Week 6 Strictly Come Dancing


Week 6

Similar Content

Browse content similar to Week 6. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Last week glitter and sparkles exploded on to the Strictly dance

:00:12.:00:18.

floor. # Baby you're a firework

:00:18.:00:23.

As our 11 fire crackers fought for place in the top ten.

:00:23.:00:31.

Some sky rocketed. A-maz-ing. sizzled. It is like looking in the

:00:31.:00:37.

mirror. Some failed to go off. Disaster. Time ran out for our

:00:37.:00:42.

secret agent. Who learned that sequins aren't forever.

:00:42.:00:44.

Tonight...$$NEWLINE # Here comes the girls

:00:44.:00:50.

Claudia, it's just me and you, no Brucie, I'm nervous. It is an

:00:50.:00:55.

iconic line, if we mess it up, he's going to be livid. Nice to see you,

:00:55.:01:05.
:01:05.:01:07.

to see you, nice! Good Tess, you've got it. I'll give it a go, nice to

:01:08.:01:15.

see...you, to see...you. Maybe we need a second opinion. Any excuse

:01:15.:01:20.

for a celebrity montage. Baker it is Winkleman, I need your help.

:01:20.:01:28.

it is nice to see you. Hi Claudia, nice to see you. Shane it's Tess.

:01:28.:01:36.

Nice to see you, to see you nice? Thank you very much. Zoe? Nice to

:01:36.:01:43.

see you...Already Vernon. It's nice to see you, to see you nice. Don't

:01:43.:01:48.

you start. No, no girls, you are not giving it enough razzmatazz. It

:01:48.:01:56.

should be, nice to see you, to see you, nice! Got that then, tar ra.

:01:56.:02:02.

Bruce gives it much more gravitas. It is like this, nice to see you,

:02:02.:02:11.

to see u...nice! Thank you She's amazing. We can do that.

:02:11.:02:21.
:02:21.:02:57.

Live, from Television Centre, please welcome your hosts, Tess

:02:57.:03:07.
:03:07.:03:29.

Well, good evening ladies and gentlemen, and welcome to Strictly

:03:29.:03:33.

Come Dancing. Now, are you absolutely sure he's not here?

:03:33.:03:41.

Positive. And you're sure he won't mind? He has given me his express

:03:41.:03:46.

permission, to use the emortal words, "it's a first". I must say,

:03:46.:03:52.

I'm very nervous, shall we do that together. Shall we hold hands?

:03:52.:03:59.

Let's hold more than that. 1-2-3. It's nice to see you, to see you,

:03:59.:04:09.

nice! For you, Brucie, for you. To be truthful, that was freakishly

:04:09.:04:12.

empowering. It felled good. A big night tonight, not only are the

:04:12.:04:16.

girls in the show, but we are at the halfway point of the

:04:16.:04:20.

competition. With the top ten couples, all dancing to make it to

:04:20.:04:24.

Wembley! APPLAUSE

:04:24.:04:30.

Not everyone will get the chance to dance in the iconic arena, as one

:04:30.:04:34.

couple will leave the competition this weekend. Sad, but true, our

:04:34.:04:38.

couples are ready to do battle in the ballroom. Let's bring on the

:04:38.:04:48.

stars of our show. Snuggle in! Kimberley Walsh and her partner.

:04:48.:04:54.

West life's Nicky Byrne and his partner Karen. TV presenter, Fern

:04:54.:04:58.

Britton, and Artem Chigvintsev. Cricket legend, Michael Vaughan,

:04:58.:05:07.

and his partner, Natalie Lowe. Soap star Lisa Riley and her partner

:05:07.:05:12.

Robin Windsor. Olympic gymnast, Louis Smith, and partner, Flavia

:05:12.:05:17.

Cacace. Dani Harmer with partner Vincent Simone, presenter,

:05:17.:05:22.

performer, Denise Van Outen, and her partner, James Jordan. Showbiz

:05:22.:05:26.

reporter, Richard Arnold, and Erin Boag. And finally, Olympic golden

:05:26.:05:36.
:05:36.:05:46.

girl cyclist, Victoria Pendleton, I think you will agree they are a

:05:46.:05:49.

good-looking group. Our top ten dressed to the nines. I must admit

:05:49.:05:54.

I'm slightly disappointed, Artem has a shirt on.

:05:54.:06:00.

Almost got a shirt on. Nice hat, Brendan, by the way. He hates the

:06:00.:06:06.

hat. It's a delight. Fully dressed stars are dancing for judges'

:06:06.:06:11.

scores and your votes at home. Their dancing fate is in your hands,

:06:11.:06:16.

the two couplings with the lowest public votes and judges' course

:06:16.:06:21.

will be in the bottom two and dance for their place. And will be off

:06:21.:06:26.

the show forever. On the red button is the brilliant Karen Hardy, and

:06:26.:06:31.

joining us this week is John Culshaw. Hello, good to see you

:06:31.:06:37.

both. If you want to hear their words of wisdom, why wouldn't you,

:06:37.:06:45.

press red now, you are good to go. Are we ready? Not really! It's time

:06:45.:06:49.

to start the dancing. The first couple is Denise Van Outen and

:06:49.:06:55.

James Jordan. Lady in red. Now then, they are

:06:55.:06:59.

doing the paso doble, in this dance the man does a lot of foot stamping.

:06:59.:07:03.

So the one thing that James didn't want to do this week was damage his

:07:03.:07:13.
:07:13.:07:14.

I really enjoyed dancing the Viennese Waltz, I loved every

:07:14.:07:20.

second of it. Flowing, fluid, the rotation of equisite. As soon as we

:07:20.:07:23.

finished the dance, I just hugged James, because I was so relieved

:07:23.:07:27.

that I got it right. Because I have messed it up so many times before

:07:27.:07:36.

the live show. Poise, posture, perperformance. I was over the moon.

:07:36.:07:41.

Three nines, yeah! It has been a little bit of a difficult start to

:07:41.:07:46.

the week, James is injured. I have really hurt my ankle, couldn't even

:07:46.:07:52.

walk and I have been back and forth from the doctors all week.

:07:52.:07:58.

So Ian is dancing with Denise for me. Not for too long. Left arm

:07:58.:08:04.

across, spin. Ian is so good looky, he's dreamy.

:08:04.:08:09.

# I'm just a jealous guy. What are you laughing at? We have work to do.

:08:09.:08:14.

He's a really good teacher, fantastic physique. Denise, I got

:08:14.:08:21.

you a water. I'm fine, thanks, Ian already got me an extra hot, double

:08:21.:08:25.

shot mocha, with sprinkles. There is so much chemistry between

:08:25.:08:29.

me and Ian, it is like fireworks on the dance floor. Where's Ian?

:08:29.:08:33.

What's that noise? I don't know. By hook and by crook I will be dancing

:08:33.:08:38.

on Saturday night. You have got some explaining do!

:08:38.:08:44.

# I'm just a jealous guy Dancing the paso doble, Denise Van

:08:44.:08:54.
:08:54.:09:10.

# The seven nation army # Couldn't hold me back

:09:10.:09:18.

# They gonna rip it off # Taking a time like behind me back

:09:18.:09:21.

# And I'm talking to myself at night

:09:21.:09:30.

night # Because I can't forget

:09:30.:09:33.

# Bach and back and forth through my mind

:09:33.:09:37.

# Like a cigarette # In the mist that's coming from my

:09:37.:09:47.
:09:47.:09:47.

Apology for the loss of subtitles for 54 seconds

:09:47.:10:41.

eyes That was a red-hot paso doble. They

:10:41.:10:51.

are on their feet. Standing ovation. Receipt-hot paso there, Denise --

:10:51.:10:54.

red-hot paso there, Denise and James. How is the footholding up?

:10:54.:10:58.

It is OK, the doctor says I can't damage it any more, he said just

:10:58.:11:03.

take the pain. So I did. And that was absolutely phenomenal, what

:11:03.:11:06.

start to the show. It wouldn't be a show without this little lot. Let's

:11:06.:11:11.

have a cheer for the judges, Bruno Len and Darcey.

:11:11.:11:18.

APPLAUSE Let's have a big boo for Craig!

:11:18.:11:21.

BOO! I don't mean to be rude, sorry

:11:21.:11:26.

Craig, we might as well start as we mean to go on. Len, a tough week

:11:26.:11:32.

for Denise and James, how did they cope with the paso.

:11:33.:11:39.

Paso doble, I can hardly pass a comment. I thought it was fantastic,

:11:39.:11:41.

flair in the moment, care in the technique. You captured the

:11:41.:11:46.

character of the dance. You moved well, I thought it was terrific.

:11:46.:11:54.

Thank you. Bruno? Denise, the red menace. With

:11:54.:12:00.

a conquering power of a firestorm. The ardent and vibrant beauty and

:12:00.:12:05.

flavour of Spain, you have it all together. But jokes apart, I'm

:12:05.:12:10.

telling you, your lines, the way you finish your Spanish lines, with

:12:10.:12:15.

slight hint of Flamenco, which very, very few people do, was absolutely

:12:15.:12:22.

wonderful to look at. Craig what did you think? There was

:12:22.:12:27.

one balance issue, down here, sadly, and the side-by-side section, I

:12:27.:12:37.

have to say, drama, passion, the cheny turpbs were out of this world.

:12:37.:12:41.

Your charms -- turns, were out of this world. Your charms, and

:12:41.:12:48.

working with Ian has done you wonders!

:12:48.:12:53.

I would consider swapping partners, darling. I'm keeping James!

:12:53.:12:57.

thanks to Ian though. Darcey, did the paso do it for you? The guys

:12:57.:13:02.

are right. It is the most exciting role I have seen you dance, and

:13:02.:13:07.

perform. You played the role brilliantly. And Craig is right,

:13:07.:13:16.

the under arm cheney turns were immaculate. I lead that, let's not

:13:16.:13:18.

forget that! A great paso doble, fabulous.

:13:18.:13:28.
:13:28.:13:30.

Thank you very much. Ladies and gentlemen, Denise and James.

:13:30.:13:34.

Well done. Thank you. Ian's here, it must have

:13:34.:13:38.

been tough, you had to dance with two boys? I have had had a lovely

:13:38.:13:45.

time. Ian's been amazing, thank you so much. Thank you, mate.

:13:45.:13:52.

I'm a bit bigger than James, it is a bit difficult to get used to.

:13:52.:13:56.

it went wrong I was going to blame him. Your foot almost fell off.

:13:56.:14:01.

Guild it up! It was bad, but Ian stood in, so that was fantastic,

:14:01.:14:04.

Denise has had a really tough week, because it is difficult dancing

:14:04.:14:07.

what with two totally different dancers, you are about six foot

:14:07.:14:13.

taller than me. It has been tough for her, but she is amazing as

:14:13.:14:19.

always. Thank you James. Scores are Time to get the scores from the

:14:19.:14:29.
:14:29.:14:43.

I can't believe it. Those are the highest scores of the series, huge

:14:43.:14:47.

congratulations. Guess who will get all the credit. Ian! Well done Ian,

:14:47.:14:53.

we have made you a crown. Now, once all our star turns have danced, we

:14:53.:14:59.

will open the phone lines to vote. There are two ways to do it, each

:14:59.:15:09.

costing 50p. Have they done enough to win your vote. If the resounding

:15:09.:15:12.

to win your vote. If the resounding answer is yes call :

:15:12.:15:15.

You can't vote until all the couples have danced, I will be

:15:15.:15:22.

quite strict about that, really, look at my face, back to you.

:15:22.:15:30.

What a receipt-hot start to the show, amazing, our next couple is

:15:30.:15:35.

Richard Arnold and Erin Boag. The last week Richard, big spender,

:15:36.:15:40.

left him spent, and in the dance- off for the second time. Tonight

:15:40.:15:45.

he's hoping a cheeky Charlesen to won't make it third time unlucky,

:15:45.:15:47.

won't make it third time unlucky, and will see him safely through to

:15:47.:15:55.

Wembley. # Good looking, so refined. Oh no,

:15:55.:16:00.

go on. I forgot everything. Just went

:16:00.:16:05.

blank. I won't lie to you, it was terrifying, I was numb. It was like

:16:05.:16:09.

a puppet when you cut the strings. You have heard about this happening

:16:09.:16:14.

to people before, you never imagine it will happen to you.

:16:14.:16:17.

Going into the dance-off was a relief, it meant I could go out and

:16:17.:16:22.

do to properly. I have to say Richard.

:16:22.:16:27.

We were over the moon to still be here. I think she's going to be

:16:27.:16:33.

quite strict this week. I'm thrilled to be back, because I

:16:33.:16:39.

get to the Charleston. It couldn't be more me, I get to pull funny

:16:39.:16:43.

faces and do jazz hands. The judges keep asking, they want to see the

:16:43.:16:46.

real Richard Arnold, on Saturday night, I'm going to be the real

:16:46.:16:51.

Richard Arnold, if I get the steps right and if I can remember them. I

:16:51.:16:55.

never dreamed for one second that I would ever get to this point in the

:16:55.:16:58.

competition, where Wembley was actually a possibility. If I can

:16:58.:17:04.

just nail this Charleston. Just to increase the jeopardy this week,

:17:04.:17:09.

this is the first time I have done a dance where I can lift Erin.

:17:09.:17:15.

have to be really honest, I'm really nervous about the flip.

:17:15.:17:20.

could drop Erin on her head, I'm not sure in Strictly law, that is

:17:20.:17:25.

better or worse than forgetting your entire routine.

:17:25.:17:35.
:17:35.:17:53.

Dancing the Charleston. Richard Full Of skaed lead.

:17:53.:17:57.

# I've got a sheet for my bed # And pillow for my head

:17:57.:18:01.

# I've got a pencil full of led # And water for my throat

:18:01.:18:05.

# I've got buttons on my coat # And sails on my boat

:18:05.:18:09.

# So much more than I needed beforele # Some shoes on my feet

:18:09.:18:13.

# A shelf of books and most of my teeth

:18:13.:18:23.
:18:23.:18:29.

# I've got food in my belly # And nothing's gonna bring me down

:18:29.:18:33.

Nothing nothing gonna bring me down # I got a nice guitar

:18:33.:18:37.

# And tyres on my car # I'm out and about

:18:37.:18:41.

# And I'm in with a shout # I got a fair foot

:18:41.:18:46.

# Better than that # Food on my belly

:18:46.:18:50.

# And license for my telly # Nothing's gonna bring me down

:18:50.:18:53.

# Best of all # I've got my baby

:18:53.:18:57.

# Best of all I've got my baby # She's mine

:18:57.:19:01.

# And nothing's gonna bring me down # She's mighty fine

:19:01.:19:11.
:19:11.:19:17.

# And she's all mine APPLAUSE

:19:17.:19:23.

That's what you call a cheeky Charleston. Come on over.

:19:23.:19:28.

King of the comeback. Last week you were a gangster, this week a

:19:28.:19:33.

hairdresser, which one suits you best? Trolley dolly, wait for next

:19:33.:19:37.

week. Plom misses, promises. I have a feel -- Promises, promises.

:19:37.:19:42.

have a feeling we saw the real Richard. Talk about high on hair

:19:42.:19:49.

spray, watching like two go mad at nicky Clarke's. Plenty of

:19:49.:19:54.

highlights but Saul slapstick, Erin, you must be very, very sore, he was

:19:54.:20:01.

really getting into it. Always time to start. I loved the running at

:20:01.:20:07.

the end, it was like Miranda Hart running for the bus! At least in

:20:07.:20:10.

the Charleston it is all about performance, slapstick and comdee.

:20:10.:20:19.

That was all there. A bit more swivel in the feet, but great fun.

:20:19.:20:25.

Craig, what did you make of it? Quirky, eccentric, groovy, very

:20:25.:20:28.

character-driven, which suits you, loved all the shouldn't, the truck

:20:28.:20:35.

and step, that was pretty cool. Good truck and step. I could have

:20:35.:20:45.
:20:45.:20:46.

done without the spanky bottom. you sure! You did lose a little bit

:20:46.:20:52.

of timing, I have to say your best dance to date

:20:52.:20:55.

APPLAUSE Coming from Craig that means an

:20:55.:20:59.

awful lot. Darcey, did it do it for you? That was a fab Charleston.

:20:59.:21:05.

There was so many moves in that. I'm so glad you said that! I so

:21:05.:21:09.

enjoyed the choreography, Erin, fabulous job. Watch your flat feet,

:21:09.:21:12.

all the way through, you have to be on the toes, also to create the

:21:13.:21:17.

spin. So if you got on the edge of a stairs and you did rises, then

:21:17.:21:20.

you would get those muscles really working and you would understand

:21:20.:21:28.

what I'm talking about. I think I understand, rrrrr! Really enjoyed

:21:28.:21:33.

it. From the judges, how about you, Len, do you agree? I don't know

:21:33.:21:40.

about Nicky Clarke, it was Teesy Weasy. You can do me a haircut, a

:21:40.:21:45.

number two up the back and a bit at the front. If a dance is going to

:21:45.:21:48.

suit anyone, it was this. It was light, bright, fun, frivolous, you

:21:49.:21:54.

did a good job, well done. Thank you guys. You can't ask for better

:21:54.:21:57.

than that. Your best dance. Richard and Erin, ladies and gentlemen. Off

:21:57.:22:07.
:22:07.:22:11.

you go. Listen to the family. You clever

:22:11.:22:16.

cat, the judges loved it. They said your best dance to date. That is

:22:16.:22:20.

lovely to hear half way through. We would love to get to Wembley, it is

:22:20.:22:25.

the furthest my dad thought I would get, because my sporting prowess

:22:25.:22:31.

isn't any good. Better with a root perm. I landeded on my feet, I

:22:31.:22:35.

can't tell you how nervous I was, not that I didn't trust you, it was,

:22:35.:22:40.

sometimes I landed on my head. had no idea that American tan would

:22:40.:22:44.

be my colour, what a view! It was a treat, thank you Richard. The

:22:44.:22:54.
:22:54.:23:10.

That is the highest score of the series. Thank you, thank you.

:23:10.:23:15.

You don't want to be in the bottom two against? I'm rinsed, I have

:23:15.:23:19.

done it enough. I know a few who would. Look ahead, look at his

:23:19.:23:23.

little face, look at him. He look like an otter, who is slightly

:23:23.:23:33.
:23:33.:23:34.

unwell. Call this number. Don't vote until all the couples have

:23:34.:23:38.

danced. Your vote won't count, and I will get, very, very angry. Look

:23:38.:23:45.

at me, livid. Our next couple tonight is Louis

:23:46.:23:52.

Smith and his partner, Flavia Cacace.

:23:52.:23:58.

Last week Lowe did the samba, but only three -- Louis did the samba,

:23:58.:24:02.

but only three of the judges got in the partied mood. What about the

:24:02.:24:07.

Waltz, here is how they got on with training. Saturday night was

:24:07.:24:11.

successful. I was really ill on the Friday. And Flavia was ill on

:24:11.:24:16.

Saturday. Flaf have a -- Flavia said let's go out there and let rip

:24:16.:24:21.

and you can die afterwards. Every dance studio in Britain will be

:24:21.:24:24.

congratulating you, because there was so many recoginsable samba

:24:24.:24:32.

steps. Backwalk, the platz, the maypole,

:24:32.:24:40.

rolling off the arm. All great, well done.

:24:40.:24:49.

That was harsh, anyone else agree? No. I thought it was harsh.

:24:49.:24:54.

Louis is a little bit naughty in training. No, that's exactly what I

:24:54.:24:58.

don't want. His mum came in today. Hi. And he was on his best

:24:58.:25:02.

behaviour, for a bit. Mum is here with food, trying to fatten me up.

:25:03.:25:06.

She used the food as a reason to come in and see if I was training

:25:06.:25:11.

as hard as I should be. I have a little roll of Sellotape, you could

:25:11.:25:18.

tape his thumb down. Kicking my back side when I'm to train with

:25:19.:25:24.

Flavia. That was encouragement. I got to Wembley my mum would have

:25:24.:25:29.

a smile from either-to-ear, I would want to do that. Can I have a break

:25:29.:25:34.

now, I'm tired? When you have finished your routine! OK. Love you

:25:34.:25:39.

mum, can you get out of here. Dance the Waltz, Louis Smith and

:25:39.:25:49.
:25:49.:25:55.

# Moon river # Wider than a mile

:25:55.:25:58.

# I'm crossing you in style # I'm crossing you in style

:25:58.:26:06.

# Some day # Oh dream maker

:26:06.:26:13.

# You heartbreaker # Whenever you're going

:26:13.:26:22.

# I'm going your way # Two drifters

:26:22.:26:30.

# Off to see the world # You're such a lot of world

:26:30.:26:40.
:26:40.:26:40.

# To see # We're after that same

:26:40.:26:46.

# Rainbow's end # Waiting round the bend

:26:46.:26:56.

# My Huckleberry friend # Moon river

:26:56.:27:06.
:27:06.:27:19.

# And me APPLAUSE

:27:20.:27:23.

On their feet in the studio, standing ovations for Louis and

:27:23.:27:28.

Flavia. They are on their feet, Louis, this

:27:28.:27:31.

is getting to be a habit. You must be over the moon with that Very

:27:31.:27:36.

happy, a bit of a wobble in rehearsal. You get your breath back,

:27:36.:27:43.

while we welcome our fabulous singers. Hayley, Tommy, Andrea and

:27:43.:27:51.

lance. As well as Dave Arch and his fantastic orchestra.

:27:51.:27:56.

Craig, did you get into the swing of that Waltz? Not entirely, I'm

:27:56.:28:05.

afraid. I didn't like that fuerte turn at the top, it was very

:28:05.:28:08.

pedestrain. If you're going to do something like that, you have to be

:28:08.:28:12.

really good at it, because you are out there by yourself. You are

:28:12.:28:16.

wrong, I'm sorry, it was good, wasn't it. Also I felt you were

:28:16.:28:22.

getting a little bit out of time in the middle of it. It didn't feel

:28:22.:28:27.

like there was a very clear. (booing from the audience) There

:28:27.:28:32.

wasn't a clear downbeat. But that being...that being said there was a

:28:32.:28:37.

beautiful amount of rise and fall, I thought the pivots were very good,

:28:37.:28:41.

your head needs to go left a lot more, you have a habit of bringing

:28:41.:28:46.

it back. Your free arm is graceful now, I'm trying to find some

:28:46.:28:48.

positives here. The free arm working very well.

:28:48.:28:56.

To start with, that is rubbish. was a little bit sacharine sweet

:28:56.:29:02.

for me. (boos from the audience) Darcey do you have anything to say?

:29:02.:29:08.

Don't listen to him, the turn into the cheney, that is difficult to do,

:29:08.:29:13.

from your very first move. There was no hop. I'm not denying, that

:29:13.:29:18.

but it has to be done with style panache and a pointed foot would be

:29:18.:29:24.

noise. He didn't hop, I have seen so many people hop doing that.

:29:24.:29:30.

looked very pedestrain. It was very good. You don't even know what it

:29:30.:29:35.

means, pedestrain is you. No, no, no, I haven't finished. When you

:29:35.:29:39.

get into hold your posture is beautiful. You have a wandering

:29:39.:29:43.

head, keep it to the left the posture, your control, you won me

:29:43.:29:49.

over, thank you. He won all of us over, didn't he.

:29:49.:29:56.

Len, would you like to speak? a lot of Bolognese, honestly!

:29:56.:30:01.

Absolute nonsense. I tell you, he just says things for effect. That

:30:01.:30:09.

is nonsense, honestly, I tell you, OK those spins, try to do them, my

:30:09.:30:15.

old sausage, in a tail suit, as you spin the tails flare out, it

:30:15.:30:20.

becomes more difficult. You handled that well, your top was great, it

:30:20.:30:24.

had more polish than Number Ten's front door. I thought it was lovely.

:30:24.:30:28.

Incidentally, I think Richard has been doing your haircut, I realise

:30:28.:30:37.

that now. Listen, great, well done! APPLAUSE

:30:37.:30:42.

Louis, listen to me. You Waltzed your way into the heart of the

:30:42.:30:47.

nation. And about timing, he hasn't got a

:30:47.:30:52.

clue about it. When you do these dances on the 1-2, you're not

:30:52.:30:56.

supposed to mark 1-2-3 you go through it, you don't show it. You

:30:56.:31:00.

have to glide through it. You take the breath of the musical phrase,

:31:00.:31:03.

you don't emphasise the musical phrase, that is wrong. You have no

:31:03.:31:09.

idea how to dance. I didn't say that actually.Am I right. You have

:31:09.:31:13.

to glide through it T you have to take it like the crest of the wave,

:31:13.:31:16.

you should never emphasise it. Thank you very much for your

:31:16.:31:17.

extended opinion. Thank you for that.

:31:17.:31:27.
:31:27.:31:33.

We loved it. Well done Louis.

:31:33.:31:37.

Well done, caused the first proper bust-up. That must be so weird.

:31:37.:31:41.

bit heated down there. What were you thinking? I'm not sure. I was

:31:41.:31:50.

thinking it was going to be ding- ding round 1. You Waltzed in the

:31:50.:31:54.

heart of the nation, Craig, grumpy, didn't have lunch? I listen to all

:31:54.:31:58.

the comments, good and bad, we take it on board, we try to fix it for

:31:58.:32:08.
:32:08.:32:27.

later on in the show. Fixed the You got your number upside down!

:32:27.:32:33.

Are you happy with that? Yes.Le will win Craig over next week. To

:32:33.:32:43.

keep Louis in the ballroom call this number.

:32:43.:32:47.

Don't call until all couples have danced. If you do you may still be

:32:47.:32:54.

charged, fact! This is the life, thank you boys.

:32:54.:32:57.

Our next couple tonight is Fern Britton and her partner, Artem

:32:57.:33:03.

Chigvintsev. Last week, despite Artem losing his

:33:03.:33:05.

shirt, Fern still managed to struggle with the passion in the

:33:05.:33:10.

paso. But will she be able to sort it out for a salsa tonight. She

:33:10.:33:20.
:33:20.:33:20.

certainly had fun in training, have I think the master stroke of the

:33:20.:33:24.

paso doble was Artem of in his skin. # Sex bomb

:33:24.:33:30.

# You're my sex bomb. Artem, it is like looking in the mirror.

:33:30.:33:34.

Apparently my naked chest was a lot of distraction. He looked so

:33:34.:33:39.

gorgeous, not only did he distract the judges, it distracted me, I'm

:33:39.:33:44.

all for it. I see the Fern on fireworks but with him it's no

:33:44.:33:48.

difficult. Then you start dusting and polishing the floor again. Get

:33:48.:33:54.

the power and fire out. He's always talking about the dusting and

:33:54.:33:59.

polishing, this week's routine should polish him off. I want Fern

:33:59.:34:05.

to think about salsa all the time. I want to introduce you to my

:34:05.:34:10.

friends, I hope they get you in the mood for salsa. When I say think

:34:10.:34:13.

salsa all the time, I mean all the time.

:34:13.:34:21.

Twice in one day, boys. 1-2-3. start with, it was quite fun.

:34:21.:34:27.

OK boys, that's enough. Thank you very much. OK.

:34:27.:34:35.

Gradually, it did become annoying. Home time.

:34:35.:34:42.

Not you two again, out. Salsa is definitely in my head this

:34:43.:34:48.

week. I just hope it get me to Wembley.

:34:48.:34:58.
:34:58.:35:13.

Dancing the salsa, Fern Britton and # Everybody knows it's party time

:35:13.:35:23.
:35:23.:35:27.

# And when the moon is rising up # I know you will be mine

:35:27.:35:29.

# Party the world goes round and round

:35:29.:35:32.

# You can feel the changes coming down

:35:32.:35:37.

# Everyone trying to survive # We're not just born to be alive

:35:37.:35:45.

# What I feel inside is true # # When the sun is setting in the

:35:45.:35:49.

# Everybody knows it's party time # And when the moon is rising high

:35:49.:35:59.
:35:59.:36:03.

# I'll be on I know you will be mine

:36:03.:36:05.

# Hold it down # Party time

:36:06.:36:08.

# Hold it down # Party time

:36:08.:36:11.

# When the sun is setting in the # Everybody knows it's party time

:36:11.:36:15.

# And when the moon is rising high # I'll be out

:36:15.:36:19.

# Because I know you will be mine # When the sun is setting in the

:36:19.:36:21.

Member everybody knows it's party time

:36:21.:36:31.
:36:31.:36:35.

# When the moon is rising high # When the moon is rising high

:36:35.:36:40.

# I know you will be mine That's what you call embracing the

:36:40.:36:45.

salsa spirit. You look amazing. have to clean all this up now.

:36:45.:36:48.

It is a right mess. Well done you, you look like you loved that.

:36:48.:36:57.

Did she clean up in the salsa for you? Definitely. This is your party.

:36:57.:37:02.

I liked it, I liked it. The only thing was the under arm passes,

:37:02.:37:05.

just don't lose your concentration and your feet, keep that rhythm

:37:05.:37:10.

going. You partied all the way through that. I loved your free

:37:10.:37:19.

Fern dancing salsa. Thank you. Look we can't stop her now.

:37:19.:37:23.

track was party time, and this was a party. You came out and you

:37:23.:37:27.

partied. When you took your top off I thought you were going to have my

:37:27.:37:31.

eye out for a win! This was your best dance so far. It was fun, it

:37:32.:37:41.
:37:42.:37:42.

was good. Well done. Fern, what an interesting turn of

:37:42.:37:52.
:37:52.:37:56.

events. From casual duster to saucey scrumpet. It was all the

:37:56.:38:01.

salsa, shaking your boobies, you are a great-looking woman, you look

:38:01.:38:05.

good doing it. I enjoyed it. Someone has had their vitamins

:38:05.:38:11.

today. Let's hear it for Fern and Artem, they tore it up.

:38:11.:38:21.
:38:21.:38:26.

Well done. That was so your dance. I loved T I

:38:26.:38:31.

can't do all, that but I can do that! That was great. It is a

:38:31.:38:35.

delight. That band have been driving you mad? Oh gosh. Hold on a

:38:35.:38:45.
:38:45.:38:53.

minute! Thank you, thank you. Go and wait in my dressing room. Are

:38:53.:38:57.

you over the moon with that reaction? I am very much so.

:38:57.:39:07.
:39:07.:39:22.

you! Best dance. Thank you. Are you happy? I'm happy. You were

:39:22.:39:25.

absolutely brilliant. Fern needs your votes to make it to the bright

:39:25.:39:33.

lights of Wembley. They have special lights there.

:39:33.:39:43.

They are in the shape of reindeer! Call this number. Still to come

:39:43.:39:46.

tonight, you might want to sit down and prepare yourselves, there will

:39:46.:39:51.

be dancing from these people. Deadly serious.

:39:52.:39:58.

Next up, Victoria Pendleton and Brendan Cole.

:39:58.:40:01.

This week they are dancing the quickstep, it is a fast-paced dance,

:40:01.:40:05.

it requires a lot of speed and stamina. If there is one thing

:40:05.:40:13.

Victoria is good enough at, it is putting her foot to the peddle.

:40:13.:40:17.

Saturday, I was terrified standing up there in front of the judges.

:40:17.:40:21.

Also that stepping off and landing on one of them, I'm sure they would

:40:21.:40:25.

catch me. Would they. I just wanted to get through it. It was a last

:40:25.:40:35.
:40:35.:40:37.

Vegas with a hangover! You were shaky. Shaky from start to finish.

:40:37.:40:44.

Those to go to go were...That just walking backwards. Brendan

:40:44.:40:49.

does stand up for his partner, I commend him for that. We never have

:40:49.:40:54.

to do that again! There is a chance you might.

:40:55.:40:59.

We can concentrate on dancing more suited to our style. This week I'm

:40:59.:41:03.

dancing the quickstep. I think it is fantastic dance. This is fun

:41:03.:41:07.

rpbg isn't it Brendan. Victoria feels comfortable with the ballroom

:41:07.:41:11.

rather than the Latin. It is a God week for us. Coming from a sports

:41:11.:41:15.

background is more of a hindrance, having a fiscal job, and one which

:41:15.:41:19.

I'm very good at, to having absolutely no skills. I do feel

:41:19.:41:23.

like I can do a better job than I did last Saturday, that's what

:41:23.:41:26.

motivates me. As it's one of Brendan's favourite dances, I feel

:41:26.:41:33.

like I owe it to him. Can you please stop taking up your own cor

:41:33.:41:41.

oingfee. I'm well aware I'm not - Choreography. I'm well aware I'm

:41:41.:41:46.

not the best dancer, but the fact the public have left me in, I'm

:41:46.:41:50.

hugely grateful for. Dancing the quickstep, Victoria

:41:50.:42:00.
:42:00.:42:16.

# Luck be a lady tonight # Luck if you've ever been a lady

:42:16.:42:26.

# Do it again # Luck be a lady tonightle

:42:26.:42:35.

# Luck let a gentleman see # How nice a thing you can be

:42:35.:42:38.

I know the way you've treated other guys

:42:38.:42:48.

# You've been with # Well luck with a lady with me

:42:48.:42:58.
:42:58.:42:59.

# So let's keep the party polite # Never get out of my sight

:42:59.:43:03.

# Stick with me baby # I'm the guy that you came in with

:43:03.:43:13.
:43:13.:43:14.

# Luck with a lady tonight # Luck be a lady

:43:14.:43:24.
:43:24.:43:42.

Wasn't that good ladies and gentlemen, that was good, so good.

:43:42.:43:47.

Victoria they are on their feet. On their feet. In the studio.

:43:48.:43:54.

Despite the fall Brendan, you are all right aren't you? What's that?

:43:54.:44:03.

I believe this belongs to you? dear. Let's hope he can get it

:44:03.:44:12.

open? I can't. There is cobwebs, thank you for

:44:12.:44:21.

that! It has been a long time since we have seen that. Are you all

:44:22.:44:26.

right, despite the trip. You looked like you were loving it. Happy to

:44:26.:44:31.

be in hold? Very happy. Will Victoria and Brendan will need the

:44:31.:44:36.

taxi? Victoria I will give you a lift home any time, Brendan can go

:44:36.:44:40.

in the cab. It was quickstep, and it was quick and lot of steps. As

:44:40.:44:43.

far as I could see you caught every step correctly. It was very fast,

:44:43.:44:48.

it was very slick in the foot work. Your upper body could be a bit more

:44:48.:44:52.

to end. I thought you did a great job with a difficult dance. Well

:44:52.:44:57.

done Victoria. Thank you.

:44:57.:45:02.

Bruno what do you think? Victoria, all you need is a strong man

:45:02.:45:06.

holding you all the way through and things change, incredibly. You were

:45:06.:45:09.

focused, at ease with yourself, looking beautiful and glamorous.

:45:09.:45:13.

Len is right, the foot work was very, very good, plaintiffs plenty

:45:13.:45:19.

of content. You have to maintain that - there was plenty of content.

:45:19.:45:26.

You have to maintain that each week. What happens is you have to

:45:26.:45:28.

maintain this, remember what it feels like and deliver again next

:45:28.:45:35.

week, this was good. Your left shoulder raises sometimes,

:45:35.:45:40.

you lost your frame just on the odd occasion, and I can sometimes see

:45:40.:45:44.

your foot work transfering to your upper body, which isn't great, but,

:45:44.:45:48.

I thought you moved across the floor with gusto, and the timing of

:45:48.:45:53.

it was sensational. You covered the floor beautifully. Darcey? Each

:45:53.:45:57.

week you grow with confidence, and you really look the part in the

:45:57.:46:00.

quickstep. He's right n the shoulders it does show, you have to

:46:00.:46:05.

really control that. Especially with the hopping step, they come up

:46:05.:46:12.

a bit. Lovely Lightfoot work, I really enjoyed it.

:46:12.:46:22.
:46:22.:46:26.

Better than the samba, don't say the s-word! Off you go. Well done.

:46:26.:46:30.

Well done, did you enjoy it? I did, thanks. You looked so happeny, are

:46:30.:46:35.

you all right, did you do a rolly Polly on purpose? It was on

:46:35.:46:45.
:46:45.:47:08.

Are you happy with that? That is a really good score. If you want to

:47:08.:47:14.

see Victoria hot foot it, or quick- step it, in next week. I'm

:47:14.:47:23.

genuinely just reading out loud! Call this number.

:47:23.:47:27.

Do not call until all couples have danced, if I have told you once, I

:47:27.:47:32.

have told you a thousand times. I'm not even making that up. Let's take

:47:32.:47:42.
:47:42.:47:49.

We are only half way, all of that could change with the next dance.

:47:49.:47:53.

Who is it? The next couple is Dani Harmer and

:47:53.:47:59.

Vincent Simone. After two months of dancing with

:47:59.:48:02.

the Italian stallion, Dani is fast becoming the dark horse of the

:48:03.:48:06.

competition. Will their Tango see them gallop all the way to Wembley.

:48:06.:48:15.

Last week I got to jive, which was my favourite dance of all time.

:48:15.:48:25.

That really was a cutie-pie of a dance. Clean as a whistle, crisp as

:48:25.:48:30.

a Pringle, absolutely fab lou, I loved it. It is amazing getting

:48:30.:48:34.

good comment, it is even better when you get good scores. A nine

:48:34.:48:43.

off Len, well chuffed. This week I'm doing the Tango, our story is

:48:43.:48:48.

Vincent is cheating on me, how dare he. I'm going to call a hot dancer,

:48:48.:48:52.

which will be taking your place soon if you don't behave. How dare

:48:52.:48:57.

you. I'm pretending I'm flirting with other mysterious dancers, just

:48:57.:49:04.

to get more into the passionate mode. Hey Bella how you do?

:49:04.:49:09.

sure she's lovely girl, but Vincent sent's my man. The minute I paired

:49:09.:49:14.

up with him, I thought I have to do the Tango with this man. My hip.

:49:14.:49:18.

People have an expectation when I get to do the Tango. The Tango is

:49:18.:49:24.

my dance, it takes two to Tango. I'm praying this week goes well, I

:49:24.:49:29.

so want to go to Wembley, I have never been there before. It hurts

:49:29.:49:34.

your neck a bit. It is called the power of the love. It is a once in

:49:34.:49:37.

a lifetime opportunity, to dance with me. I like you so much.

:49:37.:49:41.

are intruding in my space. And dancing in Wembley. That is tango

:49:42.:49:48.

at its best. Dancing the tango, Dani Harmer and

:49:48.:49:58.
:49:58.:50:02.

# She ain't real # She ain't gonna be able to love

:50:02.:50:06.

you like I will # She is a stranger

:50:06.:50:10.

# You and I have history # Or don't you remember

:50:10.:50:16.

# Sure she's got it all # But baby is that really what you

:50:16.:50:21.

want # Bless your soul

:50:21.:50:25.

# You got your head in the clouds # You made a fool out of you

:50:25.:50:32.

# But she's bringing you down # She made your heart melt # But

:50:32.:50:35.

you cold to the floor # Rumour has it

:50:35.:50:40.

# She ain't got your love any more # Rumour

:50:40.:50:48.

# Rumour has it # Rumour

:50:48.:50:52.

# She is half your age # I guess that's the reason that

:50:52.:50:55.

you stayed # I heard

:50:55.:50:59.

# You been missing me # You been telling people things

:50:59.:51:03.

you shouldn't be # Like when we creep out

:51:03.:51:09.

# And she ain't around # Haven't you heard

:51:09.:51:13.

# That rumours # Rumour has it

:51:13.:51:21.

# Rumour # Rumour has it he's the one I'm

:51:21.:51:31.
:51:31.:51:37.

Spectacular. Standing ovation in the studio.

:51:37.:51:41.

Look at that, they are on their feet.

:51:41.:51:45.

They are on their feet. Really well done.

:51:45.:51:50.

You got to show off your acting skills there finally it suited you

:51:50.:51:53.

that dance, with the king of the tango. I hope you weren't voting

:51:53.:51:57.

for yourself, Vincent, the phone lines aren't open yet. Very

:51:57.:52:02.

important phone call. Not open yet. Bruno, did that Tango get your

:52:02.:52:07.

tongue wagging? Finger-licking good! I love it, it started with a

:52:07.:52:12.

strop, at the end of it a drop. With so much drama inbetween. But

:52:12.:52:17.

what you did, it was so clean. All the st, ucato, the changes of

:52:18.:52:22.

direction -- stucato, the changes in direction, you are a well-placed

:52:22.:52:26.

dancer. It was so sharp, so clean, and yet you maintained all the

:52:26.:52:29.

drama in the passion of the dance. The technique was wonderful, and

:52:29.:52:38.

the way you played it was wonderful. I really, really enjoyed watching.

:52:38.:52:43.

Craig? Yes, it's few, you are a lovely tech nis, it was clean, it

:52:43.:52:46.

was precise, -- technician, it was clean, it was sharp, it was a shame

:52:46.:52:54.

the dance finished earlier than the music. We couldn't hear at the end,

:52:54.:52:58.

people clapping. As a dancer, one has to time the dance to finish

:52:58.:53:08.
:53:08.:53:09.

with the music. You can extend the dance! Thank you Bruno.

:53:09.:53:13.

Sorry. Darcey, do take over, please? I didn't like the beginning,

:53:13.:53:18.

you can come across a little like a moody teenager, instead of a feisty

:53:18.:53:23.

woman. But, as soon as you got into hold, you got better and better,

:53:23.:53:26.

and cleaner, and cleaner, and crisper, I loved it, it was

:53:27.:53:33.

brilliant. I actually loved the end, you were a little bit early, but

:53:33.:53:37.

the choreography that was fabulous, loved that.

:53:37.:53:42.

I have never seen anyone get into such a strop about getting into a

:53:42.:53:46.

phone box. What I liked of the light and shade about it. There was

:53:46.:53:50.

some parts that were so fast and so clever, and then there was other

:53:50.:53:54.

parts that were so slow, and almost still. That's what I love about

:53:54.:53:58.

dancing, light and shade, fast, slow, big, small, hard, soft, and

:53:58.:54:03.

we saw that, I thought you did a terrific job. Vincent, great

:54:03.:54:07.

choreography, Dani, well performed. Light and shade, lots of drama,

:54:07.:54:17.
:54:17.:54:20.

Give it up for our pocket dynamos. Dani and Vincent. Well done.

:54:20.:54:25.

That was fantastic. Light and shade, drama. I loved it. You were elegant,

:54:25.:54:30.

there was time for case, but I left it. Too much. Too much. Sometimes

:54:30.:54:34.

there can be just too much Vincent. Too much. Quite a pressure to dance

:54:34.:54:38.

with the king of tango as he's known? There was more pressure on

:54:38.:54:48.
:54:48.:55:06.

him than me. It was OK. Very good. That's your highest score of the

:55:06.:55:10.

series. That was brilliant, you did so well last week, to come back and

:55:11.:55:14.

do that. If you think Dani is dynamite on the dance floor, call

:55:14.:55:24.
:55:24.:55:26.

Don't even look at your phone, don't make eye contact. Even if you

:55:26.:55:30.

are walking past, go like that. I will tell you when.

:55:30.:55:35.

Those phone numbers sounded so interesting. Our next couple

:55:35.:55:43.

tonight is Nicky Byrne and Karen Hauer. This week, Nicky is under a

:55:43.:55:46.

lot of pressure, not only is he dancing in front of 11 million

:55:46.:55:51.

viewsers and the judge, he's also got to perform in front of his

:55:51.:55:56.

Westlife band mate, Shane. Here is what happened happened in

:55:56.:56:05.

training this week. The dance of love. Just before I

:56:05.:56:08.

went on, I was going through a few steps, and Brendan went up and said

:56:08.:56:16.

you need to this, James walked by and they had a rumba-off, I took

:56:16.:56:20.

the advice. Caress the lady, to the lady. I thought I had given it

:56:20.:56:25.

everything, that is the best I have in a rumba, and still got

:56:25.:56:30.

criticised by some of the judges. For me it was a series of

:56:30.:56:35.

presentations, not enough rumba. James and them were giving me tips,

:56:35.:56:39.

they gave me the wrong one. I'm not blaming the advice, but it didn't

:56:39.:56:42.

work for Craig. A four and a seven from everybody else. We have to

:56:42.:56:52.

take it on the chin. Ahhhh. This week we're doing the

:56:52.:56:59.

foxtrot to a song called The Best Is Yet To Come by Michael Buble.

:56:59.:57:04.

I'm too close to the bottom two, the best is yet to come. In this

:57:05.:57:09.

week's dance I have incorporated a microphone for Nicky. If it was a

:57:10.:57:13.

can, it would be spilling out over the top. Is that annoying you?

:57:13.:57:18.

what is annoying is Craig will give us a four. You don't want to go out

:57:18.:57:23.

and miss out on Wembley. I want to go in Wembley. And dance in front

:57:23.:57:31.

of all those people of You can go there on the bus. To do something

:57:31.:57:35.

special there, outside of Westlife, I would do anything to get there.

:57:35.:57:45.
:57:45.:57:46.

Dancing the foxtrot, Nicky Byrne # I just picked me a plum

:57:46.:57:54.

# You came along # And everything started to turn

:57:54.:58:01.

# Still it's a real good bet # Still it's a real good bet

:58:01.:58:11.

# The best is yet to come # And babe won't it be fine

:58:11.:58:18.

# You think you've seen the sun # But you ain't seen it shine

:58:18.:58:25.

# Wait till the warm-up's under way # Wait till our lips have met

:58:25.:58:30.

# Wait till you see that sunshine babe

:58:30.:58:36.

# You ain't seen nothing yet # The best is yet to come

:58:36.:58:46.
:58:46.:58:46.

# And babe won't it be fine # The best is yet to come # Come

:58:46.:58:53.

the day you're mine # Come the day you're mine

:58:53.:59:00.

# I got plans for you baby # And baby you're gonna

:59:00.:59:10.
:59:10.:59:21.

On their feet in the studio. Standing ovation.

:59:22.:59:27.

Enjoyed that Nicky, you earned that. You worked hard this week.

:59:27.:59:30.

Everybody is rooting for you in here tonight. So good in character.

:59:30.:59:38.

Thanks a lot. Craig, last week you gave Nicky a four. Did you see any

:59:38.:59:45.

improvement tonight, please say yes? That was Cheryl Cole doing it.

:59:45.:59:55.
:59:55.:59:57.

No, I tell you what, I saw a vast improvement! So relieved.

:59:57.:00:02.

opening was fantastic, it was promising, so much excitement, and

:00:02.:00:08.

you actually, when you got in hold delivered that excitement. I could

:00:08.:00:11.

have done with a little more drive around the floor and all of those

:00:11.:00:17.

silly little things. But well done. A well done from Craig! Finally.

:00:17.:00:24.

Darcey. Yes, I really liked the start. You set that mood, the style,

:00:24.:00:28.

perfectly. I did miss a little drive, I missed the slow-quick-

:00:28.:00:31.

quick, you have to reach with the feet and legs out, you don't travel

:00:31.:00:37.

so well, it is a bit stilled. Still, a fabulous performance. Well done.

:00:37.:00:41.

Len? I have written down, you have to move more, which you have. You

:00:41.:00:43.

have got to move more. The reason is you don't drive off your

:00:43.:00:46.

standing leg and straighten. You are always a little bit flexed in

:00:46.:00:50.

the knee, having said that, I thought you had great style, I

:00:50.:00:55.

thought the performance was good. As the track is, "the best is yet

:00:55.:00:58.

to come", that is what I feel for you, the best is yet to come much

:00:58.:01:03.

that was your best dance for me. Well done. Best dance from Len.

:01:03.:01:07.

Bruno? Talk about rising to the occasion. And that beginning was

:01:07.:01:13.

pure Vegas, it was like, the Dean Martin show opening. You really did

:01:13.:01:16.

it perfectly. It was wonderful. They are right, you need a little

:01:16.:01:21.

more drive, especially when in hold. But the side-to-side, it was so

:01:21.:01:23.

wonderful to see, you are getting better. They are right, you are

:01:23.:01:28.

getting better every week, can't wait to see it again.

:01:28.:01:35.

Great comment from the judges, Shane liked it as well! We all

:01:35.:01:38.

loved the standing ovation in the studio. Nicky and Karen, ladies and

:01:38.:01:48.
:01:48.:01:53.

gentlemen. Are you happy? Buzzing, yeah. I'm

:01:53.:01:55.

enjoying the competition so much, you work hard, that is where you

:01:55.:01:58.

want to get, you feel it. You are really confident now. Huge well

:01:58.:02:03.

done, both of you looked a bit like, Craig is going to be horrible, and

:02:03.:02:13.
:02:13.:02:35.

then he was lovely. A huge well Are score of the season. Totally

:02:35.:02:39.

inappropriate. The judges have had their say, if you loved it and want

:02:39.:02:49.
:02:49.:02:51.

to see Nicky back, call the number Plus, if you want loads of gossip

:02:51.:03:01.
:03:01.:03:03.

find you on-line. A lot of stuff there, tonnes. Back

:03:03.:03:10.

to you Tess. The next couple is Kimberley Walsh and Pasha Kovalev.

:03:10.:03:15.

So, last week Kimberley wowed the judges when she really let her hair

:03:15.:03:19.

down for a sexy salsa. This week she's going dainty and demure for

:03:19.:03:23.

the Vienese Walt. Will it get her on to the Wembley dance floor. Here

:03:23.:03:29.

she is in training. One of the most exciting things on

:03:29.:03:33.

Saturday night of definitely getting lowered down from the

:03:33.:03:38.

ceiling in my little hoop. It was quite amusing to see how much the

:03:38.:03:43.

judges enjoyed my little dance at the desk. I loved it when you came

:03:43.:03:47.

up and flaunted yourself at me, do that every week and you get an

:03:47.:03:52.

extra mark. I was so happy when I saw the eights come up again, and

:03:52.:04:01.

then Bruno, nine! Yes. This week we're dancing the Vienese

:04:01.:04:05.

Walt, to an absolutely beautiful song by Christina Perry, it's

:04:05.:04:13.

called A Thousand Years. This week is extremely busy for he

:04:13.:04:21.

moo, I'm finishing off my -- for me, I'm finishing off my solo album, we

:04:21.:04:25.

have to do everything we can for this week. I went to Kimberley's

:04:25.:04:30.

recording studio to see if we can grab time to practice. We ended up

:04:30.:04:33.

dancing in a ridiculously small studio, when you have so little

:04:34.:04:38.

time, you have to take any chance you get. Do you want to listen to

:04:39.:04:48.
:04:49.:04:49.

some of the stuff. I appreciate Pasha fitting in with my busy

:04:49.:04:54.

schedule. We are definitely going out there and give it our all. What

:04:54.:05:04.
:05:04.:05:04.

did you think of it? I love it. Dancing the Vienese Walt, Kimberley

:05:04.:05:14.
:05:14.:05:22.

# Colours and promises # How to be brave

:05:22.:05:26.

# How can I love # When I'm afraid

:05:26.:05:35.

# To fall # And watching you stand alone

:05:35.:05:45.
:05:45.:05:46.

# All of my life # Suddenly goes away some how

:05:46.:05:53.

# One step closer # I died every day

:05:54.:06:01.

# Waiting for you # I love you

:06:01.:06:11.
:06:11.:06:12.

# For a thousand years # I love you for a thousand years

:06:12.:06:15.

# All along # I believe

:06:15.:06:20.

# I would find you # Time has brought

:06:20.:06:23.

# That to me # I have loved you

:06:23.:06:33.
:06:33.:06:54.

# For a thousand years Beautiful. Come on over Kimberley.

:06:54.:07:00.

Have a look around there, they are on their feet.

:07:00.:07:05.

They are on their feet, your mate Cheryl is on her feet over there.

:07:05.:07:14.

Beautiful Viennese Waltz. Did you get motion sickness from that

:07:14.:07:17.

rotation. I felt dizzy watching you. Did Kimberley live up to your

:07:17.:07:20.

expectation tonight? Very much, that was such an emotive

:07:20.:07:26.

performance. You really moved me. All the way through, which I

:07:26.:07:29.

haven't in theed in your other ballroom, is your beautiful

:07:29.:07:32.

extended, long neck. You made some beautiful lines with that, it

:07:32.:07:36.

really showed. I know you had a little difficult time with those

:07:36.:07:39.

promenades, they are difficult, not easy to transfer, push down through

:07:39.:07:43.

the supporting leg, very, very impressive. You made the shapes and

:07:44.:07:50.

you recovered very well. Wonderful performance, well done.

:07:50.:07:55.

You mentioned the neck, you have a lovely neck, Darcey noticed it.

:07:55.:08:02.

Kimberley Walsh, I'm going to call you Kimberley Waltz! More spins

:08:02.:08:08.

than Alastair Campbell. I loved transitions, in and out of hold.

:08:08.:08:14.

You did the fleckle, I thought you did it well, it was gentle and

:08:14.:08:24.
:08:24.:08:29.

womens kal, I really enjoyed it. -- whimsical, I really enjoyed it.

:08:29.:08:33.

I loved the romance, will we end up together or separated at the end,

:08:33.:08:36.

nobody knows what will happen, but I will love you forever regardless.

:08:37.:08:43.

It is true, it is a story. But, Len is right, fantastic, sequence of

:08:43.:08:47.

spin in and out of hold, getting hold again. That was fantastic,

:08:47.:08:52.

seamless, beautifully done. It was near perfection, except, she's

:08:52.:08:56.

right, a tiny wobble, but apart from that, I am taleing you. There

:08:56.:09:00.

was another thing you didn't cross your feet on the reverse turn.

:09:00.:09:04.

You have had your turn, Craig. perfection. For me your head was

:09:04.:09:09.

just a little bit too high, your snout was pointing to the ceiling.

:09:09.:09:17.

Not my chin again! You hopped I think three times in that back turn.

:09:17.:09:20.

She recovered, only because she was pulled into shape. I thought

:09:20.:09:26.

actually it was a delicious Vienese, I really, really enjoyed it.

:09:26.:09:30.

have to be happy with that, delicious. Well done Kimberley and

:09:30.:09:40.
:09:40.:09:42.

Pasha. It was so beautiful, with your long

:09:42.:09:50.

neck! I love that. You see. We like the long neck. Who doesn't. We all

:09:50.:09:55.

love the long neck. Thank you Nicky, thank you so much. Sit back down,

:09:56.:10:05.
:10:06.:10:25.

That was your highest score. Very well done.

:10:25.:10:30.

Thank you so much. Well done. Well done. Are you over the moon? I'm so

:10:30.:10:36.

happy and relieved. Cheryl, she's lucky, just to be here. Just to be

:10:36.:10:40.

Cheryl! For you for that score, let's not pull on that string, also

:10:40.:10:44.

lucky. Do you want to see Kimberley in Wembley Arena next week, of

:10:44.:10:54.
:10:54.:10:57.

Two more couples left to dance, then you are allowed to vote. Tess

:10:57.:11:00.

who is next? For our next couple it is Michael

:11:00.:11:08.

Vaughan and Natalie Lowe. The good news for Michael is, he

:11:08.:11:11.

loves ballroom, he thrives on ballroom, he's brilliant at the

:11:11.:11:15.

ballroom, the bad news is, tonight he's doing Latin.

:11:15.:11:25.
:11:25.:11:27.

I was a lot more nervous last Saturday than I was the previous

:11:27.:11:30.

Saturday, because of the three ballrooms I have done the foxtrot

:11:30.:11:37.

was by far the hardest. # Somewhere beyond the sea

:11:38.:11:45.

Still in the zone, sailing away with confidence and control.

:11:45.:11:50.

Best foxtrot of the night, easy peasy, well done. The best foxtrot

:11:50.:11:55.

of the nice from Len, get in, he's the ballroom king. This week I'm

:11:55.:12:00.

doing Latin salsa. Step, step, stop. We have put more hours in, we have

:12:00.:12:04.

danced away from the Mir yo, we have closed our eyes. If I go for

:12:04.:12:09.

that, I will be like spaghetti man. Tried as much as possible to make

:12:09.:12:14.

sure we are improving. You need a performance face, not a clown face.

:12:14.:12:19.

The most important thing is getting balance of timing and performance.

:12:19.:12:23.

You like this? In time, but active. This is my biggest challenge

:12:23.:12:29.

because Latin so far has not been my forte. I'm going to take him to

:12:29.:12:32.

a salsa club to see how it is really done. Ready to do some salsa.

:12:32.:12:37.

We should join in, look at them all. The salsa club I went for it, there

:12:37.:12:41.

was people enjoying t the people were great, I went with the flow, I

:12:41.:12:46.

went a bit bonkers. Hopefully that doesn't happen on Saturday night.

:12:46.:12:50.

Everyone expects me to be vulnerable this Saturday night, I'm

:12:50.:12:58.

hoping I can surprise a few. Dancing the salsa, Michael Vaughan

:12:58.:13:08.
:13:08.:13:28.

# Uh huh # When I had you to myself

:13:28.:13:32.

# I didn't want you around # Those pretty faces

:13:32.:13:35.

# Always made you # Stand out in the crowd

:13:35.:13:38.

# But someone picked you from the front

:13:38.:13:42.

# One glance was all it took # Now it's much too late for me

:13:42.:13:45.

# To take a second look # Oh baby

:13:45.:13:49.

# Give me one more chance # To show you that I love you

:13:49.:13:53.

# Won't you please let me # Back in your heart

:13:53.:13:58.

# Oh darling I was blind to let you # To let you go baby

:13:58.:14:07.

# But now since I've seen you # All I want

:14:07.:14:13.

# All I need # Just one more chance

:14:13.:14:16.

# To show you I love you # Baby

:14:16.:14:23.

# I want you back # Love than never ends

:14:23.:14:26.

# Oh baby # I was blind to let you go

:14:26.:14:31.

# Now since I've seen # You in his arms

:14:31.:14:41.
:14:41.:14:47.

Come on over. You started a party with that salsa.

:14:47.:14:52.

And gave it, and your first lift. The lifts were the best bit, I

:14:52.:14:57.

think. And the hips weren't bad either, that Latin pout that you

:14:57.:15:01.

adopt, you have a Latin face, do you know that? I kind of didn't

:15:02.:15:06.

realise what my face was doing. Craig will love it. Coming to you

:15:06.:15:10.

Len, has captain ballroom finally cracked the Latin? Compared with

:15:10.:15:15.

some of your Latin dance, this was a lot better. A bit mechanical, and

:15:15.:15:18.

there was, somewhere in the middle of it a serious incident that went

:15:18.:15:23.

on. Well, there was. But I thought you had great content, the lift, I

:15:24.:15:27.

thought, were excellent, and you have come out, and given it a

:15:27.:15:32.

proper go, you know, you weren't ashamed of yourself. You came out

:15:32.:15:41.

and said this is it. Gowacha. Bruno? I think we can now say that

:15:41.:15:46.

you can bat for the Latin team as well as the ballroom team. Great to

:15:46.:15:50.

see you going both ways, it is about time. I think timing is still

:15:50.:15:55.

far from perfect. You know, you still need a little more

:15:55.:15:59.

lubrication in the hip, still a bit jagged, I tell you, it is so much

:15:59.:16:09.
:16:09.:16:11.

better, it is almost a revelation. It must be difficult, of course,

:16:11.:16:14.

with Ramps in the audience, a sen racial in the dance, unlike

:16:14.:16:22.

yourself! -- a sensation in the dance, unlike yourself. I could see

:16:22.:16:26.

the mechanics of every single move you were given. It went horribly

:16:26.:16:31.

wrong in the centre, you didn't recover, she got you out of it,

:16:31.:16:36.

evently it is littered with timing issues, but I -- eventually, it was

:16:36.:16:40.

littered with timing issues, but I loved the lifts, your energy and

:16:40.:16:44.

commitment. Came good in the end. Darcey?

:16:44.:16:52.

liked it. I liked it, maybe not a sauceies salsa, you are quite cute,

:16:52.:16:55.

actually. But the preparations for the lifts, you really used your

:16:55.:16:59.

thigh, if you were lifting me, I would be so confident, that would

:16:59.:17:03.

be great, very safe. You don't use your back, it is perfect, you use

:17:03.:17:13.
:17:13.:17:20.

your thighs, well done, I liked it. Well done. That was terrifying.

:17:20.:17:25.

What was the incident? We lost our routine, just for a little period.

:17:25.:17:28.

I couldn't tell, the lift was magnificent, up with the legs and

:17:28.:17:34.

the round and the flip? He's very strong. These hands drop many balls

:17:34.:17:39.

in my cricket career, to catch Natalie like that. Darcey said she

:17:39.:17:44.

wanted you to lift her, that's the wrap party sorted. I'll organise

:17:44.:17:54.
:17:54.:18:08.

That's your highest Latin score. Your highest score in Latin. That

:18:09.:18:13.

is definitely improved, we have been working so hard. Michael wants

:18:14.:18:23.
:18:24.:18:28.

to stay in the competition, to vote Don't pick up the phone, don't even

:18:28.:18:32.

go like that with your hand, don't pretend, that is illegal, only one

:18:32.:18:39.

more person to dance, who is it? Our final couple tonight is Lisa

:18:39.:18:45.

Riley and Robin Windsor. Lisa has earned high praise and

:18:45.:18:50.

scores with a fiercelessly fast routines. Our bundle of fun proved

:18:50.:18:53.

she can do slow and serious as well. Tonight it is all about the foot

:18:53.:19:00.

work, as she faces the foxtrot. Here they are in training.

:19:00.:19:06.

Last week I felt went really well. I was desperately proud of the

:19:06.:19:12.

routine. Fabulous. Amazing. I got a seven from Darcey, that made my

:19:12.:19:16.

week. The feet could have been cleaner and sharper. I completely

:19:16.:19:20.

agree with her, it is foot work all the way this week, as it has to be,

:19:20.:19:24.

I want to go out there on Saturday night and say your feet were in the

:19:24.:19:28.

right place, at the right time at the right speed. Inside, inside,

:19:28.:19:35.

outside, outside, inside. This week we are performing the foxtrot, or

:19:35.:19:39.

the "trot-on" as I like to call it. Heel, heel, toe. This week is all

:19:39.:19:45.

about the foot work. You hit the heels, and they are quick. We have

:19:45.:19:49.

been focusing on the heel turn, difficult for the laidy. Len will

:19:49.:19:55.

be watching this, he loves a heel- turn, so we have to get it right.

:19:55.:19:59.

You up on to your heels and place your double feet together, you have

:19:59.:20:05.

to hold all your weight on those heels, for me that is a lot of

:20:05.:20:10.

weight, and I have already broken one pair of shoes. Hopefully not on

:20:10.:20:15.

Saturday night. There is two in the routine, if he misses first one, he

:20:15.:20:21.

will definitely see the other one. Slower, slower. I know, I know. It

:20:21.:20:24.

is really important to me to pull it off. That gets me one step

:20:24.:20:34.

closer to Wembley, I would give anything to go to Wembley.

:20:34.:20:44.
:20:44.:21:03.

Dancing the foxtrot, Lisa Riley and # An every lasting love

:21:03.:21:07.

# This will be # The one I've waited for

:21:07.:21:10.

# This will be # The first time anyone has known

:21:10.:21:17.

# I'm so glad # You found me in time

:21:17.:21:23.

# I'm so glad that # This will be

:21:23.:21:29.

# An ever lasting love for me # Oh

:21:29.:21:34.

# This will be # An ever lasting love

:21:34.:21:43.

# Oh yeah # Run along sunshine

:21:43.:21:48.

# Into my life # Fill me with happiness

:21:48.:21:52.

# That I ever knew # You have given me more joy

:21:52.:21:58.

# Than I ever dreamed of # No-one can take the place of you

:21:58.:22:02.

# This will be # An eternally

:22:02.:22:07.

# Hugging and squeezing # Kissing and squeezing

:22:07.:22:17.
:22:17.:22:26.

Come over young laidy, you have been working hard, haven't U Look

:22:26.:22:30.

and me and you matching. We should have called each other before we

:22:31.:22:37.

left the house. Fabulous, you have been working on those feet. Bruno,

:22:37.:22:42.

has Lisa found her feet in the foxtrot, please say yes? Feet on

:22:42.:22:49.

fire, talk about showbiz pizas, I think you were going to a Liza

:22:49.:22:53.

Minelli number. I love the way you get into it. So much so, I told you

:22:53.:23:03.
:23:03.:23:04.

before, you are not supposed to lead. He's supposed to lead. Your

:23:04.:23:08.

energy and performance is so wonderful. Your foot work as well.

:23:08.:23:15.

Be careful, though. Don't lead, don't push him forward, keep, you

:23:15.:23:25.
:23:25.:23:25.

know. I'm trying to be a giraffe. All week. Madagascar.

:23:25.:23:31.

Craig? As always impecable timing, ferocious foot work, darling. I

:23:31.:23:36.

loved the line you made after the throw away oversway, but the rate

:23:36.:23:43.

at which you got into that darling was so cyclonic, I don't know how

:23:43.:23:48.

you actually handed, it was brilliant. Thank you so much. Thank

:23:48.:23:51.

you. Darcey? Wow Lisa you have worked

:23:51.:23:54.

hard on cleaning the foot work. I in theed everything, you were fast

:23:55.:23:59.

as well, it was the fastest foxtrot I have seen as well. I so love your

:23:59.:24:04.

enthusiasm, all the way through. That is your best ballroom dance.

:24:04.:24:13.

Thank you so much. What about the heel turns Len?

:24:13.:24:17.

saw that, you did attempt another one over there on the double

:24:17.:24:21.

reverse, that went a bit cranky, I won't worry about that, for me I

:24:21.:24:27.

don't know about the X Factor, you have the F-factor, good foxtrot,

:24:27.:24:37.
:24:37.:24:38.

good footwork and fun! Well done. We all loved it, give it up for

:24:38.:24:48.
:24:48.:24:52.

Lisa and Robin, off you go. Oops a daisy. Did you fall, are you

:24:52.:24:59.

all right? That was the other F, he fell! A huge well done to you two.

:24:59.:25:02.

You were always like, I like the Latin, find the ballroom slightly

:25:02.:25:05.

embarrassing, I will do it because you say I have to. You loved that?

:25:06.:25:09.

I have been working so hard last week, I loved it so much. We have

:25:09.:25:13.

had a ball doing it. Are you all right, are you in pain?

:25:13.:25:17.

embarrassed. Don't be. Don't be, you gave me a piggy back, I love

:25:17.:25:27.
:25:27.:25:44.

Your highest scores, you clever girl.

:25:44.:25:47.

Well done, are you over the moon? Yes.

:25:47.:25:51.

Now, if you think Lisa deserves to dance another day, please write

:25:51.:25:59.

these numbers down. I don't know what to say to you.

:25:59.:26:04.

From a landline call. Lines open literally in moments.

:26:04.:26:09.

That is it, our couples have danced, our judges have been judgey, what

:26:09.:26:19.
:26:19.:26:30.

I can't apologise enough. Now it is in your hands, only you can save

:26:30.:26:36.

your favourites from the dance-off, don't let the power go to your head,

:26:36.:26:44.

pick up the phone and vote, because the phone lines now are...open! I

:26:44.:26:52.

do think I never thought that would happen.

:26:52.:26:57.

Voting details can be found on the website. Please get permission from

:26:57.:27:01.

whoever pays the bill. Within reason. Here is a reminder of

:27:01.:27:11.
:27:11.:27:11.

Apology for the loss of subtitles for 54 seconds

:27:11.:30:04.

tonight's performances and the all As our Brucie would say, didn't

:30:04.:30:08.

they do well? Yes they did. We have seen a lot of

:30:08.:30:11.

personal bests tonight, have our couples done enough to make it to

:30:11.:30:16.

Wembley next week? It is in your hand now, our top ten are all lined

:30:16.:30:22.

up, take a good look, only nine couples will be dancing when

:30:22.:30:28.

Strictly goes super-sizeed at Wembley Arena. Lines close at 8.20

:30:28.:30:34.

tonight, tomorrow's results night will have the two lowest scores

:30:34.:30:42.

facing etch other. -- each other. We will have the

:30:42.:30:46.

cast of Midnight Tango, you will regret missing it for the rest of

:30:46.:30:50.

Download Subtitles

SRT

ASS