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# Sometimes I feel like throwing my hands up in the air... # | 0:00:02 | 0:00:06 | |
# Hey, baby, tell me your name... # | 0:00:06 | 0:00:09 | |
Last year, Gareth Malone set out to find the country's most | 0:00:09 | 0:00:12 | |
gifted amateur a cappella group. | 0:00:12 | 0:00:14 | |
# I got 21 seconds to go... # | 0:00:14 | 0:00:16 | |
# Tell me, did you want me... # | 0:00:16 | 0:00:18 | |
The winner of The Naked Choir is... | 0:00:18 | 0:00:20 | |
the Sons of Pitches. | 0:00:20 | 0:00:22 | |
CHEERING | 0:00:22 | 0:00:24 | |
This year, Gareth's widened his search, | 0:00:25 | 0:00:28 | |
opening the contest to groups from all musical traditions... | 0:00:28 | 0:00:32 | |
# Way, haul away | 0:00:32 | 0:00:34 | |
# We'll haul away, Joe! # | 0:00:34 | 0:00:36 | |
..in a search for Britain's very best community choir. | 0:00:36 | 0:00:40 | |
# Oh, baby, baby, how was I supposed to know? # | 0:00:40 | 0:00:45 | |
We are a singing nation. | 0:00:45 | 0:00:46 | |
And I'm looking for choirs that have heart and flavour and passion... | 0:00:48 | 0:00:52 | |
and say something about what it is to be British. | 0:00:52 | 0:00:55 | |
Hundreds of groups applied. | 0:00:56 | 0:00:58 | |
# I wanna be the only one... # | 0:00:58 | 0:01:00 | |
Now Gareth's travelling the length and breadth of Britain to audition | 0:01:00 | 0:01:04 | |
those who impressed him the most. | 0:01:04 | 0:01:06 | |
Shall we go and meet Gareth? | 0:01:06 | 0:01:07 | |
CHEERING AND APPLAUSE | 0:01:07 | 0:01:10 | |
He's seen choirs from four parts of the UK... | 0:01:10 | 0:01:14 | |
Hello, Scotland! | 0:01:14 | 0:01:15 | |
-CHOIR: -Hello! Sss! | 0:01:15 | 0:01:17 | |
..and will pick just one from each of those areas... | 0:01:21 | 0:01:24 | |
-For the South-west! -For the South-west! | 0:01:24 | 0:01:25 | |
..to go head-to-head in a national contest... | 0:01:25 | 0:01:28 | |
Good evening, London! | 0:01:28 | 0:01:31 | |
..where they'll battle it out | 0:01:31 | 0:01:32 | |
to be crowned Britain's best amateur choir. | 0:01:32 | 0:01:34 | |
The winner is... | 0:01:34 | 0:01:36 | |
Hello, Scotland! | 0:01:51 | 0:01:53 | |
Can anybody hear me? | 0:01:55 | 0:01:57 | |
No. Just the sheep. | 0:02:00 | 0:02:03 | |
SHEEP BLEAT | 0:02:03 | 0:02:05 | |
The first leg of Gareth's search for Britain's most impressive | 0:02:08 | 0:02:11 | |
undiscovered choir sees him scour a vast swathe of the UK, | 0:02:11 | 0:02:16 | |
from the Scottish Highlands to the rolling Peak District | 0:02:16 | 0:02:20 | |
and everywhere in between. | 0:02:20 | 0:02:22 | |
From brass bands to Celtic music, there's so much tradition here. | 0:02:22 | 0:02:26 | |
I can't wait to hear what this area has to offer. | 0:02:26 | 0:02:29 | |
Over the next week, Gareth will audition six very different groups. | 0:02:29 | 0:02:34 | |
He'll pick three of the best to perform for him again... | 0:02:35 | 0:02:40 | |
and then must choose just one to represent Scotland and the North | 0:02:40 | 0:02:44 | |
in the national contest. | 0:02:44 | 0:02:46 | |
I'm looking for choirs that are not just technically precise, | 0:02:46 | 0:02:49 | |
but have got some passion and heart. | 0:02:49 | 0:02:51 | |
They don't have to be perfect, but they need to interest me and excite me. | 0:02:52 | 0:02:56 | |
I'm looking for groups that have got something to say. | 0:02:56 | 0:02:59 | |
First stop, Scotland's ancient capital. | 0:03:01 | 0:03:06 | |
Edinburgh, a city famous for its music, for its architecture, | 0:03:06 | 0:03:08 | |
for its culture. | 0:03:08 | 0:03:10 | |
This is the land of my forefathers. I'm half Scottish, | 0:03:10 | 0:03:13 | |
and my earliest memory of Scottish music is dancing round | 0:03:13 | 0:03:16 | |
the living room to an album of Scottish folk songs that my dad had. | 0:03:16 | 0:03:19 | |
So great. It just makes me want to join in. | 0:03:23 | 0:03:26 | |
It's always been there for me, and it's a wonderful, joyous, | 0:03:28 | 0:03:31 | |
life-affirming style of music, | 0:03:31 | 0:03:33 | |
but also beautiful and spiritual, | 0:03:33 | 0:03:36 | |
something I really, really love. | 0:03:36 | 0:03:37 | |
Yeah! | 0:03:42 | 0:03:44 | |
The first choir Gareth's auditioning share his love of life-affirming | 0:03:44 | 0:03:47 | |
music, but they express it through a very different genre. | 0:03:47 | 0:03:52 | |
# Get up! | 0:03:55 | 0:03:56 | |
# Get on up | 0:03:56 | 0:03:57 | |
# Get up... # | 0:03:57 | 0:03:59 | |
Soul music, for me, is like a light switch. | 0:03:59 | 0:04:01 | |
You flick it and the lights come on. | 0:04:01 | 0:04:03 | |
# Get up! | 0:04:03 | 0:04:05 | |
# Get on up... # | 0:04:05 | 0:04:06 | |
Got Soul was founded four years ago by Iranian-born Maryam. | 0:04:06 | 0:04:11 | |
I was going through a really tough time. | 0:04:11 | 0:04:14 | |
I was feeling very lonely. | 0:04:14 | 0:04:16 | |
I wanted to do stuff that I liked and share it with people | 0:04:16 | 0:04:20 | |
who liked the same kind of music. | 0:04:20 | 0:04:23 | |
Let a few friends know, and then suddenly, boom! | 0:04:23 | 0:04:26 | |
It's just grown and grown from there. | 0:04:26 | 0:04:29 | |
It's great. | 0:04:29 | 0:04:31 | |
The choir started life with just eight members but now boasts 300, | 0:04:31 | 0:04:35 | |
welcoming everyone from music teachers to laughter therapists. | 0:04:35 | 0:04:40 | |
Maryam's rounded up 15 of them in one of their favourite | 0:04:41 | 0:04:44 | |
Edinburgh bars for their one shot to impress. | 0:04:44 | 0:04:48 | |
-# Everything that could go wrong -Ooh | 0:04:48 | 0:04:50 | |
-# All went wrong at one time -Ooh | 0:04:50 | 0:04:52 | |
-# So much pressure fell on me -Ooh | 0:04:52 | 0:04:54 | |
-# I thought I was gonna lose my mind -Ooh | 0:04:54 | 0:04:57 | |
-# Lord, I know you want to see -Ooh | 0:04:57 | 0:04:59 | |
# If I will hold on through these trials | 0:04:59 | 0:05:01 | |
-# But I need you to lift this load -Ooh | 0:05:01 | 0:05:04 | |
-# I can't take it no more! -Ooh | 0:05:04 | 0:05:07 | |
# Take the shackles off my feet so I can dance | 0:05:07 | 0:05:11 | |
# I just wanna praise you | 0:05:11 | 0:05:13 | |
# I just wanna praise you | 0:05:13 | 0:05:15 | |
# You broke the chains, now I can lift my hands | 0:05:15 | 0:05:20 | |
# And I'm gonna praise you, praise you | 0:05:20 | 0:05:23 | |
# I'm gonna praise you! # | 0:05:23 | 0:05:25 | |
Hey, good! Thank you! | 0:05:26 | 0:05:28 | |
I'm the only person clapping... | 0:05:28 | 0:05:31 | |
CHEERING | 0:05:31 | 0:05:33 | |
Good. Oh, I enjoyed that a lot. That was really... | 0:05:34 | 0:05:36 | |
That was great. Lots of energy. | 0:05:36 | 0:05:38 | |
I felt myself wanting to join in and dance, cos it's so infectious. | 0:05:38 | 0:05:41 | |
What you didn't give me was an overall shaped performance. | 0:05:41 | 0:05:44 | |
It felt like you started here and then you continued here. | 0:05:44 | 0:05:48 | |
When you got to the end, you had nowhere else to go, | 0:05:48 | 0:05:50 | |
and that's the big payoff moment. And you didn't have that. | 0:05:50 | 0:05:53 | |
And that's a very simple adjustment to make. | 0:05:53 | 0:05:55 | |
How do you get that energy from people? | 0:05:55 | 0:05:58 | |
It's about saying, "Who cares? Sing a bum note." | 0:05:58 | 0:06:00 | |
Like, let go. Sing with abandon. | 0:06:00 | 0:06:03 | |
It's got lots of heart, I think. | 0:06:03 | 0:06:04 | |
And whether or not I decide to put you through to the sing-offs, | 0:06:04 | 0:06:07 | |
it's really great and it's got purpose. I'll let you know. | 0:06:07 | 0:06:10 | |
THEY WHOOP | 0:06:10 | 0:06:11 | |
HE HUMS TUNE | 0:06:13 | 0:06:15 | |
LAUGHTER | 0:06:15 | 0:06:16 | |
# I just wanna praise... # | 0:06:16 | 0:06:18 | |
It was rough around the edges, it was a bit shouty at times, | 0:06:20 | 0:06:22 | |
it was a little bit, you know, too forceful. | 0:06:22 | 0:06:25 | |
But...there's something meaningful there. | 0:06:25 | 0:06:28 | |
It's about lifting people out of difficult times, and I really | 0:06:28 | 0:06:30 | |
got a sense of that when they sang. | 0:06:30 | 0:06:32 | |
THEY CHEER | 0:06:32 | 0:06:33 | |
# Let the love of our land's sacred rights | 0:06:33 | 0:06:37 | |
# To the love of our people succeed... # | 0:06:37 | 0:06:40 | |
160 miles north, near Inverness, is the second choir hoping to | 0:06:40 | 0:06:44 | |
get through to the regional sing-off - Too Many Cooks. | 0:06:44 | 0:06:48 | |
# And flourish on both sides the Tweed... # | 0:06:48 | 0:06:53 | |
There's a rainbow literally just there. | 0:06:53 | 0:06:56 | |
I'm taking this as an excellent omen. This is beautiful. | 0:06:56 | 0:07:00 | |
What an amazing place. | 0:07:00 | 0:07:02 | |
# No brightness that gloom can e'er clear | 0:07:02 | 0:07:06 | |
# For honour's the sum of the mind... # | 0:07:06 | 0:07:08 | |
Dallas! | 0:07:08 | 0:07:09 | |
HE HUMS "DALLAS" THEME TUNE | 0:07:09 | 0:07:12 | |
The choir will audition for Gareth in the village school, | 0:07:12 | 0:07:16 | |
where newest member Mairi is headteacher. | 0:07:16 | 0:07:19 | |
It's really exciting that Gareth is coming to see us today, | 0:07:19 | 0:07:21 | |
and it's a really big opportunity for us. | 0:07:21 | 0:07:24 | |
Obviously, we're all a bit nervous. | 0:07:24 | 0:07:28 | |
# To the love of our people succeed | 0:07:28 | 0:07:30 | |
# Let friendship and honour unite | 0:07:30 | 0:07:35 | |
# And flourish | 0:07:35 | 0:07:37 | |
# On both sides the Tweed. # | 0:07:37 | 0:07:47 | |
Hello, children. | 0:07:47 | 0:07:48 | |
-CHILDREN: -Hello, Mr Malone! | 0:07:48 | 0:07:49 | |
Oh, thank you for calling me Mr Malone. Hello, ladies! | 0:07:49 | 0:07:52 | |
CHOIR: Hello, Mr Malone! | 0:07:52 | 0:07:55 | |
Gareth is fine, Gareth is fine! | 0:07:55 | 0:07:57 | |
Is this the choir? | 0:07:57 | 0:07:58 | |
-This is the school! -This is the whole school? | 0:07:58 | 0:08:00 | |
-The whole school, yeah. -Really? I can't believe it. | 0:08:00 | 0:08:02 | |
My daughter's class is bigger than your entire school. | 0:08:02 | 0:08:05 | |
-LAUGHTER -That's amazing. | 0:08:05 | 0:08:07 | |
-We do have a song for you, but I'm going to let the children go for lunch first. -They look hungry. | 0:08:07 | 0:08:11 | |
Well done. | 0:08:11 | 0:08:12 | |
Shall we hear it? | 0:08:14 | 0:08:16 | |
# Ooh, ooh | 0:08:17 | 0:08:19 | |
# Eeeeeeeeeee, oooooh | 0:08:19 | 0:08:24 | |
# You'll walk unscathed through musket fire | 0:08:24 | 0:08:31 | |
# No ploughman's blade will cut thee down | 0:08:31 | 0:08:39 | |
# No cutlass wound will mark thy face | 0:08:39 | 0:08:46 | |
# And you will be my ain true love | 0:08:46 | 0:08:53 | |
# And as you walk through death's dark veil | 0:08:53 | 0:09:00 | |
# The cannon's thunder can't prevail | 0:09:00 | 0:09:07 | |
# And those who hunt thee down will fail | 0:09:07 | 0:09:13 | |
# And you will be | 0:09:13 | 0:09:16 | |
# My ain true love. # | 0:09:16 | 0:09:21 | |
Thank you. That was lovely. Beautiful. | 0:09:21 | 0:09:23 | |
Do you know what was really good? The bit there - eeeeeeeeeee... | 0:09:23 | 0:09:26 | |
All of that stuff. Like it's a scene from Highlander. | 0:09:26 | 0:09:28 | |
THEY LAUGH | 0:09:28 | 0:09:30 | |
Some beautiful voices in there. Really, really lovely. | 0:09:30 | 0:09:32 | |
-Will you come back to work with us again? -It's... | 0:09:32 | 0:09:35 | |
I mean, you know what, I'd love to, but it's quite a long way. | 0:09:35 | 0:09:38 | |
I'll be in touch, but one way or another, keep singing. | 0:09:40 | 0:09:43 | |
It's wonderful to come up here and discover a group singing | 0:09:43 | 0:09:46 | |
this beautiful Celtic style. | 0:09:46 | 0:09:49 | |
It has the potential to really speak about this amazing place | 0:09:49 | 0:09:53 | |
and this amazing lifestyle. | 0:09:53 | 0:09:55 | |
But it feels a bit lacking oomph at the moment, and I don't know | 0:09:55 | 0:09:59 | |
whether that's something I could fix in time for the contest. | 0:09:59 | 0:10:02 | |
With just three days left and four more choirs to fit in, | 0:10:07 | 0:10:11 | |
Gareth heads south across the border. | 0:10:11 | 0:10:14 | |
He's en route to the sleepy North Yorkshire market town of Malton, | 0:10:15 | 0:10:19 | |
famed for its food festival and traditional summertime weather. | 0:10:19 | 0:10:24 | |
It wouldn't be a road trip round Britain without a little rain, would it? | 0:10:26 | 0:10:30 | |
It's a beautiful part of the world, the Yorkshire Dales, | 0:10:30 | 0:10:33 | |
but I can't really see it at the moment. Shrouded in mist. | 0:10:33 | 0:10:35 | |
It's also home to the Malton Male Voice Choir. | 0:10:37 | 0:10:41 | |
With an average age of 77, this group's made up of a bluff bunch | 0:10:42 | 0:10:46 | |
of former teachers, bank managers and accountants. | 0:10:46 | 0:10:50 | |
-Keep hold of that note. -Yes, miss! | 0:10:50 | 0:10:53 | |
Ruled with a rod of iron by ex-schoolmistress Viv. | 0:10:53 | 0:10:58 | |
They are my men. | 0:10:58 | 0:11:00 | |
You have power over them and I can tell them what to do. | 0:11:00 | 0:11:03 | |
And they do it. | 0:11:03 | 0:11:04 | |
Oh, give over! | 0:11:04 | 0:11:07 | |
# You who have dreams | 0:11:07 | 0:11:11 | |
# If you act, they'll come true... # | 0:11:11 | 0:11:15 | |
I'm cold and wet, so hopefully this is going to warm my heart. | 0:11:15 | 0:11:19 | |
# Give me some men who are stout-hearted men | 0:11:19 | 0:11:22 | |
# Who will fight for the right they adore | 0:11:22 | 0:11:26 | |
# Ohhh! | 0:11:26 | 0:11:27 | |
# Shoulder to shoulder | 0:11:27 | 0:11:29 | |
# And bolder and bolder | 0:11:29 | 0:11:31 | |
# They grow as they go to the fore | 0:11:31 | 0:11:35 | |
# When stout-hearted men | 0:11:35 | 0:11:38 | |
# Can stick together man to man! # | 0:11:38 | 0:11:42 | |
Great top tenor line there. Can I hear that again, tenors? | 0:11:42 | 0:11:45 | |
Two, three, and... | 0:11:45 | 0:11:47 | |
# Ma-a-a-a-a-an! # | 0:11:47 | 0:11:49 | |
-Beautiful sound. -LAUGHTER | 0:11:49 | 0:11:51 | |
-Not after you've had a few pints. -Oh, it's better after a few pints! | 0:11:51 | 0:11:55 | |
Oh, aye! | 0:11:55 | 0:11:56 | |
Does she make you work hard? | 0:11:56 | 0:11:57 | |
-She's a bully. -She's a bully? -Thank you(!) | 0:11:57 | 0:12:00 | |
Who are the ones to keep an eye on? Who are the jokers? | 0:12:00 | 0:12:03 | |
Him? Butter wouldn't melt in his mouth! | 0:12:03 | 0:12:07 | |
OK, I've got your card marked! | 0:12:07 | 0:12:09 | |
It's just charming when you sing with guts | 0:12:10 | 0:12:13 | |
and you sing with Yorkshire spirit. | 0:12:13 | 0:12:16 | |
That really makes me feel energised. | 0:12:16 | 0:12:18 | |
And I really enjoyed seeing it. | 0:12:18 | 0:12:20 | |
Very, very proud of them. | 0:12:20 | 0:12:22 | |
It would be nice to get another stage further. | 0:12:22 | 0:12:24 | |
It would be very exciting for us, | 0:12:24 | 0:12:26 | |
but I could be in the doghouse, so... | 0:12:26 | 0:12:28 | |
-Count your blessings tonight. -Locked in the shed! | 0:12:28 | 0:12:32 | |
There's definitely something about them that really appeals to me. | 0:12:32 | 0:12:35 | |
That's what I want to be when I'm that old. | 0:12:35 | 0:12:38 | |
I just want to turn up and have a jolly good sing and go home feeling better. | 0:12:38 | 0:12:42 | |
Day three, and Gareth's next stop is County Durham, | 0:12:51 | 0:12:55 | |
heartland of what was once the industrial North-east. | 0:12:55 | 0:12:58 | |
This is Easington Colliery, | 0:13:01 | 0:13:03 | |
all that remains of Easington Colliery - | 0:13:03 | 0:13:05 | |
one of many, many collieries that used to dominate this landscape | 0:13:05 | 0:13:09 | |
in the North-east of England. | 0:13:09 | 0:13:10 | |
When it closed, | 0:13:10 | 0:13:12 | |
it brought all the communities round here to their knees. | 0:13:12 | 0:13:14 | |
This is all that remains. | 0:13:14 | 0:13:16 | |
Staggering to think how thriving and vibrant this would've been | 0:13:16 | 0:13:19 | |
and how kind of bleak it is now. | 0:13:19 | 0:13:21 | |
Easington was once one of Britain's busiest mines, | 0:13:22 | 0:13:26 | |
with a long and sometimes tragic history. | 0:13:26 | 0:13:29 | |
In 1951, it was the scene of one of the UK's worst mining disasters, | 0:13:29 | 0:13:35 | |
when 83 men lost their lives following an explosion. | 0:13:35 | 0:13:39 | |
Then, in the 1980s, pit closures and the ensuing miners' strike | 0:13:39 | 0:13:44 | |
brought more heartache to the area. | 0:13:44 | 0:13:46 | |
When the mine was shut for good in 1993, | 0:13:46 | 0:13:49 | |
it spelled the loss of 1,400 jobs and the end of an era. | 0:13:49 | 0:13:54 | |
When men had to go a mile out to sea to get coal, | 0:13:55 | 0:13:58 | |
what a terrifying thing to do. | 0:13:58 | 0:14:00 | |
And you would need to keep your spirits up, | 0:14:00 | 0:14:02 | |
so music was enormously important in these communities. | 0:14:02 | 0:14:06 | |
The choir Gareth's auditioning today have strong ties to the area. | 0:14:09 | 0:14:14 | |
Decided to make this... | 0:14:15 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:19 | |
Known as Mums In Durham, they meet weekly in the nearby | 0:14:19 | 0:14:23 | |
community centre, after forming a year ago via an ad | 0:14:23 | 0:14:26 | |
on a 10,000-strong Facebook group for local mums. | 0:14:26 | 0:14:30 | |
Looking forward to meeting Gareth today. | 0:14:30 | 0:14:32 | |
We've all sort of had different, varying degrees of stomach flips | 0:14:32 | 0:14:36 | |
going on. Yeah, there's a lot of "ugh" going on in there. | 0:14:36 | 0:14:40 | |
-Would you like a cuppa? -I would love a cuppa, yes. Thanks very much. | 0:14:42 | 0:14:45 | |
Please, have one. But do you want to see something else? | 0:14:45 | 0:14:47 | |
Specially made...for you. | 0:14:47 | 0:14:49 | |
Oh, it's my glasses! | 0:14:53 | 0:14:54 | |
LAUGHTER | 0:14:54 | 0:14:56 | |
-Aww, and you made that specially? -I did, yes. | 0:14:56 | 0:14:58 | |
Thank you very much. | 0:14:58 | 0:15:00 | |
I've never been to Durham | 0:15:00 | 0:15:01 | |
and I don't know the North-east very well at all. | 0:15:01 | 0:15:03 | |
But I know this is an area with a rich tradition of colliery music | 0:15:03 | 0:15:07 | |
and bands and singing. | 0:15:07 | 0:15:08 | |
Do any of you come from that tradition? | 0:15:08 | 0:15:11 | |
My grandparents actually used to dance and do, like, | 0:15:11 | 0:15:14 | |
theatrical things. | 0:15:14 | 0:15:16 | |
As part of the mining community? | 0:15:16 | 0:15:17 | |
Yeah. So, I suppose singing and things was a big part of it. | 0:15:17 | 0:15:21 | |
Have you been singing together for a long time? | 0:15:21 | 0:15:23 | |
We've been together for about a year and we've never performed... | 0:15:23 | 0:15:27 | |
-I know. -Oh, at all? So, your first public performance will be for me? | 0:15:27 | 0:15:32 | |
Did you think I was a kind of soft target or something? | 0:15:32 | 0:15:34 | |
LAUGHTER | 0:15:34 | 0:15:36 | |
-Like, who else best to ask than Gareth? -Oh, OK! | 0:15:36 | 0:15:40 | |
Let's do some singing. | 0:15:40 | 0:15:42 | |
# Looking from a window above | 0:15:44 | 0:15:47 | |
# It's like a story of love | 0:15:47 | 0:15:52 | |
# Can you hear me? | 0:15:52 | 0:15:56 | |
# Came back only yesterday | 0:15:56 | 0:16:00 | |
# I'm moving further away | 0:16:00 | 0:16:03 | |
# Want you near me | 0:16:03 | 0:16:07 | |
# All I needed was the love you gave | 0:16:07 | 0:16:12 | |
# All I needed for another day | 0:16:12 | 0:16:17 | |
# And all I ever knew | 0:16:17 | 0:16:21 | |
# Only you. # | 0:16:21 | 0:16:24 | |
# Ba-da, ba-da, ba-da-da-da... # | 0:16:24 | 0:16:27 | |
-We were leaving them to you! -LAUGHTER | 0:16:27 | 0:16:29 | |
Thank you. Hurrah! Well done! | 0:16:29 | 0:16:31 | |
Rachael, why did you choose this song? | 0:16:31 | 0:16:33 | |
Erm, it kind of reminded us of being mothers, because to our children | 0:16:33 | 0:16:37 | |
there is only us. | 0:16:37 | 0:16:39 | |
We are the centre of their universe till they get to about 11 | 0:16:39 | 0:16:42 | |
and then, you know, we're just losers, really. | 0:16:42 | 0:16:44 | |
-LAUGHTER -So it kind of felt like that. | 0:16:44 | 0:16:47 | |
Well, that's lovely. Thank you so much for having me. | 0:16:47 | 0:16:49 | |
I really enjoyed that. Thank you for your singing. I'll be in touch. | 0:16:49 | 0:16:53 | |
'There's something that I really loved about that.' | 0:16:53 | 0:16:55 | |
Not great, not perfect, not technical - | 0:16:55 | 0:16:58 | |
just honest, real, sweet. | 0:16:58 | 0:17:00 | |
But...is that enough? | 0:17:00 | 0:17:02 | |
It's the final day of Gareth's grand sweep of Northern Britain. | 0:17:13 | 0:17:17 | |
Today, he'll be heading to the Peak District to audition | 0:17:19 | 0:17:22 | |
all-female group The Honey Belles. | 0:17:22 | 0:17:25 | |
-# Doo-doo -Ahh, ahh, ahh... # | 0:17:25 | 0:17:28 | |
They're energetic. | 0:17:28 | 0:17:29 | |
# Where do we go? Where do we go now? # | 0:17:29 | 0:17:31 | |
They obviously really like dressing up. | 0:17:31 | 0:17:33 | |
And they're quite colourful. | 0:17:33 | 0:17:36 | |
It might be a little bit like a hen party. | 0:17:36 | 0:17:38 | |
# Where do we go...? # | 0:17:38 | 0:17:41 | |
Oh, that's what it is - | 0:17:41 | 0:17:43 | |
they're dressed in yellow cos they're called The Honey Belles. | 0:17:43 | 0:17:45 | |
And honey is yellow. | 0:17:45 | 0:17:47 | |
# Oh-oh, sweet child of mine! # | 0:17:47 | 0:17:50 | |
I think they look fun. | 0:17:50 | 0:17:52 | |
Honey Belles HQ for today is the Derbyshire village of Old Tupton, | 0:17:55 | 0:18:00 | |
where a birthday party is doubling up as | 0:18:00 | 0:18:02 | |
a welcome party for the ladies' favourite choirmaster. | 0:18:02 | 0:18:06 | |
I've got everything crossed - fingers, toes, the works - | 0:18:07 | 0:18:10 | |
that he gives us the decision that we want, | 0:18:10 | 0:18:13 | |
to go forward in the competition. | 0:18:13 | 0:18:15 | |
This mix of teachers, nurses and carers | 0:18:15 | 0:18:18 | |
see the choir as an escape from their day-to-day responsibilities | 0:18:18 | 0:18:22 | |
and a way to let their hair down. | 0:18:22 | 0:18:26 | |
It's a release, and that's the whole point of the choir to us. | 0:18:26 | 0:18:29 | |
And we can sing our hearts out, | 0:18:29 | 0:18:30 | |
just like you do every Saturday night on the dance floor. | 0:18:30 | 0:18:33 | |
Hello! | 0:18:33 | 0:18:34 | |
-CHEERING -Hello! | 0:18:34 | 0:18:37 | |
I'm sorry to interrupt... | 0:18:37 | 0:18:39 | |
Is it a special birthday? | 0:18:39 | 0:18:40 | |
I want to say 21st... | 0:18:40 | 0:18:41 | |
LAUGHTER | 0:18:41 | 0:18:43 | |
But you'd be lying. | 0:18:43 | 0:18:45 | |
Tell me a bit about your group. How did this all start? | 0:18:45 | 0:18:48 | |
LAUGHTER | 0:18:48 | 0:18:50 | |
I didn't do it! That's not true. | 0:18:52 | 0:18:54 | |
I was watching you on Military Wives and I was just, like, | 0:18:54 | 0:18:57 | |
"I want to do that." | 0:18:57 | 0:18:58 | |
Why not? | 0:18:58 | 0:18:59 | |
-Well, shall we...shall we sing? -Yes. | 0:18:59 | 0:19:02 | |
# I feel stormy weather | 0:19:04 | 0:19:09 | |
# Moving in | 0:19:09 | 0:19:14 | |
# Ahhhhhhhhh, ahhhhh! | 0:19:14 | 0:19:17 | |
# It's raining men | 0:19:17 | 0:19:19 | |
# Hallelujah! | 0:19:19 | 0:19:21 | |
# It's raining men | 0:19:21 | 0:19:23 | |
# Amen! | 0:19:23 | 0:19:24 | |
# I'm gonna go out | 0:19:24 | 0:19:25 | |
# I'm gonna let myself get | 0:19:25 | 0:19:27 | |
# Absolutely soaking wet | 0:19:27 | 0:19:31 | |
# Oh, it's raining men! # | 0:19:31 | 0:19:34 | |
Wow! That's a very loud noise. Erm... | 0:19:34 | 0:19:37 | |
LAUGHTER | 0:19:37 | 0:19:38 | |
I suppose the biggest question for me is, | 0:19:38 | 0:19:40 | |
what is it that you want to be? Why are you singing? | 0:19:40 | 0:19:43 | |
-Cos it's fun. -Yeah. | 0:19:43 | 0:19:44 | |
At the moment, it feels like you're having a good time. | 0:19:44 | 0:19:47 | |
That's absolutely great. | 0:19:47 | 0:19:48 | |
You have to feel something that then connects with the audience. | 0:19:48 | 0:19:53 | |
And I think you could do more. | 0:19:53 | 0:19:54 | |
-Thank you. -Thank you. | 0:19:54 | 0:19:56 | |
'It's not very cool.' | 0:19:56 | 0:19:57 | |
There's something a bit naff about it. | 0:19:57 | 0:20:00 | |
But, for all that, there is something solid there. | 0:20:00 | 0:20:02 | |
There's some good singers, they've got some great harmonies. | 0:20:02 | 0:20:05 | |
I think, with a few changes, they could be really good. | 0:20:05 | 0:20:09 | |
Eat it! | 0:20:09 | 0:20:10 | |
LAUGHTER | 0:20:10 | 0:20:12 | |
That's really delicious. Thank you very much. Thank you. | 0:20:16 | 0:20:19 | |
It's another rainy, grey day in Northern Britain. | 0:20:24 | 0:20:28 | |
Gareth's visiting the final Northern group on the shortlist. | 0:20:28 | 0:20:32 | |
I'm off to see a choir in Manchester who have all been touched by cancer in some way. | 0:20:32 | 0:20:37 | |
Some of them are doctors, some of them are carers, | 0:20:37 | 0:20:40 | |
and some of them are suffering from cancer themselves. | 0:20:40 | 0:20:42 | |
The Rhythm of Life choir meet at The Christie, | 0:20:42 | 0:20:45 | |
a leading cancer-care centre in south Manchester. | 0:20:45 | 0:20:48 | |
Anyone else for coffee? | 0:20:50 | 0:20:51 | |
I don't know how I became the waiter here. | 0:20:55 | 0:20:57 | |
Oh, wait till I tell my girls I've been served by Gareth. | 0:20:57 | 0:21:02 | |
-They will not believe it. -I mean... -Absolutely. | 0:21:02 | 0:21:06 | |
I'm a giver, what can I say? | 0:21:06 | 0:21:08 | |
Tell me a bit about the choir and what it means to you. | 0:21:08 | 0:21:10 | |
I've got advanced breast cancer. | 0:21:10 | 0:21:12 | |
My treatment had stopped working, | 0:21:12 | 0:21:15 | |
so I've been waiting to go on a new trial. | 0:21:15 | 0:21:18 | |
So, I just started yesterday. I was here for ten hours yesterday. | 0:21:18 | 0:21:22 | |
Right. | 0:21:22 | 0:21:23 | |
So it's just been lovely to have something different | 0:21:23 | 0:21:25 | |
to focus on and talk about. | 0:21:25 | 0:21:27 | |
Something to just be in the moment and enjoy singing. | 0:21:27 | 0:21:30 | |
My daughter, Ella, is in the choir as well. | 0:21:30 | 0:21:33 | |
It's been a lovely, supportive way to be together and do | 0:21:33 | 0:21:37 | |
something together, which is not cancer and not illness and stuff. | 0:21:37 | 0:21:41 | |
It's just such a lovely thing to do. | 0:21:41 | 0:21:43 | |
And, yeah, we'll be practising in the car on the way home | 0:21:43 | 0:21:46 | |
and practising with Dad as well. He joins in. | 0:21:46 | 0:21:49 | |
-I'm really looking forward to this. -One, two... | 0:21:50 | 0:21:52 | |
# The rhythm of life is a powerful beat | 0:21:53 | 0:21:56 | |
# Puts a tingle in your fingers and a tingle in your feet | 0:21:56 | 0:21:59 | |
# Rhythm in the bedroom, rhythm on the street | 0:21:59 | 0:22:02 | |
# Oh, the rhythm of life is a powerful beat | 0:22:02 | 0:22:04 | |
-# Doo-ee -Doo, doo, doo | 0:22:04 | 0:22:06 | |
-# Doo-ee -Doo-ee, doo-ee, doo-ee, doo-ee | 0:22:06 | 0:22:08 | |
-# Doo-ee, doo-ee -Doo, doo, doo | 0:22:08 | 0:22:09 | |
# Doo-ee, doo-ee, doo-ee... # | 0:22:09 | 0:22:11 | |
Seeing the strength and the spirit I found incredibly moving. | 0:22:11 | 0:22:15 | |
I can't stand The Rhythm Of Life. | 0:22:15 | 0:22:17 | |
And today I absolutely loved it. | 0:22:20 | 0:22:22 | |
It's just the fact of them letting their voices be heard. | 0:22:24 | 0:22:27 | |
So, really beautiful and heartfelt and... | 0:22:27 | 0:22:31 | |
lovely. | 0:22:31 | 0:22:32 | |
Half my friends and acquaintances are miserable about all sorts | 0:22:33 | 0:22:38 | |
of things that simply don't matter. | 0:22:38 | 0:22:41 | |
'And here is a group of people who are dying, | 0:22:41 | 0:22:44 | |
'have relatives dying, mothers dying, and are all full of joy.' | 0:22:44 | 0:22:48 | |
That's hope, isn't it? | 0:22:48 | 0:22:51 | |
# The rhythm of life is a powerful be-e-e-eat! # | 0:22:51 | 0:22:58 | |
Gareth's now met all six of the choirs from Scotland | 0:23:03 | 0:23:06 | |
and Northern England. | 0:23:06 | 0:23:08 | |
He'll spend tonight deciding which three he wants to hear sing again. | 0:23:09 | 0:23:13 | |
It's not easy to say to people, "You're not through," | 0:23:13 | 0:23:17 | |
and I want to make sure I've chosen the right three. | 0:23:17 | 0:23:19 | |
# Take the shackles off my feet... # | 0:23:22 | 0:23:24 | |
It's difficult, because I'm not dealing with finished products. | 0:23:24 | 0:23:26 | |
# ..Unscathed through musket fire... # | 0:23:26 | 0:23:29 | |
They're all sort of on a wing and a prayer. | 0:23:29 | 0:23:31 | |
# All I needed was the love you gave... # | 0:23:31 | 0:23:34 | |
Some of them it's right for, some of them it's simply not. | 0:23:34 | 0:23:36 | |
# Man to man! # | 0:23:36 | 0:23:38 | |
But I now know, I think, which of the three groups I want to take | 0:23:38 | 0:23:42 | |
forward, and they're the ones that are ready for the challenge. | 0:23:42 | 0:23:46 | |
Ooh, it's been a good week! | 0:23:57 | 0:23:58 | |
I've seen lots of very interesting groups. | 0:23:58 | 0:24:00 | |
Each have lots of potential. | 0:24:00 | 0:24:03 | |
Gareth's chosen his top three choirs. | 0:24:03 | 0:24:07 | |
Today, they'll sing off against each other at a North Yorkshire | 0:24:07 | 0:24:10 | |
village hall to secure a place in the final stages of the contest. | 0:24:10 | 0:24:14 | |
I want the group that I choose to represent the northern part | 0:24:16 | 0:24:18 | |
of the UK to be people with real energy and real spirit, | 0:24:18 | 0:24:21 | |
saying something to an audience about what it is to be British, | 0:24:21 | 0:24:24 | |
what it is to be them, what it is to sing as a community. | 0:24:24 | 0:24:27 | |
One of the groups that I've chosen are, I think, | 0:24:27 | 0:24:30 | |
incredibly entertaining, they've got a real reason to sing and they are | 0:24:30 | 0:24:34 | |
probably one of the most polished in the contest at this stage. | 0:24:34 | 0:24:36 | |
But they are a little unrefined, | 0:24:36 | 0:24:39 | |
and that's Got Soul, from Edinburgh. | 0:24:39 | 0:24:41 | |
If we get through, it means that we stand | 0:24:41 | 0:24:44 | |
a chance of this thing growing and growing and growing. | 0:24:44 | 0:24:47 | |
So, it's fantastic. | 0:24:47 | 0:24:49 | |
One of the groups I've chosen, they are so inexperienced, | 0:24:49 | 0:24:52 | |
so they are a bit of a wild card. | 0:24:52 | 0:24:54 | |
But there's heart, there's community, there's passion, | 0:24:54 | 0:24:57 | |
and that's Mums In Durham. | 0:24:57 | 0:24:58 | |
Remember the words - just believe in ourselves. Right... | 0:24:58 | 0:25:02 | |
Tits and teeth! | 0:25:02 | 0:25:03 | |
LAUGHTER | 0:25:03 | 0:25:05 | |
This group, they've got great arrangements, | 0:25:07 | 0:25:09 | |
they've got a great sound... | 0:25:09 | 0:25:11 | |
It's just that it's very cheesy. | 0:25:11 | 0:25:14 | |
And that's Honey Belles. | 0:25:14 | 0:25:16 | |
Can I make The Honey Belles cool? | 0:25:16 | 0:25:18 | |
-I mean, can -I -make The Honey Belles cool? Can anyone? | 0:25:18 | 0:25:22 | |
It's got quite serious now. | 0:25:22 | 0:25:25 | |
So, try to remain calm and think, "No, we can do this, | 0:25:25 | 0:25:27 | |
"we know what we're doing. | 0:25:27 | 0:25:28 | |
"We know what we're doing, and we can do this." | 0:25:28 | 0:25:31 | |
I'm looking forward to making the decision, | 0:25:32 | 0:25:34 | |
because the group I choose I will then get to work with and refine | 0:25:34 | 0:25:37 | |
and polish and make into something hopefully really wonderful. | 0:25:37 | 0:25:41 | |
-Hello! -CHEERING | 0:25:45 | 0:25:47 | |
Hi! | 0:25:47 | 0:25:48 | |
Yeah! | 0:25:49 | 0:25:51 | |
Well done! | 0:25:52 | 0:25:53 | |
Congratulations on being here, because from hundreds that applied | 0:25:55 | 0:25:59 | |
across your region, I have whittled it down to just you three groups. | 0:25:59 | 0:26:03 | |
Today, you're going to be singing for me and, crucially, | 0:26:04 | 0:26:06 | |
you're going to be singing a cappella. | 0:26:06 | 0:26:09 | |
Without instruments, nothing to hide behind. | 0:26:09 | 0:26:12 | |
Because that, for me, is the best way to hear what you have. | 0:26:12 | 0:26:16 | |
Mums In Durham, Honey Belles, I'd like you to leave, | 0:26:16 | 0:26:19 | |
because, Got Soul, you are singing for me first. | 0:26:19 | 0:26:22 | |
THEY CHEER | 0:26:22 | 0:26:24 | |
Ready, Got Soul? | 0:26:26 | 0:26:28 | |
ALL: Yes! | 0:26:28 | 0:26:29 | |
OK, let's hear you. | 0:26:29 | 0:26:30 | |
# See you driving round town with the boy I love | 0:26:32 | 0:26:35 | |
# And I'm, like, forget you | 0:26:35 | 0:26:38 | |
# Ooh, ooh, ooh! | 0:26:38 | 0:26:40 | |
# I guess the change in my pocket wasn't enough | 0:26:40 | 0:26:43 | |
# I'm, like, forget you | 0:26:43 | 0:26:45 | |
# And forget her too | 0:26:45 | 0:26:47 | |
# Said, if I was richer | 0:26:47 | 0:26:49 | |
# I'd still be with ya | 0:26:49 | 0:26:52 | |
# Ahhhhh! | 0:26:52 | 0:26:54 | |
# Ain't that some shh! | 0:26:54 | 0:26:55 | |
# Now, baby, baby, baby | 0:26:55 | 0:26:56 | |
# Why you wanna, wanna hurt me so bad? | 0:26:56 | 0:26:59 | |
# So bad, so bad, so bad! | 0:26:59 | 0:27:03 | |
# Uh, why? | 0:27:03 | 0:27:04 | |
# Uh, why? | 0:27:04 | 0:27:06 | |
# Uh! | 0:27:06 | 0:27:07 | |
# I still love you | 0:27:07 | 0:27:12 | |
# I see you driving round town with the boy I love | 0:27:12 | 0:27:16 | |
# And I'm, like, forget you | 0:27:16 | 0:27:18 | |
# Ooh, ooh, ooh | 0:27:18 | 0:27:20 | |
# I guess the change in my pocket wasn't enough | 0:27:20 | 0:27:23 | |
# And I'm, like, forget you | 0:27:23 | 0:27:26 | |
# Ooh, ooh, ooh | 0:27:26 | 0:27:27 | |
# Ahhh! # | 0:27:27 | 0:27:29 | |
Thank you very much, Got Soul. You may leave. | 0:27:29 | 0:27:32 | |
THEY WHOOP | 0:27:32 | 0:27:33 | |
Thank you. | 0:27:33 | 0:27:35 | |
The other two groups are really going to have to up their game | 0:27:35 | 0:27:38 | |
if they're going to compete with that. | 0:27:38 | 0:27:40 | |
LAUGHTER AND CHEERING | 0:27:40 | 0:27:42 | |
Oh, my God, I just feel absolutely amazing. It was just terrific. | 0:27:44 | 0:27:49 | |
Next up, the Mums In Durham. | 0:27:51 | 0:27:54 | |
Take it away. | 0:27:54 | 0:27:55 | |
# I walked across an empty land | 0:27:58 | 0:28:05 | |
# I knew the pathway like the back of my hand | 0:28:05 | 0:28:11 | |
# I felt the earth beneath my feet | 0:28:11 | 0:28:17 | |
# Sat by the river and it made me complete | 0:28:17 | 0:28:24 | |
# Oh, simple thing | 0:28:24 | 0:28:27 | |
# Where have you gone? | 0:28:27 | 0:28:29 | |
# Where have you gone? | 0:28:29 | 0:28:31 | |
# I'm getting old and I need something to rely on | 0:28:31 | 0:28:36 | |
# And if you have a minute, why don't we go | 0:28:36 | 0:28:42 | |
# Talk about it somewhere only we know? | 0:28:42 | 0:28:48 | |
# This could be the end of everything | 0:28:48 | 0:28:53 | |
# So why don't we go | 0:28:53 | 0:28:56 | |
# Somewhere only we know? # | 0:28:56 | 0:29:03 | |
-Thank you. Well done. You may go. Thank you. -Thank you. | 0:29:06 | 0:29:09 | |
'It's all there, it's just so...lacking skill.' | 0:29:09 | 0:29:13 | |
If I think of the first group that performed, they were so polished. | 0:29:13 | 0:29:17 | |
And if that lot had somebody telling them what to do, | 0:29:17 | 0:29:20 | |
I think they could be absolutely wonderful. | 0:29:20 | 0:29:22 | |
I kind of brought us all in wrong. | 0:29:24 | 0:29:26 | |
-ALL: -No, you didn't. | 0:29:26 | 0:29:28 | |
-You didn't. -But... | 0:29:29 | 0:29:31 | |
Babe, you didn't. You didn't. | 0:29:31 | 0:29:33 | |
You did an absolutely fantastic job, don't worry about it. | 0:29:33 | 0:29:37 | |
Last to perform for a place in the finals, The Honey Belles. | 0:29:40 | 0:29:44 | |
It wouldn't be The Honey Belles if you hadn't dressed up. | 0:29:44 | 0:29:47 | |
Are you Madonna? | 0:29:47 | 0:29:48 | |
-ALL: -Yes. -LAUGHTER | 0:29:48 | 0:29:51 | |
Let's hear it, off you go. | 0:29:51 | 0:29:53 | |
# Oooh | 0:29:53 | 0:29:55 | |
# Life is a mystery | 0:29:55 | 0:30:00 | |
# Everyone must stand alone | 0:30:00 | 0:30:05 | |
# I hear you call my name | 0:30:05 | 0:30:10 | |
# And it feels like home | 0:30:10 | 0:30:18 | |
# When you call my name It's like a little prayer | 0:30:18 | 0:30:22 | |
# I'm down on my knees I wanna take you there | 0:30:22 | 0:30:27 | |
# In the midnight hour I can feel your power | 0:30:27 | 0:30:31 | |
# Just like a prayer You know I'll take you there... # | 0:30:31 | 0:30:35 | |
# Just like a prayer Oh-oh | 0:30:35 | 0:30:37 | |
# Your voice can take me there Oh-oh | 0:30:37 | 0:30:39 | |
# Just like a muse to me Oh-oh | 0:30:39 | 0:30:41 | |
# You are a mystery Oh-oh | 0:30:41 | 0:30:43 | |
# Just like a dream | 0:30:43 | 0:30:45 | |
# You are not what you seem | 0:30:45 | 0:30:47 | |
# Just like a prayer | 0:30:47 | 0:30:49 | |
# No choice, your voice can take me there. # | 0:30:49 | 0:30:53 | |
Oh, good final chord. You may leave, well done. | 0:30:53 | 0:30:56 | |
Thank you. | 0:30:56 | 0:30:57 | |
I didn't find it very convincing, but they were very committed. | 0:30:57 | 0:31:00 | |
They go for it, they give it everything. | 0:31:00 | 0:31:02 | |
ALL CHATTER | 0:31:02 | 0:31:04 | |
Just to think how far we've come in a few weeks... | 0:31:04 | 0:31:06 | |
-VOICE BREAKING: -They worked really hard and I think... | 0:31:06 | 0:31:08 | |
I'm just so proud, they've... Yes. | 0:31:08 | 0:31:11 | |
I couldn't be happier. Sorry. | 0:31:11 | 0:31:15 | |
LAUGHTER AND CHATTER | 0:31:15 | 0:31:18 | |
All three groups seen, it's now decision time for Gareth. | 0:31:21 | 0:31:26 | |
This isn't an easy decision, because I think all of the groups have merits. | 0:31:26 | 0:31:29 | |
There's a group with loads of energy, | 0:31:29 | 0:31:31 | |
there's a group with beautiful voices and there's a group | 0:31:31 | 0:31:33 | |
with great arrangements and a kind of sense of pizzazz. | 0:31:33 | 0:31:36 | |
-This is about finding a group that -I -can work with and that I can | 0:31:36 | 0:31:39 | |
challenge and create something exciting. | 0:31:39 | 0:31:42 | |
Got Soul... | 0:31:42 | 0:31:44 | |
I think they've got great energy, but it's easy to make people dance. | 0:31:44 | 0:31:48 | |
Can you actually touch people in their hearts? | 0:31:48 | 0:31:50 | |
The problem with Mums In Durham is that they are utterly inexperienced. | 0:31:52 | 0:31:57 | |
And if I ask them to stand up on stage in front of a thousand people, | 0:31:57 | 0:32:01 | |
I think they might crack. | 0:32:01 | 0:32:03 | |
What I like about The Honey Belles is their commitment, their energy, | 0:32:04 | 0:32:07 | |
they really want this and they want to be in front of an audience. | 0:32:07 | 0:32:12 | |
It just doesn't feel like THEIR music. | 0:32:12 | 0:32:15 | |
I'm torn. You know, there's work for me to do. | 0:32:15 | 0:32:17 | |
Whichever group I choose, if I choose the wrong one, | 0:32:17 | 0:32:21 | |
I'm the person who then has to kind of pick up the pieces. | 0:32:21 | 0:32:24 | |
Yes! | 0:32:24 | 0:32:26 | |
It's been brilliant. | 0:32:26 | 0:32:28 | |
I'm looking for rough diamonds, I think. | 0:32:28 | 0:32:30 | |
And I think I've got one. | 0:32:32 | 0:32:33 | |
LAUGHTER | 0:32:39 | 0:32:41 | |
-Hello! -ALL: -Hi. | 0:32:48 | 0:32:50 | |
-How are you? -ALL: -Nervous. | 0:32:50 | 0:32:52 | |
OK. How did you feel that your performance went? | 0:32:52 | 0:32:54 | |
-ALL: -Good. | 0:32:54 | 0:32:55 | |
We did really well. | 0:32:55 | 0:32:57 | |
We gave it our all and hopefully you will see | 0:32:57 | 0:33:00 | |
what else we've got to give. | 0:33:00 | 0:33:01 | |
It wasn't the greatest audition I've ever seen. | 0:33:01 | 0:33:05 | |
You are, as I said, a very inexperienced group. | 0:33:05 | 0:33:08 | |
There's a really fantastic soul here that has really touched me. | 0:33:09 | 0:33:14 | |
It's just, I can only take one group today to represent the region. | 0:33:14 | 0:33:18 | |
I have made a decision. | 0:33:21 | 0:33:23 | |
I'm not going to take you on to the next stage, I'm afraid. | 0:33:25 | 0:33:28 | |
You must keep singing and keep getting all the enjoyment | 0:33:28 | 0:33:31 | |
that you so evidently get out of it. | 0:33:31 | 0:33:33 | |
Thank you so much and I will watch with interest. See you later, bye. | 0:33:33 | 0:33:37 | |
-ALL: -Thank you. Bye. | 0:33:37 | 0:33:38 | |
I'm gutted about the outcome, but so pleased that we've done | 0:33:39 | 0:33:42 | |
this process, and I wouldn't change a thing. | 0:33:42 | 0:33:44 | |
We've done ourselves proud. | 0:33:45 | 0:33:47 | |
I have made a decision. | 0:33:50 | 0:33:52 | |
And I'm afraid I've just decided it isn't you. | 0:33:56 | 0:33:59 | |
There's a lot of great things about your group | 0:34:00 | 0:34:03 | |
and there's not a lot you need me for. | 0:34:03 | 0:34:06 | |
-Go home with your heads held high. -Yeah. -Thank you. | 0:34:06 | 0:34:09 | |
LAUGHTER | 0:34:09 | 0:34:11 | |
Thank you so much for this experience and thank you | 0:34:11 | 0:34:13 | |
for believing in what we're all about. | 0:34:13 | 0:34:16 | |
It's been OK. | 0:34:16 | 0:34:17 | |
I'm going to put you through. | 0:34:24 | 0:34:26 | |
ALL SCREAM | 0:34:26 | 0:34:29 | |
-Oh, seriously?! -Yeah. | 0:34:29 | 0:34:30 | |
-Oh, my God! -Well done. | 0:34:30 | 0:34:32 | |
-SHE YELLS -Well done! | 0:34:32 | 0:34:34 | |
Does this mean I'm going to be eating more of your pie? | 0:34:34 | 0:34:37 | |
-Yes. -OK. Thank you, well done. | 0:34:37 | 0:34:39 | |
-Well done. -Thank you. -Are we all hugging? | 0:34:39 | 0:34:41 | |
-Please don't have an asthma attack. -Oh, my God, thank you! | 0:34:41 | 0:34:44 | |
Well done, you're welcome, well done. | 0:34:44 | 0:34:46 | |
I can't believe I cuddled Gareth Malone! Aah! Ha-ha! | 0:34:46 | 0:34:50 | |
Oh, my God, I actually touched him. | 0:34:50 | 0:34:52 | |
-I was not expecting that! -ALL TALK OVER EACH OTHER | 0:34:52 | 0:34:55 | |
Girls, I've only put you through to the next stage, you haven't won it! | 0:34:55 | 0:34:58 | |
-ALL: -We know! -This is how we think. | 0:34:58 | 0:35:00 | |
Your solo, that was absolutely tremendous, really well done. | 0:35:00 | 0:35:04 | |
-Told you! -Told you! -She thought she'd done it wrong. | 0:35:04 | 0:35:06 | |
No, no-no, not at all. I don't want to bring on the labour. | 0:35:06 | 0:35:08 | |
It's just unbelievable for me, really, yeah. | 0:35:08 | 0:35:11 | |
It's going to take a while for that to sink in properly. | 0:35:11 | 0:35:14 | |
-Nobody's ever believed in us before. -And it's such a good feeling. -Yeah. | 0:35:14 | 0:35:18 | |
-Isn't it? -Yeah! | 0:35:18 | 0:35:19 | |
You need to now prove to me that you are worthy | 0:35:19 | 0:35:22 | |
of being in this contest, which means we need to work really, | 0:35:22 | 0:35:25 | |
really hard to make sure that you're producing something that is | 0:35:25 | 0:35:28 | |
as good as it possibly can be. | 0:35:28 | 0:35:29 | |
So, we're going to do a performance that I will organise | 0:35:29 | 0:35:32 | |
in your local community in four weeks' time. | 0:35:32 | 0:35:36 | |
ALL GASP | 0:35:36 | 0:35:38 | |
-Right. -LAUGHTER | 0:35:38 | 0:35:40 | |
I've chosen a song for you. | 0:35:40 | 0:35:41 | |
And this is your song... | 0:35:42 | 0:35:44 | |
# She can kill with a smile She can wound with her eyes | 0:35:45 | 0:35:50 | |
# And she can ruin your faith with her casual lies | 0:35:50 | 0:35:56 | |
# And she only reveals what she wants you to see | 0:35:56 | 0:36:00 | |
# She hides like a child But she's always a woman to me... # | 0:36:02 | 0:36:08 | |
-What d'you think? -Love it. -Brilliant. -Love it. -Happy? | 0:36:08 | 0:36:11 | |
-ALL: -Yeah. -Great. | 0:36:11 | 0:36:12 | |
It can be about you as women, about your sort of identity, | 0:36:12 | 0:36:16 | |
your strength, your frailties... | 0:36:16 | 0:36:17 | |
It could be quite an empowering female song, and that's what I miss. | 0:36:17 | 0:36:21 | |
There's a North-eastern toughness | 0:36:21 | 0:36:24 | |
I see in your personalities when we're talking and that we didn't yet get into the singing. | 0:36:24 | 0:36:28 | |
So, ladies, I'm going to leave this in your hands, best of luck. | 0:36:28 | 0:36:32 | |
-ALL: -Thank you! | 0:36:32 | 0:36:33 | |
-Well done! -ALL CHEER | 0:36:33 | 0:36:36 | |
We're just going to do our best to represent the North, | 0:36:37 | 0:36:40 | |
we're just not going to stop working. | 0:36:40 | 0:36:42 | |
-We're not, we're not, we're just going to do this all the time. -This is going to change our lives. | 0:36:42 | 0:36:46 | |
Oh, my gosh, this is going to change our lives. | 0:36:46 | 0:36:48 | |
-I know it is, I know, I know. Amazing. -Yeah, this is brilliant. | 0:36:48 | 0:36:52 | |
Love it. | 0:36:52 | 0:36:53 | |
Yeah. | 0:36:53 | 0:36:54 | |
I've taken a gamble and went for something that spoke to me | 0:36:54 | 0:36:57 | |
directly, something that was pretty and beautiful and honest and real, | 0:36:57 | 0:37:00 | |
and I think that's what they've got, | 0:37:00 | 0:37:02 | |
and they now have to retain that when it gets to a contest. | 0:37:02 | 0:37:05 | |
That's not easy, but I think that they can do it. | 0:37:05 | 0:37:07 | |
I've really got faith in those women. | 0:37:07 | 0:37:09 | |
I think I've got more faith about this for them | 0:37:09 | 0:37:12 | |
than they have in themselves. | 0:37:12 | 0:37:14 | |
The Mums In Durham have been rehearsing their song | 0:37:23 | 0:37:25 | |
for the last week. | 0:37:25 | 0:37:27 | |
Can we sing the "ooh" bits again? | 0:37:27 | 0:37:30 | |
# Oh | 0:37:30 | 0:37:33 | |
# And she never gives out. # | 0:37:33 | 0:37:37 | |
It's harder than I thought, you know. | 0:37:37 | 0:37:39 | |
It's really hard. | 0:37:39 | 0:37:40 | |
Yeah. | 0:37:40 | 0:37:42 | |
The task Gareth's set them of singing in public is one the choir | 0:37:42 | 0:37:45 | |
could never have envisaged taking on a year ago when they first formed. | 0:37:45 | 0:37:50 | |
-Never have performed, have we? -No, we haven't. | 0:37:50 | 0:37:53 | |
-It's one thing we've always wanted to do. -Yeah, we've never had the opportunity. | 0:37:53 | 0:37:56 | |
-But as well as never having the opportunity, confidence... -Yeah. | 0:37:56 | 0:37:59 | |
..everything rolled into one, I think, isn't it? | 0:37:59 | 0:38:01 | |
I think it's helping each other get the confidence to believe that | 0:38:01 | 0:38:04 | |
-you can do it, though, as well, isn't it? -Yeah, yeah. | 0:38:04 | 0:38:06 | |
Cos there's some that are less confident in the group, | 0:38:06 | 0:38:08 | |
-isn't there, Kayleigh? -Yeah. | 0:38:08 | 0:38:10 | |
# She can lead you to love She can take you or... # | 0:38:10 | 0:38:13 | |
Confidence really was a...a thing when I was a kid. It still is now. | 0:38:13 | 0:38:17 | |
# But she'll never believe. # | 0:38:17 | 0:38:21 | |
Being a bigger person, | 0:38:21 | 0:38:22 | |
you do get judged a bit more, | 0:38:22 | 0:38:24 | |
like, what you wear, what you do, how you look. | 0:38:24 | 0:38:26 | |
# She just changes her mind. # | 0:38:26 | 0:38:31 | |
I'm now starting to get a little bit worried. | 0:38:31 | 0:38:33 | |
I can't hit a high note in any of those! | 0:38:33 | 0:38:36 | |
It's harder singing it as a group and in a choir | 0:38:36 | 0:38:39 | |
-than it is singing it on your own. -By yourself. | 0:38:39 | 0:38:41 | |
# Oh, she takes care of herself... # | 0:38:41 | 0:38:48 | |
I really like Mums In Durham, | 0:38:48 | 0:38:50 | |
there's something very charming and sort of open and simple about it. | 0:38:50 | 0:38:54 | |
It is a little bit of a risk for me. | 0:38:54 | 0:38:56 | |
It is, essentially, a mother-and-baby group | 0:38:56 | 0:38:58 | |
that has turned into a choir. | 0:38:58 | 0:39:00 | |
Gareth's heading north to mentor the Mums and tackle their lack | 0:39:00 | 0:39:04 | |
of self-belief head-on. | 0:39:04 | 0:39:06 | |
They're very nervous, this group, | 0:39:06 | 0:39:08 | |
because they've not sung in public very much before, if at all. | 0:39:08 | 0:39:12 | |
So I need to do something about that, I need to do a bit of sort of | 0:39:12 | 0:39:16 | |
psychological preparation for performance, that's what they need. | 0:39:16 | 0:39:20 | |
Ready? | 0:39:22 | 0:39:23 | |
His driver for the morning is Rachael, | 0:39:23 | 0:39:26 | |
who he's joined on the school run. | 0:39:26 | 0:39:28 | |
Are you enjoying it? | 0:39:28 | 0:39:29 | |
-Oh, yeah, absolutely. -Good. Happy with the song? -Love it. | 0:39:29 | 0:39:31 | |
-It's a good song, isn't it? -I love the song, yeah. It's really nice. | 0:39:31 | 0:39:34 | |
I must admit, it's harder than I thought. | 0:39:34 | 0:39:36 | |
We haven't quite been together a year yet, | 0:39:36 | 0:39:38 | |
I'm always kind of thinking, d'you know, | 0:39:38 | 0:39:40 | |
a year ago I wouldn't have dared sing, I wouldn't have... | 0:39:40 | 0:39:42 | |
-I wouldn't have dared. -Oh, well, that's a great change. -Yeah. | 0:39:42 | 0:39:45 | |
MECHANICAL WHIRRING | 0:39:45 | 0:39:48 | |
Aah! | 0:39:48 | 0:39:50 | |
Choir founder Rachael feels her issues with self-esteem | 0:39:50 | 0:39:53 | |
date back to her childhood. | 0:39:53 | 0:39:55 | |
I was always really overweight as a child, | 0:39:55 | 0:39:58 | |
so I felt that I was never going to be the pretty one, | 0:39:58 | 0:40:00 | |
I was never going to be the clever one, I was always just going to be | 0:40:00 | 0:40:04 | |
the fat one, and, obviously, being mixed-race in a predominantly | 0:40:04 | 0:40:07 | |
white area, I was going to be the fat black one, the fat black kid. | 0:40:07 | 0:40:11 | |
You two, with your dancing and stuff, do you ever get nervous? | 0:40:11 | 0:40:14 | |
-Get in the zone. -I just need to take deep breaths. | 0:40:14 | 0:40:16 | |
-Get in your bubble... -Yeah. | 0:40:16 | 0:40:17 | |
-..and do it. -OK. | 0:40:17 | 0:40:19 | |
I wanted to be liked and I wanted to be popular. | 0:40:21 | 0:40:23 | |
I think I just turned into the funny one, the one who cracked jokes. | 0:40:23 | 0:40:27 | |
CHILD BLOWS RASPBERRY, CHILDREN LAUGH | 0:40:27 | 0:40:29 | |
I don't sing in public, | 0:40:29 | 0:40:31 | |
so having a performance to prepare is quite a daunting prospect. | 0:40:31 | 0:40:36 | |
To fit around the Mums' busy schedule, Gareth's set up | 0:40:38 | 0:40:41 | |
his first mentor session with them at the local school... | 0:40:41 | 0:40:45 | |
Crocodile's coming to get you! | 0:40:45 | 0:40:47 | |
..where choir member Louise works as a playground supervisor. | 0:40:47 | 0:40:51 | |
Louise lives with her husband, Paul, and their four-year-old son, Bo. | 0:40:52 | 0:40:57 | |
-Come here, darling. -PAUL LAUGHS | 0:40:57 | 0:40:58 | |
I love you. | 0:40:58 | 0:40:59 | |
Mum kisses... I love you very much. | 0:41:00 | 0:41:04 | |
-Off we go, then. -See you later. -I'll see you later. -Love you. -Love you. | 0:41:04 | 0:41:07 | |
# She can kill with a smile... # | 0:41:07 | 0:41:09 | |
Me confidence did drop when me and Paul wanted to start a family | 0:41:09 | 0:41:15 | |
and things weren't going our way. | 0:41:15 | 0:41:17 | |
SHE HUMS | 0:41:17 | 0:41:19 | |
We lost a few...pregnancies. | 0:41:19 | 0:41:22 | |
So when we actually got our son, it was the most amazing thing ever. | 0:41:23 | 0:41:29 | |
# And she never gives... # | 0:41:30 | 0:41:32 | |
From being told that children wouldn't be possible, | 0:41:32 | 0:41:36 | |
to the point of holding your child... | 0:41:36 | 0:41:39 | |
I look at him every day and I'm so proud... | 0:41:40 | 0:41:43 | |
that he's mine and he calls me Mammy. | 0:41:43 | 0:41:46 | |
Yeah. | 0:41:48 | 0:41:50 | |
To be part of the choir, it fills me with pride to know that | 0:41:51 | 0:41:55 | |
I fit in there, because I am a mam, and it's the best ever. | 0:41:55 | 0:41:59 | |
-Hello! -ALL: -Hi! | 0:42:01 | 0:42:02 | |
-Hello, ladies, how are we? -All right, how are you? | 0:42:02 | 0:42:05 | |
So this is our chance now to just build up your confidence, | 0:42:05 | 0:42:09 | |
and let's have some music. | 0:42:09 | 0:42:10 | |
Yeah. | 0:42:10 | 0:42:12 | |
# She can kill with a smile She can wound with her eyes | 0:42:12 | 0:42:16 | |
# She can ruin your faith with her casual lies | 0:42:16 | 0:42:21 | |
# And she only reveals what she wants you to see | 0:42:21 | 0:42:26 | |
# She hides like a child But she's always a woman to me. # | 0:42:26 | 0:42:33 | |
I feel like if I came in here with a sort of Geiger counter | 0:42:33 | 0:42:36 | |
for nerves, it would be going, "Kccccchhhh!" | 0:42:36 | 0:42:38 | |
ALL LAUGH | 0:42:38 | 0:42:39 | |
Actually, I don't know why we've got this terrible lack of | 0:42:39 | 0:42:42 | |
confidence, cos the second that you start all singing together, | 0:42:42 | 0:42:45 | |
it's really lovely. | 0:42:45 | 0:42:47 | |
That's probably a step too far, | 0:42:47 | 0:42:48 | |
to do something that we're not comfortable with vocally and | 0:42:48 | 0:42:51 | |
-then put it on our faces that we're absolutely loving this. -Yeah, yes. | 0:42:51 | 0:42:54 | |
-Cos inside our heads we're going, "I haven't got a clue." -No. | 0:42:54 | 0:42:57 | |
-When you all sing together, it just clicks, doesn't it? -Yeah. | 0:42:57 | 0:42:59 | |
I put you through because of that sound. | 0:42:59 | 0:43:02 | |
Draw some bloody confidence from that. | 0:43:02 | 0:43:04 | |
This is going to be your first public performance, | 0:43:04 | 0:43:07 | |
I want them to hear what I heard, which was this cracking sound. | 0:43:07 | 0:43:10 | |
If we don't get on top of that now, | 0:43:10 | 0:43:12 | |
it's not going to suddenly magically fix itself. | 0:43:12 | 0:43:15 | |
I'm not surprised that when I came in it was not great, | 0:43:15 | 0:43:18 | |
but it's disappointing. | 0:43:18 | 0:43:20 | |
That's what I was worried about putting them through, was, | 0:43:20 | 0:43:22 | |
you know - "Are they actually ready for it?" Cos as soon as I start to | 0:43:22 | 0:43:25 | |
work with them, they kind of fall to pieces | 0:43:25 | 0:43:27 | |
cos they're so inexperienced. | 0:43:27 | 0:43:28 | |
I've got one of the world's most terrifying audiences | 0:43:28 | 0:43:32 | |
waiting right out there. | 0:43:32 | 0:43:33 | |
It's a group of primary-school kids. | 0:43:35 | 0:43:38 | |
-Go on. -No? | 0:43:41 | 0:43:44 | |
-Oh, we'll be fine, Kayleigh, we'll be great, don't worry. -OK. | 0:43:44 | 0:43:47 | |
-Oh, it's just... -It'll be OK. | 0:43:47 | 0:43:50 | |
I think it would be really good for you and that's a totally... | 0:43:50 | 0:43:52 | |
-I am shitting myself. -Yeah, fine. -I am, I am. | 0:43:52 | 0:43:54 | |
-Sorry, I'm shitting myself, sorry. -OK, but look at...look at me. | 0:43:54 | 0:43:57 | |
-What matters is going in there and giving it a good go. -Yeah. | 0:43:57 | 0:44:00 | |
And it's only children. Can we all get ourselves in the right place... | 0:44:00 | 0:44:03 | |
-Yes. -..and prepare for it? | 0:44:03 | 0:44:05 | |
-Let's go...and sing. -Sorry, yeah. -Yeah. | 0:44:05 | 0:44:08 | |
Come on. | 0:44:08 | 0:44:09 | |
LAUGHTER | 0:44:13 | 0:44:15 | |
APPLAUSE | 0:44:15 | 0:44:17 | |
CHEERING | 0:44:20 | 0:44:22 | |
# She can kill with a... # | 0:44:31 | 0:44:34 | |
I'm off-key. Sorry! | 0:44:34 | 0:44:36 | |
-Sorry. -Don't worry. | 0:44:36 | 0:44:39 | |
# She can kill with a smile She can wound with her eyes | 0:44:41 | 0:44:46 | |
# She can ruin your faith with her casual lies | 0:44:46 | 0:44:51 | |
# And she'll only reveal what she wants you to see | 0:44:51 | 0:44:57 | |
# She hides like a child But she's always a woman to me | 0:44:57 | 0:45:04 | |
# She can lead you to love She can take you or leave you... # | 0:45:04 | 0:45:08 | |
That's all you're getting. | 0:45:08 | 0:45:10 | |
LAUGHTER | 0:45:10 | 0:45:11 | |
Can you give all of them a round of applause? | 0:45:11 | 0:45:14 | |
CHEERING | 0:45:14 | 0:45:15 | |
I've never seen singing like that before. I think they're spectacular. | 0:45:15 | 0:45:19 | |
I liked how it was about women, not men. | 0:45:19 | 0:45:22 | |
We're a bit too hairy sometimes! | 0:45:22 | 0:45:25 | |
LAUGHTER | 0:45:25 | 0:45:27 | |
-There we go, that was OK, wasn't it? -It was very reasonable. | 0:45:28 | 0:45:31 | |
-Yeah, it was OK. -Even though I see these people every day, | 0:45:31 | 0:45:33 | |
I still get nervous in front of them. | 0:45:33 | 0:45:35 | |
I think the thing to remember is that the nerves are never | 0:45:35 | 0:45:38 | |
-going to go away... -Oh, no. -You're always going to feel nervous, | 0:45:38 | 0:45:40 | |
-experience teaches you that it is going to be all right. -Yeah. | 0:45:40 | 0:45:43 | |
It has to be, "We've got something to say," | 0:45:43 | 0:45:45 | |
and you've got so much to say. | 0:45:45 | 0:45:46 | |
-Yeah. -Are you OK? | 0:45:46 | 0:45:48 | |
-Yeah, I just said there that I wanted to do it again! -Yeah? | 0:45:48 | 0:45:51 | |
-Of course you do. -I've got to go for it, I'll do it again. | 0:45:51 | 0:45:54 | |
I'm saying we're going to bottle that feeling and just squirt | 0:45:54 | 0:45:56 | |
-a bit on every day. -Oh, like a sort of pungent eau de toilette? -Yes. | 0:45:56 | 0:46:00 | |
-Of Gareth. -Of Gareth confidence? -Yeah. "Confidence in a bottle." | 0:46:00 | 0:46:03 | |
That's it, that's what we need. | 0:46:03 | 0:46:05 | |
Ladies, I'm glad to be leaving you on a high. Well done. | 0:46:05 | 0:46:07 | |
Well done. | 0:46:07 | 0:46:08 | |
'I think throwing them for a loop | 0:46:08 | 0:46:10 | |
'and making them sing in front of people was the right decision.' | 0:46:10 | 0:46:13 | |
I definitely saw a step up. | 0:46:13 | 0:46:14 | |
At least they did it, they all sang in front of people, that's really, really good. | 0:46:14 | 0:46:17 | |
# Dum, duh, duh... # | 0:46:17 | 0:46:20 | |
But there's a lot of music work that needs to now happen between now and their performance. | 0:46:20 | 0:46:24 | |
-We are representing the North. -You just sort of sit there... | 0:46:37 | 0:46:40 | |
-I know. -..and have a little giggle to yourself, | 0:46:40 | 0:46:42 | |
-and you're, like, "Mm!" -SHE LAUGHS | 0:46:42 | 0:46:44 | |
And it's nice that we've got our own thing going on. | 0:46:44 | 0:46:47 | |
We've got to start believing in ourselves now. | 0:46:47 | 0:46:50 | |
Yeah, definitely. | 0:46:50 | 0:46:51 | |
Gareth wants to find a space for the choir's first big | 0:46:57 | 0:47:01 | |
public performance in five days' time. | 0:47:01 | 0:47:04 | |
He's chosen their usual rehearsal setting, | 0:47:04 | 0:47:07 | |
Bearpark Community Centre, a former miners' welfare club. | 0:47:07 | 0:47:11 | |
Opened in 1921, it cost local miners a shilling a week | 0:47:11 | 0:47:16 | |
to get access to its library, billiard room and dance hall. | 0:47:16 | 0:47:21 | |
They could even enjoy a tin bath! | 0:47:21 | 0:47:23 | |
This is Bearpark Jazz Band inside the community centre... | 0:47:23 | 0:47:28 | |
That's the stage, the whole stage is took up by that. | 0:47:28 | 0:47:32 | |
It has special significance for Hayley and her family. | 0:47:33 | 0:47:36 | |
-Can you see her? There she is there. -That's Nana. -Nana. | 0:47:36 | 0:47:40 | |
-With a bouffant. -HE CHUCKLES | 0:47:40 | 0:47:42 | |
She must have used a lot of hairspray. | 0:47:42 | 0:47:44 | |
My mum and my grandma performed in the community centre | 0:47:44 | 0:47:48 | |
when they were younger. | 0:47:48 | 0:47:49 | |
I'm really proud that I'm performing there, | 0:47:49 | 0:47:52 | |
it's like I'm following on... a legend, so to speak. | 0:47:52 | 0:47:55 | |
It doesn't get used as much as it used to, and it is going to | 0:47:55 | 0:48:00 | |
bring lots of community spirit back, which I'm quite proud of. | 0:48:00 | 0:48:04 | |
Performing there and making the building come alive again, I think it's going to be really nice. | 0:48:04 | 0:48:08 | |
Look, I brought you here to Bearpark Community Centre because when you're here, you're confident, | 0:48:10 | 0:48:14 | |
you're comfortable, and that is fundamentally what I want to see. | 0:48:14 | 0:48:17 | |
I need to see the feisty, strong women that I first met. | 0:48:17 | 0:48:21 | |
And there will be eight of the most confident women you've ever seen, won't there? | 0:48:21 | 0:48:25 | |
-ALL: -Yeah! -Yes, there will! | 0:48:25 | 0:48:26 | |
Good, all right. Well, look, let's crack on. | 0:48:26 | 0:48:29 | |
# Oh | 0:48:29 | 0:48:32 | |
# She takes care of herself | 0:48:32 | 0:48:36 | |
# She can wait if she wants | 0:48:36 | 0:48:40 | |
# She's ahead of her time... # | 0:48:40 | 0:48:46 | |
You're all going... "Uh-uh, uh... No, I'm not sure... | 0:48:46 | 0:48:49 | |
-"When do I get...? Where's the second verse?" -Yeah. | 0:48:49 | 0:48:51 | |
If you don't get it now, it'll not happen in performance. So let's try that again. | 0:48:51 | 0:48:54 | |
-# Oh -Oh | 0:48:54 | 0:48:57 | |
# She takes care of herself... # | 0:48:57 | 0:49:01 | |
Ahhh... You can't do that, it's got to drive. | 0:49:01 | 0:49:04 | |
I don't get the belief, I just get... | 0:49:04 | 0:49:06 | |
You've got to buy into it. | 0:49:08 | 0:49:09 | |
Is everyone getting that message loud and clear? | 0:49:11 | 0:49:14 | |
Can I give you something to meditate on? | 0:49:14 | 0:49:16 | |
In this room, like, for the last 100 years or so, | 0:49:16 | 0:49:19 | |
women have come to sing like this. | 0:49:19 | 0:49:21 | |
If you can have that quality of singing for all the women | 0:49:21 | 0:49:25 | |
-that have ever stood on this spot and sung a song... -My nana. | 0:49:25 | 0:49:28 | |
Your nana? Did your nana used to come here and sing songs? | 0:49:28 | 0:49:31 | |
-In this very room? -Yeah. -Well, there we are. | 0:49:31 | 0:49:33 | |
Look, that's what this performance is about, | 0:49:33 | 0:49:35 | |
it's something rather old-fashioned, you know, a group of women coming | 0:49:35 | 0:49:38 | |
to sing to the local community, and that's a really lovely thing. | 0:49:38 | 0:49:41 | |
I want every note of it to mean something to you. | 0:49:41 | 0:49:43 | |
-I've done everything I can now, it's over to you. Off you go. -Thank you. | 0:49:45 | 0:49:48 | |
Dismissed. | 0:49:48 | 0:49:50 | |
For a lot of us, we've kind of hid for a long time, you know? | 0:49:51 | 0:49:54 | |
We have to push ourselves forward and be more confident, | 0:49:54 | 0:49:58 | |
because we can do it. | 0:49:58 | 0:49:59 | |
I don't want to let you down, cos we know you took a gamble on us. | 0:49:59 | 0:50:02 | |
This is very simple, you know, | 0:50:02 | 0:50:04 | |
this is a group of women coming in here, singing a song... | 0:50:04 | 0:50:07 | |
-What's to worry about? -Easy. -Yeah, easy... -Yeah. | 0:50:07 | 0:50:10 | |
But it's not like that for you, is it? | 0:50:10 | 0:50:12 | |
It's not, no, this is completely out of our comfort zone. | 0:50:12 | 0:50:15 | |
We will make it work. | 0:50:15 | 0:50:16 | |
-OK, well, we've got a mountain to climb. -I'm going to win. -OK. | 0:50:16 | 0:50:20 | |
-All right. -Thank you. | 0:50:20 | 0:50:22 | |
I mean, I just don't know if they're actually ready for this contest | 0:50:23 | 0:50:27 | |
in any way, shape or form. | 0:50:27 | 0:50:29 | |
I think it's a bit...knocking a bit on your confidence and that | 0:50:29 | 0:50:31 | |
because you think, "Ah, I've done my best, and if you can't see..." | 0:50:31 | 0:50:35 | |
"..you know, that we've tried..." | 0:50:37 | 0:50:39 | |
it just makes you think, "Are we going to... | 0:50:39 | 0:50:41 | |
"Are we going to be good enough by our final performance?" | 0:50:41 | 0:50:44 | |
It's the day of the Mums In Durham's first big public performance. | 0:50:53 | 0:50:58 | |
I hope they get what we're trying to put across. | 0:50:58 | 0:51:01 | |
Strong women against the odds and the things you do | 0:51:01 | 0:51:05 | |
when you're pushed to your limits! | 0:51:05 | 0:51:06 | |
We are living proof that you can get off your backside | 0:51:06 | 0:51:10 | |
and make something happen. | 0:51:10 | 0:51:12 | |
-GASPS: -Oh, my gosh! | 0:51:12 | 0:51:13 | |
I love it. | 0:51:14 | 0:51:16 | |
While the women spruce up themselves, | 0:51:17 | 0:51:19 | |
their husbands are busy sprucing up the community centre. | 0:51:19 | 0:51:23 | |
Pull it straight there, son, pull it over there... | 0:51:23 | 0:51:26 | |
Put it... There we go. | 0:51:26 | 0:51:28 | |
I've spent a lot of time with the Mums In Durham, I haven't met any | 0:51:28 | 0:51:30 | |
of the dads in Durham, these mythical beasts. | 0:51:30 | 0:51:33 | |
-Hello, are you one of the dads in Durham? -Yes, I'm Paul, | 0:51:35 | 0:51:37 | |
-Louise's husband. -Hello, nice to meet you. -Pleased to meet you. | 0:51:37 | 0:51:39 | |
-Hello, and who are you? -Bo. -Bo. -Who's your mummy? | 0:51:39 | 0:51:42 | |
-(Louise.) -Louise. | 0:51:42 | 0:51:44 | |
-Going to see Mammy singing today. -Yeah. | 0:51:45 | 0:51:48 | |
-Yeah, we're really excited. Really proud, aren't we? -Yeah. | 0:51:48 | 0:51:51 | |
-We're really proud of Mammy. She's going to do great, isn't she? -Yeah. | 0:51:51 | 0:51:55 | |
-Sorry? -I'm her sister. So singing from when we were little in bed. | 0:51:55 | 0:51:58 | |
-Really? -Yeah. -She'd sing you to sleep? -Yeah. | 0:51:58 | 0:52:01 | |
I'll be so proud of her, that's my little sister stood up there, | 0:52:01 | 0:52:04 | |
doing what she's wanted to do forever. | 0:52:04 | 0:52:07 | |
-I'm Craig. -You're Craig. Are you...? | 0:52:07 | 0:52:09 | |
-Hayley's. -Hayley? | 0:52:09 | 0:52:10 | |
-Are you excited to see your mum sing? -She sings beautifully... | 0:52:10 | 0:52:14 | |
-Like the stars! -Like the stars! | 0:52:14 | 0:52:17 | |
Willie, let go of me! | 0:52:17 | 0:52:19 | |
Along with Hayley's four boys, | 0:52:19 | 0:52:22 | |
someone's arrived who knows exactly how to entertain the Bearpark crowd. | 0:52:22 | 0:52:27 | |
Her nan, Ellen. | 0:52:27 | 0:52:29 | |
Will you be proud today to sing in the same place that your nana sang in? | 0:52:29 | 0:52:32 | |
Yeah, yes, I will. | 0:52:32 | 0:52:34 | |
I can't tell you how excited I am about this, you know. | 0:52:34 | 0:52:37 | |
-I hope we do justice to the building. -Oh, gosh, you will. | 0:52:37 | 0:52:40 | |
-Yes, I will. -ELLEN CHUCKLES | 0:52:40 | 0:52:43 | |
-We're Rachael's older brother and sister. -This is a proud moment | 0:52:44 | 0:52:48 | |
for our family. Performing before an audience takes a lot of courage. | 0:52:48 | 0:52:52 | |
I imagine they're feeling terribly nervous. | 0:52:52 | 0:52:55 | |
-LAUGHING: -You can already hear them! | 0:52:58 | 0:52:59 | |
I know, you can hear them. Oh, my God. | 0:52:59 | 0:53:01 | |
Friends, family and locals have packed out Bearpark | 0:53:03 | 0:53:06 | |
and over 200 people are now waiting to hear the Mums sing. | 0:53:06 | 0:53:11 | |
There's people that have just basically never, ever... | 0:53:11 | 0:53:14 | |
never heard me sing. | 0:53:14 | 0:53:16 | |
That's nerve-racking. | 0:53:16 | 0:53:17 | |
We want people to see how strong we are and we certainly | 0:53:18 | 0:53:22 | |
don't want to crumble on the stage. | 0:53:22 | 0:53:24 | |
-Hello! -ALL: -Hello! | 0:53:27 | 0:53:29 | |
APPLAUSE | 0:53:30 | 0:53:32 | |
Good afternoon, welcome to Bearpark Community Centre. | 0:53:32 | 0:53:35 | |
Today you're going to see a very special performance by | 0:53:35 | 0:53:37 | |
a group of local women... | 0:53:37 | 0:53:39 | |
I'm incredibly proud of what they've done. | 0:53:39 | 0:53:41 | |
So will you please give an enormous welcome to... | 0:53:42 | 0:53:46 | |
The Mums In Durham?! | 0:53:46 | 0:53:49 | |
CHEERING | 0:53:49 | 0:53:51 | |
PIANO PLAYS | 0:54:07 | 0:54:09 | |
# She can kill with a smile She can wound with her eyes | 0:54:10 | 0:54:15 | |
# She can ruin your faith with her casual lies | 0:54:15 | 0:54:21 | |
# And she only reveals what she wants you to see | 0:54:21 | 0:54:27 | |
# She hides like a child But she's always a woman to me | 0:54:27 | 0:54:35 | |
# She can lead you to love She can take you or leave you | 0:54:35 | 0:54:40 | |
# She can ask for the truth But she'll never believe you | 0:54:40 | 0:54:45 | |
# And she'll take what you give her as long as it's free | 0:54:45 | 0:54:51 | |
# She steals like a thief But she's always a woman to me | 0:54:51 | 0:54:59 | |
# Oh | 0:54:59 | 0:55:02 | |
# She takes care of herself | 0:55:02 | 0:55:06 | |
# She can wait if she wants | 0:55:06 | 0:55:10 | |
# She's ahead of her time | 0:55:10 | 0:55:15 | |
# Oh | 0:55:15 | 0:55:18 | |
# And she never gives out | 0:55:18 | 0:55:22 | |
# And she never gives in | 0:55:22 | 0:55:26 | |
# She just changes her mind | 0:55:26 | 0:55:31 | |
LOUISE HUMS | 0:55:31 | 0:55:34 | |
GROUP HUMS | 0:55:38 | 0:55:40 | |
# She's always a woman to me. # | 0:55:43 | 0:55:52 | |
CHEERING AND APPLAUSE | 0:55:54 | 0:55:57 | |
LAUGHTER | 0:56:17 | 0:56:19 | |
The girls were just fantastic, amazing. Amazing. | 0:56:19 | 0:56:23 | |
I'm so proud of me sister. | 0:56:23 | 0:56:25 | |
It's something she's always wanted to do and... | 0:56:25 | 0:56:28 | |
she's got her chance there now. | 0:56:28 | 0:56:30 | |
It takes you back. It makes you feel like you want to be there again. | 0:56:30 | 0:56:34 | |
It was really absolutely beautiful. Very proud of her. | 0:56:34 | 0:56:39 | |
Very proud of all of them. | 0:56:39 | 0:56:42 | |
Bursting with pride. That's fantastic, absolutely amazing. | 0:56:42 | 0:56:46 | |
That was amazing. | 0:56:46 | 0:56:47 | |
I think Gareth's done an amazing job with the whole team. | 0:56:47 | 0:56:50 | |
It's great, fantastic. I'm very proud. | 0:56:50 | 0:56:52 | |
-Did you enjoy it? -Yes, it was amazing. | 0:56:52 | 0:56:55 | |
-Mammy was brilliant, wasn't she? -Yeah. | 0:56:55 | 0:56:57 | |
They were all really good. Really proud of them. | 0:56:57 | 0:57:00 | |
The sound of it, | 0:57:00 | 0:57:01 | |
it made everybody tickle from toes to the tops of their heads, totally. | 0:57:01 | 0:57:07 | |
Amazing. | 0:57:07 | 0:57:08 | |
-You can't buy that. -I know. -That feeling... Phoow! Amazing. | 0:57:08 | 0:57:13 | |
It went well, so I was quite proud of meself, really. Yeah. | 0:57:13 | 0:57:17 | |
-That is amazing. -We've done it. It's fabulous, well done. -Well done. | 0:57:17 | 0:57:21 | |
-Well done, pet. -Aw! | 0:57:21 | 0:57:22 | |
You can definitely draw some confidence from today, can't you? | 0:57:23 | 0:57:26 | |
-That was amazing! -LAUGHTER | 0:57:26 | 0:57:28 | |
It was a really great reaction. | 0:57:28 | 0:57:30 | |
And next time we meet, it will be much tougher... | 0:57:30 | 0:57:33 | |
There won't be as much time, I'm going to throw things at you, | 0:57:33 | 0:57:37 | |
you're going to be challenged, it's another level. | 0:57:37 | 0:57:39 | |
Yeah. | 0:57:39 | 0:57:40 | |
-Um, but well done. -Thank you! | 0:57:40 | 0:57:42 | |
-Bye-bye. -ALL: -Bye! | 0:57:42 | 0:57:44 | |
I am delighted. | 0:57:46 | 0:57:47 | |
I think people will really like them and I think that I picked | 0:57:47 | 0:57:50 | |
a good group to represent the North. | 0:57:50 | 0:57:52 | |
I don't know how they're going to fare when they get in the contest. | 0:57:52 | 0:57:55 | |
If they're going to do well, they're going to have to step it up a lot. | 0:57:55 | 0:57:58 | |
If they get it right, they've got a chance. | 0:57:58 | 0:58:00 | |
SHE SINGS | 0:58:03 | 0:58:05 | |
Next time... | 0:58:06 | 0:58:08 | |
Gareth goes from gospel... | 0:58:09 | 0:58:11 | |
Oof! | 0:58:11 | 0:58:12 | |
..to garden parties... | 0:58:12 | 0:58:14 | |
-Hello. -Hello, Gareth! -WOMEN ALL CHEER | 0:58:14 | 0:58:17 | |
..as he scours the Midlands... | 0:58:17 | 0:58:19 | |
-Hello! -ALL CHEER | 0:58:19 | 0:58:21 | |
You're a jolly bunch. | 0:58:21 | 0:58:22 | |
..and Wales... | 0:58:22 | 0:58:23 | |
-Deal. -LAUGHTER | 0:58:23 | 0:58:26 | |
..for his second regional champion. | 0:58:26 | 0:58:28 | |
I would really like to take you through | 0:58:28 | 0:58:30 | |
to the next stage of the contest. | 0:58:30 | 0:58:32 | |
-CHEERING -Hey-hey! | 0:58:32 | 0:58:34 |