Browse content similar to Episode 54. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to It Takes Two. It is Thursday, which means we have all | :00:00. | :00:12. | |
the latest from the trading rooms. Their Argentine tango left the | :00:13. | :00:17. | |
judges wanting more. Welcome Susanna and Kevin. | :00:18. | :00:20. | |
Lovely to see them, as always. It is the final of our 2013 Pro-Challenge. | :00:21. | :00:27. | |
Tonight Kevin and Janette are here to discover which of our | :00:28. | :00:30. | |
professional dancers will take the crown. Could it be one of them or | :00:31. | :00:38. | |
will it be to du Beke? The gorgeous Vicky Gill is here. | :00:39. | :00:39. | |
This is It Takes Two. Live, from London, this is Strictly | :00:40. | :01:29. | |
- It Takes Two. Please welcome your host. Zoe Ball. | :01:30. | :01:38. | |
Hello. Welcome to It Takes Two. I know, I am wearing a dress. The | :01:39. | :01:43. | |
semi-final is fast approaching. So excited! Before we go on with the | :01:44. | :01:47. | |
show, let's see how our couples are getting on in the training room for | :01:48. | :01:51. | |
their first of their two dances. This is exciting! This week I have a | :01:52. | :01:56. | |
samba, which I have been dreading the whole series. There are so many | :01:57. | :02:04. | |
things to think about. You have to do the bounce, the straight legs and | :02:05. | :02:09. | |
then the hips. I hate all this hip action. Samba doesn't look right... | :02:10. | :02:17. | |
Two, three... I am struggling with the bouncy hip action. Aljaz has had | :02:18. | :02:25. | |
me walking around the room, saying "Bounce, bounce." Bounce and bounce | :02:26. | :02:30. | |
again. And bounce! I am feeling the pressure now. For me, it seems | :02:31. | :02:33. | |
almost impossible. My first dance this week is the paso | :02:34. | :02:43. | |
doble. No time for soft, delicate behaviour here! Come on, woman! | :02:44. | :02:50. | |
It is a very extreme dance. Look at how extreme my position is. My face | :02:51. | :02:57. | |
is going red. Put yourself in an extreme position. In order to have | :02:58. | :03:01. | |
that drama it must have complete action and your mask does must not | :03:02. | :03:09. | |
fall at any point! Hands, Sophie. It has to be sold | :03:10. | :03:14. | |
with buckets-load of confidence. Which can be tricky. Nice, Sophie! | :03:15. | :03:21. | |
The first dance this week is the waltz. | :03:22. | :03:26. | |
A lot of rising and falling. And it needs to be very smooth and just | :03:27. | :03:30. | |
hopefully cover the whole floor. Just like any other ballroom dance, | :03:31. | :03:35. | |
Patrick has been struggling with keeping his frame. | :03:36. | :03:40. | |
Keep your frame! Doing ballroom, for me is, it is holding the frame, | :03:41. | :03:44. | |
getting the right steps. Not a heel lead when it is a toe lead. These | :03:45. | :03:49. | |
are the elements that I try and conquer. Boom, boom. I don't know | :03:50. | :03:55. | |
what happens after that! It is a special dance in the semi-final. | :03:56. | :04:02. | |
First dance is a salsa. The shippies are in. It is a social dance. We can | :04:03. | :04:11. | |
have lifts and the moves and all the spectacular steps. | :04:12. | :04:15. | |
I think the judges are going to be really looking for a high-energy, | :04:16. | :04:22. | |
lots of fun, but with a lot of technique in there as well. | :04:23. | :04:29. | |
It is a lot of arms. A lot of turns and a lot of moves. | :04:30. | :04:37. | |
If we can keep all the elements in it, then it will be great. | :04:38. | :04:43. | |
Our first dance this week is the foxtrot. I think it will be a pure | :04:44. | :04:49. | |
classic ballroom special. It is all about the timing and the smoothness | :04:50. | :04:54. | |
of the timing. I kicked your knee! There are some pivots. Sometimes it | :04:55. | :05:01. | |
goes really well and I think it is amazing. Other times it goes out and | :05:02. | :05:04. | |
the whole thing goes downhill. I need to keep small and on the spot. | :05:05. | :05:10. | |
It is Kevin who swings around me. I stop you and I need to encourage | :05:11. | :05:15. | |
you. This foxtrot could be the difference between going to the | :05:16. | :05:20. | |
final or going home, so I better get it right, hadn't I and do it | :05:21. | :05:26. | |
beautifully! Looking good, ladies and Patrick. We will see how they | :05:27. | :05:29. | |
are all getting on with their second dance later. Over the past week we | :05:30. | :05:34. | |
have spoken a fair bit about the professional dancers' desire to win | :05:35. | :05:37. | |
the title. They have spoken of the praise, the glory, the respect that | :05:38. | :05:42. | |
it would bring them. Yes, ladies and gentlemen, I am talking about the It | :05:43. | :05:48. | |
Takes Two Pro-Challenge. Who will be the winner? Please welcome Kevin | :05:49. | :05:51. | |
from Grimsby and Janette Manrara. Hello, my lovlies! Take a seat. You | :05:52. | :06:08. | |
and your clammy palms. We have been to see how many, we want the most | :06:09. | :06:14. | |
Drunken Sailors. Kevin, you have never done this before. Does it make | :06:15. | :06:18. | |
you more anxious or less? I am very eager to please. We are new. It was | :06:19. | :06:24. | |
my first Pro-Challenge. I don't want to be rubbish. Janette, your Aljaz - | :06:25. | :06:31. | |
how is he? He's ex-seated about the semi-final. -- excited about the | :06:32. | :06:35. | |
semi-final. He's got 61 before. Do you want to beat him? Yes. | :06:36. | :06:40. | |
Definitely! No question about it. Kevin, we will see how well you got | :06:41. | :06:51. | |
on. Good luck, Marine! Here we go! I am feeling more nervous about this | :06:52. | :06:58. | |
challenge than most Saturday nights. I am winning this. You are known as | :06:59. | :07:03. | |
the jive king - do you feel it has put you unner di in pressure -- | :07:04. | :07:09. | |
under any pressure? The fact we have spoken about it has put me under | :07:10. | :07:14. | |
pressure. Thanks for bringing it up! How much would it mean to you to get | :07:15. | :07:22. | |
the world record? More than anything else in the world right now. Are you | :07:23. | :07:26. | |
ready? Just about! For the record - three, two, one - | :07:27. | :07:32. | |
go. Five, four, three, two, one... Stop! | :07:33. | :08:10. | |
Did that feel longer than 30 seconds? A lot longer. It felt like | :08:11. | :08:16. | |
30 minutes. It looked pretty good from where I was standing. You went | :08:17. | :08:21. | |
really fast. Grit and determination. An amazing effort. | :08:22. | :08:25. | |
Thank you. I am exhausted right now. I gave it everything I had. I will | :08:26. | :08:32. | |
never life it down if Karen gets it. How fast! You were doing it so fast | :08:33. | :08:38. | |
- your feet were a blur and in a Christmas jumper as well! How | :08:39. | :08:42. | |
confident do you feel having seen that, Kevin? I would, but I am sat | :08:43. | :08:46. | |
next to Janette and she's really fast. It is that Cuban fire! | :08:47. | :08:52. | |
Janette, how do you feel right now, having seen Kevin's action now? I | :08:53. | :08:57. | |
definitely didn't win! Shall we find out? Yes. | :08:58. | :09:01. | |
Here's Janette! I think what will be tough is the | :09:02. | :09:09. | |
stamina. 30 seconds of Drunken Sailor is a long time. I think I can | :09:10. | :09:14. | |
do this for the girls. Come on, ladies! | :09:15. | :09:19. | |
Hello. Hi! How are you feeling about this challenge today? Very nervous. | :09:20. | :09:22. | |
Do you think you could be the fastest? I don't know, you know. I | :09:23. | :09:29. | |
am more classically trained. I am a lot lighter on my feet, but not | :09:30. | :09:36. | |
quick on my feet. We'll see. Good luck! Please step to your mark. | :09:37. | :09:46. | |
Are you ready? For the record... Three, two, one, go... | :09:47. | :10:18. | |
Five, four, three, two, one stop. Well done! | :10:19. | :10:27. | |
Thank you! Looked pretty good to me. What did you think Looked good to me | :10:28. | :10:33. | |
too. You looked down the whole time. You were focussing on your feet. It | :10:34. | :10:37. | |
was a competition! You did really well. Well done. Thank you. I hope | :10:38. | :10:41. | |
I've done enough to get the record. I don't think I could have done | :10:42. | :10:46. | |
anything more. It would be quite the honour to be the Cuban American who | :10:47. | :10:52. | |
has the title of the most Drunken Sailors in 30 seconds. Well done | :10:53. | :10:55. | |
Janette. Well, looking at that there, do you think Janette that you | :10:56. | :11:00. | |
have beaten Kevin? No. I still don't think I did. Let's remind ourselves | :11:01. | :11:06. | |
ow how things stand -- ourselves how things stand at the moment. At the | :11:07. | :11:12. | |
moment Anton du Beke with 72. I love how everyone is so surprised when | :11:13. | :11:16. | |
they see it. That is how it stands. In order to win, you have to have | :11:17. | :11:21. | |
scored 73 or above, OK? Good luck, guys. It is the moment of truth. | :11:22. | :11:24. | |
This has been building up to this - the last 25 weeks! | :11:25. | :11:30. | |
Time to find out who has won the Pro-Challenge 2013. I can tell you | :11:31. | :11:36. | |
at this point, one of you did 79 Drunken Sailors. The other 77. | :11:37. | :11:43. | |
Wow! However, there were some | :11:44. | :11:48. | |
disqualifications. One of you had two disqualifications. The other had | :11:49. | :11:55. | |
a huge 14 voided by our adjudicators. This is so tense. | :11:56. | :12:04. | |
Please, may I have the gold envelope? Here we go - I can reveal | :12:05. | :12:11. | |
this year's Pro-Challenge and new Guinness World Record holder is... | :12:12. | :12:33. | |
It is Kevin! Well done, Kevin. Let's take a look | :12:34. | :12:44. | |
at the leaderboard. There you are - up the top there. Du | :12:45. | :12:49. | |
Beke will be devastated. You beat him by five. Congratulations. Here | :12:50. | :12:56. | |
to present your certificate we have Liz, from Guinness World Records. | :12:57. | :13:02. | |
Welcome, Liz. How impressed were you with our professional dancers? I was | :13:03. | :13:07. | |
so impressed. Kevin gave it 110%. He was the most nervous out of | :13:08. | :13:12. | |
everyone, bless him. You are so deserving of the title. Here is your | :13:13. | :13:20. | |
certificate. Kevin, from Grimsby - a world record holder, ladies and | :13:21. | :13:25. | |
gentlemen. Where will you keep your certificate? Right next to my bed. | :13:26. | :13:30. | |
Congratulations. Congratulations Janette. Thank you to everyone who | :13:31. | :13:36. | |
took place. Kevin is our Pro-Challenge winner! | :13:37. | :13:40. | |
Who is looking like a winner the training room as well? Let's see how | :13:41. | :13:45. | |
our couples are getting on with their second dance. My second dance | :13:46. | :13:50. | |
this week is the American smooth. I have been dying to do this dance. It | :13:51. | :13:55. | |
is so elegant and classy and it just looked beautiful. I feel safer and | :13:56. | :14:03. | |
my smile is coming back. Wow! Dizzy Lizzie! | :14:04. | :14:09. | |
We have to do lifts in American smooth. Every single time we do a | :14:10. | :14:15. | |
lift, there is a noise coming out of her! It is hard to do a lift when | :14:16. | :14:20. | |
you cannot see it. It is like kick your leg up there - do that. We | :14:21. | :14:25. | |
don't have it right yet. By Saturday, hopefully we will. | :14:26. | :14:31. | |
My second dance this week in the semi-final is the American smooth. | :14:32. | :14:36. | |
We are doing a foxtrot-based American smooth. We need to dance | :14:37. | :14:41. | |
like we're floating on air. I always like lifts because they | :14:42. | :14:45. | |
feel quite exciting. They can also bring about a little | :14:46. | :14:51. | |
bit of pain! Are you all right? They actually hurt quite a lot. The | :14:52. | :14:55. | |
result is they are so beautiful. In order to get the look of it being | :14:56. | :15:00. | |
effortless and create the beautiful lines, it has to be technically | :15:01. | :15:04. | |
spot-on. The things which maybe I didn't get right in the past, that | :15:05. | :15:08. | |
cannot be there any more. My second dance this week is the | :15:09. | :15:17. | |
paso doble. The paso doble is a very controlled dance. It is like you | :15:18. | :15:22. | |
gather all this energy and then you go - definitely intense with a lot | :15:23. | :15:28. | |
of lines and control. It is a conscious act of being arrogant. A | :15:29. | :15:33. | |
lot of holding the frame and trying to get that right attitude in the | :15:34. | :15:37. | |
body. So, a lot of work. This week it will be tough. Every week is | :15:38. | :15:42. | |
tough! For me, it is! I just have to push him and | :15:43. | :15:45. | |
hopefully everything will come together on the Saturday night. | :15:46. | :15:51. | |
My second dance is going to be Argentine tango. Three, four - don't | :15:52. | :15:56. | |
turn out your hips. It is a very difficult dance. It whats a | :15:57. | :15:59. | |
different technique to it. There doesn't seem to be anything | :16:00. | :16:02. | |
that I can apply that I have learnt so far. | :16:03. | :16:07. | |
Push down and relax. Oh I'll have trouble with that. It is like | :16:08. | :16:11. | |
completely forgetting what you were doing for the past 11 weeks and | :16:12. | :16:15. | |
starting from scratch. Relax your arms. There's a fine line between | :16:16. | :16:20. | |
being in the way and getting it right. | :16:21. | :16:24. | |
Sorry, sorry, sorry, I lost my balance! | :16:25. | :16:26. | |
Sorry! But it will be all right on the | :16:27. | :16:28. | |
night! Our second dance this week is the | :16:29. | :16:36. | |
salsa. Obviously there's a lot of hip movement. | :16:37. | :16:42. | |
You do the dance hips and I can't do them. It has to be a big party and | :16:43. | :16:47. | |
go out there and blast it. Although it is fast and furious, it is up my | :16:48. | :16:53. | |
street. It feels like a clubby dance. Your natural instinct goes | :16:54. | :16:59. | |
bang - that is what' we'll do. I want her to -- that is what we'll | :17:00. | :17:04. | |
do. I want her to shake her hair around like Beyonce. There's going | :17:05. | :17:08. | |
to be no holding back in this salsa. We make sure this one really sizzles | :17:09. | :17:13. | |
on the Strictly dance floor. That is how the dancers are looking. | :17:14. | :17:17. | |
How will they look on Saturday night? Of please welcome costume | :17:18. | :17:22. | |
designer and general genius, Vicky Gill. Hello. Can I just say - | :17:23. | :17:27. | |
everywhere I go in the supermarket, people are me is Pasha single and | :17:28. | :17:32. | |
how bril cant are the costumes and can they borrow them. -- brilliant | :17:33. | :17:37. | |
are the costumes and can they borrow them? We make our way over to the | :17:38. | :17:43. | |
first dress, which is Anya's waltz dress, dancing Patrick on Saturday | :17:44. | :17:49. | |
night - to Unchained Melody. This is probably the only pass tell colour | :17:50. | :17:54. | |
she's not had this season. She's gone through the mints and the | :17:55. | :17:59. | |
yellows. It is a light dress. We only have one layer of stretch lace | :18:00. | :18:09. | |
and one of this lace. Just for you. And many booingle beads in gold, | :18:10. | :18:13. | |
silver and lilac. Lots running through. It will have lots more. A | :18:14. | :18:17. | |
lot of the dresses are not finished this week. There are two. You cannot | :18:18. | :18:21. | |
possibly know who will get this far... . So we run out of options. | :18:22. | :18:26. | |
With veto do it week on. You will see more crystals by the time you | :18:27. | :18:31. | |
get to Saturday. Shall we Drunken Sailor across to the other side... I | :18:32. | :18:37. | |
think they look a bit like this! This is Abbey's samba dress. Is this | :18:38. | :18:44. | |
for you? You can hold that. Here we go! You would have thought we had | :18:45. | :18:52. | |
rehearsed this. . This silhouette we use for her titles and press shots | :18:53. | :18:57. | |
early on. We have not seen her dance or perform in this shape. It is nice | :18:58. | :19:02. | |
to make sure we bring it back for samba. We need feather and movement | :19:03. | :19:07. | |
for her. The reason it is pale blue is we hoped to do a denim feel. They | :19:08. | :19:14. | |
are dancing to George Michael, Fate. It is not really Strictly denim. I | :19:15. | :19:21. | |
am sure one day you might make it happen. I did one in blue feathers - | :19:22. | :19:27. | |
it brought me a lot of luck. Let's go to the ironing board. Susanna is | :19:28. | :19:44. | |
doing a foxtrot to Frankie Vallie, Can't Take My sap Eyes Off -- Can't | :19:45. | :19:57. | |
Take My Eyes Off Of You. I love that shoulder detail. It will be very | :19:58. | :20:01. | |
delicate and light. There is a story by the sounds of it in the routine - | :20:02. | :20:06. | |
hence the colours. Sophie is doing an American smooth and it is a real | :20:07. | :20:12. | |
classic. Again, for her, a real classic dress, which she wears so | :20:13. | :20:16. | |
well. It will not be on set. Again we have light grey crystals. | :20:17. | :20:22. | |
It will be put on a nude base. Between all these layers of beading | :20:23. | :20:27. | |
it will be picked up and be much lighter. Her skirt is light. Light | :20:28. | :20:34. | |
grey. It is quite art deck co. Natalie doing an Argentine tango and | :20:35. | :20:40. | |
you have gone for a classic style. In terms of the silhouette. The | :20:41. | :20:44. | |
frill on the bottom would not necessarily be Argentine tango. I | :20:45. | :20:50. | |
felt if we brought the hem line up for Natalie... She has great legs. I | :20:51. | :20:55. | |
felt the sheer George get would work. What do you call that - it is | :20:56. | :21:00. | |
an interesting line - that bust line. It is Vicky's take on it. | :21:01. | :21:10. | |
We put it at the under bust point, because Natalie is small on her | :21:11. | :21:16. | |
waist. We want to accentuate the beautiful body. | :21:17. | :21:19. | |
We have lots of crystals and different sizes. You can see into | :21:20. | :21:24. | |
the spine and up the shoulder. It will look stunning. Two dances this | :21:25. | :21:28. | |
week. How many in the final? Three, I believe - she says! You will be | :21:29. | :21:35. | |
one busy lady. Vicky - isn't she amazing! I liked our dancing, even | :21:36. | :21:41. | |
if the critics didn't like it. Our professional dancers like to look | :21:42. | :21:46. | |
their best. Who overdoes the fake tan and who has natural beauty? Fake | :21:47. | :21:52. | |
tan - around here! The person who wears the most fake | :21:53. | :22:02. | |
tan... . We all wear loads of fake tan. Like a series of taek side | :22:03. | :22:09. | |
boards. They are all tan-tastic. That is easy - it would be Robin. | :22:10. | :22:13. | |
Robin! Robin! | :22:14. | :22:19. | |
Robin, definitely wears the most. We have to go for Kevin Clifton, | :22:20. | :22:24. | |
because he is lily white and he wears a lot of fake tan. I am so | :22:25. | :22:28. | |
pale that I have to wear so many more coats of tan than everyone else | :22:29. | :22:34. | |
just to look normal. I wear the most. Me personally - I don't do | :22:35. | :22:36. | |
any. All natural! Who is the best looking person on | :22:37. | :22:47. | |
Strictly Come Dancing? Not for me to say, is it? Me... No, not me! | :22:48. | :22:57. | |
Not me... Sorry! Of course it is Anton du Beke. Mirror, mirror, on | :22:58. | :23:04. | |
the wall, who is the fairest of them all... No, no, I can't possibly say | :23:05. | :23:09. | |
me! They are all gorgeous. I am putting | :23:10. | :23:15. | |
him in a heart, Aljaz. Very hand some. It is Mr Aljaz. | :23:16. | :23:17. | |
I think Aljaz is the best looking. Let's think about him for a bit... | :23:18. | :23:29. | |
They took the rough with their smooth on Saturday night. They are | :23:30. | :23:33. | |
here to tell us all about it - Susanna and Kevin. He's the | :23:34. | :23:39. | |
best-looking dancer on Strictly and also now a Guinness World Record | :23:40. | :23:42. | |
holder. He is a world record holder. Could | :23:43. | :23:48. | |
he get any more perfect. I met two teenage girls, they are called | :23:49. | :23:54. | |
Clifton - that is their surname. They are wearing glasses like him. | :23:55. | :23:59. | |
Standing ovations for your Argentine tango on Saturday night. Brilliant! | :24:00. | :24:03. | |
You go to the judges and they were pretty harsh. You did see upset when | :24:04. | :24:08. | |
you went to speak to Tess about that. How did it feel? A standing | :24:09. | :24:14. | |
ovation, which felt brilliant and four judges firmly stuck to their | :24:15. | :24:18. | |
seats and saying it didn't have enough passion. I am sorry, I am a | :24:19. | :24:24. | |
little bit crocky. It has been a really challenging week. | :24:25. | :24:28. | |
I'm not still tearful about the fact they didn't like it, just in case | :24:29. | :24:33. | |
anyone is confused. It was disappointing that they didn't love | :24:34. | :24:39. | |
it as much as we loved it. We really loved to dance that dance, didn't | :24:40. | :24:47. | |
we? Definitely. Have Have you watched and it back? The judges were | :24:48. | :24:54. | |
saying about it lacking passion and stuff. We felt we spent most of the | :24:55. | :24:57. | |
dance in each other's faces. I think Susanna is one of the most | :24:58. | :25:02. | |
passionate dancersvy never done. I am -- dancers I have ever known. | :25:03. | :25:11. | |
Your brilliant lean - talk us through it. I could not tell you how | :25:12. | :25:17. | |
it is done. That is a big secret. Is it magic circle type stuff. You can | :25:18. | :25:23. | |
see from me floundering about. In rehearsals I was twice that far. It | :25:24. | :25:27. | |
was going to be a good moment and it would not work on the night. I was | :25:28. | :25:35. | |
gutted! Susanna did some amazing distracting. Susanna saw it straight | :25:36. | :25:40. | |
away and went bang. Swingathon, you get voted off first. You didn't get | :25:41. | :25:45. | |
to start. We were so ready for it after the disapointment of the | :25:46. | :25:51. | |
Argentine tango marks and everything. We looked at each other | :25:52. | :25:55. | |
and said, right we need the points - are you ready? Are you ready? We | :25:56. | :26:00. | |
went, do you love me, five, six, seven eight, get out. You, Susanna | :26:01. | :26:06. | |
and Kevin - if you can't read it! I haven't even got my costume on and | :26:07. | :26:10. | |
she hasn't got her shoes on yet. We didn't get to do it! I am sorry. The | :26:11. | :26:15. | |
viewers saved you. That is brilliant stuff. Are you feeling the pressure | :26:16. | :26:21. | |
they have saved you? I felt so emotional because we were so clear | :26:22. | :26:27. | |
clearly - we did haven't the best night and then I had the best night | :26:28. | :26:32. | |
because the public voted to save us and it felt absolutely amazing. As I | :26:33. | :26:36. | |
said on the night, if I could literally go and knock on everyone's | :26:37. | :26:40. | |
door and say, I love you... Thank you individualally! It might take | :26:41. | :26:44. | |
you some time! After the swingathon, it is no surprise you might need a | :26:45. | :26:49. | |
lie down, as we spotted something in the training room. It has to be | :26:50. | :26:54. | |
said, there have been microsleeps. Two minute power nap. I am feeling a | :26:55. | :26:57. | |
bit tired. My eyelid eyelids close for a | :26:58. | :27:07. | |
fraction longer than they should do. You think I can't see it! | :27:08. | :27:21. | |
I am always back in the room! And one, two, three, four, five, six... | :27:22. | :27:28. | |
OK! Don't fall asleep, Susanna! | :27:29. | :27:34. | |
And she's down! She's down! Back in the room. The semi-final this | :27:35. | :27:38. | |
weekend. So exciting. Two dances - the first of which is the foxtrot. | :27:39. | :27:43. | |
How is it going? I love it. It is lovely, beautiful ballroom dance. | :27:44. | :27:49. | |
Kevin's gorgeous steps and choreography. And you have wonderful | :27:50. | :27:57. | |
music - Frankie Vallie. Is it great to do a classic dance to | :27:58. | :28:02. | |
a classic song? It is nice to have a classic song for each dance and nice | :28:03. | :28:06. | |
to have one that everyone can sing along to, hopefully! How were the | :28:07. | :28:12. | |
pivots of doom? They are becoming pivots of paradise. Yes! That is | :28:13. | :28:16. | |
what we want to hear. You are doing the salsa to this music. | :28:17. | :28:24. | |
Party dance - Junior Senior - I love it. Are you loving it? It is like | :28:25. | :28:29. | |
being at a club on a Saturday night. Who would have thought... The news | :28:30. | :28:33. | |
lot, they are the worst - I tell you. It is the party dance, the | :28:34. | :28:39. | |
semi-final. How excited about the weekend are you? And fingers crossed | :28:40. | :28:44. | |
will you get to the final now? Crazy excited. We are enjoying the two | :28:45. | :28:54. | |
dances we've've got. -- we've got.th Give it up for a world record holder | :28:55. | :29:01. | |
- and his incredible partner, Susanna and Kevin. | :29:02. | :29:04. | |
So fast! That is it for today. Thanks to all | :29:05. | :29:09. | |
my guests. Join me here tomorrow I will talk to Abbey and Aljaz. I will | :29:10. | :29:14. | |
catch up with Sophie and Brendan. Plus, my Friday panel, Chris | :29:15. | :29:21. | |
Hollins, Chris Parker and Lewis Smith. See you tomorrow night. Well | :29:22. | :29:24. | |
done! | :29:25. | :29:30. |