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CHEERING AND APPLAUSE | 0:00:55 | 0:00:57 | |
Hello and welcome to It Takes Two! | 0:00:57 | 0:01:00 | |
It's Wednesday, and boy,
do we have a show lined up for you. | 0:01:00 | 0:01:03 | |
Don't believe me? | 0:01:03 | 0:01:04 | |
Well, take a look at who's
in the green room tonight! | 0:01:04 | 0:01:08 | |
They're cheeky, charming and can
certainly cha cha cha. | 0:01:08 | 0:01:10 | |
It's Alexandra and Gorka! | 0:01:10 | 0:01:13 | |
And is that a kilt I spy? | 0:01:13 | 0:01:18 | |
We love a man that keeps his word -
it's Joe and Katya! | 0:01:18 | 0:01:25 | |
What a treat! | 0:01:25 | 0:01:26 | |
Plus we have royalty
in the building. | 0:01:26 | 0:01:28 | |
The Queen of Latin,
Shirley Ballas, joins us later! | 0:01:28 | 0:01:31 | |
But before all that,
I think we need a warm-up. | 0:01:31 | 0:01:34 | |
I wonder who can help us out? | 0:01:34 | 0:01:37 | |
Ian's back everyone! | 0:01:46 | 0:01:52 | |
Hello, gorgeous man. | 0:01:52 | 0:01:53 | |
Dramatic events at the weekend. | 0:01:53 | 0:01:55 | |
The competition is really starting
to heat up now, isn't it? | 0:01:55 | 0:01:58 | |
It is. Does this mean you are going
to be very strict? I am going to | 0:01:58 | 0:02:06 | |
inspect every little heel turn and
every ball. Watch out! The wand is | 0:02:06 | 0:02:14 | |
out already. | 0:02:14 | 0:02:20 | |
Let's start with Debbie and
Giovanni, they smashed their tango. | 0:02:20 | 0:02:23 | |
Top of the leaderboard
three weeks in a row. | 0:02:23 | 0:02:25 | |
Can they make it four
with their salsa? | 0:02:25 | 0:02:29 | |
I don't know, it is looking pretty
good, a lot of fancy armography, you | 0:02:29 | 0:02:40 | |
have to have good contact with the
hands to do this and maintain it. | 0:02:40 | 0:02:44 | |
The only place I would say she needs
to work on, she does lovely feet and | 0:02:44 | 0:02:51 | |
hands, but I would say that she
needs to work on this area. Hips. | 0:02:51 | 0:02:58 | |
She has got to be loose in the hip
area each way it is like the figure | 0:02:58 | 0:03:04 | |
eight all the time, squeeze those
sides. I can't do that! To have the | 0:03:04 | 0:03:13 | |
whole salsa package she has to have
that. She has got to loosen up! | 0:03:13 | 0:03:17 | |
Moving onto Darverd and Nadiya, | 0:03:17 | 0:03:27 | |
Moving onto Darverd
and Nadiya, their bum lift. | 0:03:27 | 0:03:31 | |
It is quite simple! Seriously? I
weigh a tonne! I did my rotator cuff | 0:03:31 | 0:03:44 | |
once and I had never been the same
since. I've heard that before! But | 0:03:44 | 0:03:48 | |
they were brilliant at the weekend.
And the Charleston. Finally | 0:03:48 | 0:03:57 | |
producing that dance we were
expecting. This will be another full | 0:03:57 | 0:04:00 | |
on Charleston and we have seen quite
a few. At the moment on Tuesday it | 0:04:00 | 0:04:08 | |
is slightly behind her, everything
has to be in line with each other. | 0:04:08 | 0:04:12 | |
As I spotted here... He has gone in
and she has gone out! It could be | 0:04:12 | 0:04:20 | |
deliberate? Trust you! But the side
by side positions in Charleston are | 0:04:20 | 0:04:30 | |
very exposing if you are not in tune
and doing the same. They had to do | 0:04:30 | 0:04:35 | |
that. Loving that she is smiling. | 0:04:35 | 0:04:37 | |
Susan and Kevin made a massive
improvement with their jive. | 0:04:37 | 0:04:39 | |
11 points higher
than the week before. | 0:04:39 | 0:04:41 | |
Do you think their
tango will top it? | 0:04:41 | 0:04:46 | |
I don't know about that. What a very
shiny floor! Then been wearing socks | 0:04:46 | 0:04:52 | |
all week! There is a slight bobbing
up and down with her flicks. And | 0:04:52 | 0:05:03 | |
also the arms going up and down, you
got to keep that still come down in | 0:05:03 | 0:05:09 | |
the Lakes. There was this area
here... -- in the legs. It is the | 0:05:09 | 0:05:16 | |
issues again. I will do a little
demonstration. Tango, my favourite. | 0:05:16 | 0:05:25 | |
Side, close, side, close. I think I
pulled something. And again. Hold | 0:05:25 | 0:05:37 | |
the position. That wasn't what I was
doing to talk about, it was this | 0:05:37 | 0:05:44 | |
half, she has to get her knees in
and inside edge of the toe, that was | 0:05:44 | 0:05:50 | |
good. And when we go off we do a
lovely he'll lead. Not easy in these | 0:05:50 | 0:05:58 | |
boots. Unfortunately she missed a
lot of that. Early stages. Only | 0:05:58 | 0:06:04 | |
Tuesday. | 0:06:04 | 0:06:05 | |
Finally, Jonnie and Oti turned it
on with their salsa. | 0:06:05 | 0:06:07 | |
But are they doing it
for you with their foxtrot? | 0:06:07 | 0:06:12 | |
He is rotating very well as you can
see. It is nice and smooth and he is | 0:06:12 | 0:06:21 | |
releasing his toes on this reverse
wave which is very good. I have | 0:06:21 | 0:06:27 | |
noticed here, I am going to go with
a few arrows. As you can see, he has | 0:06:27 | 0:06:36 | |
got better at putting his bottom
under because with the foxtrot there | 0:06:36 | 0:06:41 | |
is a lot of drive going on and he
has got the glutes for it. It's all | 0:06:41 | 0:06:48 | |
muscle! It's getting much better.
There is a slight, with his elbow, | 0:06:48 | 0:06:56 | |
slightly behind his back and I would
like to see them a bit more forward | 0:06:56 | 0:06:59 | |
like that because here he is losing
hurts sometimes and there is a bit | 0:06:59 | 0:07:06 | |
of a gap. Don't lose Oti! And when
he gets his elbows forward he could | 0:07:06 | 0:07:14 | |
get the elbow is a bit more down. We
get very strict at this point. | 0:07:14 | 0:07:20 | |
We'll be covering
the rest of our couples | 0:07:20 | 0:07:22 | |
in round two tomorrow. | 0:07:22 | 0:07:23 | |
Until then, give it up for Ian! | 0:07:23 | 0:07:24 | |
APPLAUSE | 0:07:24 | 0:07:27 | |
Right, time now to meet my next
guests, and I don't know about you, | 0:07:28 | 0:07:31 | |
but their Charleston certainly
had me dancing to the | 0:07:31 | 0:07:34 | |
beat of their drum. | 0:07:34 | 0:07:38 | |
DRUMMING. | 0:07:38 | 0:07:43 | |
I loved it, I thought it was
brilliant. Doing these steps in | 0:07:49 | 0:07:57 | |
opposite and keeping it in sync is
so difficult. Great job. Your timing | 0:07:57 | 0:08:02 | |
was immaculate, that was a great
Charleston. | 0:08:02 | 0:08:06 | |
Go cuckoo for Joe
and Katya, everyone! | 0:08:08 | 0:08:14 | |
Before we start, give us
a twirl in that kilt! | 0:08:14 | 0:08:18 | |
APPLAUSE
I love that move! | 0:08:18 | 0:08:27 | |
You look so handsome! What a treat. | 0:08:30 | 0:08:32 | |
You can thank me later, viewers. | 0:08:32 | 0:08:37 | |
It was such a joyous dance. So
incredible. How much did you love | 0:08:37 | 0:08:43 | |
it? We really love it, get a bit
scared because it was going so well, | 0:08:43 | 0:08:50 | |
but this week is more challenging.
We will get onto that! But you put | 0:08:50 | 0:08:56 | |
more than a smile on Craig's face.
He gave you a nine. And that was | 0:08:56 | 0:09:09 | |
amazing, nine from Craig is like 20!
We were really pleased. The thing | 0:09:09 | 0:09:17 | |
about the songs you kept singing
Alexandra's... It is a Ragtime band. | 0:09:17 | 0:09:24 | |
We bow down, the choreography was
exceptional and you through so many | 0:09:24 | 0:09:31 | |
steps in there. We did the basic
Charleston and we thought why not | 0:09:31 | 0:09:36 | |
throw in a turn and another and we
did the funky arms and I thought | 0:09:36 | 0:09:43 | |
that was still not enough! Lets put
20 others into the whole routine! It | 0:09:43 | 0:09:48 | |
must have taken you weeks. They were
sown in sync. And I thought that if | 0:09:48 | 0:09:54 | |
he did not do well I could grab one
of them? The lifts were exquisite, | 0:09:54 | 0:10:01 | |
we called them spectacular. How
scary was it to practice? It is more | 0:10:01 | 0:10:09 | |
scary for her because she had to
trust me but she did from the | 0:10:09 | 0:10:11 | |
beginning. I was like, I can't do
that because it's dangerous. But you | 0:10:11 | 0:10:18 | |
do them precisely and the stages and
hopefully they go well. You have to | 0:10:18 | 0:10:23 | |
take it in stages. I'm a bit
reckless like that and throw myself | 0:10:23 | 0:10:26 | |
into it! We all remember what
happened with Ed Balls! You were | 0:10:26 | 0:10:31 | |
having the time of your life. The
height you get to... Sometimes you | 0:10:31 | 0:10:36 | |
would overdo it and I went all the
way behind! You are laughing at | 0:10:36 | 0:10:41 | |
that, anybody else would be scared!
So much love on the line, an | 0:10:41 | 0:10:44 | |
interesting one from Jenin Henderson
who wrote, Joe, didn't think the | 0:10:44 | 0:10:51 | |
Charleston would be his dance, shows
what I know! Good to group people | 0:10:51 | 0:10:58 | |
wrong. Absolutely, that is the
beauty of the Internet! We would | 0:10:58 | 0:11:00 | |
have never heard from them. Quite a
lot of opinions this week! When did | 0:11:00 | 0:11:05 | |
you realise this was your dance? I
hoped it would be from the beginning | 0:11:05 | 0:11:10 | |
because it is the one you put in to
do when you're 12 years old. | 0:11:10 | 0:11:14 | |
Misspent youth! But you can throw
your energy into it. I was looking | 0:11:14 | 0:11:19 | |
forward to it and I'm sad we can't
do it every week. You never know! | 0:11:19 | 0:11:24 | |
Maybe you could do it again. And you
push him so hard. He rises to the | 0:11:24 | 0:11:30 | |
challenge every week and you have
got used to each other now? I think | 0:11:30 | 0:11:33 | |
you're used to me being quite pushy.
Yeah! That's OK, but my theory is | 0:11:33 | 0:11:40 | |
that more is not enough. People say
less is more, I'm like, what?! | 0:11:40 | 0:11:49 | |
Practice makes... Progress. We need
these on T-shirts and mugs! Let's | 0:11:49 | 0:11:57 | |
talk about this week. The rumba. I
love it! Why do we have to do it? I | 0:11:57 | 0:12:07 | |
take some comfort in the fact that
everybody find it difficult and it | 0:12:07 | 0:12:12 | |
certainly is. It's getting slightly
easier the more we do it. Today we | 0:12:12 | 0:12:16 | |
had a mini break through and I was
thinking, if you act it it makes it | 0:12:16 | 0:12:20 | |
slightly easier because it is
connected to some and not just you | 0:12:20 | 0:12:23 | |
doing this. This funny stuff. But
it's getting there and we still have | 0:12:23 | 0:12:28 | |
tomorrow. And also, you have this...
MUSIC: 'One' by Mary J Blige & U2. | 0:12:28 | 0:12:36 | |
Our floor manager was losing it
singing along to this! It's one of | 0:12:39 | 0:12:43 | |
the best songs ever written. You can
act through it, surely? Absolutely, | 0:12:43 | 0:12:49 | |
it helps if you like the song
because you're listening to it 500 | 0:12:49 | 0:12:52 | |
times! And for the rest of time
every time you hear it... There are | 0:12:52 | 0:12:58 | |
certain songs I never want to hear
again! For me it is Part-time Lover. | 0:12:58 | 0:13:05 | |
Totally! It is so exposing, both for
the male dancer and the female, how | 0:13:05 | 0:13:15 | |
do you tackle that? It is not being
afraid of it. I think it would look | 0:13:15 | 0:13:22 | |
a lot more awkward, if you know you
have to show that maybe to get here, | 0:13:22 | 0:13:27 | |
but do it in a sort of stiff way or
reserved way, that would look more | 0:13:27 | 0:13:34 | |
awkward for people to watch. You
want them to be with you in that | 0:13:34 | 0:13:38 | |
moment and feel that we are in this
together or she has left me. It is | 0:13:38 | 0:13:43 | |
more awkward if you don't commit to
it 100%. And don't believe it. I | 0:13:43 | 0:13:49 | |
love like you are telling yourself
that like little notes, commit to | 0:13:49 | 0:13:54 | |
it! But your talents never end, we
caught you in the training room... | 0:13:54 | 0:13:58 | |
# There's just too much that time
cannot raise | 0:14:01 | 0:14:04 | |
# When you cried I wipe away all
your tears | 0:14:04 | 0:14:10 | |
# When you scream I'd fight away all
your fears | 0:14:10 | 0:14:18 | |
# And I held your hand through all
of these years #. | 0:14:18 | 0:14:23 | |
CHEERING
You are playing the piano and | 0:14:23 | 0:14:30 | |
singing! Anything that distracts
from dancing! It gives me a little | 0:14:30 | 0:14:35 | |
break for five minutes. That is
quite embarrassing, I did not know | 0:14:35 | 0:14:39 | |
you filmed that! That is what we are
here to do. Good luck with the | 0:14:39 | 0:14:44 | |
rumba, go get it, you can do it. Joe
and Katya. | 0:14:44 | 0:14:52 | |
Now fact fans might be interested
to know the cha-cha-cha is the most | 0:14:52 | 0:14:55 | |
performed dance ever in Strictly
history - 169 times to be precise. | 0:14:55 | 0:14:58 | |
But how can we master it at home? | 0:14:58 | 0:15:00 | |
It's time to get a wiggle
on and learn from Queen of Latin | 0:15:00 | 0:15:03 | |
herself in my first Dance Card
of the series! | 0:15:03 | 0:15:15 | |
Please welcome Shirley Ballas! | 0:15:15 | 0:15:22 | |
APPLAUSE
Lovely to see you. | 0:15:22 | 0:15:28 | |
A lot of people were in shock to see
Aston go at the weekend. | 0:15:28 | 0:15:32 | |
Can you explain why
you saved Mollie and AJ? | 0:15:32 | 0:15:39 | |
Because it is an awful decision to
have to make to send anybody home | 0:15:39 | 0:15:43 | |
but you have to judge on that
particular dance in front of you, | 0:15:43 | 0:15:48 | |
not past or future performances, but
right there and then. I urge | 0:15:48 | 0:15:53 | |
everybody at home, you have to vote.
Look at Ruth, she got a fall, but | 0:15:53 | 0:15:58 | |
she didn't go in the bottom two. You
will be teaching us the Cha Cha Cha? | 0:15:58 | 0:16:11 | |
You have to be able to move quickly,
change from foot to foot and then | 0:16:11 | 0:16:16 | |
you can keep up with the music that
is very fast. Alexandra demonstrated | 0:16:16 | 0:16:24 | |
this beautifully. Beautiful straight
leg, nice curve in her body, she had | 0:16:24 | 0:16:31 | |
the hips going, she had it going.
That is what we are aiming for. Wait | 0:16:31 | 0:16:40 | |
until you see us do it. When did you
first learn best dance? I was seven | 0:16:40 | 0:16:46 | |
years old at the church hall. I
first heard the music Amat was the | 0:16:46 | 0:16:50 | |
very first dance I learn. We have a
photograph of you then. That is your | 0:16:50 | 0:16:57 | |
friend, Irene, still friends. Dress
with the brown trim and I wanted it | 0:16:57 | 0:17:05 | |
and I was sulking because I thought
her dress was prettier than mine. | 0:17:05 | 0:17:12 | |
You have beautiful eye make-up
there. This is what I wore for my | 0:17:12 | 0:17:18 | |
first Cha Cha Cha. Where did the
dance come from? It is a combination | 0:17:18 | 0:17:28 | |
of Cuban ballroom and American
swing. It is known as the mambo. | 0:17:28 | 0:17:34 | |
When the English dance teachers
visited Cuba in 1952 they introduced | 0:17:34 | 0:17:43 | |
the triple step that differentiate
the Cha Cha Cha from the Ron Barr. | 0:17:43 | 0:17:49 | |
Another theory is it resembles the
sound of loose sandals slapping the | 0:17:49 | 0:17:53 | |
floor as the Cuban ladies danced the
steps. Where do we start? I want you | 0:17:53 | 0:18:01 | |
all to stand up, close your feed.
Introduce the past you, get it in a | 0:18:01 | 0:18:08 | |
vertical straight line. Put the
weight on your right foot and free | 0:18:08 | 0:18:11 | |
up your left. Take a sidestep onto
your left foot and transfer the | 0:18:11 | 0:18:19 | |
weight. Backstabber on to your right
foot, now we will Cha Cha Cha to the | 0:18:19 | 0:18:25 | |
right. Three steps. Step forward,
replace your weight. We are going to | 0:18:25 | 0:18:39 | |
Cha Cha Cha. Then we will get some
body motion going. Back on the | 0:18:39 | 0:18:48 | |
right. What is Cuban body movement?
Throw your hip over. Step forward, | 0:18:48 | 0:18:59 | |
keep your legs straight. Look at
that. One more time. Cha Cha Cha. | 0:18:59 | 0:19:13 | |
Come on, girlfriend. If we put it
together, it is all very well doing | 0:19:13 | 0:19:19 | |
it at that speed. It is three steps,
Cha Cha Cha in any direction. What | 0:19:19 | 0:19:32 | |
is a chassis again? Three steps in
any direction. Three steps. But the | 0:19:32 | 0:19:43 | |
weight on your right foot step. Wait
for the music. Cha Cha Cha... | 0:19:43 | 0:19:50 | |
Forward. Cha Cha Cha back. Back, Cha
Cha Cha, Cha Cha Cha. | 0:19:50 | 0:20:08 | |
APPLAUSE
That is why this lady is known as | 0:20:08 | 0:20:14 | |
the Queen of Latin. | 0:20:14 | 0:20:17 | |
I think I'm going to
need a lie down after | 0:20:20 | 0:20:22 | |
that! | 0:20:22 | 0:20:23 | |
Hopefully Darverd & Nadiya
and Mollie and AJ have | 0:20:23 | 0:20:25 | |
more stamina than I do. | 0:20:25 | 0:20:27 | |
Let's have a look at their training. | 0:20:27 | 0:20:36 | |
Charleston is fun, fast, it intends.
Has to be nice and up all the time, | 0:20:36 | 0:20:41 | |
very tiring. A lot of kicks and
jumps. Swivel, swivel, swivel. | 0:20:41 | 0:20:50 | |
Everywhere I go, I am swivelling. It
is very important he crosses his | 0:20:50 | 0:20:59 | |
feet. A lot of crossing the ankles.
A lot of information in my head. I | 0:20:59 | 0:21:08 | |
just hope he can get the steps. AJ
loves the paso doble eat and he is | 0:21:08 | 0:21:17 | |
in that strict mood. This is the
quickest I have ever moved. It is | 0:21:17 | 0:21:29 | |
quite fast and quite focused than
always something going on. You have | 0:21:29 | 0:21:34 | |
got to build up the tension and
march across the floor. We are on a | 0:21:34 | 0:21:42 | |
mission. | 0:21:42 | 0:21:46 | |
Right, time now to
meet my final guests. | 0:21:46 | 0:21:48 | |
It wasn't just the music
in them on Saturday | 0:21:48 | 0:21:51 | |
night, they had
the Cha, Cha, Cha too! | 0:21:51 | 0:21:53 | |
'Turn it out' for lady
in red, Alexandra and | 0:21:53 | 0:21:55 | |
Gorka the Corka! | 0:21:55 | 0:22:06 | |
You put the cheeky in Cha Cha Cha.
You are outstanding. It was flirty, | 0:22:12 | 0:22:18 | |
you were so confident and it paid
off. It was the best Cha Cha Cha | 0:22:18 | 0:22:23 | |
this season so far. | 0:22:23 | 0:22:30 | |
Who are those two, I would like to
meet them. Congratulations, your | 0:22:30 | 0:22:36 | |
joint highest score. We could tell
you loved it. Your reaction, when | 0:22:36 | 0:22:42 | |
you found out the scores was
brilliant. Just the fact we had gone | 0:22:42 | 0:22:48 | |
on first, I was petrified. When we
had done the run early in the day, I | 0:22:48 | 0:22:54 | |
had stopped and froze. Looked at
Gorka. I didn't know what was going | 0:22:54 | 0:23:00 | |
on. The band and Gorka,
professional, carried on but I stood | 0:23:00 | 0:23:06 | |
there and freaked out. That is why I
was so proud and happy, the moment | 0:23:06 | 0:23:11 | |
the scores came in, I didn't expect
it. I jumped the joys. I am still | 0:23:11 | 0:23:16 | |
living on that high. There is a
moment you get out there and you | 0:23:16 | 0:23:21 | |
freeze, at least it wasn't on the
live show. That is what Gorka said | 0:23:21 | 0:23:25 | |
to me. It is best if it happens on
the dressed run and the rehearsals | 0:23:25 | 0:23:34 | |
because then you are aware it can
happen. It made her think a little | 0:23:34 | 0:23:38 | |
bit of every step she was taking.
Just let my energy take over. You | 0:23:38 | 0:23:45 | |
worked it brilliantly. We must
mention the turnout. Something else | 0:23:45 | 0:23:54 | |
to work on. He said, it was good. I
was so confused. I was looking at | 0:23:54 | 0:24:02 | |
your feet, it is so hard, but well
done. It is really hard. We didn't | 0:24:02 | 0:24:12 | |
have a lot of time last week to
learn there's Cha Cha Cha, I was so | 0:24:12 | 0:24:17 | |
nervous on the technique and half an
hour before we went live, I stood | 0:24:17 | 0:24:21 | |
with a mirror and for half an hour
went through my technique | 0:24:21 | 0:24:25 | |
religiously. It was a little bit
intense. I was putting so much | 0:24:25 | 0:24:30 | |
pressure on myself, but I want to do
you proud. We worked so hard. It is | 0:24:30 | 0:24:37 | |
paying off. Shirley said it was
outstanding, she was raving about | 0:24:37 | 0:24:41 | |
you. She said she was like a
professional bouncer. Why did this | 0:24:41 | 0:24:44 | |
done suit Alexandra so much? It is
very fast, change of energy and | 0:24:44 | 0:24:53 | |
rhythm. She has rhythm in herself
and then there is the central dance. | 0:24:53 | 0:25:03 | |
I was surprised, on the first day I
said we will do the Cha Cha Cha and | 0:25:03 | 0:25:10 | |
we will do Cha Cha Cha walking. And
she said, OK. And I thought, that is | 0:25:10 | 0:25:16 | |
going to be very good. It is very
hard. She was working very hard, | 0:25:16 | 0:25:22 | |
focused on her legs. Please do so,
take your time, she was doing it | 0:25:22 | 0:25:27 | |
perfectly in the mirror. I have
never heard you talk so much. I can | 0:25:27 | 0:25:36 | |
talk all day. | 0:25:36 | 0:25:37 | |
Well Joanne the Cat Lady
particularly loved | 0:25:37 | 0:25:39 | |
it on social media, she wrote... | 0:25:39 | 0:25:43 | |
"Alexandra Burke is officially
the Dancing Queen. | 0:25:43 | 0:25:45 | |
Brilliant cha, cha, cha -
and a great start to the show. | 0:25:45 | 0:25:47 | |
Why not a ten Craig?" | 0:25:47 | 0:25:52 | |
Yes, why not ten, Craig? We never
walk out expecting great results. It | 0:25:52 | 0:25:59 | |
is a matter of taking each day as it
comes in trying our best to have fun | 0:25:59 | 0:26:03 | |
on this journey. If we get great
scores, it is the icing on the cake. | 0:26:03 | 0:26:09 | |
I go on the stage and just see
Gorka. It is all about him. I | 0:26:09 | 0:26:16 | |
literally, all I want to do is have
fun, go out there because I love to | 0:26:16 | 0:26:21 | |
perform. Loving these new dances and
having the best time. The scores is | 0:26:21 | 0:26:26 | |
the icing on the cake if it is good.
Every week, I want to have nine from | 0:26:26 | 0:26:35 | |
Craig and we will make it through
every week. It was a bittersweet | 0:26:35 | 0:26:41 | |
weekend because you lost the other
half of team 45, Aston and Janette. | 0:26:41 | 0:26:47 | |
I heard you had a really big cry?
How is it to see that happen? I was | 0:26:47 | 0:26:58 | |
shocked, I didn't expect it to
happen for a second, I thought Aston | 0:26:58 | 0:27:03 | |
was going to win the show. I have
been friends with him for years. | 0:27:03 | 0:27:13 | |
Redefine that, not win. He is
amazing and everyone knows how close | 0:27:13 | 0:27:17 | |
we are. I just hope they are both OK
because they are both incredible | 0:27:17 | 0:27:27 | |
together and she worked so hard with
him. They did take it graciously as | 0:27:27 | 0:27:34 | |
well. In the words of Yazz, the only
way is up. The Argentine tango for | 0:27:34 | 0:27:45 | |
these two this week. Let's listen to
your music, which is amazing. Teach | 0:27:45 | 0:27:57 | |
me, teach me. Do the leg thing. It
is all of that. Is the dance going | 0:27:57 | 0:28:10 | |
to be as saucy as the music? It is
intense. It is probably the most | 0:28:10 | 0:28:14 | |
intense one we will do and the
hardest and the most challenging one | 0:28:14 | 0:28:16 | |
we have done so far. Literally we
will be here. It is going to be | 0:28:16 | 0:28:29 | |
intense. Looking forward to it. Do
you need to practice that, Gorka? | 0:28:29 | 0:28:39 | |
Pretty close. Good luck with that
this weekend. Alexandra and Gorka. | 0:28:39 | 0:28:44 | |
APPLAUSE
I have had a nice night tonight. | 0:28:44 | 0:28:49 | |
That's all we have time for tonight. | 0:28:49 | 0:28:51 | |
We'll be back here tomorrow
at 6:30 getting all the | 0:28:51 | 0:28:53 | |
gossip from Susan &
Kevin and Darverd | 0:28:53 | 0:28:55 | |
and Nadiya. | 0:28:55 | 0:28:56 | |
Plus Ian Waite is back with another
warm-up and Vicky Gill will be | 0:28:56 | 0:28:59 | |
letting us have a
rummage through her | 0:28:59 | 0:29:01 | |
Strictly draws! | 0:29:01 | 0:29:02 | |
Ivy's just been sick. | 0:29:03 | 0:29:03 | |
What do you mean, sick?
She vomited on me. | 0:29:03 | 0:29:06 |