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Hello. It's Monday. Welcome to It Takes Two. Wasn't it a wondrous | :00:12. | :00:15. | |
Wembley weekend? It was marvellous. After seven weeks of glorious | :00:15. | :00:21. | |
entertainment, sadly, he has salsaed his way out of the | :00:21. | :00:22. | |
competition. Richard and Erin are here! | :00:22. | :00:28. | |
APPLAUSE They put the ooo into the American | :00:29. | :00:31. | |
smooth this weekend. It's Michael and Natalie. | :00:31. | :00:36. | |
APPLAUSE And despite the sense of occasion | :00:36. | :00:41. | |
this weekend, his ten paddle remains mothballed. Craig Revel | :00:41. | :00:51. | |
:00:51. | :01:24. | ||
Live from Television Centre, this is Strictly It Takes Two. Welcome | :01:24. | :01:29. | |
your host, Zoe Ball. APPLAUSE | :01:29. | :01:33. | |
Hello and welcome to It Takes Two. So our celebrities danced through | :01:33. | :01:37. | |
the decades, wowing both the judges and the 6,000-strong audience. In | :01:37. | :01:47. | |
case you missed any of it. Here are the headlines: Good evening, here | :01:47. | :01:51. | |
is the news. Finally it happened, Denise and James blew the judges | :01:51. | :01:55. | |
away with their charleston to receive the first, second and third | :01:55. | :01:59. | |
ten of the series. Craig called it Strictly's best ever charleston | :01:59. | :02:03. | |
Strictly's best ever charleston then gave it a nine. | :02:03. | :02:13. | |
:02:13. | :02:17. | ||
That is the best charleston I've ever seen on Strictly. Go, go girl. | :02:17. | :02:24. | |
Only the show with the Car Wash Lisa and Robin unveiled their | :02:24. | :02:34. | |
:02:34. | :02:35. | ||
surprise for Wembley. Yes, Lisa can Absolutely amazing wh. You dropped | :02:35. | :02:41. | |
into the splits darling, I thought I was going to have a coronary. | :02:41. | :02:45. | |
She might get a Dickie hip after. That was it a bird, a plane, | :02:45. | :02:49. | |
viewers finally got to see Victoria's big entrance. Sadly, it | :02:49. | :02:59. | |
:02:59. | :02:59. | ||
wasn't quite enough to impress the It mains me to say so, but the bike | :03:00. | :03:06. | |
didn't quite make it all the way to Spain. | :03:06. | :03:10. | |
And finally, in a huge space like Wembley, you'd think it would be | :03:10. | :03:16. | |
easy to sneak in a nap, isn't that right hobbin and Pasha? Some people | :03:16. | :03:26. | |
:03:26. | :03:51. | ||
He's going to be so angry. He's big Robin's angry. They were the | :03:51. | :03:58. | |
Strictly headlines. And now, even more gossip from Wembley. Here's | :03:58. | :04:06. | |
all the action from behind-the- # It's all so quiet | :04:06. | :04:10. | |
# It's all so still # It's Wembley. I'm excited and I | :04:10. | :04:16. | |
can't wait. The minute you get through the door, you're just | :04:17. | :04:20. | |
buzzing. There's no comparison between here and the studio. Nice | :04:20. | :04:30. | |
:04:30. | :04:30. | ||
that the judges are further away, Just a little skirt, you know, we | :04:30. | :04:39. | |
didn't want to go over the top or middle of Wembley and to start the | :04:39. | :04:42. | |
routine these gorgeous hunks lift me into the sky. My life is | :04:42. | :04:45. | |
complete. I think we are ready to embrace | :04:45. | :04:51. | |
Wembley Arena. It's going to be ridiculous tonight. I can just | :04:51. | :04:58. | |
imagine, the screaming fans. There's a rumour that I'm going to | :04:58. | :05:03. | |
close the show at Wembley Arena. I never thought I'd say that. Lad | :05:03. | :05:08. | |
from Sheffield closing the show, New York, New York, Frank Sinatra, | :05:08. | :05:14. | |
three big lifts - what possibly can go wrong? It's crazy back here. | :05:14. | :05:17. | |
Everybody's running around and I cannot wait to go out there with | :05:17. | :05:22. | |
everybody and perform tonight. Costume and hair and make up, | :05:22. | :05:25. | |
everything is so important here. Because it's so big everything on | :05:25. | :05:32. | |
us needs to be bigger, brighter, grander. Look, fluro, huge hair. We | :05:32. | :05:36. | |
love it. I honestly didn't believe I was | :05:36. | :05:39. | |
going to make it to Wembley pwhi started the programme. I thought I | :05:39. | :05:43. | |
would be first or second off. I'm really glad to have made it to the | :05:43. | :05:49. | |
halfway point. Tomorrow you'll be pinching yourself, to wake away and | :05:49. | :05:54. | |
take in the atmosphere of tonight is just going to be mind blowing. | :05:54. | :05:59. | |
Last year, I didn't make it. This year I have, so... This is my first | :05:59. | :06:09. | |
:06:09. | :06:13. | ||
Wembley, so it's very, very special. I'm very much looking forward to | :06:13. | :06:20. | |
the show tonight. 6,000 adoring fans loving the show, hopefully | :06:20. | :06:24. | |
everyone will dance brilliantly. We want to see some 10s today. Bring | :06:24. | :06:33. | |
it on. Good luck guys. I just walked into the arena for the first | :06:33. | :06:39. | |
time about to dot group dance. The crowd are going crazy. When the | :06:39. | :06:45. | |
arena is empty, it doesn't look as big. Now it's filled with people, | :06:45. | :06:50. | |
it's daunting. Makes me feel like I can't mess up at all. It does not | :06:50. | :07:00. | |
:07:00. | :07:01. | ||
Now it sounds loud. We're all worried we won't be able to hear | :07:01. | :07:11. | |
the music in our dances because the noise. It could go horribly wrong. | :07:11. | :07:17. | |
Everybody in the Wembley show is just -- has just got better and bet | :07:17. | :07:22. | |
ir -- better. We have to say goodbye to Richard and Erin. I hate | :07:22. | :07:29. | |
seeing people go. Richard is such the entertainer. I think just | :07:29. | :07:32. | |
technically he's missing big elements from the technique, where | :07:32. | :07:36. | |
everybody else has upped that and he hasn't. I love him as a | :07:36. | :07:41. | |
performer. He's fabulous to watch. It's tough. | :07:41. | :07:46. | |
Unfortunately it was a case of wham, Bam thank you ma'am last night as | :07:46. | :07:49. | |
their Strictly dream came to an end. Welcome Richard and Erin! | :07:50. | :07:57. | |
APPLAUSE Darlings, darlings, first of all, | :07:57. | :08:02. | |
VPL, are you all right? I've kept myself tidy. You're fine. Those | :08:03. | :08:07. | |
slacks were incredible, they were incredible. They didn't do us any | :08:07. | :08:13. | |
favours did they? Commiserations to Dickie A and Erin B. How are you | :08:13. | :08:17. | |
feeling today after the exit last night? Like Geri Halliwell when she | :08:17. | :08:22. | |
left the Spice Girls. I thought I will have to tape certain phrases | :08:22. | :08:27. | |
on my phone because I can't cross the road without you. You've become | :08:27. | :08:32. | |
like a married couple. You do. Six to eight hours a day at least and | :08:32. | :08:36. | |
it's been the best part of three months. It has. It was like tumble | :08:36. | :08:40. | |
weed through the livingroom this morning and that was just Daybreak. | :08:40. | :08:45. | |
Cheeky! You said that, not me. You have had great success with the | :08:45. | :08:49. | |
dances. You've survived two dance- offs. What was different last | :08:50. | :08:52. | |
night? The couple we danced against night? The couple we danced against | :08:52. | :08:57. | |
was better. I think we knew, unless they did something terribly wrong | :08:57. | :09:01. | |
that we were going to go. You knew at that point. I'm very proud of | :09:01. | :09:06. | |
Richard because he made Wembley, seven weeks. We were in the very | :09:06. | :09:09. | |
first dance-off, which you survived. It was the most extraordinary | :09:09. | :09:13. | |
feeling being out. There it was unbelievable to. Leave under the | :09:13. | :09:18. | |
biggest glitter canon known to man was a dream come true for me. | :09:18. | :09:23. | |
was fantastic. In our household, we were -- rewound you pushing her | :09:23. | :09:28. | |
onto the crash mat about four times because it was so funny. | :09:28. | :09:36. | |
It was like smack, goodbye. You did all your own stunts. I do. It's | :09:36. | :09:42. | |
Merv lus. The banana hammocks, we loved. That Canary yellow is not a | :09:42. | :09:47. | |
colour I can wear. They wore it for you. You have been one of | :09:47. | :09:52. | |
Strictly's great love affairs. we? I think so, always smooching | :09:52. | :09:58. | |
and cuddling. I have loved it. will you miss about boy wonder? | :09:58. | :10:02. | |
Richard is probably the most tactile men I've ever met ever. | :10:02. | :10:06. | |
Anton is tactile, but you top the lot. He's warm, friendly, bubbly. | :10:06. | :10:09. | |
He made me smile every day. Of course, I'm going to miss. That | :10:09. | :10:15. | |
Kiss me. Go on. Where were we? won't believe it. Richard Arnold, | :10:16. | :10:22. | |
this is your Strictly story. The dancer you'll share your gossip | :10:22. | :10:31. | |
with is Erin Boag. I love Erin. She is terrific. Turn your blinking | :10:31. | :10:35. | |
hips. Against all odds she may have turned me into a ballroom dancer. | :10:35. | :10:42. | |
I'm a dancer. He has a great character and I hope that shows. | :10:42. | :10:47. | |
Your foot work was the best of any waltz I've seen. It's a dream come | :10:47. | :10:52. | |
true to be out there on the Strictly dance floor. I thought I'd | :10:52. | :10:58. | |
be Saimo Chahaling all my life. But apparently I've just been mincing. | :10:58. | :11:07. | |
I'm going to need another one. Those Saimo Chahal walks darling | :11:07. | :11:17. | |
really do -- cha-cha-cha walks belong in a drag show. The dance- | :11:17. | :11:21. | |
off finished, that was really good. You can do this. The thing is for | :11:21. | :11:25. | |
us is to move on. There is so much that can go wrong. It won't go | :11:25. | :11:33. | |
wrong. You can do this. I didn't mind it actually. Nimble foot work, | :11:33. | :11:38. | |
well done. When you see people take to the floor and do it, you think I | :11:38. | :11:42. | |
wish. Erin's given me the chance to do that? He's like a kid in the | :11:42. | :11:46. | |
candy store. It's a pleasure to be in the studio with him. I love her. | :11:46. | :11:55. | |
She's wonderful. You great big, butch bull fighter. You come out | :11:55. | :12:02. | |
and give it some. That's what you've got to do. This week, I'm | :12:02. | :12:06. | |
dancing the foxtrot. I am nervous about this one. This is hard. Erin | :12:06. | :12:11. | |
has decided I have to hoik my trousers up to see my feet. There's | :12:11. | :12:21. | |
:12:21. | :12:24. | ||
no hiding. Heel, toe, toe, toe - I went blank. I won't lie to you, | :12:24. | :12:28. | |
it was terrifying. I was numb. was like a puppet, when you cut the | :12:28. | :12:32. | |
strings. Oh, God I don't know what I'm doing. You've heard about this | :12:32. | :12:36. | |
happening to people before. You never imagine it will happen to you. | :12:36. | :12:40. | |
I never dreamed for one second that I would ever get to this point in | :12:40. | :12:45. | |
the competition where Wembley was actually a possibility. If I can | :12:45. | :12:53. | |
just nail this charleston... really enjoyed it, really did. | :12:53. | :13:01. | |
Your best dance to date. Come on Wembley. I'm buzzing that I'm going | :13:01. | :13:05. | |
to Wembley. It doesn't get any bigger than this. The minute we | :13:05. | :13:08. | |
hear the crowd roar, I'm sure it will all come together. It will, | :13:08. | :13:17. | |
won't it? Plenty of wham, Bam thank you ma'am. It was a proper party. | :13:17. | :13:24. | |
The technique was sketchy, but then the fun factor compensated for. It | :13:24. | :13:29. | |
Judges, it's decision time. Nicki and Karin. Nicki and Karin. Nicki | :13:29. | :13:34. | |
and Karin. We've been through so much together and you held my hand | :13:34. | :13:38. | |
throughout the whole time. God bless you, I shall miss you very | :13:38. | :13:42. | |
much. You have been an salute star. I couldn't have asked for a nicer | :13:42. | :13:46. | |
partner to dance with. I want to say thank you and I love you lots. | :13:46. | :13:53. | |
APPLAUSE Glitter tissue. Have you got a | :13:53. | :14:00. | |
favourite moment? He's gone. It's been amazing. It really has. You've | :14:00. | :14:03. | |
given me such courage. It's been extraordinary. I've loved every | :14:04. | :14:09. | |
minute of it. Who would you like to see win out of all your buddies? | :14:09. | :14:12. | |
never want to see either of them again. | :14:12. | :14:14. | |
LAUGHTER It's so difficult to call. I mean, | :14:14. | :14:18. | |
the fact that we made a sharp and dignified exit at just the right | :14:18. | :14:21. | |
time means you have eight extremely talented couples in the competition | :14:21. | :14:28. | |
now. I will be at home popping a cork on my 43rd year in show | :14:28. | :14:31. | |
business and I will watch to see who is in the final two. It's | :14:31. | :14:35. | |
difficult to call. It's so close. We have loved getting to know you. | :14:35. | :14:38. | |
You've been amazing. You waltz in with such style, it's only fair | :14:38. | :14:47. | |
that you exit with such style as well. Welcome Jonathan. | :14:47. | :14:50. | |
Off you go, Richard Arnold and Erin Boag! I love you. | :14:50. | :14:59. | |
CHEERING Bless him. He's so gorgeous. Right. | :14:59. | :15:04. | |
Put him down. Soon Craig will be here. First another true or false | :15:04. | :15:14. | |
:15:14. | :15:23. | ||
puzler from Bruno. It is Strictly Hallowed, you Strictly experts, I | :15:23. | :15:29. | |
am here to test your knowledge -- a hello. Bruce is in the Guinness | :15:29. | :15:35. | |
Book of Records for leading the world's longest conger, is it true | :15:35. | :15:44. | |
or false? -- conga. From one Strictly legend to another. Please | :15:44. | :15:54. | |
:15:54. | :15:59. | ||
welcome Craig Revel Horwood! My goodness! I was hideously out of | :15:59. | :16:07. | |
time. With all of you later. Hello, Hanson, did you enjoy Saturday? | :16:07. | :16:13. | |
enjoyed it, at the atmosphere was electric, thousands of screaming | :16:13. | :16:23. | |
:16:23. | :16:23. | ||
people, it was brilliant. Are you sad to see Richard and Erin | :16:23. | :16:31. | |
go? For morale, he has been so blind, and the best sportsmen. And | :16:31. | :16:37. | |
he enjoyed it. Let's talk about Nicky and Karen. | :16:37. | :16:41. | |
Back to a six from you again, yet you voted to save them. Why did | :16:41. | :16:45. | |
they deserve to stay? Because of the energy, and the content, there | :16:45. | :16:50. | |
were a lot of steps. I could not give a higher score because of | :16:51. | :16:57. | |
technique because it was meant to be the Jive, not Locum role. But it | :16:57. | :17:02. | |
is not -- but it is in a rock and roll style, but rock and roll goes | :17:02. | :17:08. | |
more into swing. It was meant to be the Jive and you do expect it | :17:08. | :17:11. | |
pointed foot and a retraction. said there was no retraction in his | :17:11. | :17:21. | |
kicks. Denise and James, E said this was the best ever Charleston. | :17:21. | :17:27. | |
I liked the amount of steps and the difficult ones they included. A | :17:27. | :17:33. | |
birdie, when you're on has come up like this. Before it goes with the | :17:33. | :17:39. | |
flat foot so it is not taken on the toe. -- for foot. The reason I did | :17:39. | :17:46. | |
not give it 10 was it was at little bit slick and that sounds strange | :17:46. | :17:52. | |
but in the Charleston, you need a limp wrist and it estrange to do it | :17:52. | :17:57. | |
with a straight one. But you gave Chris a 10 and you say this is | :17:57. | :18:04. | |
better. He it is all comparative, that year he won, the dancing was | :18:04. | :18:13. | |
not up to much. Cheeky! But you gave him a tenner. In the end! He | :18:13. | :18:23. | |
did by me a pint. Kimberley and Pasha, you look at this. You said | :18:23. | :18:29. | |
they were challenging events that crossed the music. The rhythm has | :18:29. | :18:37. | |
to cross the music, they are not always in time it. You or do A1 and | :18:37. | :18:42. | |
two, at you have cross-rhythms and then you go quick, quick, quick | :18:42. | :18:49. | |
slow. She was brilliant and I love her dancing, she is fantastic. | :18:49. | :18:54. | |
it keep her out of the bottom? hope so, but you have to thank the | :18:54. | :19:04. | |
public for that. Louis and Flavia and the American Smooth. The other | :19:04. | :19:06. | |
judges weren't blown away, but you called it "refreshing." What did | :19:06. | :19:12. | |
you enjoy about it? Normally, we see Fred and Ginger, and we expect | :19:12. | :19:19. | |
that. But he puts in things that he is good at and I do not mind that, | :19:19. | :19:23. | |
and the music was not Fred and Ginger. She was right to break it | :19:23. | :19:33. | |
:19:33. | :19:33. | ||
up a bit and go for a quickstep. did not want you to feel left out, | :19:33. | :19:37. | |
so we are escorting you out with Jonathan again. Finally, it comes | :19:38. | :19:45. | |
out! On Saturday night, Michael and | :19:45. | :19:48. | |
Natalie delivered the big finale to the big night. I'll be chatting to | :19:48. | :19:58. | |
:19:58. | :20:00. | ||
them in a moment, but first, here's a reminder of their American Smooth. | :20:00. | :20:04. | |
Amazing, brilliant performance. thought the whole thing was a | :20:05. | :20:09. | |
proper production and justified being the last dance of the evening, | :20:09. | :20:19. | |
:20:19. | :20:19. | ||
well done! A fitting finale for a fantastic night! From the dance | :20:20. | :20:29. | |
:20:30. | :20:32. | ||
gutters to that, fantastic. Nine. Craigan gave me a two and now he | :20:32. | :20:39. | |
has given me a nine, that is incredible -- the Craig. I have not | :20:39. | :20:44. | |
had that feeling since 2005, when we won the Ashes. | :20:44. | :20:53. | |
Please welcome Michael and Natalie. It was one of those moments, those | :20:53. | :21:03. | |
magic moments. Will Saturday be a night you'll always remember? | :21:03. | :21:07. | |
played cricket at Lord's forgot an ovation, but that matched it. To | :21:07. | :21:13. | |
get a standing ovation at Wembley, to finish the show with Frank | :21:13. | :21:18. | |
Sinatra, it does not get better. When did you know you were going to | :21:18. | :21:26. | |
be the finale? The night before. I could not believe a at! The finish | :21:26. | :21:33. | |
it -- to finish the show, it was incredible. He she sent me a text | :21:33. | :21:38. | |
saying we were finishing the show - - she sent me. It actually gave me | :21:38. | :21:44. | |
a lot of confidence. To know they trusted me to finish the show, we | :21:44. | :21:47. | |
must have been doing something right in rehearsals, so it gave me | :21:47. | :21:51. | |
a lot of confidence. You must have been thrilled with your first nine, | :21:52. | :21:58. | |
we will forget Bruno with his eight! I went to bed with Craig one | :21:58. | :22:03. | |
week and got a good score. literally! You have to be nice to | :22:03. | :22:09. | |
them. We have had so many amazing messages and many viewers want you | :22:09. | :22:14. | |
to go to the final. This message says, win, win, win for the | :22:14. | :22:22. | |
underdog in all of us! Is the final next? Every time you go to the | :22:22. | :22:27. | |
studio for the next dance, it is it clear and piece of paper and you | :22:27. | :22:31. | |
have to work hard and hope you produce a good dance by Saturday, I | :22:31. | :22:36. | |
am not thinking about the finals. am thinking about the Argentine | :22:36. | :22:40. | |
tango, and to play -- and to try and entertain. I love it and would | :22:41. | :22:50. | |
:22:51. | :22:52. | ||
love to last a few weeks. Darcey likened Michael to Fred Astaire. | :22:53. | :22:57. | |
Did you ever think he'd be able to dance so well? We were channelling | :22:57. | :23:05. | |
Fred Astaire all week! The almost! He has the capability of being | :23:05. | :23:11. | |
incredible. I have always trusted you and had at faith in you. | :23:11. | :23:17. | |
thought I would be like Freddie Flintoff! I know you can do it. | :23:17. | :23:24. | |
Whatever you do in the training room, don't stop! Just.! What is | :23:24. | :23:29. | |
wrong with that? When she tells me to stop, it reminds me of my coach | :23:30. | :23:34. | |
told me -- he used to shout at me when I got things wrong. I do not | :23:34. | :23:44. | |
:23:44. | :23:45. | ||
know how many times I have to tell him to stop! Stop... What are you | :23:45. | :23:55. | |
on about? So stop it! Stop! Do you get embarrassed when you see that? | :23:55. | :24:03. | |
I'd do! But it is working at. So this week, the Argentine tango, are | :24:03. | :24:12. | |
you loving it? Stock! -- stop! I have loved every dance and this is | :24:12. | :24:18. | |
a new challenge, very emotional, a lot of movement with the legs and | :24:18. | :24:24. | |
three more left. I have not dropped you yet. Is you are becoming the | :24:24. | :24:32. | |
left King. We were saying, please don't proper! I was not nervous on | :24:32. | :24:35. | |
Saturday night. I was living the Wembley experience and I looked at | :24:35. | :24:39. | |
the face and I could tell she was nervous for the first time. | :24:39. | :24:45. | |
Terrified! What were you nervous about? Something to do with that! | :24:45. | :24:51. | |
So much effort goes into Wembley, thousands of people are trying to | :24:51. | :24:56. | |
mate that -- of trying to make that moment perfect for us, make-up, | :24:56. | :24:59. | |
costumes, the production is incredible and I did not want to | :24:59. | :25:07. | |
let anybody down. You did not, you are amazing! 6,000 people came to | :25:07. | :25:10. | |
watch as in Wembley and it was the most incredible feeling that the | :25:10. | :25:18. | |
world, the highlight of my career - - and watch us. Good luck this week. | :25:18. | :25:22. | |
I imagine it will be glorious. How many are left? We are only allowed | :25:22. | :25:32. | |
:25:32. | :25:33. | ||
three, but I much -- but I might have put in more. Michael and | :25:33. | :25:43. | |
:25:43. | :25:47. | ||
Natalie or! They love you! Earlier, Bruno set us another fiendishly | :25:47. | :25:49. | |
difficult teaser, but was it Strictly True or Strictly Baloney? | :25:49. | :25:55. | |
I asked you, Bruce is in the Guinness Book of Records for | :25:55. | :26:05. | |
:26:05. | :26:05. | ||
leading the longest conger. -- conga. He is actually in the | :26:05. | :26:09. | |
Guinness Book records for having the longest a showbusiness career | :26:09. | :26:16. | |
of any male entertainer. Joined the next time for another Strictly True | :26:16. | :26:23. | |
or Strictly Baloney?. With me, at the one and only Bruno, just for | :26:23. | :26:33. | |
:26:33. | :26:34. | ||
you. -- the one and only. Craig is back, did you know that. | :26:35. | :26:39. | |
thought that would have been true. We did half of our celebs earlier, | :26:39. | :26:42. | |
time for the rest. We've just chatted with them, let's start with | :26:42. | :26:47. | |
Michael and Natalie. What a transformation. It was thrilling | :26:47. | :26:52. | |
and it was pure showbusiness. Exactly what you would expect to | :26:52. | :26:58. | |
see on a West End stage or Broadway, it was just wonderful, fantastic | :26:58. | :27:03. | |
left so. It was not completely perfect, I was further -- it was | :27:03. | :27:08. | |
further away from her than he should have been, but it was just | :27:08. | :27:12. | |
completely thrilling to watch and the music, all the elements came | :27:12. | :27:22. | |
together. And we will all remember it. Lisa and Robin, another great | :27:22. | :27:27. | |
performance. Another great performance. Has your heart | :27:27. | :27:32. | |
recovered after watching Lisa do the splits? I thought something had | :27:32. | :27:39. | |
gone horribly wrong, but she stayed there and was able to walk back. | :27:39. | :27:46. | |
Fantastic, the energy in this woman. Just the amazing action of her | :27:46. | :27:54. | |
dropping down into the splits. Wembley shock, darling! It did. | :27:54. | :28:02. | |
Victoria and Brendan, the Paso Doble. For You said it "wasn't | :28:02. | :28:09. | |
good." What went wrong? She was acting it will but she did not get | :28:09. | :28:16. | |
that Spanish -- Spanish flavour, the on shaping is so important. You | :28:16. | :28:22. | |
do not have that many steps to do. -- the on shaping. You have to keep | :28:22. | :28:27. | |
your chest height and keep the shoulders down. Would it be better | :28:27. | :28:34. | |
with more Spanish and traditional music? You can do that to anything, | :28:34. | :28:42. | |
it was a matter of shaping. Dani and Vincent. You didn't get to say | :28:42. | :28:48. | |
much, other than that you loved it. What was so good? She was flighty, | :28:48. | :28:52. | |
fantastic, and she is so precise about everything, I adored the | :28:52. | :28:58. | |
routine. Her and Vincent makes such a sweet, gorgeous couple. He | :28:58. | :29:02. | |
totally believe they have been dancing for years together. One for | :29:02. | :29:10. | |
the final? At think so. I did not have as high an opinion of her and | :29:10. | :29:15. | |
she has been growing on me every week. Ben queue, but gorgeous, I | :29:15. | :29:22. | |
hope you enjoyed Jonathan that. Thank you very much, Craig, we'll | :29:22. | :29:25. |