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Tonight is the first meeting of The 34 Club. | :00:00. | :00:08. | |
They got 34 for their Samba on Saturday night. | :00:09. | :00:11. | |
They also got 34 for their American Smooth. | :00:12. | :00:16. | |
Oh, Zoe, come on, darling, they're never going to believe that! | :00:17. | :00:33. | |
Live from London, this is It Takes Two. Please welcome your host, Zoe | :00:34. | :01:31. | |
Ball. We're here to guide you over the | :01:32. | :01:32. | |
midweek hump and take you smoothly On Saturday, | :01:33. | :01:37. | |
we saw two yummy mummies wrapped up in bandages and dancing | :01:38. | :01:42. | |
around to the Scissor Sisters. No, it's not Len and Bruno in | :01:43. | :01:45. | |
the bar after a couple of shandies. Thank you. Well done on Saturday | :01:46. | :02:17. | |
night. I can't believe you can look so gorgeous wrapped in mucky | :02:18. | :02:22. | |
bandages. You looked absolutely amazing. And you mastered the samba. | :02:23. | :02:27. | |
How much fun did you have? I had so much fun and when begot parent | :02:28. | :02:30. | |
make-up and costume on, it transformed the dance and you get | :02:31. | :02:34. | |
the story of it and the fun of it. It was a brilliant night. You look | :02:35. | :02:41. | |
very good. It's like big hair, don't care. You loved that hair so much, | :02:42. | :02:48. | |
didn't you go out after that show? I went out clubbing with it. So | :02:49. | :02:55. | |
embarrassing. Easy to spot. And do you feel you finally have shown the | :02:56. | :03:01. | |
judges your Latin skills match your ballroom skills because we | :03:02. | :03:04. | |
definitely think you have? They haven't mentioned anything about my | :03:05. | :03:08. | |
word and hips were a couple of weeks so I hope they are forgetting about | :03:09. | :03:12. | |
that slowly. It was mummy hips last week. Craig gave you a fab-u-lous | :03:13. | :03:21. | |
and this week said absolutely spectacular. Are you bribing him? I | :03:22. | :03:29. | |
am paying him a lot of money to say nice things. Every week we get to | :03:30. | :03:33. | |
him I always assume is going to say something nasty. I'm still waiting | :03:34. | :03:41. | |
for it. Len picked up on a tiny mistake and we had to search for | :03:42. | :03:45. | |
hours to try and find it and we think this might be it. Is it? | :03:46. | :03:54. | |
It's horrible to watch. We refuse to admit it. What happened, Aljaz? It | :03:55. | :04:07. | |
was part of the choreography. No, it's a promenade run with a | :04:08. | :04:10. | |
handshake. There was a turn in between. Both of us got a little bit | :04:11. | :04:18. | |
too stiff and the term did not go smoothly but the next bit was on | :04:19. | :04:23. | |
time so you could not tell it was a mistake. Well covered. He threw me | :04:24. | :04:27. | |
into the next move and it was covered up. Like a professional. You | :04:28. | :04:33. | |
don't know what's going on on the dance floor because you are in a | :04:34. | :04:36. | |
performance bubble and things can so easily go wrong. It goes so fast. | :04:37. | :04:43. | |
That bit never went in rehearsals. You know what, because we do it so | :04:44. | :04:47. | |
many times, even if a little thing goes wrong, you know how to get out | :04:48. | :04:53. | |
of it. You know what's coming next. Is there sign language between you? | :04:54. | :04:58. | |
After that I saw his face and he was looking at me like, what are you | :04:59. | :05:05. | |
doing? Come on! I love it that you are still smiling. He was wearing | :05:06. | :05:10. | |
bandages too. You have been first or second on the leaderboard for the | :05:11. | :05:13. | |
last four weeks, well done. CHEERING | :05:14. | :05:18. | |
How does it feel to be a frontrunner in this competition? It is really | :05:19. | :05:24. | |
hard. That's the thing about this competition. You can be proper one | :05:25. | :05:28. | |
week and bottom the next. It's really hard to call this year, I | :05:29. | :05:33. | |
think. It's such a high standard. You are never safe even if you're at | :05:34. | :05:40. | |
the top. Very good. OK, this week you have the Rumba. You are dancing | :05:41. | :05:45. | |
to one of the biggest songs around at the moment. Hello, not the Lionel | :05:46. | :05:57. | |
version but the one by Adele. # We have been singled as all day. To do | :05:58. | :06:03. | |
a Rumba, number one until fabric next year, this must be a dream come | :06:04. | :06:09. | |
true. I can't believe we have been allowed to dance to this beautiful | :06:10. | :06:13. | |
song and it is a pressure because everybody is singing it at the | :06:14. | :06:16. | |
moment and we don't want to do an awful dance to a beautiful song. We | :06:17. | :06:22. | |
need to do it justice. The Rumba, in all of the history of | :06:23. | :06:27. | |
need to do it justice. The Rumba, in one person has ever got the perfect | :06:28. | :06:30. | |
need to do it justice. The Rumba, in score although a few have come | :06:31. | :06:32. | |
close. Let's have a little Matt Di Angelo, Rachel Stevens, | :06:33. | :06:42. | |
Kara Tointon and Chelsee Healey. Could you change all of that? | :06:43. | :06:55. | |
Definitely. I like it. Be Could you change all of that? | :06:56. | :07:07. | |
You know what, it's hard dance because it is slow and single | :07:08. | :07:11. | |
mistake, that important technique you have to | :07:12. | :07:16. | |
mistake, that important technique Rumba it is so exposed so as soon as | :07:17. | :07:16. | |
you go Rumba it is so exposed so as soon as | :07:17. | :07:21. | |
everybody can see it, so it's important to practice it and make it | :07:22. | :07:28. | |
go the whole way through. We like it, all but undulating that I'm not | :07:29. | :07:32. | |
very good at. Are you quite a romantic guy, Aljaz? Yes, very | :07:33. | :07:38. | |
romantic. When the last time you cooked a meal for Janette? Does not | :07:39. | :07:45. | |
have anything to do with romance? Yes, it does. Recently? I have, yes, | :07:46. | :07:56. | |
last week. What did you make? I have no idea. Beans on toast. Shall we | :07:57. | :08:03. | |
find out? I can't Rumba the last time I came home and he had dinner | :08:04. | :08:07. | |
and flowers ready. We always do it together. It has been a while. Think | :08:08. | :08:12. | |
yourself told. Where did you take Janette | :08:13. | :08:14. | |
on your first date? Actually, we were in Los Angeles. We | :08:15. | :08:29. | |
went to a Malibu beach. It has a beautiful restaurant on the coast. | :08:30. | :08:31. | |
Let's see if your better half remembers the same thing. | :08:32. | :08:36. | |
It's going to be completely different now. For first aid, Aljaz | :08:37. | :08:43. | |
took me to a beautiful restaurant overlooking the cliffs Malibu beach. | :08:44. | :08:47. | |
CHEERING How cute is that? Most people just | :08:48. | :08:52. | |
go to the local pub and have some chips. | :08:53. | :08:54. | |
OK, last one and this is an important one. | :08:55. | :08:56. | |
When it comes to spiders in the bathroom, do you do | :08:57. | :08:58. | |
the chivalrous thing and deal with them or do you leave it to Janette? | :08:59. | :09:02. | |
I know the answer to this one. He's so petrified of spiders. He kept | :09:03. | :09:08. | |
I know the answer to this one. He's running away last week from | :09:09. | :09:14. | |
Halloween. I could not look to the left. He runs in the opposite | :09:15. | :09:21. | |
are. APPLAUSE | :09:22. | :09:25. | |
I like that, getting to know them. Good luck with your Rumba. I think | :09:26. | :09:31. | |
it's going to be so good. No spiders. | :09:32. | :09:32. | |
Now, when I was at primary school, I did maths, science, PE, you know, | :09:33. | :09:37. | |
But the one thing I never did was critique ballroom and latin | :09:38. | :09:40. | |
We are the Junior judges. look scary. Halloween. | :09:41. | :10:02. | |
We are the Junior judges. the guitar. That is the Halloween | :10:03. | :10:12. | |
show. He's going up like this. Everything leaders is like a scary | :10:13. | :10:21. | |
monster. Two. That's not fair. Not fair. Not fair. I think it is magic. | :10:22. | :10:36. | |
It's quite funny. They look like monkeys. My, look at her. She looks | :10:37. | :10:45. | |
hilarious. She is dancing with a prince. It doesn't make sense. The | :10:46. | :10:52. | |
Princess and the Prince live happily ever together, not the Queen and the | :10:53. | :10:58. | |
Prince. He's flying. I don't believe he is flying. That was all summer. | :10:59. | :11:08. | |
He is a vampire. -- that was awesome. They both the cartwheel at | :11:09. | :11:12. | |
the same time. He makes me feel happy watching Jamelia's dance. The | :11:13. | :11:25. | |
skeleton is in the cupboard. I have to say, Jamelia and Tristan. Jamelia | :11:26. | :11:35. | |
and Tristan were great. I am sad Kirsty is leaving because she had | :11:36. | :11:45. | |
funny moves. Bye-bye. Over to you, Zoe Ball. Bye-bye. Thank you. | :11:46. | :11:51. | |
Wonderful kids. And we've got a couple of drawings | :11:52. | :11:52. | |
that the kids have sent us. Here's the many faces of | :11:53. | :11:56. | |
Peter Andre. Christopher, Hamido and Dominic. | :11:57. | :12:04. | |
Look at his lovely moustache. Thank you so much all of you. | :12:05. | :12:05. | |
Right, it's Wednesday, which means it's time to chat this man. | :12:06. | :12:08. | |
Have you bought your fans tonight? It's so accurate. Even the very long | :12:09. | :12:37. | |
legs right up to my armpits. Look at your pointy toes. And colourful | :12:38. | :12:42. | |
trousers. Only you would wear those. OK, what do you think of the | :12:43. | :12:47. | |
Halloween show? I loved it, the costumes and the storyline which | :12:48. | :12:50. | |
goes with it, just brilliant. Who was your favourite? I enjoyed all of | :12:51. | :12:58. | |
them but my favourite was Kellie. I loved their theme. I love the fact | :12:59. | :13:02. | |
that used every corner of the studio and the stage and all the | :13:03. | :13:11. | |
pyrotechnics. Magic wand. We know what you mean. Why doesn't my want | :13:12. | :13:16. | |
to do that? It is the budget, love, BBC Two. Let's talk about the | :13:17. | :13:21. | |
couples in training, first of all looking at Carol and Pasha. They | :13:22. | :13:24. | |
were bottom of the leaderboard on Saturday but the public loved them | :13:25. | :13:28. | |
and they have sailed right through. American Smooth this week. Is she on | :13:29. | :13:32. | |
the up? I certainly think she will do better than last week. A Rumba is | :13:33. | :13:38. | |
so exposing and it is slow. You know, this is going to be much | :13:39. | :13:42. | |
better, it's more her style, ballroom. There's a lot of free | :13:43. | :13:45. | |
styling in there. It's a bit easier to do. The only thing is, finishing | :13:46. | :13:52. | |
off her hands is not great. I wanted to highlight of this area. I know. | :13:53. | :14:01. | |
You can't wait, can you? This is the area. She was holding onto him and | :14:02. | :14:07. | |
it needs to be normal ballroom hold. If I must! There is a deltoid there. | :14:08. | :14:14. | |
She has had up on his shoulder. There is a triangular muscle here. I | :14:15. | :14:21. | |
can feel it. Yes, darling. But the thumb and the second finger create | :14:22. | :14:23. | |
in the second finger creates every shape which fits into that deltoid. | :14:24. | :14:30. | |
All of the other fingers. Used to be able to do this really well. Did I? | :14:31. | :14:38. | |
I call it the Zoe Ball hand. Back in the day. Next we have Helen and | :14:39. | :14:42. | |
Aljaz. They are very excited about their Rumba. How is it looking? | :14:43. | :14:48. | |
This will suit her because she is balletic and the closest you can get | :14:49. | :14:58. | |
for a ballet dancer is the rumba. I've stopped it here because I've | :14:59. | :15:03. | |
slowed down the next bed. Earlier, they were talking about the spin | :15:04. | :15:08. | |
that were going off centre. He is a classic example. She falls off and | :15:09. | :15:13. | |
he turns her and she falls backward. I think a lot of the time she's | :15:14. | :15:17. | |
throwing her body weight into the turn at her feet are not under her | :15:18. | :15:23. | |
to support her. As she spins she has to keep her feet underneath her. | :15:24. | :15:28. | |
Otherwise, it she's going to go like that. You know she will have | :15:29. | :15:35. | |
mastered that by the weekend. Jamelia and Tristan, the bottom to a | :15:36. | :15:39. | |
game for them, let's hope it's not four Times this weekend. They are | :15:40. | :15:42. | |
doing a Viennese waltz, could this put them in a safe place? I have | :15:43. | :15:50. | |
studied this and she doesn't do one he'll lead. She doesn't have her | :15:51. | :15:54. | |
dancing choose which does not help because she doesn't have any heels. | :15:55. | :15:57. | |
She is struggling with the term because she is falling and getting a | :15:58. | :16:01. | |
little sick from all those terms. I did notice that. -- she's struggling | :16:02. | :16:08. | |
with the turn. If this is your best angle, this is yours, just stand | :16:09. | :16:13. | |
there. When you are in front of each other it is difficult to get around | :16:14. | :16:19. | |
but if you go to the side a little, then we can actually get around each | :16:20. | :16:28. | |
other. Here I am! Just like that. I love that. Peter and Jeanette are | :16:29. | :16:32. | |
doing a Johnstone this weekend. I think this will be a great dancer | :16:33. | :16:39. | |
Peter, surely. Zoe, honestly, it's brilliant comedies on the balls of | :16:40. | :16:44. | |
his feet, that classic swivel in the Charleston, lovely flicks and kicks | :16:45. | :16:48. | |
and he's got a amazing energy and you can see and hear. I stopped it | :16:49. | :16:53. | |
here because he does this step which is not in character for the | :16:54. | :16:58. | |
Charleston so much. Has he gone a bit mind and 90s? He does that | :16:59. | :17:05. | |
street dance thing which is really good, he is really good about and | :17:06. | :17:09. | |
sometimes if he isn't sure he'll go back to that. He needs to stay in | :17:10. | :17:14. | |
that brilliant, I had arrows because I was going to point it out, he | :17:15. | :17:18. | |
needs to stay in that character because he is doing a brilliant job. | :17:19. | :17:24. | |
Good work Peter. Let's look at Katie. I think she needs some love | :17:25. | :17:29. | |
at the weekend because the judges were so mean to her. Hopefully she | :17:30. | :17:35. | |
can quickstep away back to the top. If she gets this it will be | :17:36. | :17:38. | |
brilliant comedies thrown in everything but the kitchen sink, | :17:39. | :17:42. | |
really, really difficult choreography. He is challenging her | :17:43. | :17:46. | |
but it makes for a brilliant quickstep. This is the area that she | :17:47. | :17:52. | |
has to get. She cannot be behind him, she must be with him and get | :17:53. | :17:56. | |
all that tough choreography right, lots of kicks and flicks, every step | :17:57. | :18:02. | |
in the book Anton has thrown in. It's got the content. Hopefully she | :18:03. | :18:09. | |
can bring on the performance. I'm looking forward to it. I think it | :18:10. | :18:13. | |
will be brilliant. Thank you, Ian Waite, use back tomorrow. | :18:14. | :18:18. | |
If all that insight from Ian has whetted your appetite you'll be | :18:19. | :18:21. | |
pleased to know we've got even more training updates for you. | :18:22. | :18:23. | |
Have a look at this. As I suspected, the jive is difficult and very, very | :18:24. | :18:35. | |
fast. At the moment it doesn't feel so much like a jive as an acrobatic | :18:36. | :18:40. | |
session! Went the lab launches himself at me, -- Gleb launches | :18:41. | :18:47. | |
himself at me and basically my head is in his crotch. It's going to be | :18:48. | :18:52. | |
one of those weeks. I will be pooped by the end of it. We are doing a | :18:53. | :19:02. | |
waltz. I can't wait. It is likely head honcho of the ballroom in my | :19:03. | :19:10. | |
head. The waltz is a slow controlled dance that requires a lot of | :19:11. | :19:15. | |
finesse. I am really going to have to work hard on not raising my | :19:16. | :19:23. | |
shoulders. Now I know Kellie's little habits this is a big chance | :19:24. | :19:28. | |
for us to show that we can keep control and flow and finesse | :19:29. | :19:35. | |
throughout the dance. Anita and Gleb and Kellie and Kevin looking | :19:36. | :19:38. | |
Get well soon, Karen! One, training. | :19:39. | :19:54. | |
Get well soon, Karen! One, three, four. I came | :19:55. | :19:54. | |
Get well soon, Karen! One, because we had the place booked and | :19:55. | :20:00. | |
Karen had left me a film so I have to do it without my dance Purdy and | :20:01. | :20:06. | |
it is hard without her. What does that mean? Jeremy, he's such a good | :20:07. | :20:14. | |
boy. That is how you get better. Good luck, Jeremy, get well soon | :20:15. | :20:16. | |
Karen. So far we've had everyone | :20:17. | :20:17. | |
from the GB rowing team to Dangermouse and even a field of | :20:18. | :20:20. | |
farmers giving The Strictly a go. Your entries are coming in thick | :20:21. | :20:23. | |
and fast so let's see how you lot Oh! Those wonderful patients, give | :20:24. | :21:26. | |
them a ten. Well done, all of you clever monkeys. | :21:27. | :21:28. | |
Remember the competition is still open for | :21:29. | :21:30. | |
your chance to win those money can't buy tickets to Strictly Blackpool. | :21:31. | :21:33. | |
But you've only got a couple of days left so head online | :21:34. | :21:35. | |
Right, time to chat to our final couple. | :21:36. | :21:38. | |
At the weekend he transformed himself into a werewolf. | :21:39. | :21:40. | |
Lucky for him, his performance was far from a howler. | :21:41. | :22:05. | |
Hurray for Jay and Aliona, they are here. An incredible performance, the | :22:06. | :22:12. | |
makeover to become the wolf, how long did that take in make-up? | :22:13. | :22:18. | |
Altogether, two hours, over the course of the day, so I went in and | :22:19. | :22:23. | |
got darkened and other time I got crafted into a wee Wolf. People were | :22:24. | :22:27. | |
asking, what are you, and eventually, they said, that looks | :22:28. | :22:35. | |
great. The person doing the make-up really had a vision and really made | :22:36. | :22:42. | |
it happen. Those little ears! I loved them. They transformed my | :22:43. | :22:56. | |
Spockies! I had not noticed them before. | :22:57. | :23:00. | |
There's been a lot of love for the wolf look on social media. | :23:01. | :23:03. | |
Layla said, 'slightly concerned about how attracted I was to Jay | :23:04. | :23:06. | |
McGuiness as a wolf tonight.' Sophie said, 'WHAT! How does he | :23:07. | :23:09. | |
You should try that look more often! I'm on the way! How was your week of | :23:10. | :23:20. | |
training leading up to it, Aliona, how pleased were you with his | :23:21. | :23:26. | |
performance? The week was good. We enjoyed the rehearsal because they | :23:27. | :23:29. | |
are such strong characters and it was fun to get into the quirky, | :23:30. | :23:35. | |
slightly naughty characters. Because this is Jay's third ballroom dance, | :23:36. | :23:41. | |
a lot of things that we did in the previous two dances, like the frame | :23:42. | :23:46. | |
and the footwork, this was somewhat similar. So he already knew some of | :23:47. | :23:50. | |
the technical things from the previous dances. So it made things a | :23:51. | :23:58. | |
bit faster, the progress. You know that thing you forgot to do in the | :23:59. | :24:04. | |
waltz, do it now! It was like a faster processor so we could work | :24:05. | :24:10. | |
more on the character. This is all very good. Craig is in love with | :24:11. | :24:14. | |
your feet, your beautiful pointy toes. Do you do good toes, naughty | :24:15. | :24:25. | |
toes? Do you work on them a lot? When I worked with Jay from the | :24:26. | :24:29. | |
beginning I worked down to the Pinky. Everything is staged. I make | :24:30. | :24:35. | |
sure that everything is perfect! Not always perfect on the night but that | :24:36. | :24:40. | |
is what you almost expect. You would expect about 90%, 80% of the best | :24:41. | :24:44. | |
you can do in rehearsal, on the show because of the nerves, and people | :24:45. | :24:51. | |
cheering. The toes, I make sure everything is in order! Toes, knees, | :24:52. | :25:01. | |
heads, shoulders. Fingers! You have the Argentine tango this weekend and | :25:02. | :25:05. | |
this is the music. It is traditional. It's so good. The first | :25:06. | :25:11. | |
Argentine tango of this series. A blessing or a curse? I think it is a | :25:12. | :25:17. | |
blessing. A heady mixture of both. Because it is the first one, people | :25:18. | :25:23. | |
will be looking, what does that dance le Gleick, it looks like that, | :25:24. | :25:27. | |
they will be wrong because it's wrong. Nobody else has done it yet | :25:28. | :25:30. | |
so they have nothing to compare it to sow their standards might be | :25:31. | :25:36. | |
lower. I don't know if you could set that bar any higher. With us, you | :25:37. | :25:44. | |
never know. I like your confidence. As you are the first celebrity to do | :25:45. | :25:48. | |
this dance we thought, we need to see if you are apt to speed. Can you | :25:49. | :26:02. | |
tell me what is a garage? -- what is a gaucho? It is a hoax. Ready, | :26:03. | :26:14. | |
everyone? Well done, Jay. You might as well stay up, don't injure | :26:15. | :26:22. | |
yourself falling off the sofa. Can you explain what the ocho is? He | :26:23. | :26:30. | |
wouldn't know it. I do more of them. He doesn't have any in the routine. | :26:31. | :26:34. | |
It means a figure eight, so you would step forward and twist. It is | :26:35. | :26:42. | |
almost like a more feminine move. So he would not do that. He would lead | :26:43. | :26:46. | |
it. We will let you off. We all feel suitably educated now | :26:47. | :26:56. | |
but it doesn't stop there. At the weekend the judges said you need to | :26:57. | :26:59. | |
work on your characterisation, so we're going to help you with your | :27:00. | :27:02. | |
storytelling. Jay, it's time What's Wrong With You?. A little | :27:03. | :27:05. | |
game show. It's simple, I'm going to give you | :27:06. | :27:12. | |
a series of emotions and scenarios that you need to act | :27:13. | :27:17. | |
out, Jay, and Aliona has to guess Hugo, don't show her. Ready? -- here | :27:18. | :27:36. | |
you go. You mysterious girl loving dude, you are already sun-kissed and | :27:37. | :27:43. | |
I need more of that attention. What is the emotion? Angry? Yes, well | :27:44. | :27:55. | |
done. Either angry or frustrated. We will take angry. Situation number | :27:56. | :28:02. | |
two. That was in the realm of quickstep, time for me to light | :28:03. | :28:05. | |
under a server in a darkroom and not talk to anyone. Just upset. We were | :28:06. | :28:14. | |
looking for sad, I think we can get away with that. Very good indeed. | :28:15. | :28:18. | |
Very quickly, do this one. You've got 20 seconds. Look at his face, | :28:19. | :28:27. | |
Aliona. It's all in the face. Confused? Helpful? It was actually | :28:28. | :28:35. | |
scared and unnerved! But you did very well. | :28:36. | :28:38. | |
We cannot wait to see your Argentine tango, I think it's going to be | :28:39. | :28:45. | |
awesome. Tomorrow we have so much, Georgia | :28:46. | :29:01. | |
and Giovanni, and Vicky Gill, we will see | :29:02. | :29:02. | |
Even at lunch, you see them running around, doing interviews | :29:03. | :29:10. | |
They're really engaging with the world around them. | :29:11. | :29:14. | |
And it builds so many skills, researching stories, | :29:15. | :29:17. | |
discussing and presenting, but also giving them memories for life. | :29:18. | :29:22. |