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Hello, it's Friday, this is It Takes Two, we have a veritable pick | :00:11. | :00:16. | |
and mix for you. Tomorrow, they tango, Kimberley and Pasha are | :00:16. | :00:21. | |
here! Nice head turns, I like it! If you | :00:21. | :00:25. | |
are very good this evening, I'll take you next door and you can have | :00:25. | :00:31. | |
a peek at Lewis and Flavia's pass sew. If that's not whet your | :00:31. | :00:40. | |
appetite, these four gentleman certainly will -- Paso. I can't | :00:40. | :00:50. | |
:00:50. | :01:17. | ||
believe it, it's only Il Divo. This Live from Television Centre, this | :01:17. | :01:26. | |
is Strictly it take twos. Please welcome your host, Zoe ball! | :01:26. | :01:31. | |
-- It Takes Two. Please welcome your host, Zoe Ball. It's Friday | :01:31. | :01:35. | |
and in just 24 hours, 8 minutes and 25 seconds, our remaining eight | :01:35. | :01:39. | |
couples will be dancing for survival once more. I'll be | :01:39. | :01:45. | |
chatting to Kimberley and Pasha in a moment, but first a reminder of | :01:45. | :01:53. | |
their saucy Samba. Yes! I love it when you flash it | :01:53. | :01:57. | |
and flaunt it! Hotter to the point of fusion... | :01:57. | :02:04. | |
Kimberley, nice Samba rolls and isolations. You can certainly shake | :02:04. | :02:10. | |
that Touche! If you're in the dance-off tomorrow | :02:10. | :02:20. | |
night, I'll pick on my walnuts, I tell you. Fabulous! | :02:20. | :02:25. | |
Eight.... Better than that. Nine! Our highest score so far. Amazing | :02:26. | :02:31. | |
progress. I can't believe Len said he'd pick at his walnuts! What does | :02:31. | :02:37. | |
that mean?! They brought the house down. It was carnival style. Kim | :02:37. | :02:44. | |
and Pasha! Congratulations, that was an | :02:44. | :02:48. | |
incredible performance last Saturday. You were working it! | :02:48. | :02:53. | |
was trying. How much fun us it for you? So much fun. The crowd were | :02:53. | :02:58. | |
absolutely amazing. As soon as they started dancing, you could feel the | :02:58. | :03:03. | |
energy. It lifts you? Yes it's a hard dance, I was so out of breath | :03:03. | :03:07. | |
in the rehearsals. Can I just say, you looked incredible in that | :03:07. | :03:11. | |
outfit, you look sod stunning. Thank you. He looked all right, you | :03:11. | :03:20. | |
know. I tried with the shirt. He wouldn't take it off all. Tease him | :03:20. | :03:25. | |
a little bit, you know! Another joint highest score for you. Two | :03:25. | :03:29. | |
weeks in a row is that? It's really good because we are even Stevens | :03:29. | :03:34. | |
with the Latin and the ballroom so that's good. Some way to two from | :03:34. | :03:39. | |
there, yes. Yes, somewhere to go. You have gone higher each week. The | :03:39. | :03:42. | |
last couple standing just before they announced that Nicky and Karen | :03:42. | :03:47. | |
were in the bottom two, how horrible was that, did you think | :03:47. | :03:52. | |
you were in the bottom two again? Yes, I so thought we'd be in the | :03:52. | :03:57. | |
bottom two and I was literally squeezing poor Pasha's hand. I was | :03:57. | :04:01. | |
trying to mentally prepare myself, I was thinking, how does the dance | :04:01. | :04:04. | |
start and anyway, we didn't need to, it was good. We would have loved to | :04:04. | :04:11. | |
have seen it again. Thank goodness. Karen commended you for your | :04:11. | :04:14. | |
complex choreography, particular think Samba rolls. He is good but | :04:14. | :04:22. | |
let's not tell him to his face, it will go to his head. (he's very | :04:22. | :04:27. | |
good) Why are Samba rolls so hard? It's a lot of things mixed up in | :04:27. | :04:31. | |
one step, you have to work together with your partner, the knees should | :04:31. | :04:37. | |
be soft, have perfect timing and look and turn your head. But she | :04:37. | :04:42. | |
did it perfectly. She did it great, yes. I could lfn to you talking | :04:42. | :04:46. | |
about Samba rolls all night -- I could listen to you. You were | :04:46. | :04:50. | |
multi-tasking, not only did you have to do that, but your day job | :04:50. | :04:55. | |
on The Sunday Show with the girls. How was it? It was a full-on | :04:55. | :04:58. | |
weekend for me but it was amazing and it was nice to bring the two | :04:58. | :05:01. | |
worlds together because obviously I'm rehearsing all the time so I'm | :05:01. | :05:07. | |
not getting to see girls, so it was nice. Are they enjoying watching | :05:07. | :05:12. | |
you on the show and are they voting, more importantly? Definitely voting | :05:12. | :05:17. | |
and really enjoying it. They are really encouraging me actually. | :05:17. | :05:22. | |
Tango for you this week. Lots of head turns, lots of flicks. A | :05:22. | :05:27. | |
little birdie tells me you keep laughing in practise. She's off | :05:27. | :05:31. | |
again. It's very serious and you can't keep that serious the whole | :05:31. | :05:36. | |
time. I do love it but then... not? When you look at me so serious, | :05:36. | :05:42. | |
it just makes me laugh. You are supposed to be in character. Is it | :05:42. | :05:48. | |
when he was trying to be the scary wolf? Yes. Give us your scary face. | :05:48. | :05:53. | |
It's doing it for me. Is there a story in your routine? We always | :05:53. | :05:57. | |
love a story? There is a story. It's like a couple who has a little | :05:57. | :06:02. | |
argument and she's trying to run away with another man. Trying... I | :06:02. | :06:07. | |
don't know who it's going to be yet, maybe Bruno or Len, I haven't | :06:07. | :06:14. | |
worked it out. You see, now she has choices! Last year you did very | :06:14. | :06:20. | |
well with Chelsee with this dance, can you get up this week? We'd love | :06:20. | :06:23. | |
to move a little bit with our scores but we are going to go for | :06:24. | :06:28. | |
it tomorrow night, we real hi love this dance. It will be a really | :06:28. | :06:34. | |
good dance. If she can keep serious. It will be scary on the night so | :06:34. | :06:39. | |
she will be serious. It was your birthday on Tuesday, happy birthday | :06:39. | :06:42. | |
to Kimberley for Tuesday. We thought about it, what can we give | :06:42. | :06:47. | |
a girl who has everything. We struggled a bit then came up with | :06:47. | :06:54. | |
an idea - Ting - take a look. wondered how it would feel to have | :06:54. | :06:58. | |
your body wrapped in luxurious fleece? Want to be the envy of all | :06:58. | :07:06. | |
your friends at sleepovers. You need the Kakha, a new range from | :07:06. | :07:11. | |
Kasha and Kimberley. The Kasha comes in a wide range of colours, | :07:11. | :07:18. | |
pink, cerise, that minute go. The innovative design features six pink | :07:18. | :07:22. | |
buttons and a hi-tech in-built gripping system on the feet which | :07:22. | :07:28. | |
means you can Samba without slipping. The Kasha, perfect for | :07:28. | :07:34. | |
snuggles, snoozing and popping out for a pint of milk. Non-refundable, | :07:34. | :07:41. | |
terms and conditions apply... Bless you! He's such a good sport. | :07:41. | :07:45. | |
Look. Here you go. Here is your very own. We hope you are going to | :07:45. | :07:50. | |
wear that when you go off on tour. Beautiful. I'll wear it all the | :07:50. | :07:55. | |
time, it looks socomfy. You hurt your knee and have had a dodgy hip | :07:55. | :08:01. | |
this week? Yes, it's fine. I had three sessions of physio this week | :08:01. | :08:06. | |
and it's feeling loads better. are becoming a real dancer. I am. | :08:06. | :08:11. | |
And also you met the Queen this week? I met the Queen, yes. It was | :08:11. | :08:16. | |
amazing actually. Is she a fan of the show? I didn't ask her but I | :08:16. | :08:20. | |
know that Charles watches it so you never know, maybe she does. | :08:21. | :08:27. | |
she's watching this even, evening ma'am and Phillip. She looked very | :08:27. | :08:31. | |
Strictly-ifyed actually. Good luck this weekend, serious faces, don't | :08:31. | :08:36. | |
forget. Perfect. You are going to be brilliant. Give it up for | :08:36. | :08:40. | |
Kimberley and Pasha. APPLAUSE | :08:40. | :08:50. | |
:08:50. | :08:52. | ||
Last week, wiggle the pig for -- we are putting our trust into the mass | :08:52. | :09:01. | |
gas ka lemur, where are you all? -- Madagascan lemur. # I like to move | :09:01. | :09:05. | |
it move it # I like to move it move it | :09:05. | :09:10. | |
# You like to move it # I like to move it, move it | :09:10. | :09:20. | |
:09:20. | :09:20. | ||
# I like to move it # Physicality, physicality, | :09:20. | :09:23. | |
physicality # I like to move it, move it | :09:23. | :09:33. | |
:09:33. | :09:39. | ||
# You like to, move it!... # So what did you make of that? | :09:39. | :09:47. | |
knows. A very scientific approach. Do the little dance again. Come on. | :09:47. | :09:52. | |
Just for me that was! You are not supposed to tell. Next I'll be on | :09:52. | :09:59. | |
the Strictly set chatting to Lewis and Flavia. But first here are some | :09:59. | :10:08. | |
of the people getting things off their chest. Flavia. Haue re. | :10:08. | :10:13. | |
have a confession to make. Before every performance, I have to | :10:13. | :10:17. | |
have a 25 minute nap. This could be anywhere, it could be on a busy | :10:17. | :10:22. | |
street, in a car park, on a sofa, on the floor in a corridor, but I | :10:22. | :10:28. | |
have to have 25 minutes' sleep and I can sleep anywhere. Before I | :10:28. | :10:35. | |
dance, I have to, have to, have to use a special oil on my shoes and I | :10:35. | :10:40. | |
have to brush them. I have an obsession with odd numbers. Every | :10:40. | :10:46. | |
number in my life has to be odd. For example, I have a tattoo of a | :10:46. | :10:53. | |
seven on my left wrist. My dance bracelets have to be an odd number. | :10:53. | :11:03. | |
:11:03. | :11:03. | ||
Also when I set up my alarm, it has to be at 7.53. So I'm an odd person. | :11:03. | :11:08. | |
It's not real. Hello! We are in the big studio. It's Friday which, by | :11:08. | :11:11. | |
now you will have realised, is the first time our celebrities get to | :11:11. | :11:15. | |
dance on the big floor which is scary, speaking from experience. | :11:15. | :11:21. | |
All the other celebs are watching. We have a sneaky peek of Lewis and | :11:21. | :11:31. | |
:11:31. | :11:56. | ||
APPLAUSE Looking good! Come here you two | :11:56. | :12:02. | |
lovelys. I say, that's looking amazing. It's looking amazing. | :12:02. | :12:07. | |
Thank you. How are you both? Good. Recovered. We are going to talk | :12:07. | :12:12. | |
about the paso in a minute, but firstly Wembley looked absolutely | :12:12. | :12:16. | |
amazing your routine out on the floor. How was it to dance in front | :12:16. | :12:21. | |
of 6,000 people? It was scary, a brilliant experience. Wembley was | :12:21. | :12:26. | |
so massive, the atmosphere was so alive in there, but very nerve- | :12:26. | :12:29. | |
racking. Were you more nervous? was probably as nervous there as I | :12:29. | :12:33. | |
was at the Olympic Games. You, young lady causing controversy on | :12:33. | :12:37. | |
Strictly Come Dancing. Every week. Who knew the quickstep was not the | :12:37. | :12:40. | |
foundation for a normal American smooth? It's not, but we like to be | :12:40. | :12:44. | |
different, don't we? Some people said you took a gamble. What do you | :12:44. | :12:48. | |
feel about that? I thought Wembley, big floor, perfect for the | :12:48. | :12:51. | |
quickstep, add some lifts in, you know, it will be a great | :12:51. | :12:56. | |
opportunity to do that dance on such a big floor. So why not?! | :12:56. | :13:00. | |
it was fantastic. You've had so much support of people loving the | :13:00. | :13:04. | |
fact you took a risk there. Josephine says, I thought the | :13:04. | :13:12. | |
routine was fantastic, it pushed boundary, great to see something | :13:12. | :13:16. | |
different. Craig was on your side for once, was that a surprise? | :13:16. | :13:21. | |
Shock. I wasn't expecting what he said to come out of his mouth. I | :13:21. | :13:25. | |
was preparing myself for the worst but it was nice. Yes. What did you | :13:25. | :13:29. | |
make of Darcey's tacky tricks comment? Bit bizarre really. I | :13:29. | :13:34. | |
don't know how you can call a skill like that tacky. We were dancing | :13:34. | :13:38. | |
also at that point in the music, to very modern rap-like music almost. | :13:38. | :13:42. | |
I thought it was perfect. It's different. We are in Wembley so if | :13:42. | :13:47. | |
ever I'm going to show off Lewis's talent and ability it's at Wembley | :13:47. | :13:54. | |
in front of 6,000 people. Gymnastics would normally take | :13:54. | :14:00. | |
place in a place like that. Was it fun? It was. Strictly isn't the | :14:00. | :14:04. | |
type of place where you can show breakdancing but there's a time and | :14:04. | :14:08. | |
a place and that was it. We have been clever at using his skills at | :14:08. | :14:11. | |
the right time without it being overloaded and I thought, Wembley, | :14:11. | :14:14. | |
people want to see that and we had a bright little moment in the music | :14:14. | :14:19. | |
to do it. And we loved it. You have said it's a scary experience. I | :14:19. | :14:24. | |
know how that feels going out there in front of all these people. You | :14:24. | :14:34. | |
:14:34. | :14:40. | ||
compared it to starring in your own It feels like being in a report | :14:40. | :14:44. | |
report film, you are trying to run away and you are not getting | :14:44. | :14:50. | |
anywhere. Come on, Lewis. Help me. She's relentless. She doesn't stop. | :14:50. | :14:56. | |
It's like the Blair witch project. Leave me alone. Help. Stop watching | :14:56. | :15:06. | |
me. Shhhh... Whoa. Down. Do you feel bad? What | :15:06. | :15:14. | |
about? Making nice people in pain. I will always die at the end. | :15:14. | :15:21. | |
I'm worried about anything, it's getting out alive. | :15:21. | :15:26. | |
Terrifying it is the whole experience. Paso this weeks, a real | :15:26. | :15:28. | |
fiery dance. Is it good to have something you can get your teeth | :15:28. | :15:38. | |
:15:38. | :15:39. | ||
into? Yes, it's a macho dance. You caught a bit there where I said I | :15:39. | :15:46. | |
always die at the end. Nice cakework skills, doing well. We had | :15:46. | :15:50. | |
a competition didn't we? Between the two of you? Yes, he's better | :15:50. | :15:56. | |
than me at that. Who is coming out on top so far? We'll see. He says | :15:56. | :16:01. | |
he's better than me though. have amazing music this week, | :16:01. | :16:03. | |
Michael Jackson. Have you noticed he's working harder because he love | :16:03. | :16:07. | |
this is record? It's been really difficult playing the song and | :16:07. | :16:12. | |
making him do a paso and not dance like Michael Jackson. Glad you've | :16:12. | :16:22. | |
:16:22. | :16:26. | ||
got some Jacko moves, can we see Oh, yes. Shamon! Woo... Watch him | :16:26. | :16:34. | |
go! Very good. Very good. Flavia, your turn? That's not in the paso, | :16:34. | :16:39. | |
no. You can't incorporate Jacko into paso can you? I'm sure she can | :16:39. | :16:46. | |
if she worked hard enough, go on! It's getting near orthe final and | :16:46. | :16:49. | |
tougher and it feels like anybody could be in the bottom two. How | :16:49. | :16:54. | |
much would you love to get to the final now? I would love that for me | :16:54. | :16:59. | |
and Flav. The competition's hotting up. We need to put in a moonwalk to | :16:59. | :17:07. | |
get into the final. No, maybe next week. Good luck. It will be amazing. | :17:07. | :17:12. | |
Lewis and Flavia! And so, we go from 14 couples down | :17:12. | :17:19. | |
to eight and it's getting harder and harder to say goodbye. | :17:19. | :17:23. | |
As the weeks go on, you start saying goodbye to your friends who | :17:23. | :17:26. | |
leave the competition and it gets tougher and tougher. You don't want | :17:26. | :17:33. | |
people to leave, but we all know that this is what the show is about | :17:33. | :17:38. | |
and that at any time it could be any of us. The hardest thing about | :17:38. | :17:42. | |
your friends leaving the show is that when we come back at the | :17:42. | :17:46. | |
weekend they're not there and we all lean on each other and root for | :17:46. | :17:50. | |
each other. I don't like that. Everybody brings different qualitys | :17:50. | :17:54. | |
to the group. When somebody leaves, part of the jigsaw is missing. | :17:54. | :17:58. | |
hard to say goodbye to a couple every week. As the competition's | :17:58. | :18:03. | |
going on, we are becoming one big happy family. People that leave the | :18:03. | :18:09. | |
competition early, they feel they've got so much more to give. | :18:09. | :18:12. | |
Everybody cried on that dance floor. That family environment is there | :18:12. | :18:16. | |
and nobody wants to say gie and it's getting harder and harder -- | :18:16. | :18:23. | |
say goodbye. Watching the eliminated couples' last dance is | :18:23. | :18:26. | |
so emotional because you are having a moment between themselves knowing | :18:26. | :18:28. | |
they are never going to dance together again and hopefully they | :18:28. | :18:32. | |
know we are all there with them. It's like a slap in the face to | :18:32. | :18:37. | |
make you realise that anyone can leave. It's sad, you know, then you | :18:37. | :18:42. | |
go down and join them and you commiserate with them. It's not a | :18:42. | :18:50. | |
nice feeling to say goodbye. It's getting emotional! Time now | :18:50. | :18:56. | |
though to welcome perhaps the most international Friday panel we have | :18:56. | :19:00. | |
ever had. Four very talented handsome young men from four | :19:00. | :19:05. | |
different countrys who've sold sold over 26 million albums worldwide. | :19:05. | :19:15. | |
:19:15. | :19:20. | ||
It's the incredible Il Divo. Enchente... I don't know why I'm | :19:20. | :19:23. | |
courtesying. Welcome to the show. You are bringing out your greatest | :19:23. | :19:28. | |
hits album. One wof the sons you performed on the show last year, | :19:28. | :19:33. | |
shall we have a look. It was Wembley last year -- one of the | :19:33. | :19:43. | |
:19:43. | :19:50. | ||
songs you performed on the show APPLAUSE | :19:50. | :19:57. | |
That was a very long note you held there! When you have such a huge | :19:57. | :20:01. | |
back catalogue, how do you choose what goes on the greatst hits, is | :20:01. | :20:05. | |
there a scrap that goes on amongst you? No, but it gets difficult to | :20:05. | :20:10. | |
make a choice. We have chosen the stuff we know that the audience | :20:10. | :20:13. | |
enjoy the most from the live shows, then we have a few suggestions, | :20:13. | :20:18. | |
that's why we recorded a few new tracks as well. A few treats for us | :20:18. | :20:24. | |
as well. Like it. You are a massive fan of Strictly aren't you? I love | :20:24. | :20:27. | |
the discipline of it and the challenge. Is there a particular | :20:27. | :20:31. | |
dance that you like as your favourite? Something I really loved | :20:31. | :20:34. | |
watching lately because we were in Beunos Aires in South America | :20:34. | :20:39. | |
touring and we just finished actually and went to see some tango | :20:39. | :20:44. | |
and I thought that was absolutely amazing, the coordination, it's so | :20:44. | :20:48. | |
central, I mean I think it's just a beautiful dance. Michael is | :20:48. | :20:51. | |
performing on the show tomorrow night. We'll have a look at that. | :20:51. | :20:55. | |
David, would you be on Strictly, would you ever be a contestant on | :20:56. | :21:00. | |
that kind of show? Before I answer that question,, a little birdie's | :21:00. | :21:04. | |
told me that today is a very special day for you. Oh, right, | :21:04. | :21:14. | |
:21:14. | :21:30. | ||
yeah. So we have a bit of a treat THEY ALL SING HAPPY BIRTHDAY TO ZOE | :21:30. | :21:40. | |
:21:40. | :21:45. | ||
Thank you. Il Divo and Iain Waite. My goodness, I can't continue. | :21:45. | :21:52. | |
Thank you. You stay here. didn't think you'd get away with | :21:52. | :21:56. | |
the fact that it was your burt day today, did you? We've got a couple | :21:56. | :22:02. | |
of special messages for you. Thank you, I love you lot. I love you, | :22:02. | :22:08. | |
you are gorgeous, have a great, great day. One question, where's | :22:08. | :22:12. | |
our cake? Come on. I was going to wrap myself up but I couldn't find | :22:12. | :22:17. | |
big enough paper. I'm going to dedicate my dance this week to you. | :22:17. | :22:23. | |
I just found out how old you are. I can't believe it. Really?! Happy | :22:23. | :22:28. | |
birthday zorbgs see you hopefully next week, present on the way -- | :22:28. | :22:37. | |
Zoe. Have a wicked birthday. Happy birthday Zoe. Who's Zoe? Cheeky. | :22:37. | :22:43. | |
I'm going now darling. Don't go, Il Divo are here. Thank you, Iain | :22:43. | :22:46. | |
Waite. Have a seat gentlemen. That's | :22:46. | :22:49. | |
thrown me but how exciting, that's possibly the most exciting thing | :22:49. | :22:54. | |
that's ever happened to me. Let's talk about the dances this week. | :22:54. | :22:58. | |
The Argentine tango we were talking about - I can't concentrate now. | :22:58. | :23:03. | |
Mieblg is doing that dance tomorrow. -- Michael is dog that in training | :23:03. | :23:13. | |
:23:13. | :23:13. | ||
tomorrow. Do you think he's going to be good? I think yes, yes. | :23:13. | :23:18. | |
Sebastien, you seen nit Beunos Aires, is this looking good? | :23:18. | :23:24. | |
Amazing. Not her, him?! Sorry. It's always something that surprises me, | :23:24. | :23:29. | |
the kicking, you know. The little flicks, yes. You'd better know how | :23:29. | :23:33. | |
to control that thing. Especially for the gentlemen I would imagine. | :23:33. | :23:42. | |
The music they are dancing to is this. The good Argentine music. | :23:42. | :23:46. | |
It's like what Pasha says before, it's the challenge and then, if you | :23:46. | :23:52. | |
lift that out that,'s the song that needs kicks at the beginning. | :23:52. | :23:57. | |
Victoria and Brendan are doing a paso and they're doing it... | :23:57. | :24:05. | |
Actually they are doing a salsa so Robbie Williams, just testing there. | :24:05. | :24:11. | |
# No self-esteem and vertigo # She thinks she's made of | :24:11. | :24:15. | |
candy..." You are twitching your nose. I don't feel flare. They got | :24:15. | :24:19. | |
the moves going on, but I'm wondering if the track will suit | :24:19. | :24:28. | |
them. OK. Let's talk about Lewis and Flavia who're doing a paso to | :24:28. | :24:32. | |
Michael Jackson, Dirty Diana. It's a very macho masculine dance. You | :24:32. | :24:37. | |
should know all about the paso? It's difficult to dance the paso | :24:37. | :24:41. | |
with a Michael Jackson song for sure but yes, they do it amazingly | :24:41. | :24:49. | |
well. Can you see him as a Mata Dor? Yes, I can, yes. | :24:49. | :24:54. | |
You have to stick your bum in apparently, that's what they've | :24:54. | :24:58. | |
told us. Lisa and Robin are doing the dance of love rumba, gentlemen. | :24:58. | :25:02. | |
They are doing it to a track of a good friend of yours, Barbara | :25:02. | :25:06. | |
Streisand. I saw you in LA with her, it was amazing, I sobbed the whole | :25:06. | :25:10. | |
way through it. Does this suit the dance of love do you think, | :25:10. | :25:17. | |
Sebastien? Looks quite... Very short to judge! A bit longer on the | :25:17. | :25:21. | |
night! So far very good. I would love to see more of it. I know. You | :25:21. | :25:27. | |
will tomorrow night 6.30, BBC One. Denise and James are doing an | :25:27. | :25:31. | |
American smooth. They got the first tens of the series last week, | :25:31. | :25:38. | |
dancing to Eva Cassidy's version of Imagine. What do you think? Is this | :25:38. | :25:43. | |
a lovely romantic dance, how's she doing for you there? Very | :25:43. | :25:48. | |
beautifully. Yes, the song is... I don't particularly like it, but... | :25:48. | :25:58. | |
:25:58. | :25:59. | ||
This is good, I like you saying what you feel, gentlemen. Sorry | :25:59. | :26:04. | |
scram -- sorry!. Do you prefer the John Lennon track? Yes. | :26:04. | :26:10. | |
Now this track, how can you not do jazz hands to this? The charleston, | :26:10. | :26:19. | |
lots of fun. How is Nicky doing? Amazing. He's got good swivel. | :26:19. | :26:24. | |
in the rhythm, I think he'll be doing well tomorrow. Do you know | :26:24. | :26:34. | |
:26:34. | :26:34. | ||
Westlife? Yes. Tour buddies, what goes on on tour stays on tour. Dani | :26:34. | :26:38. | |
and Vincent will be doing Beyonce tomorrow, all the single ladies. | :26:38. | :26:43. | |
This is going to be a goody. It will be a goody. Carlos, what do | :26:43. | :26:47. | |
you make of this? She's the dark horse of the competition, a lot of | :26:47. | :26:52. | |
people are saying? She has a lot of great movement in the body, yes, | :26:52. | :26:58. | |
she's shaking it well, the body. She'll be very chuffed with that. | :26:58. | :27:01. | |
And Kimberley and Pasha who were just on the show are dancing the | :27:01. | :27:06. | |
tango. David, she's been a consistent performer, never been | :27:06. | :27:09. | |
top of the leaderboard. Do you think looking at her tango that | :27:09. | :27:14. | |
this could be her week, David? has a lot of attitude going on and | :27:14. | :27:21. | |
I think you need that in the tango, you need to have that passion show | :27:21. | :27:26. | |
up and it's a quote by Bernstein who said "When the passion is too | :27:26. | :27:29. | |
much for speaking you have to sing, when the passion is too much for | :27:29. | :27:34. | |
singing you gotta dance" and you can see it right there. On that | :27:34. | :27:38. | |
note, we should end the show on a quote so special, but they're all | :27:38. | :27:48. | |
:27:48. | :28:11. | ||
the dances this week, I would like a name from you as to who you think | :28:11. | :28:13. | |
will lift the glitterball in four weeks' time. Seb, who is the winner | :28:14. | :28:16. | |
for you? Nicky. David? You Know, It's Tough To Say, I Can't Really | :28:16. | :28:18. | |
At This Point Judge... Carlos? Kimberley. Thank you, Carlos. And | :28:18. | :28:20. | |
Uss? Denise. Thank you so much for joining us. | :28:20. | :28:23. | |
There's cake! Join us at 6.40 on BBC wufpblt on Monday I'll be | :28:23. | :28:25. | |
talking to the next cup toll leave the competition -- BBC One. There's | :28:25. | :28:35. | |
:28:35. | :28:36. |