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Welcome to of a very festive It Takes Two. It's the last Monday | :00:00. | :00:09. | |
before the main event! Unfortunately the last man standing | :00:10. | :00:13. | |
was also the last one to fall before the final. Strictly's Mr Smooth, | :00:14. | :00:18. | |
Patrick and his partner, Anya, are here to say farewell. Go on, boy! | :00:19. | :00:25. | |
Amazing. Shut up, close the door and call me Mary! It's only head judge | :00:26. | :00:33. | |
Len Goodman. I curtsy... This is Strictly, It Takes Two. | :00:34. | :00:35. | |
Good evening! Live from London, this is Strictly | :00:36. | :01:26. | |
It Takes Two. Please welcome your host, Zoe Ball. | :01:27. | :01:35. | |
Welcome to It Takes Two five were whittled down to four. One will soon | :01:36. | :01:40. | |
be crowned Strictly champion, 2013. I can barely contain my excitement. | :01:41. | :01:47. | |
In case you missed any action, here are the headlines! Ve: Good evening. | :01:48. | :01:52. | |
Here is the news. Thank you, arm of Jonathan! Here, I can reveal that | :01:53. | :02:00. | |
the exclusive club gained two new members when Natalie and Artem were | :02:01. | :02:03. | |
awarded top marks for their sal sasmt it was Artem's first -- salsa. | :02:04. | :02:10. | |
It was Artem's first ever perfect score ever! | :02:11. | :02:24. | |
You are actually shaking, palpitating. | :02:25. | :02:33. | |
The first one in history. History. Thank you. Team Nartem seemed to | :02:34. | :02:40. | |
have started something. After that the tens kept coming. And the very | :02:41. | :02:42. | |
first one for Sophie and Brendan. For me, your best performance to | :02:43. | :02:49. | |
date. An elegant American smooth, Peter | :02:50. | :03:07. | |
Crouch had better watch out, there is a new man vying for Abbey's | :03:08. | :03:13. | |
perfections. Sex on legs! | :03:14. | :03:21. | |
Oh, my God! You can turn it on! I don't know... I am at boiling point! | :03:22. | :03:26. | |
I can't say anything, I'll be in trouble! I think Bruno's on the | :03:27. | :03:32. | |
turn, darling. While he may have been impressed with the standard at | :03:33. | :03:37. | |
the weekend head coach Len had a bone to pick about something else. | :03:38. | :03:44. | |
It Takes Two - you've annoyed me! The Drunken Sailor challenge - you | :03:45. | :03:50. | |
never got Len on it! He won it! I don't like to brag. | :03:51. | :03:56. | |
There we go! 57! 68! | :03:57. | :04:00. | |
81! And we go into a frenzy! | :04:01. | :04:07. | |
Like father and son, weren't they? Nice one, Len. He'll be here in a | :04:08. | :04:12. | |
minute. Those were the headlines. I thank you! For more backstage | :04:13. | :04:16. | |
gossip, for the last time this year, here is some exclusive footage from | :04:17. | :04:19. | |
behind the scenes on Saturday. There are the four girls and Patrick | :04:20. | :04:34. | |
and it is quite calm. It does feel a bit more empty here - | :04:35. | :04:39. | |
that's for sure. I can't believe I'm in the semi-final. That is amazing! | :04:40. | :04:44. | |
So, let's not waste it! Let's have fun. | :04:45. | :04:50. | |
Five couples. I tell you what, # Tomorrow | :04:51. | :04:54. | |
The sun will shine for four, but for one, the sun will set! | :04:55. | :05:09. | |
We are like the Desperate Housewives of Strictly! | :05:10. | :05:15. | |
That's good! Nervous! I was not nervous. That is | :05:16. | :05:21. | |
just the way of curtailing the word - how good the dance is and how | :05:22. | :05:25. | |
confident she is with the dance. It's just her. | :05:26. | :05:31. | |
I'm full of energy. The more you dance, the more energy you get. I'll | :05:32. | :05:40. | |
keep on dancing. The paso doblely. Anya had a skirt and there was a | :05:41. | :05:45. | |
mishap, that I trod on it. Hopefully it will not go badly in the real | :05:46. | :05:49. | |
thing! I have just sneaked in. I don't think I am allowed to do, but | :05:50. | :05:56. | |
tell no-one! That is amazing! I don't think anybody should leave! | :05:57. | :06:01. | |
Can you tell the bosses that? Soe can make that -- Zoe can make that | :06:02. | :06:05. | |
happen! That is the female pros' dressing | :06:06. | :06:14. | |
room. There's one - last woman standing! | :06:15. | :06:20. | |
Final touchups for the semi-final. It -- touch-ups for the accept | :06:21. | :06:26. | |
final. I'm not in the right outfit for the beginning of the show. The | :06:27. | :06:32. | |
thing is everyone is in the same boat and it's a nice boat to be in - | :06:33. | :06:35. | |
the Strictly boat! Five minutes until we're on air, | :06:36. | :06:46. | |
guys. We'll start to make our way to the staircase. All the best! | :06:47. | :06:52. | |
Semi-final time! Two dances per couple. Brilliant stuff! Make them | :06:53. | :06:56. | |
earn their money, I say, darling! Good luck to them all. | :06:57. | :07:01. | |
See that! Now I really need a wee! | :07:02. | :07:07. | |
It is obviously the most nerve-racking weeks... The first one | :07:08. | :07:12. | |
was bad. I think today will match that. All we can do is... Keep | :07:13. | :07:19. | |
dancing! This has to be the tightest | :07:20. | :07:23. | |
semi-final ever. Anything can happen. One thing is for sure - | :07:24. | :07:27. | |
you're going to get a fantastic show! | :07:28. | :07:34. | |
Their dreams of reaching the finals are maybe over, but they certainly | :07:35. | :07:47. | |
put over one great fight. Will you please welcome the latest Strictly | :07:48. | :07:53. | |
casualty, Patrick and his partner Anya. | :07:54. | :07:55. | |
Well done, darlings in getting so far. Commiserations. Leaving the | :07:56. | :08:02. | |
show is so hard. The week before the final - so frustrating. How | :08:03. | :08:06. | |
devastated were you, Patrick? Well, you can't argue with Artem and | :08:07. | :08:12. | |
Natalie in the dance-off. Really. I speak for everyone We know she's the | :08:13. | :08:20. | |
most accomplished dancer among the celebrities. How come she was in the | :08:21. | :08:24. | |
dance-off. This is what happens with the show. You never know how it | :08:25. | :08:28. | |
turns out. Were you pleased with him? Two incredible dances on | :08:29. | :08:34. | |
Saturday night. Absolutely. I couldn't have asked for more, to be | :08:35. | :08:37. | |
honest with you! Not the final? ! I am trying to give | :08:38. | :08:45. | |
a compliment! Let's talk about you - your great | :08:46. | :08:50. | |
comments from the judges and they commented on the improvement in your | :08:51. | :08:55. | |
posture. That must be wonderful to hear. You did improve on that. It | :08:56. | :09:02. | |
was fantastic and to get those marks for the waltz - it was fantastic. | :09:03. | :09:08. | |
The paso doble, you looked like you were having a good time. Your face | :09:09. | :09:13. | |
was a picture. Craig said it exposed his weaknesses a bit. What did you | :09:14. | :09:19. | |
make of it? Actually I normally always agree with him. I had to | :09:20. | :09:25. | |
disagree on this one. I watched it back and you did everything that I | :09:26. | :09:28. | |
asked you to do. For the short amount of time we had and with your | :09:29. | :09:36. | |
succeedual, I think you did an a-- schedule, I think you did an amazing | :09:37. | :09:42. | |
job. Thank you. A very intimate moment between | :09:43. | :09:47. | |
teacher and pupil. Did you think when there were not any tens, did | :09:48. | :09:52. | |
you think, hang on, we might be in trouble here? No. The first thing I | :09:53. | :09:58. | |
have to say is thank you to the Casualty Team. Oliver Kent and the | :09:59. | :10:03. | |
production team have been brilliant, allowing me to get there. In terms | :10:04. | :10:08. | |
of doing the dance - the paso doble, it didn't really grab me and the | :10:09. | :10:14. | |
music didn't either. It didn't give me anything. I am instinctive with | :10:15. | :10:19. | |
dancing. If the music is good, I kind of go for it. I had to work | :10:20. | :10:25. | |
harder doing the paso doble. So, I tried. I tried my utmost. Show me | :10:26. | :10:33. | |
your face! The arrogant thing... I can't do it! | :10:34. | :10:40. | |
You had an in ced incredible Journey - I have said the J word! You really | :10:41. | :10:45. | |
have - let's look at your Strictly story. It's awesome! | :10:46. | :10:51. | |
Helping you to scrub up - it's Anya. Patrick is a really great person to | :10:52. | :11:03. | |
work with. He can't wait to dance and learning. | :11:04. | :11:06. | |
That's good! You don't get this chance every day. I'm going to go | :11:07. | :11:16. | |
for it! That jive was alive! The rhythm and energy was absolutely | :11:17. | :11:20. | |
fantastic! I am chuffed! Yes! Quick, slow... | :11:21. | :11:29. | |
She is a hard task master. Cross in front and slow. You have to have | :11:30. | :11:34. | |
discipline but you must have fun as well. | :11:35. | :11:38. | |
I can't get up! I thought it had fantastic attack. Your timing is | :11:39. | :11:46. | |
impeccable. You are one to watch! I love dancing with Anya. | :11:47. | :11:52. | |
You brought class to this. Very nice. Dial with a smile. It went | :11:53. | :12:03. | |
well. I think so too! You You were smiling, I was beaming. That is your | :12:04. | :12:08. | |
best dance! I just heard from Patrick. That he | :12:09. | :12:13. | |
hurt his wrist last night. The injury to my hand has had a big | :12:14. | :12:17. | |
impact on the dance. Anya's had to change the routine drastically. I'll | :12:18. | :12:21. | |
be out there, Saturday night, trying to do it! You did a really good job | :12:22. | :12:28. | |
under terrible circumstances. Well done! I thought, I'm going to be | :12:29. | :12:37. | |
dancing again. I would like to save Patrick and Anya. I need to enjoy | :12:38. | :12:42. | |
every moment. It could have gone and it's still here. I am so excited to | :12:43. | :12:46. | |
be back in the training room with Patrick. He's lovely to work with. | :12:47. | :12:56. | |
Strictly's given me more appreciation of dancing. You get out | :12:57. | :13:02. | |
what you put in. Great work! Well done! Getting two nines is | :13:03. | :13:06. | |
fantastic. Hopefully it will go up and up and up. My goal is to still | :13:07. | :13:14. | |
be in Strictly on my 50th and I'm still here! | :13:15. | :13:20. | |
You are the best male celebrity in this competition. | :13:21. | :13:27. | |
It was incredible getting a ten. The samba is a party dance. Rhythm, | :13:28. | :13:33. | |
rhythm. I cannot wait to bring the carnival to the Blackpool Tower | :13:34. | :13:38. | |
ballroom. That is not a samba, that is a whamba! It was fantastic! | :13:39. | :13:45. | |
The next one will be better! I hope so! Patrick is a serious, | :13:46. | :13:52. | |
dramatic actor. Soft - what light through the window breaks? I crush | :13:53. | :13:59. | |
you! Pay attention 007! You were riding very well for a | :14:00. | :14:03. | |
while, then at the end you crash-landed! Being an actor, I am | :14:04. | :14:08. | |
used to playing a character. The charleston is a very Seiny | :14:09. | :14:11. | |
characterful dance. It was fantastic. Three tens! Whoa! | :14:12. | :14:26. | |
Strictly has almost taken over my whole world. You get it going down | :14:27. | :14:31. | |
the street - how is the training going? Good luck for next week! This | :14:32. | :14:36. | |
week will be tough. Every week is tough! For me... It is! | :14:37. | :14:41. | |
I'm chuffed to bits to have got more than three, four, five dances under | :14:42. | :14:46. | |
my belt and people have enjoyed it. I have loved it - every minute of | :14:47. | :14:50. | |
it. Patrick, look at you - the poise, the sense of distinction. You | :14:51. | :14:56. | |
really placed it so well. Judges, it is time to decide. I am going for | :14:57. | :15:01. | |
Natalie and Artem. Natalie and Artem. | :15:02. | :15:06. | |
Patrick, thank you so much for being you. You've been incredible. You are | :15:07. | :15:11. | |
a true artist. You inspired me. So, from the bottom of my heart, thank | :15:12. | :15:15. | |
you. I think you are incredible. I wish you the best of luck. | :15:16. | :15:24. | |
13 dances - incredible. Do you have a favourite. Anya has gone - the | :15:25. | :15:32. | |
glitter tissues you are out! Did you have a favourite moment? I loved | :15:33. | :15:39. | |
doing the American smooth. Foxtrot. It was proper Vegas - those lifts! | :15:40. | :15:45. | |
That and Chitty Chitty Bang Bang. Who would you like to see of your | :15:46. | :15:49. | |
friends - of the girls now - to go on and lift the glitterball trophy, | :15:50. | :15:57. | |
Patrick? Maybe Sophie. I enjoyed her charleston that she did with | :15:58. | :16:01. | |
Brendan. I think they've been doing very smooth stuff. Yeah, I mean... | :16:02. | :16:06. | |
Anybody deserves to win. You have been awesome, the two of you, and on | :16:07. | :16:12. | |
a crazy schedule. Thank you so much. Thank you. | :16:13. | :16:16. | |
Patrick and Anya! Thank you. | :16:17. | :16:19. | |
It's been a great series, full of outstanding performances. I think we | :16:20. | :16:27. | |
all agree. It is time to see Iveta in professional's choice. | :16:28. | :16:38. | |
My professional of choice is Natalie and Artem - it was one of the most | :16:39. | :16:45. | |
magical numbers I have ever seen. What I liked was the beginning. You | :16:46. | :16:50. | |
couldn't see Natalie and when she appeared out of smoke - the | :16:51. | :16:55. | |
connection they had from the very beginning of the dance is as soon as | :16:56. | :17:00. | |
they touch they start dancing. The extensions they had were so | :17:01. | :17:04. | |
beautiful. Every line was extended to its maximum. How they were using | :17:05. | :17:09. | |
each other's body weights - it was so balanced. | :17:10. | :17:16. | |
They go side by side. The section where they both spin. They were so | :17:17. | :17:22. | |
synchronised. One of the other favourite moments was the Natalie - | :17:23. | :17:26. | |
when she went down on the floor, which was very graceful, and fluid. | :17:27. | :17:31. | |
She did a little roll and they finished together, head to head, | :17:32. | :17:35. | |
back to back. It was beautiful and emotional. I think Artem took a big | :17:36. | :17:39. | |
chance on doing such a difficult and such ex express sieve one. The | :17:40. | :17:46. | |
challenge in the Viennese waltz is so stay in that hold. It is supposed | :17:47. | :17:51. | |
to have more in the hold in dancing, but in order to tell a better story, | :17:52. | :17:56. | |
you had to have a little bit more performance to tick over. I | :17:57. | :18:01. | |
understand both sides. I don't think there's a person in the country | :18:02. | :18:05. | |
who's not screaming now - this is magic! Magic! | :18:06. | :18:12. | |
The reason I really liked the dance is because it had a big story. It | :18:13. | :18:20. | |
had a great entrance. Showed a great technique and it touched everyone by | :18:21. | :18:24. | |
the end of the dance. That is why I loved it. | :18:25. | :18:32. | |
Thank you Iveta. Soon Len Goodman will join us to about the weekend. | :18:33. | :18:38. | |
It is very exciting! With the final imminent who better to give our | :18:39. | :18:47. | |
celebs top tips than last year's champion! | :18:48. | :18:53. | |
Hello. You seem to have caught me getting all Christmassy. Now I am | :18:54. | :19:00. | |
feeling festive, I might give you my top tips on how to become the | :19:01. | :19:04. | |
champion. Tip number one - in order to gain maximum attention during | :19:05. | :19:11. | |
training be sure to perform a few diva chops. Leave me alone, flavia! | :19:12. | :19:24. | |
I can't do that! It's horrific. So's that top. Tell me when you are | :19:25. | :19:30. | |
ready? Thursday. I don't care. I'll dance with Danni - she's better than | :19:31. | :19:36. | |
you any way! The professionals go on about this all the time - footwork, | :19:37. | :19:41. | |
posture, face expressions. For me, there's only one thing that needs to | :19:42. | :19:45. | |
be right if you are going to win Strictly and that's the hairdo! | :19:46. | :19:51. | |
I've got to make sure my hair is up to scratch. | :19:52. | :19:59. | |
How does my hair look? Looking good! Any gymnast, any sportsman or dancer | :20:00. | :20:12. | |
will know, a good meal is vital to success. There's no better diet than | :20:13. | :20:17. | |
baked beans on toast. More importantly it has to be delivered | :20:18. | :20:21. | |
by your mum. I can't stop thinking about beans on toast. My mum's got | :20:22. | :20:28. | |
me beans on toast! Thanks, mum! I just needed to have it! Look at | :20:29. | :20:36. | |
what mums do! Honestly! So my next tip - not everything on Strictly is | :20:37. | :20:40. | |
handed to you on a plate. You have to be creative, use your imagination | :20:41. | :20:47. | |
and oh, a bit of sticky-backed plastic helps too! Place the socks | :20:48. | :20:54. | |
on three bits of tape. Press down firmly. Place the contraption on the | :20:55. | :21:00. | |
knee and wrap around. Here's one we made earlier. Here's one we prepared | :21:01. | :21:07. | |
earlier. Made... You don't know nothing! I know some things! | :21:08. | :21:12. | |
Tell you what, to win Strictly you need to impress the ladies. | :21:13. | :21:16. | |
Obviously dancing with your top off isn't a bad place to start. It helps | :21:17. | :21:19. | |
to flash a bit of flesh. Finally to become the Strictly | :21:20. | :21:47. | |
champion, you need to have great natural rhythm. You need to be | :21:48. | :21:51. | |
extremely good looking and you node to be a marvellous dancer. In fact, | :21:52. | :22:03. | |
a marvellous dancer! Now, this year, there's been one | :22:04. | :22:06. | |
judge who has been putting the strict into Strictly, with his | :22:07. | :22:11. | |
no-nonsense attitude. We are so excited to have him here - please go | :22:12. | :22:16. | |
full on and flat out for top cat, Len Goodman! | :22:17. | :22:22. | |
Wiggle and a wiggle! Hello, my darling. Was that a Drunken Sailor? | :22:23. | :22:32. | |
What I wanted to do, but they... I wanted to start at the top of the | :22:33. | :22:40. | |
stairs and do a Brendan down the banister! How much have you been | :22:41. | :22:44. | |
enjoying this series, Len? It's been fabulous. You have the full mix. | :22:45. | :22:49. | |
We've had Dave in there. You know, we've had some comedy couples. We've | :22:50. | :22:56. | |
had wonderful dancing. It's been terrific. Here we are! One to go. | :22:57. | :23:02. | |
Are you happy - are the right four in the final? It is always the right | :23:03. | :23:07. | |
four in the final. OK, maybe not always what the judges would have | :23:08. | :23:12. | |
picked. It's a combination we say our bit and the viewers have theirs. | :23:13. | :23:16. | |
What we get is what we get and that is how it should be. Two dances to | :23:17. | :23:22. | |
discuss. I start with Abbey and Aljaz and their samba. You loved her | :23:23. | :23:32. | |
cortejaca. And then some quick flare and here we go! I'm a cup of tea and | :23:33. | :23:40. | |
a world of lattes. I like to see the traditional moves coming in. I used | :23:41. | :23:47. | |
to dance cortejaca when I was in my 20s. I like to see that basic stuff | :23:48. | :23:55. | |
as well as all the razzmatazz. Sophie and Brendan and their | :23:56. | :23:59. | |
American smooth - breathtaking. She was well within her comfort zone | :24:00. | :24:04. | |
here - that lovely start coming down the banister... Three beautiful | :24:05. | :24:09. | |
lifts. The secret to lifts is not just the lift - it is how you get | :24:10. | :24:12. | |
into it, how you get out to it. She did that beautifully. She's such an | :24:13. | :24:19. | |
elegant girl. The foxtrot is an elegant dance. It suited her so much | :24:20. | :24:24. | |
I was lovely! Stunning. Susanna and Kevin and their foxtrot - you simply | :24:25. | :24:29. | |
said terrific. Why was it a ten for this one? Let me say, sometimes on | :24:30. | :24:34. | |
the show, you know, they are running a little bit over and it is live. | :24:35. | :24:37. | |
One of the ways they get the time back is to say to the judges, we've | :24:38. | :24:42. | |
got to be really brief. Sometimes you have to say one word or just | :24:43. | :24:46. | |
very quickly. So, I didn't get really a chance to fully critique | :24:47. | :24:52. | |
it. It was lovely. It was not the American smooth version where you | :24:53. | :24:55. | |
can do lifts, you can come out of hold. Basically once you get into | :24:56. | :25:00. | |
hold - it is a proper dance. To do it to that standard I thought was | :25:01. | :25:06. | |
wonderful. Well done. Natalie and Artem and their salsa - top marks. | :25:07. | :25:13. | |
What made it the perfect salsa? Look at her going there! The thing is | :25:14. | :25:17. | |
sometimes everything comes together. The music, the technique, the | :25:18. | :25:22. | |
rhythm, the performance and it all comes together! That was one of | :25:23. | :25:28. | |
those moments. It was just smooshing. We have other dances as | :25:29. | :25:34. | |
well. Abbey and Aljaz and their American smooth. After this, you | :25:35. | :25:37. | |
said you were convinced she would be in the final. Why... Why does she do | :25:38. | :25:42. | |
this so well? This girl's ballroom. Look at the distance between her | :25:43. | :25:46. | |
head and Aljaz's head. That is one of the secrets, to get that distance | :25:47. | :25:51. | |
- the girl has to shape off to the left. She maintains that posture and | :25:52. | :25:56. | |
hold throughout the dance. I tell you what, she's, she really is a | :25:57. | :26:05. | |
revelation. Norm Normally tall... Tall girls usually have trouble | :26:06. | :26:10. | |
co-ordinating. You know, she's come out from... No, you were in that | :26:11. | :26:17. | |
league - I promise you! Don't! I'll take that. The thing is, it was so | :26:18. | :26:23. | |
long ago no-one will remember! It was before the Blitz! | :26:24. | :26:29. | |
Sophie and Brendan - you said she interpreted it through her body. It | :26:30. | :26:38. | |
was not a traditional b boom-ditty-boom... She did that | :26:39. | :26:41. | |
dance - the musical interpretation was wonderful. Brendan has excelled | :26:42. | :26:48. | |
himself with his choreography. He's come out with a stonking dance. | :26:49. | :26:58. | |
Susanna and Kevin, you said a little bit messy. Dances are balanced. | :26:59. | :27:04. | |
Sometimes, if you go too much at ate then you lose the technique and -- | :27:05. | :27:08. | |
too much at it then you lose the control. You have to get the | :27:09. | :27:14. | |
technique - plus the wow. I know salsa is a wow dance, it went | :27:15. | :27:18. | |
over-the-top. She lost some of the control of the dance. Still good | :27:19. | :27:24. | |
scores. Am I talking too long? I like it! I am a virgin on this! We | :27:25. | :27:32. | |
are doing some moving. I tell you, smooth operator. The Argentine tango | :27:33. | :27:38. | |
- this was an incredible moment, wasn't it? I thought this was | :27:39. | :27:44. | |
everything... To be honest, I not always a punter for the Argentine | :27:45. | :27:49. | |
tango. Sometimes I think it is a bit silly, all that up and down. I must | :27:50. | :27:55. | |
say, from the beginning it just held me the whole time. You know. I think | :27:56. | :28:01. | |
I said something about dance is a fire and sometimes it should warm | :28:02. | :28:05. | |
like a fot trot. Others should -- foxtrot. Others should burn - | :28:06. | :28:13. | |
paso... That was just right on... It was... The right temperature. Thank | :28:14. | :28:21. | |
you. Shame the hair biker wasn't here! To stick his meat gauge in. | :28:22. | :28:34. | |
Anyone could be knocked out. They do the first half and then someone | :28:35. | :28:38. | |
goes. To be honest, anyone could be the one that went. Also, any one of | :28:39. | :28:41. | |
them could be the one that ends up winning the whole thing. That is how | :28:42. | :28:46. | |
close it is. I really have no and I think - that is what makes it | :28:47. | :28:50. | |
exciting. I have no idea who will go and who will... I tell you - that | :28:51. | :28:57. | |
mirror ball! We get to see the show dance. Everyone gets excited. What | :28:58. | :29:02. | |
are the rules for the show dance? Absolutely no rules. They pick their | :29:03. | :29:07. | |
own music. They can do lifts. They can - it's their show dance. It is | :29:08. | :29:13. | |
their opportunity to come out and show us what they have learnt over | :29:14. | :29:19. | |
all those weeks and just come out and wow us! We'll have to hold tight | :29:20. | :29:24. | |
on Saturday, aren't we? I usually wear a thong, but I think it will be | :29:25. | :29:28. | |
too exciting for that. I'll have to put my sloggis on! I can't stand it! | :29:29. | :29:35. | |
It's been a pleasure to see you. Thank you so much. Len Goodman, | :29:36. | :29:43. | |
everybody. And you can catch Len 9pm on BBC Four for Len Goodman's | :29:44. | :29:49. | |
programme. It will be amazing. That's all we have time for. | :29:50. | :29:56. | |
Tomorrow I will be joined by Natalie and Artem and Abbey and Aljaz and | :29:57. | :30:01. | |
Karen Hardy for Choreography Corner. See | :30:02. | :30:02. |