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Hello and welcome to Thursday's It Takes Two. A lot of love in the air. | :00:10. | :00:17. | |
We have a great line-up. It is Deborah and robin! The high-scoring | :00:17. | :00:25. | |
waltz was up the judges' street, Natalie and Artem are here! And they | :00:25. | :00:28. | |
got loud and wowed the crowd. Abbey Natalie and Artem are here! And they | :00:29. | :00:36. | |
and al-Jacques join us. -- Aljaz join us. And we get a | :00:36. | :00:43. | |
sneaky look at next Saturday's costumes with Vicky Gill! This is | :00:43. | :00:47. | |
Strictly Come Dancing: It Takes Two! Live from London, this is Strictly: | :00:47. | :01:37. | |
It Takes Two. This is your host, Zoe Ball! Hello and welcome to Strictly | :01:37. | :01:43. | |
Come Dancing. It is 48 hours until D-Day, that is Dance Day, but we are | :01:43. | :01:49. | |
in a romantic mood in the studio. A lot of kissing going on there. It is | :01:49. | :01:53. | |
Love Week. Love it! In a moment we are meeting | :01:53. | :01:58. | |
Deborah and Robin but before that, let's have a look at how our | :01:58. | :02:02. | |
celebrities are getting on with the training. | :02:02. | :02:06. | |
I am dancing a 1578 bar. There is a lot going on in the Samba. | :02:06. | :02:12. | |
Thatst way! I just can't get this. It scares the hell out of me. His | :02:12. | :02:19. | |
arms, his posture, his hips. There is a lot of things to work on. | :02:19. | :02:22. | |
arms, his posture, his hips. There I want to feel like I'm improving. | :02:22. | :02:29. | |
That it is something that comes naturally. I should know that by | :02:29. | :02:34. | |
now, it is week three! But the whole hips mall arcy, hmm... It is easy! | :02:34. | :02:44. | |
Got it! We are dancing the waltz. In ballroom you always lead with your | :02:44. | :02:48. | |
heel. In Latin you step on to the ball of your foot. I seem to be | :02:48. | :02:52. | |
really, really good at doing them the wrong way around. Oops! There is | :02:52. | :02:57. | |
a lot more to it than I had realised. It is heels and heads. The | :02:57. | :03:02. | |
legs don't know what they are doing but the brain gets in the way. Then | :03:02. | :03:06. | |
there is a crisis in the mind. Heel, heel... I don't put my legs in | :03:06. | :03:10. | |
there is a crisis in the mind. the right positions and I'm not | :03:10. | :03:14. | |
pivoting correctly it all becomes a bit of knitting after a while. This | :03:14. | :03:25. | |
week, we have a belter it is a patio doble. It is a lot of strutting. One | :03:25. | :03:30. | |
of the worries is the cape work. It is not just a question of hello! | :03:30. | :03:36. | |
There is a technique of flicking it. Dave has to per sonify a Matador. | :03:36. | :03:42. | |
Belly in, hips forward, feet together! And then look natural. | :03:42. | :03:48. | |
Sometimes he is so carried away into the character, he forgets his | :03:48. | :03:55. | |
routine. I have to prove I'm the bull-conquering matador in love with | :03:55. | :04:00. | |
his bull! That sounds wrong! I amen joying the quickstep. Which is a bit | :04:00. | :04:06. | |
wrong. I keep bursting into giggles. There are bits that I find natural, | :04:06. | :04:11. | |
but there are complicated steps in there. | :04:11. | :04:16. | |
The heel! Sorry! I'm too far on the side? ! Getting them in the right | :04:16. | :04:23. | |
order is an issue. Deborah has been working really hard on the frame. | :04:23. | :04:27. | |
The shoulders are down. Moving across the floor well. If it stays | :04:27. | :04:31. | |
like that on Saturday night I will be in heaven. Walk, walk, walk, | :04:31. | :04:40. | |
superb! That's what we want a happy Bobby. They earned the judges' | :04:40. | :04:46. | |
respect but will the quickstep take them higher up the leaderboard it is | :04:46. | :04:52. | |
Deborah and Robin! Hello you gorgeous two some. Well done. | :04:52. | :04:55. | |
Another great dance for you on Saturday. You looked stunny. Our | :04:55. | :05:00. | |
pretty lady in pink. How much did you enjoy it? I loved it. I was | :05:00. | :05:06. | |
terrified, then when I started I thought I would give it my all it | :05:07. | :05:11. | |
could be the last dance. Are you any more confident the | :05:11. | :05:17. | |
second week out? It is hard. It is a weird feeling. I am scared but | :05:17. | :05:22. | |
really, really excited. A feeling I have never felt before. I think I | :05:22. | :05:28. | |
spooked him before the dance. Yeah, you did! He raised his voice | :05:28. | :05:33. | |
to me. That has never happened. How did she spook you? Little bits | :05:33. | :05:39. | |
of the routine were not going right. They had not been going right. I | :05:39. | :05:44. | |
said I would have to take it out. She said you can't take it out. I | :05:44. | :05:47. | |
said I cannot let this happen on live television on Saturday night. | :05:48. | :05:53. | |
So I am taking it out. Then she got it perfectly. | :05:54. | :05:56. | |
So, a little technique you have learned! The judges were saying they | :05:56. | :06:03. | |
love watching you dance. Fiona says she is impressed with you, a dancing | :06:03. | :06:09. | |
Dragon with dignity. Exactly what Strictly is all about. Getting | :06:09. | :06:14. | |
better each week. How lovely. | :06:14. | :06:17. | |
Robin, Len said that Deborah has to concentrate on the technique. Has it | :06:17. | :06:22. | |
happened this week? We are working on the rise and the fall. We have | :06:22. | :06:27. | |
the quickstep. So a lot of foot to foot action. We have been working on | :06:27. | :06:32. | |
that. Deborah has had very sore balls of the feet. | :06:32. | :06:36. | |
They are totally numb now. It does not hurt anymore it is fine. | :06:37. | :06:42. | |
And you equalled the score from the first week, are you hoping to get it | :06:42. | :06:48. | |
up? I was chuffed... Yes! Sorry is the answer! So, OK, well that is | :06:48. | :06:53. | |
this week. Now you came into the training room a few weeks ago, a | :06:53. | :07:00. | |
Dragon entered the training room but it seems that Robin has found a way | :07:00. | :07:04. | |
to tame the feisty business woman. Look at this you are doing, step. | :07:04. | :07:11. | |
No. No. No you are walk, walk, walk, that was awful. | :07:11. | :07:17. | |
Is that you cross? Are you finished? You should just go. I can look at | :07:17. | :07:22. | |
you, you can look at me. No. No, I'm leading. I have tried and tried. I | :07:22. | :07:26. | |
don't think anyone has seen me cross. Do not #k078 off the floor! | :07:26. | :07:32. | |
What am I doing? ! You are going to have a very unhappy Robin on your | :07:32. | :07:35. | |
hands. I am scared now. Go! I have had | :07:35. | :07:43. | |
enough! Sorry. Oh! Sit! Now, that is how to train a dragon! She is very | :07:43. | :07:47. | |
good. Robin, you are horrified? I how to train a dragon! She is very | :07:47. | :07:53. | |
did not realise I was that tough. I am more horrified, my husband has | :07:53. | :07:58. | |
seen me obeying somebody. He has no idea he could do that! So, don't | :07:58. | :08:04. | |
give him any ideas! What challenges have you had with Deborah, Robin? | :08:04. | :08:10. | |
Deborah discovered that the quickstep is quick with lots of | :08:10. | :08:14. | |
steps in it. As it says on the tin. So far in the rehearsal Deborah is | :08:15. | :08:20. | |
starting well, then as we get into the dance, there is a | :08:20. | :08:24. | |
minute-and-a-half of chaos. Don't say chaos! Organised chaos! | :08:24. | :08:34. | |
Thank, babe. Let's listen to the music. This is one of my favourites, | :08:34. | :08:39. | |
Higher and Higher, Jackie Wilson, why did you choose this one? I am | :08:39. | :08:45. | |
not a smoochy person it was a song that my husband and I when we met it | :08:45. | :08:50. | |
is a joyous song. It is a lovely song. It is about happiness joy, | :08:50. | :08:56. | |
life. That's what I chose it. Good luck, it will be better than | :08:56. | :09:03. | |
organised chaos. Don't say that on tooif telly! Don't look sheepish | :09:03. | :09:08. | |
now! Back to the training room to see how Sophie, Mark and Natalie are | :09:08. | :09:14. | |
shaping up for Saturday's passionate performances. | :09:14. | :09:18. | |
This week I have a Samba. It is notoriously hard! Yes it is a tricky | :09:18. | :09:24. | |
one, but it can be done. It has to feel effortless and fun | :09:24. | :09:29. | |
and fiery. So that's my job to try to bring all | :09:29. | :09:34. | |
of that to the dance this week. I believe in Sophie. She has talent. | :09:34. | :09:39. | |
She has the right attitude. This is my first Latin number, so | :09:39. | :09:44. | |
let's see what happens. We can deliver what we are starting to | :09:45. | :09:49. | |
deliver nour, if that stays as it is, come Saturday, I will be a happy | :09:49. | :09:53. | |
man. We are dancing the American Smooth. | :09:53. | :10:00. | |
It all about control, the hold, and making it smooth. I thought it would | :10:00. | :10:06. | |
be easy it is not. He is struggling with a few steps. | :10:06. | :10:13. | |
I have it. We are a tad more serious... It is such a graceful | :10:13. | :10:16. | |
dance. It would be a shame to just do | :10:16. | :10:23. | |
comedy, comedy, comedy. We wanted to look a little more classy. Open up a | :10:23. | :10:28. | |
different side of Mark. I hope that people enjoy the | :10:28. | :10:31. | |
routine. We are dancing the rumba. We have a | :10:31. | :10:36. | |
daunting task ahead of us it is a lot about hip action, footwork and | :10:36. | :10:42. | |
to get the fluidity of the movement. At the moment I am a bit rigid. | :10:42. | :10:48. | |
Rumba is a slow dance. The slower the dance, the more technical it is. | :10:48. | :10:55. | |
So, a bit of pressure this week. I am somebody that gets tense | :10:55. | :11:01. | |
quickly. I don't know what I'm doing! I need to relax into it a | :11:01. | :11:05. | |
little more. Stop panicking. There is a lot to panic about, that is the | :11:05. | :11:12. | |
problem! Don't panic! They are currently the top of the | :11:13. | :11:15. | |
leaderboard. They are hoping that the rumba will keep them up there. | :11:15. | :11:21. | |
Natalie and Artem are here. Welcome. Welcome. Week two, you are on the | :11:21. | :11:26. | |
top spot. Craig said you were breathtaking, you must be feeling | :11:26. | :11:29. | |
good, Natalie? It was an amazing night. We really enjoyed dancing the | :11:29. | :11:34. | |
waltz together, I think. There was such a beautiful song it made it | :11:34. | :11:39. | |
easier. It was lovely. I had a great night. | :11:39. | :11:42. | |
Did you critic your neck with the incredible head rolls you did? They | :11:42. | :11:46. | |
were stunning! I was warm by then. We had rolled a few times by that | :11:46. | :11:51. | |
time of the day. And Artem, I mean being top dogs so | :11:51. | :11:59. | |
early on at the competition, does it add pressure? I don't even want to | :11:59. | :12:04. | |
-- want to think about it. It is scary. This week we are doing the | :12:04. | :12:10. | |
rumba... And... It is challenging. OK. We will get tonne that. The | :12:10. | :12:16. | |
judges picked up on your great ability to tell the story of a dance | :12:16. | :12:21. | |
throughout. I know that Bruno was getting poetic, as he does. Has your | :12:21. | :12:26. | |
acting training helped with that, do you think? I think it is really | :12:26. | :12:29. | |
important to tell a story in a dance. It is something that I | :12:29. | :12:33. | |
relish. So, I am lucky that I get to chance | :12:33. | :12:38. | |
to do that on this show. I am hoping that that can kind of | :12:38. | :12:43. | |
help to cover mistakes that I makes a well! What mistakes! ? Are a few. | :12:43. | :12:54. | |
I should say, you glazed over with that, like, wow it is so beautiful! | :12:54. | :13:01. | |
Did I? Maybe a little! A great comment from the judge, Len was | :13:01. | :13:09. | |
really impressed with the routine. Does Natalie help you? Do you help | :13:09. | :13:15. | |
me with the dance? Absolutely! She was with me all the way. | :13:15. | :13:19. | |
You are the boss in charge? Absolutely. | :13:19. | :13:20. | |
Don't mess with him. The training is Absolutely. | :13:20. | :13:25. | |
paying off, but we have spotted that Natalie does not find it easy to | :13:25. | :13:30. | |
focus on the task in hand. Look at this. | :13:30. | :13:37. | |
This week we have... That is really funny! One... | :13:37. | :13:47. | |
LAUGHTER REPORTER: How does it feel? | :13:47. | :13:59. | |
LAUGHTER Right! | :13:59. | :14:03. | |
LAUGHTER I'm really sorry! | :14:03. | :14:08. | |
REPORTER: OK, take a moment. OK. One more time. | :14:08. | :14:17. | |
I don't know what's gotten into me? ! She is off again. | :14:17. | :14:23. | |
It is like when someone laughs in assembly and they get cross with | :14:23. | :14:27. | |
you? ! Yes. This week you are doing the rumba. I | :14:27. | :14:33. | |
hear it is not your favourite. Why not? I will enjoy it on Saturday it | :14:33. | :14:37. | |
is a beautiful dance. It will be the death of me, I think. | :14:37. | :14:42. | |
Really, it is that difficult? Let's listen to the music. You are dancing | :14:42. | :14:48. | |
to Rihanna. Come on. Oh, I think this is going | :14:48. | :14:53. | |
to be great. Tell me about the slippery move? The slithering one, | :14:53. | :15:00. | |
the snake. Oh, yes, there is one. It is really exciting. There are lots | :15:00. | :15:05. | |
of things that can go really wrong. Thanks for that. | :15:05. | :15:10. | |
I love the way you say that with a maniac-type laugh and a grin on your | :15:10. | :15:16. | |
face. Good luck with it on Saturday. Artem is hilarious! Best of luck, | :15:16. | :15:22. | |
Natalie and Artem! Back to the training room. Time to see how | :15:22. | :15:26. | |
Rachel, Vanessa and Julian are getting on with their dancing. | :15:26. | :15:31. | |
Stop it, you two! We are dancing the chafr char char. I need to focus and | :15:31. | :15:37. | |
concentrate on being precise, the movements. It is superfast, | :15:38. | :15:42. | |
supersharp. The main thing that Rachel is struggling with is to | :15:42. | :15:46. | |
co-ordinate all of the body parts together. Straight legs, small | :15:46. | :15:49. | |
steppers. I'm getting confused with when to | :15:49. | :15:55. | |
lock your knees and when you are allowed to bend them. I am flinging | :15:55. | :16:02. | |
my legs a bit. There are a lot of things to think about in the | :16:02. | :16:06. | |
cha-cha-cha. Hopefully Rachel will remember them and bring it on the | :16:06. | :16:08. | |
night. I'm dancing the tango. I am finding | :16:08. | :16:13. | |
it very difficult. The dance is so fast. Brutalment I am brutal. | :16:13. | :16:19. | |
I hope that I have the stamina and the fitness to keep up. The tango | :16:19. | :16:23. | |
will be a challenge. I have put in more content into the routine. He is | :16:23. | :16:28. | |
going at full speed like a racehorse, there am I chugging along | :16:28. | :16:33. | |
like a cart horse. She is getting the steps in the wrong place it is a | :16:33. | :16:36. | |
worry. I want to get myself into a place | :16:36. | :16:41. | |
where the tango is my dance. I want to be tango, I don't want to be | :16:41. | :16:47. | |
taggowed! -- be tangoed! I am doing the | :16:47. | :17:02. | |
quickstep. I love it Julian is not quick or light on his feet. Which | :17:02. | :17:06. | |
well have to work on that. It is demanding. Lots of pointy | :17:06. | :17:12. | |
toes, flicks which is hard going. It will be a test for him, for his | :17:12. | :17:18. | |
technique, but on a performance level he will shine. He really love | :17:18. | :17:24. | |
it is. I can see him in sparkle, the head | :17:24. | :17:30. | |
band, love it. So, we have seen the dances, what about the dresses? Here | :17:30. | :17:35. | |
to give us a sneaky peak is Vicky Gill! Can I say incredibly frocks | :17:35. | :17:44. | |
over the weekend. This weekend it is the Love Theme. What can we expect | :17:44. | :17:49. | |
to see? It is a first for Love Week, but it is everywhere. In the | :17:49. | :17:54. | |
screens, in the props. If not anywhere else, it is on the frocks. | :17:54. | :18:00. | |
Walk with me. Over here, there is Natalie's rum ban dress. Look at | :18:00. | :18:05. | |
that. A saucy little number to our lovely lady. The rumba dresses, what | :18:05. | :18:11. | |
colours are they normally? Soft colours. The professional Latin | :18:11. | :18:17. | |
dancers like white, but not everyone can have a white, but Artem | :18:17. | :18:23. | |
requested a pastel colour. So we chose peppermint. So, one shoulder, | :18:23. | :18:27. | |
I like it. We have kept it simple for Natalie. | :18:27. | :18:32. | |
So one shoulder line, a column dress with a high split... So that the | :18:32. | :18:38. | |
legs, the pins can come out. Yes, everything you saw in the vvt | :18:38. | :18:42. | |
it, she can do. I think that Julian will be jealous | :18:42. | :18:46. | |
this week. Will it stay like that? Or dot | :18:46. | :18:50. | |
dresses change through the weeks? They do. | :18:51. | :18:52. | |
Come with us. Look at the lovely ironing board! | :18:52. | :18:56. | |
Come with us. Over here, Pasha and Anna are doing | :18:56. | :19:10. | |
a fox trachlt talk me through, are there any goudies on this week? Not | :19:10. | :19:14. | |
this week. This is a classic colour. There is a lot of pearl detail on | :19:14. | :19:20. | |
the week. Anya had it on in the summer fittings and liked it. | :19:20. | :19:24. | |
I think that she will be confident in the dress. | :19:24. | :19:34. | |
They are beautiful. The ruffles! So, Sophie has asked for something for | :19:34. | :19:40. | |
the Samba, colour? That is exciting. Yes, lots of colours. We are | :19:40. | :19:45. | |
thinking Mardi Gras but Sophie, I loved her eye make-up. | :19:45. | :19:49. | |
The two tonne. It was gold and purple? Gold and purple with maybe | :19:49. | :19:55. | |
some red. I used that as inspiration for the Samba dress. So there is a | :19:55. | :20:01. | |
multi-coloured affair going on. You can see them here. About six or | :20:01. | :20:05. | |
seven. That will be bright. . | :20:05. | :20:09. | |
Yes, so the shapes are running through the body and then covered in | :20:09. | :20:16. | |
crystals. And Fiona is doing a waltz. The | :20:16. | :20:21. | |
music is it is from High Society? Yes, True Love. | :20:21. | :20:27. | |
So, she is Grace Kelly. I think this will suit her, she is | :20:27. | :20:34. | |
truly in love with Anton. In the film, Grace Kelly is wearing | :20:34. | :20:38. | |
champagne. Which we love, but for the TV and for Fiona, we are putting | :20:38. | :20:45. | |
a tuille over the top, that is in burgundy. It is a ballerina length, | :20:45. | :20:51. | |
so lots of legs. And she has amazing legs. Now the | :20:51. | :21:02. | |
boys, this weekend, Dave Myers is doing a pasodoble. I am so excited I | :21:02. | :21:07. | |
cannot breathe. Is there a cape? There will be a cape. I think that | :21:07. | :21:14. | |
Dave is my favourite! You are not allowed favourites, this is the BBC! | :21:14. | :21:21. | |
He is bringing in his biker jacket, I think. | :21:21. | :21:24. | |
Vicky Gill, head of the cos tombs, what an amazing lady she is. Now, | :21:24. | :21:30. | |
let's see how some of our final couples are getting on in training. | :21:30. | :21:39. | |
This week, I am doing the foxtrot. Anya's routine is beautiful. | :21:39. | :21:42. | |
Exquisite. Patrick is going to show a different | :21:42. | :21:46. | |
side of him. It is like I feel he can't wait to start dancing and | :21:46. | :21:50. | |
learning. That was brilliant. | :21:50. | :21:55. | |
Coming to rehearsals after Casualty it is a joy to be up and doing. So | :21:55. | :22:00. | |
there is an excitement about coming to rehearse. Don't look crazy. | :22:00. | :22:07. | |
It is really simple the foxtrot, just like that! This week we are | :22:07. | :22:13. | |
dancing the veen ease waltz. Elegant, soft and graceful but | :22:13. | :22:18. | |
spinney. There is only so much I can take. I explained what worked, what | :22:18. | :22:22. | |
did not. . I just go around three times, I am | :22:22. | :22:28. | |
on the edge of the room with my head spinning. | :22:28. | :22:35. | |
She has to overcome the disiness of the veen ease waltz on Saturday | :22:35. | :22:38. | |
night. I can't bare it. | :22:38. | :22:40. | |
I am worried about it not being I can't bare it. | :22:40. | :22:45. | |
terribly elegant. It could ab-Viennese Whirl with me collapsed | :22:45. | :22:52. | |
on the floor. This This week, I am dancing the rumba, so I have to get | :22:52. | :22:57. | |
sexy. It is notoriously difficult for the Celebrity boys, he needs to | :22:57. | :23:01. | |
sexy. It is notoriously difficult be graceful. He needs to be slow in | :23:01. | :23:06. | |
his action and good in the technique. | :23:06. | :23:11. | |
The rumba is very up close and personal, so difficult in ways but | :23:11. | :23:15. | |
enjoyable on others. personal, so difficult in ways but | :23:15. | :23:20. | |
It is difficult cult to get up close and personal it will be challenging. | :23:20. | :23:25. | |
Putting that behind me, I hope I will be OK on the night. | :23:25. | :23:30. | |
This week it is Love Week. I am happy with the jive. I feel more | :23:30. | :23:34. | |
comfortable with. It is energetic and fast. Hopefully I get this one | :23:34. | :23:40. | |
right. I feel like I will fall over. The jive is the fastest dance that | :23:40. | :23:45. | |
we do. It is hard to learn them and do them well. There is a lot of | :23:46. | :23:50. | |
kicks, swinging, we are going to make sure that we leave no stones | :23:50. | :23:54. | |
unturned. The least I don't I have to think | :23:54. | :23:59. | |
about being sexy, what is a great, fun energy gettic dance. Yes, just | :23:59. | :24:05. | |
like that! They are looking good in the training room. Even better on | :24:05. | :24:17. | |
the sofa. It is Abbey and jazz. -- Aljaz. | :24:17. | :24:21. | |
A great score on Saturday night but you looked gutted, what had gone | :24:21. | :24:25. | |
wrong? I missed the first step. It threw me for the whole dance. I | :24:25. | :24:30. | |
didn't have a cob on. I was just so upset. I had a great dress run. Then | :24:31. | :24:37. | |
I thought, why did I do that? I felt awful. | :24:37. | :24:41. | |
Poor Aljaz had been working his guts off with me. Then I missed it, the | :24:41. | :24:48. | |
step, I messed it all up. But that is the thing for you, you | :24:48. | :24:54. | |
feel like your world has collapsed. I cannot look at it. It is | :24:54. | :24:57. | |
harrowing. Annie from Kent says: She is too | :24:57. | :25:02. | |
tough on herself. It was a great cha-cha-cha, not sure why she | :25:02. | :25:08. | |
apologised at the end. There you go. Do you think she was hard on | :25:08. | :25:13. | |
herself, Aljaz? Yes. It is hard to go from a waltz to a cha-cha-cha. I | :25:13. | :25:18. | |
think that she took the steps, everything was spot on. She missed a | :25:18. | :25:24. | |
little thing. What went through your mind? Did you see her foot go off on | :25:24. | :25:30. | |
the wrong step? What do you do? I just think you have to forget about | :25:30. | :25:34. | |
it and start from scratch. So if you have it in the back of your mind it | :25:34. | :25:38. | |
will ruin the whole thing. So leave it as it is. | :25:38. | :25:43. | |
It is always going to be there. Threat go. Yes, let it go and go on. | :25:43. | :25:51. | |
It is easy for hip to say that. I know. | :25:51. | :25:54. | |
Darcey said you need to learn to trust your partner and relax. Is | :25:54. | :25:59. | |
that going to be easy to do? Do you trust him? God, I trust him. He is | :25:59. | :26:04. | |
the best teacher. I am so happy with him. Amazing. A sensational dancer, | :26:04. | :26:10. | |
but I do need to relax, I think. It is important to have fun with it. | :26:10. | :26:14. | |
We have so much fun all week. So this is building up to the show. So | :26:14. | :26:18. | |
we should have the most fun there. So I will try to do that this week. | :26:18. | :26:24. | |
It is a fine line. You are terrified. Excited but why am I | :26:24. | :26:29. | |
excited? This is terrifying! Now, it may be Love Week but it does seem | :26:29. | :26:33. | |
that the training has not been a bed of roses this week for Abbey. | :26:33. | :26:43. | |
Oh, God! Why do you always drop me! Come on, you need to shout at me | :26:43. | :26:50. | |
more! Shut up! You are annoying me today! It is finished. I hate this | :26:50. | :26:55. | |
bit. No, don't. I do. I hate this dance. I actually | :26:55. | :27:03. | |
hate this one. You can't say you hate cha-cha-cha. | :27:03. | :27:08. | |
I can, I just did. I don't drop you. You do drop me. No, I don't. You do. | :27:08. | :27:13. | |
Great chemistry, hey? ! Brilliant. You do drop me. No, I don't. You do. | :27:13. | :27:23. | |
You make me laugh! Now, the jive, this week it is Love Week, your jive | :27:23. | :27:29. | |
is based on one of your great loves in your life, which is? My city! | :27:29. | :27:37. | |
Liverpool! My family, and I love the Beatles. I got to take Aljaz to meet | :27:37. | :27:46. | |
my family and show him some sights. We had a look at the city, didn't | :27:46. | :27:50. | |
we? We did. What did you think of Liverpool? We | :27:50. | :27:57. | |
went to see the Cavern. We went to see the Mercy! Then we the Merseyy! | :27:57. | :28:10. | |
And I went to the children's hospital, I did some dancing with | :28:10. | :28:13. | |
the kids. I bet that they loved it. | :28:13. | :28:19. | |
I think that your jive may be one of the best dances on Saturday! Let's | :28:19. | :28:29. | |
hear it from Abbey and Aljaz. You are all my favourites! Which | :28:29. | :28:37. | |
football do you support, by the way? Barcelona! Stoke! That's it from all | :28:37. | :28:42. | |
of my guests. Thank you very much to all of them. | :28:42. | :28:48. | |
I am back with Patrick, Anya, plus Ben and Kristina and Ashley and | :28:48. | :28:54. | |
Aliona will be here with the Friday panel it is gooshgsd ladies and | :28:54. | :29:00. | |
gentlemen, Matt Goss, | :29:00. | :29:00. |