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Hello, we have made it through the snow to Blackpool. For the next | :00:09. | :00:13. | |
hour, we are live with access all areas to all the build-up here at | :00:13. | :00:21. | |
the Strictly Final. So, hold tight and enjoy the ride. 11 weeks ago, | :00:21. | :00:27. | |
14 celebrities walked away from their past. They faced one mission | :00:27. | :00:32. | |
- to immerse themselves in a world of dance and become Strictly | :00:32. | :00:39. | |
Champion. Two things stood in their way - their feet and the judges. | :00:39. | :00:45. | |
Illegal lifts will not be tolerated. I didn't get that bit! Why didn't | :00:45. | :00:55. | |
you keep in hold? You are a walking zi SAS ter -- disaster. There was | :00:55. | :00:59. | |
lafter, injuries, wardrobe malfunction -- laughter, injuries, | :00:59. | :01:07. | |
wardrobe malfunction and Russell Grant. But only the strongest will | :01:07. | :01:13. | |
survive. It's down to the final three. Jason Donovan, Chelsee | :01:13. | :01:18. | |
Healey and Harry Judd. Their fate waits for them at Blackpool Tower | :01:18. | :01:23. | |
Ballroom. There can be only one winner. Stick Strictly Come | :01:23. | :01:33. | |
:01:33. | :02:10. | ||
Dancing: The Final. It is nearly Live from Blackpool, this is | :02:10. | :02:16. | |
Strictly: It Takes Two The Finale 2011. Please welcome your host, Zoe | :02:16. | :02:23. | |
Ball! APPLAUSE Hello, Blackpool. Welcome to It Takes Two. We are | :02:23. | :02:27. | |
live in the Blackpool Tower. It is beautiful. The home of dance and | :02:27. | :02:32. | |
where tomorrow night one of our finalists will finally be crowned | :02:33. | :02:36. | |
Strictly Come Dancing Champion 2011. Look who is here. Lulu is here. | :02:37. | :02:42. | |
Audley is here. Edwina is here. Luly, what is this about you | :02:42. | :02:48. | |
singing at the service station - Savage told me all about it! | :02:48. | :02:56. | |
PROBLEM WITH SOUND I refused. I refused. What did you sing? | :02:56. | :03:01. | |
Christmas song. Silent Night. imagine. How happy are you, Audley, | :03:02. | :03:05. | |
that it is not you dancing on that floor for the final tomorrow? Do | :03:05. | :03:09. | |
you wish it was you? Should it have been you? No, no. The right people | :03:09. | :03:16. | |
are there. Really looking forward to it. I am loving the coat! Over | :03:16. | :03:22. | |
the next hour, I will be chatting to all our finalists, all the | :03:22. | :03:25. | |
professional dancers. We will be seeing what they are wearing and we | :03:25. | :03:28. | |
have an exclusive look at the rehearsals and casting their expert | :03:28. | :03:33. | |
eye over the whole proceedings we have Ian Waite and Karen Hardy. | :03:33. | :03:38. | |
APPLAUSE Do you mind if I lean on your desk? Do. Carry on. When we | :03:38. | :03:43. | |
did our final, we did it in the normal studio. Harry, Jason and | :03:43. | :03:45. | |
Chelsee get to dance here. How different it will be for them to | :03:45. | :03:49. | |
dance on this floor rather than in the studio? Look at it. It is | :03:49. | :03:56. | |
gorgeous. Gilded balconies and ceilings. I can vouch the | :03:56. | :04:00. | |
atmosphere is awesome. If you can't dance here, you can't dance | :04:00. | :04:05. | |
anywhere. A really springy floor. It is. Karen, you have had a look | :04:05. | :04:09. | |
today, we have all been looking, how are they looking? They are | :04:10. | :04:13. | |
looking great. The simple thing that we have to say is who can deal | :04:13. | :04:17. | |
with the pressure and who can't. Take those nerves rk pack it | :04:17. | :04:22. | |
together and send it to that audience. --, pack it together and | :04:22. | :04:26. | |
send it to that audience. You have to get them standing out of their | :04:26. | :04:30. | |
chairs. We are talking about you! I shall be picking your brains later | :04:30. | :04:34. | |
on. Ian and Karen. APPLAUSE Now, in a moment, I will be talking to our | :04:34. | :04:38. | |
first finalist couple, Chelsee and Pasha. Before that, here is the | :04:38. | :04:41. | |
story of how the Waterloo Road starlet and our Strictly new boy | :04:41. | :04:47. | |
have found themselves in the final three. Chelsee, the man you will be | :04:47. | :04:53. | |
getting close to on the dancefloor is Pasha Kovalev. The moment I was | :04:53. | :04:58. | |
told that I was going to be dancing with Pasha, just buzzing! First | :04:58. | :05:02. | |
impression of Chelsee is that she's very endearing, she is just a kid | :05:02. | :05:10. | |
who is having fun in life. Love it! Back to waltz. Your phrasing is | :05:10. | :05:19. | |
excellent. I always say I can't do it before I have tried it. Can't do | :05:19. | :05:24. | |
no more. Chelsee is distracted. We have to rehearse. Don't confiscate | :05:24. | :05:28. | |
my phone. Pasha has whipped me into shape, so my concentration is fully | :05:28. | :05:37. | |
on the salsa. You have the energy of a wild kitten. Chelsee and I are | :05:37. | :05:42. | |
doing cha-cha. A lot of hip action. I will tone it down a little so it | :05:42. | :05:45. | |
I will tone it down a little so it is not as bouncy. You come out and | :05:45. | :05:50. | |
you give it some welly. quickstep is fast, energetic. | :05:50. | :05:53. | |
see you are tired. We need to polish a little bit more. If we get | :05:53. | :05:59. | |
more time, the judges will see it. Two words - first-class! I want to | :05:59. | :06:04. | |
create this step where we almost kiss each other. Oh no, Pasha. I'm | :06:04. | :06:10. | |
not into that. I don't think Pasha will bring the passion out into me! | :06:10. | :06:15. | |
I had a bit of a wardrobe malfunction. You have nothing to | :06:15. | :06:20. | |
cry about. You covered that so well. I just embarrassed myself on live | :06:21. | :06:25. | |
TV. You didn't. On a live show, you never know what can happen. So I'm | :06:25. | :06:28. | |
going to take all the comments off the judges and put my best foot | :06:28. | :06:33. | |
forward and go for it. I know how to get the best results out of my | :06:33. | :06:36. | |
dance partners. It is about attitude. We want the same thing. | :06:36. | :06:43. | |
Make you look beautiful. Can you change them pants? I like you in | :06:43. | :06:50. | |
jeans! You have changed your pants! Push and ankle down. Keep dancing | :06:50. | :06:56. | |
like that, nobody will put you in the corner. This week I'm dancing | :06:56. | :07:02. | |
the foxtrot. We have to make sure her character is changed. It's a | :07:02. | :07:07. | |
tough job. I love watching you. I don't expect you to be able to | :07:07. | :07:12. | |
dance with this much ease and elegance. Well done. Chelsee is | :07:12. | :07:19. | |
struggling the most with her own mindset. I don't like it. Not funny. | :07:19. | :07:24. | |
This is probably one of the toughest weeks. I am telling you it | :07:24. | :07:32. | |
was near-perfect! Argentine tango requires a lot of passion. Sorry! I | :07:32. | :07:36. | |
reckon I will have trouble with this one. Why are you screaming | :07:36. | :07:43. | |
when I lift you up? It tickles! over it! I want you to lose your | :07:43. | :07:47. | |
inhibitions. When you do, you will go through the roof. It is movie | :07:47. | :07:52. | |
week, I'm dancing the jive. Requires a lot of stamina, footwork. | :07:52. | :07:57. | |
The hardest thing is the kicks. fairytale really has a happy ending. | :07:57. | :08:05. | |
This gets you fast-tracked to the semifinal! We have two dances, the | :08:05. | :08:08. | |
American Smooth. It is concentrated love in the minute-and-a-half | :08:08. | :08:16. | |
trying to find something. Trying to find something. Urgh! And the paso. | :08:16. | :08:23. | |
Be an actress. Hold on, you are! The way you phrase the music, it | :08:23. | :08:27. | |
takes years and years to be able to master that. You have that | :08:27. | :08:37. | |
naturally. Pasha doble? It was fantastic! After every number, I'm | :08:37. | :08:43. | |
so proud of chel Che. I know we did our -- Chelsee. I know we did our | :08:43. | :08:48. | |
best. I thought I would have been out the first week. To still be | :08:48. | :08:53. | |
here now is mind-blowing. Chelsee and Pasha! It's something that I | :08:53. | :09:00. | |
could only have wished for. I was a great journey. We had some amazing | :09:00. | :09:07. | |
numbers. It's all beautiful. Please welcome Chelsee and Pasha. APPLAUSE | :09:07. | :09:12. | |
I don't want to panic you. If we check the clock, less than 24 hours. | :09:12. | :09:18. | |
Just more than 24 hours to go. they right? That's right. Don't | :09:18. | :09:24. | |
panic! How have rehearsals been going today? Today, they have been | :09:24. | :09:29. | |
surprisingly OK. LAUGHTER There was one dance I'm worried about. Which | :09:29. | :09:33. | |
one is that? The showdance. It has a few tricks in it. I had a moment | :09:33. | :09:38. | |
yesterday, didn't I? A little. a little one. A little bit of doubt. | :09:38. | :09:44. | |
Yes, because of the lifts, it scared me. But today... Here is a | :09:44. | :09:49. | |
bit of your show dance rehearsal. Tell me about it. You are dancing | :09:49. | :09:54. | |
to Beyonce, aren't you? Yes. Lucien was telling you yesterday about | :09:54. | :09:59. | |
discos. Look at that move! Amazing. You had a moment yesterday... | :09:59. | :10:05. | |
throws me about! He does. Also, last week, you were talking about | :10:05. | :10:10. | |
how big the Tower Ballroom is. Now you are here, are you impressed? | :10:10. | :10:15. | |
Wow, it is amazing. It is so stunning. It is really rich. It is | :10:15. | :10:18. | |
beautiful. I can't believe I'm dancing here. Does it feel magical? | :10:18. | :10:24. | |
It does. It feels amazing. It has been a tough week for you all. Four | :10:24. | :10:29. | |
dances to learn. You have to do two dances before the first elimination. | :10:29. | :10:33. | |
How important is it to get those two dances perfect? One of which is | :10:33. | :10:37. | |
the judges' favourite and one is your show dance? We need to nail it. | :10:37. | :10:43. | |
Need to nail it. Yes. Simple as that! Judges' dance that you are | :10:43. | :10:47. | |
doing, of course, is - what have they chosen? The jive. You are | :10:47. | :10:50. | |
doing the jive. Have you changed anything from when you did it | :10:50. | :10:57. | |
before? Or are you keeping it as it was? What are we doing, Pash? | :10:57. | :11:01. | |
That's a good question! We didn't change anything. We were working on | :11:01. | :11:05. | |
polishing it and working on some details. It worked the first time. | :11:05. | :11:11. | |
We want to make it more precise. Lift my knees up. Yes. Remember | :11:11. | :11:16. | |
what Len said. Will you be wearing the ears and the green paint? | :11:16. | :11:19. | |
show is pretty tight on schedule. It will be a bit of ears, a bit of | :11:19. | :11:25. | |
paint, but not the full make-up! You have so many quick changes. | :11:25. | :11:30. | |
I didn't like him when he was in the Shrek outfit. I'm not liking | :11:30. | :11:34. | |
that he is not going to wear it! There is no pleasing you! Is there | :11:34. | :11:40. | |
anything you are particularly worried about? Erm... A lot of | :11:40. | :11:47. | |
things, yeah. Like? Want to give us a list? I'd be here all night! | :11:47. | :11:51. | |
will you say to Chelsee before she comes out in front of the crowd | :11:51. | :11:55. | |
here at the Tower Ballroom and the 12 million-plus people who are | :11:55. | :12:00. | |
watching the final tomorrow? Well, the only one thing I can tell her - | :12:00. | :12:06. | |
look in my eyes and dance with me. That is it. Oh! Of course I can do | :12:06. | :12:11. | |
it. If you can do it, it will be OK. She does it every week. Do you | :12:11. | :12:16. | |
think you can win? Do you believe it is in here? You know what? I | :12:16. | :12:21. | |
have not thought about winning. I don't think I can. But even to get | :12:21. | :12:27. | |
this far is amazing. It is a big achievement in itself. For me, | :12:27. | :12:31. | |
personally. So if I don't win, which I'm not expecting to, just to | :12:31. | :12:36. | |
be in the final is amazing. Your friends and family are very proud | :12:36. | :12:42. | |
of you. They have recorded some very special messages for you. We | :12:42. | :12:49. | |
need the Glitterball tissues! child, Chelsee was always happy, | :12:49. | :12:55. | |
singing, dancing about. She was never still. She would watch DVDs, | :12:55. | :12:59. | |
musical DVDs over and over until she learnt them off by heart. | :12:59. | :13:03. | |
to be in like a band, like a tribute band to the Spice Girls. | :13:03. | :13:10. | |
She was Scary Spice. The Strictly thing came as a bit of a shock. | :13:10. | :13:17. | |
Beverley said to me, "Mum, Chelsee has something to tell you." She's | :13:17. | :13:23. | |
on Strictly. I can't believe it! First time I saw her, we were | :13:23. | :13:30. | |
emotional wrecks. Tears, lump in my throat. It was the best moment ever. | :13:30. | :13:37. | |
I think Pasha has made her look absolutely amazing. He's brought | :13:37. | :13:43. | |
the best out in Chelsee, that's for sure. We have never come across | :13:43. | :13:48. | |
anything like this before. No. isn't us. Every time I go out of | :13:48. | :13:58. | |
:13:58. | :13:59. | ||
the door, somebody is saying, "Didn't she do well?" It is so | :13:59. | :14:06. | |
emotional. I can't do it. When I grow up, I want to be like Chelsee | :14:06. | :14:11. | |
and I want to follow her footsteps. She is honest, she is hard-working, | :14:11. | :14:17. | |
and she deserves to win. We want to wish you all the luck in the world, | :14:17. | :14:27. | |
:14:27. | :14:28. | ||
just go out and enjoy it and give it all what you've got. APPLAUSE | :14:28. | :14:33. | |
Emotional! It is emotional. Look, there's some for you. Pasha was | :14:33. | :14:37. | |
wiping my tears! I know. How much are you going to miss your Pash | :14:37. | :14:43. | |
when this is over? This is where we get happy! I'm only joking. OK. | :14:43. | :14:49. | |
will miss him so much. I will be really upset, he knows that. Yes. | :14:49. | :14:55. | |
Bless you. Then we have the tour, so after the tour... Exactly. | :14:56. | :15:01. | |
Listen, you have been such a pleasure. Thank you. Your energy is | :15:01. | :15:05. | |
infectious, we think you are amazing. I'm starting now. Good | :15:05. | :15:10. | |
luck to Chelsee and Pasha. Do it for the girls, Chelsee! APPLAUSE | :15:10. | :15:15. | |
Thank you. Oh my goodness. It goes without saying that our finalists | :15:15. | :15:18. | |
will look fabulous on the dancefloor for each of their four | :15:18. | :15:22. | |
dances. I popped backstage to see Vicky to see how things are shaping | :15:22. | :15:27. | |
up. I don't understand what goes where. We are in wardrobe. Vicky is | :15:27. | :15:33. | |
here, head of wardrobe. Final tomorrow. How stressful has your | :15:33. | :15:38. | |
week been? Quite high, not too bad. We should mention costumes have | :15:38. | :15:43. | |
been stunning all series. Thank you. You have a cast of thousands. It is | :15:43. | :15:48. | |
not just you. Teresa and Michelle over there. Thank you, ladies. So | :15:48. | :15:52. | |
many boys and girls helping you? People can't ever believe how hard | :15:53. | :15:59. | |
and long they work so we can't say everybody, but thank you. First of | :15:59. | :16:06. | |
all, Chelsee doing a showdance to Beyonce - look at this! That is | :16:06. | :16:14. | |
absolutely breathtaking. A bejewelled swimsuit. How many | :16:14. | :16:18. | |
jewels are on there? Far more than any other week. Has she tried it | :16:18. | :16:23. | |
on? She can't wait to shake her booty! She will look stunning. | :16:23. | :16:26. | |
Aliona and Harry are doing an American Smooth. This is Aliona's | :16:26. | :16:30. | |
dress. Again, look at the jewels. There's so many. They are all stuck | :16:30. | :16:38. | |
on by hand? Yes. Hours and hours of work. There eegs been no limit this | :16:38. | :16:42. | |
week to the crystal -- there's been no limit this week to the crystal | :16:42. | :16:48. | |
cupboard. Can you give us some fashion facts? Godets, about eight | :16:48. | :16:55. | |
metres of feather boa, same in crinoline and the lining. Also, | :16:55. | :17:01. | |
they are doing their show dance to Great Balls of Fire. This is her | :17:01. | :17:09. | |
show dance dress. It is. '50s reference, lots of petticoats. | :17:09. | :17:17. | |
imagine her legs will go up in the air quite a lot? They do. She has | :17:17. | :17:23. | |
pants on? She does. More jewels. And Kristina is doing the salsa in | :17:23. | :17:27. | |
this small piece of string! Look at that. There's nothing to that. How | :17:27. | :17:34. | |
does she hold it up? I know! Again, look at that frilling and the | :17:34. | :17:38. | |
dripping bits. Stunning! We should mention one of the boys, here is | :17:38. | :17:44. | |
Harry's Great Balls of Fire outfit. We will have a reveal, so we have a | :17:44. | :17:49. | |
test section going on here. guns are coming out for the final! | :17:49. | :17:54. | |
That's what we want. Well done. You have done sterling work. Good luck | :17:54. | :18:00. | |
tomorrow. Big round of applause for Vicky. APPLAUSE Thank you very much. | :18:00. | :18:05. | |
Isn't it beautiful? Please welcome a few familiar faces. It is all our | :18:05. | :18:11. | |
celebrity dancers, past and present. And our pro dancers. APPLAUSE | :18:11. | :18:16. | |
Russell, Anita, may I nestle between you? You can. We love you. | :18:16. | :18:22. | |
You are back? I'm so thrilled. I'm wearing my - I have just got off | :18:22. | :18:27. | |
the coach! The outfit isn't as glittery as I would like. You can | :18:27. | :18:32. | |
borrow this afterwards. They whisked us in. I heard you had an | :18:32. | :18:36. | |
interesting journey? We did. Lulu was singing at the services. This | :18:36. | :18:42. | |
is the BBC! We got stuck in a snowdrift in Stafford and then | :18:42. | :18:47. | |
basically we got here eight hours later. You are here! Can we sing? | :18:47. | :18:54. | |
# Oh we do like to be # Beside the seaside. # | :18:54. | :18:59. | |
Anita, welcome back. How much are you missing Strictly and dancing? | :18:59. | :19:04. | |
The first week my body was in shock. Yes. My poor legs thought why | :19:04. | :19:07. | |
aren't we doing what we have been doing all this time? It is | :19:07. | :19:17. | |
:19:17. | :19:18. | ||
wonderful. I know. Have you missed - Rory, hello. Naughty Jordan and | :19:18. | :19:21. | |
Boagie! What are you going to be doing on the show? It is a group | :19:21. | :19:26. | |
dance. It is a gang brawl. By the time we have finished rehearsing - | :19:27. | :19:33. | |
we haven't seen your partners for some weeks! So we are all back with | :19:33. | :19:36. | |
our partners. This room is amazing. This was a warehouse. The props | :19:36. | :19:42. | |
guys have done a great job! last time I was here was 1984, I | :19:42. | :19:47. | |
come up on that big organ and... I'm not going to talk about that. | :19:47. | :19:53. | |
With Terry Wogan. It was a New Year's Day show. I came out on that | :19:53. | :19:59. | |
huge organ. Terry Wogan was with me and that was a welcome to 1985. I | :19:59. | :20:03. | |
was! This is surreal for me, too. Nancy, did you come on the coach? | :20:03. | :20:11. | |
You didn't fly by jet? She so did! You came on the coach? No! I have | :20:11. | :20:18. | |
to keep up my standard. You do, of course. Can I say thank you for | :20:18. | :20:23. | |
your party? Pleasure. Are you looking forward to being back in | :20:23. | :20:26. | |
the arms of Anton Du Beke tomorrow? Of course. I don't know where he is. | :20:26. | :20:33. | |
He ran off! He is hiding. Thank you. Alex is down here. I didn't mean - | :20:33. | :20:39. | |
who do you want to win? Put me on the spot! I think the right three - | :20:39. | :20:47. | |
these are so naughty! They are. is very tough. But... If I was | :20:47. | :20:53. | |
pushed, Harry. You said it! It is out there. You will be doing live | :20:53. | :21:02. | |
links later on? Apparently. Perfect! Let's go along. Hello, Dan | :21:02. | :21:07. | |
Lobby. How is it for you to come back? Who fell? Brendan Cole! It is | :21:07. | :21:14. | |
your own fault! Too naughty. How is it for you to come back? It is nice. | :21:15. | :21:19. | |
Still scary as ever. The prospect of dancing. No-one can give you a | :21:19. | :21:23. | |
hard time. There will be loads of people on the dancefloor so I can | :21:23. | :21:28. | |
hide! I spend most of the time behind Huggy Bear. Where is Savage? | :21:28. | :21:33. | |
How much do you wish it was you in the final tomorrow? No, the three | :21:33. | :21:38. | |
best dancers are there. Harry, Chelsee and Jason are great. | :21:38. | :21:48. | |
gets your support? I like Harry and Chelsee. We love Jason, too. We do. | :21:48. | :21:54. | |
We love the three of them. We came in and we saw Jason doing - it was | :21:55. | :22:02. | |
unbelievable. I'm sorry. Who is going on? And Holly is down there | :22:02. | :22:07. | |
and Edwina and Nat. Who gets your vote? I can't decide. I love them | :22:07. | :22:11. | |
all to death. Each one of them deserves to be there. It is up to | :22:11. | :22:16. | |
the people at home. Lovely to see you. A little round of applause. | :22:16. | :22:25. | |
APPLAUSE You want me and Audley to eject Brendan? If you could? It is | :22:25. | :22:29. | |
time to catch up with another one of our finalists. I will be talking | :22:29. | :22:32. | |
to Harry and Aliona in a moment. Here is the story of how the Little | :22:33. | :22:36. | |
Drummer Boy became a hot contender for the Strictly title. Your | :22:36. | :22:41. | |
partner will be Aliona Vilani. She will teach you things you never | :22:41. | :22:46. | |
knew you could do! LAUGHTER Aliona is an excellent teacher. We both | :22:46. | :22:50. | |
like to work hard. We both have a good time as well. Where's the | :22:50. | :22:55. | |
smile? Harry needs to remember to play it up to the audience and to | :22:55. | :23:00. | |
enjoy himself. I felt you were depositing the steps rather than | :23:00. | :23:05. | |
dancing through them. It lacked any real forward and back hip action. | :23:06. | :23:09. | |
knew what Craig was saying. I worked on that. I know I can do | :23:09. | :23:14. | |
what he said I was doing wrong. It is only week two. I'm exhausted. | :23:14. | :23:20. | |
That is it. Come on, sloth! Me and Aliona are very similar. She is a | :23:20. | :23:24. | |
mixture between Yoda and Arnold Schwarzenegger. The calmer you are, | :23:24. | :23:30. | |
the more power you can give it! have to have this frame. It is just | :23:30. | :23:39. | |
so hard. I can't do that. You can. Harry, you can dance! Yes! But, | :23:39. | :23:46. | |
Aliona, you have got to sort his posture out. We are dancing the | :23:46. | :23:50. | |
jive. Getting into character for the dance is helping me. I have had | :23:50. | :23:54. | |
concerns that I look feminine. Women hips. If you look silly, you | :23:54. | :24:00. | |
can blame it on the character you are playing. Harry, you have | :24:01. | :24:07. | |
finally arrived! The jive you can have fun with and get into it. | :24:07. | :24:11. | |
Whereas the waltz is more classical and very technical. So I have got | :24:11. | :24:18. | |
to switch over and really try and get into the feel of the waltz. | :24:18. | :24:22. | |
first half was fantastic. So then what do you do? Let's mess it up, | :24:22. | :24:27. | |
walk up the stairs, and whisper in each other's ear hole. I didn't get | :24:27. | :24:31. | |
that bit! We got the first 10 of the see re- s. Amazing. We are | :24:31. | :24:39. | |
dancing the tango. He portrays this dark side really well. I start | :24:39. | :24:49. | |
:24:49. | :24:49. | ||
getting frustrated. And the dark side comes out. Intense, hypnotic, | :24:49. | :24:56. | |
erotic. 10! Samba this week. I haven't been worried yet. I'm | :24:56. | :25:03. | |
worried now. I need a snack. Let's do it. Break. Do it. Nuts. Want to | :25:03. | :25:13. | |
:25:13. | :25:14. | ||
try some? That was a samba full of pecs-appeal! I like the dance. | :25:14. | :25:24. | |
:25:24. | :25:25. | ||
only challenge is the lifts. It was filth and I loved it! Come on! | :25:25. | :25:30. | |
are going to perform our salsa at Wembley. That lift that you did | :25:30. | :25:36. | |
with Aliona where you went into the splits, that was brilliant. | :25:36. | :25:42. | |
Quickstep is quick. And there's lots of steps. Come on, Harry, move | :25:42. | :25:48. | |
those feet faster! You have a lazy left foot. That's all I could find | :25:48. | :25:54. | |
wrong with it. First three tens of the series now and winners of | :25:54. | :26:00. | |
swing-a-thon. I genuinely can't believe it. Speechless! Our aim is | :26:00. | :26:03. | |
to try and improve and keep getting better. I would be very gutted to | :26:03. | :26:09. | |
be knocked out this close to the final. You turned something that | :26:09. | :26:19. | |
:26:19. | :26:21. | ||
could have been tragic into magic. If we mess up, we could be going | :26:21. | :26:26. | |
home. I'm just wild about Harry and nothing has changed. I'm telling | :26:26. | :26:33. | |
you, you are dancing royalty! absolutely loving my Strictly | :26:33. | :26:36. | |
experience. I can't bleech it is nearly over. It is something -- | :26:36. | :26:41. | |
believe it is nearly over. It is something I will never forget. | :26:41. | :26:46. | |
will definitely miss seeing Harry's adorable face every day. It's been | :26:46. | :26:49. | |
the most wonderful experience and I just can't thank everyone enough | :26:49. | :26:57. | |
who has been involved. So I'm a lucky man. APPLAUSE Please welcome | :26:57. | :27:00. | |
Harry and Aliona. APPLAUSE That really made me laugh when she was | :27:00. | :27:08. | |
saying she was going to miss your adorable face. Oh, it is so | :27:08. | :27:12. | |
fantastic x. You are here. Just more than 24 hours, 32 minutes to | :27:12. | :27:17. | |
go until the show. Have the nerves kicked in yet? I feel like I need | :27:17. | :27:24. | |
24 hours and 32 minutes sleep before I am ready! No chance! | :27:24. | :27:29. | |
are OK. Friday's are always trying to stay chilled, and tomorrow is | :27:29. | :27:34. | |
when the nerves kick in. What do you do, breathing, lie down? I am | :27:34. | :27:39. | |
consumed by anxiety and I sit quietly on my own and don't talk to | :27:39. | :27:46. | |
anyone. He asks me to go over the steps. Just to reassure myself, I | :27:46. | :27:52. | |
ask if she is OK! How hard have you pushed him in training this week? | :27:52. | :27:57. | |
Well, throughout the series, I always push him every week harder | :27:57. | :28:02. | |
and harder, so this week he did it to himself. Which made my job | :28:02. | :28:07. | |
easier. So we both worked really hard. It was a really full-on team | :28:07. | :28:10. | |
effort which was great. Good training. You have trained him up. | :28:10. | :28:16. | |
He knows how to doit. We are in the Tower Ballroom. Today we had a look | :28:16. | :28:21. | |
at your American Smooth. It is looking stunning. It is so romantic | :28:21. | :28:25. | |
and Aliona, we saw your frock, it will be a heartbreaking number. Are | :28:25. | :28:33. | |
you loving it? Yes, I am. I absolutely love the song. It is a | :28:33. | :28:39. | |
joy to dance to music like this. MUSIC: "Can't Help Falling In Love" | :28:39. | :28:42. | |
By Michael Buble It is such a great version of the song. If anything, I | :28:42. | :28:47. | |
have enjoyed the slower ones more. It is an amazing way to express | :28:48. | :28:52. | |
yourself. You do create that feeling? I just think it is such a | :28:52. | :28:55. | |
great thing to experience, to have to be able to dance to music. | :28:55. | :29:00. | |
also think because he became so much better now, he after he got | :29:00. | :29:05. | |
the dance down, he actually can now enjoin dancing it. Yes. You know it. | :29:05. | :29:09. | |
You know the steps. Now you can enjoy it. We also had a look at | :29:09. | :29:14. | |
your show dance. Ladies and gentlemen, it is quite special. | :29:14. | :29:21. | |
Loving the fact that your top there, the sleeves are coming off! We have | :29:21. | :29:25. | |
already discussed it! Lots of lifts. You were talking about how many | :29:25. | :29:29. | |
lifts you were doing. Are they coming together? I managed to punch | :29:29. | :29:35. | |
myself in the face today! Well done(!) I was trying to take off my | :29:35. | :29:40. | |
troulzers and... Nice! You topped the leaderboard in the semifinal. | :29:40. | :29:45. | |
Can you do that again tomorrow? Can you take the trophy home? I think | :29:45. | :29:49. | |
any three of us could. It will be very close. Very interesting. But | :29:49. | :29:55. | |
we will, as always, be doing our best. Aliona, you missed out on the | :29:55. | :29:59. | |
Glitterball Trophy last year. How much do you want it? Erm... I'm not | :29:59. | :30:05. | |
thinking about the Glitterball or winning. Liar! I'm not. I'm more | :30:05. | :30:09. | |
concentrated on doing great performances and enjoy the last two | :30:09. | :30:14. | |
or four dances that we are left with. How will you make your first | :30:14. | :30:18. | |
two dances count tomorrow? Each couple gets to do judges' dance and | :30:18. | :30:21. | |
show dance and someone is eliminated. How will you make those | :30:21. | :30:26. | |
two brilliant so everybody picks up the phone? Keep practising. That is | :30:26. | :30:31. | |
all we can do. Can I say that these two have been on that floor almost | :30:31. | :30:37. | |
all day today. Lunch, shower, we were trying to do an interview, | :30:37. | :30:41. | |
and... People went to have lunch, we were still there. You have had | :30:41. | :30:44. | |
huge support from Tom, the rest of the band, your girlfriend, your | :30:44. | :30:50. | |
mum? Tom was on the show last night. He is wonderful. How important has | :30:50. | :30:52. | |
that been? It is massively important. Without friends and | :30:52. | :30:55. | |
family, it is tough to see how you would get through an experience | :30:55. | :30:58. | |
like this. You are put out there on your own and the pressure is so | :30:58. | :31:02. | |
intense and you - it is hard to deal with it. Aliona has been | :31:02. | :31:07. | |
amazing to help me through that. Friends and family are just | :31:07. | :31:09. | |
obviously amazing. Funnily enough we have a few messages from home | :31:09. | :31:19. | |
:31:19. | :31:22. | ||
for you. It is lovely. Harry growing up was always full of beans. | :31:22. | :31:29. | |
You knew he was around from day one. We used to have parties at my house | :31:29. | :31:33. | |
with him and his brother used to be dancing on the balcony. He loves to | :31:33. | :31:40. | |
be centre of attention. I really fancied Harry. He is an adorable | :31:40. | :31:46. | |
person. I just fell for him immediately. I think the stand-out | :31:46. | :31:52. | |
dance has to be the quickstep. It was sublime. I did sob my way | :31:52. | :31:59. | |
through the Viennese waltz. Stunning! Stunning. His dancing is | :31:59. | :32:03. | |
just amazing. I just can't believe it. Shows you what you can learn | :32:03. | :32:07. | |
with a professional! Let's use this opportunity to say how brilliant | :32:07. | :32:14. | |
Aliona has been. I think amazing. Fantastic. So proud of him. I feel | :32:14. | :32:22. | |
he's already won in my eyes because he's done so well. He deserves to | :32:22. | :32:26. | |
be in the final. He's a really beautiful dancer. Everyone at home | :32:26. | :32:30. | |
has been tuning in every week. We all want him to do well. Good luck. | :32:30. | :32:34. | |
Do your very best. You know we are all behind you. Maurice and I want | :32:34. | :32:38. | |
to say good luck for tomorrow night. You will be absolutely brilliant. | :32:38. | :32:44. | |
All you can do is your best. I know I will be sat there beaming with | :32:44. | :32:54. | |
:32:54. | :32:56. | ||
pride. Good luck. There you go. not crying. You are! That is OK. | :32:56. | :33:02. | |
Maurice the cat. He had a yawn. Top marks for your mum for the amazing | :33:02. | :33:07. | |
jumper. I know. So lovely to see my best friend, James. When he was | :33:07. | :33:12. | |
younger, he was very ill and, you know, it is just... Bless you. It's | :33:12. | :33:16. | |
been such an emotional week. We have loved speaking to you every | :33:16. | :33:21. | |
week on It Takes Two. Don't make me cry! You have been astounding. | :33:21. | :33:26. | |
Bring it, Judd. I will do my best. Good luck tomorrow. Thank you so | :33:27. | :33:35. | |
much. APPLAUSE Oh dear. Everyone's eyes on the Strictly Glitterball - | :33:35. | :33:38. | |
everyone's eyes through tissues. We have had our smaller awards this | :33:38. | :33:42. | |
week. This is the final one, tragically, for the last time I | :33:42. | :33:52. | |
:33:52. | :33:54. | ||
hand you over to Ian Waite and Karen Hardy. Karen, what is your | :33:54. | :33:59. | |
next award? The next glorious Glitterball is for the most | :33:59. | :34:06. | |
expressive verballisation by a comment by a judge or a contestant. | :34:07. | :34:16. | |
:34:17. | :34:18. | ||
The nominees are: I only say what I see. Lumpestuous. Jason Donovan. | :34:18. | :34:22. | |
Audley Harrison. Which of these nominees is our beautifully blessed | :34:22. | :34:32. | |
:34:32. | :34:32. | ||
winner? Ian, the winner is Craig Revel Horwood. He does have a few | :34:32. | :34:38. | |
words of thanks. I can't be there because I am very, very busy, | :34:38. | :34:46. | |
darling, I do have a life! But this I will treasure it, and my thoughts | :34:46. | :34:50. | |
and all my love are with the people that voted for me. Thank you so | :34:50. | :35:00. | |
:35:00. | :35:02. | ||
much. Mwah! Lovely words from Craig. Back to you, Zoe! He doesn't have a | :35:02. | :35:09. | |
life. Craig is in pantomime playing the Wicked Queen. He does that so | :35:09. | :35:14. | |
well! The Glitterball hosts join us now, Ian Waite and Karen Hardy. | :35:14. | :35:21. | |
APPLAUSE You were tearing up there? I was. Give me a tissue. Somebody | :35:21. | :35:28. | |
has left the door open, it is freezing! OK, it is crunch time. It | :35:28. | :35:35. | |
is the final. Our three finalists have seen off the competition. Four | :35:35. | :35:42. | |
dances. Who is going to win this competition? Karen, you have lifted | :35:42. | :35:46. | |
the trophy with Mark Ramprakash. Yes. How will they be feeling right | :35:46. | :35:50. | |
now? What do they need to do when they go out on the dancefloor? | :35:50. | :35:55. | |
have to pull everything together and I think the biggest dance that | :35:55. | :35:59. | |
we are looking for has to be that show dance. Get all those nerves | :35:59. | :36:03. | |
together and put it into that. We have seen their ballroom. We have | :36:03. | :36:08. | |
seen if Latin. There are thousands of Strictly parties throughout | :36:08. | :36:13. | |
Great Britain. They are all waiting to see the showdance to see what | :36:13. | :36:17. | |
great music, what is that hidden away lift, that ace up their cards, | :36:17. | :36:21. | |
something special. That is the magic that we are looking for. | :36:21. | :36:24. | |
Deliver that show dance and... want a showdance that will make you | :36:24. | :36:30. | |
punch the air and go give me that phone! Yes. Let's go through the | :36:31. | :36:35. | |
three contenders. First, Chelsee. Each of them have their strengths | :36:35. | :36:39. | |
and weaknesses. Which dance do you think shows what Chelsee has above | :36:39. | :36:43. | |
the other two? I have chosen some of my pictures to take you back. I | :36:43. | :36:48. | |
went back and I remembered Chelsee in her samba at Wembley. That | :36:48. | :36:52. | |
moment that Pasha was very clever and left her on the floor on her | :36:52. | :36:57. | |
own, there she is, what did Craig say? Vertically challenged! How can | :36:57. | :37:02. | |
he say that when she brought the house down? 6,000 people. She was | :37:02. | :37:07. | |
amazing. It was the beginning of showing her strength. Then out | :37:07. | :37:11. | |
comes her partner. Her knight in shining armour. That is what the | :37:11. | :37:15. | |
final is about, the uniting of a fart nership and the chemistry all | :37:15. | :37:19. | |
the way -- in the partnership and the kem triall the way through to | :37:19. | :37:23. | |
the final. -- chemistry all the way through to the final. How have they | :37:23. | :37:29. | |
been doing in rehearsals today? judges' choice is their jive. It is | :37:29. | :37:32. | |
a non-moving dance. So they are not able to get around the floor so | :37:32. | :37:37. | |
every move that they make has to be exaggerated. They have to do it to | :37:37. | :37:47. | |
:37:47. | :37:47. | ||
their fullest extent and the last time we saw a jive in the final was | :37:47. | :37:50. | |
Jill Halfpenny with a 40. pressure then! We want 40s. Let's | :37:50. | :37:54. | |
talk about Harry. He has performed consistently throughout the | :37:54. | :38:00. | |
competition. Which dance shows he has something that others don't | :38:00. | :38:05. | |
have? I will take you back to the tango. I said too much of a | :38:05. | :38:09. | |
showdance. That was the moment this boy came alive for me. In this | :38:09. | :38:13. | |
dance, I saw great ballroom. That perfect hold that he's got from | :38:13. | :38:19. | |
elbow to elbow. I saw his - look at that. Did you see the aggression? | :38:19. | :38:24. | |
Everything had been quite internal before. Almost like Mark Ramprakash | :38:24. | :38:28. | |
but out came those expressions and that determination. That, he could | :38:28. | :38:31. | |
have danced that here tomorrow as a showdance. It was fantastic. | :38:31. | :38:36. | |
looks good as a vampire. He does. A bit too good! Not all of us can | :38:36. | :38:41. | |
carry that off! You have tried it! He was telling you off, I think! | :38:41. | :38:47. | |
was. How was Harry looking out on the floor in Blackpool today? | :38:47. | :38:52. | |
quickstep. He has a big floor which could work to Harry's advantage. As | :38:52. | :38:58. | |
you can see, he is using every inch. Every corner. And as you know, I | :38:58. | :39:02. | |
think it is fantastic. It was great. Can he get a ten from Craig this | :39:02. | :39:08. | |
time? He's got to give him a ten, surely. Yes. He has to demand it. | :39:08. | :39:12. | |
danced the quickstep here in the final. Get it in again! I can't | :39:12. | :39:19. | |
help but tell everybody. Did you win? No! Shut up! The length of | :39:19. | :39:23. | |
your legs... Jason. Karen, what was the dance from Jason for you that | :39:23. | :39:28. | |
made you think, hang on a minute, this boy's got it? Right back to | :39:28. | :39:33. | |
week one, 12 weeks ago, when Jason came out on the floor for the first | :39:33. | :39:36. | |
time. Look how great he was then. The pressure that he has had on his | :39:36. | :39:41. | |
shoulders from day one, he brought magic to the dancefloor, he set the | :39:41. | :39:45. | |
record, he set the path for everybody to move up to. He's had | :39:45. | :39:49. | |
to hold that throughout. He's brought us entertainment. And | :39:49. | :39:54. | |
together with him and Kristina, they have been first-class. So, | :39:54. | :40:00. | |
again, another great couple in the final. Ian, how did Jason look on | :40:00. | :40:05. | |
the dancefloor today? He was there having great fun with our makeshift | :40:05. | :40:10. | |
judges there. He goes and dances in front of them. And they loved to | :40:10. | :40:15. | |
have a little... Come on! She is enjoying herself. It is a great | :40:15. | :40:20. | |
camp dance. It is a great crowd- pleaser. And I think it will be a | :40:20. | :40:26. | |
great... A great start to the show. I don't think they are starting the | :40:26. | :40:31. | |
show. Considering that was his third week, that was week three, so | :40:31. | :40:35. | |
just goes to show how good he was. Top of the leaderboard for the | :40:35. | :40:37. | |
first three weeks. What would you say to your partner before they | :40:37. | :40:41. | |
went on the floor tomorrow? The big thing for me is - and I used to | :40:41. | :40:45. | |
take this on to the floor with me - if you think you are doing your | :40:45. | :40:50. | |
best, just push it that little bit more. Worthy of Jason Donovan, I | :40:50. | :40:56. | |
think! LAUGHTER You have both been gorgeous. Thank you so much for | :40:56. | :41:00. | |
joining us. Karen Hardy and Ian Waite. We love you. Thank you. | :41:00. | :41:04. | |
APPLAUSE Jason and Kristina have just about recovered from their | :41:04. | :41:13. | |
rehearsals. They are here next. Here is their story. Love you both. | :41:13. | :41:19. | |
Especially for you is Kristina Rihanoff. Kristina is a very strong | :41:19. | :41:24. | |
focused woman. She wants the best out of me. It is all about hips and | :41:24. | :41:30. | |
back. I'm not a dancer. This is not my comfort zone. I keep doing a | :41:30. | :41:38. | |
Michael Jackson impersonation. Jason Donovan is in cha-cha-cha! | :41:38. | :41:44. | |
Now Strictly is in business! Oh! was a very special night. The hips | :41:44. | :41:52. | |
don't lie. Jason is a perfectionist. He works so hard. He is wearing my | :41:52. | :41:59. | |
out. I want to map out again from here. I decided to put an elastic | :41:59. | :42:04. | |
band around Jason and my hips. Bring on the tools. That is your | :42:04. | :42:08. | |
elbow leading you. It was full of flare and personality. Can you be | :42:08. | :42:13. | |
top of the leaderboard two weeks running? I think so! I am loving | :42:13. | :42:23. | |
:42:23. | :42:25. | ||
Strictly. I am having such a great time. Fantastic! Stu-penHdous! | :42:25. | :42:30. | |
keep delivering. I am blown away we have been top of the leaderboard | :42:30. | :42:37. | |
three weeks in a row. I don't know where we are. Argh! It is the first | :42:37. | :42:42. | |
routine I haven't nailed. Jason! You have to enjoy each week. This | :42:42. | :42:49. | |
week might be my last week. tried to make a big meal out of | :42:49. | :42:54. | |
this paso and you got indigestion. The highs were incredibly high and | :42:54. | :42:58. | |
the lows can sometimes be pretty depressing. Am I finding it | :42:58. | :43:03. | |
difficult? Yes. Does it stress me out? Yes. But sometimes in life you | :43:03. | :43:09. | |
have to go back to go forward. Jason! Let's dance! The quickstep | :43:09. | :43:15. | |
puts a smile on my face. It is quick and it is tough. It is a | :43:15. | :43:20. | |
mathematical equation dance. One, two, three, four, nine... I can't | :43:20. | :43:26. | |
count! I was never a mathematicianist! Great concept. | :43:27. | :43:33. | |
Great choreography. You are back on track. Well! We are back on form! | :43:33. | :43:39. | |
The honeymoon period is over. This is where the hard work begins. | :43:39. | :43:43. | |
three, four. Jason, frame. haven't found it yet. There's lots | :43:43. | :43:51. | |
of shapes, lots of lines. It will be a tough one. I got a little | :43:51. | :43:56. | |
bored. The whole thing didn't gel. You win some, you lose some. I'm an | :43:56. | :44:01. | |
Aussie. We will fightback! Why did you stop? Don't stop. Use your head. | :44:01. | :44:04. | |
I am pushing Jason because I want to bring the best out of him. | :44:04. | :44:11. | |
Quicker, quicker. No. Look... a slippery floor. I don't think | :44:11. | :44:17. | |
that is the reason. That had such drive. You were back in the zone | :44:18. | :44:24. | |
tonight. I'm on my way to Wembley! This one is quick, quick. It will | :44:24. | :44:33. | |
be a sweaty day, guys. Jump, jump. It is so fast. Wow! I suppose that | :44:33. | :44:38. | |
would have been phenomenal if it wasn't for that last moment, but | :44:38. | :44:48. | |
:44:48. | :44:49. | ||
amazing. Hi energy, slapstick, nobody can accuse you of using | :44:49. | :44:57. | |
Botox! Gene Kelly's shoes are big to fill but I loved it. It looked | :44:57. | :45:02. | |
like it was going to be the perfect night for us. We found ourselfs in | :45:02. | :45:08. | |
the bottom two. Dancing again in next week's semifinal are Jason and | :45:08. | :45:12. | |
Kristina. To stay in this competition means the world to me. | :45:12. | :45:17. | |
You had fun, you captured the spirit of the samba. If you are | :45:17. | :45:22. | |
going to do your best dance of the series, what better time than the | :45:22. | :45:29. | |
semifinal! This experience has been like nothing I have ever done in my | :45:29. | :45:32. | |
life. I will be forever grateful that he was my partner. I believed | :45:33. | :45:38. | |
this is something I will never ever forget. I'm so extremely proud of | :45:38. | :45:47. | |
him. Please welcome Jason and Kristina! APPLAUSE Firstly, 24 | :45:47. | :45:55. | |
hours and 14 minutes. Thanks for putting on the 3D glasses. BBC, JD | :45:55. | :45:59. | |
in 3D! He doesn't normally wear a vest. You have come off the floor. | :45:59. | :46:04. | |
Yes. From dancing all day. What is it like being here in Blackpool, | :46:04. | :46:12. | |
the home of ballroom, ready for the final tomorrow? It is cold! Yes. | :46:12. | :46:17. | |
mean, just the whole sort of atmosphere of this room is... | :46:17. | :46:22. | |
Fantastic. The floor, you know, just the sort of the way the floor | :46:22. | :46:30. | |
is. It has a spring to it. Yes. He loves it. Your first Strictly Final. | :46:30. | :46:35. | |
How are you feeling? Absolutely overwhelmed and very happy. It is | :46:35. | :46:39. | |
my first final in four years. So Jason, thank you so much for taking | :46:39. | :46:44. | |
me here. For working so hard. You have made... You have made a | :46:44. | :46:52. | |
lady very happy. It's been good. saw your new dance, the salsa. You | :46:52. | :46:56. | |
have brought a party spirit to this show. Yes. How is the salsa? Are | :46:56. | :47:01. | |
you enjoying it? Look at those hips! I actually, funnily enough | :47:01. | :47:06. | |
this has been a difficult dance to get my head around. But, you know, | :47:06. | :47:10. | |
having run it through ten, 15 minutes, no an hour ago now, it | :47:10. | :47:14. | |
seemed to go quite well. It is always nice when you get people's | :47:14. | :47:17. | |
reactions. That is the one thing about the show, you work one-on-one | :47:17. | :47:21. | |
with someone in a rehearsal space for sort of six or seven hours a | :47:21. | :47:24. | |
day, it is not until you put it on to the floor and you start to get | :47:24. | :47:31. | |
feed back that it starts to come alive. Yes. I any... I love when | :47:31. | :47:36. | |
people clap certain moves. That was amazing. We do it at home. Look at | :47:36. | :47:41. | |
that line! Yes. You feel a bit of love. We felt love. It drives you | :47:41. | :47:46. | |
on. It is great. Your choreography has been complimented by the judges. | :47:46. | :47:54. | |
It has been top notch. Thank you. That must feel special? Yes. We | :47:54. | :47:58. | |
don't have too many compliments from the judges, usually. This year, | :47:58. | :48:03. | |
they have been very nice. To all the pros I think. I work my hardest | :48:04. | :48:08. | |
to make him shine. The magic happens when you get a great song, | :48:08. | :48:11. | |
someone's choreography, like Kristina, someone who applies | :48:11. | :48:15. | |
themselves and that is when the whole thing comes together. I think | :48:15. | :48:20. | |
if I was to walk away from this experience with one thing, it is | :48:20. | :48:25. | |
those moments when you get those hairs... You do. It is a cliche, | :48:25. | :48:30. | |
but it is so special, it is so special. I think this weekend | :48:30. | :48:34. | |
defines the last three months, you know. It is the pinnacle. Also, | :48:34. | :48:37. | |
something that is very special, because we had a look at it earlier | :48:37. | :48:45. | |
on, your show dance. It is spectacular. Thank you. Here is a | :48:45. | :48:51. | |
little clip. There's costume changes, it is amazing. It all | :48:51. | :48:56. | |
comes off and out. You have canes, leaps, and this is one of the | :48:56. | :49:00. | |
dances before a couple is eliminated. So it has to be big. | :49:00. | :49:03. | |
Down he goes. How much are you enjoying the showdance? I love the | :49:03. | :49:08. | |
showdance. I think it really is everything we are, which is showbiz, | :49:08. | :49:13. | |
entertainment, lots of fun, we have a bit of Charleston, quickstep, a | :49:13. | :49:19. | |
bit of jive, you know, there's the canes, jazz hands. We love jazz | :49:19. | :49:23. | |
hands! It is entertainment. It is energy and entertainment. I think | :49:23. | :49:26. | |
sometimes that is what this show should be about, you know... Very | :49:26. | :49:31. | |
much. You have brought that. Your kids have been loving watching | :49:31. | :49:35. | |
their dad. Have they? We have some special messages for you. Hold | :49:35. | :49:45. | |
:49:45. | :49:45. | ||
tight. Don't! I'm going to go. we go. When Jason was a kid, it was | :49:45. | :49:53. | |
very energised. Very hopping around all over the place. My favourite | :49:53. | :49:59. | |
dance that my dad has done would be the Argentine tango? At home, | :49:59. | :50:04. | |
ethinks he is funny, but most of the time he is not. I'm in awe of | :50:04. | :50:08. | |
his dancing ability. It is wonderful. We thought he was really | :50:08. | :50:15. | |
embarrassing because he had never realised on the first week that he | :50:15. | :50:19. | |
was actually kind of good, we got a bit more excited. Movie night, | :50:19. | :50:27. | |
where he did Singing in the Rain, I was amazed. I thought it was | :50:27. | :50:32. | |
fabulous. The Argentine tango, when he got 40, I was so excited. We | :50:32. | :50:37. | |
were jumping up-and-down. He's told me about Kristina. She's done so | :50:37. | :50:44. | |
well. She is a great talent. What everybody is amazed at is the | :50:44. | :50:48. | |
ability the that he's got now and he's only got that through | :50:48. | :50:52. | |
perseverance and hard work and dedication. Good luck for Saturday | :50:52. | :50:58. | |
night and we hope you do well. are very proud of you. Keep trying | :50:58. | :51:03. | |
your best. We love you. Everybody here, 12,000 miles away love you so | :51:03. | :51:12. | |
much. You are doing so well. And all the very best and lots of love. | :51:12. | :51:21. | |
APPLAUSE He's almost as serious as me! Now I see where you got it | :51:21. | :51:26. | |
from! He is so serious. Wow! He is beautiful, your dad. All the way | :51:26. | :51:31. | |
from Australia. Look. We are crying. The crew have gone. We have tried | :51:31. | :51:35. | |
so hard! Can we just say we have loved your spirit. Thank you, Zoe. | :51:35. | :51:40. | |
Thank you so much for coming on. Good luck tomorrow. Bring on the | :51:40. | :51:48. | |
tools! Jason and Kristina! APPLAUSE Now, as well as their friends and | :51:48. | :51:51. | |
family, our finalists have had great support from all of you at | :51:51. | :51:53. | |
home. We have really enjoyed hearing what you have to say about | :51:53. | :52:03. | |
the show. For the last time, it is your Points of You. I would love to | :52:03. | :52:09. | |
find Harry on our Christmas tree. We love you. I love you, I love you, | :52:09. | :52:16. | |
I love you Chelsee, I love you, I love you, Chelsee! I really think | :52:17. | :52:24. | |
Jason should win because he is so persistent. His arg nine tango is | :52:24. | :52:28. | |
worth every bit -- his Argentine tango is worth every bit of that 40. | :52:28. | :52:32. | |
Can I say, Zoe, I voted for you when it was your sturn in Strictly | :52:32. | :52:35. | |
and I thought you were -- turn in Strictly and I thought you were | :52:35. | :52:39. | |
wonderful. You are doing an amazing job with Strictly 2. It has been a | :52:39. | :52:49. | |
:52:49. | :52:51. | ||
brilliant series. Thanks a lot. Thank you very much. Right now, we | :52:51. | :52:56. | |
have a very special treat for you. It is Strictly's most glamorous | :52:56. | :53:01. | |
judge, Alesha Dixon! Thanks. I am glad you are here. You can stop me | :53:01. | :53:07. | |
blubing! It gets so emotional. know. You know, like I do, how it | :53:07. | :53:10. | |
feels? I remember the night before the final, like shedding a tear, | :53:10. | :53:14. | |
because I was so sad that the experience was coming to an end. It | :53:14. | :53:18. | |
is bittersweet. You are buzzing for the final, but you are like, I'm | :53:18. | :53:22. | |
not going to get to dance with this wonderful partner of mine. You have | :53:22. | :53:27. | |
a come-down afterwards? You do. It is horblg. You are in this bubble. | :53:27. | :53:34. | |
-- horrible. You are in this bubble. Nothing exists outside the world of | :53:34. | :53:39. | |
Strictly. Your friends and family are in it with you. It will be the | :53:39. | :53:43. | |
best final that we have ever seen. I know. The final of finals! Yes. | :53:43. | :53:47. | |
What do you think is the hardest part of the final? Four dances to | :53:47. | :53:51. | |
do tomorrow, what is the toughest thing for them? The hardest thing | :53:51. | :53:55. | |
is staying focused. They are exhausted. The fatigue. It is not | :53:56. | :53:58. | |
losing the finess of the dancing, the excitement and the buzz of the | :53:58. | :54:02. | |
final is wonderful. It is almost like a test of endurance. So one | :54:02. | :54:06. | |
dance done, two dance, three dance, four dance. You have to keep that | :54:06. | :54:09. | |
focus the whole way. That will be their biggest challenge. Last week, | :54:09. | :54:14. | |
we had the first two lots of 40 of the series. Yes. Do you think it | :54:14. | :54:20. | |
will be tens ago-go tomorrow night? I hope so. I did say to Craig | :54:20. | :54:26. | |
please pull out the ten paddle. He wants to doit. He did it twice last | :54:26. | :54:33. | |
week. -- He wants to do it? He did it twiest last week. Harry deserves | :54:33. | :54:40. | |
-- Twice last week? Harry deserves a ten off Craig. I never got a ten | :54:41. | :54:45. | |
off Craig. Also, it is not just four judges tomorrow, 12 million- | :54:45. | :54:47. | |
plus judges tomorrow. Everybody at home will be there with their phone | :54:47. | :54:52. | |
ready to vote. What do you think will make them pick up the phone? | :54:52. | :54:57. | |
An exciting show dance. Brilliant choreography. I think the | :54:57. | :55:03. | |
contestant that has The Eye of the Tiger and says, "I want to win." | :55:03. | :55:08. | |
Tomorrow, potentially, they could up it a notch. They could all win. | :55:08. | :55:12. | |
They are all winners at this point. Whoever takes home the trophy is a | :55:12. | :55:15. | |
bonus. Thank you for coming in. have been wonderful! You have been | :55:15. | :55:22. | |
wonderful. I love you! Thank you, Alesha. Thanks, guys. That is | :55:22. | :55:27. | |
almost it. We hope you have enjoyed watching. Before we say a goodbye, | :55:27. | :55:31. | |
and good luck to our finalists, here are some of our favourite | :55:31. | :55:37. | |
moments. Please welcome your host, it is Zoe Ball. Hello. Welcome to | :55:37. | :55:43. | |
the brand-new series of It Takes Two. Double, double, toil and | :55:43. | :55:50. | |
trouble, Nancy and Anton have left the Strictly bubble! What I heard | :55:50. | :55:54. | |
is... Firm handshake. It is to pretend to make love on the | :55:54. | :55:58. | |
dancefloor. My underpants are on back to front! You had to make an | :55:58. | :56:07. | |
entrance. Spin, spin. Fabulous. Seven! Hopefully, on the line is | :56:07. | :56:16. | |
Harry's mum. Hello. Hello, Zoe. Thank you very much. I'm wearing a | :56:16. | :56:20. | |
skirt. It may not happen again. We have somebody here who wanted to | :56:20. | :56:26. | |
have a quick word with you. Hello. Let's go for it! Can we go for a | :56:26. | :56:36. | |
little walk? That is really nasty! I was told to come smart-casual! | :56:36. | :56:43. | |
man! And at the same time and you twist your body. Nice! Come on! | :56:43. | :56:51. | |
love that dress! We want that dress. APPLAUSE It is beautiful. Look at | :56:51. | :56:56. | |
that. We want to see you wearing that in the training room. It is | :56:56. | :57:00. | |
not camp! We are worried they might not finish yours in time so we have | :57:00. | :57:07. | |
this for you! Here is your very own James Jordan medallion. Look at | :57:07. | :57:11. | |
that. Wearing a fetching Jason- inspired T-shirt with the slogan, | :57:11. | :57:16. | |
"It's about the journey, not the destination." Have a listen to this | :57:16. | :57:23. | |
special message. Hi, this is Bob, I think Brendan is just a fantastic | :57:23. | :57:30. | |
dancer. I have gone all... Stop laughing. Snort! Snort alert! | :57:30. | :57:37. | |
Drunken sailor! Lovely to see you. What shall we do? Bring it in. | :57:38. | :57:47. | |
Hello! Smoulder! Can you take me home?! Woah! You are going to look | :57:47. | :57:56. | |
like... Does it tickle? It is very cold. Oh! Bella. Ciao! I'll call | :57:56. | :58:03. | |
you. It is huge. You have got an incredible set of... Of what? | :58:03. | :58:09. | |
as in the studio set! This is a family show. When ever I do Sean | :58:09. | :58:16. | |
Connery, it has an effect on Erin! Cushion down! I can't bear it. | :58:16. | :58:23. | |
Congratulations, 79. Whatever! done. Russell, you have brought us | :58:23. | :58:30. | |
fun. Very emotional. It is. We have the Glitter Tissues. Have one. Get | :58:30. | :58:40. | |
:58:40. | :58:41. | ||
it together, Ball! Make a wish! Blow it! APPLAUSE It Takes Two this | :58:41. | :58:48. | |
year - fantastic! Well done. that is it. Thanks to all the | :58:48. | :58:53. | |
amazing boys and girls who have worked on It Takes Two. You all | :58:53. | :58:58. | |
rock. Many thanks to our celebrities and the judges and the | :58:58. | :59:04. | |
pro dancers and good luck to our finalists, Jason and Kristina, | :59:04. | :59:09. |