Episode 28 Strictly - It Takes Two


Episode 28

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VOICEOVER: From London, this is

Strictly, It Takes Two. Please

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welcome your host, Zoe Ball.

CHEERING AND APPLAUSE

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Hello and welcome to It Takes Two!

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And can you believe it,

it's not Halloween any more!

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But fear not, we've got

plenty more up our sleeve.

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Let's see who's in the

green room, shall we?

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They reached Strictly Nirvana

on Saturday, it's Aston and Janette!

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Their rumba was simply heavenly,

it's Davood and Nadiya!

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And somewhat disappointingly,

he's not dressed as Elphaba

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from Wicked, it's Ian Waite!

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But now, speaking of dressing up,

my first guest made a fabulous Joker

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on Saturday, but it's no

laughing matter, darling.

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It's Craig Revel Horwood!

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A complete dance disaster, darling.

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Craig Revel-Horwood, everyone!

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MUSIC: Toxic by Britney Spears.

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The spin in is our favourite.

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How we've missed you.

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We're six weeks in now.

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Have our celebs reached

the standard you'd expect?

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There is a lot of surprises, a lot

of high markers out there. But also

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a lot of improvement, which is

great. And early non-improvement as

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well. We noticed from the third week

that people were really developing

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proper skills, which is an absolute

joy and delight to watch.

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Simon and Karen fell victim

to Halloween weekend,

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but they were joined by Mollie

and AJ in the dance off.

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Were you surprised to see

them in the bottom two?

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Yeah, I really was. Because she's

been doing really well. I was

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surprised because it was quite a

good routine. She looks amazing,

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great costume, and she did rather

well in the whole thing. It's really

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difficult. Certainly from the judge

in perspective, when you have

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somebody who is fantastic, who you

think is really motoring on in the

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competition, and they end up in the

bottom two. Like Dartford, that was

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a shocker. But you have to have the

audience votes. -- like Davood.

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People have to vote for their

favourites.

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Mollie danced the cha-cha-cha,

as did Jonnie, ho matched his lowest

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score of the series.

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More than any other dance,

it's proved the most

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unpopular with our celebs.

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Why do you think that is?

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It's because it's difficult, there

is a straight leg and the hip action

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is really difficult, especially for

the men, because they are not used

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to moving their hips that way. They

are used to side to side and side

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and forward and back, but never in a

circle. With proper hip action. It

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is difficult. And if you do too much

hip action, it will look too girly.

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You have to be aware of that, you

have to make it look butch but

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correct. It's a tough one. And it's

fast as well. If you think of the

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rumba and then double the tempo,

that's what you are expected to do.

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It's so complicated.

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Susan also felt the burn this

week in terms of scores.

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You fanned the flames with a three.

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You are mean. Tell me more about

this.

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Kevin said they weren't really

going for a graceful

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Foxtrot because of the Game

of Thrones theme.

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Can you appreciate how

he was trying to marry the two?

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I can, if he does that at the

beginning of the dance and the end,

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and maybe ten seconds, in between,

you can go mad and tell the story

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and do something out of character.

But it's our job to recognise that

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particular dance for what it is and

uphold the characteristics of that

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dance. I appreciate it, and I love

him for trying to take it over the

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edge a little bit, but unfortunately

for me it did not work. I loved the

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routine and what he was trying to

do, but I have to market on the

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specific bands they are trying to

do. That's why it was difficult for

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me. -- I have to mark it on the

specific dance. Sometimes it works

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well, like in Aston's case. But

continue to be brave.

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At the other end of the leaderboard,

you loved Aston's Paso,

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even though it contained some moves

more commonly found in street dance.

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Is that why you couldn't

give it a ten?

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I thought there was a bit too much

of the popping and locking. He is

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amazing. You would love to give him

ten, I would love to. And if he

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makes the final, maybe takes two of

those sections out and replaces it

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with something else then maybe...

You little tease!

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Let's talk about Davood's rumba now.

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Despite the lack of rumba content

you said you could sit and watch

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it at home every day.

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You did however give it a five.

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I thought it was a really lovely

strong routine. It didn't fall into

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the rumba category for me. There

weren't enough basic rumba steps

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which we need to see. If he had left

today few more of the basics, like

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Shirley said, having your legs go

out to the side and show you are

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manoeuvring your hips in the correct

way. We never really saw that. We

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saw a wonderful performance, but as

a judge I can't just base it on

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entertainment. That's for the folk

at home who can say, I really loved

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it.

Or me!

I did love it, I could

watch it again and again but it

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wasn't a solid rumba.

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Here's a fact for you.

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The rumba is the only main

Strictly dance that hasn't

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received full marks.

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Rachel Stevens, Kara Tointon,

Chelsee Healey and Jay McGuiness

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only ever managed 39 points!

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Can the rumba ever reach

the 40 mark milestone?

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Could it be this series?

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If they started learning it in week

one and get to keep going and doing

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it for ten weeks then yes, probably.

It is the hardest.

No chance, then!

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I think Debbie McGee has the chance

to get a really high score.

Didn't

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she do a rumba yet?

Yes, she has. If

she gets to do it again, then maybe

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it will improve. She was doing some

lovely work in that and was

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wonderful to watch. Incredible,

really.

She is. Let's talk about

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Flexi McGee. She impressed again.

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I do believe your exact words were,

"Absolutely incredible".

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Her Charleston contained

a cross swivel pop which

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you said we never see.

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I can demonstrate that.

Is it...?

Demo time!

The floor is all yours.

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The difficult thing with this dance

is you have to do this with your

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feet the whole time, the swivel. The

cross element is when the toe

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crosses in front and behind the

foot. Debbie put a hop in it as

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well. She ended up doing that,

hopping and swivelling and popping.

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Cross, swivel and pop. That's how

it's done.

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It was, of course, Debbie McGee

who caused you to channel Bruno

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and fall off your chair a couple

of weeks back.

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It was joyous!

It was a moment of

temporary insanity, it really was! I

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did miss the chair. I was thinking

of Bruno, I had worked with him for

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13 years. It has annoyed me for 13

years! Stands up and sits down,

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stands up and sits down. I know he's

very short and likes to show off his

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height, but it was really funny. I

had no clue that was going to

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happen. I don't know what possessed

me, but I did miss the chair. I

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thought I would go with it because

Bruno has done it for the whole

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thing. It was a bit of a sendoff.

Please come back to see us soon. We

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adore you, Craig Revel Horwood.

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CHEERING AND APPLAUSE.

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Now, Craig has to look away for this

next bit as it would be unfair

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for him to cast his critical eye

over a work in progress.

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Here's how Debbie and Giovanni,

Joe and Katya, and Alexandra

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and Gorka have been getting

on in training.

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I think I'm really going to enjoy

the tango. Giovanni is really good

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at it.

Tango is a really interesting

dance because you have a lot of

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passion, but at the same time you

have to do a lot of technique. There

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is no rise and fall in the tango.

You have to be sharp, staccato all

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the time.

Already one of my

criticisms is to keep my fingers

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closed.

Why are your fingers like

this?

At the moment I'm like Edward

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Scissorhands!

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The charleston is hard, very

energetic. Lots of steps.

Craig is

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going to be looking for the swivel

action.

It helps to speak the steps

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in time to the music.

I'm going to

have to do drill this routine into

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his brain so much. Five years on,

you will still remember it.

It's a

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high energy dance. I will need to

eat lots of carbs over the next few

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days.

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This week we are doing the

cha-cha-cha and to be very honest,

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I'm very scared. The speed is very

quick and the technique is

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difficult. But in the two together,

my brain goes... That was out of

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time!

It's one of the difficult

dances, especially for the girls

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wearing heels. It's very fast and

they have to be very precise.

You

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have to keep your legs straight when

they are meant to be, and bend when

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they are meant to be. If you forget,

surely will say something!

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Time to welcome our

first couple now.

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Their angelic rumba wasn't

to all the judges' tastes,

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but to us it was a little

slice of heaven.

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It's Davood and Nadiya!

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MUSIC: Wicked Game.

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As a dance, I loved it, but as a

rumba, I didn't. There wasn't enough

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basic steps.

There was no flow from

movement to movement. You have a

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beautiful feeling, but that isn't

enough in this dance.

The overall

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performance was very nice.

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Davood and Nadiya are here. Never

mind what the judges say, we got

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lost in your performance and your

character.

I really gave myself over

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to it. I had issues in the week, but

when we performed I loved every

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minute. It was a haunting

performance. As a performance it's

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up there with some of the best of

the others I had done. Which I

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didn't expect because I knew how

hard the rumba was going to be.

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Nadiya had warned me.

Why is it so

hard for the men?

He has to do all

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the leading. He has to use his body

as much as he can. On the footwork

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and everything. So many details. You

can see every small mistake. But he

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didn't have any.

No mistakes, good

boy. That's the thing, sometimes

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people go like that with the rumba,

but a lot of people enjoyed it.

Not

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everybody.

We will get on to the

judges.

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Well, the judges thought the routine

was lacking in basic rumba.

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What was the thinking

behind the choreography?

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The first four bars, it was him

doing the cooker rapture. He was

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trying to move into the swivel and

the overturn and into the pivot and

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the fanning...

There is a list!

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Were you hoping for better scores?

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A couple of sevens but also a five.

Craig said some lovely things but to

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get a five after that was

disappointing. It was fulfilling to

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do that dance after a tough week of

trying to learn it. Everybody has

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their own opinion, but to know he

liked it as a performance was good,

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because we certainly enjoyed it.

He

said he would like to watch you all

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day. Slightly concerning. It was

really lovely to see your TV mum

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Bonnie Langford in the audience. She

was really enjoying the performance.

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She looked quite concerned and a bit

cross when the judges gave their

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critique. Did she go over like any

good mum and have a stern word?

I

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had to restrain her. She was looking

after her boy. Beforehand she

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brought me all the stuff she knows I

like, like protein bars and energy

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drinks, telling me to look after

myself. She was brilliant, and it

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was great to have her in the

audience and she loved the

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performance.

You have so many mums

come you are so lucky! Onwards and

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upwards, quite literally. It's

American Smooth and you get to do

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the lifting!

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Will they be fun?

We have done two

illegal list already! We just want

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to make them as spectacular as we

can and use the opportunity to do

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something like that and show a

different side to the performance.

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I'm loving it. Mix it in and making

it work, were working on it but I

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think it will look great.

You've got

some great music.

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MUSIC: This Will Be (An Everlasting

Love) by Natalie Cole.

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I will be storming onto the floor!

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Now, as you know we've got eyes

and ears everywhere,

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which means we've picked up some

very interesting sounds in training.

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DAVOOD TRAINING NOISES.

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APPLAUSE

I love it! And Darren Burnett was

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on, he said he loves you too and he

feels you need your rake out dance

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so could this be the one?

I think

so. He is enjoying this dance.

I am

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loving it, more than any other so

far so I hope I can do it justice

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and the choreography is great.

Make

loads of noises! Good luck.

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Davood and Nadiya everyone!

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Now, as the night draws

in and the temperature drops,

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there's no better way to warm up

than with Mr Toasty Toes

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himself, Ian Waite!

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Ian Waite, everyone!

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CHEERING AND APPLAUSE

You have brought your fans with you!

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Get it out for the people.

Can I

say, happy birthday to my dad, Alan.

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Happy birthday. He is 70 today. He

is quite a move as well. Debbie and

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Giovanni were top of the leaderboard

with their gravity defying

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Charlie-ston. They are doing a

tango, have you got a feeling about

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this?

She's in a fantastic position

and he gets her in the right place,

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lovely head position and could yield

leads which is what we are looking

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for. But I noticed this position.

What is so great about this is that

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he always manages to find these

wonderful positions for her where

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she looks brilliant.

Gorgeous.

I

thought we could try that. I will do

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Giovanni.

I'm Giovanni.

I'll be

Debbie. OK.

APPLAUSE

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Oh my God!

He is definitely not

Debbie McGee! He's getting on!

These

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trousers are so tight.

On to Mollie

and AJ, they wanted to impress this

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week having been in the bottom two

but they are doing the foxtrot and

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this could be glorious.

As you can

see, she is releasing her toes

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lovely which is what we want in the

foxtrot. I would like to see her

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reaching back with the toes so they

get, this lovely Rolls-Royce action,

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she needs to be stretching back.

Stretch back.

Lyrical!

And the other

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thing I noticed, with her

physicality, she said about

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slouching a bit, what she needs to

do is open that area, the sternum,

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and push in from there and she will

get that lovely...

Yes.

They are

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very knowledgeable! And she needs to

look over the seam of his shirt and

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not so far to the left.

Gemma and

Aljaz, following on from a couple of

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strong weeks, they are doing a

salsa. How is it looking?

There is a

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nice bit of salsa, very basic which

is good and you have to make sure

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you did a lot of body rhythm. There

is a bit of arms there. Because she

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is slightly taller, probably the

same height as Aljaz, she has to

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keep it nice and light and it

doesn't look happy because sometimes

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salsa can look heavy and she needs

to make it light across the floor

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and rhythmical. I can see a lot of

rhythm but she has to keep it light.

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And onto Jonnie, he is quite pleased

that the cha-cha-cha is the hind

0:20:370:20:43

him, this week it is a salsa.

It is

looking quite rhythmical, he is more

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at home in this dance than he was

with the cha-cha-cha because the leg

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action is not as important. It is

more about the rhythm in the body

0:20:550:20:58

and all that lovely arms. I thought

we would show it back. This is not

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easy. I was thinking about us trying

to do this to demonstrate that are

0:21:070:21:13

the first two moves I decided not

to!

You can't do it!

Because I have

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never done the other before.

And now

is your first time!

No! But very

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good and clever armography and if

they do that slick it will look

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amazing.

And finally Joe and Katya,

I loved the spider routine but the

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Charleston for them this week and it

could be groovy.

I am exhausted just

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watching them loads of effort and

energy in all of the moves and that

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is what you want, all of those very

light on the feet and matching

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moves.

I like that one.

Reverse it!

But my favourite thing about him is

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facial expressions. If there was

ever a dance where you need a lot of

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facial expressions, this is it. He

is an actor and he should be able

0:22:120:22:15

to.

You don't want to finish on

another Debbie impression?

No!

Ian

0:22:150:22:23

Waite, everyone!

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Now, like the song says,

"Here we are now, entertain us".

0:22:250:22:27

And in the spirit of Strictly

Halloween they most certainly did.

0:22:270:22:31

It's the im-paso-bly

brilliant Aston and Janette!

0:22:310:22:35

Come on, people!

0:22:380:22:40

That was a paso doble that brought

the dead back to life.

That solo,

0:22:450:22:52

how you beat out the rhythm, it was

crisp and exact and you owned it.

It

0:22:520:22:59

was amazing!

0:22:590:23:03

It was brilliant, all her work. That

was incredible, what a closing to

0:23:120:23:18

the show, just amazing. We were

screaming for tens. Did you love it?

0:23:180:23:27

That is an understatement, that is

the highlight of my Strictly journey

0:23:270:23:31

so far.

You could tell how much you

loved it. Darcy said you owned it.

0:23:310:23:39

What was it about the dance that got

you?

Janette's voice in my air! All

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week! Shaping! Shaping! Hips! Again!

You heard Nirvana and I heard

0:23:470:23:58

Janette!

Look at her gorgeous phase

them you would never think she would

0:23:580:24:04

be like that but it paid off with

your highest score of the series.

0:24:040:24:07

Two tens. Did it feel good to join

the prestigious club?

It felt good,

0:24:070:24:18

I felt like a glass of champagne!

Spoil yourself! Shirley said it was

0:24:180:24:27

not traditional enough but she still

Daegu nine and I think she loved it

0:24:270:24:31

-- she still gave you.

She is tough

to crack but she knows what she is

0:24:310:24:37

talking about and she is very

knowledgeable so I take everything

0:24:370:24:40

she says on board and fingers

crossed, hopefully she will like the

0:24:400:24:45

Viennese waltz more, that is more

traditional.

We must imagine how

0:24:450:24:52

Bruno compared YouTube Joaquin

Cortez. Have you heard of him? --

0:24:520:24:57

compared you to.

I had seen the

video, she said, this is what you're

0:24:570:25:04

going to be like!

Can we just admire

this magnificent leap. In slow

0:25:040:25:11

motion.

Yes!

And the arms and the

chest!

And the heels!

And he had

0:25:110:25:27

Cuban heels, that is so hard. Mail

pros sometimes try to avoid them

0:25:270:25:32

because you are literally wearing

heels to dance.

On Monday you would

0:25:320:25:36

have been laughing!

He said, I've

got a new-found respect for women!

0:25:360:25:42

YouTube alt-right it.

0:25:420:25:43

It's so good. -- you should all try

it. And we have an interesting stat,

0:25:440:25:53

we have added up the scores so far

for the top five cup doubles --

0:25:530:25:57

couples. This is how you measure up.

0:25:570:26:02

Who is at the top? CHEERING

Go on!

That's a bit more pressure!

0:26:140:26:25

It could change easily.

You train

next to Alexandra and Gorka.

We are

0:26:250:26:37

team 45, that is the studio we

rehearse in.

And know you are all

0:26:370:26:45

great friends, someone is bringing

me, I'm sorry! It's my son! I'll

0:26:450:26:49

just turn it off. You train in the

studio... Where am I?! I know you

0:26:490:27:00

get on great but when it is that

close, do you get a bit...

It might

0:27:000:27:08

be now. But honestly, Gorka comes

next door and Janette is like, can

0:27:080:27:15

you show him this step.

We are

supportive of each other and we

0:27:150:27:21

literally rehearse right next to

each other so that we are constantly

0:27:210:27:24

going backwards and forwards and we

show each other's routines and it's

0:27:240:27:28

really nice.

That's lovely, until

the final! The Viennese waltz this

0:27:280:27:35

week and you have an amazing record

to dance to. It is the Jacksons. You

0:27:350:27:43

love Michael Jackson, don't you?

Super fan.

How does it feel to dance

0:27:430:27:50

to this?

It's an honour obviously

but you worry a bit, you had to do

0:27:500:27:56

it justice because this is one of my

favourite songs. OK, let's take a

0:27:560:28:00

deep breath and go into this routine

as with any other and try to

0:28:000:28:05

concentrate and not get lost.

Looking good in the giant lemon de!

0:28:050:28:12

Here's been fighting a really bad

cold -- the lemon hoody.

I think you

0:28:120:28:21

should wear it on Saturday! And

possibly sideburns?

Are you growing

0:28:210:28:27

them? I'm going to try!

Are you

happy with how it has gone in

0:28:270:28:31

training?

Very happy, I think it

will be a nice routine.

Well done,

0:28:310:28:39

Aston and Janette! APPLAUSE

0:28:390:28:41

That's all we have time for tonight.

0:28:410:28:43

Join me again tomorrow at 6.30pm

when I'll be chatting to Mollie

0:28:430:28:46

and AJ and Debbie and Giovanni.

0:28:460:28:48

Plus It Takes Two heavyweights

Vicky Gill and Ian Waite will be

0:28:480:28:51

here to lend us their expertise.

0:28:510:28:52

Goodnight!

0:28:520:28:56

Today's the day.

The final day.

0:29:040:29:06

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