Episode 28 Strictly - It Takes Two


Episode 28

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partner Anya are here. CHEERING They've just about

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recovered from Saturday's bloodthirsty jive. Here to talk

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kicks and flicks are Sophie and Brendan.

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CHEERING And sadly no pumpkin costume this week. Just Ian and his

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trusty wand for another Wednesday Warm Up.

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CHEERING AND APPLAUSE Cheer This is Strictly It Takes Two.

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CHEERING Well hello gorgeous. Welcome to

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Wednesday's It Takes Two, with the weekend edging closer it is time for

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an ex-Clive first peek at the dancefloor clients we can expect on

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Saturday night. I can feel a Wednesday warm-up coming on.

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Please welcome the housewives' favourite, Ian Waite!

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CHEERING They have done a poll and it is all true. Let's look back to

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last week. Hallowe'en, what did you make of the whole show? I loved the

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show. I thought that all the make-up and the costuming was fantastic.

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Incredible. A big round of applause for that. Good work. And I liked all

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the story lines but it will be great this

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the story lines but it will be great fifth or sixth week. It is a good

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reminder that you have to get behind your favourites and pick up the

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phone. You do. Following on from what Karen hardy said was a

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faultless Charleston Susanna and Kevin have a waltz. What I would

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like to see is her controlling the rise and fall a little bit more.

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When she's lowering, she needs to make that nice and smooth and get a

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little deep interthe lowering. But what I wanted to do was first of all

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circle this area here. As you can seekers as she's going into this --

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as you can see, as she is going into this pivot she is lowering her

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shoulders. If she lifts that shoulder it will get shorter on this

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side. She needs to shoulder it will get shorter on this

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takes on the part of matador. She is an actress so all the

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characterisation of the paso doble she should have. I've stopped it

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here. I want you to look at the arms. We know what's coming.

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Sometimes they go a little narrow. She needs to maintain the strength.

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It is like the Flamenco dancers, they have this air around them all

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the time, no matter what they are doing. Do try keep that. I do like

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Anton's longer hair this week. The way it wafts into his eyes is quite

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saucy. Abbey and Aljaz, the Charleston, what is not to love? I

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think this is going to be the dance of the night. Mark my words. It is

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going to be a comeback for them. They are doing

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going to be a comeback for them. That's so cute. That's what we used

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to do. Natalie and Artem has not had a bad dance yet, this week they are

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doing the jive. This looks quite impressive. I think this is going to

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be another fantastic dance for her. She's got the flicking action. I

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particularly like this step... What's that called? I don't know,

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it's a lasso sort of step. Shall we have a go? O Lord. You go around,

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round you go. Sorry everyone. Oh Lord I should have worn a vest. I do

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apologise. That was a disaster wasn't it! The only thing she's got

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work on this week is might compact. Which means? When she does her

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flicks and kicks they Which means? When she does her

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dance. What do you think? I love this use of chairography there. It

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is a chair. They are using a chair. I think this, this will really suit

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Sophie. The characterisation and the character of the dance I think will

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really suit her. It is going to be a passionate and steamy dance, I can

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see that. I think there might be a lot of these going on. Whizz-bangs!

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Fireworks. My dog was going mad last night. What did the dog think of the

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show? He loved it. Thank you very much Ian Waite!

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CHEERING We will of course be talking about the boys later on.

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While there was no murder on the dancefloor - they made me say it!

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There was blood after Sophie got her claws into Brendan. Here's a

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reminder of their jive. Your knees all the

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reminder of their jive. Your knees there and attack it;; Your kicks and

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flicks have to be on the beat. You have really point your feet and your

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timing tonight wasn't as good as it always is.

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6, 7, 8, 7. As long as I get a chance to dance next week I can

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build on it and learn from it. If I don't, I will forever hate the jive.

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Welcome the man eater and her Brendan! Can I just say, your

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make-up and hair on Saturday, you looked incredible. What did you

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think when you looked in the mirror? Hallowe'en was so much fun. The

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costume department, the make-up department, what a phenomenal job.

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It was incredible. You said you were left a little frustrated by this

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dance. When you look back on it now, how due feel about it? I

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dance. When you look back on it now, horrible. If it happens on the dress

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run it is fine but on the night it is so frustrating. Brendan, how

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frustrating is it for you to help a pro when it is live without talking

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to them? Of course it is difficult. You expect it to be there

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I was gutted for Sophie. We had a really good week of training, it

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felt right. It went wrong early, a drunking sailor didn't happen. Too

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drunk! Where it is fast you lose the impetus. Sophie lost that pump that

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you need. There's been this emphasis on kicks and flicks for the jive. It

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is not really a kick and a flick but a pumping action. You pump the legs,

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so it doesn't go to a straight leg, or would break your knees. You pump,

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pump, pump and Sophie was doing it or would break your knees. You pump,

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off your chest. The scores dipped into the 20s again. But think it was

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fair score broken? Absolutely. No, it was. You know at the end of the

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dance whether it has gone fantastically or perhaps not so

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much. We both looked at each other and were so disappointed, but it was

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a joint effort and I knew how good Sophie could have been. So in the

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20s, perfect. Bruno pointed out you had gone a little bit wrong at one

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point. How kind of confident but feel out on the floor, and how do

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you feel when you have gone wrong, how due recover? I've been waiting

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for that feeling every week, so in a weird way it is device night to have

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gone through it. You finish the routine, it doesn't feel lovely, it

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feels pretty horrible routine, it doesn't feel lovely, it

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dance it again. We have noticed in the training room, you can't correct

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on the dancefloor, as you can't talk to her, you don't even have to talk

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to each other in the training room. Spooky. When Brendan is working on a

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routine, he does this thing of not telling me what the move is we are

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trying to do and going, come here a minute... Hand twist, turn away and

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go woom! Sometimes it feels like we are playing an elaborate game. What

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am I trying to do? I don't know. Pah, pah... It is in my head. This

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is not working to me. I need somebody who understands what's in

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here. Wish you would communicate more what I'm supposed to be doing.

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Like more what I'm supposed to be doing.

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questions. I need tow write the answers on these cards with a pen,

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and don't show Sophie. I want tow tell Sophie the answer with the

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power of your mind. Let's play... Here we go, question one. Brendan,

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which judge would you most like to challenge to a dance-off?

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He's sending the money to Sophie now. Is she receiving? Sophie your

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answer, please. I'm saying Craig. Craig! It works! Brilliant. Brendan

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fuss, weren't partnered with Sophie, which other celebrity would you like

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to have danced with? He so muches quite sure. A bit too quick for my

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liking. Think outside the box Sophie.

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liking. Think outside the box Ooh. Use the power of the mind and

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the pen. Speak to me. No speaking, this is supposed to be telepathy! I

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have nothing, sorry. One out of three!

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APPLAUSE I think that went very well indeed. Let's talk about the

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Argentine tango. This is the dance that everybody loves. How are you

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getting on with all that lovely leg work Sophie? It is such a lovely

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dance. I'm loving this week. It is very full on. It's a very complex

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lovely bit of choreography that Brendan's put together. But I like

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the challenge. This is the chance when I started all my friends were

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like, I hope you get to do that dance, so I feel privileged. This

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really could be special. I really want it to be something very special

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for us. want it to be something very special

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Sophie and Brendan! From one dancing partnership to another. With six

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weeks to go until their big day, the wedding, and their wedding dance,

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the it is time to catch up with Natalie Lowe's proteges Mel and

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Gordon. They've milked their music. I'm disappointed that Agadoo was

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vetoed. We now have six weeks before the wedding which for any couple is

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a freakout moment. We are trying to fit in as much practise as we can,

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in the kitchen, doing the chores or even brushing our teeth. Tonight I'm

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intrusion music to Mel and Gordon's routine. I'm really excited about

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the music. It is weird when you count it through. The although

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Natalie warned us that when the music starts we are starting from

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scratch again, I can't wait. They are going to remember

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My First, My Last, My Everything. Let's put it to music. I can let

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myself go for with the music. You feel like you are in a club anted

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real. Just keeping the time with the music on is really difficult

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compared to just having her count it out for us. I've struggled with that

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a bit. And breathe, Gordon. It is really bad that you have to remind

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me to do that! I need to remember to relax into it a bit more or I will

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collapse halfway through on the wedding night. That will be a

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disaster See it in your eyes when you go wrong. I know, the look of

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terror. The bit of the dance I'm worried about is the wriggly shimmy

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bit. Wriggle, wriggle... This is quite an intimidating environment

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once they get out there and it is her wedding day I think she will

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apply herself. It looked good from where I was standing. I don't

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apply herself. It looked good from cannot lose chemistry. He makes me

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laugh when I look at hem. At least she's not crying. I've got a section

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in the dance where I drop back and fall into Gordon, which I've got to

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trust that he will be there to catch me. She would probably feel better

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if Ben Cohen was back there, but hopefully I won't drop her once. I'm

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not worried, that's for sure. High five.

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That is how Mel and Gordon are getting on in training. Don't they

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look brilliant? Hopefully we'll all be invited to the wedding. How about

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the rest of our celebrities? It is time for a second helping of Waite's

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Wednesday Warm Up. Look who is back

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Waite everybody. Thank you. Bring the dog in one week. On Saturday

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Patrick and Anya will be tackling an American smooth. Last weekend it was

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the quickstep which wowed the audience and the judges, placing

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them second on the leaderboard I was bewitched by the routine but

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bewilledered by the energy, the speed, the joy of the dance... That

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really was a spooky riot of a quickstep. It was outstanding. Very

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well done. It was full of character. Your timing, as always, exceptional.

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Great work. Patrick, that was fast! Great work. Well done.

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The comments were fantastic and brilliant and if it is the highest

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score to date, brilliant and if it is the highest

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were out there? Were you loving it, but think, hang on, Robinson, you've

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got it? I loved the dance from when I saw Anya doing all the moves, I

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thought, that's great. I can't wait to do that. The week before you were

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in bottom two and on Sunday who got called up first? What did you think

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when you heard Tess call your name? I screamed so loud, he didn't hear

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anything. I was like, oh! That's my yes. It must be such a relief. Yes.

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You did say last week, Anya, the salsa was the worst possible dance

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you could do with a poorly arm. How did the quickstep compare? The

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quickstep was quick, obviously. But I didn't hold back, because I knew I

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had to go 100% with him. The I didn't hold back, because I knew I

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personal lesson. Thank you Ian, why weren't you there for me last week?

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The only criticism was from Len, who said there was a lack of body

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contact. Is this something you were aware of in training? That was again

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down the his arm. It all makes sense No, the as well as I think it was

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correct. He's got a lot of natural rhythm so we've got to keep the

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hold. I've got to keep it rigid. It is hard. It is so unnatural. This --

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is this dancing? But it is beautiful. Craig said he loved the

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theatricality of the performance. How much did the make-up and the

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music rolled into one help? For me it was great. From the cost yurges

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in terms of having the tails. They said, do you wants a hat? I said,

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let's try a hat. When the hat said, do you wants a hat? I said,

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seen you dance here, it doesn't look much slower. It is probably just as

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quick as the quickstep. Oh, my goodness me. We can't go backwards,

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so we've just got to keep going. You are allowed some lifts in the

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American smooth. How is that going to go with his dodgy arm?

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Tentatively at the moment, thank you very

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We are pushing it but we are just having to see how it goes. Some

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gentle placement and maybe some springboards. Yes, trying out new

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things. You've got an amazing track to dance to, Harry Connick Junior.

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It couldn't be better. # It had to be you #

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Beautiful. You love # It had to be you #

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loved one of his albums but all the tracks on there. I'm there. It is

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the hero Gene Kelly thing. If he loves song... Exactly St You've got

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to feel it haven't you? Before we go, today is a very special day,

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ladies and gentlemen. It is Patrick's 50th birthday!

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CHEERING Happy birthday. Thank you everybody. Looking so good for 50.

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And it seem there is a lot of birthday love for you from your

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friends at Casualty. If I could buy you anything for your birthday, I

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would buy you pointy feet. Why you not pointing your feet? You are a

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naughty boy. Such a good dancer but you are not pointing your feet.

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Happy 50th Patrick. You don't look a day

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No, he is not 507. What do you think of his dancing... Shocking! This is

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the worst acting I think I've ever done! Happy birthday Patrick. Thank

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you ladies. CHEERING Comedy from Casualty.

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Lovely. And not wanting to be left out, the Strictly class of 2013 have

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got in on the birthday action too. Happy birthday Patrick. Happy

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birthday Patrick. You look so good for 50, buddy. Happy birthday

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Patrick. Loads of love. I want to say, in Russian, happy birthday. I

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wish you all the best. Hope you have an amazing day. Happy birthday old

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man. No, I can't say that! As soon as I sigh next time I'm going to hug

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you and kiss you and crush you with love.

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you and kiss you and crush you with CHEERING AND APPLAUSE

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And what would a birthday be without a bit of cake? Here's Jonathan with

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the cake. Oh, stop that now. Come on everybody, in you come. Bring your

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party hats. Stop it! Blow out your candles Patrick.

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CHEERING That's it for today, a big thank you

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to all of my guests. Tomorrow, all the latest news from the training

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rooms, and Ben and Kristina, Fiona and Anton and Dave and Karen will be

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in the studio. Plus, having just about recovered from Hallowe'en,

:28:54.:28:55.

Strictly costume designer Vicky Gill will be here to talk us through the

:28:56.:28:58.

weekend's costumes. Goodnight.

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