Episode 33 Strictly - It Takes Two


Episode 33

Similar Content

Browse content similar to Episode 33. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

It's Wednesday. This is It Takes Two. I have two fragrant and

:00:11.:00:16.

fabulous couples on the sofa tonight. Victoria and Brendan are

:00:16.:00:25.

here. Their cheeky Charleston was brilliant and saw them on the top

:00:25.:00:31.

spot again. Good grief they're good. Denise and James are here. And your

:00:31.:00:36.

magnificent man with his wandy machine, Ian Waite is here with his

:00:36.:00:46.
:00:46.:01:23.

Please welcome your host, Zoe Ball. Hello and welcome to It Takes Two.

:01:23.:01:29.

In just a moment I will be catching up with Victoria and Brendan. First,

:01:29.:01:35.

a reminder of their paso doble at the weekend. Ole.

:01:35.:01:39.

You really tried to do something that you couldn't quite get right

:01:39.:01:44.

at the moment. Too ambitious. shoulders always start creeping up.

:01:44.:01:48.

You've got to keep those down. started so well. The shape and the

:01:48.:01:52.

arms did start well, but I think you did get overwhelmed with the

:01:52.:01:57.

space. You just lose that focus. Much as these are saying so many

:01:57.:02:01.

negatives, Victoria, I thought it was pretty good. Don't listen to

:02:01.:02:11.
:02:11.:02:13.

them. Five. Six. Seven. Six. We got a lot of love from the crowd. I did

:02:13.:02:16.

my best but it is at the stage in the competition that everybody is

:02:16.:02:19.

doing so well. You can't just do OK and there is exceptional talent

:02:19.:02:22.

here. Please, give it up for Victoria and

:02:22.:02:28.

Brendan. They are going mad for you here

:02:28.:02:31.

today. Well done for surviving Wembley and being the first person

:02:31.:02:36.

to do a paso doble on a BMX. It was amazing. Did you have fun out

:02:36.:02:41.

there? Yeah. I was quite worried about getting stuck up in the

:02:41.:02:47.

rafters somewhere at Wembley going - nooooo! I would pay a lot of

:02:47.:02:51.

money for that. Had you had practice up there and are you good

:02:52.:02:55.

with heights? It was pretty high. I'm fine with heights. I was more

:02:55.:03:01.

concerned with getting the harness off in a limited timeframe. And you

:03:01.:03:07.

had a big skirt. Skirt and diamantes. Were you worried what

:03:07.:03:11.

you would have done for two-and-a- half minutes?? Worried? I probably

:03:11.:03:17.

would have danced a bit around like a fairy on the Wembley stage, as I

:03:17.:03:23.

usually do. Like a fairy?! Amazing. A lovely landing. And then, Brendan,

:03:23.:03:28.

you did have a bit of a moment with your cape. When you walk in

:03:28.:03:33.

swirling, you can do it fine. When you stand still it, gets stuck.

:03:33.:03:40.

Stuck around the neck. So annoyed about that. How cross were you that

:03:40.:03:45.

that had happened? I laughed. It was an amusing thing. You are live

:03:45.:03:50.

and anything can ha. I liked it. was flying in on a BMX. We couldn't

:03:50.:03:54.

take it too seriously. You can't sometimes. Darcey did say she

:03:54.:03:57.

thought that perhaps the size of the whole place had overwhelmed you

:03:57.:04:03.

a bit. Was that true? Was it scary in there? It is a will the bigger

:04:03.:04:07.

than the studio and somewhere you rehearse. It is a big space to fill.

:04:07.:04:12.

I'm not a performer. I was a bit like - oh, wow, yeah, I wish I was

:04:12.:04:17.

just cycling around in circles. had to come in on ak by and go up

:04:17.:04:24.

steps to the podium. -- in on a bike. Bruno said he thought it was

:04:24.:04:29.

ambition, or did you say it is rubbish? I would say Bruno put his

:04:29.:04:37.

pants on too tight. For a change. It was a basic routine, a little

:04:37.:04:42.

bit of pass content. Flying around in a bike. I don't get that comment.

:04:42.:04:47.

I find it a nonsense comment. will move on from that. You were

:04:47.:04:50.

the bottom of the leaderboard but you escaped the dance off. It means

:04:50.:04:54.

the general public love you and are voting for you. That must feel

:04:54.:04:58.

great. I couldn't believe it. I honestly felt we were going to be

:04:58.:05:02.

in the dance off. I was like - here comes the red light. I was thinking

:05:02.:05:08.

- get the BMX ready. Then when our name was called out to go through

:05:08.:05:13.

to this week, I could not believe it. So shocked and grateful. Thank

:05:13.:05:18.

you to everyone. It means a lot. Your paso leaps, we have actually

:05:18.:05:23.

been discussing. They had a bit of a mixed reaction but our It Takes

:05:23.:05:27.

Two bods love them and thought you didn't get enough credit for them

:05:27.:05:33.

so they have made you a special gift. Enjoy. Let's have a jump-off.

:05:33.:05:43.
:05:43.:06:16.

Not bad. That's wicked. Very good. APPLAUSE

:06:16.:06:22.

Why would you not put 59 of them? Exactly. We should have done that

:06:22.:06:26.

the whole time. To use the space better. The salsa this week. You

:06:26.:06:32.

weren't mad keen on the samba. But it is a party dance, salsa. How is

:06:32.:06:36.

it going? Quite amusing, that's for sure. Hopefully it will be

:06:36.:06:41.

entertaining. I'm not that sure about my Latin ability. Here you

:06:41.:06:51.

are. I'm still trying from the jumps. You can take that home. She

:06:51.:06:55.

is hysterical. Doctor! How are you getting into the salsa

:06:55.:07:01.

spirit? We are not. Do you want a jug of sangria? I would love one.

:07:01.:07:09.

Let's do that tomorrow. You are dancing to Robbie Williams.

:07:09.:07:16.

How can you not get into a salsa mood with that. Are you a Take That

:07:16.:07:21.

fan? Yes. Who was your favourite? Gary. Who was your favourite?

:07:21.:07:26.

goery but Robbie, he is one of my idols. I look up to him as a

:07:26.:07:31.

performer and entertainer. He says the same about you as well. He does,

:07:31.:07:35.

honestly. This is a fascinating fact. You have lost 11lbs of muscle

:07:35.:07:41.

mass. Is that a good or bad thing, Victoria? Don't say it out loud.

:07:41.:07:47.

She will only cry. My body shape has changed a lot. I feel sad about

:07:47.:07:52.

it. Well it is different. I used to have muscley legs. I was proud of

:07:52.:07:59.

them and I'm watching them go... But I guess it is because you are

:07:59.:08:04.

using different muscles doing this. Be a slaughtly. Have you had --

:08:04.:08:08.

Absolutely. Have you had a chance to get out on your bike. I got on

:08:08.:08:12.

the track for the first time on Monday morning. It was really

:08:12.:08:16.

enjoyable. I'm looking forward to having a bit more time cycling

:08:16.:08:21.

after Christmas. Me too. It is all body weight change in your house

:08:21.:08:26.

too, your lovely wife is expecting a baby. Yes, not far away. Have you

:08:26.:08:31.

ready? Have you got your bag packed? No, I haven't packed the

:08:31.:08:36.

bag. I know it'll come and I'll go into panic mode. But there will be

:08:36.:08:41.

no panic because it will be fantastic. Good luck with the salsa.

:08:41.:08:48.

You go to a salsa club later. That will get you in the spirit.

:08:48.:08:52.

Good luck, Victoria and Brendan. We know our professional dancers are

:08:52.:08:56.

good with their feet. But can you guess whose twinkle toast are

:08:56.:09:06.
:09:06.:09:27.

these? -- Twink yell toes -- I rather love those ankles. Whose

:09:27.:09:32.

feet might they be? Armed with his trusty wand and eagle eyes, our

:09:32.:09:36.

training room spy is back with his weekly report. Time for Mr Ian

:09:36.:09:46.
:09:46.:09:49.

Hell will he hand some one. Ian Waite give him a round of applause.

:09:49.:09:57.

I must mention Aussie Bird has tweeted. She has been Ian Waiteing

:09:57.:10:02.

for this moment all week. What did you think of Wembley? I loved it.

:10:02.:10:07.

The start, the opening show, Tulisa's number into the splits and

:10:07.:10:10.

to see Michael finish the show with New York, New York. Did you have

:10:10.:10:18.

tears in your eyes? I was emotional. He was very emotional. We are in

:10:19.:10:22.

week 8. What are you expecting from the couples? We only have four

:10:22.:10:26.

weeks left before the final. What are we going to do? So only four

:10:26.:10:30.

weeks left to go. I would imagine most of them, they have got their

:10:30.:10:35.

goal on the final now. Yeah. Their eye on the final And they are very

:10:35.:10:39.

aware if they make a mistake or they have a bad performance they

:10:39.:10:46.

can go out at any time. Everything to fight for now. Absolutely.

:10:46.:10:51.

and flafia, doing a paso doble. -- flafia. By his standards he has

:10:51.:10:55.

slipped on the leaderboard. Can he get back up there? I think he can.

:10:56.:11:00.

He has the ability. He certainly has the best body. There is nothing

:11:00.:11:03.

he can't do. He should be able to do anything. The thing is with

:11:03.:11:09.

Louis, our expectations are so high, that when he doesn't produce a

:11:09.:11:12.

particularly fantastic show, then we think - that's a letdown. But

:11:12.:11:16.

the boy is doing brilliantly. And he was great on Saturday. This week,

:11:16.:11:20.

again, I think he is going to be very good. It is a character-driven

:11:20.:11:24.

dance. If he can get those arms out and a strong poise. Mostly I would

:11:24.:11:29.

like to see him getting his hips underneath and straightening his

:11:29.:11:36.

legs. Demonstrate for us. So we get the strong walks. Tight buttocks.

:11:36.:11:41.

Strong lead. So manly. I'm doingmy best, dear, in this shirt.

:11:41.:11:44.

matching tie. Quite special, I think.

:11:44.:11:48.

Kimberley and Pasha are doing the tango this week. She was great with

:11:48.:11:52.

her salsa as Wembley. She has been great at ballroom. How is this

:11:52.:11:56.

looking? To be honest, they have got - she has a lot of potential.

:11:56.:12:01.

This dance looks great already. There is a lot of switches. A lot

:12:01.:12:10.

of turns and same-foot lungs. -- lunges. What I wanted to point out

:12:10.:12:14.

is her hold. When she is pivoting, she tends to drop the left side and

:12:14.:12:19.

the head goes with it. Is that aed about thing? It is. She needs to --

:12:19.:12:25.

is that aed about thing? She needs to keep her elbow up. It is only

:12:25.:12:29.

really in the pivots we see that from her. But I'm sure by the end

:12:29.:12:33.

of the week Pasha would have sorted that out. It will be perfection.

:12:33.:12:37.

Nicky an Karen doing a Charleston. I'm imagining a good one for them

:12:37.:12:40.

but obviously they have to follow Denise and James' brilliant one

:12:40.:12:44.

from the week before. I don't think that really matters. What matters

:12:44.:12:48.

is that he did a jive last week and the transition from jive to

:12:48.:12:51.

Charleston will be easy. They are a similar sort of energy. There are

:12:51.:12:57.

three points I wanted to point out, though. One, two and three. Three

:12:57.:13:01.

lovely points. Point one is he has to look out for this crossing of

:13:01.:13:09.

the feet, which I can't do. swivel. I can't do it. I can do it

:13:09.:13:14.

one leg but the other one doesn't do it. Swivel. The judges want that.

:13:14.:13:19.

They do. Especially Craig. You know what he is like. Point two, the

:13:19.:13:23.

arms. It is very important the arms match. A lot of side-by-side stuff.

:13:23.:13:28.

You have to make sure the arms are matching in the funny arm positions.

:13:28.:13:33.

Whatever. Three, facial expressions. Lots of funny facial expressions to

:13:33.:13:39.

each other and to the camera. That kind of stuff, jazz hands and that.

:13:39.:13:44.

Dani and Vincent are doing a samba. I have had a sneaky look it. Looks

:13:44.:13:50.

seriously good. It is a masterclass of out to dance basics in psalm

:13:50.:13:55.

BThey did a lovely whisk, and open rocks here. Now they go into

:13:55.:13:59.

something rather special and I have slowed it down. Look at that. I

:13:59.:14:09.

wonder what dance that is. recognise it, recognise it. Beyonce.

:14:09.:14:15.

I do that in my Zumba class, actually. It looks like that. And

:14:15.:14:22.

back rocks into pivots and prem nad runs. It will be great -- promenade

:14:22.:14:27.

runs. I think a lot of people have overestimated her. We are asking

:14:28.:14:36.

for a pivot. A pivot? Like that. are making him do these things for

:14:36.:14:41.

your swear entertainment I think we should give her a thumbs up. Stick

:14:41.:14:44.

around. We will talk more with you and your lovely tie a little bit

:14:44.:14:49.

later on. Ian Waite. Over the years Strictly has had

:14:49.:14:53.

some iconic dance routines. Many of them have made us laugh. Some have

:14:53.:14:57.

made us crime. Others have left us speechless. You have been

:14:57.:15:07.
:15:07.:15:08.

Apology for the loss of subtitles for 58 seconds

:15:08.:16:06.

recreating some memorable moments A huge round of applause please for

:16:06.:16:10.

Abby and Alice and before that the teachers Catherine and Michelle

:16:10.:16:16.

from St Will Fred's Catholic School in Featherstone. Did you wait until

:16:16.:16:22.

the kids went home? Clear the desks. They do that every night. Send your

:16:22.:16:26.

clips into us. They should be no longer than 30 seconds. If you are

:16:26.:16:29.

under 16 please get permission. Full instruction and terms and

:16:29.:16:34.

conditions can be found on our website. Bbc.co.uk/ittakestwo.

:16:34.:16:40.

In a moment I will chat to Denise and James but first, a little

:16:40.:16:50.
:16:50.:16:53.

reminder of their brilliant success The jewel of the Nilex-. It really

:16:53.:16:59.

was a treasure of a Charleston. -- Nile. That is the best Charleston I

:16:59.:17:04.

have ever seen on Strictly. Such a polished performance. You had

:17:04.:17:13.

everything in it. That's the dance of this series so far. Nine. Ten.

:17:13.:17:22.

From Len, the ten. Ten. It was my dream to get a ten at

:17:22.:17:26.

Wembley. But to get three was amazing. So happy. I was just happy

:17:26.:17:36.
:17:36.:17:37.

to get through it. Please welcome Denise and James.

:17:37.:17:41.

Wowzers, it was fantastic on Saturday night but to get three ten,

:17:41.:17:45.

you must have been over the moon. Have you come down yet? It was

:17:45.:17:50.

brilliant. We really enjoyed the day. It was such good fun but three

:17:50.:17:55.

tens, I was over the moon. Especially because on Thursday, we

:17:55.:17:58.

couldn't get through from the beginning to the end of the routine.

:17:58.:18:02.

You were exhausted. It was hardz and fast and kicking out. I was so

:18:02.:18:07.

out of breath. -- it was hard. are professional dancers. For

:18:07.:18:12.

normal people it is a lot of energy to come up with every week. And for

:18:12.:18:18.

professional dancers. He is gasping for air, oxygen. What was the

:18:18.:18:23.

atmosphere like there and did it drive you on? Definitely. 6,000

:18:23.:18:27.

people screaming. Especially when we went into the lifts and you

:18:27.:18:32.

heard the audience erupt. It was a goose-pimpley moment. Going into

:18:32.:18:36.

that last lift where I had to jump, the crowd got me there. We had

:18:36.:18:40.

rehearsed it so many times and I had fallen on the floor. That got

:18:40.:18:44.

me up. Was it your favourite so far? I would say this and the jive.

:18:44.:18:50.

I still loved our jive. Yes your jive in the red. That was pretty

:18:50.:18:56.

good. Craig said, "Best Charleston ever." Did you have any tips from

:18:56.:19:00.

your lovely wife who performed the other brilliant Charleston in the

:19:00.:19:05.

show, Ola? No, obviously Ola saw the routine before we performed it

:19:05.:19:11.

and she said it was amazing. Her Charleston was iconic. Chris was Mr

:19:11.:19:14.

Charleston with his whole facial expressions. But it was different.

:19:14.:19:23.

Our r ours was more themed to the evepgs song. His was more -- to the

:19:23.:19:27.

Egyptian song. His was more traditional. And coming in with the

:19:27.:19:33.

guys. Yes. I loved it. What was better. He gets jealous. I was

:19:33.:19:38.

talking to Ian and I could see him saying - I'm here too. I do it on

:19:38.:19:43.

purpose. What was more exciting, being carried in by four burly

:19:43.:19:48.

men's or the tens? A tough one. They are equal. Bruce mentioned you

:19:48.:19:52.

had had a bad dress run. Was that when you hadn't got the lift or

:19:52.:19:58.

something? No, it was a wardrobe malfunction. My left booby came out.

:19:58.:20:04.

What, and we missed it! I had no idea. She didn't know. I stopped

:20:04.:20:08.

and covered her. I didn't know what to do. You can't put your hand on

:20:08.:20:13.

it. Half way through the dress rehearsal. I was going in my ear.

:20:13.:20:23.

He is going, "Boob", "boob", I'm think - why do you keep saying

:20:23.:20:25.

"boob"? We have noticed, you have had a bit

:20:25.:20:29.

of a thing for some of the professional dancers. Pretty much

:20:29.:20:36.

all of them. This week, another one. She is insatiable. Look I have

:20:36.:20:42.

massive ones. Not as good as Artem's. Massive bingo wings.

:20:42.:20:47.

just has massive boobies. He has a much better physique than you.

:20:47.:20:52.

love the fact you wind him up. James you have such a big head. It

:20:52.:20:58.

is good to wind you up. Another one for your collection. Another one.

:20:58.:21:04.

We will see if we can get you a whole rangement I don't want to

:21:04.:21:08.

upset Kara. The American smooth, how is it going, a joy?

:21:08.:21:12.

necessarily that smooth. Considering he dropped me on my

:21:12.:21:16.

head today. Were you all right? didn't drop you. I just didn't lift

:21:16.:21:22.

you. Stpoo You walked away from me. -- you walked away from me. I was

:21:22.:21:26.

mid-air. He said if you are going to do it, you have to commit. I'm

:21:26.:21:32.

thinking - I will go for it. It was my fault initially, I put my arm

:21:32.:21:35.

around him and almost hilt him on the face and he ducked but I

:21:35.:21:42.

carried on jumping. And walked away. I'm really bad. Darcey loved your

:21:42.:21:46.

choreography. It must be great for the professionals to have that

:21:46.:21:49.

recognised. But we think we have noticed you have more skills than

:21:49.:21:59.
:21:59.:22:07.

just choreography. Oh, man. Check Oh, hello love, oh, sorey.

:22:07.:22:17.
:22:17.:22:19.

I'll do Artem, ready. "Again." Vincent, "That's so good bella, so

:22:19.:22:29.
:22:29.:22:29.

nice." # And they call it puppy love... #

:22:29.:22:35.

# Walk like an Egyptian # It's low key anyway. Don't sing it.

:22:35.:22:45.
:22:45.:22:58.

I feel picked on. It is fun picking on you. Thank you. Let's all join

:22:58.:23:03.

in. You at home join in. Week 7, James Jordan looking back through

:23:03.:23:08.

the history books. 39 is your highest score in week 7. Can you go

:23:08.:23:12.

top again this week and can you better that? We actually don't

:23:12.:23:15.

necessarily think about the scores. For us it is about trying to create

:23:15.:23:20.

a dns we enjoy and hopefully the people at home enjoy. -- a dance.

:23:20.:23:25.

The scores are an added bonus. This week I think we love the song.

:23:25.:23:30.

when you are singing it, though. And if you don't drop her, it will

:23:30.:23:34.

be beautiful. It could be an amazing dance but right at this

:23:34.:23:37.

moment of time it is not necessarily American smooth.

:23:37.:23:43.

couple of days to come up with it. We have a couple of days. Denise

:23:43.:23:47.

and James. Good luck. Thank you. Earlier on, we teased you with

:23:47.:23:57.
:23:57.:24:01.

another one of '''. - Whose Feet Are These Anyway? Let's see if you

:24:01.:24:05.

knew who was boogying in these fancy heels? It was Vincenzo. What

:24:05.:24:11.

a great pair of legs he has. It is time to check in with Ian to find

:24:11.:24:14.

out how the other half of our celebrities are getting on in

:24:14.:24:24.
:24:24.:24:29.

Ian Waite is back. Oh, lovely. We are down to just

:24:29.:24:33.

eight celebrities. How much does the pressure start to increase on

:24:33.:24:37.

all our couples? Well you know, you have been there. I have. A little

:24:37.:24:41.

bit over half way and you are getting tired. It gets more intense.

:24:41.:24:46.

It gets more competitive. So it does get more difficult. The stress

:24:46.:24:50.

levels will go higher but it should be easier at this stage because you

:24:50.:24:55.

have learnt so much. It doesn't get easier. It just gets harder. No.

:24:56.:25:01.

Because then you master one and they are like - do two dances and a

:25:01.:25:07.

group dance. Everyone goes loopy. Michael and Natalie. A lovely dance

:25:07.:25:11.

on Saturday. This week the Argentine tango. How does it look?

:25:11.:25:15.

I think this will suit Michael. It is more of a holding dance again.

:25:15.:25:21.

It is very different than the ballroom tango. Very different.

:25:21.:25:26.

Ballroom tango is very much - bend your knees. Bend your knees. It is

:25:26.:25:31.

very much that you keep the body towards each other and heads away.

:25:31.:25:35.

And Argentine tango is kind of leaning in. You lean in with the

:25:35.:25:39.

chest and you dance it all forward and back leaning in with the chest,

:25:39.:25:43.

you see. Nice, look. So it is a lot closer up the top. Just stay there

:25:43.:25:47.

a little bit longer. Oh, he smells lovely, ladies and gentlemen.

:25:47.:25:54.

are such aly ar. Victoria and Brendan, we talked to them. How is

:25:54.:25:59.

she looking in the training room? Oh, look at that, impressive.

:25:59.:26:02.

Fantastic lifts as you saw at the beginning. I slowed this down,

:26:03.:26:12.

there is an awful lot of arm graphy. -- armography.

:26:12.:26:16.

Victoria looks like she is thriving on the experience and loving the

:26:16.:26:21.

salsa. I pointed out the armography. There is intricate stuff where

:26:21.:26:26.

Brendan is going twice under her arms and she is going in under his

:26:26.:26:29.

arms. As you can see they are laughing because they missed an arm

:26:29.:26:32.

then. You have to be careful that you don't get the wrong arm.

:26:32.:26:36.

Sometimes you have to cross the arms to get the right position. If

:26:36.:26:41.

that goes wrong, this is quite a long section. It is a big risk.

:26:41.:26:47.

is make mieg head hurt thinking about it. -- making my head hurt.

:26:47.:26:52.

It is a long section. Denise and James at the top of the leaderboard

:26:52.:26:57.

for the last two weeks, can they make it a hat-trick? She is doing

:26:57.:27:03.

fantastically. They have three lifts. I heard she got dropped on

:27:03.:27:08.

her head today. I hope school' recover depr that. Already looking

:27:08.:27:15.

polished. -- recovered from that. Her arms are great. I wanted to

:27:15.:27:19.

show you her arms. We have stopped it mid-spin. You can see she has

:27:19.:27:25.

her arm placed lovely there and looking out with her eyes. That is

:27:25.:27:30.

James' arm. That confused me. How many arms has a woman got? An

:27:30.:27:34.

unfair advantage. All I should say is I think we should give it a

:27:34.:27:38.

thumbs-up because it is so brilliant. Looking good, as long as

:27:38.:27:44.

he doesn't drop her. Lisa and Robin dancing the rumba this week. Tell

:27:44.:27:47.

me stuff. What an opening she danced on Saturday. Now the rumba,

:27:47.:27:52.

as you can see, she was doing quite well because she is doing toe leads.

:27:52.:27:57.

You have to do toe leads, no ball leads. But when going back, I just

:27:57.:28:02.

wanted to zoom in on this, look at that. She has released her toe.

:28:02.:28:07.

that good? No, wrong. In ballroom you are allowed to release your

:28:07.:28:11.

toes so move into the other foot. In Latin, rum barks you hold on to

:28:11.:28:19.

your toe to keep your weight forward. -- rumba. Do you remember

:28:19.:28:26.

the move we did in rumba? Which one. Any excuse. This may go wrong.

:28:26.:28:36.
:28:36.:28:36.

Ready? Yes, round and down. hang on! I could stay here all

:28:36.:28:42.

night. Thank you very much, Ian Waite. Good job. Thank you to all

:28:42.:28:46.

my guests. Join me here tomorrow when I will be joined by Lisa and

:28:46.:28:52.

Download Subtitles

SRT

ASS