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I always think that, the highlight of your amusing and exciting life | 0:00:01 | 0:00:04 | |
was that time you frightened | 0:00:04 | 0:00:05 | |
half of the United States out of their wits, back in the 1930s | 0:00:05 | 0:00:08 | |
with your tremendous broadcast pretending that Mars was invading the world. | 0:00:08 | 0:00:12 | |
What do you mean pretending? Really! | 0:00:12 | 0:00:15 | |
Haven't you heard about the flying saucer? | 0:00:15 | 0:00:17 | |
Indeed. Do you look back on that with a certain amount of pleasure? | 0:00:17 | 0:00:21 | |
Well, I look back on it with a certain amount of wonder, | 0:00:21 | 0:00:24 | |
because we never imagined, when we did the show, | 0:00:24 | 0:00:27 | |
that as many people would be as excited as they were. | 0:00:27 | 0:00:32 | |
We thought a few people on the lunatic fringe | 0:00:32 | 0:00:35 | |
might be vaguely disturbed by these rumours, which were broadcast, | 0:00:35 | 0:00:39 | |
but turned out to be... | 0:00:39 | 0:00:40 | |
-More people on the fringe that you thought. -Well, I don't think so. | 0:00:40 | 0:00:43 | |
I don't think it was. | 0:00:43 | 0:00:46 | |
I think we underrated the...the prestige of radio, at that moment. | 0:00:46 | 0:00:51 | |
Anything that was said on the radio was automatically true. | 0:00:51 | 0:00:55 | |
After that nobody ever believed anything on the radio. | 0:00:55 | 0:00:57 | |
And on Pearl Harbour, the day of Pearl Harbour in America, | 0:00:57 | 0:01:00 | |
I was doing a broadcast, which was interrupted, | 0:01:00 | 0:01:02 | |
with the announcement that Pearl Harbour had been attacked. | 0:01:02 | 0:01:05 | |
And everybody in America said, "It's rather bad taste to do it again." | 0:01:05 | 0:01:09 | |
Do you have any qualms about that? | 0:01:54 | 0:01:56 | |
This muckraking and going over an old scandal | 0:01:56 | 0:01:58 | |
that should be dead and buried by now? | 0:01:58 | 0:02:00 | |
No, no. Certainly not. | 0:02:00 | 0:02:03 | |
And it shouldn't be dead and buried, either. | 0:02:03 | 0:02:06 | |
It's unfortunate, | 0:02:06 | 0:02:09 | |
I think for Mr Profumo, but we can... | 0:02:09 | 0:02:11 | |
It's not all about him, by any means, | 0:02:11 | 0:02:14 | |
it's about the girl, and the story of this girl, | 0:02:14 | 0:02:18 | |
which is not an uninteresting story, at all. | 0:02:18 | 0:02:21 | |
We can forgive Mr Profumo. | 0:02:21 | 0:02:23 | |
We can do what we can to see that he's rehabilitated, | 0:02:23 | 0:02:27 | |
because he has tried very hard. | 0:02:27 | 0:02:29 | |
By all means, forgive the individual, but you can't forget it. | 0:02:29 | 0:02:32 | |
You see, what worries people is, | 0:02:32 | 0:02:34 | |
I think there was a comment of yours on this. | 0:02:34 | 0:02:36 | |
And it may be inaccurate, but it was a quote that you said, | 0:02:36 | 0:02:40 | |
people can sneer as much as they like, | 0:02:40 | 0:02:42 | |
but I'll take the 150,000 copies we're going to sell. | 0:02:42 | 0:02:44 | |
I believe you're now going to sell... | 0:02:44 | 0:02:47 | |
printing at 200,000. | 0:02:47 | 0:02:49 | |
It suggests that you are, in fact, | 0:02:49 | 0:02:51 | |
lining your pocket with rather sleazy material. | 0:02:51 | 0:02:54 | |
Well, I don't agree it's sleazy, for a minute. | 0:02:54 | 0:02:57 | |
Nor do I agree that it's unfair | 0:02:58 | 0:03:00 | |
to the man, or anything else. | 0:03:00 | 0:03:02 | |
I have the greatest sympathy with him. | 0:03:02 | 0:03:04 | |
But, it doesn't alter the fact that | 0:03:04 | 0:03:06 | |
everybody knows what happened. | 0:03:06 | 0:03:09 | |
Certainly, it's going to sell newspapers, so there will be other | 0:03:09 | 0:03:13 | |
stories we'll put in which will sell newspapers, so... | 0:03:13 | 0:03:17 | |
We're not ashamed of that. | 0:03:17 | 0:03:18 | |
It seems to me that it's very tempting for someone in your position, | 0:03:18 | 0:03:22 | |
with a new paper to start, to turn it into a salacious scandal sheet, | 0:03:22 | 0:03:26 | |
because there's absolutely no doubt that if it were that, | 0:03:26 | 0:03:30 | |
it would get a big circulation. | 0:03:30 | 0:03:31 | |
How do you resist the temptation? | 0:03:31 | 0:03:33 | |
Well, I doubt very much whether you are right, | 0:03:33 | 0:03:36 | |
that it would get a big circulation. | 0:03:36 | 0:03:37 | |
You might get one overnight, but it wouldn't stay with you, | 0:03:37 | 0:03:40 | |
and you wouldn't have the loyalty of your readers. | 0:03:40 | 0:03:42 | |
You wouldn't have people wanting it to go into their home regularly. | 0:03:42 | 0:03:46 | |
You might get people on the street corner buying it, quickly, | 0:03:46 | 0:03:48 | |
but you wouldn't hold the thing. | 0:03:48 | 0:03:50 | |
Depends what you call by spice and sex, and salaciousness, | 0:03:50 | 0:03:54 | |
and muckraking and so on, | 0:03:54 | 0:03:56 | |
so I...obviously we're not going to avoid the subject. | 0:03:56 | 0:03:59 | |
But, um... | 0:04:02 | 0:04:04 | |
it's not going to be a dirty paper. | 0:04:04 | 0:04:07 | |
I'm not a great sacker. | 0:04:07 | 0:04:09 | |
I'm a very bad sacker. | 0:04:09 | 0:04:10 | |
Um... | 0:04:10 | 0:04:12 | |
HE MUMBLES | 0:04:12 | 0:04:15 | |
Because there were two well-known cases in Australia of editors | 0:04:16 | 0:04:19 | |
whom I had given immense freedom to | 0:04:19 | 0:04:20 | |
and have made quite names for themselves, | 0:04:20 | 0:04:22 | |
they ended up making such names for themselves, | 0:04:22 | 0:04:24 | |
they were spending their time giving speeches everywhere instead of editing. | 0:04:24 | 0:04:28 | |
And we did come, | 0:04:28 | 0:04:30 | |
we did come to a stage of parting | 0:04:30 | 0:04:32 | |
with both of them. | 0:04:32 | 0:04:34 | |
I certainly didn't enjoy it. | 0:04:34 | 0:04:37 | |
People always say they don't enjoy it, | 0:04:37 | 0:04:39 | |
and I always have a suspicion that underneath it there is | 0:04:39 | 0:04:41 | |
a kind of pleasure in being powerful enough to sack someone, | 0:04:41 | 0:04:45 | |
just as the pleasure of being powerful enough to hire someone. | 0:04:45 | 0:04:48 | |
No, no. | 0:04:49 | 0:04:51 | |
First person I ever fired, I remember, you know, | 0:04:51 | 0:04:55 | |
I went and took him and walked him in the park. | 0:04:55 | 0:04:57 | |
I think I ended up in tears instead of him. | 0:04:57 | 0:05:00 | |
No, it's a horrible thing. Horrible thing! | 0:05:02 | 0:05:05 | |
Was there, I mean, it seems a daft question, | 0:05:07 | 0:05:09 | |
but was there, at all, a funny side to it, Eric? | 0:05:09 | 0:05:13 | |
What, the illness? Oh, well, in a way there was. You know... | 0:05:13 | 0:05:17 | |
we were working at this club in Batley, as two waiters. | 0:05:17 | 0:05:20 | |
And, um... | 0:05:20 | 0:05:21 | |
I've got a bit of a twinge in my arm and I have to say to Ernie, | 0:05:22 | 0:05:27 | |
I don't feel too good, I'll go home tonight and... | 0:05:27 | 0:05:30 | |
So, I signed the autograph. | 0:05:30 | 0:05:31 | |
You sign the autograph. | 0:05:31 | 0:05:33 | |
So...of course, his wife always asks. | 0:05:33 | 0:05:37 | |
And, funnily enough, | 0:05:37 | 0:05:39 | |
I didn't realise, fortunately, | 0:05:39 | 0:05:41 | |
it was a heart attack, you see? | 0:05:41 | 0:05:45 | |
Had I thought it was a heart attack, | 0:05:45 | 0:05:47 | |
I'd have had a heart attack and died. | 0:05:47 | 0:05:49 | |
Because I always thought a heart-attack was biya-bib-yab! | 0:05:49 | 0:05:54 | |
But it's just, you know, it's not like that at all. It's just... | 0:05:54 | 0:05:56 | |
SQUEAK | 0:05:56 | 0:05:58 | |
-And, um, I thought... -It's like what? | 0:05:58 | 0:06:01 | |
And, I thought, "Well, I'd better put myself into a hospital," you know. | 0:06:01 | 0:06:06 | |
And I was driving the car, and it was getting worse. | 0:06:06 | 0:06:08 | |
So, maybe about 1.30 in the morning, | 0:06:08 | 0:06:10 | |
and I stopped a fella in Leeds, and I said, | 0:06:10 | 0:06:13 | |
"Could you...I don't feel very well, | 0:06:13 | 0:06:15 | |
"do you think you could..." | 0:06:15 | 0:06:17 | |
I had a Jensen in those days, | 0:06:17 | 0:06:19 | |
and I said, "Do you feel you could take me to a hospital? | 0:06:19 | 0:06:22 | |
"I don't feel very well. I'd like to sign myself into a hospital." | 0:06:22 | 0:06:25 | |
And a fellow called Walter Butterworth, I'll never forget him... | 0:06:25 | 0:06:28 | |
Wasn't his real name, but I'll never forget him. | 0:06:28 | 0:06:31 | |
He said, "Yes. Oh, aye." | 0:06:31 | 0:06:34 | |
"Hey, you're, er..." | 0:06:35 | 0:06:38 | |
"..Morton and White." | 0:06:40 | 0:06:42 | |
And I said, "Morecambe and Wise, yes." | 0:06:42 | 0:06:45 | |
So, he said, "Oh, well, I've never driven one of these. | 0:06:45 | 0:06:48 | |
"I'm in the territorials. I've only driven a tank." | 0:06:48 | 0:06:51 | |
This is true, this. | 0:06:51 | 0:06:53 | |
So, he gets in there, and there's 7,000 quid going, joy-wi-way! | 0:06:53 | 0:06:57 | |
Up the road. | 0:06:57 | 0:06:59 | |
And there's me going, hiyo-ho-yohi-yo! | 0:06:59 | 0:07:01 | |
I got to the stage where I couldn't have cared less, you know. | 0:07:01 | 0:07:04 | |
So, he takes me to a hospital, and it's locked. | 0:07:04 | 0:07:09 | |
It's true. | 0:07:09 | 0:07:10 | |
There are some French windows, and he's going... Bing-bing! | 0:07:10 | 0:07:12 | |
..on the French windows, | 0:07:12 | 0:07:13 | |
while I'm stood at the side of him going, like this. | 0:07:13 | 0:07:16 | |
Windows open, like that. | 0:07:16 | 0:07:17 | |
And a fellow there in braces and a pair of pants. | 0:07:17 | 0:07:20 | |
He goes, "You can't come in here." | 0:07:20 | 0:07:23 | |
I said... "Can't!" | 0:07:23 | 0:07:27 | |
So he opens a little crack, he says, "This isn't a proper hospital." | 0:07:27 | 0:07:31 | |
He says, "You want the main one up the road." | 0:07:31 | 0:07:34 | |
So, he explained where it was. | 0:07:34 | 0:07:36 | |
And he drove me there, did this Walter. | 0:07:36 | 0:07:38 | |
And, I got out the car and he ran around, it was up a brew, | 0:07:38 | 0:07:41 | |
you know, up a hill. | 0:07:41 | 0:07:42 | |
And he went in there | 0:07:42 | 0:07:44 | |
to try and get me some form of wheelchair, you know. | 0:07:44 | 0:07:51 | |
So, he's there, five minutes. I'm waiting. | 0:07:51 | 0:07:56 | |
So, I start to walk up this hill. | 0:07:56 | 0:07:57 | |
Quasimodo, going up there, you know. | 0:07:57 | 0:08:00 | |
And I go in there, | 0:08:00 | 0:08:01 | |
and he's obviously said to the fellow behind the counter, | 0:08:01 | 0:08:04 | |
"Eric Morecambe is out there and he's not very well. Could I have..." | 0:08:04 | 0:08:06 | |
And the fellow wouldn't let him have a chair, as far as I can make out. | 0:08:06 | 0:08:09 | |
So, I walked in. The fellow looked at me. he went, "Oh-ho-ho, yes!" | 0:08:09 | 0:08:12 | |
And he says to all the boils and the cuts | 0:08:14 | 0:08:16 | |
and the slashes in the corner, there, in the outpatients. | 0:08:16 | 0:08:19 | |
"Eh! 'Tis him!" | 0:08:19 | 0:08:20 | |
This is true! You know. | 0:08:23 | 0:08:24 | |
So, I said... My real name is Bartholomew, | 0:08:24 | 0:08:26 | |
I never tell anybody that, but my real name is Bartholomew. | 0:08:26 | 0:08:29 | |
So, he says, "You don't look too good, son." | 0:08:29 | 0:08:32 | |
I said, "No, I'd like to sign, put myself into a hospital, you see?" | 0:08:32 | 0:08:36 | |
He said, "Well, right. | 0:08:36 | 0:08:38 | |
"Now then." | 0:08:38 | 0:08:39 | |
"Name?" | 0:08:42 | 0:08:44 | |
So, I thought, "Well, I won't say Bartholomew, I'll say Morecambe." | 0:08:44 | 0:08:47 | |
He said, "Oh, aye. | 0:08:47 | 0:08:49 | |
"Address?" Which I gave. "Age?" Which I lied about. | 0:08:49 | 0:08:53 | |
He said, "You don't look too well. | 0:08:53 | 0:08:55 | |
"You better go and lie down on that thing." | 0:08:55 | 0:08:57 | |
So, I'm lying down on a stretcher bed. | 0:08:57 | 0:08:59 | |
The next thing I know I'm being injected. | 0:08:59 | 0:09:02 | |
This Walter Butterworth is sat with me. | 0:09:02 | 0:09:04 | |
And I say, "I'd like to say thank you very much for all your help, | 0:09:04 | 0:09:07 | |
"and everything." He said, "Oh, that's all right. | 0:09:07 | 0:09:09 | |
"It's been a pleasure." He says, "My mates won't believe this." | 0:09:09 | 0:09:13 | |
He says, and these are the exact words he uses, he says, | 0:09:14 | 0:09:17 | |
"Will you do us a favour?" | 0:09:17 | 0:09:19 | |
I said, "What?" | 0:09:19 | 0:09:20 | |
He says, "Before you go, will you sign?" | 0:09:20 | 0:09:21 | |
LAUGHTER AND APPLAUSE | 0:09:21 | 0:09:24 | |
It's true, that. | 0:09:26 | 0:09:28 | |
When we got back from Dunkirk, I, for the first time, met Churchill | 0:09:34 | 0:09:40 | |
on the beaches of Brighton, | 0:09:40 | 0:09:42 | |
where we were, where my division was getting ready to repel invasion, | 0:09:42 | 0:09:47 | |
you see? Which they thought was coming. | 0:09:47 | 0:09:50 | |
Now, I didn't know then, | 0:09:50 | 0:09:51 | |
I'd been through all of Dunkirk campaign, | 0:09:51 | 0:09:54 | |
and before it, I didn't see, then, how we possibly could win this war. | 0:09:54 | 0:09:59 | |
Hitler's war. | 0:09:59 | 0:10:00 | |
Nor did he. We discussed it. | 0:10:00 | 0:10:03 | |
But by the time I'd spent the day with him, | 0:10:03 | 0:10:06 | |
I said, "We shall now win. | 0:10:06 | 0:10:08 | |
"We've got the man. | 0:10:08 | 0:10:10 | |
"It's the man that matters. And we've got the man and we shall win. | 0:10:10 | 0:10:15 | |
"But how we shall win, I'm not yet clear." | 0:10:15 | 0:10:18 | |
And, after that day with Churchill, he asked me to go | 0:10:18 | 0:10:21 | |
and have dinner with him that night, | 0:10:21 | 0:10:23 | |
in the Royal Beach Hotel before going back to London. | 0:10:23 | 0:10:27 | |
And it was at that dinner that he said to me, | 0:10:27 | 0:10:31 | |
"General, what would you drink?" | 0:10:31 | 0:10:33 | |
And I said, "Water." | 0:10:35 | 0:10:37 | |
He said, "Water?" | 0:10:37 | 0:10:39 | |
I said, "Yes. | 0:10:39 | 0:10:41 | |
"I don't drink, and I don't smoke. | 0:10:41 | 0:10:44 | |
"And I'm 100% fit." | 0:10:44 | 0:10:46 | |
And, like a flash, the old man said, "I drink and I smoke, | 0:10:46 | 0:10:49 | |
"and I'm 200% fit." | 0:10:49 | 0:10:51 | |
And I knew then we should win the war. | 0:10:53 | 0:10:55 | |
I've led a very abstemious life, you see? | 0:10:55 | 0:10:57 | |
I...I don't... | 0:10:57 | 0:10:59 | |
I don't drink. | 0:10:59 | 0:11:01 | |
I don't smoke. | 0:11:01 | 0:11:03 | |
And I've never been mixed up with women. | 0:11:03 | 0:11:05 | |
You were once married, come on, Field Marshal. | 0:11:07 | 0:11:10 | |
-I was married for 10 years. -Yes, you were. | 0:11:10 | 0:11:13 | |
Only one woman in my life. Only one. | 0:11:13 | 0:11:15 | |
You were married late, weren't you? You were married when you were what? | 0:11:15 | 0:11:18 | |
-40. -40. I hadn't time. I was studying my profession. | 0:11:18 | 0:11:22 | |
What about the young people? | 0:11:22 | 0:11:24 | |
Well, I don't mind the young people of today. | 0:11:24 | 0:11:27 | |
I mean, if they like to have long hair and miniskirts. | 0:11:27 | 0:11:30 | |
I remember the first time I saw a miniskirt in Farnham, | 0:11:30 | 0:11:32 | |
I turned around and looked at her. | 0:11:32 | 0:11:34 | |
I put my spectacles on and what is that? You see? | 0:11:34 | 0:11:36 | |
I think it's the way of expressing themselves, | 0:11:36 | 0:11:40 | |
and the fact that the boys wear long hair, let them wear long hair. | 0:11:40 | 0:11:43 | |
But I have a great belief in youth. | 0:11:43 | 0:11:47 | |
And I am quite convinced, myself, | 0:11:47 | 0:11:50 | |
that if this country, were ever in real danger again, | 0:11:50 | 0:11:54 | |
all these young people would turn out, just the same as ever, | 0:11:54 | 0:11:58 | |
I'm sure they would. | 0:11:58 | 0:12:00 | |
At heart, they're all right. | 0:12:00 | 0:12:02 | |
And they've got to express themselves, and, up-to-date, | 0:12:02 | 0:12:05 | |
they've not been allowed to. | 0:12:05 | 0:12:07 | |
Now, they demand that they must be allowed to. And that's all right. | 0:12:07 | 0:12:11 | |
I don't think they are very... | 0:12:11 | 0:12:12 | |
They are up against their politicians, you see? | 0:12:12 | 0:12:15 | |
Well, I, I don't blame them, sometimes, you see? | 0:12:15 | 0:12:19 | |
I think the politicians are the people who make war. | 0:12:19 | 0:12:22 | |
We don't make wars. | 0:12:22 | 0:12:24 | |
Politicians make wars. | 0:12:24 | 0:12:25 | |
And when they've got the whole thing into a first-class muck, | 0:12:25 | 0:12:28 | |
they call on the soldiers to un-muck it. | 0:12:28 | 0:12:31 | |
Ladies and gentlemen, Mr Paul McCartney | 0:12:32 | 0:12:36 | |
Paul, it's great to have you here, and one thing, as we've been | 0:12:44 | 0:12:48 | |
rehearsing today, that I've been wondering, is whether, in fact, | 0:12:48 | 0:12:52 | |
you ever expected things to be as good for you as in fact they've been. | 0:12:52 | 0:12:57 | |
When you started as a group, did you expect things to go like this? | 0:12:57 | 0:13:01 | |
No, we used to, sort of, think of things in stages. Still do, I think. | 0:13:01 | 0:13:07 | |
When we first started off, you know, playing in the Cavern, and things, | 0:13:07 | 0:13:11 | |
I thought, first of all, let's get a record contract. | 0:13:11 | 0:13:14 | |
We all did. | 0:13:14 | 0:13:15 | |
We got a record contract and we said, let's get a number one hit. | 0:13:15 | 0:13:19 | |
Got one of them. You know? | 0:13:19 | 0:13:21 | |
-So I hear. -It went on. We do it in stages so, we never thought. | 0:13:21 | 0:13:26 | |
But, after you got a number one hit, you hoped for another number one hit. | 0:13:26 | 0:13:29 | |
-Yeah. -And then what? | 0:13:29 | 0:13:32 | |
Something like the Royal Variety Performance. | 0:13:32 | 0:13:35 | |
Something, sort of, big. Then, what came after that? America, I think. | 0:13:35 | 0:13:40 | |
-Which was marvellous, and after America? -Film. -Now, it's fairly close | 0:13:40 | 0:13:44 | |
to the film being as big a success as everything else, I should think. | 0:13:44 | 0:13:48 | |
Now, if it is in, sort of, a bit later this year, a big success, | 0:13:48 | 0:13:51 | |
what will be the next ambition, then? | 0:13:51 | 0:13:54 | |
I don't know. Another film, probably. | 0:13:54 | 0:13:57 | |
-You know. -Then that will be a success, and what about after that? | 0:13:57 | 0:14:01 | |
Don't ask me, you know, I'm only doing it. | 0:14:01 | 0:14:03 | |
Have you got any ambitions, in fact, in other spheres completely? | 0:14:05 | 0:14:09 | |
I mean, do you want to be prime minister one day, that sort of thing? | 0:14:09 | 0:14:12 | |
No. I don't want to be, nothing like that, no. God! Retire. | 0:14:12 | 0:14:17 | |
When do you think you'll achieve that ambition, exactly? | 0:14:20 | 0:14:23 | |
The way things are going, in a couple of years or so. | 0:14:23 | 0:14:27 | |
-No idea. -But, what, when people usually ask you, | 0:14:27 | 0:14:30 | |
what's the best thing about being one of the Beatles, at this stage, | 0:14:30 | 0:14:35 | |
what do you usually reply, the money, as the first quip, | 0:14:35 | 0:14:38 | |
but what, after that, is one of the good things? | 0:14:38 | 0:14:40 | |
Um, being able to do things that you enjoy doing, rather than, | 0:14:40 | 0:14:46 | |
if, you know, you get a bit of power | 0:14:46 | 0:14:49 | |
when you...you reach a certain stage where you get a bit of power, | 0:14:49 | 0:14:53 | |
in that you can say, suggest things that you want to do to people, | 0:14:53 | 0:14:57 | |
and we can turn around to Brian and say, | 0:14:57 | 0:15:00 | |
could we do such and such a thing. | 0:15:00 | 0:15:02 | |
Like a film, and he can say, "Well, I'll try and fix it, for you." | 0:15:02 | 0:15:06 | |
So, you know, and he does. He's good like that. | 0:15:06 | 0:15:09 | |
-Useful man to have about, actually. -Oh, he's great. | 0:15:09 | 0:15:12 | |
Everybody, I imagine, says to you, | 0:15:12 | 0:15:14 | |
the pop world is very short lived and everything like that, | 0:15:14 | 0:15:17 | |
and what will you do when the phase passes. | 0:15:17 | 0:15:19 | |
Do you think the phase will pass? | 0:15:19 | 0:15:21 | |
Does it worry you? | 0:15:21 | 0:15:22 | |
No. I couldn't care less, really, | 0:15:22 | 0:15:26 | |
I don't think, if we flop tomorrow... | 0:15:26 | 0:15:29 | |
It'll be sad, you know, but it wouldn't really worry me. | 0:15:29 | 0:15:33 | |
-Could you go back to doing something else? -Oh, I don't know. | 0:15:33 | 0:15:37 | |
I'd miss doing this. But I think I'd think of something else to do. | 0:15:37 | 0:15:41 | |
-Something I would like to do. -What would you do? | 0:15:41 | 0:15:44 | |
Write songs, but for other people. | 0:15:44 | 0:15:47 | |
-I'd enjoy doing that. -Anything completely different? | 0:15:47 | 0:15:49 | |
Completely different. Retire, you know. That's completely different. | 0:15:49 | 0:15:53 | |
Well, thank you very much, | 0:15:53 | 0:15:55 | |
it'll be a great pleasure to watch Paul McCartney in retirement, | 0:15:55 | 0:15:59 | |
but it'll probably be in the year 2010, I should think. | 0:15:59 | 0:16:03 | |
Kenneth and Maggie, can we talk a little bit now about showbiz, | 0:16:05 | 0:16:09 | |
about something that Sir John was talking about, earlier, | 0:16:09 | 0:16:12 | |
about the whole business of preservation, and this sort of thing. | 0:16:12 | 0:16:16 | |
Is it something that concerns you two? | 0:16:16 | 0:16:18 | |
I mean, are you, basically, | 0:16:18 | 0:16:19 | |
on Sir John's side on what he says about this? | 0:16:19 | 0:16:21 | |
I should think Maggie is and so am I, yes. | 0:16:21 | 0:16:24 | |
Things like the dreadfulness of the Elephant and Castle, | 0:16:24 | 0:16:27 | |
which used to be a place of humanity and warmth and people, | 0:16:27 | 0:16:29 | |
which is now just a concrete desert, and a mess and an absolute disgrace. | 0:16:29 | 0:16:33 | |
And what they've turned the Euston Centre into is the same thing. | 0:16:33 | 0:16:36 | |
-It's just a blight. -Frightful. | 0:16:36 | 0:16:38 | |
First act of a government that calls itself socialist, | 0:16:38 | 0:16:41 | |
should be is to stop all that, | 0:16:41 | 0:16:43 | |
and say homes are the most important thing. | 0:16:43 | 0:16:45 | |
It makes me sick when I read all this crap about, | 0:16:45 | 0:16:47 | |
"Let's have a youth club. | 0:16:47 | 0:16:49 | |
"Let's have a theatre built, or let's have something else built." | 0:16:49 | 0:16:51 | |
No good, all that. | 0:16:51 | 0:16:53 | |
Cultural activities are no good if there is no home to go to, is there? | 0:16:53 | 0:16:56 | |
-Absolutely true. -Must have a home. So, the first requisite is a home. | 0:16:56 | 0:16:59 | |
-And on the ground. -Well, I was going to say. -Precisely. | 0:16:59 | 0:17:02 | |
-Makes me very angry, that. -Yes. -Really makes me very angry. | 0:17:08 | 0:17:11 | |
Doesn't it you? To pass a great thing, a great skyscraper, empty? | 0:17:11 | 0:17:14 | |
-Right, absolutely. -I think it's an absolute scandal. | 0:17:14 | 0:17:16 | |
Yet, they all get worked up about a couple of pound in their pay packet, | 0:17:16 | 0:17:19 | |
or something, and go on strike. | 0:17:19 | 0:17:21 | |
Why can't they have... If the unions really care, | 0:17:21 | 0:17:23 | |
if they're really socialistic and say we care | 0:17:23 | 0:17:25 | |
about our fellow man, why can't they force, | 0:17:25 | 0:17:28 | |
why can't they march about something like that? | 0:17:28 | 0:17:30 | |
Instead of another pound for themselves. | 0:17:30 | 0:17:33 | |
Why not a few pounds for somebody else who's really hard up? | 0:17:33 | 0:17:37 | |
But that's not the unions' problem. | 0:17:37 | 0:17:40 | |
I've got support, here. | 0:17:40 | 0:17:42 | |
But it's not the unions' fault, that condition... | 0:17:42 | 0:17:45 | |
What is the statue outside the TUC? | 0:17:45 | 0:17:47 | |
Have you looked at that statue? | 0:17:47 | 0:17:49 | |
The statue outside the TUC depicts a man helping, doesn't it? | 0:17:49 | 0:17:53 | |
He's helping up another man, who's on the ground. | 0:17:53 | 0:17:56 | |
And that statue symbolises what the TUC stands for, doesn't it? | 0:17:56 | 0:17:59 | |
Of course. | 0:17:59 | 0:18:00 | |
Right, well, when a union does something like jeopardising | 0:18:00 | 0:18:03 | |
the work of their fellow man, if you stop trains, | 0:18:03 | 0:18:06 | |
people can't get to their work, can they? Can they? | 0:18:06 | 0:18:09 | |
They can't get to work, even. | 0:18:09 | 0:18:10 | |
So, in doing what you want for yourself, | 0:18:10 | 0:18:12 | |
you're jeopardising your fellow men, aren't you? | 0:18:12 | 0:18:14 | |
-Yes. -Well, why can't you act in concert with your fellow men? | 0:18:14 | 0:18:17 | |
Why do you have to do something which endangers | 0:18:17 | 0:18:19 | |
the livelihood of your fellow men? | 0:18:19 | 0:18:21 | |
When that statue represents exactly that. Helping. | 0:18:21 | 0:18:25 | |
Because it might be that the fellow, the one fellow, | 0:18:25 | 0:18:28 | |
take two workers, | 0:18:28 | 0:18:29 | |
that one fellow is a lot worse off than the other worker. | 0:18:29 | 0:18:31 | |
They're not all equal, are they? | 0:18:31 | 0:18:33 | |
I mean, if they were all equal, there'd be no problem. | 0:18:33 | 0:18:35 | |
Precisely, but it comes down to a question of morality. | 0:18:35 | 0:18:38 | |
You don't just work for another pound. | 0:18:38 | 0:18:40 | |
When I took my job at £3.10 a week, I assembled small parts, | 0:18:40 | 0:18:44 | |
I came out the army '47, that's what I got. | 0:18:44 | 0:18:46 | |
'47, £3.10 a week, my dig's worth at 25 bob, all in, and the rest, | 0:18:46 | 0:18:50 | |
I have the soap and the fags, you know. | 0:18:50 | 0:18:52 | |
And the young at heart picked a shove round the bend, | 0:18:52 | 0:18:54 | |
because I did my own cleaning. | 0:18:54 | 0:18:56 | |
But, I saved, and because I wanted to do a job, | 0:18:56 | 0:18:58 | |
and wanted to do it well, I got on, I got another rep fortnightly, | 0:18:58 | 0:19:01 | |
and after that I got a monthly rep, and I got a bit better. | 0:19:01 | 0:19:04 | |
I spent seven years in the provinces before I came to London. | 0:19:04 | 0:19:06 | |
I think if you're prepared to do that, what are you doing it for? | 0:19:06 | 0:19:09 | |
You're not saying, "I want another pound," all the time. | 0:19:09 | 0:19:12 | |
-You're saying I want to do the work better. -Yes, but... | 0:19:12 | 0:19:14 | |
That's the kind of morality I was brought up with. | 0:19:14 | 0:19:16 | |
You don't do a job just for what you get, | 0:19:16 | 0:19:19 | |
you do the job because you want to do it well. | 0:19:19 | 0:19:21 | |
Kenneth, can I say, I think that's crap. | 0:19:21 | 0:19:23 | |
I mean, I'm sorry, I really... | 0:19:25 | 0:19:27 | |
I've never been so insulted. | 0:19:27 | 0:19:28 | |
You mustn't laugh. | 0:19:33 | 0:19:35 | |
-Don't take it to heart. -Whose side are you on? | 0:19:36 | 0:19:40 | |
Mr Tomkins, how did you become | 0:19:42 | 0:19:44 | |
a tub-thumper, a soapbox orator, | 0:19:44 | 0:19:46 | |
whatever you'd like to call it? | 0:19:46 | 0:19:47 | |
Well, I was walking through Lincoln's Inn Fields, one day, | 0:19:47 | 0:19:50 | |
just after the War, | 0:19:50 | 0:19:51 | |
and I stood and listened to a Communist speaker, | 0:19:51 | 0:19:55 | |
who was speaking there. | 0:19:55 | 0:19:56 | |
And he was getting away with murder. | 0:19:56 | 0:19:59 | |
No-one seemed to question him or heckle him. | 0:19:59 | 0:20:02 | |
So, I thought it was high time someone started. | 0:20:02 | 0:20:05 | |
So, I started heckling him, and heckling other socialist speakers, | 0:20:05 | 0:20:09 | |
and then one day I decided I'd have a go myself. | 0:20:09 | 0:20:12 | |
It wasn't fair to heckle other people without having a go yourself, | 0:20:12 | 0:20:15 | |
so I started speaking, myself. | 0:20:15 | 0:20:17 | |
You started at Speakers' Corner, I believe. | 0:20:17 | 0:20:20 | |
-I had appeared at Speakers' Corner. I don't now. -Why did you move? | 0:20:20 | 0:20:23 | |
I don't like Hyde Park because the level of intelligence | 0:20:23 | 0:20:26 | |
from the crowd there is not so high | 0:20:26 | 0:20:28 | |
as it is as at other places in London, | 0:20:28 | 0:20:31 | |
and most people go there purely for the laughs | 0:20:31 | 0:20:34 | |
and to make themselves heard. | 0:20:34 | 0:20:36 | |
I go to speaking places to make people laugh, | 0:20:36 | 0:20:38 | |
to make myself heard, but then I'm in charge. | 0:20:38 | 0:20:41 | |
-And you found you got a much more intelligent response. -Oh, yes. | 0:20:41 | 0:20:44 | |
And the questions are on a higher intellectual level | 0:20:44 | 0:20:47 | |
than they are anywhere else. | 0:20:47 | 0:20:49 | |
In Lincoln's Inn Fields, the much higher than anywhere else. | 0:20:49 | 0:20:52 | |
Mr Tomkins, why do speakers stand up on their soapboxes, and lecture? | 0:20:52 | 0:20:57 | |
Are they frustrated actors or preachers? | 0:20:57 | 0:21:00 | |
-Well, probably, actually. -Why do you? | 0:21:00 | 0:21:02 | |
Well, I do it because it's a form of self-expression. | 0:21:02 | 0:21:06 | |
Some people find self-expression in collecting stamps, | 0:21:06 | 0:21:10 | |
or railway engine numbers, others by playing tennis, | 0:21:10 | 0:21:13 | |
I do it by speaking in public, | 0:21:13 | 0:21:14 | |
and the self-expression part, I think, | 0:21:14 | 0:21:17 | |
comes in that it gives you a great deal of personal kudos, | 0:21:17 | 0:21:21 | |
to be able to hold a crowd. | 0:21:21 | 0:21:22 | |
It's one thing to be able to speak, | 0:21:22 | 0:21:24 | |
you might get a dozen people listening to you, | 0:21:24 | 0:21:26 | |
but if you can hold a crowd of several hundred | 0:21:26 | 0:21:28 | |
you must be saying something either provocative or interesting. | 0:21:28 | 0:21:31 | |
I've heard it said that you won't answer questions from women. Why not? | 0:21:31 | 0:21:34 | |
Well, I don't take questions from women | 0:21:36 | 0:21:39 | |
because women are so illogical. | 0:21:39 | 0:21:41 | |
They seem to lose themselves in the question | 0:21:41 | 0:21:44 | |
and it becomes quite irrelevant | 0:21:44 | 0:21:46 | |
to the point that you're arguing about. | 0:21:46 | 0:21:49 | |
The most raved about star of all. | 0:21:51 | 0:21:54 | |
The girl Bardot named as her successor. | 0:21:54 | 0:21:57 | |
The most wanted actress in Italy. | 0:21:57 | 0:22:00 | |
A star with the head of a girl of 15, | 0:22:00 | 0:22:02 | |
and the body of a woman of 22. | 0:22:02 | 0:22:05 | |
Miss Claudia Cardinale, the object of all these praises, | 0:22:05 | 0:22:08 | |
has just arrived in London. | 0:22:08 | 0:22:10 | |
So, how could we resist seeing her ourselves? | 0:22:10 | 0:22:13 | |
As I understand, your contract in Italy is very strict indeed. | 0:22:13 | 0:22:16 | |
He can't get married, you can't cut your hair, you can't put on weight. | 0:22:16 | 0:22:20 | |
In fact it looks as if you have cut your hair. | 0:22:20 | 0:22:23 | |
Aren't you going to get imprisonment or the ducking stool for this? | 0:22:23 | 0:22:27 | |
-No. It's a wig. -It's a wig, is it? | 0:22:27 | 0:22:29 | |
I have my hair long till here. | 0:22:30 | 0:22:32 | |
-And it's all tucked up under there. -Yes. | 0:22:32 | 0:22:34 | |
But, nevertheless, this contract of yours, which forbids these things, | 0:22:34 | 0:22:37 | |
doesn't this mean that you've got a lot of freedom | 0:22:37 | 0:22:40 | |
eliminated from your life? | 0:22:40 | 0:22:41 | |
No, I'm completely free, I can do what I want to do. | 0:22:41 | 0:22:44 | |
Well, except marry, or cut your hair, or put on weight. | 0:22:44 | 0:22:48 | |
No! Sure, I can't marry tomorrow morning without calling my company, | 0:22:48 | 0:22:52 | |
but, I can do what I want to do. | 0:22:52 | 0:22:54 | |
Well, that sounds a bit confused to me. What about putting on weight? | 0:22:54 | 0:22:57 | |
Are you free to put on weight if you want to, | 0:22:57 | 0:22:59 | |
without ringing your company? | 0:22:59 | 0:23:01 | |
Oh, I can do what I want. Really. | 0:23:01 | 0:23:03 | |
-But, anyway I don't want to cut my hair. -Or put on weight. | 0:23:03 | 0:23:07 | |
-No. -Miss Cardinale, thank you very much indeed. -Thank you. | 0:23:07 | 0:23:11 | |
Does it now, as a very, sort of, | 0:23:14 | 0:23:15 | |
independent minded woman, | 0:23:15 | 0:23:17 | |
does it sort of bother you when you look at the movie industry | 0:23:17 | 0:23:20 | |
and you see that the criterion, particularly the actresses, | 0:23:20 | 0:23:23 | |
is simply whether they're beautiful or not? | 0:23:23 | 0:23:25 | |
-Is it? -Well, it certainly is. -No wonder I failed. | 0:23:25 | 0:23:30 | |
God! | 0:23:31 | 0:23:34 | |
I don't know, you see, I don't think that lasts very long. | 0:23:34 | 0:23:37 | |
That lasts for only as long as your face lasts. | 0:23:37 | 0:23:39 | |
And your face doesn't last very long. | 0:23:39 | 0:23:41 | |
Mine doesn't, I mean, a lot of people's don't. | 0:23:41 | 0:23:43 | |
I don't think that's anything to base anything on. | 0:23:43 | 0:23:47 | |
I mean, then you better save your money, I figure, | 0:23:47 | 0:23:49 | |
if it's all based on anything that is that superficial. | 0:23:49 | 0:23:54 | |
But, I mean, wasn't it a superficial business, | 0:23:54 | 0:23:56 | |
and isn't it a superficial business? | 0:23:56 | 0:23:59 | |
-I mean... -I think in some areas it was. | 0:23:59 | 0:24:01 | |
With some people it was, but not with all. | 0:24:01 | 0:24:04 | |
I mean, the greatest stars, I mean, the real movie stars, | 0:24:04 | 0:24:09 | |
that's what we're speaking of. | 0:24:09 | 0:24:10 | |
-Correct? -Yes. -Are people who really could act. | 0:24:10 | 0:24:13 | |
And those are the people who lasted. | 0:24:15 | 0:24:17 | |
And, as far as I'm concerned, a movie star's not a movie star | 0:24:17 | 0:24:20 | |
unless he can last. | 0:24:20 | 0:24:22 | |
I mean, to be a movie star for a year and a half | 0:24:23 | 0:24:25 | |
is not being a movie star. | 0:24:25 | 0:24:26 | |
Just because your name's on the title, doesn't mean a bloody thing. | 0:24:26 | 0:24:29 | |
That's true. | 0:24:29 | 0:24:30 | |
Well, it doesn't! | 0:24:30 | 0:24:33 | |
-I like your style. -I think you're marvellous. | 0:24:34 | 0:24:38 | |
You had this fairly abrasive career with Hollywood, didn't you? | 0:24:39 | 0:24:43 | |
-I mean you... -I would say, yes. A bit. | 0:24:43 | 0:24:46 | |
I mean, extraordinary in that you started off so big and then, | 0:24:46 | 0:24:48 | |
you had this sort of period. | 0:24:48 | 0:24:52 | |
Well, I'm a perfect example of what we were speaking of earlier. | 0:24:52 | 0:24:54 | |
That I started off so big at the age of 19, totally unequipped for it. | 0:24:54 | 0:24:59 | |
No experience. | 0:24:59 | 0:25:01 | |
Talent totally undirected. | 0:25:01 | 0:25:03 | |
So, I mean, I didn't know, really, what I was doing, at all. | 0:25:03 | 0:25:06 | |
In a medium that was totally strange to me. | 0:25:06 | 0:25:09 | |
And unprotected. | 0:25:09 | 0:25:10 | |
Because the man that I was under contract to didn't think it | 0:25:10 | 0:25:13 | |
was important to protect me. | 0:25:13 | 0:25:15 | |
Or any actor. | 0:25:15 | 0:25:17 | |
So, from that point of view, it was, it was stardom overnight | 0:25:17 | 0:25:23 | |
and then I dare you to live up to it. | 0:25:23 | 0:25:25 | |
Well, I couldn't live up to it. | 0:25:25 | 0:25:27 | |
So, you know, it was as fast as I went up, | 0:25:27 | 0:25:29 | |
that's how fast I fell down, and spent the rest of my career | 0:25:29 | 0:25:32 | |
just trying to get to some middle ground | 0:25:32 | 0:25:34 | |
where I could function, because it was... | 0:25:34 | 0:25:36 | |
How difficult was it for you, Lauren, afterwards, | 0:25:37 | 0:25:40 | |
to live down the thing of just being Bogart's widow. | 0:25:40 | 0:25:43 | |
-Was that a very difficult thing to do? -It's still going on, isn't it? | 0:25:43 | 0:25:46 | |
No, it's not. Not as far as I'm concerned. | 0:25:46 | 0:25:49 | |
-Are you sure? -I'm absolutely sure, yes. | 0:25:49 | 0:25:51 | |
We'll move off the subject, really, in a moment. | 0:25:51 | 0:25:53 | |
But I just wondered just how difficult it was, | 0:25:53 | 0:25:55 | |
because, obviously it was, I mean, and still is, | 0:25:55 | 0:25:57 | |
because you've got this cult thing about that. | 0:25:57 | 0:25:59 | |
-Well, I think that's wonderful. He deserved that. -Yes. | 0:25:59 | 0:26:03 | |
Anyone that was that extraordinary, that gifted as an actor, | 0:26:03 | 0:26:08 | |
in addition to being as gifted as he was a human being, | 0:26:08 | 0:26:11 | |
which was really above and beyond what most people | 0:26:11 | 0:26:14 | |
ever are in their lives, that you'll ever meet in your lifetime. | 0:26:14 | 0:26:17 | |
He deserved, I mean, he rates every cult | 0:26:17 | 0:26:20 | |
that there can possibly be from every generation, | 0:26:20 | 0:26:22 | |
and he's timeless, I mean, | 0:26:22 | 0:26:24 | |
I think this will go on forever, long after my life is over. Um... | 0:26:24 | 0:26:29 | |
But, as far as my relationship with him is concerned, that was our own. | 0:26:29 | 0:26:34 | |
And that...I just think it's very boring of the press to continually | 0:26:34 | 0:26:42 | |
talk about that. | 0:26:42 | 0:26:43 | |
I mean, I did say once, and I'll say it again, | 0:26:43 | 0:26:46 | |
hopefully the last time, that being a widow is not a profession. | 0:26:46 | 0:26:50 | |
And that you live your life the best you can, | 0:26:50 | 0:26:52 | |
and when a certain section of your life is over, | 0:26:52 | 0:26:56 | |
you deal with it as best you can, and that's very private, | 0:26:56 | 0:27:00 | |
and then you have to press on and do something else for yourself, | 0:27:00 | 0:27:03 | |
because you're the only one that is left, | 0:27:03 | 0:27:05 | |
so I'm entitled to a life of my own. | 0:27:05 | 0:27:07 | |
And I'm going to have it, dammit! In spite of you, Michael Parkinson. | 0:27:07 | 0:27:11 | |
APPLAUSE | 0:27:11 | 0:27:13 | |
J Paul Getty is unique. | 0:27:19 | 0:27:21 | |
He is the only American dollar billionaire. | 0:27:21 | 0:27:24 | |
To most of us, big-money means the 75,000 prize on the Treble Chance. | 0:27:24 | 0:27:29 | |
To be as rich as this man, | 0:27:29 | 0:27:31 | |
you'd need to win the Pools every Saturday for 800 years. | 0:27:31 | 0:27:36 | |
He could afford to give a pound note to every man, woman, | 0:27:36 | 0:27:39 | |
and child in the world. | 0:27:39 | 0:27:40 | |
And that includes the Chinese. | 0:27:40 | 0:27:42 | |
Some people might see you as lucky, Mr Getty. | 0:27:42 | 0:27:46 | |
Some as a cold calculating machine. | 0:27:46 | 0:27:48 | |
Others as a daring and unique business genius with a Midas touch. | 0:27:48 | 0:27:53 | |
How do you see yourself? | 0:27:53 | 0:27:54 | |
Well, I see myself... | 0:27:54 | 0:27:57 | |
..as a...you might say, as a tennis player. | 0:28:00 | 0:28:04 | |
Um... | 0:28:04 | 0:28:06 | |
just trying to volley the ball back. | 0:28:06 | 0:28:10 | |
There are a great many stories, | 0:28:12 | 0:28:14 | |
Mr Getty, of your care with money. | 0:28:14 | 0:28:15 | |
For example you've installed a pay telephone box, | 0:28:15 | 0:28:18 | |
here, in Sutton Place, to prevent your guests | 0:28:18 | 0:28:21 | |
abusing your hospitality by making trunk and toll calls. | 0:28:21 | 0:28:24 | |
Well, I think right-thinking guests | 0:28:24 | 0:28:29 | |
would consider that was a benefit. | 0:28:29 | 0:28:33 | |
It's... | 0:28:33 | 0:28:34 | |
..rather... | 0:28:36 | 0:28:38 | |
..daunting if you're visiting somewhere | 0:28:40 | 0:28:42 | |
and you have to put in a long-distance call, and... | 0:28:42 | 0:28:44 | |
..charge your host with it. | 0:28:46 | 0:28:48 | |
One of your wives has said that you're much | 0:28:48 | 0:28:50 | |
afraid of showing your feelings. | 0:28:50 | 0:28:52 | |
She says you've never been able to open up with men, | 0:28:52 | 0:28:56 | |
or indeed have an intimate man friend. | 0:28:56 | 0:28:59 | |
Oh, I think I've had a few... | 0:28:59 | 0:29:02 | |
..few good friends... | 0:29:04 | 0:29:06 | |
..among men. | 0:29:07 | 0:29:09 | |
One of the closest friends I have and the best friends I had, | 0:29:11 | 0:29:17 | |
unfortunately... | 0:29:17 | 0:29:19 | |
..died this morning. | 0:29:21 | 0:29:24 | |
I think I had long | 0:29:24 | 0:29:26 | |
and close friendship with him. | 0:29:26 | 0:29:30 | |
She says, "Paul is the most lonely man I know. | 0:29:33 | 0:29:37 | |
"He wants to meet the other person but he can't." | 0:29:37 | 0:29:40 | |
I wouldn't say that I have ever felt particularly lonely. | 0:29:43 | 0:29:46 | |
I've been too busy to feel lonely. | 0:29:46 | 0:29:48 | |
You're like the squirrel in the cage. | 0:29:49 | 0:29:53 | |
You race to stay where you are. | 0:29:53 | 0:29:56 | |
But you must know, Mr Getty, that you can't take it with you. | 0:29:56 | 0:29:59 | |
No. It's probably a good thing. | 0:29:59 | 0:30:02 | |
It might be quite a burden. | 0:30:03 | 0:30:05 | |
Barbra Streisand, everybody writes, | 0:30:07 | 0:30:10 | |
or talks about | 0:30:10 | 0:30:11 | |
the lonely life of the star, | 0:30:11 | 0:30:13 | |
that she lives in tragic isolation, except the star herself, it seems. | 0:30:13 | 0:30:16 | |
Is it really like that? | 0:30:16 | 0:30:17 | |
Do you feel isolated? Cut-off? | 0:30:17 | 0:30:19 | |
Whatever personality that particular star has | 0:30:19 | 0:30:24 | |
usually conditions his, | 0:30:24 | 0:30:27 | |
you know, life, socially. | 0:30:27 | 0:30:30 | |
I mean, as far as loneliness goes, I mean, if one is a social person, | 0:30:30 | 0:30:35 | |
you know, you can have more, a less lonely life, | 0:30:35 | 0:30:40 | |
if you choose to lead a more isolated life, | 0:30:40 | 0:30:43 | |
then that's what you'll get. | 0:30:43 | 0:30:46 | |
I read in the paper about all this money I'm supposed to be making, | 0:30:46 | 0:30:50 | |
which is so terrible, cos I don't make that kind of money. | 0:30:50 | 0:30:52 | |
It's all lies. | 0:30:52 | 0:30:54 | |
And people go around thinking, "Oh, Barbra Streisand, | 0:30:54 | 0:30:56 | |
"the one who's making that for the two films," | 0:30:56 | 0:30:58 | |
cos they write about it like it's absolute fact, so, | 0:30:58 | 0:31:01 | |
the power of the printed word is so strong, | 0:31:01 | 0:31:04 | |
you know, everyone assumes it's true. | 0:31:04 | 0:31:06 | |
And I find myself, you know, | 0:31:06 | 0:31:08 | |
being cast into this false image of publicity, | 0:31:08 | 0:31:11 | |
so when people deal with you, they're dealing with you, | 0:31:11 | 0:31:15 | |
not from what you are, what you radiate, | 0:31:15 | 0:31:18 | |
what your chemistry is, what your truth is, | 0:31:18 | 0:31:21 | |
but what their whole preconceived... | 0:31:21 | 0:31:25 | |
-Images. -..notions are, yeah. | 0:31:25 | 0:31:28 | |
That did bother me, especially when they said bad things about me, | 0:31:28 | 0:31:31 | |
you know. | 0:31:31 | 0:31:32 | |
It hurt me. Cos I believe in the truth so much. | 0:31:32 | 0:31:35 | |
I mean, that I... it makes my life easier. | 0:31:35 | 0:31:38 | |
I don't understand how anybody could sleep at night telling a lie, | 0:31:38 | 0:31:42 | |
you know. | 0:31:42 | 0:31:44 | |
Having distortions that are...planned. | 0:31:44 | 0:31:50 | |
Cos, if somebody lies and they think it's the truth, | 0:31:50 | 0:31:53 | |
that's understandable. | 0:31:53 | 0:31:54 | |
But if somebody distorts and says salacious things | 0:31:54 | 0:31:58 | |
for an opportunistic, you know, results, or whenever. | 0:31:58 | 0:32:02 | |
I don't know how these people sleep at night. | 0:32:02 | 0:32:05 | |
And that used to really bother me, you know? | 0:32:05 | 0:32:07 | |
What's the most important thing that's ever happened to you? | 0:32:07 | 0:32:09 | |
I guess, having a baby. | 0:32:11 | 0:32:14 | |
I mean, that, to me, this just kills me, you know that? | 0:32:15 | 0:32:18 | |
It's so great, when I think that I saw you when I was going to London | 0:32:18 | 0:32:22 | |
and I was not pregnant, you know? | 0:32:22 | 0:32:24 | |
And now I have a baby. It kinda kills me. | 0:32:24 | 0:32:27 | |
You know, it was a great story about that. | 0:32:27 | 0:32:30 | |
I found out I was pregnant opening night of Funny Girl in London. | 0:32:30 | 0:32:34 | |
And, um... | 0:32:35 | 0:32:37 | |
..I couldn't tell anybody, naturally, afterwards, you know. | 0:32:38 | 0:32:41 | |
My friends and my husband knew. | 0:32:41 | 0:32:43 | |
And, everyone was congratulating me and I was saying thank you, | 0:32:43 | 0:32:47 | |
but for a whole other reason. | 0:32:47 | 0:32:48 | |
It was wild. | 0:32:48 | 0:32:50 | |
Granny said to me, marry that boy and get out of this house, | 0:32:52 | 0:32:55 | |
when she was a widow and living with my mother. | 0:32:55 | 0:32:57 | |
-You married when you're 16, first of all. -Yes. | 0:32:57 | 0:33:00 | |
I was a widow before I was 17, and pregnant. | 0:33:00 | 0:33:02 | |
-Yes. -Widows' weaves and a bun in the oven. | 0:33:02 | 0:33:05 | |
Rather conventional but it happened to be right. | 0:33:10 | 0:33:12 | |
But the fun about it was that, well, not fun, | 0:33:12 | 0:33:15 | |
but the curious thing about it was that | 0:33:15 | 0:33:17 | |
my first husband was in the RAF | 0:33:17 | 0:33:20 | |
and we sat down when he became | 0:33:20 | 0:33:23 | |
a pilot officer and we discussed what we were going to do about this. | 0:33:23 | 0:33:27 | |
Because he had gone to my father, you see, | 0:33:27 | 0:33:29 | |
and said he wanted to marry me, | 0:33:29 | 0:33:31 | |
and father said no. | 0:33:31 | 0:33:32 | |
So, in the end, we discussed it, because we both knew, | 0:33:32 | 0:33:35 | |
as children, that he was going to be killed. | 0:33:35 | 0:33:37 | |
And we also knew that were going to have one son and call him Peter. | 0:33:37 | 0:33:41 | |
And we were married at eight o'clock in the morning | 0:33:41 | 0:33:43 | |
on the Isle of Sheppey. | 0:33:43 | 0:33:44 | |
It was two brother officers with grey flannels pulled | 0:33:44 | 0:33:47 | |
over their pyjamas, as witnesses, nearly drowned that day, | 0:33:47 | 0:33:50 | |
because we nearly got into the quicksands on a boat. | 0:33:50 | 0:33:53 | |
And four months later he was killed. | 0:33:53 | 0:33:55 | |
I heard on the Wednesday I was going to have a baby | 0:33:55 | 0:33:58 | |
and he died on the Friday. | 0:33:58 | 0:33:59 | |
I heard that you, in fact, were interested in faith healing. | 0:34:00 | 0:34:03 | |
Is that so? | 0:34:03 | 0:34:04 | |
Yes, I am. | 0:34:07 | 0:34:08 | |
But I don't particularly want to talk about it, though. | 0:34:08 | 0:34:10 | |
Let me ask you, | 0:34:10 | 0:34:11 | |
because you've admitted that you are. | 0:34:11 | 0:34:13 | |
As somebody who believes in it because she can achieve it, | 0:34:13 | 0:34:17 | |
or it's been achieved? | 0:34:17 | 0:34:19 | |
-COUGHS -Dear me! | 0:34:24 | 0:34:27 | |
As somebody who has received and experienced it. | 0:34:27 | 0:34:30 | |
-On a serious illness? -Cancer. | 0:34:31 | 0:34:34 | |
-And you were cured? -Yes. | 0:34:34 | 0:34:36 | |
And my doctors will confirm it. | 0:34:36 | 0:34:38 | |
-That's absolutely amazing. -All right? -Yes. Yes. | 0:34:39 | 0:34:42 | |
But I hold this as being the most important thing in my life | 0:34:42 | 0:34:46 | |
and I don't think it's right for chatsies, can we? | 0:34:46 | 0:34:48 | |
We can, and I am delighted, | 0:34:48 | 0:34:49 | |
though, because I didn't want I didn't know that to be true. | 0:34:49 | 0:34:52 | |
You asked me and I won't tell fibs. | 0:34:52 | 0:34:54 | |
Maybe it would be better if we became like the French. | 0:34:57 | 0:34:59 | |
Obviously it would be better | 0:34:59 | 0:35:00 | |
if we acquired some of their art of dealing with food. But they are | 0:35:00 | 0:35:04 | |
a different sort of people. | 0:35:04 | 0:35:06 | |
Fanny, do you have any observations on that? | 0:35:06 | 0:35:08 | |
LAUGHTER | 0:35:08 | 0:35:11 | |
Had to be difficult to remember what it was. | 0:35:11 | 0:35:13 | |
You implied that we had to become like the French. | 0:35:14 | 0:35:17 | |
Now, I'm half French, as you all know. | 0:35:17 | 0:35:19 | |
You should become like the French. | 0:35:19 | 0:35:21 | |
Do you always have to become like your friends? | 0:35:21 | 0:35:25 | |
Can I stop you from leaping across at one another in the unlikely event. | 0:35:25 | 0:35:29 | |
-No, it's very friendly. -It is. But can I put a little point in here. | 0:35:29 | 0:35:32 | |
What interests me that you made there, Fanny, | 0:35:32 | 0:35:34 | |
you are working on the assumption that politicians are different. | 0:35:34 | 0:35:37 | |
You believe that conservatives | 0:35:37 | 0:35:39 | |
and this government is different from the other government. | 0:35:39 | 0:35:41 | |
I didn't say that, either, and don't you put words into my mouth. | 0:35:41 | 0:35:44 | |
In the final account, all-party politics stink. | 0:35:44 | 0:35:49 | |
The historian's view. | 0:35:49 | 0:35:51 | |
No, this is quite untrue. | 0:35:53 | 0:35:56 | |
Politicians are not always very competent. | 0:35:56 | 0:36:01 | |
Curiously enough, I think most of the time they're trying to do their best. | 0:36:01 | 0:36:05 | |
-So do I. -And some of the time they succeed. | 0:36:05 | 0:36:09 | |
But, the idea that there's anything disreputable about politics, | 0:36:09 | 0:36:14 | |
I don't think that's true. | 0:36:14 | 0:36:15 | |
I can't imagine why people devote themselves to it. | 0:36:15 | 0:36:19 | |
It is the most ghastly, | 0:36:19 | 0:36:22 | |
really unrewarding life there could possibly be, | 0:36:22 | 0:36:25 | |
except for some extraordinary idea of fame, the grandeur of being this. | 0:36:25 | 0:36:30 | |
But why do they do it? | 0:36:30 | 0:36:32 | |
French politicians are in politics | 0:36:32 | 0:36:33 | |
because they get their hands in the till. | 0:36:33 | 0:36:35 | |
Now that makes sense. | 0:36:35 | 0:36:38 | |
But that's not true about British politicians on the whole. | 0:36:38 | 0:36:42 | |
On the whole, no. | 0:36:42 | 0:36:43 | |
But isn't it also true, and I'm speaking against myself here, | 0:36:43 | 0:36:47 | |
that in the past, the politics of France have been appalling, | 0:36:47 | 0:36:51 | |
deplorable, and regrettable? | 0:36:51 | 0:36:53 | |
No. | 0:36:53 | 0:36:55 | |
-You're just being pig-minded. -No, not at all. | 0:36:56 | 0:36:58 | |
They've had some very good governments, | 0:36:58 | 0:37:00 | |
done enlightening things. | 0:37:00 | 0:37:01 | |
Yes, they changed every five minutes for 20 years. | 0:37:01 | 0:37:03 | |
Well, that doesn't matter. It only means that there's... | 0:37:03 | 0:37:06 | |
They were the same chaps changing. | 0:37:06 | 0:37:07 | |
You'll find if you look at French politics, it's musical chairs, | 0:37:07 | 0:37:10 | |
except that they never take the chair away. | 0:37:10 | 0:37:13 | |
There're always enough chairs for everybody. | 0:37:13 | 0:37:15 | |
I know, my dear Mr Taylor, whom I admire so much, | 0:37:15 | 0:37:18 | |
I know exactly what it's like arguing with you. | 0:37:18 | 0:37:21 | |
It's like holding a wet eel in a high wind | 0:37:21 | 0:37:24 | |
because you slither out every single time with your brilliance. | 0:37:24 | 0:37:27 | |
I think only, perhaps, that I'm a little more precise and careful. | 0:37:27 | 0:37:31 | |
One of the most powerful, and in many ways, | 0:37:40 | 0:37:42 | |
most perplexing movements in the United States of America, | 0:37:42 | 0:37:46 | |
the Black Muslims. | 0:37:46 | 0:37:47 | |
They are negro extremists and they are not only a political movement, | 0:37:47 | 0:37:51 | |
they're also a religious movement, and, indeed, they are a way of life. | 0:37:51 | 0:37:54 | |
But, like all revolutionary movements, | 0:37:54 | 0:37:56 | |
they face a challenge, because one of their most forceful leaders | 0:37:56 | 0:37:59 | |
has now broken away, dissatisfied with the policy of the Black Muslims. | 0:37:59 | 0:38:04 | |
He is a 38-year-old Nebraskan. | 0:38:04 | 0:38:06 | |
His name was Malcolm Little, but now, because it's a name of servitude, | 0:38:06 | 0:38:11 | |
he is known to the world simply as Malcolm X, | 0:38:11 | 0:38:15 | |
and he's now the leader of his own independent group, | 0:38:15 | 0:38:17 | |
the Muslim Mosque, Incorporated. | 0:38:17 | 0:38:19 | |
First of all, can I clear up your name. | 0:38:19 | 0:38:20 | |
Was it, in fact, Malcolm Little? | 0:38:20 | 0:38:23 | |
I don't think it was "in fact." | 0:38:23 | 0:38:25 | |
If it was "in fact" I would have let it remain. | 0:38:25 | 0:38:27 | |
Little was the name of the man who formerly | 0:38:27 | 0:38:29 | |
owned my grandfather as a slave. | 0:38:29 | 0:38:31 | |
-So I gave it back. -So, do people now address you as Mr X? | 0:38:31 | 0:38:35 | |
Mr X, Malcolm X. | 0:38:35 | 0:38:37 | |
The Black Muslim policy, as I was saying, was completely separatist. | 0:38:37 | 0:38:41 | |
That they wanted this separate state within the United States. | 0:38:41 | 0:38:44 | |
Now, as I understand it, you don't. | 0:38:44 | 0:38:46 | |
We want to be recognised and respected as human beings | 0:38:46 | 0:38:50 | |
and we have a motto which tells somewhat | 0:38:50 | 0:38:52 | |
how we intend to bring it about. | 0:38:52 | 0:38:54 | |
Our motto is, By Any Means Necessary. | 0:38:54 | 0:38:58 | |
By whatever means is necessary to bring about complete respect | 0:38:58 | 0:39:01 | |
and recognition of the 22 million black people in America | 0:39:01 | 0:39:05 | |
as human beings, that's what we're for, and that's where dedicated to. | 0:39:05 | 0:39:09 | |
By any means. | 0:39:09 | 0:39:11 | |
-By ANY means. -By any means. | 0:39:11 | 0:39:13 | |
A bloodbath? | 0:39:13 | 0:39:15 | |
Well, I think that as deplorable as the word bloodbath may sound, | 0:39:15 | 0:39:18 | |
I think that the condition that negroes in America | 0:39:18 | 0:39:21 | |
have already experienced, long too long, is just as deplorable. | 0:39:21 | 0:39:25 | |
And if it takes something that deplorable to remove | 0:39:25 | 0:39:27 | |
this other deplorable condition, then I don't think that it's... | 0:39:27 | 0:39:31 | |
I think it's justified. | 0:39:31 | 0:39:34 | |
But, don't you think there's also justification, in the case, | 0:39:34 | 0:39:37 | |
for the gradual white and negro coming together. | 0:39:37 | 0:39:41 | |
This gradual integration policy, because, after all, | 0:39:41 | 0:39:43 | |
it's a change of heart and mind, and everything else for both sides. | 0:39:43 | 0:39:48 | |
In America, I don't think there's any gradual coming together. | 0:39:48 | 0:39:51 | |
There may be a gradual coming together at the top. | 0:39:51 | 0:39:54 | |
A few hand-picked, uppercrust, bourgeois, | 0:39:54 | 0:39:56 | |
negroes are coming together with the so-called liberal element | 0:39:56 | 0:40:00 | |
in the white community, but at the mass level, | 0:40:00 | 0:40:03 | |
I don't think there's any real, honest, sincere coming together. | 0:40:03 | 0:40:05 | |
If anything, there is a widening of the gap. | 0:40:05 | 0:40:08 | |
Now, if there is this widening of the gap, then, | 0:40:08 | 0:40:11 | |
when you see this explosion taking place? | 0:40:11 | 0:40:13 | |
Well, that doesn't necessarily have to be an explosion | 0:40:13 | 0:40:17 | |
if the proper type of education is brought about to give the people | 0:40:17 | 0:40:22 | |
the correct understanding of the causes of these conditions that exist | 0:40:22 | 0:40:26 | |
and to try and educate them away from this animosity and hostility. | 0:40:26 | 0:40:29 | |
-But, this education takes a long time. -Not as long as legislation. | 0:40:29 | 0:40:33 | |
Education will do it much faster than legislation. | 0:40:33 | 0:40:35 | |
You can't legislate good will. | 0:40:35 | 0:40:38 | |
Now, you said, at the end of 1963, that 1964 | 0:40:38 | 0:40:41 | |
will be a very explosive year, and in many ways, Mr X, it has. | 0:40:41 | 0:40:45 | |
Has it been as explosive as you would have hoped? | 0:40:45 | 0:40:49 | |
That's not the question. | 0:40:49 | 0:40:50 | |
Has it been as explosive as I would have thought? | 0:40:50 | 0:40:53 | |
It wasn't as explosive as I would have thought. | 0:40:53 | 0:40:56 | |
I think the miracle of 1964 was the ability of the American negro | 0:40:56 | 0:41:00 | |
to restrain himself against extreme, unjust provocation | 0:41:00 | 0:41:05 | |
and dilly-dallying on the part of the United States government, | 0:41:05 | 0:41:08 | |
where his rights are concerned. | 0:41:08 | 0:41:10 | |
Will he restrain himself so in 1965? | 0:41:10 | 0:41:11 | |
I very much doubt that he will restrain himself so | 0:41:11 | 0:41:15 | |
very much longer. | 0:41:15 | 0:41:16 | |
-Mr X, thank you very much, indeed. -You're welcome. | 0:41:16 | 0:41:19 | |
When the vote was eventually given to women, did you feel | 0:41:22 | 0:41:25 | |
that the struggle was over and that now women | 0:41:25 | 0:41:27 | |
would move into their proper place? | 0:41:27 | 0:41:29 | |
No, I don't think so, because, you see, | 0:41:29 | 0:41:32 | |
we were basing our request for the vote on inequalities | 0:41:32 | 0:41:38 | |
and injustices and lack of opportunity. | 0:41:38 | 0:41:42 | |
So, that we knew that the moment we got the tool | 0:41:42 | 0:41:45 | |
we had to go on working for that, you see. | 0:41:45 | 0:41:49 | |
What was your view of the Pankhursts? | 0:41:49 | 0:41:51 | |
They were extremely brilliant. | 0:41:51 | 0:41:53 | |
I spoke on the same platform with Mrs Pankhurst | 0:41:54 | 0:41:57 | |
and Christabel before they became very pertinent. | 0:41:57 | 0:42:02 | |
And they were completely one idea, quite ruthless | 0:42:02 | 0:42:07 | |
with themselves and everybody else. | 0:42:07 | 0:42:12 | |
The history of the movement in Britain had a very troubled | 0:42:12 | 0:42:14 | |
history, because it became divided between the moderates, | 0:42:14 | 0:42:17 | |
with whom you associated yourself, you were secretary, and the militants. | 0:42:17 | 0:42:22 | |
The militants. | 0:42:22 | 0:42:23 | |
Can you tell me if in the years 1907 onwards, initially, of course, | 0:42:23 | 0:42:28 | |
they all worked together, didn't they? | 0:42:28 | 0:42:30 | |
Yes. We only split, you see, | 0:42:30 | 0:42:34 | |
when they became destructive of property | 0:42:34 | 0:42:40 | |
and violent with other people. | 0:42:40 | 0:42:43 | |
I mean, as long as they presented they, themselves, | 0:42:43 | 0:42:46 | |
we could stick together but | 0:42:46 | 0:42:48 | |
we thought it was stupid | 0:42:48 | 0:42:51 | |
to challenge men on the only ground | 0:42:51 | 0:42:55 | |
in which it's absolutely obvious | 0:42:55 | 0:42:59 | |
that we're inferior | 0:42:59 | 0:43:01 | |
and that's in physical strength. | 0:43:01 | 0:43:05 | |
Was he as tough as everyone said he was? | 0:43:06 | 0:43:09 | |
He was very, very tough man indeed. | 0:43:09 | 0:43:11 | |
And Errol went through a period, | 0:43:11 | 0:43:13 | |
which we all go through, having a rather swollen head. | 0:43:13 | 0:43:15 | |
He just made a big success with his first picture. | 0:43:15 | 0:43:18 | |
And we were lined up, with 600 fellows, | 0:43:18 | 0:43:20 | |
and I was one of the junior officers, and two officers, | 0:43:20 | 0:43:22 | |
and Flynn was in front, and Flynn was taking it all a bit seriously, | 0:43:22 | 0:43:26 | |
he let the reins go on his horse and he was sitting back | 0:43:26 | 0:43:29 | |
getting the hat straight and getting everything touched up | 0:43:29 | 0:43:32 | |
before the charge, | 0:43:32 | 0:43:33 | |
and we had rubber lances, in case anybody poked anybody's eye out, | 0:43:33 | 0:43:37 | |
with wobbly tips. | 0:43:37 | 0:43:38 | |
So, one of these enormous fellows behind leant forward his lance | 0:43:38 | 0:43:42 | |
and went up Errol Flynn's horse's behind, which went brrr, | 0:43:42 | 0:43:46 | |
like this and Flynn went about 19 feet in the air. | 0:43:46 | 0:43:49 | |
Now, if it had been me, I'd have got up and said, "Please don't." | 0:43:49 | 0:43:52 | |
Would have got on my horse. | 0:43:52 | 0:43:53 | |
But not Flynn, he said, "Which of you sons of bitches did that?" | 0:43:53 | 0:43:56 | |
So, this huge orangutan said, | 0:43:56 | 0:43:57 | |
"I did. You want to make anything of it?" | 0:43:57 | 0:43:59 | |
So Flynn said, "I certainly do." And he pulled him off the horse | 0:43:59 | 0:44:01 | |
and they fought for minutes, and he murdered him, absolutely massacred. | 0:44:01 | 0:44:06 | |
And they adored Flynn after that. Thought he was great. | 0:44:06 | 0:44:09 | |
The last time we really sat down and talked together on television | 0:44:09 | 0:44:12 | |
was when you had just won, if you would remember, | 0:44:12 | 0:44:15 | |
your Academy award for Separate Tables, | 0:44:15 | 0:44:17 | |
which I thought was the most marvellous film. | 0:44:17 | 0:44:19 | |
What did you feel like when they were giving out | 0:44:19 | 0:44:22 | |
the names of the award winners? | 0:44:22 | 0:44:24 | |
Well, it's pretty spooky because, you know, the nomination comes out, | 0:44:24 | 0:44:27 | |
and you sit there with a television camera on each of the five nominees | 0:44:27 | 0:44:30 | |
and you think, "Well, if it's not going to be me, | 0:44:30 | 0:44:32 | |
"what sort of a face am I going to put on, | 0:44:32 | 0:44:34 | |
"with that thing looking right at me?" | 0:44:34 | 0:44:36 | |
So out came my name, a miracle, and I jumped up | 0:44:36 | 0:44:38 | |
and ran down the thing before they change their mind, you know. | 0:44:38 | 0:44:43 | |
Give it back, Niven. | 0:44:43 | 0:44:45 | |
And fell, fell headlong up the steps, onto the stage, | 0:44:45 | 0:44:49 | |
white tie, and everything. | 0:44:49 | 0:44:51 | |
And I thought, I better explain this, people were clapping, | 0:44:51 | 0:44:55 | |
and I grabbed the Oscar from Irene Dunne, | 0:44:55 | 0:44:58 | |
who was giving it to me. | 0:44:58 | 0:44:59 | |
And said, I think you should explain this rather peculiar entrance. | 0:44:59 | 0:45:04 | |
And, what I meant to say, was that the reason I fell down was | 0:45:04 | 0:45:07 | |
that I was so loaded with good luck charms that I was top-heavy. | 0:45:07 | 0:45:10 | |
I made an idiot pause after the word loaded, | 0:45:10 | 0:45:14 | |
and I became the first self-confessed | 0:45:14 | 0:45:16 | |
drunk in the business. The reason I fell down was cos I was so loaded. | 0:45:16 | 0:45:19 | |
They all roared with laughter | 0:45:19 | 0:45:21 | |
and I never even bothered to get the rest out. | 0:45:21 | 0:45:23 | |
Richard Burton, I read in the papers that a couple of years ago, or so, | 0:45:23 | 0:45:27 | |
you had a drink problem, your career was somewhat slipping, | 0:45:27 | 0:45:30 | |
but now, everything's going fine for you. | 0:45:30 | 0:45:32 | |
Is that so? And why? | 0:45:32 | 0:45:33 | |
Yes, well... | 0:45:33 | 0:45:37 | |
once you have a drink problem, you always have one. | 0:45:37 | 0:45:40 | |
Once an alcoholic, always an alcoholic. | 0:45:40 | 0:45:42 | |
But, and I'm quite sure whether I am or not. | 0:45:42 | 0:45:45 | |
I read in the papers, too, that you said you were | 0:45:45 | 0:45:49 | |
on three bottles of the hard stuff and one doctor said | 0:45:49 | 0:45:52 | |
if you go on like this you've got two weeks to live. | 0:45:52 | 0:45:54 | |
So, you must of been very bad. | 0:45:54 | 0:45:56 | |
Oh, yes. Yes, but that would have been considered. | 0:45:56 | 0:45:59 | |
I was into my third bottle a day, so a friend of mine told me. | 0:45:59 | 0:46:03 | |
Being into my third bottle, | 0:46:03 | 0:46:04 | |
I wasn't aware of the fact that I was into it. | 0:46:04 | 0:46:07 | |
But, he told me so and I was somewhat surprised. | 0:46:07 | 0:46:10 | |
And he said this same friend, he is actually here, | 0:46:11 | 0:46:15 | |
said would you have a blood test? | 0:46:15 | 0:46:17 | |
And they took a blood test, it was, of course, I was X. | 0:46:17 | 0:46:21 | |
I was anonymous in the blood test. | 0:46:21 | 0:46:23 | |
And they said this person, if he keeps on as he's going, | 0:46:23 | 0:46:26 | |
because they have written an account of what my behaviour was. | 0:46:26 | 0:46:30 | |
If he goes on as he is, will have, approximately, | 0:46:30 | 0:46:33 | |
two weeks to live, which I found very intriguing. | 0:46:33 | 0:46:35 | |
I was so sloshed when they told me, anyway. | 0:46:35 | 0:46:37 | |
So, I said, "Well, that gives me three days to do..." You know, | 0:46:37 | 0:46:39 | |
that kind of mock heroics, went on. | 0:46:39 | 0:46:44 | |
But, I did put myself in hospital and, | 0:46:44 | 0:46:46 | |
though I could have come out in a week, | 0:46:46 | 0:46:48 | |
I enjoyed the hospital somewhat. | 0:46:48 | 0:46:49 | |
Enjoyed is hardly the word, | 0:46:49 | 0:46:51 | |
but I became so fascinated by the other people who were generally | 0:46:51 | 0:46:54 | |
suffering from sclerosis of the liver, that I stayed in hospital, | 0:46:54 | 0:46:59 | |
and I didn't have a thing to do, anyway, and became a sort of | 0:46:59 | 0:47:03 | |
lay doctor, if there is such a thing, | 0:47:03 | 0:47:05 | |
and went visiting these people, and it really was horrifying, | 0:47:05 | 0:47:08 | |
and I suggest that anybody who does have a drinking problem, | 0:47:08 | 0:47:11 | |
as they euphemistically put it, | 0:47:11 | 0:47:13 | |
nowadays, who is in fact an alcoholic, | 0:47:13 | 0:47:15 | |
goes to visit somebody who has terminal cirrhosis of the liver. | 0:47:15 | 0:47:19 | |
It's an unbelievable sight. | 0:47:19 | 0:47:22 | |
Do know what caused you to drink in the first place? | 0:47:22 | 0:47:24 | |
Well, I'm a Welshman, and most Celts, Irishmen, Scots, Welsh, | 0:47:24 | 0:47:29 | |
and the English, very quietly, too, are not far behind, | 0:47:29 | 0:47:32 | |
I think we're all, I think it's a human frailty. | 0:47:32 | 0:47:36 | |
You say, you're quoted as saying, | 0:47:36 | 0:47:39 | |
acting is somehow shameful for a man to do. | 0:47:39 | 0:47:41 | |
It isn't natural to put on make-up and wear costumes | 0:47:41 | 0:47:44 | |
and say someone else's lines, so you drink to overcome the shame. | 0:47:44 | 0:47:48 | |
Oh, no. That's a misquote, oh, at least, I might have said it, | 0:47:48 | 0:47:52 | |
but I was probably on the fourth bottle that day when I said it. | 0:47:52 | 0:47:55 | |
No, I think, no, that's no excuse for drinking, at all. | 0:47:55 | 0:47:59 | |
No, I think that I was simply a heavy drinker, | 0:47:59 | 0:48:01 | |
really enjoyed it, and went too far. | 0:48:01 | 0:48:04 | |
I saw a piece, actually, this week, or last week, | 0:48:06 | 0:48:08 | |
was one of the papers, with an interview with you, where you | 0:48:08 | 0:48:11 | |
described yourselves, in quotes, as being frustrated Laurel and Hardy. | 0:48:11 | 0:48:15 | |
-We don't describe ourselves. -Not frustrated. | 0:48:15 | 0:48:17 | |
That's the quote that, that's what I wondered about, | 0:48:17 | 0:48:20 | |
not Laurel and Hardy, but frustrated. | 0:48:20 | 0:48:22 | |
No, I don't think either one of us is. | 0:48:22 | 0:48:25 | |
We're making a movie now in which the relationship | 0:48:26 | 0:48:30 | |
is somewhat close to the relationship of Laurel and Hardy, | 0:48:30 | 0:48:35 | |
but we're certainly not frustrated. | 0:48:35 | 0:48:39 | |
The reason I ask, because now, all the old films, | 0:48:39 | 0:48:41 | |
the old two reels are being shown on BBC television, | 0:48:41 | 0:48:44 | |
and they've got a tremendous impact on all the children, particularly. | 0:48:44 | 0:48:47 | |
And I wonder if you're fans from way back. | 0:48:47 | 0:48:50 | |
Oh, yeah. Fans from way back. | 0:48:50 | 0:48:52 | |
This going to be one of those kinds of interviews, isn't it? | 0:48:54 | 0:48:58 | |
One reads a lot about the two of you | 0:48:59 | 0:49:00 | |
when you worked that there's improvisation goes on between you, | 0:49:00 | 0:49:04 | |
how much do you improvise when you go in front of the cameras? | 0:49:04 | 0:49:07 | |
Well... | 0:49:14 | 0:49:15 | |
Not as much as people think. | 0:49:20 | 0:49:22 | |
-But quite a bit. -Right. | 0:49:22 | 0:49:25 | |
In what way? | 0:49:28 | 0:49:30 | |
With ourselves. | 0:49:32 | 0:49:33 | |
But, I mean, the two of you, obviously, can work together | 0:49:34 | 0:49:37 | |
because you have a kind of rapport together. | 0:49:37 | 0:49:40 | |
But isn't it frustrating to somebody who is involved in a scene with you | 0:49:40 | 0:49:43 | |
who is not necessarily on the same wavelength? | 0:49:43 | 0:49:46 | |
I mean, like me? | 0:49:46 | 0:49:47 | |
To a lot of people, watching in England, they still | 0:49:55 | 0:50:00 | |
think of you as associated with all the various terrorist activities | 0:50:00 | 0:50:08 | |
and of the Palestine Liberation Organisation, and then they think of | 0:50:08 | 0:50:11 | |
Black September, and Munich, and Lod airport, and all of those things. | 0:50:11 | 0:50:17 | |
What would you say to people who really, | 0:50:18 | 0:50:22 | |
feel that the Palestine fight means | 0:50:22 | 0:50:27 | |
that sort of murder? | 0:50:27 | 0:50:31 | |
What would you say to explain? | 0:50:31 | 0:50:33 | |
It is... You know, I will give you a small example. | 0:50:33 | 0:50:38 | |
Washington was a terrorist in your view. | 0:50:40 | 0:50:47 | |
When he started his liberation war. | 0:50:47 | 0:50:51 | |
You, the British, was looking to Washington as a terrorist. | 0:50:51 | 0:50:56 | |
Yes? Because he was looking for the liberation of his nation. | 0:50:56 | 0:51:00 | |
All those freedom fighter, fighters... | 0:51:02 | 0:51:04 | |
..used to be called terrorists in the beginning. | 0:51:06 | 0:51:11 | |
But, don't forget that in the United Nations, | 0:51:11 | 0:51:13 | |
those who had been called as a terrorist are now... | 0:51:13 | 0:51:17 | |
..statement, state. | 0:51:19 | 0:51:21 | |
-Statesmen. -Statesmen. You know? | 0:51:21 | 0:51:24 | |
But, also, you are only looking | 0:51:25 | 0:51:29 | |
for the Palestinians as terrorists. | 0:51:29 | 0:51:34 | |
Me, I am not. I am against | 0:51:34 | 0:51:37 | |
any of this individual actions... | 0:51:37 | 0:51:42 | |
..of terrorism. | 0:51:44 | 0:51:45 | |
We in the PLO are against it. | 0:51:46 | 0:51:49 | |
But, you have to look at it from the other points. | 0:51:49 | 0:51:53 | |
That some persons who are, | 0:51:53 | 0:51:57 | |
who are in the corner, | 0:51:57 | 0:52:00 | |
from frustration and despair, | 0:52:00 | 0:52:04 | |
they begin to think of it. | 0:52:04 | 0:52:08 | |
But we are against it | 0:52:08 | 0:52:10 | |
and, as a freedom fighter, | 0:52:10 | 0:52:12 | |
as a real freedom fighter I'm against it. | 0:52:12 | 0:52:14 | |
But, moving on from that, what things have you had to give up, | 0:52:14 | 0:52:19 | |
what sacrifices have you had to make, | 0:52:19 | 0:52:21 | |
what are the things that you couldn't do because of what you're doing? | 0:52:21 | 0:52:25 | |
Do you think... Put it another way... | 0:52:25 | 0:52:27 | |
It is a personal question. | 0:52:27 | 0:52:29 | |
I don't like to speak about myself. | 0:52:29 | 0:52:33 | |
Let us speak about my people, my cause. | 0:52:33 | 0:52:37 | |
So, because, sacrifices of persons means nothing. | 0:52:39 | 0:52:44 | |
What is important is the future of the people. | 0:52:44 | 0:52:49 | |
Of my people. | 0:52:49 | 0:52:50 | |
You are quoted, on one occasion, in fact, as saying, | 0:52:50 | 0:52:54 | |
talking about not having a wife and children, | 0:52:54 | 0:52:57 | |
as saying, "Palestine is my wife." | 0:52:57 | 0:53:00 | |
Did you say that? | 0:53:00 | 0:53:01 | |
No, Palestine is my wife, but definitely, | 0:53:03 | 0:53:05 | |
I would like to... | 0:53:05 | 0:53:08 | |
I would like that my people | 0:53:08 | 0:53:11 | |
will not be kicked out from their homelands, | 0:53:11 | 0:53:17 | |
so, I would like not to have... | 0:53:17 | 0:53:21 | |
these circumstances, | 0:53:21 | 0:53:25 | |
which oblige me | 0:53:25 | 0:53:27 | |
to go on this struggle. | 0:53:27 | 0:53:29 | |
I would like to live a normal life, as others, as you are living. | 0:53:29 | 0:53:34 | |
But I can't live this normal life because... | 0:53:35 | 0:53:41 | |
..my people is living in this very, very hard circumstances | 0:53:42 | 0:53:48 | |
and in this fears, this tragedy. | 0:53:48 | 0:53:53 | |
And you need all your time, you mean, for that? | 0:53:53 | 0:53:56 | |
At least, you know that I am completely busy. | 0:53:57 | 0:54:01 | |
Do you think that, on the whole, the fanatics in the world are more | 0:54:04 | 0:54:08 | |
useful, or more dangerous than the sceptics? | 0:54:08 | 0:54:11 | |
Fanaticism is the danger of the world. | 0:54:11 | 0:54:15 | |
It or always has been, and has done untold harm. | 0:54:15 | 0:54:19 | |
No, I think that fanaticism is the gravest danger there is. | 0:54:19 | 0:54:23 | |
I might almost say that I was fanatically against fanaticism. | 0:54:23 | 0:54:26 | |
But, then, are you not fanatical, also, | 0:54:26 | 0:54:28 | |
against some other things, you see? | 0:54:28 | 0:54:30 | |
Now, your current campaign, for instance, | 0:54:30 | 0:54:33 | |
in favour of nuclear disarmament, | 0:54:33 | 0:54:35 | |
which you encourage your supporters to undertake some of the extreme | 0:54:35 | 0:54:39 | |
demonstrations that they are undertaking. | 0:54:39 | 0:54:42 | |
Isn't that fanaticism? | 0:54:42 | 0:54:43 | |
I don't think that's fanaticism, no. | 0:54:43 | 0:54:45 | |
I mean, some of them may be fanatical, | 0:54:45 | 0:54:48 | |
but I do give them support but not for fanatical reasons. | 0:54:48 | 0:54:53 | |
I support them because everything sane and sensible | 0:54:53 | 0:54:58 | |
and quiet that we do is absolutely ignored by the press. | 0:54:58 | 0:55:04 | |
And, the only way we can get into the press is to do something | 0:55:04 | 0:55:07 | |
that looks fanatical. | 0:55:07 | 0:55:09 | |
I mean, the worst possibility is that human life may be extinguished, | 0:55:09 | 0:55:14 | |
and it is a very real possibility. | 0:55:14 | 0:55:17 | |
Very real. And that is the worst. | 0:55:17 | 0:55:20 | |
But, assuming that doesn't happen, | 0:55:22 | 0:55:26 | |
I can't bear the thought of many | 0:55:26 | 0:55:30 | |
hundreds of millions of people dying in agony, | 0:55:30 | 0:55:35 | |
only, and solely, because | 0:55:35 | 0:55:38 | |
the rulers of the world are stupid and wicked, and I can't bear it. | 0:55:38 | 0:55:43 | |
Of the sort of conventional self-indulgences, | 0:55:43 | 0:55:46 | |
or vices like drink and tobacco, and so on, | 0:55:46 | 0:55:48 | |
which is your favourite one? | 0:55:48 | 0:55:49 | |
Oh, tobacco. I smoke a pipe all day long, | 0:55:49 | 0:55:52 | |
except when I'm eating or sleeping. | 0:55:52 | 0:55:55 | |
Hasn't that shortened your life? | 0:55:55 | 0:55:57 | |
Well, they used to say it would when I first took to it, | 0:55:57 | 0:56:00 | |
but I took to it some 70 years ago, | 0:56:00 | 0:56:03 | |
so, it doesn't seem to have had a very great effect so far. | 0:56:03 | 0:56:06 | |
In fact, you know, on one occasion, it saved my life. | 0:56:08 | 0:56:13 | |
I was in an aeroplane and a man was getting a seat for me and I said, | 0:56:15 | 0:56:20 | |
"Get me a seat in the smoking part, | 0:56:20 | 0:56:23 | |
"because if I can't smoke, I should die." | 0:56:23 | 0:56:26 | |
And, sure enough, there was an accident, a bad accident, | 0:56:26 | 0:56:30 | |
and all the people | 0:56:30 | 0:56:31 | |
in the non-smoking part of the plane were drowned. | 0:56:31 | 0:56:35 | |
The people in the smoking part jumped into the Norwegian fjords | 0:56:35 | 0:56:39 | |
where we landed and were saved, | 0:56:39 | 0:56:42 | |
so that I owe my life to smoking. | 0:56:42 | 0:56:44 | |
Suppose, Lord Russell, this film were to be | 0:56:44 | 0:56:47 | |
looked at by our descendants, like a dead Sea scroll in 1,000 years time, | 0:56:47 | 0:56:51 | |
what would you think it's worth telling that generation | 0:56:51 | 0:56:55 | |
about the life you've lived and the lessons you've learned from it. | 0:56:55 | 0:57:00 | |
I should like to say two things, one intellectual, and one moral. | 0:57:00 | 0:57:07 | |
The intellectual thing I should want to say to them is this - | 0:57:07 | 0:57:12 | |
when you are studying any matter, or considering any philosophy... | 0:57:12 | 0:57:18 | |
..ask yourself only what are the facts | 0:57:20 | 0:57:24 | |
and what is the truth that the facts bear out. | 0:57:24 | 0:57:28 | |
Never let yourself be diverted either by what you wish to believe | 0:57:28 | 0:57:33 | |
or by what you think would have beneficent social effects | 0:57:33 | 0:57:37 | |
if it were believed. | 0:57:37 | 0:57:39 | |
But look only and solely at what are the facts. | 0:57:39 | 0:57:46 | |
That is the intellectual thing that I should wish to say. | 0:57:46 | 0:57:49 | |
The moral thing I should wish to say to them is very simple - | 0:57:49 | 0:57:54 | |
I should say, love is wise, hatred is foolish. | 0:57:54 | 0:58:00 | |
In this world, which is getting more and more closely interconnected... | 0:58:01 | 0:58:07 | |
..we have to learn to tolerate each other. | 0:58:08 | 0:58:12 | |
We have to learn to put up with the fact that some people say | 0:58:12 | 0:58:16 | |
things that we don't like. | 0:58:16 | 0:58:19 | |
We can only live together in that way. | 0:58:19 | 0:58:25 | |
But if we are to live together | 0:58:25 | 0:58:27 | |
and not die together we must learn a kind of charity | 0:58:27 | 0:58:31 | |
and a kind of tolerance, which is absolutely vital to the continuation | 0:58:31 | 0:58:38 | |
of human life on this planet. | 0:58:38 | 0:58:40 | |
Subtitles by Red Bee Media Ltd | 0:59:03 | 0:59:07 |