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Do you remember that time when I was a cowboy? | :00:08. | :00:12. | |
This holiday season is going to be mild and quite sunny. | :00:13. | :00:22. | |
Stop daydreaming, Zoe, you've got a show to do. | :00:23. | :00:30. | |
Please welcome your host, Zoe Ball. APPLAUSE | :00:31. | :01:26. | |
Hello and welcome to the penultimate It Takes Two. | :01:27. | :01:31. | |
What an astonishing line-up we have for you tonight. | :01:32. | :01:36. | |
Georgia and Giovanni are here to reveal their plans | :01:37. | :01:38. | |
Jay and Aliona will also be showing us what they've got | :01:39. | :01:45. | |
Vicky Gill will be unveiling her costume designs | :01:46. | :01:50. | |
Plus, we're joined by three of the absolute greats, | :01:51. | :02:01. | |
Peter Andre, Carol Kirkwood and Jeremy Vine are back! | :02:02. | :02:03. | |
But first, from the cobbles of Weatherfield and | :02:04. | :02:15. | |
the olives of Sicily, to the dizzying heights | :02:16. | :02:17. | |
Congratulations. You made it to the final, I love that place. So | :02:18. | :02:40. | |
excited. Can you believe it, Georgia? Not at all, the only thing | :02:41. | :02:46. | |
I wanted to do was get to the end, so I did the full experience and | :02:47. | :02:51. | |
I've done it. It's amazing, it doesn't matter who wins. No. You've | :02:52. | :02:58. | |
got to the final. Nice get up by the way, Giovanni. You were poorly last | :02:59. | :02:59. | |
week. You were feeling poorly last week | :03:00. | :03:00. | |
and had limited time to rehearse, but you attacked that dance floor | :03:01. | :03:03. | |
on Saturday night with full force. I've no idea whatsoever. It was so | :03:04. | :03:13. | |
difficult and I knew it wasn't my best dance, I was really nervous. We | :03:14. | :03:17. | |
had be Viennese Waltz, which saved a bit. If you are saying that, it | :03:18. | :03:22. | |
wasn't your best dance, you hadn't had loads of time... Two days. | :03:23. | :03:27. | |
Incredible, what you created. He is a good teacher. He's all right. | :03:28. | :03:33. | |
Congratulations to you, first year on the show and you are in the | :03:34. | :03:36. | |
final. APPLAUSE Thank you. Nice work, my darling. | :03:37. | :03:42. | |
The judges loved your dances, Craig said he could have watched you all | :03:43. | :03:49. | |
night. How does it feel when you get that's praise from the judges? It is | :03:50. | :03:55. | |
tough it means a lot, a lot, a lot. All of the comments were really good | :03:56. | :03:59. | |
from the judges. I am really proud of my partner. The final is fine, | :04:00. | :04:06. | |
but I am really proud of my partner. It is really good. I'm getting... | :04:07. | :04:13. | |
LAUGHTER Showdance this weekend, so exciting. | :04:14. | :04:15. | |
You're dancing to Fix You by Coldplay. | :04:16. | :04:21. | |
I think this could be a bit of a tear-jerker. What can you tell us | :04:22. | :04:29. | |
about what you are doing? Nothing. I've been quite emotional practising | :04:30. | :04:33. | |
their stance. It is so lovely and it has quite a lot of stuff in it which | :04:34. | :04:37. | |
reminds me of my journey -- this dance. It is something different | :04:38. | :04:42. | |
between the normal ballroom or Latin. Something interesting in the | :04:43. | :04:49. | |
beginning, a surprise. I hope so. Fingers crossed. If you make the top | :04:50. | :04:56. | |
three, which dance have you chosen to do again? | :04:57. | :05:00. | |
The Charleston! Which I think is one of the best dancers of the series! | :05:01. | :05:09. | |
Thank you. You owned that dance, can't wait to see it again. I loved | :05:10. | :05:15. | |
it so much, I was waiting to do that dance the entire series, can't wait | :05:16. | :05:18. | |
to do it again, we loved practising it again. You have worked so hard, | :05:19. | :05:23. | |
the two view the series, we have loved every single minute. | :05:24. | :05:27. | |
Let's take a look at why you deserve your place | :05:28. | :05:30. | |
You will be putting your best foot forward with Giovanni! | :05:31. | :05:38. | |
I couldn't be happier! Georgia May Foote! The first dance will be the | :05:39. | :05:47. | |
jive. You are moving faster than lightning | :05:48. | :05:55. | |
around that dance floor, brilliant first dance. The name is Giovanni | :05:56. | :06:04. | |
Pernice. Are you having me on? This week we are dancing the Rumba to the | :06:05. | :06:10. | |
James Bond theme Choon. All that shaking your head gets on my wick, I | :06:11. | :06:17. | |
will tell you the truth. One forward basic and two opening out does not | :06:18. | :06:23. | |
constitute a Rumba in my world. What?! My mum bringing my family to | :06:24. | :06:28. | |
training, bringing the party to the salsa reminds me of how much fun it | :06:29. | :06:36. | |
is. Your shoulder, again? That sound! | :06:37. | :06:40. | |
You are a gorgeous little scrum pits, aren't you? | :06:41. | :06:44. | |
This week we are going to do the tango. I'm not scared of ghosts. I | :06:45. | :06:55. | |
will W the Queen of Halloween! -- I will call you. Sharp, staccato, | :06:56. | :07:04. | |
feisty, incandescent! We were top of the leaderboard! Yes! That's your | :07:05. | :07:11. | |
family! That is my sister, my mother, my God! It is the flavour of | :07:12. | :07:19. | |
lab Dolce Vita and exhilaration of a Ferrari. APPLAUSE | :07:20. | :07:25. | |
This week we will dance the Charleston. | :07:26. | :07:29. | |
Georgia and Giovanni are at the top with a magnificent 39. Are you sure | :07:30. | :07:45. | |
this is the quickest way to Tower ballroom? Yes! Really? Screening Mac | :07:46. | :07:54. | |
ballroom bliss. I will have to call you graceful Georgia, you are | :07:55. | :08:00. | |
gliding through this competition. Ten, from Len. Ten! I am excited | :08:01. | :08:08. | |
about the paso doble. George and Giovanni, hello! -- Georgia. It got | :08:09. | :08:17. | |
too aggressive on occasion. What a dynamic routine! | :08:18. | :08:20. | |
From the top. OK! Foxtrot is difficult, it demanded control and | :08:21. | :08:29. | |
you did that with ease. Absolutely delightful. The couple in the bottom | :08:30. | :08:36. | |
two tonight on a Georgia and Giovanni. The couple I will save is | :08:37. | :08:43. | |
Georgia and Giovanni. Georgia May and Giovanni. It's the semifinal. I | :08:44. | :08:52. | |
was shaken and stirred and ready for action, you sexy little thing. I | :08:53. | :08:57. | |
have to be honest, I could watch you dance all night. Georgia and | :08:58. | :09:03. | |
Giovanni, congratulations, you are through to the grand final. STUDIO: | :09:04. | :09:11. | |
I told you, you might need those. Are you all right? It's fine. Very | :09:12. | :09:16. | |
quickly, which was your favourite? All of them! Lack ball was amazing, | :09:17. | :09:24. | |
wasn't it? So good, start to finish -- blackball. It is unbelievable. | :09:25. | :09:28. | |
The whole experience. I have grown so much and I have learnt so much, I | :09:29. | :09:33. | |
can't thank you enough. You are both incredible. Good luck in the final. | :09:34. | :09:39. | |
We will see you on the show tomorrow. Never leave us. | :09:40. | :09:42. | |
Over the series, she's been the seamless seamstress who never | :09:43. | :09:47. | |
breaks a sweat and always has a cheeky giggle. | :09:48. | :09:49. | |
APPLAUSE Gorgeous girl, how are you? I'm all | :09:50. | :10:11. | |
right. Almost! Not quite there, yet. How | :10:12. | :10:12. | |
has this week been for you? This week we have everybody back. | :10:13. | :10:33. | |
The pressure of the showdance is intense but we are good. We have | :10:34. | :10:37. | |
tissues. There will be tears probably from me. We can't see the | :10:38. | :10:43. | |
dresses, they are still being worked on but you have sketches. Katie | :10:44. | :10:50. | |
dancing to O Fortuna, big song and big number. The costume needs to be | :10:51. | :10:56. | |
strong in colour and the lines and silhouettes. I haven't had sapphire, | :10:57. | :11:02. | |
cobalt blue on Katie yet, that is what we have gone for, powerful. Two | :11:03. | :11:07. | |
Mayers to the dress itself, simple, not lots of underskirt -- two | :11:08. | :11:13. | |
layers. Belief petals running through the dress. Godets! I have | :11:14. | :11:21. | |
been burning them. But the effect should be good. Working to Katie's | :11:22. | :11:26. | |
strengths, shape and silhouettes and hope she feels comfortable and | :11:27. | :11:29. | |
strong on Saturday night. This looks glorious. Kellie. Her and Kevin are | :11:30. | :11:36. | |
doing a Lindy Hop. Lots of leaping about. Have you had to bear that in | :11:37. | :11:43. | |
mind? Yes, but originally she requested gold. I couldn't grant her | :11:44. | :11:47. | |
a complete gold costume because of the colour palette through the show. | :11:48. | :11:51. | |
She said she wanted a flapper dress. Lindy Hop, flapper, not the same | :11:52. | :11:54. | |
thing but you can have what you want. It is the show dance! Both | :11:55. | :12:02. | |
styles, glamorous after last week, she can't go back. She looked | :12:03. | :12:06. | |
stunning, that entire dance and that dress. You are in an amazing dress, | :12:07. | :12:14. | |
you dance even better. Georgia? They are dancing to Fix You. Because it | :12:15. | :12:25. | |
is showdance lyrical in parts and then ballroom hold, mixing lots of | :12:26. | :12:30. | |
different styles. We are trying to keep it soft and delicate, this lace | :12:31. | :12:35. | |
detail ones across the top. Crop shape, attached to this top part of | :12:36. | :12:40. | |
the dress. Connecting it with fringing and strings. The skirt has | :12:41. | :12:44. | |
single panels of pleating, lots of gaps when she moves. Sometimes we | :12:45. | :12:51. | |
will see a lot of her body. In ballroom hold it will feel wrong and | :12:52. | :12:55. | |
elegant, hopefully it will work. Glorious group you have dressed this | :12:56. | :12:59. | |
series, Aliona's, her and Jay are doing a mixture of lots of different | :13:00. | :13:08. | |
dances. I Can't Feel My Face By I Can't The Weeknd. We will build this | :13:09. | :13:10. | |
tomorrow. He has always been relaxed. It | :13:11. | :13:19. | |
reflects the person and he is comfortable, but we need to be | :13:20. | :13:23. | |
careful in the final, it needs to be showtime. If Jay is in a skinny jean | :13:24. | :13:29. | |
and open Shad Khan Aliona can't very well be in something super sparkly. | :13:30. | :13:35. | |
-- jeans and open shirt, Aliona can't. Blonde gold rather than | :13:36. | :13:39. | |
bright gold. Beautiful, that looks great. This is the base, we will see | :13:40. | :13:46. | |
what happens. On behalf of everybody watching you and your guys are | :13:47. | :13:51. | |
incredible. The costumes have been amazing. Have a very long lie down | :13:52. | :13:56. | |
at Christmas. Vicky Gill! Now, the last time she was in | :13:57. | :13:58. | |
a Strictly final with a pop Could it be a case of | :13:59. | :14:01. | |
history repeating itself? Hello! It's the doctor. You are in | :14:02. | :14:32. | |
the final, Jay McGuiness, how do you feel? I feel grateful, optimistic, | :14:33. | :14:36. | |
joyful, nervous and other things like that. How are you feeling, | :14:37. | :14:44. | |
Aliona? I feel good. It is so exciting. Can you believe you have | :14:45. | :14:50. | |
never been in a dance-off? You're the only couple not to have been in | :14:51. | :14:58. | |
a dance-off. How proud are you? I'm extremely proud from day one, and | :14:59. | :15:03. | |
I've always said I enjoy every second of our experience together. | :15:04. | :15:10. | |
This has been my favourite Strictly ever. And he is absolutely my | :15:11. | :15:17. | |
favourite dance partner. Harry Judd will have something to say about | :15:18. | :15:20. | |
that. He won't mind at all, he is backing you, he is! The judges have | :15:21. | :15:24. | |
pleaded with you for more expression. Are you going to go | :15:25. | :15:28. | |
crazy with expression on Saturday night? It's quite funny actually. | :15:29. | :15:34. | |
When we have quite expressive dunces I give every expression I feel I can | :15:35. | :15:39. | |
give. And some of them, I know I go into myself and they don't always | :15:40. | :15:42. | |
love that. Some of them do, sometimes they don't. I'm OK with | :15:43. | :15:47. | |
it. That has been me on Strictly and that is what I've been. When I | :15:48. | :15:53. | |
Showdance I can't feel my face, but I'm OK with that. It is quite funny. | :15:54. | :16:00. | |
It is very, very funny. There was a tiny moment in the Charleston, did | :16:01. | :16:04. | |
you drop her? What was supposed to happen? You say it. It was supposed | :16:05. | :16:10. | |
to happen. There are different ways of doing that move. We just decided | :16:11. | :16:15. | |
to do it that way. It was nice, smooth, on the back. That was one | :16:16. | :16:23. | |
way of doing it. That is one way of doing it! Showdance you are dancing | :16:24. | :16:28. | |
to at the weekend I Can't Feel My Face by The Weeknd. It is right and | :16:29. | :16:35. | |
Match Choice, I love it. What can you tell me about the Showdance | :16:36. | :16:39. | |
without giving too much away? What is the concept. It is lots of | :16:40. | :16:47. | |
different pieces from our dances we have done. As we do it we go through | :16:48. | :16:54. | |
a little memory lane, this is from rumba, this is from foxtrot... Even | :16:55. | :16:58. | |
if people don't love it, which we are ready for, we love it. Every | :16:59. | :17:04. | |
time we do it think it's the perfect end. Like a little round-up of | :17:05. | :17:08. | |
everything. I just chose our favourite moments from our favourite | :17:09. | :17:12. | |
dances. And also I chose each move to make it more intricate. And | :17:13. | :17:19. | |
difficult. And difficult to show how Jay has improved over the course of | :17:20. | :17:23. | |
Strictly. It is like a trip down memory lane for us. As we are | :17:24. | :17:28. | |
dancing it we absolutely love it because we remember all the dances | :17:29. | :17:33. | |
we have done. OK, let's look back down that little trip down memory | :17:34. | :17:38. | |
lane. You might get emotional. We keep crying at these stories. Here | :17:39. | :17:43. | |
is your Strictly storage so far. Jay, your partner is Aliona! | :17:44. | :17:51. | |
She's incredible. The cha-cha is hard. I can't do it. Yes you can. To | :17:52. | :17:57. | |
say I'm nervous is an understatement at this point. | :17:58. | :18:01. | |
You have the potential of being a great hit on the dance floor. The | :18:02. | :18:08. | |
waltz is a very slow, elegant, poised. Not words that have been | :18:09. | :18:15. | |
applied to meet in the past. Ready? Boom. It takes a lot to get me | :18:16. | :18:21. | |
excited, you got me excited. Your thumb was sticking up. Are you | :18:22. | :18:27. | |
feeling more aerodynamic on the dance floor? It has definitely | :18:28. | :18:34. | |
helped with speed. This week you are doing pulp fiction and you are doing | :18:35. | :18:48. | |
a jive. Best dance ever! Ten! The first ten of the series, everybody! | :18:49. | :18:51. | |
This week we are dancing the quickstep. You just crash landed a | :18:52. | :18:57. | |
lot of times. Don't worry about this, I know that you can come back | :18:58. | :19:02. | |
stronger next week. You are the opposite to Samson, you had your | :19:03. | :19:05. | |
haircut and gone from strength to strength. This is the first time Jay | :19:06. | :19:14. | |
and I are doing lifts. There was no stressing, there was no messing. I | :19:15. | :19:18. | |
would like to have seen a bit more character but I loved it. So, today | :19:19. | :19:24. | |
we started learning the Argentine tango. I think this one is | :19:25. | :19:28. | |
particularly challenging. You want to see a little bit of emotion come | :19:29. | :19:34. | |
out through your face. I want to see this fire come out. It's just | :19:35. | :19:39. | |
missing only that. The face goes dead. You've got to do something | :19:40. | :19:44. | |
about that. I really am feeling it, and I do want to show it. It's | :19:45. | :19:50. | |
just... We will see if I can engage the face muscles a bit more. | :19:51. | :19:56. | |
This is incredible. Finally we are seeing some facial | :19:57. | :20:03. | |
expression. You were flirting with Aliona from the beginning. It was a | :20:04. | :20:09. | |
fantastic performance. Training has been so much fun so far. Oh my! I... | :20:10. | :20:28. | |
That was a mango of a tango. A fabulous ten. | :20:29. | :20:34. | |
Ten! You have both brought tears to my | :20:35. | :20:39. | |
eyes. It was fabulous. Tonight, you've convinced me you are | :20:40. | :20:44. | |
a terrific dancer. Ten! | :20:45. | :20:55. | |
From Len, ten! You made Darcey cry! No, she'll be all right. The | :20:56. | :21:01. | |
doctored danced a storm across the universe -- the doctor. We are in | :21:02. | :21:18. | |
the final. Officially stamped. There are watery eyes. Amazing story. We | :21:19. | :21:21. | |
will see how it ends at the weekend and we will see you on the show | :21:22. | :21:25. | |
tomorrow. We love you both, Jay and Aliona! It is going to be such a | :21:26. | :21:31. | |
great final. On tomorrow's show we are joined | :21:32. | :21:36. | |
by Darcey, Len and Bruno. So, if you want to ask a question, | :21:37. | :21:38. | |
send them in using #AskITT. Now, as our finalists | :21:39. | :21:41. | |
prepare, the other stars So, let's join them in a trip | :21:42. | :21:43. | |
down Strictly lane. Look who it is! It is Peter Andre, | :21:44. | :22:09. | |
Carol Kirkwood and Jeremy Vine. It is so lovely to have you all back. | :22:10. | :22:13. | |
Peter, what are you missing most about Strictly? When we all meet up | :22:14. | :22:18. | |
again together that is what we miss the most. Seeing everybody again, | :22:19. | :22:24. | |
seeing all of the crew, even coming back to this studio and hanging out | :22:25. | :22:29. | |
here it is a really nice vibe. Everyone got really, really close | :22:30. | :22:33. | |
this year. Carol, what do you miss most about dancing with Pasha? | :22:34. | :22:38. | |
Everything, I just miss Pasha, he such a sweetheart. As Pete said, it | :22:39. | :22:42. | |
is all of these guys as well and when we are back together it is | :22:43. | :22:45. | |
really nice to see everybody and we cannot wait until tomorrow when we | :22:46. | :22:49. | |
will all be reunited. That will be a magical moment. | :22:50. | :22:51. | |
It has been such an amazing series with so many | :22:52. | :22:59. | |
He's not really large, he's taller. Jeremy, how much fun did you have | :23:00. | :23:08. | |
doing this? Will it stay with you for ever? So much and I have | :23:09. | :23:16. | |
promised to stop dad dancing. I was talking to Jay and Aliona earlier | :23:17. | :23:20. | |
and the privilege of being 15 feet from that jive on the balcony was | :23:21. | :23:24. | |
incredible for all of us. We were supporting each other. And to echo | :23:25. | :23:28. | |
what they have both said, I thought that was unbelievable for me to be | :23:29. | :23:34. | |
able to see that. I really thought that was amazing. What a gent. Was | :23:35. | :23:42. | |
that your favourite dance? More than my dance! We thought we would look | :23:43. | :23:49. | |
at one more moment from this year. You said if you made it to the final | :23:50. | :23:56. | |
you would recreate Peter Andre's Mysterious Girl and here we are in | :23:57. | :23:59. | |
the final week and Peter is here. Here is the music. MUSIC: Mysterious | :24:00. | :24:13. | |
Girl. Look at those amazing abs. He didn't | :24:14. | :24:19. | |
take his shirt off, I'm disappointed. I would have had to do | :24:20. | :24:24. | |
a week's rehearsal to do that. I thought it was fabulous. It was | :24:25. | :24:30. | |
probably a three to be honest. Maybe on Saturday night. You are all | :24:31. | :24:32. | |
dancing together again, you and the whole gang, Anthony, how is it to be | :24:33. | :24:39. | |
back together and rehearsing? Great. I saw the guys yesterday and we were | :24:40. | :24:42. | |
talking. We cannot forget people like Anthony and Euan, Ainsley, | :24:43. | :24:47. | |
Daniel, and all of them yesterday it was great. What have you got in | :24:48. | :24:53. | |
store for us in your Group Dance? Everybody out there on the floor. | :24:54. | :25:00. | |
Carol. A masterpiece. It is a jive, I saw Pasha yesterday and he said we | :25:01. | :25:04. | |
still have the same problem, you still don't know you're left from | :25:05. | :25:08. | |
your right! But it is so much fun and fast and furious. Has everyone | :25:09. | :25:12. | |
been good in training, or is anyone being naughty? Was great hooking up | :25:13. | :25:17. | |
with Carol again. I'm losing my voice. As soon as the music started | :25:18. | :25:22. | |
they gave us some moves and I ran onto the stage. He said that is not | :25:23. | :25:29. | |
the danced and don't do that again! I have missed your impressions. Have | :25:30. | :25:32. | |
you done any dancing since you finished? Have you been at a wedding | :25:33. | :25:37. | |
or anything? I haven't but we are ready to clear the floor if it | :25:38. | :25:41. | |
happens. I have said to my wife I would like to get this simple box | :25:42. | :25:45. | |
step together. Everyone says, are you going to keep dancing? I said, | :25:46. | :25:52. | |
I'm not aware I had started! Brilliant. Let's talk about the | :25:53. | :25:55. | |
final and the finalists. Haven't they done brilliantly? You can see | :25:56. | :26:00. | |
them getting emotional looking back at those incredible stories and | :26:01. | :26:04. | |
we're going to get to see their Showdances. They deserve to be | :26:05. | :26:10. | |
there. What is amazing, when you start seeing back and they start | :26:11. | :26:13. | |
seeing that their performances you realise what a journey it has been. | :26:14. | :26:16. | |
For all of us it has been an incredible journey. For them they | :26:17. | :26:19. | |
have had this extra time and it must be overwhelming for them. I think it | :26:20. | :26:24. | |
is and there will be tears and I've been crying already. Carol, one last | :26:25. | :26:29. | |
time, could you give us a little weather forecast, because we love | :26:30. | :26:33. | |
them so, for Christmas. It is going to be wet at times, it will be | :26:34. | :26:38. | |
unseasonably mild as well, although there might be a dip in the | :26:39. | :26:41. | |
temperature in northern Scotland. If there is it will be transient and | :26:42. | :26:44. | |
there will be rain at times, and if you want to see snow you will have | :26:45. | :26:48. | |
to be a reindeer on the top of the Grampians. | :26:49. | :26:52. | |
Carol, thank you. Peter and Jeremy. I've got to say something. Will | :26:53. | :26:59. | |
there be rain, dear? CHEERING | :27:00. | :27:02. | |
It may be a fun return to the ballroom for these three | :27:03. | :27:06. | |
on Saturday, but for our finalists the pressure is well and truly on. | :27:07. | :27:09. | |
I love you. Our Showdance is a Lindy hop. I'm | :27:10. | :27:19. | |
exhausted watching you do it! It is a really full en route team and I'm | :27:20. | :27:23. | |
really pushing her. It's the opposite of everything that I've | :27:24. | :27:27. | |
been taught. Its wide, it's ugly, its flat-footed. It's still got to | :27:28. | :27:32. | |
look clean and precise, so that's the big challenge. It is our most | :27:33. | :27:39. | |
excellent sting routine yet. If we pull this off it will be amazing. | :27:40. | :27:48. | |
If! Here we are. The Showdance is going to be just huge, very | :27:49. | :27:52. | |
dramatic. I think it's going to be unforgettable. | :27:53. | :27:55. | |
dramatic. I think it's going to be a big one, it is a tango -based | :27:56. | :28:01. | |
aunts. It's got a lot in it. Limey. There is a lot of steps and they are | :28:02. | :28:06. | |
all quite fast. Three, four, five, six. -- blimey. Could be good. It is | :28:07. | :28:12. | |
fantastic to be in the final and to have the smallest chance of winning | :28:13. | :28:14. | |
the trophy is just amazing. As it's nearly Christmas, | :28:15. | :28:16. | |
what better way to get us MUSIC: All I Want For Christmas | :28:17. | :28:18. | |
- Mariah Carey. While they're all getting | :28:19. | :28:36. | |
into the swing of things, let me tell you what we have | :28:37. | :28:39. | |
in store tomorrow. First and foremost, | :28:40. | :28:41. | |
it's our very last show. Fear not, we are going | :28:42. | :28:43. | |
out in absolute style. We have all the finalists | :28:44. | :28:49. | |
live in the studio. Plus, Kim Wilde is singing | :28:50. | :28:52. | |
some Christmas classics. See you at 6pm tomorrow. | :28:53. | :28:54. | |
Goodnight! Let BBC Two wine and dine you | :28:55. | :29:02. | |
this Christmas, | :29:03. | :29:06. |