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Hello, it's Friday and this is It Takes Two. On my sofa and raring to | :00:07. | :00:12. | |
go last week they slowed it down. Tomorrow it's full speed ahead. | :00:13. | :00:17. | |
Princess Fiona and her Prince Charming Anton. | :00:18. | :00:20. | |
So handsome. I'll have a pep talk with Sophie and Brendan and Patrick | :00:21. | :00:26. | |
and Anya up in Elstree. The fabulous Friday panel are DJ | :00:27. | :00:32. | |
Scott Mills. Diversity's Ashley Banjo and an Annika Rice. This is It | :00:33. | :00:39. | |
Takes Two! From London, this is Strictly, It | :00:40. | :01:26. | |
Takes Two. Please welcome your host, Zoe Ball. | :01:27. | :01:31. | |
Hello and welcome to It Takes Two. Hurray, it's Friday and just 23 | :01:32. | :01:40. | |
hours, 58 minutes and 27 seconds until Saturday's next showdown. | :01:41. | :01:43. | |
After last week, we can't even begin to guess who might be in trouble. On | :01:44. | :01:49. | |
Saturday, Fiona and Anton performed a romantic rumba. The judges were | :01:50. | :01:54. | |
left bent out of shape! First of all, here is their weekend story. | :01:55. | :02:02. | |
The packaging were very enticing and promising at the beginning, but | :02:03. | :02:10. | |
there are a few seriousish ues with balancing and your hip. The hip | :02:11. | :02:16. | |
action was very stiff. You did a bizarre jump out of the floor spin. | :02:17. | :02:21. | |
It lacked a bit of rhythm. You do lose focus and I don't want you to | :02:22. | :02:27. | |
show us that you are making any mistakes. | :02:28. | :02:34. | |
I get out there and just go to bits. I thought you were magnificent. I | :02:35. | :02:39. | |
don't want to let you down. You won't let me down. | :02:40. | :02:44. | |
We all need one of those cuddles! Fiona and Anton! | :02:45. | :02:49. | |
It's wonderful when you say she's magnificent, you make her feel | :02:50. | :02:53. | |
better. It's beautiful. On Saturday night, you looked absolutely | :02:54. | :02:59. | |
stunning. Vicky brought your dress in last week and it was vamped up. | :03:00. | :03:05. | |
You looked gorgeous. Does your confidence grow when it comes to the | :03:06. | :03:10. | |
costumes? Definitely. As soon as they put you in the gowns and lots | :03:11. | :03:13. | |
of hair and lashes, it's like being a different person. Transformation | :03:14. | :03:18. | |
works so well. Anton, we loved your rumba on Saturday night. Fiona said | :03:19. | :03:21. | |
one little thing. Len said there were a few more things. Who was | :03:22. | :03:29. | |
right? Depends who you are asking. Just looking to make sure she's on | :03:30. | :03:33. | |
the right leg. That was a big mistake at the end. Once you got | :03:34. | :03:42. | |
going, you were fine. Beautiful. You've always had a soft spot for | :03:43. | :03:48. | |
Len. Yes. And he was quite hard on you on Saturday. Was that difficult | :03:49. | :03:54. | |
to take? Hugely painful. But I love him even more now. Because I like it | :03:55. | :03:58. | |
when they're mean. Don't we all! I know, it's a terrible thing. It's | :03:59. | :04:02. | |
the way of the world. I have to admit that everything that all the | :04:03. | :04:06. | |
judges said was absolutely spot on and aisle taken it on board and this | :04:07. | :04:09. | |
week it's different. A different week. We'll move on from that. With | :04:10. | :04:15. | |
when you finished in the bottom two, were you frightened about the DDO, | :04:16. | :04:21. | |
the dreaded dance off? I was convinced we were going to dance | :04:22. | :04:25. | |
again and I was excited about the prospect because I thought, at least | :04:26. | :04:28. | |
this time I might get it right. Of course they left us until the last | :04:29. | :04:31. | |
minute and my little heart was beating so fast. But we didn't have | :04:32. | :04:36. | |
to dance again sos it was brilliant. Yes, safe. They love you. Craig was | :04:37. | :04:41. | |
talking about no connection between the two of you. I know! Anton, what | :04:42. | :04:48. | |
did you make of that? I don't know. How can he deny the connection here! | :04:49. | :04:54. | |
? Put him down... You said nobody had ever said that | :04:55. | :04:58. | |
about you? Nobody has ever said that about me dancing with my partners. | :04:59. | :05:02. | |
When you are dancing, you concentrate so much on the routine | :05:03. | :05:06. | |
and trying to get through and trying not to do it wrong that you do lose | :05:07. | :05:11. | |
sometimes a bit of connection as a couple. It's just because you are | :05:12. | :05:16. | |
concentrating on the steps. But maybe other than that I don't really | :05:17. | :05:19. | |
know. This week is entirely different. It's a whole new thing. | :05:20. | :05:24. | |
I've seen you in training. In ballroom you are like that, it's | :05:25. | :05:28. | |
like you can't look at him. I know. It's very confusing, the whole | :05:29. | :05:32. | |
thing. Obviously vest very terrifying on the floor on a | :05:33. | :05:34. | |
Saturday night, but also in the training room, you can be a bit of a | :05:35. | :05:41. | |
chicken, Fiona. This is good. Oh, no. I have a whole farm yard of | :05:42. | :05:47. | |
impressions. Want to see it? Not just a chicken, oh, no, a poach lent | :05:48. | :05:57. | |
chicken. Want to see it? Yes. My chicken impression is well-known | :05:58. | :06:03. | |
in our village. This is my impression of a very wet otter. | :06:04. | :06:13. | |
She's coming out of the water. LAUGHTER | :06:14. | :06:18. | |
They're really good, aren't they? I can do a lion. Roar! I can do a | :06:19. | :06:25. | |
dolphin but I need to be in water do do that. How many dolphins do you | :06:26. | :06:29. | |
have on a farm then? My chicken's the best. The greatest impression | :06:30. | :06:40. | |
known to man. Clearly balmy. I think this whole | :06:41. | :06:44. | |
show's gone to your head. This week you are going from the slowest and | :06:45. | :06:49. | |
the rumba to one of the quickest, the quickstep. How are your energy | :06:50. | :06:54. | |
levels? I'm loving the quickstep. Energy's come right up. I feel | :06:55. | :06:57. | |
really quite positive about this dance. I mean, I'm just really, | :06:58. | :07:06. | |
really loving it. Good. You have an amazing tune. My little feet are | :07:07. | :07:14. | |
going like that. You love Sweet Chariot as well don't you? Yes. What | :07:15. | :07:21. | |
is she bringing to the quick step? How pleased are you with her? Has | :07:22. | :07:25. | |
she surprised you? We've had a great week this week. We have talked about | :07:26. | :07:29. | |
having turned the Corner this week. I think we have because we've | :07:30. | :07:34. | |
stumbled upon something during rehearsals. It's been great because | :07:35. | :07:38. | |
we got personality coming out all oaf the place and it's tremendous. | :07:39. | :07:43. | |
I'm thrilled really. I just sit back and watch her go and don't hardly | :07:44. | :07:50. | |
get involved, if I'm honest. I'm so excited for Saturday night for me, | :07:51. | :07:54. | |
but mostly for fill owe that because she can go out and go "wow, look at | :07:55. | :07:58. | |
me, I'm going to give it some". Isn't that great that he has so much | :07:59. | :08:02. | |
confidence in you? It's great that you believe in me so much. Yes. | :08:03. | :08:08. | |
There is news that Erin Boag is having a baby. Surely now you will | :08:09. | :08:14. | |
be known as uncle Anton. Have you been knitting and is she doing OK? | :08:15. | :08:20. | |
She's being sick, only six times yesterday. But she's thrilled, her | :08:21. | :08:25. | |
and Peter, they are absolutely thrill and it's tremendous news. We | :08:26. | :08:30. | |
are so excited. We are so excited! The Royal "we". | :08:31. | :08:34. | |
Thank you so much and good luck with the quickstep tomorrow, you will be | :08:35. | :08:38. | |
gorgeous, I can tell. Anton and Fiona! | :08:39. | :08:42. | |
Look at us, we are connecting! They are. Get off her. As is the | :08:43. | :08:48. | |
norm on Friday, I made my way to Elstree to check in on rehearsals. | :08:49. | :08:52. | |
I'm out with Sophie, Brendan, Patrick and Anya and here is what | :08:53. | :08:56. | |
happened. Take it away. Here I am. So it's Friday and we are | :08:57. | :09:00. | |
in the big studio. It's very exciting. This is the first time | :09:01. | :09:05. | |
they get to rehearse. This is where you come to realise you've forgotten | :09:06. | :09:09. | |
the whole thing. Patrick and Anya. Before we talk about the glory of | :09:10. | :09:13. | |
last weekend, because it was an amazing performance. Thank you. We | :09:14. | :09:17. | |
got bad news. You haven't had the greatest week. As you can see on his | :09:18. | :09:21. | |
hand. You have sustained an injury. What can you tell me about it? An | :09:22. | :09:29. | |
inflamed dorsal. Horrible. That's not good? No. We were training, | :09:30. | :09:35. | |
there was roler skating in it as well. As you do! I'm a very | :09:36. | :09:41. | |
experienced skater, of course. Are you, right? You always fall | :09:42. | :09:48. | |
backwards? This time it wasn't on purpose. I thought it was fine, you | :09:49. | :09:52. | |
know. We carried on our training for the next couple of hours and by the | :09:53. | :09:55. | |
end of the night it was really stiff. By the morning, it was | :09:56. | :10:00. | |
incredibly stiff. OK. That's when I went into work and saw a medical | :10:01. | :10:10. | |
adviser and they said, you need to get that looked at. I love that, you | :10:11. | :10:15. | |
work on Casualty and there was a medical adviser? ! Yes. You have | :10:16. | :10:20. | |
been doing lots of lifts in the salsa. How much will this affect | :10:21. | :10:25. | |
that? It's the most upsetting thing because he worked so hard, we spent | :10:26. | :10:29. | |
a lot of time doing this incredible pushing boundaries with lifts and | :10:30. | :10:33. | |
stuff and unfortunately, we had to rethink everything. So it's a | :10:34. | :10:39. | |
simplified salsa? Yes. Fingers crossed, are you going to be able to | :10:40. | :10:44. | |
dance? At the minute it's seeming like I will But it will go down to | :10:45. | :10:55. | |
the wire? Yes. Can you touch his hand? It's still sore and tender. | :10:56. | :11:06. | |
All that arm-ography! We are still in the progress of changing things. | :11:07. | :11:09. | |
So everyone understand, it may be toned down tomorrow. We are going to | :11:10. | :11:15. | |
go out fighting! Let's talk about last week. It was incredible, your | :11:16. | :11:20. | |
cha-cha-cha. Thank you. How was it for you on the familiar? Great. I | :11:21. | :11:26. | |
loved it. It went, for me, I feel Anya too, it wept brilliant. You did | :11:27. | :11:30. | |
incredible to be honest with you. You were still beaming on mopped. | :11:31. | :11:35. | |
Just fab. You can tell how good it is because Craig gave it so much | :11:36. | :11:39. | |
praise, absolutely brilliant. You got a 9 from Len? Yeah... I was | :11:40. | :11:45. | |
really impressed with what the judges said more than the marks. For | :11:46. | :11:49. | |
Craig to say absolutely brilliant, you go, really, so you really | :11:50. | :11:56. | |
enjoyed that? That is better than getting a 6, 7, 8, 9, or 10. Was it | :11:57. | :12:07. | |
good taking the crown from Ashley? I hadn't been aware of that I don't | :12:08. | :12:13. | |
think! There's no rivally between the boys. No! I wasn't aware of | :12:14. | :12:18. | |
that, but there you are! I hope your hand's not too painful. We'll see | :12:19. | :12:25. | |
how we go. Definitely one bit at a time with this. | :12:26. | :12:28. | |
You could be breaking records doing a dance where no hands are touched. | :12:29. | :12:33. | |
A lot of shimmying. Good luck, guys, thank you for talking to us. Feel | :12:34. | :12:39. | |
better! Patrick and Anya. Let's see who we can find over here. Judges' | :12:40. | :12:43. | |
chairs. That's a bit fancy. It's Craig, he's had his hip operation so | :12:44. | :12:47. | |
they've got him a throne for tomorrow night. Hope he's all right | :12:48. | :12:52. | |
and he might be limping. Sophie and Brendan here. Hello, guys. How are | :12:53. | :12:58. | |
you? Another fantastic score for you on Saturday, Sophie. You looked | :12:59. | :13:02. | |
absolutely breathtaking. I was looking at your dress, it was | :13:03. | :13:06. | |
amazing. Did you enjoy it? It was a super frock, wasn't it? Stunning. I | :13:07. | :13:12. | |
did enjoy it actually, although I think I was possibly the most | :13:13. | :13:16. | |
nervous I've ever been. Was it because your lovely granny was here? | :13:17. | :13:22. | |
No, that reassured me, she didn't put me on edge. It was being first | :13:23. | :13:27. | |
in the show. I found starting the show really scary. A lot of | :13:28. | :13:33. | |
pressure? Yes. It's getting into the show and you build up to that | :13:34. | :13:37. | |
performance usually. What is worse, going first or last? Oh, first. | :13:38. | :13:43. | |
No-nonsense choreography the from your Brendan. You talked about it | :13:44. | :13:47. | |
last week and it definitely worked. Len loved it. You knew how to work | :13:48. | :13:56. | |
it? I like good cog radio fill, I love content -- choreography. I like | :13:57. | :14:01. | |
to make it magical. Sophie's just adapting to it and doing it which is | :14:02. | :14:05. | |
amazing to work with someone like that, as a choreographer and dancer. | :14:06. | :14:10. | |
You want the celebrities to rise to the challenge and she's doing it. | :14:11. | :14:14. | |
Week after week. Making me do it over and over again helps. | :14:15. | :14:18. | |
Cha-cha-cha this week, anything particularly tricky? Has it been a | :14:19. | :14:21. | |
good week or a difficult week? It's not been as stressful as some of the | :14:22. | :14:26. | |
other ones, but it's not something that comes naturally to me. I find | :14:27. | :14:30. | |
the timing the hardest element because when cha-cha-cha, the | :14:31. | :14:34. | |
fraudsing starts on the two, not on the one which is undoing everything | :14:35. | :14:39. | |
I think about music. I start on the wrong beat. I also | :14:40. | :14:43. | |
heard that you have had a few giggles in training. There'll be | :14:44. | :14:51. | |
lines for you after school, Ellis-Bextor. What have you been | :14:52. | :14:55. | |
laughing about? Everything. Occasionally I've laughed at some of | :14:56. | :14:59. | |
the dance moves but you have taken it pretty well. You have taken it on | :15:00. | :15:05. | |
the chin? Yes. Everyone laughing at me is nice! If you stand back, you | :15:06. | :15:10. | |
look and go, what on earth are we doing, I do call myself a dancing | :15:11. | :15:17. | |
theory a lot of the time. Are you pushing the choreography boundaries | :15:18. | :15:20. | |
this week again and do you have moves that will wow us? I think we | :15:21. | :15:25. | |
have a good overall image. I don't think the choreography is | :15:26. | :15:31. | |
breath-taking, but I wanted to give Sophie a bit of a break this week in | :15:32. | :15:36. | |
terms of not putting in the kitchen sink. The introis great and | :15:37. | :15:40. | |
exciting, it's a nice build-up, then we do a good old cha-cha-cha. | :15:41. | :15:46. | |
Another one of my favourite records. You have been looking at my record | :15:47. | :15:54. | |
collection at home. Can Girls very much on top at the moment. Is there | :15:55. | :15:59. | |
some friendly rivalry between the girls at all? Is it starting to kick | :16:00. | :16:05. | |
in yet? It really doesn't feel like a competition yet at all. Everyone's | :16:06. | :16:12. | |
supportive really. Yes. Even the boys! We are all feeling very much | :16:13. | :16:16. | |
that it's week-by-week and there's been some lovely dancers out there | :16:17. | :16:21. | |
right from the start. The only thing about the show is, everyone starts | :16:22. | :16:25. | |
on a level, then it's about getting away from that and seeing how much | :16:26. | :16:28. | |
you can improve week-by-week, whether it be scoring down the | :16:29. | :16:34. | |
bottom, their goal is to get up off that bottom spot and if you are in | :16:35. | :16:38. | |
the middle, your goal is to get to the top. If you get to the top, your | :16:39. | :16:42. | |
goal is to try to stay there. I'm loving the great loving between you | :16:43. | :16:46. | |
two. You can feel it between all of you and you two, the whole team I | :16:47. | :16:55. | |
mean. Will you give us a glimpse of your cha-cha-cha? No. Take to the | :16:56. | :17:02. | |
floor now, Miss Sophie Ellis-Bextor and her partner Brendan Cole doing | :17:03. | :17:06. | |
the cha-cha-cha. One of my favourite records of all-time ever. Take a | :17:07. | :17:08. | |
look. MUSIC | :17:09. | :17:34. | |
- Michael Jackson - Pretty Young Thing. | :17:35. | :17:37. | |
Not sure that's real, but then again you never know. Just a disco | :17:38. | :17:41. | |
free-for-all. Time to go back to the studio with that blonde. She's not | :17:42. | :17:44. | |
natural! Charming. Thanks, me. Time for a | :17:45. | :17:50. | |
little canine Claire vinecy. Lucky got off on the wrong paw when he | :17:51. | :17:55. | |
thought Deborah and Robin were top of the leaderboard. Let's see if you | :17:56. | :18:02. | |
can do better this week. Remember, it's just for fun. | :18:03. | :18:46. | |
Time now to welcome a panel who all know a thing or two about what makes | :18:47. | :18:50. | |
a good performance and apparently one of them has a chihuahua. Please | :18:51. | :18:58. | |
welcome, Scott Mills, Annika Rice and Scott Banjo. | :18:59. | :19:03. | |
Hello you lovely three. Ashley Banjo's just dropped the clanger | :19:04. | :19:07. | |
that he, the big man, owns a very small chihuahua. I do. What is your | :19:08. | :19:13. | |
dog called? KP, like the peanuts. Do you carry her around in a bag? | :19:14. | :19:19. | |
She sits on my shoulder. Annika loves that! You are about to go on | :19:20. | :19:24. | |
tour aren't you with Diversity? We can have a sneaky peak of what you | :19:25. | :19:26. | |
can expect. Have a look at this. It's exciting! | :19:27. | :19:43. | |
I was hoping you might do sop flips down the stairs. What makes for a | :19:44. | :19:47. | |
good performance when you are thinking about a show like this or | :19:48. | :19:52. | |
yours. What are the key ingredients? I suppose you have got to know what | :19:53. | :19:56. | |
you are saying and dog. With our show, the first thing we get right | :19:57. | :20:00. | |
is the message. Once we know what we want to say to people it's about | :20:01. | :20:06. | |
relaxing and having fun. This is the biggest show we have ever done, but | :20:07. | :20:09. | |
it's like the biggest scariest adventure. We are going to go on | :20:10. | :20:12. | |
stage and put our hearts and soul into it. OK. Contestants will be | :20:13. | :20:19. | |
glaed to know that even you get nervous before a performance. You | :20:20. | :20:25. | |
are a Strictly super fan. I haven't been out for ten years during the | :20:26. | :20:28. | |
autumn. It's ridiculous. That's all I do. What's been your favourite | :20:29. | :20:34. | |
dance so far? Sophie I can't take my eyes off her because she's like a | :20:35. | :20:39. | |
newborn colt. The long legs. And vulnerable. She puts in this most | :20:40. | :20:43. | |
extraordinarily compelling performance. So I think it would be | :20:44. | :20:47. | |
her doing the charleston. Love that. Definitely. Hello, Scott Mills. | :20:48. | :20:53. | |
Haven't seen you since 1998 possibly! 1999 beginning of. Lovely | :20:54. | :20:59. | |
to have you here. Who are the favourites, the contenders? Who do | :21:00. | :21:05. | |
you love? I have a problem. Deborah Meaden, I'm good friends with her, | :21:06. | :21:10. | |
so is Rachel Riley and I now have a thing for Susanna Reid, well, not a | :21:11. | :21:13. | |
thing, but... OK! I just really like her. I | :21:14. | :21:18. | |
thought Susannah was great last week. They said it was a bit messy | :21:19. | :21:23. | |
but I like her and the VT got me as well with the kids. Her throw boys. | :21:24. | :21:30. | |
They are supporting their mum. Let's have a look a what is happening this | :21:31. | :21:36. | |
week. Annika, last week this tango was one of the table-toppers, can | :21:37. | :21:43. | |
she do it again? She is amazing. I did Hell's Kitchen with her. She's | :21:44. | :21:52. | |
got such a strong work ethic and I think she'll pull it off. Whatever | :21:53. | :21:55. | |
she does, she's so on message the whole time. She's wonderful. She's | :21:56. | :22:02. | |
gorgeous as well. Jay good at topping, good on the work top, yes. | :22:03. | :22:07. | |
Same thing, just a different skill, hands, feet, yes. Dancing to Olly | :22:08. | :22:13. | |
Murs. This is my kids' favourite song. What do you think of the song | :22:14. | :22:18. | |
choice, Scott? I don't know a lot of the older songs that are on, so I | :22:19. | :22:22. | |
don't connect with those, but when it's a modern song you, it's great. | :22:23. | :22:28. | |
It works. Banjo agrees. Dave and Karen are doing a salsa. Craig said, | :22:29. | :22:35. | |
the dancing is a Cuban dance. Remember this one. Ashley, you loved | :22:36. | :22:42. | |
this. What do you love about Dave? His technique is practise. | :22:43. | :22:45. | |
Performance like that is something you cannot develop, it's a talent in | :22:46. | :22:51. | |
his own right. He's such a joy to watch. The judges are always saying | :22:52. | :22:56. | |
he needs a bit more technique. What do you think? I couldn't copy that | :22:57. | :23:00. | |
technique. It's in a class of its own. You nook. Dave has his own | :23:01. | :23:05. | |
hairy technique that we shouldn't tray to analyse. I liked him | :23:06. | :23:10. | |
scrubbed up last week. With his pony tail. He brushed up well. It's like, | :23:11. | :23:18. | |
look what you are capable of, Dave. Iveta and Mark are doing the waltz | :23:19. | :23:27. | |
this week to One Republic. Is this going to work? Yes, really good. | :23:28. | :23:31. | |
Looking at him in the training room, what do you think of his waltz | :23:32. | :23:37. | |
ability? Be honest, Scott, that is what the show is for? He comes | :23:38. | :23:40. | |
across as the sweetest guy. He might not be the best, but I think he's | :23:41. | :23:46. | |
going to get through because people like him. A lot of love for Mark. | :23:47. | :23:52. | |
Did you see his MC Hammer last week? I thought the band were going to | :23:53. | :23:55. | |
perform that and I thought, please don't do that and they just played | :23:56. | :24:00. | |
the track. The ballroom is, well, the judges talk about that every | :24:01. | :24:10. | |
week. Pf INEBREAK He looks really good so, you know... Mark Benton on | :24:11. | :24:16. | |
tour with diversity! He's on the phone right now. Brilliant! Deborah, | :24:17. | :24:21. | |
your friend, Scott, they are doing the even niece waltz this week. Last | :24:22. | :24:25. | |
week it was the jive. Scott, what did you think of the jive? Needed | :24:26. | :24:29. | |
her legs higher in the our. Yes, that's what it was. I love Deborah | :24:30. | :24:34. | |
and she comes across so miserable on Dragons' Den. She's not like that at | :24:35. | :24:37. | |
all, she's a real laugh and I can tell she's having the time of her | :24:38. | :24:41. | |
life so I don't want her to go. She's like a normal woman who's | :24:42. | :24:46. | |
having a great time and I want that to continue. Her Her unner child | :24:47. | :24:56. | |
comes out. She's delightful. The joy that radiates from her. It's | :24:57. | :25:02. | |
infectious, I want her to win, yes! Annika's making a big statement, | :25:03. | :25:08. | |
Meaden to win! She loves it. Dancing to James Brown. | :25:09. | :25:13. | |
By the way, I love your shoes, Ashley. | :25:14. | :25:19. | |
Natalie and Artem, they are going to be doing a Samba, those clever | :25:20. | :25:28. | |
little bunnies. Every time Natalie does a Latin dance, they say they | :25:29. | :25:32. | |
want more hip. How are her hips here? If I'm honest, I think she's | :25:33. | :25:37. | |
so brilliant, the judges will always find something. No-one's perfect. I | :25:38. | :25:41. | |
do it to my boys all the time. They do a jump, a somersault, I say | :25:42. | :25:46. | |
higher. They are trying to push her. She's brilliant. They have a great | :25:47. | :25:53. | |
track. Scott? I always go into a bad mummy shimmy | :25:54. | :26:03. | |
when I hear an Italian song. Do you think it will be good for | :26:04. | :26:08. | |
her? Yes, it will be great. Rachel and Pasha are doing a paso doble to | :26:09. | :26:15. | |
Nelly purr far doe this week -- Furtado. Is she a man-eater? Not | :26:16. | :26:19. | |
sure. We'll find out. I was talking about heart and soul in performance | :26:20. | :26:24. | |
early on. With that dance, literally to me, that's what separates the | :26:25. | :26:27. | |
people who do it well with the people that do it brilliantly, heart | :26:28. | :26:33. | |
and soul. You know her really well don't you, Scott? Can Rachel give it | :26:34. | :26:38. | |
heart and soul? I hope so because she's on my show next week! | :26:39. | :26:44. | |
Annika, would you like to go paso doble with Pasha? Rachel's in goods | :26:45. | :26:50. | |
hands isn't she. The times that I've been on Countdown and she's been | :26:51. | :26:54. | |
doing her sums, it's just like, Rachel you are so pretty. Amazing. | :26:55. | :27:01. | |
Fingers crossed. Susannah and Kevin are doing an American smooth to Tony | :27:02. | :27:05. | |
Benn net. Ashley, first time Susannah is going to tackle a lift. | :27:06. | :27:11. | |
Any advice for her? The worst thing about being the male on the bottom | :27:12. | :27:14. | |
when you are in a lift is when you have got a sack of potatoes, someone | :27:15. | :27:19. | |
who does not pull up and make themselves lighter, someone who's | :27:20. | :27:24. | |
just like that, who just hangs. It's about pulling up and core and | :27:25. | :27:30. | |
posture and how you hold yourself. I don't think Susanna Reid could ever | :27:31. | :27:34. | |
be a sack of potatoes if she tried. Can we try that? No, he's got to go | :27:35. | :27:40. | |
on tour! Annika, they are doing their dance to Tony Benn net. Will | :27:41. | :27:43. | |
this work? I think she's so on message, this girl. Last week, Len | :27:44. | :27:49. | |
who I think should have a new slot, Len's Gems... Write that down! It | :27:50. | :27:56. | |
was, what bums and Bongos. She's extraordinary each week, she's | :27:57. | :28:00. | |
reinventing herself in a whole new dance. If we are quick, we can look | :28:01. | :28:06. | |
at Ashley and Ola. Johnny with Good is the music for their jive. How | :28:07. | :28:09. | |
difficult is it to learn a dance in four days? Oh, my gosh, it's | :28:10. | :28:14. | |
difficult if you are used to the neck nook, but if you are a new | :28:15. | :28:22. | |
dancer -- technique. It's difficult if you are a new dancer. Who do you | :28:23. | :28:36. | |
want to win? Dave. Deborah. Scott? Deborah. Rachel's going to be so | :28:37. | :28:42. | |
cross with you! I think they are a Dream Team, Banjo Rice and Mills, | :28:43. | :28:47. | |
our perfect panel! Don't forget, Benton's on the road with Diversity. | :28:48. | :28:52. | |
A huge thanks to all my guests, join me here next week. I'll be | :28:53. | :28:56. | |
commiserating with the next couple. Who will it be? Find out next week. | :28:57. | :28:59. | |
Bye! Enjoy the show. | :29:00. | :29:01. |