Episode 50 Strictly - It Takes Two


Episode 50

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There is absolutely no pleasing that man.

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Live from London, this is Strictly, It Takes Two. Please welcome your

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host, Zoe Ball. Gl MUSIC

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High kicks. Get those legs up, up, up.

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Hello and welcome to our It Takes Two Musicals Week Friday special.

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We are fulfilling all of your Strictly needs for the next hour

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Tonight we have Katie and Anton with us.

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Say hello to Vernon Kay, Sarah Hadland and West End starlet,

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The marvellous Georgia and Giovanni have swung by.

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And if all of that wasn't enough, we are in the presence of true Strictly

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royalty because the one, the only Craig Revel Horwood is here.

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Meanwhile, backstage at rehearsals, we have another member

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of the extended Strictly family snooping around.

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So excited to be here. The best thing is - no-one is going to ask me

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to dance. Even belter. -- even better.

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It's a double whammy tomorrow night. Not only is it the quarter finals,

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I think you can hear one. Do you recognise that, it is Les Miserables

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and Helen and Aljaz formering a paso doble. Looking fierce. I love it. A

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big song but I think they are the couple to pull it off, don't you?

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Brilliant. Back to you. Thanks, Kate, lovely to see her back in the

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ballroom. Now, their sultry Argentine Tango

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certainly turned up the heat Let's hope they don't

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boil over this week. Just simply divine and gorgeous. You

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both look stunning, as always. Well, it is Friday night, isn't it. You

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little minx, Katie Derham. Last week, it was an incredible

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performance. It was sensual. Did you love dancing your Argentine tango?

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Loved it. Always wanted to learn how to do it. Look at us go. We did it.

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Leggy ganchos. Threw go, up. Oh. -- there you go. Anton, look at your

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bum. Tight as a drum, isn't it? Snr Bruno gave you another 9. He said

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the lines you created Katie were the best he has seen from you this

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series. I have always said Bruno is device

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and full of insight and glory. Did you enjoy it? We loved it a

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fantastic dance. We got nice marks, I really couldn't have been happier.

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Anton, also Darcey said she could see the intent and the hard work

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Katie has put in. How hard is she working? Tremendously hard. This

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ballroom dancing McLarky is very, very difficult. The thing is, they

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wander this this lot and give it four days, and come out and dance

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marvellously. It makes us lot look bad. It is ridiculous. Kating has

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been doing a tremendous job. You know, never danced before and it is

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being out there and being so vulnerable. Stand there, pop the leg

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in and look amazing and take hold and lay out and sweep across the

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floor. It is so difficult. Katie is doing - well, better than I could

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have ever wished for. Thank you very much. That was very good. I can't

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lie. The judges are full of compliments but said they want even

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more technique. I mean can you give them more? I think they are right.

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There is always things you can improve. As you were so rightly

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saying, we only have four days. I have not danced before. I would love

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to be able it practise for weeks and get it spot-on but I was still

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chuffed. Each week I think I'm getting a bit better. That's all you

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can hope for. Next week two dances as well. Very exciting. Hopefully.

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This week, musicals week, in case you haven't noticed. You are doing

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the slow foxtrot to this frack Cabaret. -- this track. Maybe This

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Time. Pop the shoulder. Don't pop the shoulder, Cathy, don't pop t I

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can't help it. I've turned into Emma Tonegato, it is frightening. Is

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there going to be any Lisa Minelli chair work going on. Who wants to be

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Liza? Do we have any doubts? Oh, into a hinge, kick. I have never

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seen one so fine. Look at that. Are you loving it? How is the training

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going? Has there been any problems, Anton? ? No. It's been great. What

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has been lovely is Katie has drawn on all other experience over the

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weeks of doing the other ballroom dances, so we've slowly developed

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the shape and body line over the weeks of doing - since we started

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the tango weeks ago, and this is' great because you can build on that

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and then you can work on the leg action which is specific to the

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dance we are doing, and with the slow foxtrot it is a much longer.

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You think of toothpaste, you squeeze it and out come the legs and press

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down on the standing leg and the other leg pushes out and you sweep

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backwards. Do you think you could demonstrate with a lovely member of

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our audience? The lady there in the leopard print jacket. What is your

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name? Naomi. I will demonstrate what I mean about the standing leg. The

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one you are standing on. This one. Push it out behind you, squeeze it.

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No, push it out love. All the way back. No, out, love, out. Squeeze,

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push, push. Now lift, now lift. Naomi, everybody. Splendid work.

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Splendid work. You see, it is not that easy to

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teach. You wrote in your column, Katie, in the newspaper. You have a

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column? That after Blackpool, you had done Blackpool, you felt like,

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when you go out now you go on a high? Every week is a bonus now. I

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think I have done all right. Everybody is dancing beautifully. I

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feel chuffed and proud of us all having got this far. I'm having a

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lovely time. Obviously I would like to learn more dances. Of course. Do

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you not want to be the woman who finally takes the mine to the final,

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Katie? We -- -- the man to the final, Katie? Well t would be lot.

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It would be well-earned. It would be lovely. You never know, ladies and

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gentlemen. Maybe this time. Good luck tomorrow with your slow

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foxtrot. Katie and on tonne. -- Anton.

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Back up to Kate. Oh, Anton, a decent dancer.

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It is very noisy here, you can probably see why. Kevin and Kellie

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are dancing to oom pa pa from Oliver. Have a look, it is a

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Viennese waltz, it is beautiful. Love that. I can't actually hear

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myself think but I'm opening jay and Anita can, they are here with me We

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were enjoying that. Is it weird watching? I found Fridays hard.

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Anton would delude me I was doing well and then come here and you see

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them - you two are brilliant, so you don't. We are so supportive. I'm

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just watching this amazing dude do his rumba. It is so gorgeous that I

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had to tell him he is just a delight. We are really supportive

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and people come up to you afterwards and we all go up to each other and

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say - amazing, well done, you are going to kill it on the night. We

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boost each other. Well, Jay, last week, you only

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finished your dance on Thursday. Are you doing better? This week the

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quickest. The rumba, we finished it towards Monday evening and solidly

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on Tuesday. It was the quickest. He always go up and down. You are

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dancing to a song from Once. Yes, a newish musical and Ronan Keating who

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was in it came to show us how to act and get the emotion across, which I

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need. I'm going to watch you, killing the

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sexy tango. From Chicago. We are doing the Argentine tango from Cell

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Block Tango. I know. It is a lot. Don't matter, watch and it'll all

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make sense. You spent a lot of time upside down. Yes. I don't know why.

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Gleb likes to pick me up and do things. It is fine. This is a no-pro

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zone which is brilliant. Are you can be honest. I found this in Anton's

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dressing room. A big cuddly bear. If you need it take out aggression give

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it a punch. Is there anything driving you mad about them? ! Oh, a

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horribly long pause. I feel there is? No, like as I said, it is the

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most intense and most honest relationship you can have with a

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person, you are in each other's pockets day in and day out. It is

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about 13 weeks we have been together. It is wonderful but like

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any relationship, as I said to Gleb, I love my mother dearly but we still

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argue. You could be with anybody, but that's what is so different

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about it. Talking about mums, will yours be in the mum? Every week she

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goes to the Navigation, they watch it on the big screen. Instead of

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watching football, they watch ballroom dancing. Good luck, your

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rehearsals were fantastic. That was awkward, funny.

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As the quarter-final approaches, the remaining six couples are all

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Here's a little look at Anita and Helen in training.

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This week I have the Argentine tanning yolks the

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This week I have the Argentine insane. It's so difficult. I'm

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finding it really frustrating. I want to do a good job. The routine

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is hard. Every week is hard because she has never done it. It is hard

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work to make the person o look good who has never danced before. You are

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going to do it. I need to try. I need to do it, get on with it. We

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just need to rehearse, rehearse, rehearse. Are you happy? No,

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neutral. Neutral? That's not the tango. Paso is actually really

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difficult. I don't really understand what I'm doing. It is really

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interesting to see Helen with a little angry face this week. Every

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single step she's pointing really hard. A lot of footwork I'm not used

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to doing. I keep kicking my feet. Intense. We are going to have to

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work a lot on Helen's facial expressions. You have to do that. I

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love you, but I hate you. OK. Now, here to analyse the remaining

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six couples, we invite to the stage Queen of musicals Jodie

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Prenger, Mr Telly, Vernon Kay, and comedy actress

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Sarah Hadland. Hello, my beauties! Get yourselves

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comfy. How are you? I am all right. Sequins do not breathe. Jodie,

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Musicals Week. It is so exciting. And some of the songs are brilliant.

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Especially this time, with the tango. Who are you most looking

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forward to seeing? I do like Georgia and Giovanni. Have you given any

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tips? Not at all. We are going to talk about you taking over from

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Craig Revel Horwood in Annie as Miss Hannigan. The poor fellow, I had to

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follow him backstage! He was phenomenal in it. We will talk to

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him soon. Vernon, lovely to see you. We love having you on. Who have you

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been particularly enjoying this series? I like Anita, because she

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has no previous dance experience. If Jay can get into character a bit

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more, he will be phenomenal. We have discussed this. I am happy to debate

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it. Craig has pointed out that he doesn't get into character enough.

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He has to strike a face. But sometimes that works, with the jive.

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So sometimes it works. Sarah, who do you love? I love Anita. This is such

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a cheesy expression, but she really put her heart and soul into

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everything. And like Vernon said, she has not had any training. I love

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the way she goes for it every time. And she has improved. She has been

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on a real journey. It is that word again. Katie and Anton and that

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foxtrot, Cabaret inspired. Here they are in training. It is a builder,

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this one. Jodie, what do you think of these two? I enjoy her dancing

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like this, because she is so elegant. I love Anton and I hope

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this time, he can be the bride and not the bridesmaid! What are the

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chances of that happening? It is strong. She is a beautiful dancer.

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Sarah, what do you think of Katie and Anton? She is elegant. She is

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less comfortable in the more lively dances like the jive. But so elegant

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nose ballroom dances. Love the legs. Vernon, talking of long legs,

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what do you think of Katie and Anton? It is the quarterfinals, so

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she has the main man to teach her ballroom. And Anton knows all the

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technique. She has got elegant posture. She is a very elegant

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lady. I have no doubt that she will be in the top half of the

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leaderboard. Kellie and Kevin and their Viennese waltz to Oom Pah Pah,

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a song you will know. No, let's go back to Helen and Aljaz and their

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paso doble two At The End Of The Day from Les Mis. This is an intense

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shooting, bringing the French Revolution to the dance floor. Do

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they excite you, Sarah? Yes. She is an amazing dance. Technically, she

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is brilliant and yours looks incredible. Sometimes, you want her

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to give a gritty performance. Maybe this will be the one, because the

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music is so melodramatic. They are top of the leaderboard at the

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moment, Vernon. Can she stay there? Historically, she has accumulated

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more points than anyone else in the competition. Good fact! But she has

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not been at the top of the leaderboard as many times as

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Georgia. And I don't think Latin is her strongest. I just wish she

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wouldn't wear my pants when she rehearses. It is getting

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embarrassing. You know, it is a great song, so I hope she brings

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more of a fierceness. Thing is crossed. Kellie and Kevin, Viennese

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waltz to Oom Pah Pah from Oliver. Here they are in training. They have

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been in the bottom two twice. Sarah, you look incensed by this. I cannot

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understand why she has been in the bottom two. What do you like about

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her? She is really gutsy. She always goes for it. She is a real performer

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and she is the whole package. She is an amazing dance. I can't believe

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she has been in the dance-off twice. You played Nancy, Jodie. But not in

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that skirt. It is like the Blackpool illuminations! But it is one of

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those songs that gets everybody going. I am sure with the audience

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alongside her on the night, she doesn't need to step it up, because

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she is already there. Tomorrow night, you have to vote for your

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favourites. We have more to discuss later. For now, give it up for our

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panel. In case you haven't noticed,

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it's Musicals Week on Strictly and this weekend, there are two

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major show-stopping group So we are back in the strictest

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year, rehearsing for this week's group dance. It is Musicals Week my

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time for us pros to show off our side. This being Musicals Week, we

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wanted to do something really off the chart. So this week's number is

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a collaboration between Disney's The Lion King at our professional

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dancers. This is the first time this sort of collaboration has taken

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place. It is going to be exciting. You will see us mixed in with all

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the animals. It is so exciting. It is a bit of magic in the ballroom.

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It will be something different, all those costumes, all the movement,

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lights and colour. How is it going to go? It will be amazing. For us,

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it is such an honour to do it. It will be a great experience. We want

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to watch you guys at the same time! I am living a dream in this dance.

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When I was dancing, it was an amazing feeling. For them to let us

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come into their world and feature in the number, it will be a

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once-in-a-lifetime event. I have made a friend. This is

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Lucinda. Now, poor Gleb couldn't be

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with us in the studio yesterday. "Hope I've recovered in time

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for Saturday." It appears Kellie's toned tummy has

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made Kevin feel a little inferior. Kevin Clifton has decided to

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suddenly start doing some sit-ups, basically because he wants abs like

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mine. That is true! And Katie's training is moving in

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the wrong direction. Now, I wonder what

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Kate Garraway is up to Hello? I have just crept into

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wardrobe, my favourite bit. It is where the magic happens as far as I

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am concerned. Kevin, we are determined to ruin your Friday,

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interrupting your rehearsals. You looked fab. Thanks very much. We

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have been working hard on this number. I like Musicals Week. And

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you are the up. Joe. You don't seem sneaky enough to me. -- you are the

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Artful Dodger. How are you going to transform into him? Well, we have

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not done our fitting yet, so we are going to experiment, but he will

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have a top hat and a tail coat. And the waistcoat. He has a delicate

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head. We are having a bit of fun. We had a sneaky preview of this dress

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yesterday. You have already done some alteration is. We have had the

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fitting. We may put more free age. -- more fringe. We are going to lose

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the centrepiece. All of the crystal detail will follow down to the hen.

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We have lowered the back and taken it in quite a lot for Anita. She is

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so trim and little. Do you get really involved's are you a medal,

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Kevin? Do you meddle with the girls' clothes and your clothes, or

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do you just sit there like a man and let them dress you? Do I meddle in

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girls' cloaks? You know what I mean! Do you have a view? Not

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really. I like to know Kellie is happy with what she is wearing. If

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not, I try and act as macho as possible and go, I don't think she

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likes it. And they say, well, this is what they have to wear. And I go,

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OK. And then Kellie will sort it out how she wants it. But I like to know

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she's happy. With my own clothes, I love a top hat. That is half of it,

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getting people to feel comfortable, and you have a huge group dance this

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week. We have a laugh with everybody. If they really don't like

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something, we will change it. But sometimes we persuade them

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otherwise, just because they have really heavy days and sometimes when

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they come into us, they are tired and mentally and physically

:26:17.:26:20.

exhausted. So sometimes, we do know better and we persuade them. It is

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amazing, what you do. My husband has been waiting six months for a button

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to go on his shirt. Now, if you are the art for dodger, if you could

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pickpocket anyone on the show, who would have the most interesting

:26:41.:26:45.

pocket? I reckon if you pick the pockets of Gleb Savchenko, you would

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find a little compact mirror. So he could just look at his beautiful

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face all day. And why wouldn't you? Zoe.

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Now, he is the Phantom of the ballroom,

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who can shut down a performance with a single one-liner.

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Be afraid, be very afraid...it's Craig Revel Horwood.

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Thank you, thank you. We haven't seen you for so long. It's been too

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long! He is back where he belongs. We are loving the facial hair. You

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have been playing Miss Hannigan, but she doesn't have a beard. She did on

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occasion. Now I am playing Hook in Peter Pan, so I had to grow this.

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I'm allergic to the glue. So it is home-grown. Handing over Miss

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Hannigan to Jodie Prenger. Have you given her tips? She has seen me in a

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corset. Lucky her. What a series it has been. It has been fantastic. I

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have been desperate to come on. I wanted to come on weeks ago to

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explain everything. It is the only time I have a chance to really be

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myself and explain what I think about everything. This year has been

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exceptional. I am so pleased with the final six couples. Do you think

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it makes it more fascinating when they are sharing the top spot? Well,

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consider that we give eights, nines and tens. It is going to be up to

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the audience at home to decide this year. They are so close. It is just

:28:59.:29:04.

unfortunate if you get a terrible dance, if you are dreadful at one

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dance and you get that in the final, that could be it. So Saturday will

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be mind-blowing. To be fair, you have chosen one of each couples'

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dance is to demonstrate what you love. Firstly, Helen and Aljaz and

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their Viennese waltz from last week, which was exquisite. I just loved

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it. It suited them so beautifully. This is what Strictly is about. When

:29:35.:29:38.

you see someone do a terrible dance and they come back and do something

:29:39.:29:43.

like this, it does give your life purpose, I think. And my life has

:29:44.:29:51.

been dance. It is emotional to see some people, up through the ranks.

:29:52.:29:56.

She has never done a terrible dance, though. She had a little slip

:29:57.:30:01.

up the steps. Well, that is terrible. And I didn't like her

:30:02.:30:05.

Charleston. I don't want to see that again. Day and Aliona and their

:30:06.:30:10.

jive, which has possibly been the dance of the series -- Jay and

:30:11.:30:15.

Aliona. Again, what was good about it?

:30:16.:30:22.

What blew me away was his technique, calm, collected. On it entirely. It

:30:23.:30:32.

was watchable. It was one of those where my pen goes down. It was

:30:33.:30:43.

mind-blowing. I love the way it changed gear and the music changed.

:30:44.:30:53.

What inspired you to be a dancer, a question from the audience. Well, I

:30:54.:31:01.

was a porky child. Thank you. And I wanted to lose weight. I went to the

:31:02.:31:05.

Jane Fonda work-out classes. Well, I thought they were. Show his age. It

:31:06.:31:12.

started to be a jazz ballet class. I started classical and picked it up

:31:13.:31:16.

easily. I loved it and flew with it. I really wanted to become a

:31:17.:31:20.

professional dancer. I worked really, really hard. I was quite

:31:21.:31:25.

late, 13, 14, 15 and by 17 I was in West Side Story as a professional

:31:26.:31:29.

dancer. I was amazed. I kept my training up constantly, of course,

:31:30.:31:33.

every morning. That has to happen over the years because I did have

:31:34.:31:37.

wild arms. I wondered what he was going to say there. I have those

:31:38.:31:42.

wild arms. Claire would like to know - would you ever swap seats with any

:31:43.:31:47.

of the other judges and sit next to Bruno? No, never. No, all that

:31:48.:31:51.

touchy feely, standing up, sitting down, falling off chairs. I can't

:31:52.:31:56.

bear it, to be honest. That's my honest opinion. He loves him really.

:31:57.:32:02.

Anita and Gleb, their paso doble in Blackpool. It was such a moment.

:32:03.:32:05.

Let's remind ourselves. You loved it. I did. The reason I loved it so.

:32:06.:32:10.

She is wearing a red dress. What I would put her in on stage. There

:32:11.:32:16.

were great big red material everywhere, fantastic, I thought

:32:17.:32:18.

Gleb's performance was brilliant. And hers. I didn't give it a ten. I

:32:19.:32:23.

could have. I was considering it and then I... Why not? Because it,

:32:24.:32:28.

technically, for me, wasn't strong enough. She had beautiful hands,

:32:29.:32:32.

absolutely beautiful hand shaping, but I thought the shoulders were

:32:33.:32:37.

raising a little bit. You know her footwork wasn't quite placed. It

:32:38.:32:41.

could be improved. Now, if she gets to the final and she wants to do

:32:42.:32:46.

that dance again, I which I would suggest, I would go into the

:32:47.:32:49.

training room, like now and start working on it T could be a ten. How

:32:50.:32:54.

exciting. We can't wait to see that ten paddle. We haven't seen it yet.

:32:55.:33:00.

On to Georgia and joy vane, you have chosen their American smooth also

:33:01.:33:03.

from Blackpool. Why did you love that? The dress, mainly. I wanted to

:33:04.:33:10.

be in it. The a least he is honest. Well, actually, I thought she had

:33:11.:33:15.

trouble with ballroom. Because she is a pint-sized dancer and ballroom

:33:16.:33:22.

tends to look better on fall people like your gorgeous Ian Waite, the

:33:23.:33:29.

length of bone we on about. It elong gates the line. It is difficult if

:33:30.:33:32.

you are a smaller person. She managed to get the shoulders down. A

:33:33.:33:38.

lovely long next line with her arms. Lovely to see. She is becoming what

:33:39.:33:43.

I call a 10 dancer, someone who is good at the Latin as well as the

:33:44.:33:48.

ballroom and she has worked hard to get there. I can't wait to see her

:33:49.:33:52.

being Belle tomorrow. Each week our couples stand beside

:33:53.:33:55.

Tess and wait for the Craig critique. He never fails to deliver.

:33:56.:34:01.

The cold front blew in, darling. You did not survive it, sadly. Would

:34:02.:34:08.

qualify for the world dad dancing championships. 21-and-a-half hours

:34:09.:34:13.

training wasted, sadly. Look at that face. Your thumb was sticking up.

:34:14.:34:20.

Oak, two on. I felt like you were being operated by strings or

:34:21.:34:25.

something. It was bizarre, darling. Cha-cha-cha-disaster. Oh, be quiet,

:34:26.:34:34.

honestly! I have to say, I think you have been in quite a good mood this

:34:35.:34:38.

series. We have another question in. This is from Alex - have you ever

:34:39.:34:42.

felt guilty, Craig, about giving negative comments to any couples

:34:43.:34:45.

during the competition this year? No, never. The only reason why I

:34:46.:34:50.

give them a critique is so they come back the following week

:34:51.:34:54.

spectacularly. You know, I wouldn't bother criticising someone just for

:34:55.:34:58.

the sake of it. I think I should be only there to help them achieve

:34:59.:35:01.

perfection. You know, that's what I'm looking for and I know that's

:35:02.:35:05.

what they are aiming for. Everyone wants the tens. The other three will

:35:06.:35:11.

hand them out willy-nilly. A ten for Mijas to be something that just

:35:12.:35:18.

makes me -- a ten for me, has to be something that makes me throw my

:35:19.:35:24.

paper away and say - I love that. Katy and Anton, you chose their

:35:25.:35:27.

deprans week 4, their Viennese waltz. You thought this was

:35:28.:35:30.

beautiful. It was, the footwork. The amount of rotation. I mean this is

:35:31.:35:36.

Anton in his element. At his best. And this is - and this is just

:35:37.:35:41.

permeating through her entire body. You could see it. She was absolutely

:35:42.:35:47.

almost flawless through it. It is so wonderful to see someone come from a

:35:48.:35:51.

non-dance background to be in the arms of someone like Anton. I mean

:35:52.:35:55.

we are so used to him dragging people around the floor. You know,

:35:56.:36:00.

ending up in a screaming heap and having to be a hideous comedian with

:36:01.:36:04.

everything. It is just so wonderful to see him dance. I know. He might

:36:05.:36:08.

get into the semifinal. He could go to the final. Well, I mean, you

:36:09.:36:14.

know, that's going to take a bit. Kellie and Kevin, their paso doble

:36:15.:36:20.

you chose from movie week when they were Hermoine and Harry Potter.

:36:21.:36:26.

Kellie, in the bot two two twice but is still fighting. Great spirit. You

:36:27.:36:30.

have to remember it is half a popularity contest. No matter how

:36:31.:36:33.

well you dance, you still have to be loved by the audience. The audience

:36:34.:36:38.

have 50% of the vote. At this point of the competition it is enormous,

:36:39.:36:41.

especially if you are handing out 9s and 10s. There will be a depifrns of

:36:42.:36:46.

one point between some couples and it will be up to the generosity of

:36:47.:36:51.

our great British nation, darling, to make the right decision and

:36:52.:36:56.

choose the right dancer. I chose that because she was brave getting

:36:57.:37:01.

up and dancing on a table is not easy. Jodie Prenger would know all

:37:02.:37:05.

about that. She has danced on many a table. And you have. I have indeed.

:37:06.:37:11.

The BBC bar, darling, wouldn't be the same without me in it. The very

:37:12.:37:17.

best of luck with Captain Hook and the next three shows. Thank you.

:37:18.:37:19.

Craig Revel Horwood! The world of Broadway will

:37:20.:37:22.

dominate this weekend's shows. Ian Waite has been swotting up

:37:23.:37:24.

on Strictly's musical history. Ladies and gentlemen, boys and

:37:25.:37:35.

girls, welcome to Waite's wonderful guide to Strictly musicals. A

:37:36.:37:41.

nostalgic look back at some of the most memorable musical renditions

:37:42.:37:44.

seen on Strictly over the years. On with the show.

:37:45.:37:52.

First up, was a real bit of Razzle dazzle. It is holy valuance and

:37:53.:37:58.

Artem with their tango from She cargo. Holly has no trouble breaking

:37:59.:38:02.

out of the Strictly prison. She looks like she has been caught

:38:03.:38:06.

red-handed in that dress. Talk about styling it out. What a professional.

:38:07.:38:13.

Next up, who is that coming through the door in a sharp trilby.

:38:14.:38:18.

# Singing in the rain...# It is Jason Donovan and Kristina,

:38:19.:38:23.

dancing the American smooth to Singing in the Rain. Jason didn't

:38:24.:38:28.

let the wet weather affect him and wept on to be a finalist in 20011.

:38:29.:38:38.

Gene Kellie would be proud. Next up, an absolutely wicked, yes

:38:39.:38:44.

wicked performance of divine graphy. It is Franke Bridge and Kevin

:38:45.:38:51.

Clifton. They took to the sky was this tango performance. Which scored

:38:52.:38:56.

them a very respectful 37. # If they could see me now...#

:38:57.:39:04.

Moving on this, show-stopping routine to If My Friends Ska Could

:39:05.:39:12.

See Me Now blew the judges away. Show dances could never be so showy

:39:13.:39:17.

than this. From Hollywood to Broadway. It was Tom Chambers and

:39:18.:39:23.

Camilla Dooler up. The couple were loved by the public and went on it

:39:24.:39:32.

lift the trophy in 2008. The next couple made the curtain

:39:33.:39:40.

call with Cabaret. It is Peter Shilton andierin Boag.

:39:41.:39:47.

Peter realised he should have stuck to giving out red cards. He was

:39:48.:39:53.

voted off with a low score of 18. Look at the hands. When you go for

:39:54.:39:59.

an easterly bath, you can rely on Craig it give you words of

:40:00.:40:05.

encouragement. The white gloves were a big mistake. It magnified

:40:06.:40:08.

everything that was wrong with it. Ouch. Who is that peaking out of the

:40:09.:40:14.

bushes. I'll let Len give you a clue. A great big bundle of joy. It

:40:15.:40:22.

is the adorable Mark Benson and his take on the Lion King. It makes the

:40:23.:40:27.

hairs on the back of your mane stand up.

:40:28.:40:30.

# I just can't wait to be king...#

:40:31.:40:35.

Let's end with two dance juggernauts, performing a show dance

:40:36.:40:39.

to America from West Side Story. # I want to be in America

:40:40.:40:44.

# Find me in America... # I want to be in

:40:45.:40:48.

America...# Hang on, you said you weren't going to show that bit.

:40:49.:40:54.

Off, off, off. BOOS

:40:55.:41:04.

Oh, we couldn't resist. . Please welcome back our Friday

:41:05.:41:10.

panel, Jodie Prenger, Has Craig given you some top tips

:41:11.:41:23.

about playing Miss Hannigan, taking over? Do you know, she is the most

:41:24.:41:27.

vile person but glorious at the same time, I'm going to try to drag it

:41:28.:41:34.

up. It won't be an issue. Oh, I can't wait. Let's go back into the

:41:35.:41:41.

training rooms and look at Jay and Aliona and their rum barks which is

:41:42.:41:46.

to Falling Slowly to Once the musical. I haven't seen but hear it

:41:47.:41:51.

is amazing. It is a romantic song, Vernon, can this be a good rum BA

:41:52.:41:56.

generally rumbas don't go so well for people. What do you think? I

:41:57.:41:59.

think with the rumba you can get exposed because you are out of hold

:42:00.:42:03.

at times well half of the dance. Like I talked about before, I

:42:04.:42:07.

personally feel Jay has to give so much character in the dance. What

:42:08.:42:10.

character would you give to a rumba? I don't know, I would imagine, sult

:42:11.:42:14.

rain sexy, something like that. He has been in a rock or pop band. You

:42:15.:42:20.

can't pull funny faces. I'm not talking about funny faces. He looks

:42:21.:42:25.

like he has one feature. If it is too much, it can be a bit eurh. I

:42:26.:42:31.

think his expression will be perfect. He looks quite isn't. There

:42:32.:42:39.

is something understated and lovely. He is 12. He is so strong with this

:42:40.:42:48.

dance. It is such a hard dance for a man He raised the bar high with his

:42:49.:42:52.

jive. We will see that again. I did a lap

:42:53.:42:59.

of the room when did he that. On to Georgia and Giovanni, foxtrot

:43:00.:43:04.

to Buty and the Beast. This is them in training. I'm thinking this could

:43:05.:43:08.

be stunning. What have you thought about their progress in the

:43:09.:43:11.

competition? For me, them two have stood out, more than anyone, I feel

:43:12.:43:16.

awful saying it, because she just works... Lovely, lovely She works so

:43:17.:43:20.

hard. Everything has been beautiful but you can tell the work is there

:43:21.:43:24.

which you really appreciate. Especially as this stage in the

:43:25.:43:29.

game. As she's from up north, I want her to do well. She gets excited

:43:30.:43:33.

about the results. It is really lovely. You get excited with her. I

:43:34.:43:38.

get emotional with her. She has been top of the leaderboard more than

:43:39.:43:41.

anyone else. Is that right? Him with his facts. Who told you that? Apart

:43:42.:43:48.

from last week. The man lives and breathes the show. He chooses Tess's

:43:49.:43:53.

outfits, the whole thing. Anita and Gleb - he doesn't wear them. Now the

:43:54.:44:02.

Argentine tango to Cell Block Tango. I love the relationship with these

:44:03.:44:07.

two They look so fierce. Look at the kicks, they are brilliant. I already

:44:08.:44:10.

love that. He does great choreography. What do you love about

:44:11.:44:16.

that? I already love T mootic, the whole thing, she has so much

:44:17.:44:21.

attitude. She'll go for T together they have fantastic chemistry. It is

:44:22.:44:32.

what we need. Hopefully it'll be like the dance she did in Blackpool.

:44:33.:44:41.

I hope his lip goes down. It looks like plastic surgery gone wrong.

:44:42.:44:44.

We must have a serious discussion now. How do you think might be going

:44:45.:44:48.

home, Sarah? That's difficult. I hate this bit. You go first. Kellie.

:44:49.:44:56.

I do think but I'm going to say Anita, I'm so sorry. Oh. Incensed

:44:57.:45:01.

by, that Sarah. Oh, it's so difficult. It's so difficult. Just a

:45:02.:45:07.

name, Sayeria, just the one name. No, maybe Katy and Anton, maybe. Oh.

:45:08.:45:16.

For a more positive note, who do you want to win? Anita. Or Jay. Who

:45:17.:45:23.

would you prefer to win? Oh, good grief. It is so difficult. Anita, I

:45:24.:45:30.

think. Vernon? I'm going to go Georgia, because she is a neighbour,

:45:31.:45:35.

being from up north and Anita has done well. Her progress has been

:45:36.:45:43.

phenomenal. Jodie? Georgia or Jay. . Let's mention everyone. Anton and

:45:44.:45:51.

Katy. We want them all to win. We'll hear Jodie singing here. Thank you

:45:52.:45:52.

to the Friday panel. Now, last week, they were all

:45:53.:45:55.

black leather and attitude. This week, they're

:45:56.:45:57.

a fairytale couple. Hello, my darlings! Welcome. They

:45:58.:46:40.

were saying very nice things just then stop look at you in lemon.

:46:41.:46:47.

Getting ready for Beauty And The Beast. Last week, your dance was

:46:48.:46:51.

spellbinding. Let's remind ourselves. How much fun was that? I

:46:52.:46:59.

did love it. I found the paso doble hard. It was a bit intense, but I

:47:00.:47:05.

liked it in the end. Giovanni, when you get into this and he first shows

:47:06.:47:11.

you the routine you are going to have to do, do you gasp and say you

:47:12.:47:14.

will have to make it easier, and does he say he will stick to it and

:47:15.:47:20.

always say he is right? He were always say here's right. If I find

:47:21.:47:26.

it difficult, he says, I will make it easy, and I say, don't! And on

:47:27.:47:35.

Tuesday, I cry. But in the end, it works out. Great comments from the

:47:36.:47:40.

judges. How does that feel? It's amazing. He works so hard in the

:47:41.:47:49.

week, and they say nice things. Do you think you should have had higher

:47:50.:47:56.

scores, Giovanni? No. Look, at this point of the competition, you can't

:47:57.:48:01.

be upset with the score. You just need to focus again on the

:48:02.:48:05.

competition and hope you go through to the next week. It has never been

:48:06.:48:12.

my strongest dance, so I was happy with eight and nine. Karen Hardy was

:48:13.:48:16.

on the show on Tuesday and this was what she had to say. It was

:48:17.:48:21.

fantastic. From the outset, it was under marked for me. To have this

:48:22.:48:26.

amount of power, we have twists, great balance of choreography are

:48:27.:48:32.

perfect for this lady. Isn't that nice to hear? That is really nice.

:48:33.:48:38.

People are saying that anyone could win it at the moment. Vernon was

:48:39.:48:43.

saying how many times you have been at the top. Do you feel like you

:48:44.:48:46.

have got to get tens and high scores because it would get tough? I speak

:48:47.:48:53.

for both of us. We just want to be good in the show. And if we arrived

:48:54.:48:59.

in the final or if we win, it would be a dream come true. I know I have

:49:00.:49:06.

to work hard this week, especially seeing other people's dances. It is

:49:07.:49:10.

really difficult now in the competition. Everyone is really

:49:11.:49:17.

good. But we are good as well. In the results show on Sunday, we saw

:49:18.:49:22.

you getting emotional. Was there anything particular in your mind, or

:49:23.:49:27.

were you just relieved? We are just working so hard. I never expected to

:49:28.:49:32.

get this far, and to think of the word quarterfinal, it was like, I

:49:33.:49:39.

just got emotional. I think I am tired as well. You are all

:49:40.:49:46.

exhausted. You professional dancers are used to this. How do you keep

:49:47.:49:51.

them going? He drags me across the floor. I have no choice! Sometimes

:49:52.:49:56.

they are really tired. I just say, come on, you can do it. Want more

:49:57.:50:05.

coffee? Now, Musicals Week. Foxtrot for the two of you. What are you

:50:06.:50:11.

dancing to? Beauty And The Beast. You say it right now. Are you give

:50:12.:50:20.

forward to being the best beast? I will be the beauty. Both of them. It

:50:21.:50:34.

is a surprise. Although we did see your make up yesterday. This is a

:50:35.:50:42.

rough sketch of how you will look. Did you see your dress? I did, and I

:50:43.:50:47.

tried it on today. I didn't want to take it off. I kept spinning around

:50:48.:50:56.

in it. All the little girls watching tomorrow will be falling in love.

:50:57.:50:59.

How has the training gone for the foxtrot? It is a tricky dance.

:51:00.:51:04.

Really good. She is more a ballroom dancer. When you think back, Craig

:51:05.:51:13.

was saying that as well. Because you are little, he thought you would be

:51:14.:51:16.

more Latin. Do you have a preference? I thought I would be

:51:17.:51:20.

Latin when I signed up for the show. I had never done either of them. But

:51:21.:51:25.

I like ballroom. I find it more comfortable. Elegant. But if Joe

:51:26.:51:31.

says, do on your own, I'm like, I can't do it without you! The

:51:32.:51:37.

quickstep was good. I like being led. We have our spies in training,

:51:38.:51:46.

and they never miss a trick. You wouldn't believe it, but Georgia has

:51:47.:51:57.

a lot of problems with her balance. My balance is terrible. She can't

:51:58.:52:05.

stand still without falling over. I love that! Where did your legs even

:52:06.:52:13.

go? She can't stay still. I can do all sorts, but try and get me to

:52:14.:52:19.

stand still, and it doesn't happen. He goes, it is your feet. It is your

:52:20.:52:24.

body balance. How much are you looking forward to Beauty And The

:52:25.:52:29.

Beast tomorrow night? I can't wait. We will have all the characters

:52:30.:52:33.

around us, the extra dancers. It is a surprise. And how much do you want

:52:34.:52:40.

to be in the semifinal? I don't even know what to say. I would love to be

:52:41.:52:44.

able to do all of the dances and really finished Strictly off.

:52:45.:52:52.

Fingers crossed. Georgia Anja Vanni! -- Georgia and Giovanni. Let's see

:52:53.:52:56.

what Kate Garraway is doing at this tricky ballroom. -- the Strictly

:52:57.:53:03.

ballroom. Everywhere you go here, there is something extraordinary.

:53:04.:53:09.

This is where the professional shoes are stored, in a little corridor.

:53:10.:53:19.

These Amman's. So shiny -- they are Amman's. And you will not recognise

:53:20.:53:22.

these, but you might recognise the face. Five minutes to Showtime,

:53:23.:53:28.

folks. It is great, the floor manager. Everyone calls you frosty.

:53:29.:53:33.

Why is that? My surname is frost, but I was also born on this day, so,

:53:34.:53:40.

frosty the snowman. Do you all compete to say Showtime? We do.

:53:41.:53:45.

There are three of us assistant floor managers, and we try to get as

:53:46.:53:50.

much green time as possible. It is a big week this week. What does it

:53:51.:53:56.

mean for you? It is just busier. There are extra dancers and it is a

:53:57.:54:01.

big production. It is not quite as busy as Blackpool, which is crazy,

:54:02.:54:08.

but the best show we do. And who are the worst culprits? For being late?

:54:09.:54:14.

It is the seasoned pros this year. The celebs are great. Generally, it

:54:15.:54:19.

is three of the girls, Natalie, Christina and Aliona. And this year,

:54:20.:54:25.

Anton, Katie Derham is lost with him sometimes, because he is just not

:54:26.:54:29.

there. It is because he has gone cocky, because it is going well.

:54:30.:54:33.

With me, he just wants to get it over with.

:54:34.:54:35.

Big thanks to the gorgeous Kate Garraway and all

:54:36.:54:37.

That's almost it for tonight, my friends.

:54:38.:54:40.

Len Goodman is coming up on The One Show on BBC One.

:54:41.:54:43.

And tomorrow, Strictly Musicals Week raises its curtain at 7pm, so make

:54:44.:54:47.

I'll be back on Monday with the tenth couple to be eliminated.

:54:48.:54:53.

Plus, we'll have all the backstage gossip from the weekend.

:54:54.:54:56.

But now, here to play us out, we have Miss Jodie Prenger, singing

:54:57.:55:00.

the title song from her forthcoming role in the Andrew Lloyd Webber

:55:01.:55:04.

# Don't write a letter when you want to leave

:55:05.:55:34.

# Don't call me at 3am from a friend's apartment

:55:35.:55:42.

# I'd like to choose how I hear the news

:55:43.:55:50.

# Take me to a park that's covered with trees

:55:51.:55:58.

# Let me down easy, no big song and dance

:55:59.:56:12.

# No long faces, no long looks, no deep conversation

:56:13.:56:20.

# I know the way we should spend that day

:56:21.:56:27.

# Take me to a zoo that's got chimpanzees

:56:28.:56:35.

# Don't want to know who's to blame, it won't help knowing

:56:36.:56:48.

# Don't want to fight day and night, bad enough you're going

:56:49.:56:55.

# Don't leave in silence with no words at all

:56:56.:57:02.

# Don't get drunk and slam the door, that's no way to end this

:57:03.:57:09.

# I know how I want you to say goodbye

:57:10.:57:16.

# Find a circus ring with a flying trapeze

:57:17.:57:24.

# I don't want to fight day and night, bad enough you're going

:57:25.:57:44.

# Don't leave in silence with no words at all

:57:45.:57:51.

# Don't get drunk and slam the door, that's no way to end this

:57:52.:57:57.

# I know how I want you to say goodbye

:57:58.:58:04.

# Don't call me as they call your plane

:58:05.:58:10.

# Take me to a park that's covered with trees

:58:11.:58:28.

Christmas Day may be the highlight of the holidays...

:58:29.:59:03.

Oh, yes. ..but all that pressure in the kitchen...

:59:04.:59:05.

Oh, it's wonderful. ..can definitely put a dampener on your celebrations.

:59:06.:59:09.

..I've got all the recipes you'll need, with some fantastic tips

:59:10.:59:13.

to make the day go off without a hitch.

:59:14.:59:16.

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