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Zoe! Zoe! I so loved working with you last series. I'd love to help | :00:26. | :00:33. | |
you, but I just don't think I can. And I've found a new dance partner, | :00:33. | :00:43. | |
:00:43. | :00:44. | ||
any way. Oh, no! | :00:44. | :00:50. | |
Choreography, choreography, choreography corner - that is so | :00:50. | :01:00. | |
:01:00. | :01:00. | ||
last year! It's all about freestyle! | :01:00. | :01:06. | |
You understand, don't you? You understand. | :01:06. | :01:16. | |
:01:16. | :01:18. | ||
It's time to meet the stars of our show.... Johnny Ball. | :01:18. | :01:24. | |
Welcome to Strictly. ALARM BUZZING | :01:24. | :01:31. | |
Oh, this is a dream. Johnny Ball has just been confirmed | :01:31. | :01:41. | |
:01:41. | :02:12. | ||
Live, from Television Centre, this is Strictly, t takes two. Please | :02:12. | :02:22. | |
:02:22. | :02:28. | ||
Hello. Welcome to a brand new series of It Takes Two. We're back, | :02:28. | :02:33. | |
a little bit excited and all of your dreams, and some of my night | :02:33. | :02:38. | |
marries, love you dad, will come trying over the next two weeks as | :02:38. | :02:43. | |
we have access to all the Strictly gossip. My guests are primed and | :02:43. | :02:49. | |
oiled and look beautiful. Tonight, we have an Olympian, an Australian | :02:49. | :02:59. | |
:02:59. | :03:00. | ||
and a Glamazon. From a mag nifpbt performance on | :03:00. | :03:07. | |
Saturday night it's Louis and Flavia, and we also have Jerry and | :03:07. | :03:17. | |
Anton. And Craig, how svelt you look. Years of dieting. What a | :03:17. | :03:22. | |
weekend it was. We had broken noses and all sorts. These are the | :03:22. | :03:31. | |
headlines. Good evening - the news. Week one, | :03:31. | :03:36. | |
and already the surprises have started topping the leader board, | :03:36. | :03:40. | |
Lisa and Robin proved to be the weekend's star performance with a | :03:40. | :03:47. | |
cheeky cha-cha-cha. I thought it was great. What it | :03:47. | :03:54. | |
lacked in technique just made up for in energy, enthusiasm and fun. | :03:54. | :04:01. | |
Was it is a lift or was it a swoosh? | :04:01. | :04:07. | |
Is new girl, Karen a rule breaker? Craig was not best pleased. I'm not | :04:07. | :04:11. | |
particularly happy, actually, Karen. There are no lifts in the waltz. | :04:11. | :04:15. | |
One foot should remain on the floor at all times. So you will be marked | :04:15. | :04:22. | |
severely down for that. Unfortunately for Brendon, it | :04:22. | :04:28. | |
seemed like the curse of the Cole had returned, with Victoria | :04:28. | :04:38. | |
:04:38. | :04:38. | ||
forgetting her cha-cha-cha in what can only be called "doing a Lulu." | :04:38. | :04:46. | |
You're a champion. You've fallen off the bike before. Get back on it. | :04:46. | :04:54. | |
And finally, an It Takes Two drama, on Friday's group number, James | :04:54. | :05:04. | |
:05:04. | :05:09. | ||
Poor James. It's awful. They broke his nose during a lift. It's not | :05:09. | :05:14. | |
often I've seen James lying on the floor in quite so much pain, so I | :05:14. | :05:20. | |
think it must have hurt him. I'm so sorry. I really didn't mean to. | :05:20. | :05:27. | |
Shall we try again? No, I'm so sorry. Can I have a kiss. | :05:27. | :05:36. | |
Those were the Strictly headlines. Thank you. Now, this year's line-up | :05:36. | :05:41. | |
has been hailed as the best ever, but just what do our judges make of | :05:41. | :05:47. | |
the new batch? Oh, Fern. The nation's sweetheart. | :05:47. | :05:52. | |
She loves dancing. If you have an attitude like that, you can win. | :05:52. | :05:58. | |
think Fern will do all right. Kimberly is going to do great. The | :05:58. | :06:04. | |
professionals are going to love throwing her around. She's | :06:04. | :06:14. | |
:06:14. | :06:15. | ||
something kind of.... Kids love Strictly and kids love Dani Harmer. | :06:15. | :06:20. | |
She'll be an absolute fire cracker. She has to ignite a sense of fun | :06:20. | :06:27. | |
and energy. And remember, technique. Denise, as an Essex girl, fake tan, | :06:27. | :06:37. | |
:06:37. | :06:39. | ||
lashes, darling, pouchy lips. has the looks and the physique. | :06:39. | :06:47. | |
let's not forejet the bejazzle. Lisa 100% woman. You've got to use | :06:47. | :06:55. | |
what you've got and if you've got it, flaunt it and win it. Victoria | :06:55. | :07:00. | |
is fabulous and used to going hideously fast around the velodrome, | :07:00. | :07:06. | |
will she do the same on the dance floor? Did you see Victoria's abs? | :07:06. | :07:14. | |
I am shamed. I am going to the gym straightaway. It's not always the | :07:14. | :07:21. | |
case that supermodels can dance. She can walk, Jerry Hall. Give me | :07:21. | :07:25. | |
that superglamour. You never know who is going to rise to the top and | :07:25. | :07:33. | |
who is going to sink without trace. Come on! | :07:33. | :07:40. | |
Time now to welcome the impossibly glamorous megastar, who is probably | :07:40. | :07:46. | |
one of the world's most be guileing beauties, and luckily for us, he's | :07:46. | :07:49. | |
brought along his celebrity superstar. | :07:49. | :07:55. | |
So, Jerry, one dance down. How was it for you on Saturday? Oh, it was | :07:55. | :08:01. | |
fantastic. My cha-cha-cha was OK, but I was thrilled with how I | :08:01. | :08:08. | |
worked that fur stole. You did. I could see you on the balcony | :08:08. | :08:14. | |
preparing it. And throwing it away so beautifully. You got mixed | :08:14. | :08:19. | |
comments from the judges. Len wants you to excite him more. How are you | :08:19. | :08:24. | |
intended to do that and can he take it? Well, today we've been working | :08:24. | :08:32. | |
on our foxtrot. There's a lot of on our foxtrot. There's a lot of | :08:32. | :08:34. | |
pushing your pelvis forward. And have you got over Craig's | :08:34. | :08:42. | |
comment when he said, "You were taking minimal to a whole new level | :08:42. | :08:48. | |
on Saturday?." Yes, we cake out of that quite well, to be honest. I | :08:48. | :08:53. | |
didn't want to go too mad with back flips and bells and whistles in the | :08:53. | :08:58. | |
number because I wanted Jerry to do it, and pull it off and feel | :08:58. | :09:03. | |
comfortable and achieve the number. And I thought she did all those | :09:03. | :09:09. | |
things and was marvellous, so we can go on from that. He was easing | :09:09. | :09:14. | |
me in. And when you're out in front of the audience, it's terrifying. | :09:14. | :09:22. | |
So you have to ease in. I loved the pose. I can't do it. And what is | :09:22. | :09:28. | |
your approach to dancing and teaching Jerry? Obviously slowly | :09:28. | :09:34. | |
slowly. Catches the monkey. Jerry has so many assets, she looks | :09:34. | :09:37. | |
amazing and stands beautifully and she has a wonderful understanding | :09:37. | :09:43. | |
of her body, and that was a great advantage in the cha-cha-cha. | :09:43. | :09:48. | |
can walk. Boy, can you walk! she brings all this to the dance | :09:48. | :09:54. | |
floor and it's a great asset to me and I he try to use as much as I | :09:54. | :10:01. | |
can. And she is the model student. Have a look at this. I've never | :10:02. | :10:08. | |
known anybody in the show look that hot. The catwalk thing, I feel | :10:08. | :10:17. | |
quite comfortable with that. The hair ography. A lot of posing | :10:17. | :10:23. | |
and sexy things. It's too much, cut back on the glamour. Do you know | :10:23. | :10:28. | |
how hard that is? It's all about posing and style. Yeah, I like that. | :10:28. | :10:34. | |
It sort of makes it feel more my dance. | :10:34. | :10:41. | |
Oh, so hot! You are a goddess. would you not love that! Look at | :10:41. | :10:49. | |
that! We'll turn out a foxtrot. Which is what you are doing this | :10:49. | :10:53. | |
week. How is it go going? It's great, because there is a lot of | :10:53. | :10:58. | |
walking involved in it. Is it walking? It is. Forwards and | :10:58. | :11:04. | |
backwards. You just have to stay together when you do it. It's | :11:04. | :11:10. | |
closer than the cha-cha-cha. I like it. I think I'm getting the essence | :11:10. | :11:16. | |
of ballroom dancing. Middle-aged women rubbing against young men. | :11:16. | :11:23. | |
you're getting me all saucey. Is it true that Bill Wyman chose your | :11:23. | :11:33. | |
:11:33. | :11:35. | ||
music on Saturday? He did. I got advice from Bill Wymam. Mick Jagger, | :11:35. | :11:40. | |
and Bob Geldof. What did he suggest? Something for the waltz. | :11:40. | :11:46. | |
What is the world coming to. Good luck with your foxtrot, I know it | :11:46. | :11:53. | |
will be something to look forward to. Thank you very much, Ton and | :11:53. | :11:59. | |
Jerry! Now, this is what happened when our | :11:59. | :12:06. | |
cameras went backstage as the couples made their debuts. ALL: | :12:06. | :12:10. | |
Welcome to another series of Strictly Come Dancing. Come on, | :12:10. | :12:17. | |
guys....yeah, yeah. First day back and a new cast. | :12:17. | :12:23. | |
is the big one. Feeling sick already. What have I done! Look who | :12:23. | :12:28. | |
it is. I still managed to go shopping. | :12:28. | :12:34. | |
First rehearsal with a live band. He's looking a bit dabber in this. | :12:34. | :12:41. | |
Off to a funeral. It's so funny when you've not seen anyone do | :12:41. | :12:46. | |
anything for three weeks. When he first came, he couldn't walk. Now | :12:46. | :12:52. | |
look at him. He's dancing. When you get on that floor, it's a whole new | :12:52. | :13:02. | |
:13:02. | :13:05. | ||
game. Ow! My feet hurt. I'm more nervous this year than any other | :13:05. | :13:11. | |
year. You want to do your best. Bring on Friday night. | :13:11. | :13:17. | |
I'm stitched into fuschia. Five minutes! You can almost smell | :13:17. | :13:21. | |
the tension. It's great! And I'm not even | :13:21. | :13:30. | |
dancing. Is it time for the show? Am I late! | :13:30. | :13:40. | |
:13:40. | :13:43. | ||
Come on. Day two. Oh, Strictly! Good morning. Well, SSS. Strictly | :13:43. | :13:49. | |
stress spot! It's a new one for me. Yesterday, I was terrified, so | :13:49. | :13:59. | |
:13:59. | :14:00. | ||
today I'm like this....Aaaaaargh! Are you snefrbz No. He should be. | :14:00. | :14:04. | |
wish I could say something, but I couldn't. | :14:04. | :14:10. | |
I'm out of breath and she is not at all. I'm the fat one and he's more | :14:10. | :14:18. | |
out of breath than me! It's that time. Ten minutes before | :14:18. | :14:24. | |
we begin. Tension mounts! I'm just getting ready to waltz. | :14:24. | :14:30. | |
It's show time and Anton has been riding me hard! I tell you, it's | :14:30. | :14:36. | |
good fun, a hard man! Let's go do this. | :14:36. | :14:46. | |
Show time! Welcome to Strictly Come Dancing. It's nice to see you, to | :14:46. | :14:51. | |
see you...ALL: Nice. What a fantastic start to series ten. The | :14:51. | :14:55. | |
highs, the lows. I can't wait for next Saturday night to see what | :14:55. | :15:00. | |
happens. A dramatic weekend all round and | :15:00. | :15:06. | |
now a man who can create a whole load of drama on his own. It's | :15:07. | :15:16. | |
Craig revel Horwood. Is there a move? Oh, look at that. | :15:16. | :15:21. | |
What was that move? I can't possibly tell you. A little bit of | :15:21. | :15:24. | |
salsa. How did you enjoy the weekend? I absolutely loved it. I | :15:25. | :15:30. | |
thought it was fantastic. I know from my face and comments you | :15:30. | :15:34. | |
probably thought I didn't. You were in a bit of a grub on Friday. And | :15:34. | :15:40. | |
better on Saturday. Well, there was definitely better dancing on | :15:40. | :15:46. | |
Saturday, actually. Is there room to improve? Yes, but they have been | :15:46. | :15:51. | |
practising for some time now. weeks. Three weeks is a lot. | :15:51. | :15:56. | |
Generally they only have one week to learn a dance, so this should | :15:56. | :16:02. | |
have been spot on. Let's start with Lisa and Robin. You gave them an | :16:02. | :16:06. | |
eight which is amazing for the first week. What did you love? | :16:06. | :16:11. | |
love the fact that she has natural rhythm and she really actually | :16:11. | :16:17. | |
dances. She does have what I call an inner motor and that is what is | :16:17. | :16:21. | |
fascinating about her. We didn't think for one moment or except that | :16:21. | :16:25. | |
level of dancing. I don't know how she is going to go in the ballroom | :16:25. | :16:31. | |
stuff, though. Will that transfer to the ballroom? Well, because she | :16:31. | :16:36. | |
has natural rhythm she'll be able to get her slow, quick, quicks | :16:36. | :16:42. | |
together. It's just her posture to concentrate on. But a fantastic | :16:42. | :16:48. | |
start. Nicky and Karen in the waltz. You gave them a two because you | :16:48. | :16:55. | |
were penalising them for the lift. She tried to call it a swoosh. | :16:55. | :17:01. | |
both feet were off the floor. a new girl. Is she likely to know | :17:01. | :17:07. | |
that? Yes, it's written clearly in the rule book. Do you have time to | :17:07. | :17:12. | |
read that? We all read it. If she wants to continue doing that and | :17:12. | :17:19. | |
she thinks it's worth it, go right ahead, but she will get severely | :17:19. | :17:23. | |
marked down. And I think she will have learnt from that. Kimberly and | :17:23. | :17:28. | |
Pasha and their cha-cha-cha. They started on Saturday, a brilliant | :17:28. | :17:33. | |
opening and you said it was incandescent. It was. She is | :17:33. | :17:41. | |
another one with great natural rhythm. Yes, she has had dancing | :17:41. | :17:47. | |
before. Just a little bit. But not in the ballroom. And we hope to see | :17:47. | :17:52. | |
her shine there too. Victoria and Brendan and the cha-cha-cha. We | :17:52. | :17:57. | |
didn't hear a comment from you, because we didn't have time. Where | :17:57. | :18:02. | |
did it go wrong? Right here. She totally messed that section up. And | :18:02. | :18:07. | |
unfortunately when you do that, it's difficult to recover. | :18:07. | :18:12. | |
Especially in the cha-cha-cha, when you're in hold it might be easier. | :18:12. | :18:22. | |
:18:22. | :18:23. | ||
My only add advise 5 vice, would be make up your own steps. Then we | :18:23. | :18:30. | |
might not be aware. Just make it up. Make it up, darling and a smile | :18:30. | :18:35. | |
covers everything. Denise and James and their waltz, you said on Friday | :18:35. | :18:39. | |
they had saved the best to last. Were you surprised then when Len | :18:40. | :18:45. | |
was tough on her foot work? Yes, I think he was being a bit picky, but | :18:45. | :18:49. | |
he has every right as a professional dancer and an | :18:49. | :18:55. | |
adjudicator. Yes, she has problems as everybody does. There's good and | :18:55. | :19:00. | |
bad about every single dance. I could easily say how wonderful | :19:00. | :19:05. | |
everything is, but it's much better to know, if you're the celebrity to | :19:05. | :19:15. | |
:19:15. | :19:15. | ||
know what is wrong and improve on it. Now my dad. I was tweeted on | :19:15. | :19:21. | |
Saturday and asked "did you want to lamp Craig for being so mean to | :19:22. | :19:27. | |
your dad." You didn't like him miming the words. No, I'm not fond | :19:27. | :19:31. | |
of that because it distracts from looking at the dance and dance | :19:31. | :19:37. | |
tells a story with your body. did he get right? The fact that he | :19:37. | :19:43. | |
got all the steps right. He did them. In the right order, which was | :19:43. | :19:49. | |
fantastic. It's just the execution of the steps that I was slightly | :19:49. | :19:54. | |
bewildered by. Richard and Erin's waltz. The word came out, I thought | :19:54. | :20:03. | |
you might have saved it -- spatulistic. Oh, yes. What do you | :20:03. | :20:10. | |
mean by that? You can't tell in this because he's in hold. But when | :20:10. | :20:17. | |
he is out of hold his hands look out of shape and like a spatula. | :20:17. | :20:23. | |
And using your arm in the correct way. And to have at least some...So | :20:23. | :20:29. | |
How should it be? You want it to be shaped and formed. And the other | :20:29. | :20:34. | |
judges said they wanted him to be more camp? No, I don't agree with | :20:34. | :20:40. | |
that. I think he played the waltz perfectly well. It's a serious and | :20:40. | :20:44. | |
beautiful dance, but one can smile through it, however. And I thought | :20:44. | :20:52. | |
he looked butch. We don't want a reooccurrence of Julian Clary, do | :20:52. | :21:02. | |
we. I don't know. No, we don't. Colin's dance you said there could | :21:02. | :21:09. | |
have been bits it could have done without. What did you mean? He did | :21:10. | :21:19. | |
a lot of this nasty freestyle stuff which I didn't take to at all. | :21:19. | :21:25. | |
Isolation, yes, and then there's horrible isolation. If you're going | :21:25. | :21:31. | |
to isolate your body then isolate in a proper fashion that is at | :21:31. | :21:37. | |
least watchable. Are we all following? ALL: Yes. Dani and | :21:37. | :21:42. | |
Vincent and their waltz. A glorgeious little couple. You said | :21:42. | :21:50. | |
she needs to lengthen her line, but you loved her back. She also needs | :21:50. | :21:55. | |
to lengthen that leg. I loved her back because it's quite loose and | :21:55. | :22:01. | |
what I mean by that is when she does that spin on one leg and she | :22:01. | :22:05. | |
releases her leg she has a lovely curve to her spine. Some people | :22:05. | :22:12. | |
have a very stiff back, which never looks good. But all in all not bad | :22:12. | :22:19. | |
for the first week. Not bad. next week, the dance-off is back. | :22:19. | :22:25. | |
Power to the judges. I feel all powerful. Thank you for coming back. | :22:25. | :22:31. | |
But we must point out the sparkly shoes. To match your set. You have | :22:31. | :22:37. | |
to match the cushions. Thank you, darlingment | :22:37. | :22:42. | |
Earlier on, we heard the judges thoughts on this year's teams. Time | :22:42. | :22:50. | |
now to hear what they thought of the boys. Rickkkkkay! We all like a | :22:50. | :22:55. | |
bit of rough. I'm hoping he will come literally from the dance | :22:55. | :23:01. | |
gutters up and surprise us all. Michael Vaughan. Actually | :23:01. | :23:05. | |
cricketers, historically have done very, very well. I think he is | :23:05. | :23:09. | |
obviously up for the challenge. Even though he's used to the | :23:09. | :23:14. | |
audience and the tension, when you get on the dance floor it's very | :23:14. | :23:20. | |
different. It's not like a cricket pitch. Let's hope Richard uses his | :23:20. | :23:26. | |
time wisely and doesn't get involved in show business gossip. | :23:26. | :23:31. | |
He must concentrate on dancing. like him. He can be a bit camp and | :23:31. | :23:39. | |
that does a world of good. Johnny Ball, the oldest contestant ever. | :23:39. | :23:49. | |
:23:49. | :23:50. | ||
He looks very fit for his age. on, Johnny, do it for the oldies. | :23:50. | :23:58. | |
Colin Salmon. 007! Will he be shaken and not stirred? A little | :23:58. | :24:07. | |
bit of Salmon every day is very good for you. That sounds filthy. | :24:07. | :24:13. | |
Westlife just stand up on a key change, they very rarely dance. | :24:13. | :24:19. | |
hope he comes out and gives it welly. I think he will find it | :24:20. | :24:27. | |
tough. Louis Smith will be a great surprise for us all. Hunky dunky on | :24:27. | :24:33. | |
the pommel horse. Come on. If he can only replicate his success in | :24:33. | :24:36. | |
the Olympics, he will be a sensation. | :24:36. | :24:45. | |
He is a bit of a sensation, he scored silver and bronze in the | :24:45. | :24:51. | |
Olympics, but can his partner steer him to the glitter ball? It's Louis | :24:51. | :24:59. | |
and Flavia. You had to wait until the end to go on, how was it for | :24:59. | :25:05. | |
you? It was tough. She was jumping around all night, but I tried to be | :25:05. | :25:11. | |
composed. He was very composed I couldn't believe it. Five minutes | :25:11. | :25:16. | |
before he got a bit nervous. does this pressure compare to the | :25:16. | :25:21. | |
Olympics? It's two different types of competition, obviously. The | :25:21. | :25:25. | |
Olympic Games was horrible. The nerves were really stressful. | :25:25. | :25:30. | |
Whereas this, it's like a fun scaryness, if you know what I mean. | :25:30. | :25:36. | |
So it's two very different types. So slightly less pressure? Slightly. | :25:36. | :25:42. | |
So far, Darcey could not take her eyes off you on Saturday. That was | :25:42. | :25:52. | |
:25:52. | :26:20. | ||
hilarious. We had a camera on her. It was almost disbelief! I think | :26:21. | :26:26. | |
she loves you! Did you know the thrust of your hips could have that | :26:26. | :26:31. | |
effect? I didn't realise she was licking her teeth through that | :26:32. | :26:39. | |
routine. She'll be going "oh, no." And she said you used muscles you | :26:39. | :26:45. | |
never thought you had, but have you found you've got new ripples? | :26:45. | :26:53. | |
thought I would be more prepared for how sore the training would be, | :26:53. | :27:00. | |
but I am aching. Flavia is working you hard. And last year, you were | :27:00. | :27:07. | |
working with Russell. Yes. Is your approach slightly different? Yes, | :27:07. | :27:12. | |
it has to be. Each year, a new partner and new challenge. This is | :27:12. | :27:18. | |
totally different. Last year I had the best time ever, but, yes, a | :27:18. | :27:24. | |
very different mind set this year, with a little of last year. A few | :27:24. | :27:29. | |
judges said you were serious on Saturday, but we've watched you in | :27:29. | :27:39. | |
:27:39. | :27:44. | ||
training and we've seen you have # I've got the moves like Jagger | :27:44. | :27:49. | |
# I've got the moves, moves, like Jagger | :27:49. | :27:55. | |
# I don't need to control you # I'll love you to my eyes, I'll | :27:55. | :28:01. | |
own you # I've got the moves like Jagger | :28:01. | :28:10. | |
# I've got the moves like Jagger # I think Vincent has a bit of | :28:10. | :28:16. | |
eyebrow competition this year. How is the Viennese waltz going so far, | :28:16. | :28:23. | |
familiaria? Obviously the ballroom is different. At the moment I think | :28:23. | :28:30. | |
you're a Latin boy, but I think you'll get into the ballroom. We | :28:30. | :28:36. | |
have to keep working on the posture and the drive it's harder than you | :28:36. | :28:41. | |
thought. Definitely. It when she stands there and watches over me. | :28:41. | :28:46. | |
have to see what you're doing. luck with it this weekend. | :28:46. | :28:51. |