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It's Wednesday. This is It Takes Two. I have two fragrant and | :00:11. | :00:16. | |
fabulous couples on the sofa tonight. Victoria and Brendan are | :00:16. | :00:25. | |
here. Their cheeky Charleston was brilliant and saw them on the top | :00:25. | :00:31. | |
spot again. Good grief they're good. Denise and James are here. And your | :00:31. | :00:36. | |
magnificent man with his wandy machine, Ian Waite is here with his | :00:36. | :00:46. | |
:00:46. | :01:23. | ||
Please welcome your host, Zoe Ball. Hello and welcome to It Takes Two. | :01:23. | :01:29. | |
In just a moment I will be catching up with Victoria and Brendan. First, | :01:29. | :01:35. | |
a reminder of their paso doble at the weekend. Ole. | :01:35. | :01:39. | |
You really tried to do something that you couldn't quite get right | :01:39. | :01:44. | |
at the moment. Too ambitious. shoulders always start creeping up. | :01:44. | :01:48. | |
You've got to keep those down. started so well. The shape and the | :01:48. | :01:52. | |
arms did start well, but I think you did get overwhelmed with the | :01:52. | :01:57. | |
space. You just lose that focus. Much as these are saying so many | :01:57. | :02:01. | |
negatives, Victoria, I thought it was pretty good. Don't listen to | :02:01. | :02:11. | |
:02:11. | :02:13. | ||
them. Five. Six. Seven. Six. We got a lot of love from the crowd. I did | :02:13. | :02:16. | |
my best but it is at the stage in the competition that everybody is | :02:16. | :02:19. | |
doing so well. You can't just do OK and there is exceptional talent | :02:19. | :02:22. | |
here. Please, give it up for Victoria and | :02:22. | :02:28. | |
Brendan. They are going mad for you here | :02:28. | :02:31. | |
today. Well done for surviving Wembley and being the first person | :02:31. | :02:36. | |
to do a paso doble on a BMX. It was amazing. Did you have fun out | :02:36. | :02:41. | |
there? Yeah. I was quite worried about getting stuck up in the | :02:41. | :02:47. | |
rafters somewhere at Wembley going - nooooo! I would pay a lot of | :02:47. | :02:51. | |
money for that. Had you had practice up there and are you good | :02:52. | :02:55. | |
with heights? It was pretty high. I'm fine with heights. I was more | :02:55. | :03:01. | |
concerned with getting the harness off in a limited timeframe. And you | :03:01. | :03:07. | |
had a big skirt. Skirt and diamantes. Were you worried what | :03:07. | :03:11. | |
you would have done for two-and-a- half minutes?? Worried? I probably | :03:11. | :03:17. | |
would have danced a bit around like a fairy on the Wembley stage, as I | :03:17. | :03:23. | |
usually do. Like a fairy?! Amazing. A lovely landing. And then, Brendan, | :03:23. | :03:28. | |
you did have a bit of a moment with your cape. When you walk in | :03:28. | :03:33. | |
swirling, you can do it fine. When you stand still it, gets stuck. | :03:33. | :03:40. | |
Stuck around the neck. So annoyed about that. How cross were you that | :03:40. | :03:45. | |
that had happened? I laughed. It was an amusing thing. You are live | :03:45. | :03:50. | |
and anything can ha. I liked it. was flying in on a BMX. We couldn't | :03:50. | :03:54. | |
take it too seriously. You can't sometimes. Darcey did say she | :03:54. | :03:57. | |
thought that perhaps the size of the whole place had overwhelmed you | :03:57. | :04:03. | |
a bit. Was that true? Was it scary in there? It is a will the bigger | :04:03. | :04:07. | |
than the studio and somewhere you rehearse. It is a big space to fill. | :04:07. | :04:12. | |
I'm not a performer. I was a bit like - oh, wow, yeah, I wish I was | :04:12. | :04:17. | |
just cycling around in circles. had to come in on ak by and go up | :04:17. | :04:24. | |
steps to the podium. -- in on a bike. Bruno said he thought it was | :04:24. | :04:29. | |
ambition, or did you say it is rubbish? I would say Bruno put his | :04:29. | :04:37. | |
pants on too tight. For a change. It was a basic routine, a little | :04:37. | :04:42. | |
bit of pass content. Flying around in a bike. I don't get that comment. | :04:42. | :04:47. | |
I find it a nonsense comment. will move on from that. You were | :04:47. | :04:50. | |
the bottom of the leaderboard but you escaped the dance off. It means | :04:50. | :04:54. | |
the general public love you and are voting for you. That must feel | :04:54. | :04:58. | |
great. I couldn't believe it. I honestly felt we were going to be | :04:58. | :05:02. | |
in the dance off. I was like - here comes the red light. I was thinking | :05:02. | :05:08. | |
- get the BMX ready. Then when our name was called out to go through | :05:08. | :05:13. | |
to this week, I could not believe it. So shocked and grateful. Thank | :05:13. | :05:18. | |
you to everyone. It means a lot. Your paso leaps, we have actually | :05:18. | :05:23. | |
been discussing. They had a bit of a mixed reaction but our It Takes | :05:23. | :05:27. | |
Two bods love them and thought you didn't get enough credit for them | :05:27. | :05:33. | |
so they have made you a special gift. Enjoy. Let's have a jump-off. | :05:33. | :05:43. | |
:05:43. | :06:16. | ||
Not bad. That's wicked. Very good. APPLAUSE | :06:16. | :06:22. | |
Why would you not put 59 of them? Exactly. We should have done that | :06:22. | :06:26. | |
the whole time. To use the space better. The salsa this week. You | :06:26. | :06:32. | |
weren't mad keen on the samba. But it is a party dance, salsa. How is | :06:32. | :06:36. | |
it going? Quite amusing, that's for sure. Hopefully it will be | :06:36. | :06:41. | |
entertaining. I'm not that sure about my Latin ability. Here you | :06:41. | :06:51. | |
are. I'm still trying from the jumps. You can take that home. She | :06:51. | :06:55. | |
is hysterical. Doctor! How are you getting into the salsa | :06:55. | :07:01. | |
spirit? We are not. Do you want a jug of sangria? I would love one. | :07:01. | :07:09. | |
Let's do that tomorrow. You are dancing to Robbie Williams. | :07:09. | :07:16. | |
How can you not get into a salsa mood with that. Are you a Take That | :07:16. | :07:21. | |
fan? Yes. Who was your favourite? Gary. Who was your favourite? | :07:21. | :07:26. | |
goery but Robbie, he is one of my idols. I look up to him as a | :07:26. | :07:31. | |
performer and entertainer. He says the same about you as well. He does, | :07:31. | :07:35. | |
honestly. This is a fascinating fact. You have lost 11lbs of muscle | :07:35. | :07:41. | |
mass. Is that a good or bad thing, Victoria? Don't say it out loud. | :07:41. | :07:47. | |
She will only cry. My body shape has changed a lot. I feel sad about | :07:47. | :07:52. | |
it. Well it is different. I used to have muscley legs. I was proud of | :07:52. | :07:59. | |
them and I'm watching them go... But I guess it is because you are | :07:59. | :08:04. | |
using different muscles doing this. Be a slaughtly. Have you had -- | :08:04. | :08:08. | |
Absolutely. Have you had a chance to get out on your bike. I got on | :08:08. | :08:12. | |
the track for the first time on Monday morning. It was really | :08:12. | :08:16. | |
enjoyable. I'm looking forward to having a bit more time cycling | :08:16. | :08:21. | |
after Christmas. Me too. It is all body weight change in your house | :08:21. | :08:26. | |
too, your lovely wife is expecting a baby. Yes, not far away. Have you | :08:26. | :08:31. | |
ready? Have you got your bag packed? No, I haven't packed the | :08:31. | :08:36. | |
bag. I know it'll come and I'll go into panic mode. But there will be | :08:36. | :08:41. | |
no panic because it will be fantastic. Good luck with the salsa. | :08:41. | :08:48. | |
You go to a salsa club later. That will get you in the spirit. | :08:48. | :08:52. | |
Good luck, Victoria and Brendan. We know our professional dancers are | :08:52. | :08:56. | |
good with their feet. But can you guess whose twinkle toast are | :08:56. | :09:06. | |
:09:06. | :09:27. | ||
these? -- Twink yell toes -- I rather love those ankles. Whose | :09:27. | :09:32. | |
feet might they be? Armed with his trusty wand and eagle eyes, our | :09:32. | :09:36. | |
training room spy is back with his weekly report. Time for Mr Ian | :09:36. | :09:46. | |
:09:46. | :09:49. | ||
Hell will he hand some one. Ian Waite give him a round of applause. | :09:49. | :09:57. | |
I must mention Aussie Bird has tweeted. She has been Ian Waiteing | :09:57. | :10:02. | |
for this moment all week. What did you think of Wembley? I loved it. | :10:02. | :10:07. | |
The start, the opening show, Tulisa's number into the splits and | :10:07. | :10:10. | |
to see Michael finish the show with New York, New York. Did you have | :10:10. | :10:18. | |
tears in your eyes? I was emotional. He was very emotional. We are in | :10:19. | :10:22. | |
week 8. What are you expecting from the couples? We only have four | :10:22. | :10:26. | |
weeks left before the final. What are we going to do? So only four | :10:26. | :10:30. | |
weeks left to go. I would imagine most of them, they have got their | :10:30. | :10:35. | |
goal on the final now. Yeah. Their eye on the final And they are very | :10:35. | :10:39. | |
aware if they make a mistake or they have a bad performance they | :10:39. | :10:46. | |
can go out at any time. Everything to fight for now. Absolutely. | :10:46. | :10:51. | |
and flafia, doing a paso doble. -- flafia. By his standards he has | :10:51. | :10:55. | |
slipped on the leaderboard. Can he get back up there? I think he can. | :10:56. | :11:00. | |
He has the ability. He certainly has the best body. There is nothing | :11:00. | :11:03. | |
he can't do. He should be able to do anything. The thing is with | :11:03. | :11:09. | |
Louis, our expectations are so high, that when he doesn't produce a | :11:09. | :11:12. | |
particularly fantastic show, then we think - that's a letdown. But | :11:12. | :11:16. | |
the boy is doing brilliantly. And he was great on Saturday. This week, | :11:16. | :11:20. | |
again, I think he is going to be very good. It is a character-driven | :11:20. | :11:24. | |
dance. If he can get those arms out and a strong poise. Mostly I would | :11:24. | :11:29. | |
like to see him getting his hips underneath and straightening his | :11:29. | :11:36. | |
legs. Demonstrate for us. So we get the strong walks. Tight buttocks. | :11:36. | :11:41. | |
Strong lead. So manly. I'm doingmy best, dear, in this shirt. | :11:41. | :11:44. | |
matching tie. Quite special, I think. | :11:44. | :11:48. | |
Kimberley and Pasha are doing the tango this week. She was great with | :11:48. | :11:52. | |
her salsa as Wembley. She has been great at ballroom. How is this | :11:52. | :11:56. | |
looking? To be honest, they have got - she has a lot of potential. | :11:56. | :12:01. | |
This dance looks great already. There is a lot of switches. A lot | :12:01. | :12:10. | |
of turns and same-foot lungs. -- lunges. What I wanted to point out | :12:10. | :12:14. | |
is her hold. When she is pivoting, she tends to drop the left side and | :12:14. | :12:19. | |
the head goes with it. Is that aed about thing? It is. She needs to -- | :12:19. | :12:25. | |
is that aed about thing? She needs to keep her elbow up. It is only | :12:25. | :12:29. | |
really in the pivots we see that from her. But I'm sure by the end | :12:29. | :12:33. | |
of the week Pasha would have sorted that out. It will be perfection. | :12:33. | :12:37. | |
Nicky an Karen doing a Charleston. I'm imagining a good one for them | :12:37. | :12:40. | |
but obviously they have to follow Denise and James' brilliant one | :12:40. | :12:44. | |
from the week before. I don't think that really matters. What matters | :12:44. | :12:48. | |
is that he did a jive last week and the transition from jive to | :12:48. | :12:51. | |
Charleston will be easy. They are a similar sort of energy. There are | :12:51. | :12:57. | |
three points I wanted to point out, though. One, two and three. Three | :12:57. | :13:01. | |
lovely points. Point one is he has to look out for this crossing of | :13:01. | :13:09. | |
the feet, which I can't do. swivel. I can't do it. I can do it | :13:09. | :13:14. | |
one leg but the other one doesn't do it. Swivel. The judges want that. | :13:14. | :13:19. | |
They do. Especially Craig. You know what he is like. Point two, the | :13:19. | :13:23. | |
arms. It is very important the arms match. A lot of side-by-side stuff. | :13:23. | :13:28. | |
You have to make sure the arms are matching in the funny arm positions. | :13:28. | :13:33. | |
Whatever. Three, facial expressions. Lots of funny facial expressions to | :13:33. | :13:39. | |
each other and to the camera. That kind of stuff, jazz hands and that. | :13:39. | :13:44. | |
Dani and Vincent are doing a samba. I have had a sneaky look it. Looks | :13:44. | :13:50. | |
seriously good. It is a masterclass of out to dance basics in psalm | :13:50. | :13:55. | |
BThey did a lovely whisk, and open rocks here. Now they go into | :13:55. | :13:59. | |
something rather special and I have slowed it down. Look at that. I | :13:59. | :14:09. | |
wonder what dance that is. recognise it, recognise it. Beyonce. | :14:09. | :14:15. | |
I do that in my Zumba class, actually. It looks like that. And | :14:15. | :14:22. | |
back rocks into pivots and prem nad runs. It will be great -- promenade | :14:22. | :14:27. | |
runs. I think a lot of people have overestimated her. We are asking | :14:28. | :14:36. | |
for a pivot. A pivot? Like that. are making him do these things for | :14:36. | :14:41. | |
your swear entertainment I think we should give her a thumbs up. Stick | :14:41. | :14:44. | |
around. We will talk more with you and your lovely tie a little bit | :14:44. | :14:49. | |
later on. Ian Waite. Over the years Strictly has had | :14:49. | :14:53. | |
some iconic dance routines. Many of them have made us laugh. Some have | :14:53. | :14:57. | |
made us crime. Others have left us speechless. You have been | :14:57. | :15:07. | |
:15:07. | :15:08. | ||
Apology for the loss of subtitles for 58 seconds | :15:08. | :16:06. | |
recreating some memorable moments A huge round of applause please for | :16:06. | :16:10. | |
Abby and Alice and before that the teachers Catherine and Michelle | :16:10. | :16:16. | |
from St Will Fred's Catholic School in Featherstone. Did you wait until | :16:16. | :16:22. | |
the kids went home? Clear the desks. They do that every night. Send your | :16:22. | :16:26. | |
clips into us. They should be no longer than 30 seconds. If you are | :16:26. | :16:29. | |
under 16 please get permission. Full instruction and terms and | :16:29. | :16:34. | |
conditions can be found on our website. Bbc.co.uk/ittakestwo. | :16:34. | :16:40. | |
In a moment I will chat to Denise and James but first, a little | :16:40. | :16:50. | |
:16:50. | :16:53. | ||
reminder of their brilliant success The jewel of the Nilex-. It really | :16:53. | :16:59. | |
was a treasure of a Charleston. -- Nile. That is the best Charleston I | :16:59. | :17:04. | |
have ever seen on Strictly. Such a polished performance. You had | :17:04. | :17:13. | |
everything in it. That's the dance of this series so far. Nine. Ten. | :17:13. | :17:22. | |
From Len, the ten. Ten. It was my dream to get a ten at | :17:22. | :17:26. | |
Wembley. But to get three was amazing. So happy. I was just happy | :17:26. | :17:36. | |
:17:36. | :17:37. | ||
to get through it. Please welcome Denise and James. | :17:37. | :17:41. | |
Wowzers, it was fantastic on Saturday night but to get three ten, | :17:41. | :17:45. | |
you must have been over the moon. Have you come down yet? It was | :17:45. | :17:50. | |
brilliant. We really enjoyed the day. It was such good fun but three | :17:50. | :17:55. | |
tens, I was over the moon. Especially because on Thursday, we | :17:55. | :17:58. | |
couldn't get through from the beginning to the end of the routine. | :17:58. | :18:02. | |
You were exhausted. It was hardz and fast and kicking out. I was so | :18:02. | :18:07. | |
out of breath. -- it was hard. are professional dancers. For | :18:07. | :18:12. | |
normal people it is a lot of energy to come up with every week. And for | :18:12. | :18:18. | |
professional dancers. He is gasping for air, oxygen. What was the | :18:18. | :18:23. | |
atmosphere like there and did it drive you on? Definitely. 6,000 | :18:23. | :18:27. | |
people screaming. Especially when we went into the lifts and you | :18:27. | :18:32. | |
heard the audience erupt. It was a goose-pimpley moment. Going into | :18:32. | :18:36. | |
that last lift where I had to jump, the crowd got me there. We had | :18:36. | :18:40. | |
rehearsed it so many times and I had fallen on the floor. That got | :18:40. | :18:44. | |
me up. Was it your favourite so far? I would say this and the jive. | :18:44. | :18:50. | |
I still loved our jive. Yes your jive in the red. That was pretty | :18:50. | :18:56. | |
good. Craig said, "Best Charleston ever." Did you have any tips from | :18:56. | :19:00. | |
your lovely wife who performed the other brilliant Charleston in the | :19:00. | :19:05. | |
show, Ola? No, obviously Ola saw the routine before we performed it | :19:05. | :19:11. | |
and she said it was amazing. Her Charleston was iconic. Chris was Mr | :19:11. | :19:14. | |
Charleston with his whole facial expressions. But it was different. | :19:14. | :19:23. | |
Our r ours was more themed to the evepgs song. His was more -- to the | :19:23. | :19:27. | |
Egyptian song. His was more traditional. And coming in with the | :19:27. | :19:33. | |
guys. Yes. I loved it. What was better. He gets jealous. I was | :19:33. | :19:38. | |
talking to Ian and I could see him saying - I'm here too. I do it on | :19:38. | :19:43. | |
purpose. What was more exciting, being carried in by four burly | :19:43. | :19:48. | |
men's or the tens? A tough one. They are equal. Bruce mentioned you | :19:48. | :19:52. | |
had had a bad dress run. Was that when you hadn't got the lift or | :19:52. | :19:58. | |
something? No, it was a wardrobe malfunction. My left booby came out. | :19:58. | :20:04. | |
What, and we missed it! I had no idea. She didn't know. I stopped | :20:04. | :20:08. | |
and covered her. I didn't know what to do. You can't put your hand on | :20:08. | :20:13. | |
it. Half way through the dress rehearsal. I was going in my ear. | :20:13. | :20:23. | |
He is going, "Boob", "boob", I'm think - why do you keep saying | :20:23. | :20:25. | |
"boob"? We have noticed, you have had a bit | :20:25. | :20:29. | |
of a thing for some of the professional dancers. Pretty much | :20:29. | :20:36. | |
all of them. This week, another one. She is insatiable. Look I have | :20:36. | :20:42. | |
massive ones. Not as good as Artem's. Massive bingo wings. | :20:42. | :20:47. | |
just has massive boobies. He has a much better physique than you. | :20:47. | :20:52. | |
love the fact you wind him up. James you have such a big head. It | :20:52. | :20:58. | |
is good to wind you up. Another one for your collection. Another one. | :20:58. | :21:04. | |
We will see if we can get you a whole rangement I don't want to | :21:04. | :21:08. | |
upset Kara. The American smooth, how is it going, a joy? | :21:08. | :21:12. | |
necessarily that smooth. Considering he dropped me on my | :21:12. | :21:16. | |
head today. Were you all right? didn't drop you. I just didn't lift | :21:16. | :21:22. | |
you. Stpoo You walked away from me. -- you walked away from me. I was | :21:22. | :21:26. | |
mid-air. He said if you are going to do it, you have to commit. I'm | :21:26. | :21:32. | |
thinking - I will go for it. It was my fault initially, I put my arm | :21:32. | :21:35. | |
around him and almost hilt him on the face and he ducked but I | :21:35. | :21:42. | |
carried on jumping. And walked away. I'm really bad. Darcey loved your | :21:42. | :21:46. | |
choreography. It must be great for the professionals to have that | :21:46. | :21:49. | |
recognised. But we think we have noticed you have more skills than | :21:49. | :21:59. | |
:21:59. | :22:07. | ||
just choreography. Oh, man. Check Oh, hello love, oh, sorey. | :22:07. | :22:17. | |
:22:17. | :22:19. | ||
I'll do Artem, ready. "Again." Vincent, "That's so good bella, so | :22:19. | :22:29. | |
:22:29. | :22:29. | ||
nice." # And they call it puppy love... # | :22:29. | :22:35. | |
# Walk like an Egyptian # It's low key anyway. Don't sing it. | :22:35. | :22:45. | |
:22:45. | :22:58. | ||
I feel picked on. It is fun picking on you. Thank you. Let's all join | :22:58. | :23:03. | |
in. You at home join in. Week 7, James Jordan looking back through | :23:03. | :23:08. | |
the history books. 39 is your highest score in week 7. Can you go | :23:08. | :23:12. | |
top again this week and can you better that? We actually don't | :23:12. | :23:15. | |
necessarily think about the scores. For us it is about trying to create | :23:15. | :23:20. | |
a dns we enjoy and hopefully the people at home enjoy. -- a dance. | :23:20. | :23:25. | |
The scores are an added bonus. This week I think we love the song. | :23:25. | :23:30. | |
when you are singing it, though. And if you don't drop her, it will | :23:30. | :23:34. | |
be beautiful. It could be an amazing dance but right at this | :23:34. | :23:37. | |
moment of time it is not necessarily American smooth. | :23:37. | :23:43. | |
couple of days to come up with it. We have a couple of days. Denise | :23:43. | :23:47. | |
and James. Good luck. Thank you. Earlier on, we teased you with | :23:47. | :23:57. | |
:23:57. | :24:01. | ||
another one of '''. - Whose Feet Are These Anyway? Let's see if you | :24:01. | :24:05. | |
knew who was boogying in these fancy heels? It was Vincenzo. What | :24:05. | :24:11. | |
a great pair of legs he has. It is time to check in with Ian to find | :24:11. | :24:14. | |
out how the other half of our celebrities are getting on in | :24:14. | :24:24. | |
:24:24. | :24:29. | ||
Ian Waite is back. Oh, lovely. We are down to just | :24:29. | :24:33. | |
eight celebrities. How much does the pressure start to increase on | :24:33. | :24:37. | |
all our couples? Well you know, you have been there. I have. A little | :24:37. | :24:41. | |
bit over half way and you are getting tired. It gets more intense. | :24:41. | :24:46. | |
It gets more competitive. So it does get more difficult. The stress | :24:46. | :24:50. | |
levels will go higher but it should be easier at this stage because you | :24:50. | :24:55. | |
have learnt so much. It doesn't get easier. It just gets harder. No. | :24:56. | :25:01. | |
Because then you master one and they are like - do two dances and a | :25:01. | :25:07. | |
group dance. Everyone goes loopy. Michael and Natalie. A lovely dance | :25:07. | :25:11. | |
on Saturday. This week the Argentine tango. How does it look? | :25:11. | :25:15. | |
I think this will suit Michael. It is more of a holding dance again. | :25:15. | :25:21. | |
It is very different than the ballroom tango. Very different. | :25:21. | :25:26. | |
Ballroom tango is very much - bend your knees. Bend your knees. It is | :25:26. | :25:31. | |
very much that you keep the body towards each other and heads away. | :25:31. | :25:35. | |
And Argentine tango is kind of leaning in. You lean in with the | :25:35. | :25:39. | |
chest and you dance it all forward and back leaning in with the chest, | :25:39. | :25:43. | |
you see. Nice, look. So it is a lot closer up the top. Just stay there | :25:43. | :25:47. | |
a little bit longer. Oh, he smells lovely, ladies and gentlemen. | :25:47. | :25:54. | |
are such aly ar. Victoria and Brendan, we talked to them. How is | :25:54. | :25:59. | |
she looking in the training room? Oh, look at that, impressive. | :25:59. | :26:02. | |
Fantastic lifts as you saw at the beginning. I slowed this down, | :26:03. | :26:12. | |
there is an awful lot of arm graphy. -- armography. | :26:12. | :26:16. | |
Victoria looks like she is thriving on the experience and loving the | :26:16. | :26:21. | |
salsa. I pointed out the armography. There is intricate stuff where | :26:21. | :26:26. | |
Brendan is going twice under her arms and she is going in under his | :26:26. | :26:29. | |
arms. As you can see they are laughing because they missed an arm | :26:29. | :26:32. | |
then. You have to be careful that you don't get the wrong arm. | :26:32. | :26:36. | |
Sometimes you have to cross the arms to get the right position. If | :26:36. | :26:41. | |
that goes wrong, this is quite a long section. It is a big risk. | :26:41. | :26:47. | |
is make mieg head hurt thinking about it. -- making my head hurt. | :26:47. | :26:52. | |
It is a long section. Denise and James at the top of the leaderboard | :26:52. | :26:57. | |
for the last two weeks, can they make it a hat-trick? She is doing | :26:57. | :27:03. | |
fantastically. They have three lifts. I heard she got dropped on | :27:03. | :27:08. | |
her head today. I hope school' recover depr that. Already looking | :27:08. | :27:15. | |
polished. -- recovered from that. Her arms are great. I wanted to | :27:15. | :27:19. | |
show you her arms. We have stopped it mid-spin. You can see she has | :27:19. | :27:25. | |
her arm placed lovely there and looking out with her eyes. That is | :27:25. | :27:30. | |
James' arm. That confused me. How many arms has a woman got? An | :27:30. | :27:34. | |
unfair advantage. All I should say is I think we should give it a | :27:34. | :27:38. | |
thumbs-up because it is so brilliant. Looking good, as long as | :27:38. | :27:44. | |
he doesn't drop her. Lisa and Robin dancing the rumba this week. Tell | :27:44. | :27:47. | |
me stuff. What an opening she danced on Saturday. Now the rumba, | :27:47. | :27:52. | |
as you can see, she was doing quite well because she is doing toe leads. | :27:52. | :27:57. | |
You have to do toe leads, no ball leads. But when going back, I just | :27:57. | :28:02. | |
wanted to zoom in on this, look at that. She has released her toe. | :28:02. | :28:07. | |
that good? No, wrong. In ballroom you are allowed to release your | :28:07. | :28:11. | |
toes so move into the other foot. In Latin, rum barks you hold on to | :28:11. | :28:19. | |
your toe to keep your weight forward. -- rumba. Do you remember | :28:19. | :28:26. | |
the move we did in rumba? Which one. Any excuse. This may go wrong. | :28:26. | :28:36. | |
:28:36. | :28:36. | ||
Ready? Yes, round and down. hang on! I could stay here all | :28:36. | :28:42. | |
night. Thank you very much, Ian Waite. Good job. Thank you to all | :28:42. | :28:46. | |
my guests. Join me here tomorrow when I will be joined by Lisa and | :28:46. | :28:52. |