Week 8 Strictly Come Dancing


Week 8

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Blackpool is the week that everyone aims for, making it that far would

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be a huge achievement. I don't want to miss out. If I get a good score

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this week it could be my ticket and I'm so close. It is so important

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that we get through this week so we can get a Blackpool. I know that I

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will have to fight for my place in the competition. I can't afford to

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make any mistakes. I really want to get to the Tower ballroom. I do feel

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massive pressure. I am hoping for some kind of breakthrough to get a

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Blackpool. This would be the most devastating week to leave.

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Live from the BBC, this is Strictly Come Dancing!

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Hello and welcome to a night of ballroom brilliance -

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Nine couples remain and the pressure is really on, because next week

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Strictly is live from Blackpool - and everyone wants to be there.

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Last weekend there was a real cliffhanger moment

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as EastEnder Kellie Bright unexpectedly found herself in the

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Kellie survived and Carol and Pasha were voted out. No one wants to find

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themselves in that position so this week more than ever they must

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impress these four. Please welcome the judges.

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Our nine couples are all backstage, they're itching to get out here

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...our Strictly stars!

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EastEnders actress Kellie Bright, and her partner, Kevin Clifton.

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TV presenter Anita Rani, and her partner, Gleb Savchenko.

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BBC Proms and Radio 3 presenter Katie Derham,

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Star of Call The Midwife, Helen George,

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Actress Georgia May Foote, and her partner, Giovanni Pernice.

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BBC broadcaster and journalist Jeremy Vine,

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Singer and Loose Women star, Jamelia, and her partner,

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Pop star and TV personality Peter Andre, and his partner,

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And finally from the Wanted, popstar Jay McGuiness,

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There they all are, and after this weekend, eight will be heading

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So your votes are more important than ever -

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they'll be added to our judges' scores to decide which two couples

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Dancing first tonight is Anita Rani, and her partner Gleb Savchenko.

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This week, Anita starts off her routine by going

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And as she's dancing the Quickstep, I'm guessing it'll be speed dating.

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The jive was classic Gleb, fast and furious, why would he make it

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simple? You were on fire. It was your best yet. We could have done

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better. We are over the halfway mark and I don't know what my limits are.

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Between us we are testing my limits and going for it. This week and I'm

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back in my ballroom shoes doing the quickstep. Turn straightaway. It is

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not like this. It is a quickstep, lots of footwork. It is really fast

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and involved and it's really difficult. We have a simple option

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or do you want the difficult one? Yes, I have to try it before we go

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for the easy option. I know the crowd gets frustrated with me. -- I

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know that Gleb gets frustrated. He has a very Russian manner, very

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direct. I am only tough with Anita because I know that she can do it. I

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am just thinking about the quickstep and I feel as though I can't

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remember any of it. I would love it if Gleb turned around and went, you

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and what, good job. That is all I need. Just that and maybe a smile!

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Dancing the Quickstep, Anita Rani and Gleb Savchenko.

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CHEERING I think they like it here. Listen to

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that! Wow. Did she get her good job? Yes! And you did it in style. Well

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done. We will hear from the judges in a moment but let's welcome the

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live singers. Is an eater becoming an all-rounder?

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She has become an all-rounder. That was a good job. -- is Anita. The key

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to ballroom his hold, posture and movement, you have got that but the

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footwork could have been sharper. BOOING

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That is good advice. I liked it. CHEERING

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Bruneau, will that have them on a fast-track to Blackpool? I have a

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feeling that Blackpool is calling your name. Very pleasing indeed. It

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had a wonderful sense of the good old-fashioned ways. It was

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traditional. Nice, easy, bright and breezy. A lovely Saturday afternoon

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in the park with Gleb, who wouldn't like that? Indeed. Craig? You can

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hold your turn by bringing your feet together when they should be. Also

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there was a small amount of gap, but it was very small. The timing was

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excellent throughout. It was fantastic movement around the floor.

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Well done. It is wonderful how consistent you are, week after week

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you come out and you sell it and it's wonderful. I thought it was fun

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and light, and only when it becomes very fast, always thinking about

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finishing each step before moving onto the next and then the footwork

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will be cleaner. That a beautiful jetee. Your footwork was cleaner

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than his. Well done. Well done. Off you go. Let's hear it for Anita.

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CHEERING Very well done. Even if the judges

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said there was a bit of a gap, it is good advice. Any advice that they

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can tell me I will take on board and keep working. You at a consistent

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all-rounder. Are you proud of her, Gleb Jamaat I'm so proud of her! --

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are you proud of her bus we work well together. Thank you.

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Who would have thought I would do a quickstep ever in my life? The

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judges scores are in. Are you happy with that? It was

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still consistent. Absolutely wonderful.

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If you want to see Gleb hunted down

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by Blackpool hen parties, then call 6 22 52 03 from your

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mobile, 09015 22 52 03 from your landline, or you can vote for free

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It's time for the terms and conditions.

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Kevin - I hear you're going to be dancing with a boom box later -

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Calls cost 15p plus your network's access charge.

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Please ask the bill payer's permission.

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To vote online visit bbc.co.uk/strictly

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where you'll also find terms and conditions.

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This is genuinely not what I was expecting!

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Voting won't open until all our couples have danced.

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Not only that, but your vote won't count and you may still be charged.

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Dancing next for a place in Blackpool, it's Jay McGuiness and

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After last week's Argentine Tango, Craig criticised Jay

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It was a fair point, but perhaps a bit rich coming from someone who's

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Saturday night, I would not say that I felt confident but I felt

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connected and it felt great. Jade danced beautifully. You want to see

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a bit of emotion coming out. I want to see this fire coming out. That is

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all that is missing. I want you to do it. The only thing that will make

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us all happy is if I do it. This week we will do our best to perform

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at our best and hopefully the judges will see the meaning. To practice

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this we will do a bit of a preview in the courtyard. Brilliant! I have

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asked a couple of people to come down. I can hear more than a couple.

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Some of the students at the Royal Academy of dance, they know what

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they are looking for. Are you ready? ! Aliona asked them to look out for

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the story and the emotion we are trying to convey, I wanted to see

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how other people felt watching it. It was really emotional. I feel like

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he was telling the story. He will get a ten! Performing in front of

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that audience has helped me to express that emotion in front of

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everyone on Saturday night. Dancing the Foxtrot,

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Jay McGuiness and Aliona Vilani. CHEERING AND APPLAUSE

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Come on over. Come on! What are you two chatting about? Come on over.

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That's intense. They are on their street in the studio. Smiling now I

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love that smile! You were having a little con club there, won't you?

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Bruno, does it make you smile? You are so endearing, especially the

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beginning, the touchy-feely contemporary introduction. But it

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was, you know? You have exquisite lyrical arms, especially in the

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side-by-side, and you were placing everything so well but there was

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that little but, it happened at the wrong time, because it was going

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swimmingly well. But don't be discouraged, it was fantastic.

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CHEERING AND APPLAUSE Will it take them to the Tower

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ballroom? Well, I found the whole thing a little bland. It started

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emotionally, but as soon as you begin to dance properly, and you are

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a brilliant dancer, the face goes dead. You've got to do something

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about that. Also, the thumb was up, you missed hands at the end, the

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trip, it wasn't a good evening feel. Sorry. Darcey, do you disagree

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with Craig? Very much. She's angry! Be bobbing there is such a story

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being told now. Finally I could see you breathing from within. There was

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purpose with your moves. We are going to get details because we are

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at this time of the competition and we want to be because your technique

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is outstanding. Thank you. Soap there's tiny moments, when you are

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even choreography, beautiful choreography as well, Aliona, the

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feeling I could see you breathing at the beginning, when you place your

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head, think of why you are placing your head on her chest. It's a

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breath, and you want to be there. Don't just go... , do you know what

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I mean? There was so many brilliant moments, I could see you telling

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that story. I'm getting nitty-gritty now. There was a silly hick up

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there, but otherwise beautiful. CHEERING AND APPLAUSE

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You challenged her to show more emotion? Did you see it? Certain

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dances I want to see more expression. This was a beautiful,

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poignant foxtrot. OK, I don't need it to be grinning Cheshire cat and

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to be honest, there was a record out, we own the night and until that

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trip, you owned the night. That was a fantastic, beautiful footwork, you

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even got swing, you got sway going. I've not been that disappointed... I

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can't talk about it but anyway, a great job, Jay, well done.

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CHEERING AND APPLAUSE I don't want you beating yourself up

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but it happens, it's live television, OK? It's live

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television. Jay and Aliona. CHEERING AND APPLAUSE

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They had an argument there, Aliona, beautiful techniques, you did it

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gorgeously, Craig wanted more. How did you find it? I did feel it, I

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want to make it apparent when I dance and speak to you, I know that

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I'm bad at speaking to you, sorry! I really am feeling it, I do want to

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show it, it's just we'll see if I can engage the face muscles more.

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All right, very well done. You did great, honestly. Shall we just

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mention, Anthony, it's his first night, he sang that beautifully.

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Well done, mate. Top song. The scores are in.

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It's time to get the scores from the judges.

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Anything you want to say? All good. If you are a big fan of Jake... --

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if you're a big fan of Jake, and I've got to be honest, it's one of

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my favourite letters of the alphabet, please call.

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Still to come, Helen is performing with some blue material.

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Could be a long piece of fabric, could be a dirty limerick.

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Our next couple is Jamelia and her partner Tristan MacManus.

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This week Jamelia has been busy with her day job

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She's put that to one side for tonight's Samba and she's hoping

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I was quite calm before the show. You've worked on the footwork, I can

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see that. Halfway through the routine I tripped up on the guitar.

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When stuff like that happens it cannot queue off your game. If we go

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through this week it means we are going to go to Blackpool and I'm

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going to make everything I can to make that happen. We have samba this

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week, it's going pretty good. I was thinking, two Munson and you still

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haven't come into work with me. The Loose Women would love to meet you.

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What Tristan doesn't know is he won't just be watching from the

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sidelines. What would you think about coming on the show? Don't be

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scared. I'd love to. They will love you. I am getting my make-up on and

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have to be on the show. Q, Jamelia. What are you dancing question mark

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the samba. How are you feeling about the summer? It's hard but you have

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to enjoy yourself. Thank you very much. Thanks for having me on. A

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pleasure. It's fantastic, having the support of the other ladies. Good

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luck for Saturday. I'm hoping I'm going to do them proud on Saturday

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night. Dancing the Samba,

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Jamelia and Tristan MacManus. CHEERING AND APPLAUSE

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you two, come here. Well done, darling. Thank you, Tess. Islands

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the dorsals as well. Lovely samba, respect from you? Oh, yes, the party

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atmosphere. I like to go to a party. You got everybody going but

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what happens is I like that, I like the energy, but you have to be

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careful at this stage because when you go to much it becomes a bit

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wilder and you wait, get into the wrong place, you are missing a few

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steps. That cannot happen anymore, my darling. Keep that energy and

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keep that effort, but you have to be more precise and clean. Yes? Yes.

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APPLAUSE I thought your hands throughout were

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particularly unattractive, especially on the promenade runs

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they were either facing up or facing in weird angles. You need to sort

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the end of your lines out, otherwise it leaves the wrong impression. I

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thought you were dancing with bent knees throughout. I didn't see one

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straight leg anywhere. You need to get up on the balls of your feet a

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lot more, and there was a necessary grinding throughout. Most

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unpleasant. Keep grinding, darling! Darcey, can you we'd be more

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positive? I think your isolations in the upper body were very phenomenal,

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right from the very beginning. You kept that going all the way

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through, we didn't lose that at all and it was a lovely story you

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created. From the very beginning. The relationship between you was

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very important, I need that. It is true, if you could place the arm and

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I think it's only because your weight is back a bit, we suddenly

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got this in the running promenades and if you come forward, place them

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forward, so these in the corner of your eyes. Otherwise, it was a fab

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dance. You were having a great time. CHEERING AND APPLAUSE

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Were you having a great time? The gyrating was excellent, yes! You

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lost a bit of the hit action on the voltas, your legs were a bit heavy,

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I don't mean... You have to stretch through and get the lightness going

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through your legs. However, for energy, exuberance and getting out

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there and giving it a go, top notch. Yes!

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CHEERING AND APPLAUSE Take the prom Queen, off you go.

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Jamelia! Thank you, thank you. CHEERING AND APPLAUSE

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Darcey says upper body isolations are phenomenal. I hearing anything

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positive. The judges don't know what they're talking about, I just need

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to apply it. You tried really hard and you are happy to be back in

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Latin? Of course, I a lot in. And you love Blackpool. Your favourite

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place in the world? I took my girls, it was their first English

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seaside to date and they loved it. We'd like to go back. The scores are

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in. Iwan ladies and gentlemen, the judges have their scores.

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If you want to give Jamelia a real reason to party,

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call 6 22 52 11 from your mobile, 09015 22 52 11 from your landline or

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vote online later to keep Jamelia and Tristan in the competition.

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Still to come, Katie and Anton do battle with a Latin routine.

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Our next couple is Helen George and her partner Aljaz Skorjanec.

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Last week their Rumba was arguably one of the best this series.

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I say "arguably" because that's exactly what the judges did - argue.

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But this week, Helen's hoping her dramatic Tango

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Last Saturday it was such a beautiful song, so romantic. It

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wasn't too Len's taste. It lacked content. I thought it was brilliant.

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Thank you. This week we are doing the tango. It's very fast and quick.

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But I really like the stance. All of the changes of Sheikh need to be

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sharp. Tango is very staccato. -- changes of shape. It will be

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challenging for Helen the car she is very graceful. We have to go down

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the main side. Tango face! I will be cross looking. I think that is the

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key. Helen was a bit overwhelmed with all of the shape changing. It

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is a lot to get into the song. I think she is slowly getting used to

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it. Everybody wants to get through to Blackpool and there is no room

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for getting a single step wrong. We are doing it 100%. Is that right?

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Dancing the Tango, Helen George and Aljaz Skorjanec.

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Yes! That was a fierce tango. Like that dress it was red hot. Your

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Latin skills came in handy, you looked properly cross! Did it have

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enough drama for you? I think the effect that you both had, firstly,

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choreographed beautifully. I loved that. CHEERING

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Really, the amount of drama was perfection. You did not lose it. And

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also the crispness and sharpness of every transition I loved. You

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sustained it all the way throughout. What you find difficult is just

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keeping down, keeping your knees bent and really getting into the

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ground, but it worked. You did it. You really did. I really loved what

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you brought to the dance. In the tango, that was special. Thank you

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so much. Len you wanted more content, did you get it? I got loads

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of it! Loads of snap, crackle and pop. Your head sometimes gets too

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far over. I know what he is saying, keep it to the left and then it goes

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to far. Sometimes when you turn you lose the centre and it goes a bit

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wobbly. However, it was such a great tango, well done to both of you.

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What do you think? That was a beautifully tailored high fashion

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tango. Slick, slinky, polished, you looked like a supermodel in a

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Valentino dress. Kate Moss would have loved it. Thanks, Bruno. Enough

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to get them up the M1? I thought it needed to be a bit lower, softer in

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the knees, and balance issues largely due to where you are placing

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your centre. You are placing it on a bit of a diagonal. It propels you in

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the wrong direction sometimes. But I think you work really well as a

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couple against that particular track because it's not easy. I thought the

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lines were extremely powerful. CHEERING

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No arguments tonight! A little headshaking from Darcy. Well done.

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Off you go. CHEERING

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Oh, well done, darling. They said it was choreographed beautifully and of

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course Darcy is your hero and you said it was a special dance. It was

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hard because you laugh a lot and have fun in training. He tries to

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make me do a serious face and I burst out laughing! It felt

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ridiculous in rehearsals. That is one word for it.

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34, up on last week. Yes, and lovely comments as well.

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If you enjoyed the most dramatic story set on a riverbank since Ratty

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met Badger, then call 6 22 52 07 from your mobile, 09015 22 52 07

:36:57.:37:00.

from your landline, or vote online when the vote opens later.

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All our couples need your votes to stay in the ballroom

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Our next couple is Katie Derham and her partner Anton Du Beke.

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It is the dance of love, which is appropriate because if there is one

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thing Katie would like to do it is nailed this Latin routine. I really

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enjoyed Saturday night. A bit of a dream country to do a Broadway

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number. When you dance at that speed you can lose control but it was a

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fantastic performance. I was really proud of Katie. She should be proud

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of herself and I am thrilled. This week we are dancing the Rumba which

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is the dance of love, I love Anton but I love my husband more so I will

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take time out to spend time with him. The tango was amazing and the

:38:08.:38:11.

Viennese waltz. The quickstep was almost great. John is genuinely so

:38:12.:38:18.

supportive of everything I am doing. It is difficult not to play through

:38:19.:38:22.

mistakes in your head, just focus on the brilliant things you have done

:38:23.:38:26.

so that you enjoy everything. Knowing that I have that support

:38:27.:38:31.

behind me is fantastic. Do you want to come along and see it? I do. It

:38:32.:38:40.

was lovely to see John. Shall we show you some of the Rumba? I think

:38:41.:38:44.

they dance really well together. John has learned a few of the steps

:38:45.:38:50.

as well. I am dreaming of the day that I see my husband dancing the

:38:51.:38:54.

Rumba with Anton du Beke! I hope I can go out on Saturday and do them

:38:55.:38:56.

proud. Dancing the Rumba,

:38:57.:38:59.

Katie Derham and Anton Du Beke. They are on their feet in the

:39:00.:41:03.

studio. Enjoy that! The dance of love. They enjoyed it too. You have

:41:04.:41:12.

never looked more beautiful than you do in that dress. Thank you. You

:41:13.:41:18.

have been critical of other Rumba Boyle but what did you think of

:41:19.:41:30.

that? You put in the Aida. Some say Rumba, I say fantastic. -- other

:41:31.:41:37.

Rumbas. APPLAUSE You said that Katie had bags of

:41:38.:41:42.

potential last week, did it come through tonight? Look at her. From

:41:43.:41:49.

the beginning, the Shirley Bassey moment, totally on it. You give me

:41:50.:41:53.

palpitations because it is always hit and miss, is she going to do

:41:54.:42:06.

it? Tonight it was a hit! CHEERING Your husband is very proud watching

:42:07.:42:10.

over there. Craig, do you agree? It was a little melodramatic. Really,

:42:11.:42:19.

coming from you, darling? ! I would prefer that to nothing. It was

:42:20.:42:23.

pushed forward in places as well. It spoiled the line. The walks were not

:42:24.:42:31.

quite there. So nearly brilliant. Your foot came off the floor as well

:42:32.:42:40.

but you know what,... Completely lost control on that. I absolutely

:42:41.:42:46.

loved the performance. CHEERING Darcy? Katie, that was a classy love

:42:47.:42:53.

story that you created. It is hard in the Rumba as Len. It is very

:42:54.:42:59.

sensual and sweaty and everything, but this wasn't. I would have liked

:43:00.:43:05.

more eye contact between you and there was some very special moments,

:43:06.:43:11.

you were really understanding what we wanted from a dance and your

:43:12.:43:16.

finishing... It is very hard at the end when your concentration goes but

:43:17.:43:19.

you actually did it tonight! Well done. The judges are happy and you

:43:20.:43:25.

have to be happy with those comments. I have surprised myself, I

:43:26.:43:32.

really loved this dance. I love this dance. It is the happiest I have

:43:33.:43:39.

been on any dance ever. Off you go and we will get your scores. Katie

:43:40.:43:40.

and Anton! My goodness! CHEERING Your faces were great but I have

:43:41.:43:59.

dementia in your husband whose face was... He was in the film. -- I have

:44:00.:44:05.

to mention your husband. Your husband John is here to give you

:44:06.:44:08.

support. CHEERING You wanted it to be a grown-up

:44:09.:44:16.

Rumba, exactly what they said? I hoped that they would appreciate it,

:44:17.:44:20.

we did not want to get all grinding and sweaty. We would put in proper

:44:21.:44:28.

steps and all of the bits like the Aida. Stop talking, Anton! If you

:44:29.:44:31.

wouldn't mind. The scores are in. That is the highest ever rumba score

:44:32.:44:59.

on the series. It's your highest score together, of a Latin dance.

:45:00.:45:02.

Thank you. If you think that romantic Rumba

:45:03.:45:05.

should lead to a weekend in Blackpool, call 6 22 52 05

:45:06.:45:08.

from your mobile, 09015 22 52 05 from your landline or vote online

:45:09.:45:11.

when the vote opens later. Five couples have danced

:45:12.:45:14.

but there's all this still to come. Kevin is rehearsing a Facebook act

:45:15.:45:32.

today. My money is the fresh Prince from Grimsby. We have our ups and

:45:33.:45:37.

downs in training. The ups are getting longer than the downs. I'm

:45:38.:45:40.

beginning to learn the routine quicker, which is so vital. This

:45:41.:45:45.

week, we have a prop we dance with for most of the routine and it's a

:45:46.:45:49.

hat and me and this hat are not friends... At all. This Viennese

:45:50.:45:54.

waltz is so graceful, I want to perform it, not just get the steps

:45:55.:45:59.

right, I want to really just... It will be great.

:46:00.:46:01.

They're all desperate to get to Blackpool.

:46:02.:46:03.

Do you know, there's a game viewers play where they have to take

:46:04.:46:06.

a sip of their tea, or coffee, or whatever they're drinking,

:46:07.:46:08.

That's odd because we haven't mentioned Blackpool much tonight.

:46:09.:46:15.

We've hardly mentioned Blackpool at all.

:46:16.:46:18.

Up next and dancing for a place in Blackpool, it's Kellie Bright

:46:19.:46:22.

For their Samba this week they're going back to the '90s, so,

:46:23.:46:31.

to get Kellie in the right frame of mind, and cheer her up

:46:32.:46:34.

after being in the Dance Off, Kevin took the girl from Albert

:46:35.:46:37.

Nice. I loved our walls. Full of charm, full of grace. You know how

:46:38.:46:55.

to please Lens-macro. Everyone could see how I felt when my name was

:46:56.:47:00.

called out. We bob and it was my first Dance Off. It's really hard to

:47:01.:47:05.

pull yourself through that experience. Being in the Dance Off

:47:06.:47:10.

makes as prime candidates for leaving the show next. I really

:47:11.:47:13.

don't want to be in the Dance Off this week. We have to come back

:47:14.:47:20.

fighting. The theme for this week's dances 90s hip-hop. Kevin said he

:47:21.:47:23.

would visit me in my dressing room today, but I've no idea what he's

:47:24.:47:30.

got planned. What are you wearing? Get in here, come on. Kevin turned

:47:31.:47:36.

up in 90s skate. He had this 90s stuff with him to get me in the mood

:47:37.:47:39.

for Saturday night and it wasn't really working, until he showed me

:47:40.:47:43.

some old footage of something I'd done in the 90s. It's tipping down

:47:44.:47:49.

out there! He helped me go right back there. Help! Oh dear. He had

:47:50.:47:55.

this really embarrassing article. This is what I want for our samba

:47:56.:48:00.

this week. I'm completely bonkers! All joking aside, it's got to be our

:48:01.:48:03.

best dance. Dancing the Samba,

:48:04.:48:09.

Kellie Bright and Kevin Clifton. CHEERING AND APPLAUSE

:48:10.:49:54.

What about that then? Listen to the crowd! We are all doing that now!

:49:55.:50:07.

Never mind shake the room, you brought the house down. Wow. Those

:50:08.:50:16.

abs are a ten from me! Impressive. Can you feel it? I can dig the

:50:17.:50:21.

vibe. The samba has gone street cred! How appropriate it is, because

:50:22.:50:27.

in fact Sambo actually was born in the streets of Brazil, and the blend

:50:28.:50:34.

of hip-hop, I thought it would never work, but you did it and it works

:50:35.:50:39.

beautifully. It was so well blended. The timing was good, it was

:50:40.:50:45.

exciting, all it needed was a Banksy mural, then you could have got the

:50:46.:50:49.

Tate Gallery! Very good, I really did enjoy it. He enjoyed it. Bruno,

:50:50.:50:56.

was it enough to keep, sorry, Craig, was enough to keep them out of the

:50:57.:51:01.

Dance Off this week? It was a very odd music choice for this particular

:51:02.:51:04.

dance, completely not my thing whatsoever. I was thinking, do I

:51:05.:51:12.

love this, or do I hated? And... I decided... In the end, that I would

:51:13.:51:15.

love it. CHEERING AND APPLAUSE

:51:16.:51:22.

And I've got to say, you were shaking that Darcey Bussell,

:51:23.:51:27.

darling, for all it was worth. It was a thing of beauty when you were

:51:28.:51:33.

shaking that! Darcey. You give such an assured performance. It really

:51:34.:51:39.

is, the energy, the flowing, the attacks, it never fades, and that is

:51:40.:51:44.

very exciting. I personally, the mix for me didn't work, I don't know, I

:51:45.:51:49.

think it's just technically because you get a bit back on the street and

:51:50.:51:54.

the samba wants forward, so it was a weird constant changing. But...

:51:55.:52:03.

Changing, but... Open your mind! Open your mind! I'm trying!

:52:04.:52:09.

CHEERING AND APPLAUSE But you know, weirdly, I so enjoyed

:52:10.:52:13.

it even though that was odd moments. It was very enjoyable.

:52:14.:52:19.

CHEERING AND APPLAUSE Did you enjoy it? The trouble is, I

:52:20.:52:25.

a cup of tea in a world of skinny lot Is. -- lattes. Two things I

:52:26.:52:36.

really don't like his babies crying and hip hop! You were on the back

:52:37.:52:42.

foot a bit before we started. The samba you did do was terrific, and I

:52:43.:52:47.

admire your nerve and your guts, to come out, try something different

:52:48.:52:49.

and give it a go. CHEERING AND APPLAUSE

:52:50.:52:58.

We love different. The room was jumping, go upstairs and shake

:52:59.:52:59.

Claudia's room. Come on. CHEERING AND APPLAUSE

:53:00.:53:18.

They loved it so much. It might be the greatest thing ever. We were

:53:19.:53:21.

standing, screaming. Well done, Kevin. Even though Kane-macro --

:53:22.:53:28.

even though Len says he's a cup of tea in a world of lattes, it was

:53:29.:53:33.

blamed. Craig Revel Horwood used the word love, strange. He didn't know

:53:34.:53:39.

which way he would go. One never does. The scores are in. It's time

:53:40.:53:41.

to get the scores from the judges. it feels lovely, right? Yes, it

:53:42.:54:07.

does. If you don't want to see Kellie in

:54:08.:54:12.

the Dance Off with that giant boom box, and to be honest, we can't

:54:13.:54:16.

afford the 7,000 batteries it takes, then call 6 22 52 01 from your

:54:17.:54:19.

mobile, 09015 22 52 01 from your landline or vote online

:54:20.:54:22.

when the vote opens later. Tess. Still to come, Jeremy has got a huge

:54:23.:54:34.

diamond. He is a minor, underground, apparently.

:54:35.:54:37.

Our next couple is Peter Andre and his partner Janette Manrara.

:54:38.:54:39.

They're dancing the Viennese Waltz to the song "You're My World" made

:54:40.:54:43.

And who better to help Peter out in training than the people who are

:54:44.:54:47.

Last week, I actually did get quite emotional. Fantastic. I don't think

:54:48.:55:05.

it could have gone any better. Night I nearly mistook you for a

:55:06.:55:10.

professional. As a huge condiment. To get 38 out of 40, overall, I

:55:11.:55:18.

would cherish that moment for ever. Relax, relax, you see? This week, we

:55:19.:55:23.

are doing the Viennese waltz to Cilla Black's you are my world.

:55:24.:55:27.

Obviously, Cilla Black is a legend and I hope we will do her proud. I

:55:28.:55:32.

want that joy and love that you feel for your kids to really come out in

:55:33.:55:36.

your dancing, so if they are here in the room with us and watching us, I

:55:37.:55:40.

think it will really help you feel the routine. Beautifully. Beautiful.

:55:41.:55:49.

Hello, how are you? Do you guys want to see what we've been up to this

:55:50.:55:56.

week? Yes! Do you guys want to... Come on, let's give it a try. Oh,

:55:57.:56:02.

what? Junior was holding his positioning. I was like... What?

:56:03.:56:09.

Please, judges, give my dad would scores. Only if he does well though.

:56:10.:56:14.

I hope I can make them proud and get good comments from them, as well as

:56:15.:56:16.

the judges. Dancing the Viennese Waltz,

:56:17.:56:18.

Peter Andre and Janette Manrara. Listen to that! Couldn't be more

:56:19.:58:18.

different than last week's dances. You can turn your hand to anything.

:58:19.:58:23.

You topped the Leader Board last week. What do you think tonight

:58:24.:58:26.

question mark you danced it very well but it was a bit too frenetic

:58:27.:58:30.

for me. I could see the effort in every gear change, and I felt like

:58:31.:58:35.

you were coming in and out of hold a little bit too much. I would have

:58:36.:58:38.

liked to see you in the hold a little bit more and see that wash

:58:39.:58:44.

around the floor you are capable of. But I did love it. I absolutely

:58:45.:58:46.

loved it. APPLAUSE

:58:47.:58:52.

Darcey, did you? For me, it was flowing with emotion. It was flowing

:58:53.:58:57.

with energy and you were stretching, those large, stretched out movements

:58:58.:59:01.

though. You really filled the dance. It's very difficult when there are

:59:02.:59:06.

many rotations like that. There were elements, especially with the smoke

:59:07.:59:10.

and everything, of a piece of Disney magic happening. Obviously for your

:59:11.:59:14.

kids. Those only moments where you're right shoulder just in that

:59:15.:59:21.

standing spin, just comes into it and you do a little tilt, but we are

:59:22.:59:25.

being really pernickety here, because we are at this stage and I

:59:26.:59:29.

want you at Blackpool and you're going to be at Blackpool.

:59:30.:59:35.

CHEERING AND APPLAUSE Lens-macro gave you a standing

:59:36.:59:41.

ovation. Where you equally impressed -- last week, Lens-macro gave you a

:59:42.:59:45.

standing ovation. We were impressed tonight? It was good, but I can't,

:59:46.:59:53.

you understand? The charleston and things, they are driven by the flare

:59:54.:59:57.

off the dance. This has a lot of technique and I'm saying you had

:59:58.:00:01.

flown, you have musicality, you didn't dance careful, you had spirit

:00:02.:00:06.

and went for it. It had a bit of an American Smooth look to me, my

:00:07.:00:11.

little peanut. Oh, yes. I would have liked a little bit more in hold, but

:00:12.:00:16.

what I saw I enjoyed. Thank you very much. Bruno? It was like watching a

:00:17.:00:26.

sea, in Cinderella. It was just wonderful, it was magic. I thought

:00:27.:00:30.

you were involved in a dance more than I've ever seen you. Your

:00:31.:00:35.

partnership was John at was absolutely flawless. -- your

:00:36.:00:39.

partnership with Janette was flawless. I love the embellishments.

:00:40.:00:45.

It may not be traditional, but I found it extremely effective. Thank

:00:46.:00:50.

you very much. Thank you, judges for those comments. Claudia will help

:00:51.:00:57.

you with your scores. Off you go, Peter and Janette. Well done.

:00:58.:01:01.

Peter, hard to come back from last week, that was quite grown-up. They

:01:02.:01:18.

loved it. It is great to do something completely different and

:01:19.:01:22.

we threw ourselves into it. She was very gracious and very lovely. More

:01:23.:01:27.

involved than they had ever seen you, and that is a good thing? They

:01:28.:01:30.

loved it! Are you happy? After last week, are

:01:31.:01:57.

you happy with that? Look at that dress. I'm just mentioning it.

:01:58.:02:00.

If you want to see Janette with a donkey next week - no offence,

:02:01.:02:03.

Peter - then call 6 22 52 12 from your mobile, 09015 22 52 12

:02:04.:02:07.

from your landline, or vote online when the vote opens later.

:02:08.:02:13.

Plus, there's lots more information and backstage gossip on Facebook,

:02:14.:02:17.

Our next couple is Georgia May Foote and her partner Giovanni Pernice.

:02:18.:02:25.

Last week's shock in the Dance Off has left all

:02:26.:02:33.

our stars feeling nervous, not least Georgia, who is desperate

:02:34.:02:36.

Although i'm sure she wouldn't mind passing it

:02:37.:02:39.

Last week I really enjoyed the samba. I made a mistake, though. The

:02:40.:02:56.

fact that the judges still gave me eight, nine, nine, nine, had I done

:02:57.:02:59.

it perfect it would have been up there. This time we are doing the

:03:00.:03:07.

Charleston from the Chicago finale. Chicago is my favourite film ever!

:03:08.:03:13.

We have been trying different lifts. We tried a cartwheel and Giovanni

:03:14.:03:18.

hit me in the back of the head. I thought I had broken my neck! Any

:03:19.:03:24.

lift is dangerous, you could hurt yourself and be out of the

:03:25.:03:28.

competition and it is not very nice. It has been a difficult week for

:03:29.:03:35.

Georgia. I got her a small surprise. Ruthie Henshaw has played Roxie in

:03:36.:03:42.

Broadway and the West End. Roxie is in control and in charge and she

:03:43.:03:47.

just loves showbiz! Connect with that passion. With July to see it? I

:03:48.:03:55.

would! I think the routine is fabulous. I really think they have

:03:56.:03:59.

got a great chance at bowling over the audience and hopefully the

:04:00.:04:01.

judges. Wow! CHEERING Dancing the Charleston, Georgia

:04:02.:04:07.

May Foote and Giovanni Pernice. Absolutely brilliant! Hats off to

:04:08.:06:09.

you two. Amazing. You are really coming out of your shell. The

:06:10.:06:16.

nominal. -- that was the nominal. Never mind Chicago, will it get them

:06:17.:06:27.

to Blackpool? Wow! That was tight, clean, brilliant steps, packed

:06:28.:06:33.

full. It took my breath away especially when you did that flip.

:06:34.:06:38.

So brave. To take risks like that and also at the end to do those

:06:39.:06:42.

turns one after another. I would forgive you for falling back on

:06:43.:06:46.

those because it was brilliant. CHEERING

:06:47.:06:56.

Len, was that your kind of Charleston? You put the girl in

:06:57.:07:00.

Chicago. I will give you a bit of advice. Take a code to Blackpool

:07:01.:07:08.

because it gets very cold. -- take a coat. That was razzle-dazzle. I am

:07:09.:07:20.

sure that everybody in the UK was impressed, and you were in

:07:21.:07:25.

character, dancing amazingly. What I have seen over the past few weeks,

:07:26.:07:30.

and I really mean it, you have grown not just as a dancer but as a

:07:31.:07:34.

performer, you are becoming a better actress as well as a better dancer.

:07:35.:07:41.

I am so proud. APPLAUSE Bruno is proud. Craig? Three

:07:42.:07:58.

letters, L-U-V the we will -- three letters, L-U-V. We will go with

:07:59.:08:00.

that. CHEERING

:08:01.:08:13.

I have never seen you happier! You joined Strictly Come Dancing just to

:08:14.:08:16.

do the Charleston and that is your favourite film, and favourite

:08:17.:08:23.

musical. I am so honoured to be able to do it. The scores are not in yet.

:08:24.:08:32.

I am so sorry. You enjoyed it, too? Of course. You did great. That was

:08:33.:08:38.

seamless. The scores are in now! That is the highest score of the

:08:39.:09:17.

series! Well done! Are you all right? The highest score of the

:09:18.:09:22.

series. Thank you so much! You have been working very hard.

:09:23.:09:25.

If you want to see what a sophisticated Italian makes of

:09:26.:09:27.

Blackpool, call 6 22 52 09 from your mobile, 09015 22 52 09 from your

:09:28.:09:31.

landline, or vote online free of charge when the vote opens later.

:09:32.:09:34.

My wig almost came off then! It is sweaty! After that everyone is

:09:35.:09:44.

sweating! Remember nobody is safe and everyone

:09:45.:09:45.

wants to make it to Blackpool. There's just one

:09:46.:09:50.

couple left to dance. Last to dance tonight is Jeremy Vine

:09:51.:09:50.

and his partner Karen Clifton. In last week's unforgettable

:09:51.:09:55.

Tango, Jeremy was riding a horse If he gets his Quickstep right

:09:56.:09:58.

tonight, next week he could be It is starting to get very

:09:59.:10:18.

pressured. What a glorious disaster! We like glorious, it is a positive

:10:19.:10:24.

word. It has just got real. It is week eight and four Jeremy and Karen

:10:25.:10:28.

it means the quickstep. We are doing the quickstep to going underground

:10:29.:10:35.

by the Jam. This week we are minors and I will take you to a place to

:10:36.:10:43.

help with our characters. Welcome to Crossrail, let's go underground.

:10:44.:10:47.

There is so much going on. A bit like our dances. How many men are

:10:48.:10:56.

there on this site? 250. This is the biggest construction project in

:10:57.:10:59.

Europe. It is amazing. It is like seeing into the future. What an

:11:00.:11:06.

amazing dance floor. Let's go! There are 26 miles of tunnels and it means

:11:07.:11:11.

there are 26 miles of quickstep for Jeremy! If that does not help my

:11:12.:11:19.

stamina I don't know what will! I am suddenly thinking about Blackpool.

:11:20.:11:22.

Which one of these goes to Blackpool?

:11:23.:11:28.

Dancing the Quickstep, Jeremy Vine and Karen Clifton.

:11:29.:11:30.

Come on over if you can get out! That is a bit high. Well done. It is

:11:31.:13:25.

nice to see you trying so hard and how much you enjoyed it. We were

:13:26.:13:30.

enjoying it with you. It is an amazing song. Did you enjoy it?

:13:31.:13:42.

There were a few minor mistakes! I don't know who's going home tonight

:13:43.:13:45.

and who won't make it to Blackpool but what I know is that if you're

:13:46.:13:49.

not that there will be a lot of fun and a lot of entertainment missed.

:13:50.:13:57.

Jeremy, there is no question that you will be digging deep down into

:13:58.:14:01.

the reserves. You have not quite struck gold yet. A few times you got

:14:02.:14:08.

stuck in the mud! But it was a very good effort and I have to really

:14:09.:14:11.

admire your determination and resilience because you do give

:14:12.:14:16.

everything you've got out there. It is not perfect, but I appreciate

:14:17.:14:25.

that. It didn't exactly fly around the ballroom floor like I was

:14:26.:14:28.

imagining it was going to be. It was like being at the National dressage

:14:29.:14:34.

Championships! The pony club would have been proud at least! BOOING

:14:35.:14:40.

I missed that last comment? That is probably just as well, my dear!

:14:41.:14:47.

Let's gloss over that! Moving on... For me it was a bit steady but I can

:14:48.:14:51.

imagine how difficult it is for you and how hard you have worked,

:14:52.:14:56.

because with your long legs and moving fast it is difficult and you

:14:57.:15:00.

were light on your feet. I would only say that you worked very hard

:15:01.:15:05.

on your top line and I can see that you are working hard to keep it

:15:06.:15:09.

still, but maybe you were working too hard. Try to use your back more

:15:10.:15:14.

instead of trying to lift the elbow, think of your shoulders and your

:15:15.:15:17.

muscles helping you to hold the top line instead of fixing like this. It

:15:18.:15:24.

was a little bit hard. But it was a great improvement. Well done.

:15:25.:15:26.

APPLAUSE Thank you, Darcy. We love you! Off

:15:27.:15:41.

you go to Claudia. Thank you. Thank you. You close this show in a cart!

:15:42.:15:55.

What ambition. It showed real determination. There were so nice,

:15:56.:16:00.

it meant so much, thank you. If you make it to Blackpool, what will you

:16:01.:16:06.

be doing? If, long shot, I will be lowered from a electric guitar with

:16:07.:16:11.

pyrotechnics from both ends! Of the guitar! You are welcome. The scores

:16:12.:16:18.

are in. Aiders and gentlemen, the judges

:16:19.:16:23.

have their scores. -- ladies and gentlemen.

:16:24.:16:34.

the same as last week, 21. It's the kind of progress. Thank you. We are

:16:35.:16:41.

learning. If you enjoyed Jeremy in that cart -

:16:42.:16:43.

and by the way, that's how we're all getting up to Blackpool next

:16:44.:16:47.

week - then call 6 22 52 10 from your mobile, 09015 22 52 10 from

:16:48.:16:51.

your landline, or vote online for Let's take a look

:16:52.:16:54.

at the Leader Board. Georgia and Giovanni are at the top

:16:55.:17:03.

with magnificent 39. At the bottom of the Leader Board,

:17:04.:17:18.

we saw Jeremy and Karen, with 21. You can change all of that by

:17:19.:17:21.

picking up the phone, or going online to vote. I'm not sure if we

:17:22.:17:25.

have mentioned it but everyone wants to get to... Blackpool! Drink up so

:17:26.:17:31.

your votes are more important than ever. Voting is now open.

:17:32.:17:43.

The vote closes at 8:35pm tonight. Please don't vote if you are

:17:44.:17:50.

watching OnDemand. Here is a reminder of tonight's performances

:17:51.:17:54.

and I don't want to see all the information you need, thank you.

:17:55.:20:26.

Voting closes at 8:35pm tonight so you don't have long to choose

:20:27.:20:32.

Our nine couples have danced their hearts out and can do no more.

:20:33.:20:37.

It's now down to you to decide who you want to see again next week.

:20:38.:20:41.

The Blackpool Tower Ballroom is within touching distance, and

:20:42.:20:43.

But sadly, one of our couples must leave the competition in our Results

:20:44.:20:47.

votes will make the difference between who stays in Strictly

:20:48.:20:52.

and who goes home, so please pick up the phone or go online.

:20:53.:20:54.

Also on tomorrow night's Results Show, we have a very special

:20:55.:20:57.

routine from our professional dancers, plus a performance from The

:20:58.:21:01.

and we have years and years. Please make sure you join is in the

:21:02.:21:15.

Ballroom tomorrow night at 7:20pm. Is it true the security guard tried

:21:16.:21:21.

to stop you coming in here? The story of my life! Ask any of my

:21:22.:21:46.

friends. "It's me, Adele!"

:21:47.:21:47.

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