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It's very exciting, as we're merely minutes away from revealing who is | :00:00. | :00:00. | |
stepping in to Karen Hardy's shoes for this week's Choreography Corner. | :00:07. | :00:13. | |
and managed to short-list it to these lucky three. | :00:14. | :00:16. | |
So, will it be pop superstar, Beyonce? | :00:17. | :00:20. | |
Or perhaps the world renowned former principal dancer with | :00:21. | :00:24. | |
Let's face it, there's no competition. | :00:25. | :00:34. | |
ANNOUNCER: Live from London, this is Strictly, It Takes Two. | :00:35. | :01:23. | |
On tonight's show, Mr Ian Waite will be stepping into Dame Karen Hardy's | :01:24. | :01:39. | |
And fans of Global Glitterballs stay tuned as we'll be finding out | :01:40. | :01:46. | |
what Strictly looks like across the North Sea in Scandinavia. | :01:47. | :01:52. | |
But first, in a break from It Takes Two tradition, | :01:53. | :01:55. | |
it's not the saved couple keeping my sofa warm. | :01:56. | :01:58. | |
Instead, it's one of our other semi-finalists and, as the saying | :01:59. | :02:02. | |
goes, this pair have had more tens than I've had hot dinners. | :02:03. | :02:06. | |
How does it feel to be a Strictly semi-finalist? | :02:07. | :02:34. | |
It feels good. I have an official title. Semi finalist. That's all | :02:35. | :02:43. | |
you've ever needed in life. A rumba, not always everyone's favourite | :02:44. | :02:50. | |
dance to watch or to do. But it can be a tricky mistress. Len said it is | :02:51. | :02:56. | |
very difficult for boys. Look how well you did. Did you ever imagine | :02:57. | :03:00. | |
it would be a rumba that was your top scoring dance? Never at all. | :03:01. | :03:04. | |
Costume definitely thought, can we get away with a jeans and shirt you | :03:05. | :03:10. | |
bear every day? I'm wearing it now. You are, haven't even changed. I | :03:11. | :03:14. | |
didn't think it would grab people. But it did. Can you ask you, how | :03:15. | :03:18. | |
easy was it dancing in jeans? Did it get a bit hot? They were quite | :03:19. | :03:25. | |
elastic. Are you wearing elast Kated waists at your age! You have to go | :03:26. | :03:29. | |
out there and sell a love story when you dance a rumba. How was that? Was | :03:30. | :03:36. | |
that easy? I think because it wasn't like a big showy, here's what it is, | :03:37. | :03:41. | |
you're in love, it was a really quiet in love. The musical is a | :03:42. | :03:46. | |
really quiet in love. And the song was quiet in love. And my dancing is | :03:47. | :03:53. | |
quite quiet. Not very loud. I thought, OK, I can think about the | :03:54. | :03:58. | |
steps and dance around. I think it's easier to do a rumba when you have | :03:59. | :04:03. | |
actual characters to play and you have an actual musical so you're | :04:04. | :04:07. | |
telling a certain story. It is not just you two. It's somebody else. | :04:08. | :04:12. | |
So, two people creating a story that already exists. Aliona, you've | :04:13. | :04:20. | |
changed your hair. I know. You even dyed your hair for the role? We were | :04:21. | :04:33. | |
playing two roles that exist. They nos raisy aliens. You did it so | :04:34. | :04:39. | |
brilliantly. Is it a dance that came naturally to Jay or did you have to | :04:40. | :04:43. | |
work really hard for this one? I think the dancers are pretty much | :04:44. | :04:46. | |
the same. We work really hard on all the dances. It is a matter of will | :04:47. | :04:52. | |
we go wrong or not? All the dances we work as hard equally. But we | :04:53. | :04:57. | |
don't know what will happen. Monday I was a little bit thinking, ooh. | :04:58. | :05:02. | |
You were getting almost a bit depressed. I wasn't grumpy or tense | :05:03. | :05:08. | |
but you know when someone's quiet and you hear a million things. Are | :05:09. | :05:16. | |
you OK? Yeah, I'm OK. Are you sure? Did you say "fine." Zipped up by bag | :05:17. | :05:23. | |
and left! Incredible though, the judges absolutely loved it. They | :05:24. | :05:27. | |
really, really did. Tears in Darcey's eyes. How does it feel to | :05:28. | :05:32. | |
have that affect on Darcey? It's great. It doesn't just mean it was | :05:33. | :05:39. | |
danced technically well but they were carried away with the acting. | :05:40. | :05:44. | |
They've said it over and over again. OK, we're all good. If there are | :05:45. | :05:50. | |
tears it is not just emotive. Not just technically good, really it | :05:51. | :05:53. | |
meant we'd done something they'd been asking for. It's great to see | :05:54. | :06:00. | |
people feel the same way we did when we were dancing it. You could really | :06:01. | :06:03. | |
feel the connection. It was beautiful. What do you think it will | :06:04. | :06:10. | |
take to get a 10 from Craig? I don't know if that exists. But, really, I | :06:11. | :06:18. | |
think a 9... People don't understand how much work it takes to even get a | :06:19. | :06:24. | |
9. When you see an 8, it's what! Such a stamp of approval from | :06:25. | :06:27. | |
someone who is a professional judge. I don't know. I think that Big | :06:28. | :06:33. | |
Questions for a 10 might be a never ending wild goose chase. Will we see | :06:34. | :06:38. | |
Craig's 10? We'll discuss it later on. As we saw on Len's Lens, you had | :06:39. | :06:44. | |
Craig and Len bickering over you. Our favourite part of their tiff was | :06:45. | :06:50. | |
Len's mature insult to Craig. Give over, go and have a shave! Go and | :06:51. | :06:59. | |
have a shave! Top of the judges leaderboard, three 10s and your | :07:00. | :07:04. | |
highest score this series. So, so good. Did you know that you have | :07:05. | :07:12. | |
added a couple more entries in the McGuinness World Words. Here it is. | :07:13. | :07:20. | |
You have now the joint highest ever male celebrity rumba score along | :07:21. | :07:23. | |
with Matt Di Angelo from the 2007 Christmas special. Are you loving | :07:24. | :07:27. | |
that picture of yourself? State of that. It's beautiful! You have | :07:28. | :07:32. | |
received the most 10s from the judges so far this series. Six of | :07:33. | :07:38. | |
them. Wow! Amazing. How does that feel? Happy with that. Really happy. | :07:39. | :07:44. | |
Fingers crossed you get some more. We're not that surprised you were | :07:45. | :07:49. | |
good at the rumba. We have closely observed and study your music | :07:50. | :07:57. | |
videos. # I will be remembered for | :07:58. | :08:04. | |
centuries... # Who is Heather? Her name was Heather | :08:05. | :08:13. | |
as well. Real name? Still is, unless she saw Shah video and change it bee | :08:14. | :08:20. | |
deed Pol. I assume you still speak, you and Heather? OK! Now, last time | :08:21. | :08:26. | |
you got this far in the competition,al Yoann in a, you were | :08:27. | :08:29. | |
with Harry Judd. You got to the final and you won. You winner, you! | :08:30. | :08:36. | |
I know. Do you think you could win this year with Jay? Don't listen, | :08:37. | :08:42. | |
Jay. I think anyone can win this year. Everyone has a fair shot. | :08:43. | :08:47. | |
Everyone's amazing. Every couple has something very special about them. | :08:48. | :08:52. | |
So, it's anybody's game. Honestly. You can listen now. Do you feel any | :08:53. | :08:59. | |
pressure now? Aljaz is out of the competition. . Aliona is the only | :09:00. | :09:06. | |
pro in the competition who could win the trophy twice? At the end of last | :09:07. | :09:11. | |
week, when Helen left, I sat there and started spiralling out of | :09:12. | :09:14. | |
control. I can't believe it. What will happen. Next week, we've two | :09:15. | :09:19. | |
dances. What's going on. I had a bit of getting slapped by Aliona moment. | :09:20. | :09:22. | |
This is what you're going to do, learn your dances. Do them well just | :09:23. | :09:26. | |
like any other week. OK, that's what it is. Pull yourself together. Was | :09:27. | :09:32. | |
if like Aeroplane where they line up? Exactly. Just the two dances | :09:33. | :09:38. | |
this he can would. Viennese waltz and charleston. Where shall we | :09:39. | :09:43. | |
begin? Which is your favourite? I've only learned one of them. That must | :09:44. | :09:49. | |
be your favourite. Yeah. Which is that? Viennese waltz. It is | :09:50. | :09:53. | |
different from waltzing, it is quicker and has a different feel. | :09:54. | :09:58. | |
Not sure what that feel is yet. But it's's quick! Is he right? Is that | :09:59. | :10:05. | |
even close? It's close. She's not despairing yet. What have you in | :10:06. | :10:11. | |
store for Jay for the charleston? We have a great choreographer doing our | :10:12. | :10:16. | |
charleston, Ryan. Our routine will be a bit different to any other | :10:17. | :10:20. | |
charleston that was on Strictly to this day. It will be a bit more | :10:21. | :10:26. | |
modern and it will be a bit more the way charleston is danced now by | :10:27. | :10:31. | |
everyone. I like this. Not old school charleston but more the way | :10:32. | :10:35. | |
they do it now. With facial expressions? Charleston is crazy. Is | :10:36. | :10:40. | |
Jay going to have to give it all that or slightly more modern as | :10:41. | :10:46. | |
well? Slightly more modern. Still charleston, a happy dance. But it | :10:47. | :10:51. | |
will not be just... Slapstick? Not so much. A cool one. A cool | :10:52. | :10:56. | |
charleston. How do you feel like that? I think me and cool go really | :10:57. | :11:04. | |
well together! Daniel O'Donnell sends you him singing to cheer you | :11:05. | :11:10. | |
up. What a lovely thing to do? . He's awesome. We have a group chat, | :11:11. | :11:16. | |
since day one. When they have their day's off they'll send a message in | :11:17. | :11:22. | |
their PJs. Daniel sang and wished everyone good luck. I was in a pub | :11:23. | :11:26. | |
this week. Two Irish girls came up and were talking to me. I | :11:27. | :11:29. | |
this week. Two Irish girls came up video of them singing to him. | :11:30. | :11:32. | |
Beautiful. Good luck with your charleston and Viennese waltz. You | :11:33. | :11:37. | |
are utterly brilliant. Jay and Aliona. | :11:38. | :11:41. | |
CHEERING. I | :11:42. | :11:44. | |
So far on our Global Glitterball journey we've seen what the Danish, | :11:45. | :11:47. | |
Indian and Lebanese versions of Strictly have to offer. | :11:48. | :11:50. | |
. Next up in our Global Glitterballs tour is a country famous for ABBA, | :11:51. | :12:05. | |
flat-packed furniture and meatballs. Yes, it's Sweden. Sweet enrecently | :12:06. | :12:11. | |
finished its 10th series of their version of Strictly called Let's | :12:12. | :12:17. | |
Dance. The head judge is a man called Tony Irving who grew up down | :12:18. | :12:21. | |
the road from our own Georgia May Foote in Lancashire. I'm off to meet | :12:22. | :12:25. | |
him. Hi, Tony. So lovely to meet you. Nice to meet you too. | :12:26. | :12:30. | |
Congratulations on being a judge for ten years. Thank you. How big is the | :12:31. | :12:36. | |
show in Sweden? The only thing that's bigger is the Eurovision Song | :12:37. | :12:41. | |
Contest. A good pedigree. Who are the big celebrity names this series? | :12:42. | :12:48. | |
We've had some mega names. Jonas, a former world tennis players. Marie | :12:49. | :12:55. | |
from the pop group and a stylist Eunice. He was hilarious. Couldn't | :12:56. | :13:00. | |
put his left foot in front of his right foot but could make you laugh. | :13:01. | :13:05. | |
What's the difference between Let's Dance and Strictly Come Dancing? Our | :13:06. | :13:10. | |
show is prayer comedy. Everything is done to entertain. So the dancing | :13:11. | :13:14. | |
show is prayer comedy. Everything is main part of the show. How is it | :13:15. | :13:20. | |
being a Brit in a Swedish show? When I speak Swedish, I sound like I'm | :13:21. | :13:22. | |
still from the north of I speak Swedish, I sound like I'm | :13:23. | :13:30. | |
SPEAKING SWEDISH Are the judges from Sweden similar to our judges? We | :13:31. | :13:35. | |
only have three. Ann is our Darcey. Very technical. We have Dermot who | :13:36. | :13:41. | |
does his thing. I'm like this combination of Craig and Len. When | :13:42. | :13:46. | |
you see something you like you're very complimentary but when you | :13:47. | :13:49. | |
you see something you like you're something you dislike, you go hurt | :13:50. | :13:54. | |
'em? The problem is, most of the stuff I don't like. Do you have in | :13:55. | :13:58. | |
gossip or headline stories from this series? This year, we had a major | :13:59. | :14:05. | |
crisis. I accused Ingmar, a living Hedge End in Sweden, of not doing | :14:06. | :14:10. | |
his best and the other judges of cheating to treat him well! We got | :14:11. | :14:17. | |
the front page in all the major newspapers. Judging panel chaos. We | :14:18. | :14:24. | |
ended up not speaking to each other for nearly four weeks. All because I | :14:25. | :14:28. | |
did my job and told them off. I don't understand it. Which were your | :14:29. | :14:33. | |
favourite dancers of this series? It is always when the celebrity makes a | :14:34. | :14:38. | |
breakthrough. One of the biggest was Jonas, the tennis guy, this stuff | :14:39. | :14:45. | |
middle-aged man suddenly became this sex U hung for all the women... And | :14:46. | :14:50. | |
me! Tony, an absolute pleasure talking to you. We've gone full | :14:51. | :14:56. | |
circle. I think we need to go. My stomach's not agreeing with me up | :14:57. | :14:57. | |
here. Let's go. Dear viewers, it's come to | :14:58. | :15:01. | |
our attention that something ia missing from the world of | :15:02. | :15:06. | |
Strictly so far this series, so we've been forced to launch | :15:07. | :15:10. | |
an It Takes Two appeal Yes, missing from action this | :15:11. | :15:12. | |
year is Craig's 10 paddle. The paddle in question was | :15:13. | :15:17. | |
last seen on 20th December - After Simon Webbe and Kristina's | :15:18. | :15:22. | |
Argentine tango. There's already been a lot | :15:23. | :15:31. | |
of concern on social media. Caroline said, "Still no 10 paddle | :15:32. | :15:33. | |
from Craig. What will it take?" Nicola said, "Should have been 40! | :15:34. | :15:36. | |
A-maz-ing. And a source close to the paddle | :15:37. | :15:40. | |
said, "Ahh come on, Jay was well worthy | :15:41. | :15:44. | |
of a 10, darling." There are suspicions that | :15:45. | :15:48. | |
the paddle could have got into the wrong hands if these | :15:49. | :15:51. | |
sightings are anything to go by. Here it is on Saturday with | :15:52. | :15:54. | |
Kellie Bright's son, Freddie. And just a few weeks ago it was | :15:55. | :16:00. | |
right under our noses here at ITT, when it popped up with some of | :16:01. | :16:05. | |
Daniel O'Donnell's fans. If you have any information, | :16:06. | :16:09. | |
photo sightings or have seen Craig's Paddle, Please Contact Us | :16:10. | :16:14. | |
Using #findthepaddle. As Karen Hardy is halfway | :16:15. | :16:20. | |
around the world she's only gone and left her | :16:21. | :16:28. | |
choreography corner unattended and you'll never guess | :16:29. | :16:30. | |
whose made himself at home in it? It feel so strange, sat on the sofa. | :16:31. | :16:53. | |
The purple sofa, it's a beautiful thing. What did you think of | :16:54. | :16:58. | |
musicals week? At some point, I felt like I was sitting watching a | :16:59. | :17:01. | |
musical, a West End musical, and I thought the production was | :17:02. | :17:06. | |
incredible, I thought the music, the lighting, the make up, and last but | :17:07. | :17:09. | |
not least, the choreography from the professionals, give them a round of | :17:10. | :17:17. | |
applause. Spectacular work. Were you surprised by the shocking bottom | :17:18. | :17:22. | |
two? It was always going to be sad because they are also good. I was | :17:23. | :17:28. | |
shocked. And I thought that at this point in the competition, he goes to | :17:29. | :17:32. | |
show that you can be at the top of the leaderboard and still be in the | :17:33. | :17:36. | |
bottom two. I thought it was sad that Helen, one of my favourite | :17:37. | :17:43. | |
dancers, actually went. Sad to see them go. And she did so brilliantly. | :17:44. | :17:48. | |
Let's start with Georgia and Giovanni. Straight lines for the | :17:49. | :17:59. | |
foxtrot. -- straight nines. Craig said is delightful, enchanting. What | :18:00. | :18:04. | |
did you think? I thought it was like a fairy tale. I loved the extra | :18:05. | :18:08. | |
characters, especially the candlestick. That was my favourite. | :18:09. | :18:13. | |
As you see from this clip, what I loved about it, I talk about a | :18:14. | :18:19. | |
flower in the vase, and as you can see, they had that rounded shape at | :18:20. | :18:26. | |
the top, and her head goes out. This is absolutely superb. She is stuck | :18:27. | :18:30. | |
to them like glue. To be honest, I could not find anything wrong with | :18:31. | :18:35. | |
that but then I am not sitting in the Judges' seats. From a viewer's | :18:36. | :18:39. | |
point of view, I could see no technical faults. I would have been | :18:40. | :18:44. | |
close to giving her ten. He is crafty like that. Anita and Gleb | :18:45. | :18:53. | |
found themselves near the bottom. Craig only gave them a 6. He said it | :18:54. | :18:58. | |
exposed her weak points. What did you think about that score? Was that | :18:59. | :19:02. | |
they are? I agreed that there were certain points about her technique | :19:03. | :19:06. | |
that needed to be worked on but I thought that the sex was very harsh. | :19:07. | :19:16. | |
It was too harsh. -- the six was very harsh. The character that she | :19:17. | :19:23. | |
dances, I loved the fact that she did this so low. She looks great | :19:24. | :19:27. | |
among those professional dancers behind her. And then she ends with | :19:28. | :19:33. | |
that amazing cartwheel, with not a fear, not a doubt in her mind that | :19:34. | :19:38. | |
she is going to make it. It is just at the | :19:39. | :19:39. | |
she is going to make it. It is just at the end. If you look at her | :19:40. | :19:43. | |
position at the end, she should have had a straight leg, and she has a | :19:44. | :19:50. | |
turned in food, so these are the details that he was on about. -- | :19:51. | :19:57. | |
turned in foot. A lot of the scissor kick. Kellie and Kevin, Craig said | :19:58. | :20:04. | |
it was common, but he loved it. Did this and conventional take impress | :20:05. | :20:11. | |
you? -- unconventional take. It was a different interpretation but it | :20:12. | :20:14. | |
was pitched perfectly for that theme. I would have said, can I have | :20:15. | :20:21. | |
some more. It was consistently good and it had consistent energy and | :20:22. | :20:24. | |
performance throughout. I absolutely loved it. I picked this clip because | :20:25. | :20:29. | |
I wanted to show you. They go straight into a Flegel from a | :20:30. | :20:33. | |
standstill position, which is a difficult thing to do. And I watched | :20:34. | :20:38. | |
very carefully the footwork, and her footwork was perfect. Would you go | :20:39. | :20:46. | |
with these dancers? If there is one detail that is not quite right, the | :20:47. | :20:51. | |
performance is great and the technique was great. The energy was | :20:52. | :20:56. | |
brilliant. Jay and Aliona scored the joint highest score of the series | :20:57. | :21:02. | |
for their rumba. Do you think it deserved ten from Craig? I thought | :21:03. | :21:08. | |
it was absolutely brilliant. I loved the basic content and the | :21:09. | :21:11. | |
contemporary feel of it. It was full of musicality, but I have to say, at | :21:12. | :21:18. | |
the beginning I did see a heel leap. You should never see that in a | :21:19. | :21:23. | |
rumba. I would not have given it ten. As you can see, the clip, the | :21:24. | :21:35. | |
contents, he does a basic van into three 3s, and then it goes into a | :21:36. | :21:44. | |
sliding door. And then he checks, and these are all the elements that | :21:45. | :21:49. | |
Len Goodman would be looking for. He does this lovely spiral. Look at | :21:50. | :21:55. | |
that. I thought I would demonstrate. Craig was talking about for two, | :21:56. | :22:03. | |
two, three, four, one. He needed to hope that a little bit more. But the | :22:04. | :22:12. | |
piece de resistance was the turn. That was pressure. Unbelievable. | :22:13. | :22:19. | |
Katie and Anton and the foxtrot that earned them their joint highest | :22:20. | :22:24. | |
score of this series. What was so good about this? Look at this. I | :22:25. | :22:29. | |
spoke earlier about them losing contact throughout. All away through | :22:30. | :22:36. | |
this, she goes into the kick, and they don't lose contact once. It is | :22:37. | :22:42. | |
absolutely amazing. Really, they did a splendid job and she was smooth | :22:43. | :22:47. | |
throughout. Great job. And her legs, gorgeous. It was absolutely | :22:48. | :22:52. | |
beautiful. You are back tomorrow. I am! I am! We have tunes on Tuesday | :22:53. | :22:58. | |
coming up and we might need your help. | :22:59. | :23:03. | |
Now, any Strictly fan should have an encyclopedic knowledge of the show. | :23:04. | :23:05. | |
You know, just the simple stuff like, first ever perfect score was | :23:06. | :23:08. | |
given to Jill Halfpenny for her jive in Series 2 and since Kevin Clifton | :23:09. | :23:12. | |
has been on Strictly, he's accumulated a total of 1,465 points. | :23:13. | :23:14. | |
But if you're a bit rusty, don't worry, because Robin Windsor has | :23:15. | :23:21. | |
It's me, Robin, running down your most favourite Strictly moments from | :23:22. | :23:38. | |
a to see. Had some great moments so far, so let's continue with the | :23:39. | :23:47. | |
letter T. T is for Tango, now, too obvious. It is really for torsos. | :23:48. | :23:52. | |
Our celebrities have shown a lot of flesh over the years but you don't | :23:53. | :23:59. | |
want me to keep going on about that. # Nacho, Nacho man. | :24:00. | :24:12. | |
You is for underdog. Never underestimate a celebrity. Even the | :24:13. | :24:21. | |
most flat-footed of dancers can make it to the final. Christopher Parker | :24:22. | :24:28. | |
was not the most graceful of dancers but he made it all away to the | :24:29. | :24:30. | |
finals. You work that Cape, Chris. but he made it all away to the | :24:31. | :24:51. | |
V is for Velcro. Robbie Savage put Velcro to its best use, flashing us | :24:52. | :24:59. | |
his bulging thighs. V is for vigorous chemise. -- shimmies. | :25:00. | :25:33. | |
That's enough of that. Come on, Zoe, show us your shimmy. | :25:34. | :25:44. | |
That's enough of that. Come on, Zoe, Thank you, Robbie. All of that | :25:45. | :25:47. | |
shimmying has got me in the mood for dancing. This would be a good time | :25:48. | :25:49. | |
to wheel out of the gigantic jukebox. | :25:50. | :25:51. | |
Let's see what semi-final gems our jukebox has for us. | :25:52. | :26:05. | |
Here we go. Nice wolf whistle, madam. This is | :26:06. | :26:28. | |
Tanguero by Sextetto. Did you know that Sextetto are a man band with | :26:29. | :26:36. | |
two members of the age of 85? Which of our couples are doing the | :26:37. | :26:39. | |
Argentine tango to its? Reveal yourselves. That will be good. It is | :26:40. | :26:52. | |
nice having you here. This is Puccini. Interestingly, Puccini had | :26:53. | :26:58. | |
a whopping five middle names. His full name is actually Jay, or, | :26:59. | :27:07. | |
Domenico, Maria Puccini. Who will be waltzing around to this? And Tom and | :27:08. | :27:16. | |
Katie, nice. Our last song. Here we go. I love it! High kicks. So good, | :27:17. | :27:28. | |
they named it twice. Of course it is, New York, New York, by Frank | :27:29. | :27:33. | |
Sinatra. Apparently Frank owns an extensive collection of electric toy | :27:34. | :27:37. | |
trains. Ian, do you collect anything? What do you collect? I | :27:38. | :27:45. | |
collect plugs. White ones from different capitals. Let's find out | :27:46. | :27:52. | |
who is foxtrot and to this little gem. -- fox trotting. Anita and | :27:53. | :28:07. | |
bladder. That will be promising. -- Anita and Gleb. To find out what | :28:08. | :28:12. | |
music the rest of our couples are dancing to, heads to our website. I | :28:13. | :28:18. | |
love you being here for this. Let's dance night. -- let's dance all | :28:19. | :28:26. | |
That's it for tonight. Thank you to all of our guests. | :28:27. | :28:28. | |
Tune in tomorrow when I'll be joined by Katie and Anton. | :28:29. | :28:31. | |
Strictly singers, Tommy Blaize and Hayley Sanderson will be here. | :28:32. | :28:33. | |
And Ian Waite is back for his weekly warm up. | :28:34. | :28:43. | |
Justly dancing, this is beautiful. I love it. -- just keep dancing. | :28:44. | :28:46. |