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It's our final Wednesday. Coming up: Prince Harry and Aliona are | :00:10. | :00:14. | |
here to discuss their quest for the Glitterball Trophy. Ian Waite has a | :00:14. | :00:19. | |
glimpse at the finalists' training. And Nancy Dell'olio gives us her | :00:19. | :00:23. | |
guide to throwing the most fabulous Strictly party. This is It Takes | :00:23. | :00:33. | |
:00:33. | :01:04. | ||
Live from Television Centre, this is Strictly: It Takes Two. Please | :01:04. | :01:12. | |
welcome Zoe Ball. APPLAUSE Hello. I'm running out of things to do | :01:12. | :01:17. | |
now! Welcome to It Takes Two. The Strictly Final is so close we can | :01:17. | :01:21. | |
almost taste the Blackpool rock, smell the sea air and feel the | :01:21. | :01:25. | |
finalists' nerves. I will be chatting to Team Hali about their | :01:25. | :01:28. | |
preparations for the big night. Here is a reminder of why everyone | :01:28. | :01:38. | |
:01:38. | :01:42. | ||
was so wild about Harry on Saturday. That's the way to start a semifinal. | :01:42. | :01:51. | |
Two things - your midrift and your talent were revealed! Nine! | :01:51. | :01:56. | |
more dance to go. Harry, the Prince and the showgirl. Romance, style. | :01:56. | :02:03. | |
You are dancing royalty. This was gorgeous to watch. I would move | :02:03. | :02:10. | |
your head to the left slightly. That was confident, effortless, | :02:10. | :02:16. | |
just beautifully played. Take him to the tower - ballroom - | :02:16. | :02:24. | |
Blackpool! Fabulous! Good job. It's safe to say we have done everything | :02:24. | :02:29. | |
we could have done. We would love to go to Blackpool. It would be an | :02:29. | :02:37. | |
Thank goodness they have made it here. Please welcome finalists | :02:38. | :02:44. | |
Harry and Aliona. APPLAUSE Congratulations. Thank you. Thank | :02:45. | :02:49. | |
you. So exciting. How was Saturday night for you? You kicked off the | :02:49. | :02:54. | |
night with the Charleston. Was it good to get out there first or was | :02:54. | :02:57. | |
it terrifying? It was quite terrifying. When you go first, you | :02:57. | :03:03. | |
feel like you have to get the party started. It was very quiet. I was | :03:03. | :03:06. | |
dancing thinking I can hear everything. But at the end of it, | :03:06. | :03:10. | |
the judges liked it. We got a good score. We don't know how it is | :03:10. | :03:15. | |
going, you are thinking it's quiet. My dad was in the audience and he | :03:15. | :03:20. | |
said it was quite quiet. Everybody is so tense. That is the thing. | :03:20. | :03:28. | |
kind of need - believe it, everyone at home were screaming for you. | :03:28. | :03:31. | |
After your Viennese waltz, Bruno crowned you dancing royalty. Were | :03:31. | :03:36. | |
you as pleased with this dance as he clearly was? You know what, I | :03:36. | :03:40. | |
was. After we done the Charleston and it had gone very well, I was | :03:40. | :03:44. | |
feeling quite relaxed with the Viennese waltz. It is such a | :03:44. | :03:48. | |
beautiful song and a beautiful dance. I managed to enjoy myself. | :03:48. | :03:53. | |
I'm sorry. Aliona is grinning her head off! You must be so pleased | :03:53. | :03:59. | |
with him? Of course, I'm extremely pleased. He's worked so hard. He | :03:59. | :04:06. | |
progressed so much and now he's dancing so well. But of course | :04:06. | :04:10. | |
still the elusive 10 from Craig. What do you think you will have to | :04:10. | :04:20. | |
:04:20. | :04:21. | ||
do to get him to give a 10? I came out the studio and the song, What | :04:21. | :04:28. | |
Have I Go To Do To Make You Love Me came into my head! I was so happy | :04:28. | :04:34. | |
with the way it had gone. I couldn't really ask for more. I was | :04:34. | :04:44. | |
delighted. I got 10s from everyone else. He will be be keeping it back | :04:44. | :04:51. | |
for the final! I hope so. Was it a long wait in the Results Show? | :04:51. | :04:58. | |
was horrendous. Were any of you talking backstage? No, we were. We | :04:58. | :05:04. | |
all really support each other. It is a nice atmosphere backstage. | :05:04. | :05:08. | |
Everyone was very nervous. When our names got called out, it was an | :05:08. | :05:13. | |
amazing feeling. I could hear my heart pumping. They called out our | :05:13. | :05:16. | |
names and we were... You were there! A hit with the judges. A hit | :05:16. | :05:23. | |
with the viewers. And a hit with each other. Quite literally. | :05:23. | :05:27. | |
Takes Two - put a compilation of Aliona whacking me in the face | :05:27. | :05:37. | |
:05:37. | :05:48. | ||
We've had... You hit me on day one. I'm sorry. Cracked chin. Sorry. | :05:48. | :05:58. | |
:05:58. | :06:02. | ||
Once a week you insist on elbowing # Hit me baby one more time. # | :06:02. | :06:08. | |
If that doesn't make the VT, I don't know what will! Four dances | :06:08. | :06:14. | |
for the final. That's quite a feat to take on. You will do one of your | :06:14. | :06:20. | |
favourites, a judges' favourite, a new one and the show dance. Your | :06:20. | :06:25. | |
favourite, the Argentine tango? Len said it lacked intensity last | :06:25. | :06:30. | |
time. Can you prove him wrong? Can you show him more intensity? You | :06:30. | :06:38. | |
are on fire! Will you add anything in for Len? We are going to try and | :06:38. | :06:43. | |
be more intense. I don't know what we can do. We will go for it! | :06:43. | :06:51. | |
intense. We hope Len will be in a good mood. Look at him intensely! | :06:51. | :06:56. | |
Try and kiss him. Also you - the judges have chosen the quickstep. | :06:56. | :07:01. | |
Are you happy about them choosing that? Extremely. When we first | :07:01. | :07:05. | |
talked about what we wanted to dance it was between quickstep and | :07:05. | :07:11. | |
Argentine tango. So very pleased. Quite - it is quite full-on. You | :07:11. | :07:15. | |
will be shattered. It is one night. You are doing the American Smooth | :07:15. | :07:21. | |
which you have never done before. How is that going? Really well. We | :07:21. | :07:26. | |
have three massive lifts. He is lifting me the whole week. It is | :07:26. | :07:32. | |
going pretty well. The routine is down. Now we are polishing it. | :07:32. | :07:35. | |
And a show dance and the great thing about that is there are no | :07:35. | :07:39. | |
rules whatsoever. Aliona, this is your playground. I have heard a | :07:39. | :07:46. | |
rumour there's 78 lifts in the show dance! It's a lie. Not enough time | :07:46. | :07:51. | |
for that. Yeah, quite a lot of lifts. They are a bit dangerous. No | :07:51. | :07:56. | |
rules for me means danger for everyone else! The front row, you | :07:56. | :08:02. | |
can take them all out! So how - when you wake up on Sunday, it's | :08:02. | :08:07. | |
all going to be over. How do you feel about that? Depends on how | :08:07. | :08:11. | |
Saturday goes! True. That is very true. Are you feeling pressure? | :08:11. | :08:14. | |
Aliona, you were in the final last year. You didn't get the | :08:14. | :08:18. | |
Glitterball. This year, surely? would love to deliver that | :08:18. | :08:22. | |
Glitterball for you. I will be doing my very best. As we have done, | :08:22. | :08:24. | |
we have taken everything week-by- week. This is another week. We are | :08:24. | :08:29. | |
working as hard as we can. What will be will be. On Sunday, all I | :08:29. | :08:34. | |
know is I will be sleeping! Will you be doing any moves on the McFly | :08:34. | :08:39. | |
tour? You are behind the drum kit. Could you do a bit of samba for the | :08:39. | :08:45. | |
McFly fans? I will pay money to see that! The McFly guys will pay money | :08:45. | :08:53. | |
to get me back behind my drums! Dougie up front eating bugs. Tom is | :08:53. | :08:59. | |
here tomorrow. Is he? Am I not supposed to say anything? Woops! | :08:59. | :09:06. | |
Anything you are nervous about with the final? What are you most | :09:06. | :09:10. | |
worried about? Everything. It is so intense. To be honest, I am hoping | :09:10. | :09:17. | |
once we get through the first dance, hopefully it will go well, I might | :09:17. | :09:21. | |
relax. I will try and enjoy myself. That is wise. The next thing is it | :09:21. | :09:26. | |
is all over. Then you will miss it. Good luck at the weekend. Thank you. | :09:26. | :09:32. | |
You both rock! Harry and Aliona! APPLAUSE We will see you in | :09:32. | :09:37. | |
Blackpool on Friday. I can't wait! On Saturday, one couple will get | :09:37. | :09:43. | |
their hands on that Glitterball Trophy. They will be crowned | :09:43. | :09:46. | |
Strictly Champions. But here at It Takes Two, we believe everyone's a | :09:46. | :09:52. | |
winner. It is time for today's exciting instalment of The | :09:52. | :10:00. | |
Glitterballs. And the next Glitterball is the award for being | :10:00. | :10:06. | |
on the naughty step. For those that are exceptionally naughty. Ian, | :10:06. | :10:12. | |
there's nothing clever about being naughty. And the nominees are: | :10:12. | :10:18. | |
Aliona for not listening to the judges. I won't speak to you, I | :10:18. | :10:26. | |
heard you on It Takes Two, and you said you never listen to the judges. | :10:26. | :10:30. | |
Robbie Savage for being Robbie Savage. Bruno for being naughty | :10:30. | :10:35. | |
with Alesha. You have to go in there. And James Jordan for not | :10:35. | :10:40. | |
being able to keep it zipped. you realise, Craig, that these | :10:40. | :10:47. | |
celebrities, it is their first week on the show? And the winner is: | :10:47. | :10:55. | |
James Jordan. Oh, fantastic. This may come as no surprise. He can't | :10:55. | :11:00. | |
be here tonight, he has prior engagements. He gave us this | :11:00. | :11:03. | |
wonderful message. Thank you for all that voted for me. It means so | :11:03. | :11:08. | |
much to me. I'm so sorry I can't be there because I'm rehearsing the | :11:08. | :11:13. | |
Charleston with these other people that didn't get an award. We are so | :11:13. | :11:19. | |
good. I'm better! Back to you, Zoe! Thank you Ian and Karen. | :11:19. | :11:24. | |
Congratulations to James. We wouldn't want you any other way! | :11:24. | :11:30. | |
Now it is time for Mr Glitterballs himself, Ian with Waite's Final | :11:30. | :11:40. | |
:11:40. | :11:49. | ||
I love it! Thank you. APPLAUSE know how to milk a crowd! We do. | :11:49. | :11:57. | |
It's the last Wednesday Warm-Up, are you emotional? Very emotional. | :11:57. | :12:02. | |
Not only will I miss the teleprompter, I will miss you! | :12:02. | :12:07. | |
can see my any old time! We see each other all the time. We hate | :12:07. | :12:11. | |
each other off-air! Blackpool is coming. You will be there on Friday. | :12:11. | :12:16. | |
On the scale of one to ten, how excited are you about this year's | :12:16. | :12:19. | |
final? It could be the best we have ever seen? They are all great | :12:19. | :12:24. | |
couples and we are at Blackpool. We haven't done that since I danced | :12:24. | :12:29. | |
with Denise Lewis in the final which was an amazing final and I | :12:29. | :12:36. | |
have danced there since a young ball, it is the most amazing place | :12:36. | :12:46. | |
:12:46. | :12:46. | ||
to dance. How did you do in that first dance? Don't ask that! | :12:46. | :12:52. | |
couples are tackling two old and two new routines. Chelsee and Pasha | :12:52. | :12:58. | |
will be doing a rumba. How are they capturing the romance of the dance? | :12:58. | :13:03. | |
I'm very impressed. They have saved the best till last. They are doing | :13:03. | :13:07. | |
that sliding split step that she got an altercation on last week. | :13:07. | :13:16. | |
It's not put her off. No. Pasha has given her some amazing transitions. | :13:16. | :13:21. | |
Very complicated choreography. To be honest, she can cope with it. | :13:21. | :13:27. | |
The reason I stopped it here is the wonderful leg action, the straight | :13:27. | :13:32. | |
legness. What I would like... Straight legness... Let's have a | :13:32. | :13:40. | |
bit of it. For old time's sake. Swivel, swivel. That's how you do | :13:40. | :13:47. | |
rumbas! No, I felt like dancing! They are also doing their show | :13:47. | :13:51. | |
dance and Pasha was telling Claudia that their show dance was going to | :13:51. | :13:57. | |
be quite funky. How funky is it? Well, it is a very upbeat dance. I | :13:57. | :14:03. | |
think that will suit Chelsee, her character. I have slowed this down. | :14:03. | :14:08. | |
Very compact, nice, lots of body action, lots of body pumping. | :14:08. | :14:12. | |
is properly shaking it! This is a great dance. Her dances were like | :14:12. | :14:16. | |
cha-cha, jive, great for her character and this is no exception. | :14:17. | :14:22. | |
It's a real compact dance and I think it will be a fantastic show | :14:22. | :14:27. | |
dance. A bit of a flip there. Whether he knows what he is doing | :14:27. | :14:31. | |
next, I don't know. We will see. should know! What are the key | :14:31. | :14:36. | |
things to a show dance, what should we be looking for, what makes the | :14:36. | :14:41. | |
perfect show dance? For me, the music has a lot to do with it. You | :14:41. | :14:47. | |
need lots of highs and lows. Maybe different types of instruments | :14:47. | :14:52. | |
which create that... Guitar, drums... It makes a difference. | :14:52. | :14:58. | |
With lots of highlights where you can do those big lifts. And a great | :14:58. | :15:04. | |
ending. A big finish. OK. Let's have a look at Jason and Kristina. | :15:04. | :15:08. | |
Their new dance is the salsa. The samba last weekend. A similar hip | :15:08. | :15:12. | |
action? It is very similar. Almost the same. But there's a lot of | :15:12. | :15:17. | |
technical differences. He is using his hips lovely here. Just going | :15:17. | :15:21. | |
into this - I have slowed this down. They have this underarm thing that | :15:21. | :15:27. | |
we do in salsa. That's slowed down? It looks fast. He would be able to | :15:27. | :15:30. | |
do it faster if his arms were looser. He has too much tension in | :15:30. | :15:35. | |
them at the moment. Not surprised. He has four dances. They do this | :15:35. | :15:40. | |
lift. It was very difficult to get into. I am hoping that will smooth | :15:40. | :15:44. | |
out. Also, just look at the shape she is getting. This is a really | :15:44. | :15:49. | |
difficult lift. If she is not careful, she will hit the floor! | :15:49. | :15:54. | |
Don't say that! This is a very dangerous lift. If they can pull it | :15:54. | :16:02. | |
off, it will be fantastic. Look at the lifts he did on Sunday! That | :16:02. | :16:06. | |
was amazing. Very saucy. OK. They love to put on a show. Let's look | :16:06. | :16:12. | |
at the show dance. They are going old school. I love an old school. | :16:12. | :16:19. | |
Fantastic. Traditional old school show dance. This is like Putting on | :16:19. | :16:25. | |
the Ritz. One of those Top Hat numbers. Like it. Kristina has been | :16:25. | :16:30. | |
clever because she's incorporated this step which they did in the | :16:30. | :16:33. | |
Charleston. A lot of Charleston steps are in there. That is a great | :16:33. | :16:38. | |
thing to do, to incorporate things that you have done before. Now, | :16:38. | :16:44. | |
look, if I can show you, she is sitting on the cane. He picked her | :16:44. | :16:48. | |
up on a brolly. Now, obviously, using the same idea again. That's | :16:48. | :16:53. | |
the cleverness of it. You are using, incorporating these different parts | :16:53. | :16:58. | |
and things that you have done before. They are much more polished | :16:58. | :17:08. | |
:17:08. | :17:08. | ||
then. Harry and Aliona are dog the American Smooth. -- are doing the | :17:08. | :17:12. | |
American Smooth for their new dance. How are they getting to grips with | :17:12. | :17:17. | |
it? It is looking a great dance. She is totally relying on him there. | :17:17. | :17:21. | |
He has to give the right amount of body weight so she doesn't fall | :17:22. | :17:26. | |
backwards or he doesn't fall backwards. Fantastic. Here, they | :17:26. | :17:32. | |
are doing some like natural turns in the Viennese waltz but with a | :17:32. | :17:36. | |
different hold. So they are dancing a Viennese waltz for this American | :17:36. | :17:39. | |
Smooth. Is that unusual? It is. I don't think we have seen many in | :17:39. | :17:45. | |
the past. I have stopped it here. I want you to - I go on about this | :17:45. | :17:52. | |
boy's body. But - I meant... are not the only one! The way he | :17:52. | :17:57. | |
finishes off his lines. So strong, and so finished off. Fantastic | :17:57. | :18:04. | |
presence. It is really good. They are also doing a show dance | :18:04. | :18:08. | |
with 78 lifts. Is Aliona really showing off with his athleticism | :18:08. | :18:12. | |
here? Absolutely. She is playing to his strengths. That is what you | :18:12. | :18:18. | |
have got to do. You have to make it spectacular. If he can do it, why | :18:18. | :18:23. | |
not. Throw in all the lifts. I have stopped it because I wanted you to | :18:23. | :18:30. | |
see the way - that's wrong! What was that? There you go. Oh no! | :18:30. | :18:40. | |
:18:40. | :18:40. | ||
don't believe it, you have broken it! We have it. Fantastic creative | :18:40. | :18:45. | |
lifts. He throws her on to the floor. Look at that. Nancy did that | :18:45. | :18:50. | |
move! It didn't look the same. Another dangerous lift. It goes | :18:50. | :18:55. | |
into jive. I am presuming this is a very lively, kicky-flicky dance! It | :18:56. | :19:00. | |
really suits Harry. It looks seriously good. It does. Very fast | :19:00. | :19:07. | |
as well. I can't believe how much is coming. Will you stick around? | :19:07. | :19:13. | |
will think about it. Do you want a double dose of Ian Waite? APPLAUSE | :19:13. | :19:18. | |
We are about to talk about the old dances they are doing in a few | :19:18. | :19:23. | |
minutes' time. Ian Waite! APPLAUSE Now, all over the country, people | :19:23. | :19:27. | |
are getting ready to host Strictly Final parties. How can you ensure | :19:27. | :19:32. | |
that yours is the most fabulous? Well, we asked the belle of the | :19:32. | :19:39. | |
ball, Nancy Dell'olio, to share her valuable knowledge on hosting a | :19:39. | :19:49. | |
:19:49. | :19:53. | ||
I'm here to help you to throw a perfect party for the Strictly | :19:53. | :19:57. | |
Final. Follow the simple steps and for one night you will be glamorous, | :19:57. | :20:07. | |
:20:07. | :20:08. | ||
like me. Use only the finest ingredients and the best quality | :20:08. | :20:18. | |
:20:18. | :20:21. | ||
food. Don't forget the Golden Rule, the more sparkle the better. | :20:21. | :20:29. | |
Glitter! Glitter! It is easy to create an amazing food. Do what I | :20:29. | :20:39. | |
:20:39. | :21:04. | ||
do, get a beautiful man. Let him do Make your home as glamorous as | :21:04. | :21:10. | |
Strictly - it is easy. Don't just stop with the house, sparkle | :21:10. | :21:20. | |
:21:20. | :21:25. | ||
everything. And I mean everything. Not everyone does glamour like me. | :21:26. | :21:35. | |
If you want a tip, sequins on everything. Too much work! This one | :21:35. | :21:45. | |
:21:45. | :21:46. | ||
I made earlier. You need the right guest list to make your party a | :21:46. | :21:56. | |
:21:56. | :22:06. | ||
real success. Hi. Hi. Hi. Sorry. I think you have the wrong party! Bye. | :22:06. | :22:12. | |
With your guests in place, all you need to do is sit back and enjoy | :22:12. | :22:22. | |
:22:22. | :22:24. | ||
the show. This is Strictly: The Grand Final PHONE RINGS Hello? | :22:24. | :22:30. | |
Anton. No, it's not tonight, the party. It is next week. Sorry? You | :22:30. | :22:39. | |
are breaking up. Sorry. Missing you! Don't forget the music. I love | :22:39. | :22:49. | |
:22:49. | :22:53. | ||
this track. Come on, boys, let's dance. Ciao darlings. Follow the | :22:53. | :23:03. | |
:23:03. | :23:08. | ||
steps and for one night you will be LAUGHTER Ciao, darlings! You can | :23:08. | :23:14. | |
tell that is cheap bubbley! Remember, only use edible glitter | :23:14. | :23:21. | |
when preparing your party treats. I have to tell you. Ian is still here. | :23:21. | :23:26. | |
APPLAUSE They have put us on a stool! We have been allowed to sit | :23:26. | :23:30. | |
down. Your success rate in the final is very good. You got me | :23:30. | :23:34. | |
there. We didn't win. It is fine. Denise Lewis, you came second with | :23:34. | :23:39. | |
her. Yes. What is your tip for the couples this week? They have four | :23:39. | :23:42. | |
dances to do. How do they keep going? How can they present | :23:42. | :23:45. | |
themselves? I would say trust the fact they have done 14 weeks of | :23:45. | :23:51. | |
training and that it is all there, behind-the-scenes, it is all ready | :23:51. | :24:00. | |
to dance. Don't get too het up with the fact they have new dances. They | :24:00. | :24:03. | |
have to practice those. Relax and enjoy yourself. They are in the | :24:03. | :24:09. | |
final. The hard work is done. Let's talk about the other two | :24:09. | :24:12. | |
dances. One, that they have done before, that they love, and the | :24:12. | :24:17. | |
judges have chosen a favourite, too. Jason and Kristina, the judges have | :24:17. | :24:23. | |
chosen to see their tango again. Why do you think they chose this? | :24:23. | :24:28. | |
think they chose this because he is a great showman and this shows off | :24:28. | :24:33. | |
- he was in Priscilla on the West End and he feels comfortable in | :24:33. | :24:37. | |
this sort of camp sort of role. He is obviously - I don't mean that | :24:37. | :24:42. | |
badly, Jason. I know what you mean. He is having a great time. I can | :24:42. | :24:46. | |
understand why the judges have chosen that. Great. He did it so | :24:46. | :24:50. | |
brilliantly. Jason and Kristina have chosen to do their quickstep | :24:50. | :24:55. | |
again which was magical. The Bewitched music. You loved this | :24:55. | :25:01. | |
one? I did. The way she's used him and he can do his acting. Basically, | :25:01. | :25:07. | |
he is acting and he is dancing on his own so he is showing what an | :25:07. | :25:10. | |
accomplished dancer he is. So clever of Kristina to do that. Then | :25:10. | :25:20. | |
they go into a fantastic quickstep. That theme will work in the final? | :25:20. | :25:27. | |
Yes. Chelsee and Pasha, the judges have chosen the jive for them. | :25:27. | :25:34. | |
Their Shrek theme. Pasha may not have to don the green make-up and | :25:34. | :25:38. | |
ears again. I hope he does. It makes it. And the donkey has got to | :25:39. | :25:42. | |
stay! Is there anything that Chelsee could do better than she | :25:42. | :25:47. | |
did last time? It was so good. She just needs to keep it up to the | :25:47. | :25:51. | |
very end. She needs to keep kicking and flicking because she did lose | :25:52. | :25:59. | |
it towards the end of that dance. She got 39 before. Could she get... | :25:59. | :26:07. | |
She might get that extra one point. Go, girl! Chelsee and Pasha also | :26:07. | :26:12. | |
have chosen to repeat their quickstep again, which was the | :26:12. | :26:16. | |
lovely thing in the airport. He is late for his flight. The movement | :26:16. | :26:22. | |
across the flight, that lovely leap, lots of Charleston, this is a | :26:22. | :26:27. | |
fantastic dance for them. Also, another great storyline. That will | :26:27. | :26:31. | |
be amazing. We love a dance with a story. We do. Why do we like that? | :26:31. | :26:35. | |
I don't know. I have always done that, even before we started doing | :26:35. | :26:40. | |
more lyrical stuff in the last couple of years. I think it gives | :26:40. | :26:43. | |
something for you to act out and it gives an extra dimension to the | :26:43. | :26:47. | |
dance. When they fall in love, we all fall in love with them. That | :26:47. | :26:52. | |
was the first dance that I really thought Chelsee was a contender. | :26:52. | :26:56. | |
That is when everybody said she is good. Harry and Aliona are going to | :26:56. | :27:00. | |
do the quickstep again. The judges have chosen that one. Harry's lazy | :27:00. | :27:04. | |
left foot stopped Craig giving him a 10 for this. Do you think they | :27:04. | :27:14. | |
could get a 40 for this? What a great dance. When I saw this on the | :27:14. | :27:18. | |
Wednesday Warm-up, I said we have to play it again. I can't believe | :27:18. | :27:24. | |
he didn't get 40 the first time. Exactly. People will storm the | :27:24. | :27:30. | |
floor. I will do a streak across the Blackpool floor if he doesn't | :27:30. | :27:39. | |
get 40! Women are calling up now! Harry and Aliona have chosen to do | :27:39. | :27:46. | |
their Argentine tango which, again, was just stunning. What passion! | :27:46. | :27:51. | |
What intensity! I don't know what Len was on about. For me, it was a | :27:51. | :27:57. | |
fantastically stunning dance and what a stunning waistcoat. Have you | :27:57. | :28:04. | |
borrowed it to wear on the show? Mine's black and his is maroon. | :28:04. | :28:09. | |
you think this could be the final to top all the finals? Absolutely. | :28:09. | :28:14. | |
We have got three fantastic dancers. It will be close. It will be very | :28:14. | :28:18. | |
close. We have never had a final this close I don't believe. There's | :28:18. | :28:22. | |
always been one that has been a bit lower than the others. It will be | :28:22. | :28:29. | |
incredible. It is. Thank you. We will see Ian on Friday in Blackpool. | :28:29. | :28:34. | |
APPLAUSE I'm so excited. Thank you to my guests. Tune in tomorrow for | :28:34. | :28:39. | |
our last show from London. I will be joined by Jason and Kristina, | :28:40. | :28:47. | |
plus we have special Thursday panel - championing Team Chelsee, | :28:47. | :28:55. |