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Welcome to Strictly Come Dancing: It Takes Two. It is Monday and what a | :00:00. | :00:11. | |
topnotch weekend it was. It was time to check into the heartbreak hotel. | :00:12. | :00:16. | |
We don't want her to go. It is Vanessa and James. The second couple | :00:17. | :00:19. | |
to leave the competition. They were showered with compliments for their | :00:20. | :00:25. | |
fantastic foxtrot and Patrick and Anya are here tonight. We don't want | :00:26. | :00:29. | |
to be right. It is Craig Revel Horwood! | :00:30. | :00:33. | |
Cheeky. This is Strictly Come Dancing: It Takes Two. | :00:34. | :01:20. | |
This is Strictly Come Dancing: It Takes Two. Please welcome your host, | :01:21. | :01:27. | |
Zoe Ball. APPLAUSE | :01:28. | :01:30. | |
Hello and welcome. Just a casual saunter as it is Monday. This | :01:31. | :01:35. | |
weekend it was, of course, love week and it didn't disappoint. In case | :01:36. | :01:40. | |
you missed any of it, here are the Strictly headlines. | :01:41. | :01:46. | |
Good evening. Here is the news, thank you. Natalie and Artem bent | :01:47. | :01:49. | |
over backwards and forwards and even side ways. I say delivering the | :01:50. | :01:54. | |
dance of the night with a remarkable rumba. It brought a tear to Artem's | :01:55. | :02:01. | |
eye. Expressive, meaningful. Beautiful in | :02:02. | :02:04. | |
perpetual motion. Love. Love. Love. You are actually | :02:05. | :02:13. | |
welling up, aren't you? The Terminator is about to cry! The | :02:14. | :02:25. | |
swinging 60 inspired jive nearly had the judges swinging for each other! | :02:26. | :02:34. | |
You could have given it a bit... Oh come on, Craig, for God's sake. It | :02:35. | :02:39. | |
is only my opinion. The girl worked so hard. | :02:40. | :02:45. | |
APPLAUSE I say, they took the bull by the | :02:46. | :02:48. | |
horns and proved he would do anything to impress the judges, but | :02:49. | :02:56. | |
they trampled over his efforts. Nasty. The conviction, my love, I | :02:57. | :03:04. | |
nearly cried, but... LAUGHTER | :03:05. | :03:06. | |
It was like you were smelling some bad cheese. | :03:07. | :03:09. | |
You are not the judges' champion, but you are the peoples' champion. | :03:10. | :03:17. | |
Awesome. She might have been dancing to Abba, but Vanessa had her SOS | :03:18. | :03:22. | |
moment in rehearsals. We danced the first one and Vanessa | :03:23. | :03:28. | |
seemed to get a few of the steps wrong and had a costume malfunction. | :03:29. | :03:34. | |
My knickers were falling down and it was putting me off. I thought they | :03:35. | :03:39. | |
were going to be around my ankles. I said that was much better and she | :03:40. | :03:47. | |
said "Yes, I took my knickers off." Vanessa, you saucy minx. That would | :03:48. | :03:52. | |
have got the votes! Oh dear. Nice pants! If all that has | :03:53. | :03:57. | |
not give you enough of your Strictly fix took a look at our footage from | :03:58. | :04:06. | |
behind the scenes. Hello. Hello. Ola, take my bags | :04:07. | :04:14. | |
upstairs. It is love week. There will be a lot of love from the | :04:15. | :04:16. | |
judges. Ah, can you smell that? Is that love | :04:17. | :04:24. | |
in the air or is it just plain fear? It is love week. Oh, it is love | :04:25. | :04:29. | |
week. Everyone is all smiley. I am in a good mood. Eye' ready for | :04:30. | :04:35. | |
it. Let's hope it is not my last one! I have just seen Natalie and | :04:36. | :04:39. | |
Artem's unbelievable rumba. Talk about love week. I feel absolutely | :04:40. | :04:51. | |
over heating as a result! We need more aggression, really. | :04:52. | :04:56. | |
I have got to practise my sexy. Sexy didn't work last week. This week it | :04:57. | :05:00. | |
has got to be sexy. It is working now. | :05:01. | :05:03. | |
It is love week and I have to see how many kisses I can get before the | :05:04. | :05:22. | |
show goes live tonight. Artem kissed the boy! | :05:23. | :05:36. | |
You can't go oooh! Your wife is right next to me. | :05:37. | :05:45. | |
The things I have done to prepare tor today is roll out of bed into a | :05:46. | :05:52. | |
car. My hair and make-up and have a bacon buttie. | :05:53. | :06:01. | |
I never had so much hair! There is a little carnival happening with my | :06:02. | :06:04. | |
eye lids. I think I know why they called it | :06:05. | :06:08. | |
the quickstep. It is very quick and there is a lot of steps. It was a | :06:09. | :06:14. | |
hint. Mind you, there is no foxes in the foxtrot. | :06:15. | :06:22. | |
This week, love is all around. Stop pouting in front of the camera. Love | :06:23. | :06:35. | |
is in the air. Love is in the air. Love is in the air. | :06:36. | :06:40. | |
Come on. Come on. Here we are in the place they call the final touch-up | :06:41. | :06:47. | |
room. All preparing and ready for love. | :06:48. | :06:58. | |
Guys, nine minutes. I'm nervous. Nerves. | :06:59. | :07:16. | |
Let's get in the zone, ladies. Focus. Here we go again. It doesn't | :07:17. | :07:22. | |
get any easier. APPLAUSE | :07:23. | :07:25. | |
Live from the Strictly ballroom, it is a night of love songs on Strictly | :07:26. | :07:30. | |
Come Dancing. They laid it on the line with a very | :07:31. | :07:36. | |
fiery tango, but we had to kiss them goodbye. Please welcome Vanessa and | :07:37. | :07:41. | |
James to the show. APPLAUSE | :07:42. | :07:44. | |
I am so sorry that it had to be you. We had so many e-mails and messages | :07:45. | :07:48. | |
online in support of you. People loved you. Thank you very much, we | :07:49. | :07:54. | |
are very sad... What about me? He is upset. | :07:55. | :07:57. | |
They don't mind you. They love him and I love him and we are very, very | :07:58. | :08:00. | |
upset indeed. How was your last tango? Not good | :08:01. | :08:08. | |
enough. Not that good because we got kicked off. What do you think went | :08:09. | :08:12. | |
wrong, James? Did anything go wrong? What could you have done | :08:13. | :08:15. | |
differently? Nothing actually and that's something which I think | :08:16. | :08:19. | |
Vanessa can be very proud. Each week, she went out and she improved. | :08:20. | :08:24. | |
There were a little of hiccups, but you did a fantastic performance. | :08:25. | :08:28. | |
That's the first one, not the second one because she didn't put her leg | :08:29. | :08:31. | |
behind on the first one. Oh, we will never forget that. You | :08:32. | :08:36. | |
did say you were worried about the tango going into last week's show. | :08:37. | :08:40. | |
Did you feel there might be trouble ahead? I thought we were going to be | :08:41. | :08:44. | |
safe because I thought she did a brilliant job and your acting at the | :08:45. | :08:47. | |
beginning when you scared the girls... I did a growl as well. | :08:48. | :08:52. | |
We can see more of the growl. Listen to this. It is incredible. | :08:53. | :09:03. | |
You can't say she didn't go for it. She gave it her all. She worked as | :09:04. | :09:09. | |
hard as she could. You did me proud and you did yourself proud. The | :09:10. | :09:14. | |
waltz was the highlight, wasn't it? It was so con tiggious. | :09:15. | :09:28. | |
Vanessa has been working. It was very smooth and soft and contigious | :09:29. | :09:39. | |
means very close. Ates, " I love Vanessa. I thought | :09:40. | :09:44. | |
she was the best." Jemma says, " I was sad to see them go. Vanessa was | :09:45. | :09:49. | |
really improving." At the beginning I could barely stand still and I had | :09:50. | :09:54. | |
a good old bash at the tango. I thought, I felt like I was dancing. | :09:55. | :09:58. | |
Maybe I didn't look as if I was, but I felt like I was and actual ly, it | :09:59. | :10:03. | |
was a lovely feeling. I really did enjoy it. | :10:04. | :10:07. | |
We are going to miss each other. I am trying to be grown-up and not to | :10:08. | :10:12. | |
be too upset. You are furious though. I am not | :10:13. | :10:18. | |
furious, I am sad. You do about seven radio shows, did | :10:19. | :10:21. | |
you have enough time for training? Did you think you could have more | :10:22. | :10:26. | |
time for training? We did five hours a day. Eight hours coming in and you | :10:27. | :10:31. | |
gave me 100%. We didn't take long lunch breaks and things like that. | :10:32. | :10:34. | |
We worked hard, well we had to because you struggled to pick the | :10:35. | :10:38. | |
steps up and that's what the people maybe didn't see. I don't know. But | :10:39. | :10:41. | |
I think you did fantastic. We left on a high. | :10:42. | :10:46. | |
Enjoy your Strictly story. This must be quite short. | :10:47. | :10:51. | |
Stop it, Jordan. Vanessa the professional, taking you | :10:52. | :10:56. | |
on is James! APPLAUSE | :10:57. | :10:59. | |
James is an incredible teacher. He is extremely patient and he tried to | :11:00. | :11:05. | |
find the best way to teach me. It is almost there. Vanessa is definitely | :11:06. | :11:14. | |
not a natural dancer. I am like a London bus. She is a worker. You are | :11:15. | :11:19. | |
outside your comfort zone. Well done to you, Vanessa. There was too much | :11:20. | :11:25. | |
acting and not enough dancing. I'm squeezed into a girdle I can hardly | :11:26. | :11:30. | |
breathe it is so tight and I have to pretend not to be impressed when | :11:31. | :11:34. | |
James Jordan sticks his chest out! You can start at the bottom and work | :11:35. | :11:38. | |
our way up. That's our plan, isn't it? I think maybe the ballroom is | :11:39. | :11:44. | |
going to suit Vanessa more than the Latin. Oh yes, someone is improving! | :11:45. | :11:49. | |
A few seconds and it works, it is really, really lovely. I didn't | :11:50. | :11:53. | |
realise that dance could take you over quite so dramatically. | :11:54. | :11:59. | |
I thought it was heartfelt and poignant. You express the emotion, | :12:00. | :12:04. | |
the romance, a huge difference from last week. Well done. I want to get | :12:05. | :12:14. | |
myself into a place where the tango is my dance. I want to be tango. I | :12:15. | :12:18. | |
don't want to be tangoed. The couple I would like to save is | :12:19. | :12:29. | |
Julien and Janette. It has been a pleasure to teach you. You gave me | :12:30. | :12:33. | |
moments of pure bliss and I will never forget you and I can't thank | :12:34. | :12:36. | |
you enough. You did yourself proud and you did | :12:37. | :12:43. | |
me proud. I say that you did say a couple of | :12:44. | :12:48. | |
weeks ago how you would love to learn to dance with Ben, have you | :12:49. | :12:52. | |
achieved that? Can you show him a few moves now maybe for the wedding? | :12:53. | :12:58. | |
I think we can. I don't think we will venture into the realms of the | :12:59. | :13:00. | |
tango. Leave that behind. Who is your top | :13:01. | :13:05. | |
tip, Vanessa as you stand aside, who do you want to see go on and do | :13:06. | :13:10. | |
well? I love Abbey and I hope they go to the top, but Ola and Ashley | :13:11. | :13:19. | |
are phenomenal. I don't know why he got his chest out last week! You are | :13:20. | :13:26. | |
a classy girl. We loved having you on the show. Thank you for having | :13:27. | :13:29. | |
me. We adore you too. It is Vanessa and | :13:30. | :13:35. | |
James. I never want to say goodbye to | :13:36. | :13:39. | |
anyone. Craig Revel Horwood will be here to chat about what floated his | :13:40. | :13:45. | |
love boat at the weekend, we want to test your Strictly knowledge. Can | :13:46. | :13:48. | |
you guess who this is? Look closely. Oh, cuff him! Time to look over the | :13:49. | :14:22. | |
weekend's dances with a man who was only too happy to break a few | :14:23. | :14:25. | |
hearts. Please welcome Craig Revel Horwood. | :14:26. | :14:34. | |
You look gorgeous. You look like you are going on a cruise in that | :14:35. | :14:39. | |
jacket. Oddly I am tomorrow, darling. Lucky you. Let's talk about | :14:40. | :14:44. | |
the weekend. Such high scores this weekend. It is only week three and | :14:45. | :14:47. | |
not just one or two couple doing well, but loads of couples doing | :14:48. | :14:53. | |
well. A strong line-up this year. It really is. There is chalk and cheese | :14:54. | :14:57. | |
in all of it. There is not many people sitting in the middle. We | :14:58. | :15:01. | |
have a lot of extraordinary dancing which is sensational to watch and it | :15:02. | :15:06. | |
has got me very excited. Indeed. Do you think that the public | :15:07. | :15:11. | |
made the right decision this weekend? Yes, we are always sad to | :15:12. | :15:16. | |
see people go and Vanessa was a card really on the show and she was | :15:17. | :15:20. | |
always quite verbal which I actually appreciated, you know... You loved | :15:21. | :15:24. | |
it really, didn't you? Of course, I do. Of course, I do. We will miss | :15:25. | :15:29. | |
her terribly, but we have to make a decision and at the end of the day, | :15:30. | :15:32. | |
that was our decision. Well, let's talk about Julien and Jeanette. Why | :15:33. | :15:43. | |
do you think they were saved? For energy and content and he really | :15:44. | :15:47. | |
went for it and I thought it was the hair! Better. That's all. That's all | :15:48. | :15:53. | |
it came down to? It was really, really close and I don't know who | :15:54. | :15:57. | |
any of the other judges are going to be, you know, voting for in that. | :15:58. | :16:05. | |
You really don't know? No. No. No. I really do not know. | :16:06. | :16:19. | |
Mark and Iveta. I picked up on his hands. Armography has made it to the | :16:20. | :16:37. | |
dictionary! Spatulaistic is next! When Ashley was doing it and he was | :16:38. | :16:41. | |
doing it like that, you said there was too much. You are so picky. You | :16:42. | :16:45. | |
can't be too girlie, but it was his wrists that were broken. You don't | :16:46. | :16:48. | |
want to break the wrists because you want to extend the line. | :16:49. | :16:53. | |
Fussy. Fussy. Fussy. That's the way it is. Susanna and Kevin. The | :16:54. | :17:01. | |
wonderful thing about Susanna she can do the high energy dances and | :17:02. | :17:08. | |
the jive. She has lovely flow and she is getting into the dancing, I | :17:09. | :17:12. | |
think, and she is beautiful to watch and I think it is because she loves | :17:13. | :17:16. | |
it so much and that just comes through and permeates the stage | :17:17. | :17:21. | |
which I love. I love the way you say permeates. | :17:22. | :17:39. | |
Abbey and Ali. She was heavy on the drunky sailor things. I wanted it to | :17:40. | :17:43. | |
be sharper and more frenetic actually. | :17:44. | :17:51. | |
OK, more frenetic? Yes. It is wonderful to see Fiona | :17:52. | :17:55. | |
increasing her scores every week. She really is improving? It is | :17:56. | :18:00. | |
wonderful to see Anton doing proper steps and he is master of waltz and | :18:01. | :18:06. | |
ballroom. It is just, I am loving seeing him dance again. I really, | :18:07. | :18:08. | |
really am. They are doing brilliantly. Let's go | :18:09. | :18:15. | |
to Dave and Karen and his paso doble. You said dreadful. You gave | :18:16. | :18:20. | |
him a two. You have never given him higher than a three. When are you | :18:21. | :18:23. | |
going to give Dave a break, Craig? Well, when he stops doing that, | :18:24. | :18:27. | |
number one, darling and stops treating the cape like a dish cloth! | :18:28. | :18:32. | |
I can understand the audience. The people at home must be loving it, | :18:33. | :18:38. | |
you know. It is his energy. He gives it his all? Absolutely, but I have | :18:39. | :18:44. | |
got to judge from a dance prospective and unfortunately it was | :18:45. | :18:48. | |
very stompy. It was very clumsy. His stance and his apels. | :18:49. | :18:55. | |
OK, we get the point. Thank you. I will shut him up. Thank you, Craig. | :18:56. | :18:59. | |
APPLAUSE We will talk about the others later | :19:00. | :19:04. | |
on. On Saturday night, Patrick and Anya served up a stylish foxtrot. I | :19:05. | :19:09. | |
will chat to them in a moment. Here is a reminder of their performance. | :19:10. | :19:15. | |
We have got panache and class to this. Very nice. | :19:16. | :19:20. | |
You messed it up a little bit. You have to drive through the dance. If | :19:21. | :19:23. | |
you make a mistake, it doesn't matter. Keep going. You need to | :19:24. | :19:28. | |
start thinking about adding swing and sway, but you are style. You | :19:29. | :19:32. | |
really are. Style with a smile. Lovely. Well done. | :19:33. | :19:41. | |
Six. He seven. Seven. Seven. APPLAUSE | :19:42. | :19:44. | |
Not bad. Not bad. Not bad. You nailed it. There was a little | :19:45. | :19:48. | |
hiccup with the step, but in the end, you know, we got through it | :19:49. | :19:56. | |
really. So beautifully under stated. Please | :19:57. | :20:01. | |
welcome Patrick and Anya. Hello swanky pants. Congratulations. | :20:02. | :20:04. | |
Another corker. Last week you were saying you were finding the foxtrot | :20:05. | :20:08. | |
really difficult. It certainly didn't show out there on the floor. | :20:09. | :20:13. | |
Did you enjoy it I had a little hiccup, not during the rehearsals. | :20:14. | :20:18. | |
The rehearsals went really well, but, I don't know, I... What are you | :20:19. | :20:24. | |
talking about? What are you talking about? No. Bruno did pick up on a | :20:25. | :20:32. | |
little twist of feet. Did you see what happened? I didn't feel it when | :20:33. | :20:37. | |
I was dancing. I had no idea. I remember coming off from the dance | :20:38. | :20:40. | |
floor and it was like what happened? I had no idea what they were talking | :20:41. | :20:46. | |
about. You see I knew. Don't say! Yes, I saw something was | :20:47. | :20:52. | |
going on. I think it is the panic in the eyes. It is like help me. Sound | :20:53. | :20:58. | |
scores, Anya. How pleased are you with your boy? He is keeping the | :20:59. | :21:02. | |
scores up? We are consistent. He got a seven in a jive at least we are | :21:03. | :21:08. | |
going to get him back or more. Hopefully more. | :21:09. | :21:14. | |
She wants the scores to go up. Are you Strictly's Mr Style? The judges | :21:15. | :21:17. | |
are obsessed with your style on Saturday. They love you. Well, I | :21:18. | :21:22. | |
don't know, in the end I accept what they say basically. They know | :21:23. | :21:26. | |
dancing. If they feel I have got a little bit of style, great. | :21:27. | :21:33. | |
Is he a gentleman in the training room, Anya? I am imagining he is? | :21:34. | :21:38. | |
Absolutely. A lot of fun. Also we have a really great time. He comes | :21:39. | :21:43. | |
in focussed. He has onetectedic schedule. It is a bit tight | :21:44. | :21:47. | |
sometimes. Are you filming Casualty for 20 | :21:48. | :21:55. | |
hours and you have four hours left? It is a bit tight. | :21:56. | :22:02. | |
You say you are Mr Style... I didn't say that! We watched you in the | :22:03. | :22:15. | |
training room and we noticed you are Mr Collapse! | :22:16. | :22:34. | |
Oh man. It is out. You need a crash mat | :22:35. | :22:44. | |
strapped to your back at all times. This week, for you, Patrick, it is | :22:45. | :22:50. | |
the cha-cha-cha. You like so far? So far we have had a little taste and | :22:51. | :22:54. | |
yeah, hopefully. It should suit. It is going to be very exciting. I'm | :22:55. | :22:59. | |
super excited. It is back-to-back, two weeks | :23:00. | :23:07. | |
back-to-back we had a Bond dance. Ian Waite noticed that you are good | :23:08. | :23:11. | |
out there on your own dancing. Is this showing in training? He has got | :23:12. | :23:18. | |
some groove and some rhythm so we just need to channel it. | :23:19. | :23:23. | |
Latin hips. Would you mind giving us the demonstration? No. No. No. | :23:24. | :23:29. | |
APPLAUSE Come on, love. Come on. | :23:30. | :23:33. | |
APPLAUSE I knew it! I knew it! I know it is | :23:34. | :23:39. | |
only Monday, ladies and gentlemen. This could be a good week. I mean do | :23:40. | :23:44. | |
you like the Latin, Patrick? Do you like the Latin a freer style? Yeah. | :23:45. | :23:50. | |
Yeah. The ridged stuff I find most difficult is holding the frame and | :23:51. | :23:53. | |
getting the core right, but all the other stuff that you can flow and | :23:54. | :23:56. | |
for me, I would like to get into that more. | :23:57. | :24:00. | |
Carry that on and you will be fine. You get my vote! It is Patrick and | :24:01. | :24:07. | |
Anya. We teased you with a former Strictly | :24:08. | :24:11. | |
celebrity. It is time to find out if you guessed who it was correctly. | :24:12. | :24:21. | |
N-2009, I was the third celeb to be voted out. Hello. Hello. It is me, | :24:22. | :24:38. | |
Rav Wilding. Well done to you eagle eyed people. | :24:39. | :24:44. | |
That was Rav Wilding. It is time to talk about the rest of the weekend's | :24:45. | :24:48. | |
dances. Please welcome back Craig Revel Horwood. | :24:49. | :24:52. | |
APPLAUSE Let's talk about Ashley and Ola. | :24:53. | :24:57. | |
Adorable Ashley. He was awesome. You said his hips were filth and you | :24:58. | :25:02. | |
loved it. What else did he do right? Well, I really like his energy. I | :25:03. | :25:06. | |
like the fact that he through himself into this dance. He had no | :25:07. | :25:11. | |
inhibition. And that's what made it great. I think he is doing really, | :25:12. | :25:16. | |
reallying, really well. He was. It made you want to get up | :25:17. | :25:20. | |
and join in? Absolutely. I liked the slow start and it | :25:21. | :25:24. | |
speeded up. Patrick and Anya, you were saying he needed to add more | :25:25. | :25:29. | |
swing and sway? Yeah, he needs more shaping to his top line really and | :25:30. | :25:34. | |
there was a little bit of gapping as well, but these are minor points | :25:35. | :25:37. | |
that he is going to be able to improve easily. And to be honest, | :25:38. | :25:42. | |
there really are two men in this competition and he is one of them. | :25:43. | :25:47. | |
Oh, he will be well chuffed with that. Let's talk about Ben and | :25:48. | :25:53. | |
Kristina. Ben's highest score to date, 28 and with a rumba? Well, the | :25:54. | :25:57. | |
man is there to support the lady and to show her off. He did some hips | :25:58. | :26:02. | |
which I was delighteded with -- delighted with and I can see in the | :26:03. | :26:05. | |
expression in his face and when he was coming over to the judges' desk, | :26:06. | :26:09. | |
I thought he knows that went rather well. I can only really encourage | :26:10. | :26:14. | |
that hip action, darling. Of course. I love it because you can | :26:15. | :26:19. | |
see it in the professionals, Kristina looked really happy with | :26:20. | :26:24. | |
him. Natalie and Artem, Natalie, goodness me, this girl can't lose. | :26:25. | :26:30. | |
You said, I love, love, love it. You only gave a nine. Why wasn't it a | :26:31. | :26:34. | |
ten? Well, it could have done with more hip action, but just on, you | :26:35. | :26:39. | |
know, her waltz really and that was the only thing and apparently there | :26:40. | :26:46. | |
was some ercation with her foot placement as well, dud I didn't see | :26:47. | :26:48. | |
it. -- but I didn't see it, but Len and | :26:49. | :26:53. | |
Bruno did. Deborah and Robin. My heart danced | :26:54. | :26:59. | |
watching her. How well did she perform it? Well, I thought she | :27:00. | :27:02. | |
performed it very well actually and she is very watchable, you know. And | :27:03. | :27:08. | |
another person that is actually loving it and when you love dance | :27:09. | :27:12. | |
that much, you will dance it so much better. This Charleston piece is | :27:13. | :27:17. | |
difficult because if you go off on the wrong foot, you will be smashing | :27:18. | :27:21. | |
legs and it is difficult. She got that right? But she needs to | :27:22. | :27:26. | |
lift up more and her head further left. | :27:27. | :27:29. | |
But she can take that on board. Sophie and Brendan, their samba. Not | :27:30. | :27:35. | |
as high as the Charleston, but still brilliant. You only gave her a | :27:36. | :27:39. | |
seven. What did you want to see? Well, she looked at times a little | :27:40. | :27:43. | |
awkward if I am to be honest, but she is attempting some really | :27:44. | :27:47. | |
difficult stuff and I went on, well I thought she could do with a little | :27:48. | :27:52. | |
bit more double bounce action. That was the only thing I thought was | :27:53. | :27:56. | |
missing and sometimes that looked laboured rather than smooth. | :27:57. | :27:59. | |
I am sat in the background going like this. That's obviously a double | :28:00. | :28:06. | |
bounce. I will demonstrate one's hip. Quickly, let's talk about | :28:07. | :28:11. | |
Rachel and Pasha. What you said last week, she was like a slug in salt. | :28:12. | :28:17. | |
This week, you said a bit plonky? Yes, when I say plonky, I mean it | :28:18. | :28:23. | |
means flat footed and you are landing too heavily. I love her. She | :28:24. | :28:26. | |
is a delight actually. And is she improving? She is and | :28:27. | :28:30. | |
that's what is great. You really, in the dance like that, you really have | :28:31. | :28:34. | |
to light your face up because that's where the focus is. As much as it is | :28:35. | :28:39. | |
in the body, you have got to get your face in gear! | :28:40. | :28:41. | |
Thank you very much. your face in gear! | :28:42. | :28:44. | |
Thank you Craig, good luck with your hip operation. We will see him in a | :28:45. | :28:47. | |
couple of weeks. Craig Revel Horwood. That's all we | :28:48. | :28:51. | |
have time for today. A big thank you to all my guests, tomorrow I will be | :28:52. | :28:59. | |
joined by the ones that got away. Don't miss it. Good night. | :29:00. | :29:01. | |
Thank you. | :29:02. | :29:03. |