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Stop reminiscing, you sentimental thing, I'm not done with you yet. | :00:00. | :00:31. | |
We still have one Tunes on Tuesday to do, so let's make it the best | :00:32. | :00:35. | |
Tonight we have glittery gifts-a-plenty to add a bit | :00:36. | :01:43. | |
We'll discover what music all our couples will be | :01:44. | :01:56. | |
performing their show dances to with Tunes on Tuesday. | :01:57. | :01:59. | |
Plus, she's been part of the Strictly family for 10 years, | :02:00. | :02:04. | |
but tonight we say a final farewell to a real dancing queen, | :02:05. | :02:07. | |
But first, it's time for some chic critique. | :02:08. | :02:20. | |
What a semifinal. Did you enjoy it? It was one of the most exciting | :02:21. | :02:36. | |
weekends we have had. It was nail-biting. It was very emotional. | :02:37. | :02:47. | |
Katie and Anton. Anton's first Strictly final ever. | :02:48. | :03:01. | |
I thought they got better as their competition went on. She has energy, | :03:02. | :03:08. | |
personality, she is doing the characterisation really well. She | :03:09. | :03:13. | |
gets to control her long limbs a little bit more but she has to | :03:14. | :03:17. | |
imagine movements coming from inside out rather than the extremities so | :03:18. | :03:23. | |
it is the difference between a marionette puppet being controlled | :03:24. | :03:25. | |
from here and a hand puppet being controlled from the inside out. The | :03:26. | :03:34. | |
walk beautiful to start off with. In the dance off she was beautiful. It | :03:35. | :03:40. | |
could be incredible if she is a little bit more together with Anton. | :03:41. | :03:46. | |
I do not mean yapping. I mean together with the timing, but how | :03:47. | :04:00. | |
big the steps are. -- gapping. Just follow exactly what he is doing. How | :04:01. | :04:05. | |
much he is shaping and how fast and if she does that it will be | :04:06. | :04:07. | |
incredible. They did a Viennese | :04:08. | :04:12. | |
waltz and a charleston. No. Hang on. I did in the | :04:13. | :04:28. | |
charleston. He was amazing in the charleston. They had to take off a | :04:29. | :04:32. | |
few penalty points because he dropped her. Try not to notice that. | :04:33. | :04:41. | |
He was so professional in picking up from that. That was incredible. That | :04:42. | :04:45. | |
is why he is in the final. The Viennese waltz I am slightly | :04:46. | :04:52. | |
surprised the judges gave him nines and eights and only Len seven. It | :04:53. | :05:04. | |
only has three basic steps. In one of those, a third of the dance, he | :05:05. | :05:10. | |
was doing something... It is like doing heels in the rumba. One bit of | :05:11. | :05:19. | |
advice if he does ballroom in the final is not so much to listen to | :05:20. | :05:22. | |
literally to what Craig said about keeping his head to the left because | :05:23. | :05:27. | |
the boy needs to see where he is going, he needs to lead. If he takes | :05:28. | :05:32. | |
his head out to the lefty is going to be looking this way and we will | :05:33. | :05:34. | |
get funny head and shoulder movements. I see what Craig saw and | :05:35. | :05:42. | |
that is when he sways. You need to keep that hot cross bun, a line here | :05:43. | :05:50. | |
and one from elbow to elbow and you have to keep that hot cross bun as | :05:51. | :05:56. | |
you are swaying and not collapsing. I love your explanations. | :05:57. | :05:59. | |
They did a cha-cha, which got 33, and a Viennese waltz, | :06:00. | :06:03. | |
They bounced back after the dance off the previous week? | :06:04. | :06:14. | |
She is such a great ballroom dancer. She sorted out her shoulders. She is | :06:15. | :06:25. | |
talented. Beautiful. Latin, the chatter was still good, very | :06:26. | :06:28. | |
energetic, but she needs to have a better understanding of a rumba walk | :06:29. | :06:44. | |
-- cha-cha. It has six actions. You have to settle into the hip. Control | :06:45. | :06:58. | |
the moving like. -- leg. Bush from the back foot and extend the hip and | :06:59. | :07:08. | |
recover and do it again. -- push. At great speed. I get that is very | :07:09. | :07:16. | |
difficult. You do not have much time to train. If she can imagine there | :07:17. | :07:19. | |
is a magnet underneath the floor and it keeps her feet on the floor, it | :07:20. | :07:21. | |
could resemble a proper rumba walk. They did a rumba and | :07:22. | :07:27. | |
an American Smooth. Their American Smooth got | :07:28. | :07:34. | |
the highest score of the night, and joint highest of | :07:35. | :07:37. | |
the series, 39 points. I was so impressed. She is | :07:38. | :07:45. | |
brilliant. What Kevin needs to do is sort out his feet, his footwork... I | :07:46. | :07:54. | |
am joking! I was so proud. This was the editor Orme of American Smooth. | :07:55. | :08:00. | |
Fred and Ginger. She has to be careful when she does spenders. I | :08:01. | :08:12. | |
can demonstrate. -- spins. She needs to have rips to the side and pull | :08:13. | :08:18. | |
the skin out on her elbow. -- is ribs. Further out, and into the room | :08:19. | :08:29. | |
but she had that stumble. Other than that it would have been perfect. It | :08:30. | :08:35. | |
is where she was holding her centre. You can see it on the screen. Tiny | :08:36. | :08:43. | |
wobble. There are ways of practising this. Maybe she was uptight saw her | :08:44. | :08:47. | |
centre was up here rather than grounded. You can practice that by | :08:48. | :08:55. | |
doing a turn with your centre high. Lower down about your belly button. | :08:56. | :09:03. | |
Even underneath your belly button. That keeps you grounded into the | :09:04. | :09:07. | |
floor, so if she could law her centre she will be fine. I will be | :09:08. | :09:14. | |
trying all of that later. Rewind it until you are perfect! | :09:15. | :09:17. | |
Now, Joanne, let me introduce you to this, although I'm sure | :09:18. | :09:19. | |
This is the Strictly Come Dancing rule book, 13th edition. | :09:20. | :09:23. | |
But for one dance this weekend, our couples can do this with it. | :09:24. | :09:29. | |
Yes, they can throw that rule book out of the window, | :09:30. | :09:31. | |
It is a blank page. They can do anything, as many lifts, anything | :09:32. | :09:44. | |
you want, no rules. It is going to be fantastic. | :09:45. | :09:47. | |
But what songs will our celebrity anarchists be dancing | :09:48. | :09:50. | |
For the final time this series, let's find out what my trusty | :09:51. | :10:06. | |
So which one of our couples will be dancing to this? | :10:07. | :10:31. | |
Yes, it's Katie and Anton, this will be interesting! | :10:32. | :10:34. | |
MUSIC: "I Can't Feel My Face" by The Weekend | :10:35. | :10:49. | |
Slowing things down with a bit of a tear jerker, Coldplay's Fix | :10:50. | :11:17. | |
MUSIC: "The Ding Dong Daddy of the D-Car Line" by Cherry Poppin' | :11:18. | :11:35. | |
It's The Ding Dong Daddy of the D-Car Line by Cherry Poppin' | :11:36. | :11:41. | |
Well there's only one couple left, so it must be... | :11:42. | :11:59. | |
Joanne, thanks for being my dancing partner today, and thanks | :12:00. | :12:11. | |
for being such a valuable part of the It Takes Two team this | :12:12. | :12:14. | |
Now, if you want to say good luck to any of our finalists, | :12:15. | :12:19. | |
send us a video telling us why you're such big fans and why | :12:20. | :12:22. | |
We'll be showing our favourites to the finalists on Friday's show | :12:23. | :12:26. | |
when they'll all be here, live in the studio. | :12:27. | :12:28. | |
Head to our website for all the details. | :12:29. | :12:30. | |
Now, time for a Trick of the Trade, and this one is a real eye-opener. | :12:31. | :12:38. | |
I am Joanne and I am part of the make up team. I can show you how to | :12:39. | :12:47. | |
apply false eyelashes. I cut it and check against the eye. Perfect. I | :12:48. | :12:54. | |
apply glue. Let it go tacky so do not apply it straightaway. Leave it | :12:55. | :13:00. | |
a couple of minutes. I am putting the lash on. Make sure you get as | :13:01. | :13:04. | |
close to the lash line as possible so there is no gap. That is my trick | :13:05. | :13:09. | |
of the trade on how to apply the perfect false eyelash. | :13:10. | :13:11. | |
Make sure you use real eyelash glue when sticking on false eyelashes. | :13:12. | :13:15. | |
Now, over her ten years on Strictly Come Dancing, | :13:16. | :13:18. | |
Ola Jordan has given us many memorable dancefloor moments. | :13:19. | :13:21. | |
However, she'll be hanging up her Strictly Come Dancing shoes | :13:22. | :13:24. | |
once and for all, performing for the final time this weekend. | :13:25. | :13:27. | |
Ten series. I know. How has Strictly come dancing changed your life? | :13:28. | :13:48. | |
Massively. It has been a massive part of my life. Ten years is a long | :13:49. | :13:54. | |
time. It has changed massively. Your first partner was DJ Spoony. Look | :13:55. | :14:07. | |
how young you were! Do you remember how nervous you were? I was | :14:08. | :14:12. | |
terrified. Everything, the interviews, the dances. It does not | :14:13. | :14:19. | |
get easier. Do the nerves settle? It does not. Every year I wonder why it | :14:20. | :14:25. | |
is not getting easier but it is not. You are nervous for your partners as | :14:26. | :14:33. | |
well but you try not to show it. If you do not get nervous, you might | :14:34. | :14:40. | |
not care. You obviously care, if you do not have nervous, something is | :14:41. | :14:41. | |
wrong. Here's your Strictly history | :14:42. | :14:42. | |
in the form of a handy graph. Paul Daniels did not do quite so | :14:43. | :15:14. | |
well. Robbie Savage on the flying carpet. | :15:15. | :15:19. | |
Who would you say was your favourite dance partner and why? | :15:20. | :15:22. | |
They were all different in dancing and personalities! Inability. They | :15:23. | :15:28. | |
were all great. I am friends with most of them. When you see them | :15:29. | :15:37. | |
again, if you meet Robbie Savage at a party, do you go into a road team? | :15:38. | :15:43. | |
No, we do not. -- routine. We did a spin the other day with Chris | :15:44. | :15:46. | |
Hollins. I would like to think you did the crazy move from the | :15:47. | :15:48. | |
Charleston. No, we did not do that. With all this chatter | :15:49. | :15:53. | |
about your time on Strictly, we thought we would put | :15:54. | :15:55. | |
together your best bits. I am going to get emotional! It is | :15:56. | :15:57. | |
Ola! Ola is a little pocket rocket. She | :15:58. | :16:19. | |
is just great. She is just absolute dynamite. It is remarkable to think | :16:20. | :16:26. | |
it is ten series, nine years ago I turned up, she coached me through my | :16:27. | :16:32. | |
Strictly experience. My favourite moment was when we were partnered | :16:33. | :16:36. | |
together. It did not last long but she was a really good teacher. She | :16:37. | :16:40. | |
knew when to have a laugh and she also knew when to tell me to knuckle | :16:41. | :16:44. | |
down so that was a win-win. She believed in me right from the very | :16:45. | :16:49. | |
start, goodness knows why! She was a demanding teacher and could I do it? | :16:50. | :16:54. | |
No, perhaps she deserved better. Ola, can we have another go, I have | :16:55. | :17:00. | |
had another hit since? That is what what's holding me back, honest. The | :17:01. | :17:05. | |
first night, I did a dance to one Direction, dressed in pink, my fears | :17:06. | :17:09. | |
coming true on national television and Ola said, you are going to be | :17:10. | :17:14. | |
all right. I cannot imagine doing Strictly with anyone else. I feel | :17:15. | :17:18. | |
obliged to be her last partner and a bit guilty, I wish we had done | :17:19. | :17:23. | |
better as a team. But she was patient with me and a really good | :17:24. | :17:28. | |
person. Ola, you have had a fantastic career on Strictly but | :17:29. | :17:32. | |
never forget where it started! Six years later and people still say to | :17:33. | :17:38. | |
me in the street, Chris, you and Ola doing that Charleston, fantastic. | :17:39. | :17:41. | |
And that feeling of lifting the trophy with little Ola will stay | :17:42. | :17:48. | |
with me forever, it is just magical. Cheering macro. I am all right! I | :17:49. | :17:54. | |
told you you would get emotional. What have been your most | :17:55. | :17:56. | |
memorable moments? I could not pick, all of them. | :17:57. | :18:05. | |
Winning was obviously a massive thing for me. All the professional | :18:06. | :18:11. | |
dancers want to win so much so that was big. Being part of it and | :18:12. | :18:16. | |
dancing every Saturday on live television, it was amazing. Who is | :18:17. | :18:24. | |
going to whether catsuits now? You! -- to wear. I am not wearing those! | :18:25. | :18:32. | |
That was your trademark outfit. It has been amazing. It has been an | :18:33. | :18:37. | |
amazing ten series. I have met so many amazing friends, I have so many | :18:38. | :18:43. | |
amazing friends from it, not only celebrities and professional dancers | :18:44. | :18:45. | |
but also the crew, the make-up artist. They are a good bunch. I | :18:46. | :18:52. | |
will miss them a lot. Bless you, what will you miss the most? The | :18:53. | :18:59. | |
live shows. Being part of a massive beautiful production. And the people | :19:00. | :19:04. | |
I work with, all of them. Georgia is wearing your shoes. Yes. She wore | :19:05. | :19:10. | |
shoes for the Charleston and she really well. Lucky shoes! We will | :19:11. | :19:16. | |
get to see you dance this weekend. Thank you, you have been absolutely | :19:17. | :19:21. | |
amazing, we have loved having you on the show. Merry Christmas to you and | :19:22. | :19:23. | |
James. Ola Jordan! Now onto another Strictly | :19:24. | :19:29. | |
historical moment. Well, that statement has | :19:30. | :19:35. | |
finally come true for one After 13 series competing week in - | :19:36. | :19:38. | |
but mostly week out - in Strictly Come Dancing, | :19:39. | :19:44. | |
he has, at last, made it to the final with his gorgeous | :19:45. | :19:46. | |
celebrity partner, Katie Derham. Kids, this is proof | :19:47. | :19:52. | |
that dreams come true! They are in the final, excuse me! | :19:53. | :20:07. | |
Well done, congratulations! I will come to you in a minute, | :20:08. | :20:27. | |
Katie. Amazing, surprising, thrilling, all those things. I feel | :20:28. | :20:32. | |
like the weight of expectation of a dancing nation! Did you feel that? I | :20:33. | :20:39. | |
think a lot of people wanted to see this man go to the final. Did you | :20:40. | :20:44. | |
feel the pressure last week, Katie? Yes, I did, I am not going to lie. I | :20:45. | :20:50. | |
did lie to you! How are you feeling, Anton Dudek, finalist? Say it again, | :20:51. | :20:58. | |
quickly. -- Anton du Beke. Does that feel good? I am waiting for the | :20:59. | :21:03. | |
moment they go, just kidding, it you never made it! How did you feel | :21:04. | :21:10. | |
doing your Charleston, did you enjoy it? I had a ball! I enjoyed it a lot | :21:11. | :21:16. | |
more than Craig. That is better said. I went upside down a lot, I | :21:17. | :21:22. | |
pranced around, it was amazing. I really enjoyed it. Look at those | :21:23. | :21:28. | |
legs, incredible. Were you worried, Anton, when you got the scores? That | :21:29. | :21:34. | |
is one word for it! What I was thinking, after we got both combined | :21:35. | :21:39. | |
scores together, we were suddenly on 56 and still second and nobody else | :21:40. | :21:42. | |
had danced, I did not think it would be enough, let's say that. What can | :21:43. | :21:49. | |
you do? The four sealed the fake for the night. Whatever we got from that | :21:50. | :21:56. | |
point would not put as anywhere other than bottom. What did you | :21:57. | :22:02. | |
think about the four? All right. Is it hurtful? I have had a view in my | :22:03. | :22:08. | |
time, I am quite used to it. I felt sorry for Katie. -- a couple. | :22:09. | :22:12. | |
They're in off, you just have to move on. -- therein. When we walked | :22:13. | :22:19. | |
around the corner from Claudia, I said, the gap that, focused on the | :22:20. | :22:24. | |
Waltz, there is nothing you can do, marvellous. Do a fabulous Waltz. And | :22:25. | :22:30. | |
it was fabulous. That dress was incredible. Did you enjoy that | :22:31. | :22:36. | |
dance? It looks so romantic, Katie. I just loved it. I also slightly | :22:37. | :22:45. | |
messed it up towards the end! I am glad they stopped it there! What | :22:46. | :22:51. | |
happened? I don't know, nerves. I don't know. No! You think, maybe a | :22:52. | :22:59. | |
couple of weeks ago, they might have given us the benefit of the doubt, | :23:00. | :23:02. | |
but not in the semifinal, fair enough. It has been tremendous, the | :23:03. | :23:09. | |
series. Everybody says it is the best series ever, always. This | :23:10. | :23:13. | |
obviously is the highest standard and the finest series of Strictly | :23:14. | :23:18. | |
Come Dancing we have ever had, naturally, we are in the final! Best | :23:19. | :23:24. | |
ever! I don't think there has ever been a higher standard in the | :23:25. | :23:28. | |
quarterfinal in any Strictly we have ever had. That level of six couples | :23:29. | :23:33. | |
was so high, everybody danced tremendously well and it had been | :23:34. | :23:37. | |
like that a couple of weeks before that, nobody was going wrong. You | :23:38. | :23:42. | |
danced the best you could and the judges were not looking for | :23:43. | :23:46. | |
perfection. They were now looking for the bids that went wrong and | :23:47. | :23:51. | |
they commented on that so you knew they would comment and you accepted | :23:52. | :23:54. | |
it because that is fair enough. Take it on the chin. You move on. But the | :23:55. | :24:01. | |
great thing is you are in the final which is almost upon us and we | :24:02. | :24:04. | |
should take this moment to celebrate. | :24:05. | :24:06. | |
Let's take a look at your Strictly story so far. | :24:07. | :24:08. | |
You will promenade with... Anton! I have hit the jackpot with Anton, | :24:09. | :24:17. | |
what can I say the legend that is Anton du Beke. The Jive! Yes, all | :24:18. | :24:23. | |
right. Not bad! I have never been to the Proms. Very clean and the most | :24:24. | :24:29. | |
sophisticated and stylish Jive we have ever had. I could do it again | :24:30. | :24:36. | |
now. Do it again. It was truly a man go of a Tango, sweet and is | :24:37. | :24:39. | |
delicious, and test it. Seven! Don't wake me up and spoil | :24:40. | :24:51. | |
it! I am loving it. Katie could be one of the best ever! Lovely! You | :24:52. | :25:00. | |
are somebody that has everything, to go far in the competition but you | :25:01. | :25:06. | |
will not if you just pose around. The content is her responsibility. | :25:07. | :25:12. | |
It is my responsibility really. It was the first time Anton ate humble | :25:13. | :25:20. | |
pie! You pulled it off, that was beautiful. | :25:21. | :25:29. | |
At the top, Katie and Anton. Yes! This week, it is the cells. | :25:30. | :25:39. | |
Beautiful. -- Salsa. You are not expected to be fabulous at | :25:40. | :25:42. | |
everything and Latin is not your strength, sadly. There is a good | :25:43. | :25:53. | |
improvement already with your Latin. You are working in the right | :25:54. | :25:57. | |
direction. Tow, that is it. Gorgeous. I have got the steps | :25:58. | :26:09. | |
right. Come on! This week, we are doing the Rumba, the dance of love. | :26:10. | :26:21. | |
I love you! Some say Rumba... I say, fantastic. Please tell me you have | :26:22. | :26:29. | |
warmed up. We are doing the American Smooth. Look out, Blackpool! | :26:30. | :26:41. | |
It is your best dance, no question. The best dance! Nine! That is your | :26:42. | :26:51. | |
highest score. My goodness! It is your highest score by Miles! Miles. | :26:52. | :26:56. | |
Do you get a dream would it be lovely to be in the lash of? The | :26:57. | :27:00. | |
Argentine Tango is a lot of impressive kicks and Flex -- last | :27:01. | :27:07. | |
show. I thought you were reacting late to Anton's lead. You wobbled | :27:08. | :27:13. | |
out of the spin as well. You lost your balance. You are picking your | :27:14. | :27:18. | |
feet up too much. Apart from that, Darling, it was wonderful. | :27:19. | :27:25. | |
The slow Foxtrot this week and it is the best dance. It is the dance's | :27:26. | :27:29. | |
dance. A very accomplished performance. | :27:30. | :27:36. | |
Nine! Nine! I love the quarterfinals. Nine! I know! It is | :27:37. | :27:42. | |
the semifinal, I want to praise everyone but I have to be honest and | :27:43. | :27:46. | |
for me, it was not job best moment. I really enjoyed it and I thought | :27:47. | :27:51. | |
you redeemed yourself in this. Who would you like to send through to | :27:52. | :27:55. | |
the final and white ice, Anita and Gleb. Katie and Anton. Katie and | :27:56. | :28:03. | |
Anton. You are finalists, how do you feel? I cannot believe that! It is | :28:04. | :28:11. | |
so emotional. Katie, tell me quickly what you can about your Show Dance. | :28:12. | :28:18. | |
Epic. It has been 13 seasons and there is a lot of choreography to | :28:19. | :28:22. | |
fit into a minute and a half. Can you take it, Katie? I will be a | :28:23. | :28:27. | |
broken woman by the end of it but I will give it my best shot. Russell | :28:28. | :28:31. | |
Grant's canon is coming out. A big thank you to | :28:32. | :28:35. | |
all of our guests. Tune in tomorrow, when I'll be | :28:36. | :28:42. | |
joined by Kellie and Kevin. And Ian Waite will be giving | :28:43. | :28:44. | |
us his final warm-up of the series. Plus, ahead of the Strictly Come | :28:45. | :28:48. | |
Dancing Christmas Special, I'll be catching up with two | :28:49. | :28:50. | |
contenders for this | :28:51. | :28:53. |