. Are you yet? Starting to. Get on the right | :35:48. | :35:53. | |
foot then. Excuse me, could I this partner from you? Finally, | :35:53. | :35:59. | |
real man. What are you doing on Saturday night? I'm free. James, | :35:59. | :36:09. | |
:36:09. | :36:12. | ||
I've got a new dance partner. Nice. Van Outen and her partner James | :36:12. | :36:22. | |
:36:22. | :36:22. | ||
Apology for the loss of subtitles for 88 seconds | :36:22. | :37:43. | |
Jordan. MUSIC At Last. | :37:43. | :37:51. | |
Are you OK? Well done. Wasn't that Are you OK? Well done. Wasn't that | :37:51. | :37:56. | |
lovely? Wasn't that beautiful? Ah. That really got me, I tell you, | :37:57. | :38:03. | |
that. Thank you. A beautiful song, beautifully sung, and magnificently | :38:03. | :38:06. | |
danced. Thank you. Thank you. That was so emotional. I nearly | :38:06. | :38:11. | |
on there with you. Len? Poise, posture, performance. First class. | :38:11. | :38:16. | |
More turns than a Catherine Wheel. Absolutely spectacular, | :38:16. | :38:22. | |
you. You are right. You are right. That was. You don't know how | :38:22. | :38:32. | |
:38:32. | :38:32. | ||
that was. Bruno? A romantic dream, set to music. Flowing, fluid, the | :38:32. | :38:37. | |
rotation was exquisite. The two spins into hold, seamless. They are | :38:37. | :38:46. | |
so difficult to do. That was so pretty. And the fleckerl. I love | :38:46. | :38:52. | |
doing the fleckerl. And you do it beautifully, my dear. You | :38:52. | :38:58. | |
fleckerl any time. Fabulous. think I've got a fleckerl left in | :38:58. | :39:08. | |
:39:08. | :39:09. | ||
me. All right, Craig? One word: a-maz-ing. You wait until you see | :39:09. | :39:19. | |
:39:19. | :39:20. | ||
that. Go on, off you go. It was wonderful. CHEERING AND APPLAUSE . | :39:20. | :39:24. | |
Well done, there's a fleckerl in the Well done, there's a fleckerl in the | :39:24. | :39:28. | |
house. You have said that is not your friend but the | :39:28. | :39:34. | |
loved it. Was it tough? I was getting really dizzy when I started | :39:34. | :39:37. | |
practising at the beginning of week. And you are dizzy anyway. I | :39:37. | :39:43. | |
am a dizzy blonde, but I love it now. Much better than dress | :39:43. | :39:46. | |
rehearsal. It was a disaster. So I'm very proud of you, | :39:46. | :39:51. | |
Thank you, thank you. Last week you lost your lead on the leaderboard to | :39:51. | :39:54. | |
Louis. Do you think tonight might get back on top? We will | :39:54. | :40:04. | |
:40:04. | :40:15. | ||
Who knows? BOOING | :40:15. | :40:19. | |
yes! Yes, look at that then. 35. yes! Yes, look at that then. 35. | :40:19. | :40:25. | |
Top score. Really well deserved. Thank you. See, ballroom girl. She | :40:25. | :40:31. | |
is a ballroom girl. Did Denise and James' ballroom melt your heart? Who | :40:31. | :40:39. | |
would have thought they could be so sweet? | :40:39. | :40:42. | |
Good phone action, Denise. What an explosive night it has been already. | :40:42. | :40:43. | |
explosive night it has been already. explosive night it has been already. | :40:43. | :40:45. | |
Good phone action, Are you ready for some more? You | :40:45. | :40:47. | |
want some more, ladies and gentlemen? CHEERING. That was a | :40:47. | :40:54. | |
Who is next, Bruce? Our fifth couple is | :40:54. | :40:59. | |
Pendleton and her partner Brendan Cole. CHEERING AND APPLAUSE . Very | :40:59. | :41:03. | |
popular couple. Now then, last week they pretended to get married but | :41:03. | :41:07. | |
this week has been anything but a honeymoon. Here they are in | :41:07. | :41:13. | |
I was really pleased with my I was really pleased with my | :41:13. | :41:15. | |
I was really pleased with my performance on Saturday. But I've | :41:15. | :41:16. | |
performance on Saturday. But I've performance on Saturday. But I've | :41:16. | :41:18. | |
I was really pleased never been to a Hallowe'en party | :41:18. | :41:21. | |
before, so it was by far the most Hallowe'eny thing I've ever done in | :41:21. | :41:25. | |
my life. I have faith in you, you've got to have faith in | :41:26. | :41:33. | |
yourself. This was a proper tango. Well done. Oh my God, you! This | :41:33. | :41:39. | |
week, Brendan and I will be dancing the samba. How am I supposed to | :41:39. | :41:44. | |
keep up with that? Samba is ridiculous. So many different | :41:44. | :41:49. | |
rhythms to learn. Timings and it takes commitment. That's so | :41:49. | :41:53. | |
complicated. It's less complicated, just one step. I don't feel I know | :41:53. | :41:58. | |
what we are doing at all. I thought you wanted to change it so I changed | :41:58. | :42:03. | |
it and - But that's a change. I think one of the biggest | :42:03. | :42:09. | |
things that Victoria struggles with is that she is good at it. It will | :42:09. | :42:13. | |
never be perfect but we make it as good for us as we possibly can. I | :42:13. | :42:17. | |
decided to leave. Things that is part of Strictly Come | :42:17. | :42:20. | |
Dancing. I'm very used to it. you have a difference of opinion | :42:20. | :42:23. | |
just makes you realise that you really need to work together as a | :42:23. | :42:26. | |
team. Brendan and I came in together today, got straight down to work, | :42:26. | :42:31. | |
which is exactly what we needed do. I gave him a bit of a cuddle. | :42:31. | :42:34. | |
You need to get back on your after you have fallen off. We can | :42:34. | :42:39. | |
that because we have a strong bond. It might take a bit of a miracle | :42:39. | :42:45. | |
it would be really great to bring a samba party to Saturday night. | :42:45. | :42:54. | |
Dancing the samba, Pendleton and Brendan Cole. | :42:54. | :43:04. | |
:43:04. | :43:04. | ||
Apology for the loss of subtitles for 88 seconds | :43:04. | :44:29. | |
MUSIC: It's Not Unusual. CHEERING AND APPLAUSE | :44:29. | :44:38. | |
Good job, babe. You saucy, saucy Good job, babe. You saucy, saucy | :44:38. | :44:38. | |
Good job, babe. You saucy, saucy Victoria. I didn't think you would | :44:39. | :44:40. | |
Victoria. I didn't think you would Victoria. I didn't think you would | :44:40. | :44:42. | |
Good job, babe. You ever do that. Len, start us off. I | :44:42. | :44:44. | |
read this week we've come out of the recession and I think you've come | :44:45. | :44:49. | |
out of your shell because to come up on this stage thing and dance | :44:49. | :44:55. | |
front of millions of people I think is very brave and courageous. It was | :44:55. | :44:58. | |
very neat and nice. Occasionally you were a little bit unstable in | :44:58. | :45:06. | |
places, but I thought your bravery was terrific. Well done. APPLAUSE. | :45:06. | :45:13. | |
Now then, Bruno? Yes, Victoria does Vegas, and it was all very, very | :45:13. | :45:16. | |
promising at the beginning. problem started when you went to | :45:16. | :45:22. | |
dance floor. It was Las Vegas hangover. What? No, samba has | :45:22. | :45:29. | |
much stronger, much more and you were shaky. I was shaking. | :45:29. | :45:36. | |
That was choreographed. Yes, choreograph the hangover. No, I'm | :45:36. | :45:40. | |
sorry, on week five the move be clean, it has to be precise, you | :45:40. | :45:44. | |
have to do much, much more. We total you before, work on your strength, | :45:44. | :45:49. | |
especially on these dances. You have to be on it. You | :45:49. | :45:54. | |
cannot be behind it. But it was a shake samba. It started | :45:54. | :45:59. | |
Craig? I thought it was a little lumpish and awkward in places. Your | :45:59. | :46:02. | |
free arm also needs a lot of attention, you can't forget | :46:02. | :46:11. | |
that is there. Those steps, - that was just walking backwards, | :46:11. | :46:18. | |
funny. Then why were you doing darling? A bit of a non-event, but | :46:18. | :46:22. | |
actually I thought you coped quite well with the whole routine, | :46:22. | :46:28. | |
really did. APPLAUSE. And finish up with, Darcey? No, | :46:28. | :46:31. | |
Victoria, you started so well, is right, if you get on this stage | :46:31. | :46:36. | |
and you can do that, you are show girl. You really are. But the | :46:36. | :46:41. | |
heels did help, but you just lose your focus at the very end, that's | :46:41. | :46:45. | |
the only thing. You kept from the beginning and then you lose | :46:45. | :46:49. | |
your focus. Don't tell coming to the end, yes? But I did | :46:49. | :46:52. | |
enjoy it. You did improve, you did improve. Definitely another | :46:53. | :46:57. | |
improvement. Off you go. Thank you, Brendan and Victoria. CHEERING | :46:57. | :47:07. | |
She is a showgirl, just for one She is a showgirl, just for one | :47:07. | :47:10. | |
night. A shaky showgirl. Still shaking. Still shaking a little | :47:11. | :47:14. | |
bit. It's over now. Outside of Strictly you are the best in | :47:14. | :47:17. | |
world at what you do. How it sort of starting a new discipline | :47:18. | :47:22. | |
and every week having to come up with a different dance? Erm, it's | :47:22. | :47:26. | |
tough. I didn't expect to be a great dancer, I've never done it before. I | :47:26. | :47:29. | |
haven't even had a hangover before so that's something I've just learnt | :47:29. | :47:34. | |
all about out there, that's what I do. So yes, it is really | :47:34. | :47:37. | |
challenging. Does it help having Brendan by your side? | :47:37. | :47:41. | |
yes. Thank you. He has after me so much this week, he is a | :47:41. | :47:46. | |
rock, thank you. Brendan, the samba, and we won't mention the | :47:46. | :47:53. | |
curse of the samba - Don't say it, it's a tough dance. Too much to do | :47:53. | :47:57. | |
in a short space of time but done now, we never have to do it | :47:57. | :47:59. | |
again. We are spoiling you, Brendan, three ladies on | :47:59. | :48:09. | |
:48:09. | :48:21. | ||
AUDIENCE: Ooh! Fair enough. AUDIENCE: Ooh! Fair enough. | :48:21. | :48:21. | |
AUDIENCE: Ooh! Fair enough. Brendan saying fair enough. What did | :48:21. | :48:22. | |
Brendan saying fair enough. What did Brendan saying fair enough. What did | :48:22. | :48:24. | |
AUDIENCE: Ooh! you think? If you thought Victoria's | :48:24. | :48:34. | |
Come on, go. Come on. What are we Come on, go. Come on. What are we | :48:34. | :48:39. | |
doing? Oh, we are dancing, we are partying. Samba, right. Don't call | :48:39. | :48:45. | |
until all our couples have danced. Shake it, go on, shake it. Can | :48:45. | :48:50. | |
Michael repeat last week's miracle on the floor? It's all going on up | :48:50. | :48:58. | |
here, Bruce. Too much? Bruce? | :48:58. | :49:01. | |
You know, we have a lazy stage crew You know, we have a lazy stage crew | :49:01. | :49:06. | |
this week. They've left these two bits of scenery. LAUGHTER. Just | :49:06. | :49:10. | |
hanging round the place. What can I possibly do with them? Don't tell | :49:10. | :49:15. | |
me, Bruno. LAUGHTER. Anyway, I'm doing a joke here and it's good in a | :49:15. | :49:19. | |
way because I never get the audience so near, so it's good, so don't | :49:19. | :49:22. | |
forget to laugh at the joke at the end of it, all right? Here we go. | :49:22. | :49:29. | |
Don't keep doing that, dear. Right. LAUGHTER . No, don't keep doing it. | :49:29. | :49:38. | |
Right, our next couple - LAUGHTER - is Louis Smith and Flavia Cacace. Oh | :49:38. | :49:48. | |
:49:48. | :49:50. | ||
yes. Now, they are doing the samba. He will have his shirt open to the | :49:50. | :49:57. | |
waist. And it will be passionate, hot and a steamy routine. I will be | :49:57. | :50:00. | |
standing around at the end of it with a glass of cold water for Louis | :50:00. | :50:09. | |
and a bucket of cold water Darcey. No! Forget it! Oh yes, all | :50:09. | :50:15. | |
right, it's always funny to - OK, with the right foot. Kick, | :50:15. | :50:23. | |
kick, kick, here they are in training. | :50:23. | :50:26. | |
Last week was unbelievable. We went Last week was unbelievable. We went | :50:26. | :50:29. | |
out there, we did the tango, and it was Flavia's favourite dance so it | :50:30. | :50:36. | |
# Ain't no stopping us now # Ain't no stopping us now | :50:36. | :50:38. | |
# Ain't no stopping us now # We are on the move # | :50:38. | :50:39. | |
# We are on the move # # We are on the move # | :50:39. | :50:41. | |
# Ain't no I loved it. The first killer tango | :50:41. | :50:51. | |
It was an amazing experience, to It was an amazing experience, to | :50:51. | :50:58. | |
receive the first 9s of the series. You know, I have only been dancing | :50:58. | :51:01. | |
five weeks and to start getting nines on the show was | :51:01. | :51:09. | |
feeling. SCREAMING. This week we are dancing the samba. Judges in the | :51:09. | :51:12. | |
samba are looking for lots of energy. It's party time. You've | :51:12. | :51:20. | |
to go for it. Ah! The hardest thing about this routine is being very | :51:20. | :51:25. | |
flamboyant with it. I can't do it. Unless it's on his terms, Louis | :51:25. | :51:28. | |
find it quite hard to let little bit. I feel like an idiot | :51:28. | :51:33. | |
though when you don't do it right. Today Flavia brought in all | :51:33. | :51:38. | |
crazy things, palm trees, hula skirts, to help me get into the | :51:38. | :51:41. | |
spirit of the thing. I feel ridiculous. I think it will take | :51:41. | :51:45. | |
some time for him to have courage to let people see it. | :51:45. | :51:49. | |
Louis can bring his flamboyant side out on Saturday then we are in with | :51:49. | :51:52. | |
a chance. I'm not quite there but hopefully I will be | :51:52. | :51:58. | |
the samba. Dancing the samba, | :51:58. | :52:08. | |
:52:08. | :52:08. | ||
Apology for the loss of subtitles for 88 seconds | :52:08. | :53:43. | |
his partner Flavia Cacace. MUSIC: La Bomba | :53:43. | :53:45. | |
CHEERING AND APPLAUSE. Oh look, oh CHEERING AND APPLAUSE. Oh look, oh | :53:45. | :53:51. | |
look. Can't stop them. Look at this. Look at all this. Look at that, | :53:51. | :53:57. | |
Louis, look! And over here. You've done it again. Thanks to this little | :53:58. | :54:05. | |
lady here. Oh, I tell you what, you really have got it. In peak | :54:06. | :54:12. | |
condition. A wonderful samba. Bruno? Louis, you have to be the King of | :54:12. | :54:21. | |
hypnotic pelvic gyrations and rotation. There's a girl over here, | :54:21. | :54:24. | |
cross-eyed and dribbling, she has lost all control of herself. | :54:24. | :54:31. | |
switch it on. This Latin dance, it suits you perfectly. It's like | :54:31. | :54:37. | |
Savile Row suit for you. At times though you turn into salsa. You | :54:37. | :54:40. | |
to be careful because you must maintain a style for each dance. | :54:40. | :54:43. | |
was fantastic to watch but stylistically you went into a bit | :54:43. | :54:49. | |
a salsa, but we still loved it. APPLAUSE. Yes, it was very special, | :54:49. | :54:55. | |
very special. Craig? The samba can sometimes look a little bit minutesy | :54:55. | :55:00. | |
but you actually made it look very masculine, which was an absolute joy | :55:00. | :55:06. | |
- can sometimes be mincey. You did lose that double bounce action which | :55:06. | :55:12. | |
is so difficult to get and you missed a couple of a two, a three, a | :55:12. | :55:21. | |
fours, but well done. Darcey, did you think, my dear? Sorry, I | :55:21. | :55:30. | |
disagree. I was a bit disappointed. It was a bit safe. AUDIENCE: Ooh! | :55:30. | :55:34. | |
The moves were too calculated for me, I wanted it to be much freer. | :55:34. | :55:39. | |
BOOING . I mean, we've seen so brilliant performances and | :55:39. | :55:47. | |
So Darcey wants you to be free, So Darcey wants you to be free, | :55:47. | :55:52. | |
well, I don't know. Len? Every studio in Britain will be | :55:52. | :55:57. | |
congratulating you because there were so many recognisable samba | :55:57. | :56:04. | |
steps. Yes. Back rocks, the plait, the May pole, rolling off the arm, | :56:04. | :56:07. | |
so many recognisable steps from the samba. You messed up the start of | :56:07. | :56:10. | |
the running promenades, unfortunately - I won't say | :56:10. | :56:19. | |
all great, well done! Yes. CHEERING. It was wonderful. They are | :56:19. | :56:25. | |
on their feet. The pair of you are so good. Up the stairs. CHEERING | :56:25. | :56:34. | |
Standing ovation in the studio and Standing ovation in the studio and | :56:34. | :56:38. | |
the first boos of the series for poor Darcey. No one else found it | :56:38. | :56:42. | |
little bit flat. We all loved it here actually. Finally got your | :56:42. | :56:45. | |
shirt undone. Did that take much convincing? A little bit. It did | :56:45. | :56:49. | |
but I've lost a bit of the last couple of days so I thought | :56:49. | :56:53. | |
today's the day, let's get it down. If you are going to get it out, get | :56:53. | :56:58. | |
it out today. Beautifully done. of the leaderboard last week, first | :56:58. | :57:01. | |
nines of the series, dancing five weeks, an absolute | :57:01. | :57:04. | |
you starting to feel all? A little bit if I'm honest. A | :57:04. | :57:08. | |
few people have gone and competition is definitely heating | :57:08. | :57:13. | |
so it's important to get it right on the day. Amazing. Did you | :57:13. | :57:18. | |
that? I did. One of the hardest for you, a challenging dance. It | :57:18. | :57:23. | |
was, yes, but liked the vibe. We enjoyed the hypnotic hips, and | :57:23. | :57:33. | |
:57:33. | :57:34. | ||
I still like your performance, I still like your performance, | :57:34. | :57:44. | |
:57:44. | :57:50. | ||
I still can't get over his. Bruno I still can't get over his. Bruno | :57:50. | :57:52. | |
I still like your didn't agree with that 6 of Craig's. | :57:52. | :57:55. | |
What do you think? You might life is a beach for these two but | :57:55. | :57:59. | |
they still need your votes. If you want Louis' beach party to continue, | :57:59. | :58:09. | |
:58:09. | :58:11. | ||
Louis might zip his shirt back up. Louis might zip his shirt back up. | :58:11. | :58:16. | |
We don't want that, do we? No, to you, Bruce. | :58:16. | :58:20. | |
Please. Our next Salmon and his partner Kristina | :58:20. | :58:27. | |
Rhianoff. CHEERING AND APPLAUSE . Colin, he is a nice fella but such | :58:27. | :58:35. | |
name dropper. He told me he starred in Prime Suspect with Dame Helen | :58:35. | :58:41. | |
Mirren and in Bond films with Dame Judi Dench. I said all right, you've | :58:41. | :58:46. | |
starred with two Dames. with three Dames, | :58:46. | :58:56. | |
:58:56. | :58:57. | ||
and a Widow Twanky. I mean, a name dropper. Here they are in training. | :58:57. | :58:59. | |
This is one Hallowe'en, I promise This is one Hallowe'en, I promise | :58:59. | :59:03. | |
you, I will never forget. It was terrifying. Very flat footed all | :59:03. | :59:06. | |
the way through. I thought I had the way through. I thought I had | :59:07. | :59:10. | |
danced well so it was really disappointing. The couple who will | :59:10. | :59:15. | |
compete in the dance-off is - There was a lamp in the throat. Yes, hard | :59:15. | :59:19. | |
actually. Colin and Kristina. In all honesty it's like the bottom of | :59:19. | :59:22. | |
your world has dropped out you give it everything and then it | :59:22. | :59:28. | |
dawns on you that it clearly wasn't good enough. I'm going to have to | :59:28. | :59:32. | |
save Colin and Kristina. I want to go, I really didn't want | :59:32. | :59:34. | |
go. Colin and Kristina. It was incredible sense of relief | :59:34. | :59:39. | |
had got through to this week and we live to fight another day. | :59:40. | :59:43. | |
This week we've got the foxtrot we are dancing to Accentuate The | :59:43. | :59:51. | |
Positive. That's exactly what we are going to do: accentuate the | :59:51. | :59:56. | |
positive. Foxtrot really suits Colin's personality. He is a suave | :59:56. | :00:00. | |
gentleman. In the past, we have struggled with my height but now I'm | :00:00. | :00:06. | |
going to use it to my advantage. I will do the kicks, if you want | :00:06. | :00:12. | |
actually - I can do it. I said want to do it but she said OK but | :00:12. | :00:16. | |
you must point your feet. Impressive that it's so high, not | :00:16. | :00:19. | |
impressive that toes are backwards. I suspect it may be one of the | :00:19. | :00:25. | |
biggest kicks on Strictly because I'm one of the tallest guys | :00:25. | :00:33. | |
been on. Dancing the foxtrot, | :00:33. | :00:43. | |
:00:43. | :00:43. | ||
Apology for the loss of subtitles for 88 seconds | :00:43. | :02:13. | |
and Kristina Rihanoff. MUSIC: Accentuate The Positive | :02:13. | :02:17. | |
Kristina, that was lovely. Those Kristina, that was lovely. Those | :02:17. | :02:23. | |
kicks, those kicks were marvellous. You should have been a tiller girl. | :02:23. | :02:26. | |
But only two of them, you could done four of those at least. It | :02:26. | :02:32. | |
fantastic. Right, Darcey? thank you. You lifted your chin, not | :02:32. | :02:36. | |
just your eyes, and you glided beautifully, even with those really | :02:36. | :02:44. | |
long legs. That's not easy. I just would say those kicks were competing | :02:44. | :02:50. | |
with John Cleese though in the Funny Walks but your feet were pointed, | :02:50. | :02:55. | |
they were. Well done. OK, Len? Well, funnily enough, I didn't think | :02:55. | :02:59. | |
you glided quite enough. It was you were dancing on a shag pile | :02:59. | :03:04. | |
carpet on occasions. BOOING. I liked it, so don't start all that. | :03:04. | :03:08. | |
Give us a chance. However, very, very difficult dance. There | :03:08. | :03:12. | |
are so many changes of rhythm, slows and quicks and then a whole load of | :03:12. | :03:16. | |
quick. I thought you coped really well with a difficult dance, just | :03:16. | :03:22. | |
try and glide more. And move more. You got to move more, go on! All | :03:22. | :03:28. | |
right, OK. You can do smart, elegant, with an aura of | :03:28. | :03:30. | |
sophistication. You are a great actor, you can do that. And the | :03:30. | :03:34. | |
legs, I'm telling you, you got more extension than Darcey Bussell. You | :03:34. | :03:39. | |
know? And it's all lovely, but is right, it needed a little more | :03:39. | :03:43. | |
movement, but a great performance. It was, absolutely. Loved it, | :03:43. | :03:49. | |
it. Well done with him, Kristina. Off you go there. Colin, be proud. | :03:49. | :03:57. | |
Up the stairs. CHEERING Up the stairs. CHEERING AND APPLAUSE | :03:57. | :03:59. | |
You suave gentleman, Colin. And You suave gentleman, Colin. And | :03:59. | :04:02. | |
those high kicks, I believe, your idea, were they not? They were | :04:02. | :04:11. | |
indeed, yes. Oh my gosh! One more, just because we can. Definitely | :04:11. | :04:17. | |
record-breaking high kicks, the highest in Strictly history. Even | :04:17. | :04:19. | |
Brendan pulled something just watching. You were in the dance-off | :04:19. | :04:23. | |
last week, has that changed focus? Yes, we came in Monday, | :04:23. | :04:26. | |
there was not a lot of humour around, but very focused, but I | :04:26. | :04:30. | |
you what, I was still alive on Monday morning which was the thing | :04:30. | :04:34. | |
that we dreaded. It was scary. Happy to still be here, yes. | :04:34. | :04:38. | |
Absolutely. I think your family are in tonight? Do they for | :04:38. | :04:43. | |
step? They do, yes. Look, she is, she is a beautiful girl. | :04:43. | :04:53. | |
:04:53. | :05:05. | ||
Yes, they are amazing. proud of my family. Scores are in. | :05:05. | :05:08. | |
27 out of 40, I think that's your 27 out of 40, I think that's your | :05:08. | :05:11. | |
personal best to date, Colin? it is our best, very happy. | :05:11. | :05:15. | |
well done in the foxtrot. want Colin to avoid the foxtrot this | :05:15. | :05:25. | |
:05:25. | :05:28. | ||
Vote when lines open later. If you Vote when lines open later. If you | :05:28. | :05:33. | |
fancy socialising with fellow Strictly fans, then check us out. So | :05:33. | :05:36. | |
many options. That was fabulous. Back to you, Bruce. | :05:36. | :05:46. | |
:05:46. | :05:47. | ||
OK, our next couple is and Karen Hauer. Now then, Nicky has | :05:48. | :05:53. | |
two sons, twin boys they are, and I said to him "That must be an awful | :05:53. | :05:57. | |
worry?", he said "You mean because twins are always getting into | :05:58. | :06:05. | |
trouble? He said no, worse than that, they could turn out like | :06:05. | :06:10. | |
Jedward". Ooh, all right, are in training. | :06:10. | :06:12. | |
I actually really enjoyed the I actually really enjoyed the | :06:12. | :06:13. | |
I actually really enjoyed the performance on Saturday night. It | :06:13. | :06:14. | |
performance on Saturday night. It performance on Saturday night. It | :06:14. | :06:15. | |
I actually really was like being a part after live | :06:15. | :06:20. | |
movie set. The whacky Professor has found his secret formula. You | :06:20. | :06:25. | |
at it like a rooster with a booster. You kept in character, I like | :06:25. | :06:28. | |
fact you kept your glasses on. I was supposed to take the glasses | :06:28. | :06:31. | |
off. I didn't even notice, I thought he did take them off. It | :06:31. | :06:36. | |
was only when the music stopped and the crowd started clapping, I seen | :06:36. | :06:41. | |
these rims around my face, I was like "I was supposed to take these | :06:41. | :06:45. | |
off". Do weeks now where it has gone really, really well so honestly | :06:45. | :06:51. | |
we can't complain - two weeks now. Get in, come on! I will pretend | :06:51. | :06:58. | |
that I'm Brendan Cole. This week we are dancing the rumba | :06:58. | :07:04. | |
to Don't Wanna Miss a Thing by Aerosmith. The judges are mainly | :07:04. | :07:09. | |
picking out posture. You look you are drowning. I have been since | :07:09. | :07:13. | |
the start of this competition. I am being very tough on keeping the | :07:13. | :07:16. | |
posture. We really want to show the judges that he is improving. Where | :07:16. | :07:20. | |
is your posture? Everything is: knees straight, posture. Pop that | :07:20. | :07:24. | |
leg in. Don't pick up your feet. I swear, I will glue them to | :07:24. | :07:28. | |
floor. What better way to get stuck in than to say: right, you are | :07:28. | :07:32. | |
to do it, let's do it. You are doing ballet but then Kung Fu on | :07:32. | :07:36. | |
that one. I do work him really hard but in the end he gives me the | :07:36. | :07:39. | |
results I'm looking for. We don't want them to see your weak points. | :07:39. | :07:43. | |
What weak points? You have no weak points. I don't know what you are | :07:43. | :07:53. | |
:07:53. | :08:01. | ||
talking about. Dancing the rumba, Nicky Byrne and Karen Hauer. | :08:01. | :08:11. | |
:08:11. | :08:11. | ||
Apology for the loss of subtitles for 88 seconds | :08:11. | :09:37. | |
Well done, Nicky. Were you pleased Well done, Nicky. Were you pleased | :09:37. | :09:40. | |
with him, Karen? You pleased your boy? I should think so too. | :09:40. | :09:47. | |
Great. Darcey, we will start with you. Yes, Nicky, this is the dance | :09:47. | :09:51. | |
of love and I know you've worked very hard, I can see that, but I | :09:51. | :09:55. | |
would have liked you to all the way through. There | :09:55. | :09:59. | |
beautiful poses and everything. The only thing I would like, it's hard I | :09:59. | :10:05. | |
know, because it's hard to sustain and it's slow, and you did achieve | :10:05. | :10:11. | |
an amazing turn. That ice skating lift, where you just held her and | :10:11. | :10:15. | |
that went on and on, so great control, but more | :10:15. | :10:18. | |
content next time, please. That's what I was missing. OK, | :10:18. | :10:23. | |
straight to Bruno? I thought, Nicky, you really had plenty of | :10:23. | :10:27. | |
intensity and purpose. I actually felt he had a lot, a lot of | :10:27. | :10:30. | |
chemistry. He was playing the girl. If anything, he was playing her too | :10:30. | :10:34. | |
much. He was like Usain much. He was like | :10:34. | :10:40. | |
much. He was like Usain Bolt, you know? I disagree with you in that | :10:41. | :10:44. | |
respect. The only thing he have done, a little more propulsion | :10:44. | :10:49. | |
in the hip action but you were intent into playing her that that | :10:49. | :10:52. | |
was a little weak but I'm sorry to disagree, the performance was | :10:52. | :10:58. | |
actually very strong. every minute of it. APPLAUSE. Yes, | :10:58. | :11:02. | |
and we will finish with you, Craig? For me it was just a series of | :11:02. | :11:05. | |
presentations and, if it was a dance about just presenting your girl, | :11:05. | :11:09. | |
then that would be fine, but for me not enough basic rumba in there. I | :11:09. | :11:13. | |
would have liked to have seen more hip action and just basics. You | :11:13. | :11:19. | |
didn't get the story. He finished it well. It was really lovely. | :11:19. | :11:23. | |
Thank you. Be very proud about it. Cheers. Improvement all the time. | :11:23. | :11:33. | |
:11:33. | :11:34. | ||
Go on, off you go there. Karen Nicky. APPLAUSE | :11:34. | :11:38. | |
Thank you. Lots of chemistry, said Thank you. Lots of chemistry, said | :11:38. | :11:41. | |
Bruno. You two have got a really sweet brother-sister type of | :11:41. | :11:45. | |
relationship. Was it a stretch getting sexy in the rumba? Yes, | :11:45. | :11:49. | |
it's a hard dance, very slow. talk to the pros and they all say | :11:49. | :11:52. | |
it's one of the hardest. The is slow and obviously the intensity | :11:52. | :11:54. | |
has got to be there but that was I did my best. Probably the | :11:54. | :11:58. | |
toughest dance for the male celebrity because it's very slow, | :11:58. | :12:01. | |
very emotive, you've got to wear your heart on the | :12:01. | :12:06. | |
you? Yes, and I spoke to James and Brendan before we went on and they | :12:06. | :12:10. | |
were giving me tips and obviously they gave me the wrong ones! | :12:10. | :12:20. | |
:12:20. | :12:21. | ||
LAUGHTER. Don't listen! Scores are in. | :12:21. | :12:31. | |
:12:31. | :12:37. | ||
You are still improving, Nicky. That would be a great score. | :12:37. | :12:37. | |
That would be a great score. That would be a great score. | :12:37. | :12:38. | |
You are still improving, Improving, right? Yes. If you | :12:38. | :12:47. | |
don't want Nicky to miss a thing in the Strictly ballroom, call. | :12:47. | :12:49. | |
Lines are open until later so just Lines are open until later so just | :12:49. | :12:54. | |
hold your horses for now. Nice one, Nicky. We loved it. Thank you. Back | :12:54. | :12:59. | |
to you, Bruce. OK, our next couple | :12:59. | :13:06. | |
and her partner Artem Chigvinstev. Yes, she is Fern, she is lovely. You | :13:06. | :13:13. | |
know, Fern asked me if I like Fireworks Night. I said "No, not | :13:13. | :13:18. | |
after what happened last year. For safety's sake I put all my fireworks | :13:18. | :13:22. | |
in a biscuit tin. I got so fiddling around for a Catherine | :13:22. | :13:26. | |
Wheel, I finally got one, then spent 20 minutes trying to light a Jammy | :13:26. | :13:30. | |
Dodger". I thought it was funny myself. Never mind. LAUGHTER. | :13:30. | :13:33. | |
gone now. That's the trouble live television. Here they are in | :13:33. | :13:43. | |
:13:43. | :13:44. | ||
All sorts of things went wrong for All sorts of things went wrong for | :13:44. | :13:49. | |
me. Nerves, forgetting the steps. Oh, it was a nightmare. You've got | :13:49. | :13:58. | |
the how but it hasn't got the wow. resolved myself to dancing in the | :13:58. | :14:05. | |
dance-off. The couple in the bottom two tonight is Colin and Kristina. | :14:05. | :14:09. | |
Artem and I looked at each other and couldn't take it in. Are | :14:09. | :14:13. | |
shock? Absolute shock. To that people bothered to pick up the | :14:13. | :14:18. | |
telephone and vote for us and keep us in, actually makes me quite | :14:18. | :14:24. | |
emotional, thinking people will pick up the phone, so thank you. This | :14:24. | :14:27. | |
week we are doing a paso. It's very aggressive, a lot of passion, | :14:27. | :14:35. | |
feel like we need to bring the fiery side of Fern . Seven. Not severrrn. | :14:35. | :14:42. | |
Seven. Seven. So I'm bringing an expert to help me out. Look at | :14:42. | :14:46. | |
me. Show your body. It's all looking at people and making them | :14:46. | :14:50. | |
want you. Imagine I am me. She was just great, a bit | :14:50. | :14:57. | |
work. Don't worry. A bit of hips, arms and attitude. I loved her. Just | :14:57. | :15:03. | |
what I needed. LAUGHTER. I think after Lucia, there is changes | :15:03. | :15:07. | |
Fern. You need to get some work done, come on. I feel transformed. | :15:07. | :15:17. | |
:15:17. | :15:18. | ||
just hope that fiery Fern comes out on Saturday night. Dancing the paso | :15:18. | :15:27. | |
doble, Fern Britton and Artem Chigvintsev. | :15:27. | :15:37. | |
:15:37. | :15:37. | ||
Apology for the loss of subtitles for 88 seconds | :15:37. | :17:13. | |
That's it, come on Artem, up. Oh, That's it, come on Artem, up. Oh, | :17:13. | :17:17. | |
lovely. Are you all right, my darling? Are you OK? Yes, I fell | :17:17. | :17:20. | |
over a couple of times. And all that sliding on your bottom. I | :17:20. | :17:26. | |
know! I hope you didn't get any splinters. For goodness sake. | :17:26. | :17:32. | |
LAUGHTER. Could be very nasty for her. Start off with you, Len. | :17:32. | :17:40. | |
Artem, it's like looking mirror. LAUGHTER. You didn't bring | :17:40. | :17:46. | |
your Poppy! Never mind where the poppy is. Listen, paso doble, if it | :17:46. | :17:51. | |
was a firework, it's a banger. Now, this fizzed but it never exploded. | :17:51. | :17:59. | |
That's the bottom line. AUDIENCE: Oh! Oh dear. Bruno? Yes, for a | :17:59. | :18:04. | |
moment I started to see the Fern on fire, but then off you go, you | :18:04. | :18:08. | |
dusting and polishing the floor again. You know, this is not chores, | :18:08. | :18:12. | |
it's a dance that requires strength, lines, artistry. You know, get that | :18:12. | :18:16. | |
fire out. Get that power out. have been telling you, week after | :18:16. | :18:21. | |
week, you've got to deliver. You've got to get it out there! Right, OK. | :18:21. | :18:27. | |
A bit severe. OK, Craig? I've got to admit, I was slightly distracted | :18:27. | :18:37. | |
:18:37. | :18:42. | ||
by Artem's torso. So was I. I manage - Yes, cover yourself up, | :18:42. | :18:46. | |
for goodness sake. BOOING . ! | :18:46. | :18:52. | |
for goodness sake. BOOING . CHEERING CHEERING. I did manage to see | :18:52. | :19:02. | |
:19:02. | :19:03. | ||
wobbles, however in there. still warm. LAUGHTER. We will | :19:03. | :19:07. | |
finish with Darcey. Well, I liked the choreography, I liked what you | :19:07. | :19:10. | |
did with your skirt, that you were using a cape. It was assertive for | :19:10. | :19:18. | |
me, and I thought there was a fire, Fern. CHEERING. Oh, don't look so | :19:18. | :19:22. | |
unhappy. I'm going to make you my second favourite. Oh, that's | :19:23. | :19:26. | |
right then. Will that cheer you up? Oh yes, yes. It was lovely. Go on | :19:27. | :19:36. | |
:19:37. | :19:41. | ||
then, off you go. That's it. Wonderful. CHEERING AND APPLAUSE | :19:41. | :19:43. | |
Fern, how you could concentrate, I Fern, how you could concentrate, I | :19:43. | :19:47. | |
mean even Craig was flustered, that's a first. It is quite | :19:47. | :19:50. | |
something to concentrate know? Indeed, all that | :19:50. | :19:55. | |
about and then he takes his top off. Mm-hm. All right. Did you think | :19:55. | :20:01. | |
you brought the passion to the floor? I really did try, you know. | :20:01. | :20:05. | |
The face, the attitude, it was all there. Last week, you thought you | :20:05. | :20:09. | |
were - you were convinced you were going to be in the dance-off? Yes. | :20:09. | :20:12. | |
You must have a lot of public support. I think we have and I | :20:12. | :20:17. | |
can't thank you enough. That's just - obviously this is a ploy - | :20:17. | :20:27. | |
:20:27. | :20:46. | ||
APPLAUSE . Wowzer. I think that's APPLAUSE . Wowzer. I think that's | :20:46. | :20:49. | |
your joint highest score, is it, date? Yes. Yes, can we do this | :20:49. | :20:56. | |
every time? Fern, please! you think, if they got you shaking | :20:56. | :21:06. | |
:21:06. | :21:08. | ||
03. 03 is a good number. Make sure 03. 03 is a good number. Make sure | :21:08. | :21:13. | |
you vote for your favourite as we open the phonelines. Who | :21:13. | :21:16. | |
dancing next, Bruce? Oh, sorry. LAUGHTER. Sorry about | :21:16. | :21:21. | |
that, another show going on here. LAUGHTER. Our next couple is | :21:21. | :21:31. | |
Michael Vaughan and Natalie Lowe. CHEERING AND APPLAUSE . Come on. | :21:31. | :21:36. | |
Now, after two Latin dances, last week Michael discovered he was | :21:36. | :21:41. | |
the ballroom type. He is so happy tonight, he is doing the foxtrot. He | :21:41. | :21:49. | |
is like a kid in a candy shop. they are in training. | :21:49. | :21:52. | |
What I delivered Saturday night I What I delivered Saturday night I | :21:52. | :21:56. | |
was amazed by. I didn't really think I had that in me. But when the crowd | :21:56. | :22:00. | |
start getting into it, it gives a massive lift. | :22:00. | :22:03. | |
# Today this could be # Today this could be | :22:03. | :22:05. | |
# The greatest day of our lives # | :22:05. | :22:09. | |
# That was more than magical, it was a | :22:09. | :22:16. | |
miracle! It was a great feeling. We are not used to it. I've not had | :22:16. | :22:23. | |
feelings like that for a long, time. 8. 8. What's going on here? | :22:23. | :22:32. | |
8. Joint second! It was special moment in my dancing career. | :22:32. | :22:36. | |
I saw a real change in Michael last I saw a real change in Michael last | :22:36. | :22:39. | |
week. I want to keep that fighting spirit alive so where better | :22:39. | :22:44. | |
to take him than Lords? Home sweet home, what do you make of that for a | :22:44. | :22:49. | |
dance floor? I don't think quite right for us. Ah, the Long | :22:49. | :22:53. | |
Room. This is the most I've felt in six weeks. I | :22:53. | :22:57. | |
guarantee it is the first they've ever allowed a dance in the | :22:57. | :23:07. | |
Long Room. It's a nice floor actually. COMMENTATOR: Vaughan is | :23:07. | :23:13. | |
stepping out to bat. Vaughan has led England to victory in the Ashes. | :23:13. | :23:16. | |
has certainly given me the motivation to hopefully get out | :23:16. | :23:23. | |
there this Saturday and put another good performance. Dancing | :23:23. | :23:33. | |
:23:33. | :23:34. | ||
the foxtrot, Natalie Lowe. | :23:34. | :23:44. | |
:23:44. | :23:44. | ||
Apology for the loss of subtitles for 88 seconds | :23:44. | :25:14. | |
Well done, Michael and Natalie. A Well done, Michael and Natalie. A | :25:14. | :25:17. | |
lovely foxtrot. You've done it with that. Absolutely beautiful, | :25:17. | :25:23. | |
beautiful. Right, Bruno, start us off. Michael, still in the zone, | :25:23. | :25:27. | |
sailing away with confidence and control. Natalie, what a good job. I | :25:27. | :25:31. | |
hope you are going to be able carry the momentum in the Latin | :25:32. | :25:34. | |
because I hope this dream continue for you. Well done. Thank | :25:34. | :25:40. | |
you so much. So do I. Well done, good job, darling. So good. The | :25:40. | :25:45. | |
transformation has been wonderful, Michael. Craig? The steps were all | :25:45. | :25:50. | |
there. Just add three things: style, you need to add swing and you need | :25:50. | :25:54. | |
to add sway, and then it will be perfect. Swing and sway, yes. | :25:54. | :26:00. | |
far off. Thank you. Darcey? No, Michael for me you shine in | :26:00. | :26:05. | |
ballroom. CHEERING. You do, you are elegant, you are grateful and you | :26:05. | :26:08. | |
glide. You seem so in control those moves. I would just watch your | :26:08. | :26:12. | |
neck. You can sometimes look little stiff. Just lean it over, | :26:12. | :26:16. | |
relax it, because you look - you are gazing at your beautiful girl, I can | :26:16. | :26:21. | |
see, but yeah, wear tails every week, please. Very nice. Good, | :26:21. | :26:29. | |
good. Len? Obese foxtrot of the night, easy peasy. Well done. That's | :26:29. | :26:35. | |
all you are going to say? Away go. Thank you, darling, lovely. | :26:35. | :26:45. | |
:26:45. | :26:46. | ||
Yes, you looked like you were loving Yes, you looked like you were loving | :26:46. | :26:47. | |
every single moment of that, every single moment of that, | :26:47. | :26:49. | |
Yes, you looked Michael. I did really enjoy | :26:49. | :26:52. | |
We've worked really hard again. You still get very nervous before but | :26:52. | :26:56. | |
just try and enjoy every single moment. It has been a good week. | :26:56. | :27:00. | |
Really good. Last week you smashed it, Bruno said it was a miracle lass | :27:00. | :27:03. | |
week. Did that give you you needed? Yes, you do always need | :27:03. | :27:10. | |
to improve on your confidence and last week certainly did mine. Next | :27:10. | :27:18. | |
week will be Latin so that will be a test. The salsa. The ballroom boy | :27:18. | :27:21. | |
can do salsa, is that a promise? I will give it everything. We | :27:21. | :27:31. | |
:27:31. | :27:43. | ||
CHEERING . 31, joint top score CHEERING . 31, joint top score | :27:43. | :27:47. | |
again. I know, fantastic. Thank you. Amazing score. Really well done. | :27:47. | :27:50. | |
Michael gave the judges the sweetest feeling but did he have | :27:50. | :28:00. | |
Not much longer to wait now before Not much longer to wait now before | :28:00. | :28:07. | |
you can call. Only one dance left to go. Who is the lucky couple, Bruce? | :28:07. | :28:17. | |
Right, our final couple is Dani and Vincent. Yes, what a great little | :28:17. | :28:22. | |
pair they are. Dani asked would be spending Fireworks Night | :28:22. | :28:26. | |
this year. I said the same always do: close to my dogs, under | :28:26. | :28:33. | |
the table. LAUGHTER . Bless them, they do comfort me. LAUGHTER. Shut | :28:33. | :28:38. | |
up, for goodness sake, I've got feelings! Anyway, here they | :28:38. | :28:45. | |
Last week was absolutely amazing. I Last week was absolutely amazing. I | :28:45. | :28:50. | |
loved having Anton in our routine. He made a perfect monster. He was | :28:50. | :28:54. | |
probably one of the best monsters I've ever seen until he took | :28:54. | :28:59. | |
mask off which was worse than actual mask. I would have gotten | :28:59. | :29:06. | |
away with it if it wasn't for those meddling kids. If that was a | :29:06. | :29:10. | |
sandwich, it would have been tasty, satisfying and sets you up for the | :29:10. | :29:17. | |
This week, we are dancing the jive. This week, we are dancing the jive. | :29:17. | :29:27. | |
:29:27. | :29:29. | ||
We are dancing to Olly Murs' With Me Tonight. It feels very 50s. | :29:29. | :29:34. | |
Of course she was born in the How am I supposed to get into the | :29:34. | :29:40. | |
# Thursday, Friday, happy days # Thursday, Friday, happy days | :29:40. | :29:50. | |
:29:50. | :29:50. | ||
# Saturday, what a day # Rocking all week with you # | :29:51. | :29:56. | |
Extremely Days is filmed in front of Extremely Days is filmed in front of | :29:56. | :30:06. | |
a live studio audience. Strictly days. High sweet cheeks. Will you | :30:06. | :30:09. | |
dance with me this Saturday? many times? I've already got a | :30:09. | :30:19. | |
:30:19. | :30:29. | ||
Him? 'eh!. Dancing the jive, Harmer and Vincent Simone. | :30:29. | :30:39. | |
:30:39. | :30:39. | ||
Apology for the loss of subtitles for 88 seconds | :30:39. | :32:05. | |
You are two little demons, that's You are two little demons, that's | :32:05. | :32:14. | |
what you are. Wonderful. Dani and Vincent, marvellous. I love, I love | :32:14. | :32:19. | |
the quiff. I love it too. And it's bigger than Craig's. | :32:19. | :32:27. | |
mine too, I might blow that next week, darling. Might borrow that. | :32:27. | :32:33. | |
You need to keep your legs together, I copped a massive eyeful. I'm | :32:33. | :32:42. | |
sorry. LAUGHTER. What did he say? What did he say? I didn't hear it. | :32:42. | :32:50. | |
What did he say? I loved it, loved it. LAUGHTER. Carry on then, | :32:50. | :32:56. | |
Darcey. I didn't hear what he said. So Darcey, maybe we shouldn't, | :32:56. | :33:04. | |
right. Dani, I loved this jive. You got the style perfectly, the | :33:04. | :33:07. | |
all the way through. That bother me, the only thing that | :33:07. | :33:12. | |
bothered me was your turns. Keep the feet really close together. Your | :33:12. | :33:15. | |
heels have got to be close together, but wonderful. Loved it. It | :33:15. | :33:23. | |
really good, really good. Absolutely marvellous. Len? Clean as a | :33:23. | :33:28. | |
whistle, crisp as a Pringle and absolutely marvellous. I loved it. | :33:28. | :33:34. | |
Well done both of you, that's it. And Bruno? Oh yes, my darling, | :33:34. | :33:41. | |
really was a cutey pie of a jive. Arms everywhere, you hit every beat, | :33:41. | :33:45. | |
constantly. You were never off it. Yes, the turns sometimes could be | :33:45. | :33:52. | |
cleaner, but I tell you, it was of joy. Little munchkins, you are. | :33:52. | :33:57. | |
Go on, off you go. Jump up stairs. There you go, marvellous. | :33:57. | :34:04. | |
How about that? CHEERING APPLAUSE | :34:04. | :34:11. | |
Happy days, hey! See the thumbs. A Happy days, hey! See the thumbs. A | :34:11. | :34:15. | |
cutey pie of the jive, my pocket dynamo. Great routine, did | :34:15. | :34:23. | |
you enjoy it? Thank you for up such a wonderful dance, I loved | :34:23. | :34:28. | |
it. Can we do it again? No, actually, don't! I'm improving each | :34:28. | :34:37. | |
week, aren't I? Yes, the wig, give us a twirl. Bring on Christmas. | :34:37. | :34:47. | |
:34:47. | :35:03. | ||
That's worth a thumbs up. Your first That's worth a thumbs up. Your first | :35:03. | :35:05. | |
It was better than that. nine, and your highest score. Yes. | :35:05. | :35:10. | |
Yes, highest score to date. Well, did Dani and Vincent make your heart | :35:10. | :35:15. | |
go boom this Bonfire Night? If they did, call. | :35:15. | :35:23. | |
LAUGHTER. Check out Vinnie, he is so LAUGHTER. Check out Vinnie, he is so | :35:23. | :35:27. | |
cool. And the body roll. Stop it. We've seen plenty of fireworks from | :35:27. | :35:32. | |
our stars tonight. It's not over yet. Let's see who is rocking to the | :35:32. | :35:37. | |
top of the leaderboard and at the bottom. | :35:37. | :35:47. | |
:35:47. | :35:48. | ||
Down in the bottom spot, Richard and Down in the bottom spot, Richard and | :35:48. | :35:51. | |
Erin. Now, of course, anything happen in the next half hour. | :35:51. | :35:54. | |
have the power as you cast your vote because the phone lines are now | :35:54. | :36:01. | |
happy about that. Your favourites happy about that. Your favourites | :36:01. | :36:03. | |
need every vote in order to stay of the dance-off and lines will | :36:03. | :36:09. | |
close at 8.30 tonight so get dialling. Calls cost 15p, | :36:09. | :36:14. | |
phone lines may vary. Please get permission from whoever pays | :36:14. | :36:17. | |
bill. Here is a reminder of tonight's sparkling performances | :36:17. | :36:27. | |
:36:27. | :36:28. | ||
Apology for the loss of subtitles for 88 seconds | :36:28. | :39:35. | |
Well now, didn't you all do well? I Well now, didn't you all do well? I | :39:35. | :39:42. | |
tell you, what a show. Indeed, certainly started Bonfire Night | :39:42. | :39:45. | |
a bang. They are going to rely on your votes if they are to | :39:45. | :39:49. | |
the competition. Remember, lines close at 8.30 tonight so get | :39:49. | :39:52. | |
dialling. In tomorrow night's results show, | :39:52. | :39:55. | |
results show, the two couples the lowest scores will face each | :39:55. | :39:58. | |
other in the dreaded dance-off. other in the dreaded dance-off. No! | :39:58. | :40:03. | |
Oh yes, and one of them will have to leave the ballroom. It's always | :40:03. | :40:07. | |
sad. As well as the drama, a little something from everyone, | :40:07. | :40:15. |