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Hello. Welcome to Thursday's It Takes Two. We are bursting at the | :00:12. | :00:16. | |
seams with guests today. They are kicking and flicking their way to | :00:16. | :00:23. | |
Wembley. Nicky and Karen are here. You may have noticed It Takes Two | :00:23. | :00:30. | |
to tango and these two are very good at it. We'll have a little | :00:30. | :00:34. | |
look at the frocks and a sneaky peek into the training rooms and | :00:34. | :00:41. | |
bringing his own joy to the studio Russell Grant is here. | :00:41. | :00:51. | |
:00:51. | :01:22. | ||
This is It Takes Two. Oh, I could This is Strictly It Takes Two. | :01:22. | :01:28. | |
Please welcome your host, Zoe Ball. Hello. Welcome to It Takes Two. | :01:28. | :01:33. | |
There are just 48 hours to go until the big event. Our celebrities will | :01:33. | :01:37. | |
dance through the decades on the biggest dance floor they have ever | :01:37. | :01:46. | |
seen. No pressure then! Let's see This week, we're doing a samba, | :01:46. | :01:51. | |
live at Wembley. I'm going to throw myself into it - | :01:51. | :01:56. | |
it is bouncy, bishopy - that is what it -- it is boppy, that is | :01:56. | :02:01. | |
what I like to do most. It is lively. It is a carnival dance. | :02:01. | :02:05. | |
have to shake this week - it could be a good or a bad thing! | :02:05. | :02:10. | |
hardest thing is getting all the technical stuff in there. Samba | :02:10. | :02:15. | |
rolls - a bit of a miss. Move with your feet. I don't know | :02:15. | :02:20. | |
how to do them. Get the bend right - pushing me and pulling me. | :02:21. | :02:27. | |
your head go. I was throwing Lisa around like a rag doll for a bit. | :02:27. | :02:31. | |
Where I come from - samba - you eat it. This week I am doing the | :02:31. | :02:37. | |
American smooth. I can not wait for this dance. Three big lifts. There | :02:37. | :02:42. | |
are elements with the lifts - risky at times. If you miss it or get | :02:42. | :02:46. | |
your body in the wrong position, there are big problems and you | :02:47. | :02:51. | |
could get seriously injured. With the American smooth it is about 30% | :02:51. | :02:56. | |
in hold and the rest is out of hold. It is not easy. Me being on my own | :02:56. | :03:02. | |
a little bit in this American smooth. I want to try and produce a | :03:02. | :03:07. | |
stylish dance. Come on - this is Wembley, not a small studio any | :03:07. | :03:14. | |
more. It comes off, it could be my best. If it goes wrong, it could go | :03:14. | :03:23. | |
badly wrong. This week we have the jive. It will be fun. It is | :03:23. | :03:28. | |
extremely active. It's all about the kicks and flicks and the flare. | :03:28. | :03:33. | |
You look like you're kicking a ball. I have never, ever seen anybody | :03:33. | :03:38. | |
kick a ball like that! There is turning - the energy has to be as | :03:38. | :03:46. | |
high as possible. Kick and kick and kick and kick. It is so full on. | :03:46. | :03:52. | |
After one performance, you are out of breath. This is probably the | :03:52. | :04:02. | |
:04:02. | :04:05. | ||
quickest I have ever thought, never Can they get everybody talking | :04:05. | :04:08. | |
about their jive? Please welcome Nicky and Karen. | :04:09. | :04:14. | |
I must say, anybody who didn't have a crush on you before Saturday | :04:14. | :04:20. | |
night, most surely has now. Were you giddy afterwards? It was great. | :04:20. | :04:24. | |
It was a fun song to do. The opening there - I was counting in | :04:25. | :04:29. | |
my head again - I had Shane in the front row. I thought, don't fall | :04:29. | :04:35. | |
down the stairs! It was a bit of Vegas. I am glad Bruno said Vegas. | :04:35. | :04:40. | |
That is what I was thinking. Having been in a boy band, that is you. | :04:40. | :04:48. | |
Look at me.... It could happen - don't laugh! What are you laughing | :04:48. | :04:54. | |
at!? Charming! Karen, the mic, when you talked last week you said about | :04:54. | :04:57. | |
the microphone during the routine and you threw it away. What | :04:57. | :05:01. | |
happened with the idea? We wanted to surprise you guys. I like it. | :05:01. | :05:06. | |
You are lying to us now! This is what happens though! | :05:06. | :05:11. | |
Brilliant! And you caught it every time and you did every time. It was | :05:11. | :05:20. | |
brilliant! Craig said "Vast improvement." Was that music to | :05:20. | :05:25. | |
your ears? Tess had said something about a standing ovation. I didn't | :05:25. | :05:29. | |
see that. I looked at the judges. Craig said, it wasn't an | :05:29. | :05:35. | |
improvement. I thought, "Not again. Please." And then he said "A vast | :05:35. | :05:41. | |
improvement." Then I did my golf swing - which I think they missed | :05:41. | :05:46. | |
on camera. We put so much effort into getting it right. You don't | :05:46. | :05:50. | |
know what will happen for that minute and 30 seconds. I love the | :05:50. | :05:53. | |
fact you didn't know there was a standing ovation until you watched | :05:53. | :05:59. | |
the show back. When I watched it back that is when I heard Tess say | :05:59. | :06:02. | |
it. You are relieved you got through it at that point as well. | :06:02. | :06:09. | |
Craig is known for his catty remarks, but we think this may be | :06:09. | :06:17. | |
rubbing off on you. Karen makes a hising sound when she is displeased | :06:17. | :06:27. | |
:06:27. | :06:51. | ||
with me! It is cat like. HISING THAT MUST BE SLIGHTLY OFF-PUTTING! | :06:51. | :06:55. | |
Wembley this weekend, in case you had not realised, and you are doing | :06:55. | :07:01. | |
the jive. Is it going well? It is going well. I'll be honest. Day one | :07:01. | :07:08. | |
was OK, and then day two was a disaster. Tuesday - it is always | :07:08. | :07:13. | |
the way. Karen told me on Wednesday night, after we got it all through | :07:13. | :07:19. | |
Wednesday, she told me she sped the music up by 10%. Naughty Karen! | :07:19. | :07:22. | |
the hours of Monday night. Tuesday was horrible. I thought, what is | :07:22. | :07:29. | |
going on. She sped it up by 10% and didn't tell me... She's playing | :07:29. | :07:33. | |
with your mind! But it worked. It is probably good. | :07:33. | :07:39. | |
If you did not tell him he would carry on and not complain. She said, | :07:39. | :07:46. | |
we're doing it, we're doing it. Your music is cool. | :07:46. | :07:53. | |
JAILHOUSE ROCK. A bit of Elvis for you. Can you do | :07:53. | :07:59. | |
an Elvis impression for you. Oh, look at that! Are we going to have | :07:59. | :08:05. | |
some Elvis pelvis movement? Is that incorporated into a jive? It is | :08:05. | :08:11. | |
there. It is mostly about the legs. What about the quiff? I have been | :08:11. | :08:18. | |
asked could I go with one. I will probably have to have extra stuck | :08:18. | :08:24. | |
in there but I don't want a Jedward. A weave like Vincent had. This is | :08:24. | :08:29. | |
catching on this week. I am finding it worrying. It will be your first | :08:29. | :08:36. | |
time at Wembley, Karen. Are you excited? I am scared. I am excited, | :08:36. | :08:45. | |
but I am scared. We're not doing the stadium - it's the arena. | :08:45. | :08:49. | |
the arena. The stadium would be truly terrifying. You have your | :08:49. | :08:56. | |
hands there. You have played there loads - there's the Nicky Bar - | :08:56. | :09:02. | |
probably named after you. Is it like going home for you? We played | :09:02. | :09:06. | |
there a lot with Westlife over the years. Our hands are in concrete | :09:06. | :09:12. | |
outside. If I get a moment I will try and see if my hand is still the | :09:12. | :09:17. | |
same size! Do hands grow? This is a discussion for later? Who knows! | :09:17. | :09:21. | |
Good luck with your jive on Saturday. Hopefully you'll be the | :09:21. | :09:28. | |
king and not the heartbreak hotel! It's Nicky and car raen. | :09:28. | :09:33. | |
-- Karen. Noses and ears keep growing. And nails. And hair. Over | :09:33. | :09:43. | |
:09:43. | :09:45. | ||
This week, we're doing the samba. I really love the samba. It is such a | :09:45. | :09:52. | |
fun, baup beat dance, with loads -- up beat dance, with loads of energy. | :09:52. | :09:57. | |
It is a dizzy routine. A lot is going on. A lot of shaking. | :09:57. | :10:02. | |
I do feel a lot more comfortable in this style of dance though. I am | :10:02. | :10:06. | |
enjoying shaking it a bit. The little slide will be exciting. | :10:06. | :10:13. | |
The only thing is, I need to make sure that I land on two feet. | :10:13. | :10:18. | |
After last week, I feel like I really need to go through this one | :10:18. | :10:21. | |
and make sure that everybody realises how much I want to stay in | :10:21. | :10:27. | |
this competition. We have the charleston - it is a | :10:27. | :10:32. | |
bit of a tricky one. The one thing I want from Denise is the swive vel | :10:32. | :10:42. | |
in the feet. You have to swivvel both feet at the same time. Women | :10:42. | :10:49. | |
are good at multi--tasking - but that's not my bag. It is like she | :10:49. | :10:53. | |
had lead in her pockets. There is so much to think about, lots of | :10:53. | :10:58. | |
arms and legs. I am struggling to learn it a bit. At the moment, I | :10:58. | :11:01. | |
look like I have two birds talking to me. | :11:01. | :11:05. | |
If I don't get the Egyptian arms right, then this dance will look | :11:05. | :11:14. | |
We have a great dance for the arena - it's the American smooth. That | :11:14. | :11:18. | |
means we can do some lifts and tricks, which on a big floor will | :11:18. | :11:24. | |
be good fun. I am nervous about dropping Flavia and doing different | :11:25. | :11:32. | |
lifts. I have been out of the gym for a bit. I may get a workout | :11:32. | :11:36. | |
lifting Flavia. I am not saying she is heavy or anything! We have been | :11:36. | :11:41. | |
doing this for five or six weeks now. You is to dance with the pain. | :11:41. | :11:45. | |
You have to push yourself. She is used to it. She has built up a | :11:45. | :11:53. | |
tolerance. This is new to me. I am in pain. You can go home and have a | :11:53. | :12:03. | |
:12:03. | :12:03. | ||
bath. I cannot go home and have a Two? Time to talk to Vicky Gill. | :12:03. | :12:08. | |
Head of wardrobe. We're going to Wembley this week. I am imagining a | :12:08. | :12:13. | |
huge task for you. It is massive this week. We are hanging on in | :12:13. | :12:18. | |
there. How many costumes do you have to make? 100. 100! You are | :12:18. | :12:21. | |
making all of them. Myself, obviously! | :12:21. | :12:25. | |
It is a team of you in wardrobe. How many all together? There are | :12:25. | :12:29. | |
about 30 people that are core to creating Strictly every Saturday | :12:29. | :12:36. | |
night. It is not a few - it is a lot of hard-working people. In | :12:36. | :12:41. | |
terms of dancers and skaters - we have loads of people that are | :12:41. | :12:45. | |
kicking about in the background. We think, where did that extra person | :12:45. | :12:55. | |
:12:55. | :12:55. | ||
come from? They need a frock. have heard men in trunks. Yes. | :12:55. | :12:59. | |
roller-skaters. I cannot go backwards, but I can go forward. If | :12:59. | :13:07. | |
anyone drops out, I'm in. Lisa is doing a samba this weekend. It is | :13:07. | :13:15. | |
Dancing Through the Decades - hers is Rose Royce. Very bright. We have | :13:15. | :13:21. | |
orange and pink upper body. We have crystal stones all over the top | :13:21. | :13:27. | |
half, so she will sparkle. A lot of movement, obviously with the car | :13:27. | :13:32. | |
wash theme. Robin is well again. He is back in the rehearsal room today. | :13:32. | :13:36. | |
That is good news. Victoria is doing a paso doble. She may appear | :13:36. | :13:40. | |
on a bicycle. What she will do, we are not sure. Obviously riding it, | :13:41. | :13:46. | |
but how, we are not sure. You have a Team GB theme. Because the bike | :13:46. | :13:51. | |
was playing part, we thought we should reference it. It has been | :13:51. | :13:55. | |
exciting. A lot of pattern-cutting skills in this number. So the red, | :13:55. | :14:01. | |
white and blue dress is an over- dress, split down the centre, like | :14:01. | :14:06. | |
the cape effect, like Denise. does she have underneath that? | :14:06. | :14:11. | |
white cat suit underneath. I like the sound of this. Excellent! Which | :14:11. | :14:17. | |
dress has taken the most work, time and effort and energy? Collectively | :14:17. | :14:20. | |
Kimberley's dress has taken the most time. We have spoken to a lot | :14:20. | :14:26. | |
of departments, from lighting, to projection. Speaking to lighting | :14:26. | :14:30. | |
about Kimberley's dress. It sound exciting. Apparently it is huge. | :14:30. | :14:34. | |
There is 30 metres in her dress. That is like half of the Wembley | :14:34. | :14:40. | |
floor. We are talking a big dress. Will she do the whole dance in this | :14:40. | :14:46. | |
dress? I hope not. I have not been told yet. I will see this evening, | :14:46. | :14:52. | |
when I am told, it is not working. Mind boggling! It will be a | :14:52. | :14:56. | |
spectacle. OK, who is under the dress this week? Who is under the | :14:56. | :15:04. | |
dress - you know what I mean! I say! There's not much to that dress, | :15:04. | :15:09. | |
is there? What can you tell us? is an Egyptian theme. The couple, | :15:09. | :15:16. | |
they are always having lots of fun and pulling pranks on others or on | :15:16. | :15:20. | |
themselves. Spectacular. I think this week could be your best work | :15:20. | :15:24. | |
yet. Good luck to you and all your angels and evils who are helping | :15:24. | :15:32. | |
you. -- elvess who are helping you. | :15:32. | :15:38. | |
Back to the training room. Move on. This week at Wembley we will dance | :15:39. | :15:44. | |
the paso doble. There'll be some individual dancing. | :15:44. | :15:49. | |
I can't turn that way. At least I can have a mean, moody face of | :15:49. | :15:52. | |
concentration while I am doing it. I think that will be the only thing | :15:52. | :15:58. | |
I cling to. No, no, no, no. I want Victoria to get better at doing | :15:58. | :16:03. | |
things on her own. This could be the week it happens. The paso | :16:03. | :16:06. | |
requires a lot of strength internally and externally. Victoria | :16:06. | :16:13. | |
is good at that. I find being stern and serious a lot easier to do. | :16:13. | :16:18. | |
so powerful. I am confident it will be a good one. It is all about the | :16:18. | :16:22. | |
performance. We are doing a salsa. We'll have a party in front of | :16:22. | :16:26. | |
6,000 people. We are at Wembley - which is brilliant. You want to do | :16:26. | :16:30. | |
the dance justice. Richard has struggled this week, just coming to | :16:30. | :16:35. | |
grips with the salsa. It has been an uphill struggle. No two ways | :16:35. | :16:39. | |
about it. This is a nightmare. is keeping the rhythm of the dance | :16:39. | :16:47. | |
Richard is finding the hardest. is the Latin dance which is most in | :16:48. | :16:52. | |
character. There is a party going in my head. You cannot go around | :16:52. | :16:57. | |
shouting Wembley, unless you have the feet right. Richard can salsa. | :16:57. | :17:06. | |
He has to focus on it. Complete his This week, we are going to be | :17:06. | :17:12. | |
dancing at Wembley. We'll dance to the quickstep. You get a lot of | :17:12. | :17:16. | |
travelling. I picture myself and Dani running around Wembley Arena. | :17:16. | :17:20. | |
I am only five foot one. I am confused as to whether people will | :17:20. | :17:26. | |
see me. I talked to the BBC. They'll have binoculars - all 6,000 | :17:26. | :17:31. | |
people! I feel overwhelmed this week. The quickstep is a dance I | :17:31. | :17:35. | |
was dreading. I am getting confused. We've done it every which way now. | :17:35. | :17:40. | |
This is the first time I have seen Dani panicking. It will be OK! It | :17:40. | :17:46. | |
will be OK! I believe in her and that she can do it. I will not get | :17:46. | :17:50. | |
any sleep tonight. I will run the quickstep over and over and over | :17:50. | :17:59. | |
The little munchkins are going to Wembley. Please welcome Dani and | :17:59. | :18:05. | |
Vincent. What a tango it was! It was truly | :18:05. | :18:10. | |
terrific at the weekend. Were you pleased with your performance? | :18:10. | :18:13. | |
was chuffed. It is by far my favourite dance. I loved every | :18:13. | :18:17. | |
second of it. I want to do the tango every week. What a teacher | :18:17. | :18:23. | |
you have! What a teacher I am. Come on! | :18:23. | :18:27. | |
highest score, you are creeping nicely up the leaderboard. I mean, | :18:27. | :18:31. | |
34, that is an amazing score. a huge score. I was not expecting | :18:31. | :18:38. | |
that at all. I loved it so much. I really liked being aggressive and | :18:38. | :18:42. | |
passionate. The actress in you came out in that performance. Vincent, | :18:42. | :18:49. | |
Len picked up on the light and the shade of your choreography. Is it | :18:49. | :18:54. | |
great to be praised for your brilliance? Everything happens by | :18:54. | :18:59. | |
magic on this show. If I think about it, there's no way - it just | :18:59. | :19:04. | |
happens, obviously you give me inspiration. Inspirations! | :19:04. | :19:09. | |
Myself and even at the end, even the public - massive standing | :19:09. | :19:14. | |
ovation at the end. You are just priceless! | :19:14. | :19:19. | |
Also, Vincent, you have been prepared to a sausage sandwich and | :19:19. | :19:23. | |
"finger licking good" you were called on Saturday. How delicious | :19:23. | :19:29. | |
are you, Vincent? How long have you got? It is impossible!. There's no | :19:29. | :19:33. | |
words! Darcey did say a strange thing on Saturday. She said there | :19:33. | :19:38. | |
was a moody teenager - what did you make of that remark? It was | :19:38. | :19:43. | |
interesting, seeing I was a teenager not too long ago. I took | :19:43. | :19:52. | |
it as a compliment in a way. I played tracey Beaker for 11 years. | :19:52. | :19:57. | |
Maybe she made an appearance on Saturday. You are more than a woman | :19:57. | :20:02. | |
to me! He has all the comments today! | :20:02. | :20:08. | |
I'm in love. She's in love! Craig commented that your dance | :20:08. | :20:11. | |
finished a little bit before the music ended. There has been a bit | :20:11. | :20:15. | |
of a problem for you two with speed, generally, in the training room. | :20:15. | :20:21. | |
Look at this. Little people are very powerful. Very fast. | :20:21. | :20:26. | |
Too fast. I'm going to push Dani to the limit. The Strictly speed limit. | :20:26. | :20:32. | |
Preparation. Come on! | :20:32. | :20:39. | |
We're little, but fast and furious. I want it to look like you have | :20:39. | :20:44. | |
little wheels rather than legs. Just little wheels. | :20:44. | :20:52. | |
We are very, very speedy. I'm a little Ferrari! | :20:52. | :20:59. | |
Run like the wind. Only professionals are allowed to | :21:00. | :21:07. | |
do this. Very good! I think that you should do | :21:07. | :21:11. | |
motivational cassettes for people to listen to, your voice talking in | :21:11. | :21:15. | |
their ears. Wembley this weekend then - the quickstep for you and it | :21:15. | :21:19. | |
is a fast one. How are you coping? I am all right now. At the | :21:19. | :21:22. | |
beginning of the week it was horrible. Our terrible Tuesday was | :21:22. | :21:27. | |
probably the worst terrible Tuesday I have ever had. It is really quick. | :21:27. | :21:34. | |
There a -- are a lot of steps. It is called the quickstep for a | :21:34. | :21:42. | |
reason. We had the ped of metre. We counted how many steps. 206 she's | :21:42. | :21:46. | |
doing. Which is apparently a step-and-a- | :21:46. | :21:51. | |
half a second. So, it is quite quick. Are you feeling more | :21:51. | :21:55. | |
confident about the weekend? I am. I cannot wait to get to Wembley. | :21:55. | :22:00. | |
You have never been there before?Vy Never been there in my life -- I | :22:00. | :22:06. | |
have never been there in my life. You must be excited about the whole | :22:06. | :22:12. | |
thing? I can not wait to see the audience. All the women. Let's list | :22:12. | :22:22. | |
:22:22. | :22:22. | ||
on the your music for the weekend. YOU CAN'T HURRY LOVE | :22:22. | :22:32. | |
Please tell me what you'll be wearing? I don't know if I can cope | :22:32. | :22:38. | |
with a wig! And has it been tricky to | :22:38. | :22:43. | |
choreograph - a big place, two tiny people? I don't know how many steps | :22:43. | :22:47. | |
I can fit in. We have managed to do knit the studio. We need to find | :22:47. | :22:53. | |
out soon really. We need to find out soon. Good luck this weekend. | :22:53. | :23:01. | |
Tomorrow sees the return of Strictly icons Russell Grant and | :23:01. | :23:05. | |
Ann Widdecombe to the floor for a Children In Need special - very | :23:05. | :23:11. | |
special. I will cht with statistics with -- chat with statistics with | :23:11. | :23:17. | |
Russell in a moment. Here is some behind-the-scenes footage. Today | :23:17. | :23:21. | |
we're doing a Children In Need Strictly. I am nervous. I didn't | :23:21. | :23:26. | |
think I would be! Getting close to Christmas, so you want to think | :23:26. | :23:30. | |
about tidings of great joy. I am not sure it will be great joy to | :23:30. | :23:34. | |
the judges to have me back on the dance floor, but here I am, in an | :23:34. | :23:42. | |
gel lick form. Ann-jel-ic! | :23:42. | :23:45. | |
I have never been happier than I am right now. I am dancing with Ann. | :23:45. | :23:54. | |
It is the sunshine of my life. We are being harnessed because we | :23:54. | :24:01. | |
are angels. Ann doesn't want to go very high. I want to go very high. | :24:01. | :24:07. | |
Two Queens will be flying in - I don't mean Bruno and Craig! | :24:07. | :24:11. | |
It is wonderful to be back, so long as Anton remembers not to look at | :24:11. | :24:18. | |
the audience, but to keep telling me what to do! | :24:18. | :24:23. | |
Please welcome Russell Grant. Hello, my darling. You have been | :24:23. | :24:28. | |
very busy, as we saw there, with Children In Need, dancing back in | :24:28. | :24:32. | |
the arms of Flavia. It was so good and against Ann Widdecombe and | :24:32. | :24:39. | |
Anton du Beke. I mean, what competitive spirit! Don't reveal | :24:39. | :24:43. | |
what will happen. We will watch it tomorrow night. You have been very | :24:43. | :24:47. | |
busy. What can you tell us about training hours so far? Training | :24:47. | :24:54. | |
hours - can I stress this is up until the end of play yesterday. Up | :24:54. | :25:00. | |
at the top now - look who has zoomed - dean neez, 26 hours. | :25:00. | :25:07. | |
Michael, he is still up there. He was -- Denise. 26 hours. Michael, | :25:07. | :25:17. | |
:25:17. | :25:19. | ||
It is tricky. It is hard. What does this mean for training hours | :25:19. | :25:24. | |
overall? Overall, this is up until the end of play yesterday - please | :25:24. | :25:28. | |
note. Michael couldn't be shifted out of the wicket, when he played | :25:28. | :25:34. | |
for England. He cannot be shifted from the top of Strictly. 254-and- | :25:34. | :25:44. | |
:25:44. | :25:48. | ||
a-half hours and Denise is not far Come on, Byrne! Pull your finger | :25:48. | :25:54. | |
out. What other things you have discovered in your investigations? | :25:54. | :25:58. | |
This series is called Strictly Come Dancing. I had a brain wave. It was | :25:58. | :26:06. | |
a ping, a ping came over my head. It said, ee Check out the -- "check | :26:06. | :26:16. | |
:26:16. | :26:18. | ||
out the dancers, Rusty." I like that name. That is what Holly | :26:18. | :26:25. | |
called me. Any way, 906 competitive dances. 906! That is a lot of | :26:25. | :26:32. | |
dancing. That is over the past nine series. Want to see the top five. | :26:32. | :26:38. | |
Cha-cha-cha, is at the top. You are our fairy godmother. You can see | :26:38. | :26:43. | |
the rest. That was my Venus coming out of the shell. You were very | :26:43. | :26:50. | |
good at it as well. They are the top-performed dances. What else? | :26:50. | :26:56. | |
This has been unpredictable. Who would have thought Al would have | :26:56. | :27:02. | |
gone out last week! I think we should look at what our couples are | :27:02. | :27:12. | |
:27:12. | :27:21. | ||
All the show-stoppers. How do these dances fare? I have been doing some | :27:21. | :27:29. | |
digging and I found... Here are the average scores of dances over the | :27:29. | :27:37. | |
past nine series. Up the top, the American smooth, good for Michael | :27:37. | :27:47. | |
:27:47. | :27:52. | ||
-- Louis. So, what does this mean if you add | :27:52. | :27:59. | |
it all together? If you add it all together can work out how unlucky a | :27:59. | :28:03. | |
dance is. We take the number of times it has been performed and | :28:03. | :28:07. | |
look at how many people have been eliminated after it. Then you can | :28:07. | :28:11. | |
work out the elimination percentage. I am glad you've done this. Show | :28:11. | :28:15. | |
your working out, everybody, please! | :28:15. | :28:25. | |
:28:25. | :28:34. | ||
nation rates of dancers and look - charleston and samba. | :28:35. | :28:39. | |
charleston, I am surprised about that. Wembley is huge. It is six | :28:39. | :28:43. | |
times bigger than the usual studio. That is another amazing fact. | :28:43. | :28:48. | |
have got to cover all of this. Down here, the luckiest, unlucky dance | :28:48. | :28:56. | |
is the quickstep. 6.3%. That is a tiny elimb nation percentage. | :28:56. | :29:05. | |
look -- elimination percentage. So looking at it - who will be here? | :29:05. | :29:09. | |
Dani's quickstep. This could well be looking at our winner. | :29:09. | :29:15. |