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Hello and welcome to The Code. | 0:00:12 | 0:00:14 | |
Locked inside this safe is £4,500. | 0:00:14 | 0:00:18 | |
To open the safe and win the money, | 0:00:18 | 0:00:20 | |
contestants just need to crack a three-digit code. | 0:00:20 | 0:00:23 | |
Yesterday, three teams tried and failed. | 0:00:23 | 0:00:26 | |
And each time, more money went into the jackpot. | 0:00:26 | 0:00:30 | |
So today, will anyone be able to open the safe? | 0:00:30 | 0:00:33 | |
Let's meet our next team hoping to crack the code. | 0:00:33 | 0:00:36 | |
Take a spot right there. Louise, Leeanne and Maxine. | 0:00:43 | 0:00:47 | |
-Yeah. -Yes. -Am I right, you're all friends? ALL: -Yeah. | 0:00:47 | 0:00:50 | |
-Which part of the country are you from? -South London. -OK. | 0:00:50 | 0:00:53 | |
-All right, how do you guys know each other? -We went to school together. | 0:00:53 | 0:00:56 | |
-And still mates? -Yeah, 21 years. -Yeah. | 0:00:56 | 0:00:58 | |
So we've got like £4,500 waiting in the safe. | 0:00:58 | 0:01:02 | |
If it came your way today, any big plans? What would you do? | 0:01:02 | 0:01:06 | |
-A Star Trek convention in Las Vegas. -Not hosting one? | 0:01:06 | 0:01:09 | |
-No, no, just attending. -Just attending? -Yeah. | 0:01:09 | 0:01:12 | |
And are you one of those people that likes to dress as a character? | 0:01:12 | 0:01:16 | |
I will be in full dress, yeah. | 0:01:16 | 0:01:18 | |
-OK. As? -A Klingon. -As a Klingon? -Why not? Why not? -You'd have to be. | 0:01:18 | 0:01:22 | |
-If you're going to do it, go all in. -Right. | 0:01:22 | 0:01:24 | |
-And you guys, would you be joining Louise at all? -No. | 0:01:24 | 0:01:27 | |
-Not our kind of thing at all. -Leave her to it. -Yeah. | 0:01:27 | 0:01:29 | |
-But please send pictures, we'd like to see them. -Will do. | 0:01:29 | 0:01:32 | |
-That sounds great. OK, are you ready to play? -We are. -Yes, definitely. | 0:01:32 | 0:01:36 | |
Fantastic. Right, this is how it works. | 0:01:36 | 0:01:38 | |
To open the safe and win £4,500, | 0:01:38 | 0:01:41 | |
you need to enter a three-digit code. | 0:01:41 | 0:01:44 | |
Now, all you have to do is pick the correct answer, | 0:01:44 | 0:01:48 | |
the one correct answer that's there. | 0:01:48 | 0:01:50 | |
Then select a number between zero and nine, | 0:01:50 | 0:01:54 | |
and the computer will reveal whether or not that number is in the code. | 0:01:54 | 0:01:58 | |
But be warned, if you choose an incorrect answer, that's it, | 0:01:58 | 0:02:04 | |
game over, you're on your way back to South London. | 0:02:04 | 0:02:07 | |
Instant elimination is the name of the game. | 0:02:07 | 0:02:11 | |
Brutal. Sorry about that. | 0:02:11 | 0:02:12 | |
-That's the way it works. -That's fine. | 0:02:12 | 0:02:14 | |
It's an easy game to play, it's a very hard game to win, | 0:02:14 | 0:02:18 | |
as we are discovering. | 0:02:18 | 0:02:20 | |
If you're ready, let's set the code. | 0:02:20 | 0:02:23 | |
OK, there it is. And before we start, | 0:02:27 | 0:02:29 | |
let me introduce you to the person who'll be shedding light | 0:02:29 | 0:02:32 | |
on the answers to the questions, whether you got it right or wrong. | 0:02:32 | 0:02:35 | |
It's Lesley Brewis. How are you, Lesley? | 0:02:35 | 0:02:37 | |
-I'm well today, how are you? -Yeah, I'm very well. Are you a trekkie? | 0:02:37 | 0:02:40 | |
-I am. -Is that right, a trekkie? -That's right. | 0:02:40 | 0:02:42 | |
Well, trekker is the non-pejorative term. | 0:02:42 | 0:02:45 | |
Trekkie has a touch of rudeness about it. | 0:02:45 | 0:02:48 | |
Did you know that one of the most insulting things you can say | 0:02:48 | 0:02:51 | |
to a Klingon is, "Your mother has a smooth forehead"? | 0:02:51 | 0:02:53 | |
-I did know that. -So you speak Klingon? -I can say a few words. | 0:02:53 | 0:02:57 | |
-I don't know if I want to. -THEY LAUGH | 0:02:57 | 0:02:59 | |
-In case we find out they are the really rude ones. -Exactly. | 0:02:59 | 0:03:02 | |
That's why. | 0:03:02 | 0:03:03 | |
Let's hope today is a good day to quiz. | 0:03:03 | 0:03:05 | |
-What can I say, live long and prosper? -You can do that. | 0:03:05 | 0:03:07 | |
Peace and long life. | 0:03:07 | 0:03:09 | |
Peace and long life, good one. Right. | 0:03:09 | 0:03:11 | |
Ladies, let's have a look at your first three answers. | 0:03:11 | 0:03:15 | |
Remember, only one of them is correct. | 0:03:15 | 0:03:17 | |
That's what you're trying to find. | 0:03:17 | 0:03:19 | |
At this point, you can open all | 0:03:19 | 0:03:21 | |
three answers to reveal the questions. | 0:03:21 | 0:03:23 | |
So it really doesn't matter which order you do it in. | 0:03:23 | 0:03:26 | |
There we have... | 0:03:26 | 0:03:27 | |
Which one are you going to go for first? | 0:03:32 | 0:03:35 | |
Bread? I like bread. | 0:03:35 | 0:03:37 | |
-THEY LAUGH You like bread? -Let's go with bread. | 0:03:37 | 0:03:40 | |
OK. Let's have a slice of bread. | 0:03:40 | 0:03:42 | |
Let's see what the question is. | 0:03:42 | 0:03:44 | |
So it's meat, isn't it? | 0:03:49 | 0:03:51 | |
-So... -They're both... -Sausage. | 0:03:51 | 0:03:53 | |
-Yeah, they're both types of sausage. -Yeah. | 0:03:53 | 0:03:55 | |
OK, so you're saying sausage | 0:03:55 | 0:03:57 | |
-for that one? -Yeah. -Yes. | 0:03:57 | 0:03:58 | |
OK, well, we can find out | 0:03:58 | 0:03:59 | |
the other two as well. | 0:03:59 | 0:04:00 | |
Kate Moss and D-R, or doctor, | 0:04:00 | 0:04:02 | |
which one would you like to go for? | 0:04:02 | 0:04:04 | |
-Kate Moss? -Kate Moss. -Kate Moss. | 0:04:04 | 0:04:06 | |
Let's have a look at that question. | 0:04:06 | 0:04:08 | |
-That was Heidi Klum. -Heidi Klum. | 0:04:15 | 0:04:18 | |
Good. OK. | 0:04:18 | 0:04:19 | |
Fairly confident | 0:04:19 | 0:04:20 | |
-about both of those. -Yeah. | 0:04:20 | 0:04:22 | |
Let's have a look at the third one, | 0:04:22 | 0:04:23 | |
just in case. | 0:04:23 | 0:04:24 | |
A PhD is a doctor, isn't it? | 0:04:31 | 0:04:34 | |
That's right. So that is the correct one. | 0:04:34 | 0:04:36 | |
-Yeah. -OK. | 0:04:36 | 0:04:37 | |
So you are pretty confident, all three of you, | 0:04:37 | 0:04:39 | |
that you found | 0:04:39 | 0:04:40 | |
the correct answer there. | 0:04:40 | 0:04:42 | |
-I think so, yeah. -Yeah. | 0:04:42 | 0:04:44 | |
Let's lock it in. | 0:04:44 | 0:04:46 | |
That's the correct answer | 0:04:48 | 0:04:49 | |
and you get to have a stab | 0:04:49 | 0:04:51 | |
at putting one of those numbers into the code. | 0:04:51 | 0:04:53 | |
If it's wrong, I'm afraid | 0:04:53 | 0:04:55 | |
you're on your way home. Let's find out. | 0:04:55 | 0:04:58 | |
We want it to go green. | 0:04:58 | 0:04:59 | |
It is the correct answer. | 0:05:01 | 0:05:02 | |
-CONTESTANTS: -Yay! | 0:05:02 | 0:05:03 | |
-Well done, ladies. -Louise, Leeanne, | 0:05:03 | 0:05:05 | |
Maxine, well done. Lesley. | 0:05:05 | 0:05:06 | |
Doctor if you have a PhD? | 0:05:06 | 0:05:09 | |
PhD means doctor of philosophy, but in practice, | 0:05:09 | 0:05:12 | |
doctors in all subjects call themselves PhD | 0:05:12 | 0:05:15 | |
and use doctor as their honorific. | 0:05:15 | 0:05:17 | |
You're right, the model married | 0:05:17 | 0:05:19 | |
to Seal is Heidi Klum, | 0:05:19 | 0:05:20 | |
not Kate Moss. | 0:05:20 | 0:05:22 | |
And saucisson and chorizo... | 0:05:22 | 0:05:24 | |
-Chori-THO? -Chorizo. | 0:05:24 | 0:05:25 | |
-OK. -..are examples of sausages. | 0:05:25 | 0:05:29 | |
Not only did you know | 0:05:29 | 0:05:30 | |
the right pair, but you got | 0:05:30 | 0:05:31 | |
the right correct answers for the wrong ones too. | 0:05:31 | 0:05:34 | |
Good stuff. That's a really good start. | 0:05:34 | 0:05:36 | |
You're displaying excellent knowledge. | 0:05:36 | 0:05:38 | |
Now it comes down to luck | 0:05:38 | 0:05:39 | |
because you get to choose a number to go into the code. | 0:05:39 | 0:05:43 | |
They're all there, zero to nine, | 0:05:43 | 0:05:45 | |
and we need one of them to find out if it's in the code. | 0:05:45 | 0:05:48 | |
What's it going to be? | 0:05:48 | 0:05:49 | |
-We planned it before that we'd go for two for our first number. -Two. | 0:05:49 | 0:05:53 | |
-Number two. Reason being? -Maxine's favourite number. | 0:05:53 | 0:05:56 | |
It's a lucky number for me. | 0:05:56 | 0:05:57 | |
Lucky number for you. Right, Maxine. | 0:05:57 | 0:05:59 | |
Let's see if it is lucky for you today. Number two. | 0:05:59 | 0:06:01 | |
Is it in that first box? | 0:06:01 | 0:06:03 | |
No. Is it in the second box? | 0:06:05 | 0:06:07 | |
It's not. | 0:06:09 | 0:06:11 | |
Number two, are you in the third box? | 0:06:11 | 0:06:13 | |
It's not. | 0:06:14 | 0:06:16 | |
Struck out at an early stage, | 0:06:16 | 0:06:19 | |
but let's have a look at your next three answers. | 0:06:19 | 0:06:21 | |
Any of that jump out at you? | 0:06:29 | 0:06:31 | |
Greyhound, I'm thinking maybe | 0:06:31 | 0:06:34 | |
-the dog track. Possibly. -Yeah. | 0:06:34 | 0:06:38 | |
Well, you still get to look at all three questions, | 0:06:38 | 0:06:40 | |
so start with anyone that you like. | 0:06:40 | 0:06:42 | |
-Greyhound? -Greyhound. | 0:06:42 | 0:06:43 | |
Let's have a look at the question | 0:06:43 | 0:06:45 | |
behind greyhound. | 0:06:45 | 0:06:46 | |
I can't imagine it's a greyhound. I don't know... | 0:06:55 | 0:06:57 | |
-Maybe Great Dane or something like that. -Yeah. -But not a greyhound. | 0:06:57 | 0:07:00 | |
You're thinking there are bigger dogs. | 0:07:00 | 0:07:02 | |
I think there's bigger dogs. | 0:07:02 | 0:07:03 | |
OK, let's have a look at one of the | 0:07:03 | 0:07:04 | |
other questions. Which one next? | 0:07:04 | 0:07:06 | |
-Saudi Arabia? -Yep. -Saudi Arabia, | 0:07:06 | 0:07:09 | |
let's have a look at that question. | 0:07:09 | 0:07:11 | |
Medina? Does anyone know where that is? | 0:07:19 | 0:07:21 | |
-I've heard of it... -Me too. | 0:07:21 | 0:07:22 | |
..but I'm not as confident as I was with the greyhound question. | 0:07:22 | 0:07:25 | |
No, me neither. | 0:07:25 | 0:07:26 | |
So that's probably a 50-50 on that one. | 0:07:26 | 0:07:28 | |
OK, let's have a look at the last one then, because we can. | 0:07:28 | 0:07:30 | |
I haven't even seen the film. | 0:07:41 | 0:07:42 | |
-I do, I know the song. -Yeah, but... | 0:07:42 | 0:07:45 | |
Feel free to go through it if you want to. | 0:07:45 | 0:07:48 | |
SHE HUMS, OTHERS LAUGH | 0:07:49 | 0:07:51 | |
# A name I call myself, Fa, a long, long way to run... # | 0:07:51 | 0:07:53 | |
Do, Re, mi, fa, sol. | 0:07:53 | 0:07:56 | |
So it's the fifth note. | 0:07:56 | 0:07:57 | |
But I don't know what... | 0:07:57 | 0:08:00 | |
Because doesn't it start C? | 0:08:00 | 0:08:02 | |
-It starts C? -In music. | 0:08:02 | 0:08:04 | |
Gosh, I don't know. | 0:08:04 | 0:08:06 | |
If you're saying that C | 0:08:06 | 0:08:07 | |
is the first note, | 0:08:07 | 0:08:08 | |
then D would be the second. | 0:08:08 | 0:08:10 | |
Yeah. | 0:08:10 | 0:08:12 | |
And if we're saying that the song goes in order, | 0:08:12 | 0:08:15 | |
and sol comes fifth, | 0:08:15 | 0:08:17 | |
then I'm not sure | 0:08:17 | 0:08:19 | |
that it can represent D. | 0:08:19 | 0:08:21 | |
That's kind of what I think. | 0:08:21 | 0:08:23 | |
It's logical. | 0:08:23 | 0:08:24 | |
-There is a logic to it. -Yeah. | 0:08:24 | 0:08:26 | |
I think Saudi Arabia, | 0:08:28 | 0:08:29 | |
it's whether or not you're with me. | 0:08:29 | 0:08:31 | |
-Are you with her, ladies? -Are you with me? | 0:08:31 | 0:08:34 | |
-Always. Let's do it. -Yeah. | 0:08:34 | 0:08:35 | |
-We're with you. -I like that, solidarity. | 0:08:35 | 0:08:37 | |
Let's do it, let's lock in Saudi Arabia | 0:08:37 | 0:08:41 | |
as the correct answer. | 0:08:41 | 0:08:43 | |
If it is the correct answer, you get | 0:08:43 | 0:08:44 | |
to put another digit into the code. | 0:08:44 | 0:08:47 | |
Let's find out. | 0:08:47 | 0:08:48 | |
Please be green. | 0:08:51 | 0:08:53 | |
LEEANNE GASPS | 0:08:53 | 0:08:54 | |
-Yes! I'm so happy. I am so happy. -Inspired guesswork. | 0:08:54 | 0:08:58 | |
-Inspired guesswork. -My logic was sound. | 0:08:58 | 0:09:00 | |
This is a beautiful thing. | 0:09:00 | 0:09:01 | |
Because of the process of elimination, | 0:09:01 | 0:09:03 | |
the other two you knocked out, leaving you with one | 0:09:03 | 0:09:05 | |
that you didn't really know at all. | 0:09:05 | 0:09:07 | |
-No, no clue. -No, didn't know that. -Lesley, Medina. | 0:09:07 | 0:09:09 | |
Medina, yes, the second holiest | 0:09:09 | 0:09:11 | |
after Mecca and before Jerusalem. | 0:09:11 | 0:09:13 | |
The place from which Mohammed conquered all Arabia. | 0:09:13 | 0:09:16 | |
And in the song Do-Re-Mi... You went through it so beautifully. | 0:09:16 | 0:09:19 | |
D is actually fa. And what we were looking for | 0:09:21 | 0:09:24 | |
is G. | 0:09:24 | 0:09:26 | |
Do, re, mi, fa, | 0:09:26 | 0:09:28 | |
sol. Right. And then greyhound, | 0:09:28 | 0:09:31 | |
the girls said | 0:09:31 | 0:09:33 | |
absolutely spot-on. | 0:09:33 | 0:09:34 | |
Greyhound is a relatively small dog. | 0:09:34 | 0:09:36 | |
Yes, greyhound's | 0:09:36 | 0:09:37 | |
far too small to be | 0:09:37 | 0:09:39 | |
the tallest-ever dog. | 0:09:39 | 0:09:40 | |
Wolfhounds are generally the tallest dogs. | 0:09:40 | 0:09:41 | |
But Zeus was a Great Dane, just like Scooby-Doo. | 0:09:41 | 0:09:44 | |
-Right. -There you are. You were spot on. | 0:09:44 | 0:09:47 | |
-Zeus stood at 7'5" on his hind legs. -Wow. | 0:09:47 | 0:09:50 | |
You wouldn't want him jumping up | 0:09:50 | 0:09:52 | |
to greet you when you come through the door. | 0:09:52 | 0:09:54 | |
It had to be quite something | 0:09:54 | 0:09:55 | |
to take him for a walk as well. | 0:09:55 | 0:09:56 | |
You'd have to be quite butch. | 0:09:56 | 0:09:58 | |
Right, the good news is you get to choose another digit | 0:09:58 | 0:10:02 | |
to put into the code. | 0:10:02 | 0:10:03 | |
Remember, even if it's not in the code, | 0:10:03 | 0:10:05 | |
you are whittling down the number of numbers that could be there. | 0:10:05 | 0:10:09 | |
What's going to be next? | 0:10:09 | 0:10:11 | |
-What do you think, Leeanne? -I'm thinking three. | 0:10:11 | 0:10:13 | |
-Three? -Three? -Yeah. | 0:10:13 | 0:10:15 | |
Let's find out if three is in that first box. | 0:10:15 | 0:10:18 | |
No. Is it in the second box? | 0:10:22 | 0:10:24 | |
Come on. | 0:10:24 | 0:10:25 | |
It's not. | 0:10:25 | 0:10:27 | |
Is it in that final box? | 0:10:27 | 0:10:29 | |
-It is! -Yay! | 0:10:31 | 0:10:32 | |
We've got our first number, the number three is on the board. | 0:10:32 | 0:10:36 | |
It's in the code. You're one step closer | 0:10:36 | 0:10:39 | |
to the money that's inside that safe. | 0:10:39 | 0:10:41 | |
However, that means you do move on to the next level, | 0:10:41 | 0:10:45 | |
and it gets a little bit harder. | 0:10:45 | 0:10:48 | |
Before you could see all three answers. | 0:10:48 | 0:10:51 | |
Now you will only see two of the questions behind those answers | 0:10:51 | 0:10:56 | |
before you have to commit and discard one of them. | 0:10:56 | 0:11:00 | |
It's tougher. | 0:11:00 | 0:11:01 | |
Let's have a look at your answers. | 0:11:01 | 0:11:04 | |
Now, this is where it becomes crucial | 0:11:10 | 0:11:12 | |
to think about the areas that you're good at, that you might know. | 0:11:12 | 0:11:15 | |
There's nothing there about Klingons. | 0:11:15 | 0:11:17 | |
No. I'm waiting for that. | 0:11:17 | 0:11:18 | |
It's a shame. But from those, | 0:11:18 | 0:11:21 | |
which do you think you might want to look at first? | 0:11:21 | 0:11:23 | |
I'm hoping Trading Places is to do with the film. | 0:11:23 | 0:11:25 | |
-I was thinking that as well. -I can't think of anything else. | 0:11:25 | 0:11:28 | |
Is that a film you know? | 0:11:28 | 0:11:29 | |
Yeah, I've seen it. | 0:11:29 | 0:11:30 | |
Obviously, it's an old one, so I haven't seen it recently, but... | 0:11:30 | 0:11:34 | |
OK, we're going to go for that one? | 0:11:34 | 0:11:35 | |
-Shall we? -OK, let's have | 0:11:35 | 0:11:37 | |
a look at the question behind Trading Places. | 0:11:37 | 0:11:39 | |
I don't think he played it in that film. | 0:11:48 | 0:11:51 | |
I don't think that was the name of | 0:11:51 | 0:11:52 | |
-his character. Or was it? -Billy Ray. | 0:11:52 | 0:11:54 | |
What's the one where he's in that Porsche and...? | 0:11:54 | 0:11:56 | |
SHE HUMS | 0:11:56 | 0:11:58 | |
-Oh, Beverly Hills Cop. -Yeah. -No. | 0:11:58 | 0:12:00 | |
-His name was Axel Foley in that one. -OK then. | 0:12:00 | 0:12:03 | |
-So it's not that one. -Well, OK. | 0:12:03 | 0:12:06 | |
Well, you don't have to rely just on that, you can still look | 0:12:06 | 0:12:08 | |
at one of the other two before | 0:12:08 | 0:12:10 | |
you have to discard one of them. | 0:12:10 | 0:12:12 | |
-I think I'm more confident with blueberry. -Yeah, let's do that. | 0:12:12 | 0:12:16 | |
-Let's look at the question behind blueberry, shall we? -Please. | 0:12:16 | 0:12:19 | |
-Isn't that...? -Strawberry or raspberry, it's a red one. -Yeah. | 0:12:25 | 0:12:28 | |
-It's not blueberry. -So that's false. | 0:12:28 | 0:12:30 | |
So at this stage, to see what | 0:12:30 | 0:12:32 | |
the question is behind double lock, | 0:12:32 | 0:12:34 | |
you need to discard one of those as wrong. | 0:12:34 | 0:12:37 | |
-OK, the top one. -I'm more confident with blueberry, yeah. | 0:12:37 | 0:12:40 | |
-Yeah. -For sure. -Blueberry? -Yes, please. | 0:12:40 | 0:12:42 | |
-Sticking with that? -Yes, please. | 0:12:42 | 0:12:44 | |
That's the one we want to discard. | 0:12:44 | 0:12:46 | |
We want that to be an incorrect answer so we can move on. | 0:12:46 | 0:12:50 | |
If it's correct, you're going home. Let's find out. | 0:12:50 | 0:12:53 | |
We want this to go red. | 0:12:54 | 0:12:56 | |
It is incorrect. | 0:12:59 | 0:13:01 | |
Well done. Lesley. | 0:13:01 | 0:13:02 | |
If not blueberry jam, what jam? | 0:13:02 | 0:13:06 | |
-Traditionally, raspberry. -Is it? | 0:13:06 | 0:13:07 | |
You can have it with strawberry, | 0:13:07 | 0:13:09 | |
or anything, really. I like it with chocolate. | 0:13:09 | 0:13:11 | |
Don't bother with the sponge. | 0:13:11 | 0:13:12 | |
Chocolate on top, on the bottom, in the middle. | 0:13:12 | 0:13:14 | |
-That's a bar of chocolate. -A sandwich. | 0:13:14 | 0:13:16 | |
That's not traditional and it's very naughty. | 0:13:16 | 0:13:19 | |
OK, congratulations, that means you've binned an incorrect answer | 0:13:19 | 0:13:24 | |
and we can look at the question behind double lock. | 0:13:24 | 0:13:27 | |
I heard them say it many times, but I don't... | 0:13:38 | 0:13:40 | |
Is that when the pilot is talking to...? | 0:13:40 | 0:13:42 | |
Yeah, it's when they're about to start to taxi. | 0:13:42 | 0:13:46 | |
-And they say to close the doors. -Doors to manual... | 0:13:46 | 0:13:50 | |
One of those has to be correct. | 0:13:50 | 0:13:52 | |
So if you look at it from that point of view and balance up | 0:13:52 | 0:13:55 | |
one against the other, | 0:13:55 | 0:13:57 | |
do you get a feel for which one | 0:13:57 | 0:13:58 | |
-is more likely? -Trading Places... | 0:13:58 | 0:14:00 | |
-If you can't be definitive. -What was that film? | 0:14:00 | 0:14:02 | |
Trading Places, he starts off as, like, a homeless guy, | 0:14:02 | 0:14:06 | |
or he's pretending to be homeless, I can't remember, | 0:14:06 | 0:14:08 | |
and then he eventually gets, you know, | 0:14:08 | 0:14:10 | |
into Wall Street or somewhere like that, with rich people. | 0:14:10 | 0:14:14 | |
Was that not Richard Pryor? | 0:14:14 | 0:14:16 | |
And not Eddie Murphy? | 0:14:16 | 0:14:18 | |
That was! | 0:14:18 | 0:14:19 | |
-Yeah. -I think it was Richard Pryor. -I think you might be right. | 0:14:19 | 0:14:23 | |
I'm certain you're right about Richard Pryor. | 0:14:23 | 0:14:25 | |
You're right. You are. | 0:14:25 | 0:14:26 | |
And then, doors to manual and double lock, it sounds logical, why not? | 0:14:26 | 0:14:29 | |
-Yeah. -Done. -OK. | 0:14:29 | 0:14:31 | |
We're going to lock in | 0:14:31 | 0:14:33 | |
as the correct answer double lock. | 0:14:33 | 0:14:36 | |
-Is that correct? -Yeah. | 0:14:36 | 0:14:38 | |
It's locked in now. | 0:14:39 | 0:14:42 | |
We want that to be the correct answer | 0:14:42 | 0:14:43 | |
so you can carry on your good work. | 0:14:43 | 0:14:45 | |
-I'm not sure now. -Stick another figure into the code. | 0:14:45 | 0:14:48 | |
If it's not, I'm afraid you're on your way. | 0:14:49 | 0:14:52 | |
-It's not. -Aaah! | 0:14:58 | 0:15:00 | |
-I'm so sorry. -No! Such a shame. -It's not right. | 0:15:00 | 0:15:04 | |
Lesley, tell us all about it. | 0:15:04 | 0:15:06 | |
What is the correct phrase? | 0:15:06 | 0:15:08 | |
It's doors to manual and crosscheck. | 0:15:08 | 0:15:11 | |
Or sometimes double check on smaller planes. | 0:15:11 | 0:15:13 | |
-Does that sound familiar now or is it still...? -No. -No. -No. | 0:15:13 | 0:15:17 | |
It's still not there, OK. | 0:15:17 | 0:15:19 | |
How about Trading Places? | 0:15:19 | 0:15:20 | |
-Well, it was Eddie Murphy. -It was Eddie Murphy. | 0:15:20 | 0:15:23 | |
-You might have been thinking of Brewster's Millions. -Oh! | 0:15:23 | 0:15:26 | |
Where he has to spend all that money in a short space of time | 0:15:26 | 0:15:28 | |
so that he can inherit an amount left to him. | 0:15:28 | 0:15:31 | |
I'm so sorry. You've done such good early work securing the three. | 0:15:31 | 0:15:36 | |
And just to find out, what other numbers were you going to go for? | 0:15:36 | 0:15:40 | |
-Seven was our next one. -Seven, and then? | 0:15:40 | 0:15:42 | |
-That was it. -THEY LAUGH | 0:15:42 | 0:15:45 | |
-We hadn't got that far. -Maybe nine? | 0:15:45 | 0:15:46 | |
Let's find out what the code should have been. | 0:15:46 | 0:15:49 | |
-THEY GASP 973. -Oh, my gosh! | 0:15:51 | 0:15:54 | |
So the seven and the nine you are talking about were the next two. | 0:15:54 | 0:15:58 | |
If you could have just secured two more questions, | 0:15:58 | 0:16:03 | |
you could have been there. | 0:16:03 | 0:16:04 | |
But unfortunately, it wasn't to be. I'm so sorry. | 0:16:04 | 0:16:07 | |
-It's fine, thank you. -It's still lovely meeting you. | 0:16:07 | 0:16:10 | |
-I hope you had a good time. -Oh, definitely. -It's been a good day. | 0:16:10 | 0:16:13 | |
Louise, Leeanne, Maxine, I'm so sorry to say, you failed | 0:16:13 | 0:16:17 | |
to break the code, therefore you have to leave the game. | 0:16:17 | 0:16:19 | |
-Thank you very much. -OK, take care. Bye-bye. -Bye. | 0:16:19 | 0:16:22 | |
Well, that's it, they've gone. | 0:16:26 | 0:16:27 | |
But that means there is more money waiting for the next team | 0:16:27 | 0:16:31 | |
hoping to crack the code. | 0:16:31 | 0:16:33 | |
Come on in. Take a spot there. Good to see you. Jamie, Ollie. | 0:16:37 | 0:16:42 | |
-That's it. -Good friends? -Good friends, yeah. | 0:16:42 | 0:16:44 | |
-OK, how did you guys meet? -We were at university together. | 0:16:44 | 0:16:47 | |
Probably through mutual friends, but at Leeds University together. | 0:16:47 | 0:16:50 | |
-Tell me what you do for a living. -I work in fabric sales. | 0:16:50 | 0:16:53 | |
It's just a small company, just me and my dad. | 0:16:53 | 0:16:55 | |
We represent people who make fabric | 0:16:55 | 0:16:57 | |
-and then sell it in the UK. -You're the middleman. | 0:16:57 | 0:16:59 | |
-The middleman, absolutely. -How about you, Ollie? | 0:16:59 | 0:17:01 | |
-I'm a PhD student studying geochemistry. -OK. | 0:17:01 | 0:17:04 | |
So any geochemistry questions come up here... | 0:17:04 | 0:17:06 | |
-I'm hoping for it, yeah. -..you're the guy. | 0:17:06 | 0:17:09 | |
-Definitely. -Yeah. -I understand you're both music fans. | 0:17:09 | 0:17:12 | |
Is that the thing that sort of really keeps you as friends? | 0:17:12 | 0:17:15 | |
-Do you go to gigs, play together? -Yeah, we play together. | 0:17:15 | 0:17:18 | |
We were in a Shaggy tribute band called It Wasn't Me. | 0:17:18 | 0:17:21 | |
A Shaggy tribute band? | 0:17:21 | 0:17:23 | |
I had no idea Shaggy had reached that level where... | 0:17:23 | 0:17:25 | |
I don't think he has, actually. | 0:17:25 | 0:17:27 | |
You guys just decided... | 0:17:27 | 0:17:28 | |
On the audience's reaction, definitely, | 0:17:28 | 0:17:30 | |
-they're not ready for a tribute band yet. -Right. | 0:17:30 | 0:17:32 | |
You don't bear a striking resemblance to Shaggy. | 0:17:32 | 0:17:34 | |
We were musicians in the band, we weren't the front man. | 0:17:34 | 0:17:37 | |
-You're the guys at the back. -Yeah. -Brilliant stuff. | 0:17:37 | 0:17:39 | |
OK, well, listen, the good news for you guys is that the previous teams | 0:17:39 | 0:17:43 | |
have all failed, and that means we've put another £500 | 0:17:43 | 0:17:47 | |
into the safe. | 0:17:47 | 0:17:50 | |
That makes a total of £5,000... | 0:17:50 | 0:17:53 | |
..if you manage to break the code. | 0:17:55 | 0:17:58 | |
Let's reset the code. | 0:17:58 | 0:17:59 | |
And let's have a look at your first three answers. | 0:18:03 | 0:18:06 | |
Remember, at this stage, only one of them is correct, | 0:18:06 | 0:18:09 | |
and that's the one that you're trying to find. | 0:18:09 | 0:18:12 | |
At this point, you can | 0:18:12 | 0:18:13 | |
open all three answers to reveal the questions behind them. | 0:18:13 | 0:18:17 | |
There we have... | 0:18:17 | 0:18:18 | |
Which one do you fancy? | 0:18:22 | 0:18:24 | |
Shall we go with France and Spain to start with? | 0:18:24 | 0:18:26 | |
-Yeah. France and Spain, please. -Let's have a look | 0:18:26 | 0:18:28 | |
at the question behind France and Spain. | 0:18:28 | 0:18:30 | |
What is the 38th parallel? | 0:18:38 | 0:18:39 | |
I'm not entirely sure. | 0:18:39 | 0:18:41 | |
What's the parallel? Why the 38th? | 0:18:41 | 0:18:43 | |
Would they have a demilitarised | 0:18:43 | 0:18:44 | |
zone between France and Spain? | 0:18:44 | 0:18:46 | |
So like, at the bottom, | 0:18:46 | 0:18:47 | |
-that's like the Basque region. -Yeah. | 0:18:47 | 0:18:50 | |
Like by the Pyrenees, I think. | 0:18:50 | 0:18:51 | |
-Yeah. -Around there. | 0:18:51 | 0:18:53 | |
Separated by a demilitarised buffer zone. | 0:18:53 | 0:18:55 | |
Maybe it would help if we looked at the other questions. | 0:18:55 | 0:18:58 | |
Which one would you want to go for next? | 0:18:58 | 0:19:00 | |
-Let's go for pianos. -Yeah. | 0:19:00 | 0:19:01 | |
Pianos, the question behind pianos. | 0:19:01 | 0:19:03 | |
Over to you. | 0:19:11 | 0:19:12 | |
I've heard of Steinway. | 0:19:12 | 0:19:13 | |
I've heard of Steinway as well, | 0:19:13 | 0:19:15 | |
but I don't play piano. | 0:19:15 | 0:19:16 | |
That's not my instrument. | 0:19:16 | 0:19:17 | |
What's your instrument in the band? | 0:19:17 | 0:19:18 | |
I play guitar, | 0:19:18 | 0:19:20 | |
but I play banjo and mandolin... | 0:19:20 | 0:19:22 | |
The famous banjo hits of Shaggy. | 0:19:22 | 0:19:24 | |
-JAMIE LAUGHS -Yeah. -OK. | 0:19:24 | 0:19:26 | |
Bluegrass style. | 0:19:26 | 0:19:28 | |
Let's have a look at the last one. | 0:19:28 | 0:19:30 | |
There's one in Vauxhall, isn't there? Or is that MI5? | 0:19:38 | 0:19:41 | |
-I thought they were both in Vauxhall. -Are they? | 0:19:41 | 0:19:43 | |
I think surely | 0:19:43 | 0:19:45 | |
they'll be in London, won't they? | 0:19:45 | 0:19:47 | |
France and Spain, two countries are separated by... | 0:19:47 | 0:19:50 | |
a demilitarised buffer zone. | 0:19:50 | 0:19:53 | |
Yeah, so there's no military allowed | 0:19:53 | 0:19:55 | |
in that area at all. | 0:19:55 | 0:19:57 | |
-Right, OK. -So it is normally | 0:19:57 | 0:19:58 | |
-when there's... -Yeah, yeah. Yeah. | 0:19:58 | 0:20:00 | |
-Problems between the two. -OK, OK. | 0:20:00 | 0:20:03 | |
-So... -Shall we go for Steinways? | 0:20:03 | 0:20:05 | |
Yeah, I think so. | 0:20:05 | 0:20:06 | |
-Yeah. -OK. Shall we lock that in? | 0:20:06 | 0:20:08 | |
Let's lock that in, please. | 0:20:08 | 0:20:10 | |
Let's lock it in, yeah. | 0:20:10 | 0:20:11 | |
Let's lock it in. | 0:20:11 | 0:20:12 | |
If it is not correct, I'm afraid | 0:20:13 | 0:20:15 | |
it's an early exit for you, | 0:20:15 | 0:20:16 | |
Jamie and Ollie. | 0:20:16 | 0:20:17 | |
Let's find out. | 0:20:18 | 0:20:20 | |
We want it to go green. | 0:20:20 | 0:20:21 | |
It is correct. | 0:20:25 | 0:20:26 | |
-Yeah. -Congratulations. | 0:20:26 | 0:20:27 | |
The right answer. | 0:20:27 | 0:20:29 | |
Lesley, Steinway and Sons pianos? | 0:20:29 | 0:20:31 | |
Yes, they've been making pianos | 0:20:31 | 0:20:33 | |
for 160 years. They recently made | 0:20:33 | 0:20:35 | |
their 600,000th piano. | 0:20:35 | 0:20:37 | |
Took about four years | 0:20:37 | 0:20:39 | |
and 6,000 hours to build | 0:20:39 | 0:20:41 | |
and was priced at 2.4 million. | 0:20:41 | 0:20:44 | |
OK, great stuff. | 0:20:44 | 0:20:45 | |
And France and Spain | 0:20:45 | 0:20:47 | |
and the demilitarised buffer zone | 0:20:47 | 0:20:49 | |
along the 38th parallel. | 0:20:49 | 0:20:50 | |
Where is it, Lesley? | 0:20:50 | 0:20:51 | |
France and Spain are closer | 0:20:51 | 0:20:53 | |
to the 42nd parallel. | 0:20:53 | 0:20:55 | |
The 38th parallel divides | 0:20:55 | 0:20:57 | |
North and South Korea. | 0:20:57 | 0:20:59 | |
Ah, OK. | 0:20:59 | 0:21:01 | |
And finally... | 0:21:01 | 0:21:02 | |
You were saying MI5 and MI6, | 0:21:03 | 0:21:05 | |
you thought, were in Vauxhall. | 0:21:05 | 0:21:07 | |
Is that the correct answer? | 0:21:07 | 0:21:09 | |
MI6 is in Vauxhall. | 0:21:09 | 0:21:11 | |
MI5 is north of the river. | 0:21:11 | 0:21:13 | |
MI6 features in a couple of James Bond films - | 0:21:13 | 0:21:16 | |
the opening sequence of The World Is Not Enough, | 0:21:16 | 0:21:19 | |
a bit of it gets blown up in Skyfall. | 0:21:19 | 0:21:21 | |
What you're looking for in Cheltenham is GCHQ, | 0:21:21 | 0:21:23 | |
the government communications headquarters | 0:21:23 | 0:21:26 | |
in the doughnut building in Cheltenham. | 0:21:26 | 0:21:28 | |
So your instincts were right, | 0:21:28 | 0:21:30 | |
gentlemen. You got the right answer there by the process of elimination. | 0:21:30 | 0:21:34 | |
And that means you get to enter one figure into the code. | 0:21:34 | 0:21:38 | |
What do you think it's going to be? | 0:21:38 | 0:21:39 | |
I'm leaning toward six. | 0:21:39 | 0:21:41 | |
OK, let's find out if six is in the code. | 0:21:41 | 0:21:44 | |
Is it in the first box? | 0:21:44 | 0:21:45 | |
It is. | 0:21:49 | 0:21:50 | |
-Lucky strike. -All right. -First attempt, first box. | 0:21:50 | 0:21:54 | |
You have the number six in the code. That's absolutely fantastic. | 0:21:54 | 0:21:58 | |
You found the first number. Now you are onto the next level. | 0:21:58 | 0:22:01 | |
Unfortunately, that also means it gets a little bit more difficult. | 0:22:01 | 0:22:05 | |
As before, you see all three answers, | 0:22:05 | 0:22:08 | |
but this time, you only get to look at two questions before you | 0:22:08 | 0:22:12 | |
have to commit and discard one of those answers. | 0:22:12 | 0:22:16 | |
You won't quite have the full picture. | 0:22:16 | 0:22:19 | |
But let's have a look at the answers you're given first of all. | 0:22:19 | 0:22:22 | |
That can't just be chance. THEY LAUGH | 0:22:27 | 0:22:30 | |
Now it becomes a little bit | 0:22:30 | 0:22:31 | |
more important which one | 0:22:31 | 0:22:33 | |
you choose first. | 0:22:33 | 0:22:34 | |
No pressure on me, but I think it's got to be iron, | 0:22:34 | 0:22:37 | |
-hasn't it? -Yeah. Hopefully, it's something chemistry. | 0:22:37 | 0:22:39 | |
Unless you have a love of lions you've never told me about. | 0:22:39 | 0:22:41 | |
Don't like them, mate. | 0:22:41 | 0:22:43 | |
Is this due to your PhD | 0:22:43 | 0:22:44 | |
-in geochemistry, probably? -Yes. | 0:22:44 | 0:22:46 | |
-That's what you're banking on here? -Yeah, that's what I'm going... | 0:22:46 | 0:22:49 | |
OK, let's find out the question | 0:22:49 | 0:22:50 | |
behind iron. | 0:22:50 | 0:22:51 | |
Did you write this question? HE LAUGHS | 0:22:56 | 0:22:59 | |
I should've done, shouldn't I? | 0:22:59 | 0:23:00 | |
What is your... | 0:23:00 | 0:23:01 | |
It's not just gut instinct here. | 0:23:01 | 0:23:03 | |
What's your very learned opinion on that? | 0:23:03 | 0:23:05 | |
I think... I think iron is right. | 0:23:05 | 0:23:07 | |
Is it? I'm with you, I don't... | 0:23:07 | 0:23:09 | |
We could go for another one of the answers. | 0:23:09 | 0:23:11 | |
-We can still hold that one, can't we? -Exactly. | 0:23:11 | 0:23:13 | |
Let's look at another question, | 0:23:13 | 0:23:15 | |
maybe that will shed light on it. | 0:23:15 | 0:23:16 | |
Which one would you like? | 0:23:16 | 0:23:17 | |
I don't know anything about Zion. | 0:23:17 | 0:23:19 | |
-So, shall we go for lions? -Yeah. | 0:23:19 | 0:23:20 | |
-Yeah. -Can we have lions, please? | 0:23:20 | 0:23:22 | |
OK, let's have a look at the question behind lion. | 0:23:22 | 0:23:25 | |
Yeah, they're lions. | 0:23:30 | 0:23:31 | |
-No... Is Mufasa? -Yeah, Mufasa's the dad. He's the dad that dies. | 0:23:31 | 0:23:35 | |
And Nala's the girlfriend, Simba's girlfriend. | 0:23:35 | 0:23:37 | |
You're right. | 0:23:37 | 0:23:39 | |
What's the name of the monkey? | 0:23:39 | 0:23:40 | |
-Rafiki. -Rafiki. | 0:23:40 | 0:23:42 | |
We are here balancing... THEY LAUGH | 0:23:42 | 0:23:44 | |
That's good knowledge. | 0:23:44 | 0:23:46 | |
We are balancing a PhD in geochemistry | 0:23:46 | 0:23:49 | |
-against someone's love of Disney films. -Yeah. | 0:23:49 | 0:23:51 | |
-He said he didn't like lions that much. -No. | 0:23:51 | 0:23:53 | |
He was a self-professed | 0:23:53 | 0:23:55 | |
not an expert in lions. | 0:23:55 | 0:23:57 | |
-Yeah. -But that's nailed on for you, Jamie. -I'm sure. | 0:23:57 | 0:24:00 | |
Mufasa's the dad, he dies. And Nala's the girl. | 0:24:00 | 0:24:02 | |
We have to get rid of one answer here. | 0:24:02 | 0:24:04 | |
So then maybe it is aluminium that's in the crust. | 0:24:04 | 0:24:07 | |
I'm going to go with you, I think you're right with the lion thing. | 0:24:07 | 0:24:10 | |
Wow. | 0:24:10 | 0:24:11 | |
We are throwing all of that study out of the door. | 0:24:11 | 0:24:14 | |
-Well, hopefully, we're not. -Maybe, maybe. | 0:24:14 | 0:24:17 | |
OK, we're hoping that iron is not the correct answer. | 0:24:17 | 0:24:21 | |
OK, let's find out. | 0:24:22 | 0:24:24 | |
We want this to go red. | 0:24:24 | 0:24:27 | |
You're absolutely right, | 0:24:30 | 0:24:31 | |
it is incorrect. Thank goodness. | 0:24:31 | 0:24:34 | |
Lesley, iron, | 0:24:34 | 0:24:35 | |
not the most common | 0:24:35 | 0:24:37 | |
element by weight in the Earth's crust. | 0:24:37 | 0:24:39 | |
Not in the crust. It is the most abundant in the core. | 0:24:39 | 0:24:43 | |
The most common ELEMENT, not metal, | 0:24:43 | 0:24:45 | |
in the Earth's crust is oxygen, | 0:24:45 | 0:24:47 | |
-because it combines with... -Right... | 0:24:47 | 0:24:50 | |
It makes silicates, quartz, etc. | 0:24:50 | 0:24:52 | |
The second is silicon and the third is aluminium. | 0:24:52 | 0:24:55 | |
-Aluminium is the most abundant metal. -Metal. | 0:24:55 | 0:24:57 | |
Well, that means we can bin | 0:24:57 | 0:25:00 | |
that incorrect answer there. | 0:25:00 | 0:25:01 | |
It means we can have a look at the question behind Zion. | 0:25:01 | 0:25:05 | |
I think I might know that. | 0:25:11 | 0:25:12 | |
I think it's Mount Sinai. I don't know where that's coming from. | 0:25:12 | 0:25:16 | |
-Or Mount Ararat. -Mount Ararat? | 0:25:16 | 0:25:19 | |
It's probably neither of those, but I'm pretty sure it's a mountain. | 0:25:19 | 0:25:22 | |
I'll tell you what, there's | 0:25:22 | 0:25:23 | |
only one correct answer there, | 0:25:23 | 0:25:24 | |
that's the thing to focus on. | 0:25:24 | 0:25:26 | |
And that's the one we want to find. | 0:25:26 | 0:25:27 | |
-I think we're pretty confident, aren't we? -Yeah. | 0:25:27 | 0:25:30 | |
I think let's do lion. | 0:25:30 | 0:25:31 | |
Let's lock in lion as the correct answer. | 0:25:31 | 0:25:34 | |
If it's wrong, I'm afraid, gentlemen, | 0:25:36 | 0:25:38 | |
you're on your way home. | 0:25:38 | 0:25:39 | |
Let's find out. | 0:25:39 | 0:25:40 | |
We want it to go green. | 0:25:42 | 0:25:43 | |
It is correct. | 0:25:46 | 0:25:47 | |
Just goes to show you that | 0:25:47 | 0:25:48 | |
a PhD in geochemistry | 0:25:48 | 0:25:49 | |
-doesn't beat a love of The Lion King. -Nothing. Exactly. | 0:25:49 | 0:25:53 | |
Lion King studies should be a master course. | 0:25:53 | 0:25:56 | |
Mufasa and Nala, they're the lions. | 0:25:56 | 0:25:58 | |
Simba, of course, the main character. Swahili for lion. | 0:25:58 | 0:26:01 | |
Do you know how to translate no worries into Swahili? | 0:26:01 | 0:26:04 | |
-Hakuna matata? -Of course! It means no worries. | 0:26:04 | 0:26:07 | |
-In Swahili? -Yes. -Does it now? | 0:26:07 | 0:26:09 | |
Well, I mean, we had from Jamie... We were saying Mount...? | 0:26:09 | 0:26:12 | |
You were throwing out lots of biblical mountains. | 0:26:12 | 0:26:15 | |
Sinai is the one where Moses received the Ten Commandments. | 0:26:15 | 0:26:18 | |
Ararat is indeed where Noah's Ark | 0:26:18 | 0:26:20 | |
is supposed to have landed after the flood. | 0:26:20 | 0:26:22 | |
Ararat, you got it. Jamie, I think that was your round. | 0:26:22 | 0:26:26 | |
-You nailed that pretty good. -Yeah. -And it means | 0:26:26 | 0:26:28 | |
that both of you get to choose another number | 0:26:28 | 0:26:30 | |
to enter into the code to see if it's there. | 0:26:30 | 0:26:33 | |
I'm drawn to number seven. | 0:26:33 | 0:26:35 | |
OK, Lucky number seven. Is it lucky? Let's have a look. | 0:26:36 | 0:26:39 | |
Is it in the second box of the code? | 0:26:39 | 0:26:41 | |
No. Is it in the final box? | 0:26:44 | 0:26:46 | |
It's not. OK, shall we have a look at the next three answers for you? | 0:26:49 | 0:26:53 | |
Any of those jumping out at you? | 0:27:00 | 0:27:02 | |
Hm. | 0:27:02 | 0:27:03 | |
-I mean, two is quite ambiguous, isn't it? -Yeah. -It could be. | 0:27:03 | 0:27:05 | |
Wide open, yeah. | 0:27:05 | 0:27:06 | |
Wolfsburg, the football team. | 0:27:06 | 0:27:08 | |
If it's about that, | 0:27:08 | 0:27:10 | |
then I might know a little bit about it. | 0:27:10 | 0:27:12 | |
And Maltesers, I think we're both fans. | 0:27:12 | 0:27:15 | |
Let's choose one. Again, it is | 0:27:15 | 0:27:17 | |
-a little bit more important which ones you open first here. -Yeah. | 0:27:17 | 0:27:20 | |
-What do you think? -Two, like I say, | 0:27:20 | 0:27:22 | |
-it could be anything. -Yeah. | 0:27:22 | 0:27:24 | |
-So we could go for that. -Should we go for it? | 0:27:24 | 0:27:26 | |
-Yeah, and then we'll see where we are then. -OK. | 0:27:26 | 0:27:28 | |
Let's have a look at the question behind two. | 0:27:28 | 0:27:31 | |
-A look? -THEY LAUGH | 0:27:36 | 0:27:39 | |
That's one way to do it, yeah. | 0:27:39 | 0:27:41 | |
We never said that I was healthy either. | 0:27:41 | 0:27:43 | |
That sounds right to me. Isn't it? | 0:27:43 | 0:27:46 | |
You have those two there, | 0:27:46 | 0:27:49 | |
but then what are the bottom two? | 0:27:49 | 0:27:50 | |
Aren't they canines? | 0:27:50 | 0:27:51 | |
Yeah, yeah. Yeah. | 0:27:51 | 0:27:53 | |
I think you have four canines. | 0:27:53 | 0:27:54 | |
Do you? | 0:27:54 | 0:27:55 | |
-I think. -What do you want to open next? | 0:27:55 | 0:27:57 | |
Malteser? | 0:27:57 | 0:27:59 | |
-Yeah. -Malteser? | 0:27:59 | 0:28:01 | |
Let's have a look at the question behind Malteser. | 0:28:01 | 0:28:03 | |
(I don't think that's right.) | 0:28:07 | 0:28:08 | |
I don't think it's Malteser. | 0:28:08 | 0:28:09 | |
I don't think that's right. | 0:28:09 | 0:28:11 | |
You're going to discard Malteser? | 0:28:11 | 0:28:12 | |
-Can we discard Malta, please? -OK. | 0:28:12 | 0:28:14 | |
Let's discard Malteser. | 0:28:14 | 0:28:17 | |
We want this to go red. | 0:28:17 | 0:28:18 | |
It's incorrect. That's a good thing. | 0:28:22 | 0:28:24 | |
Well done. Lesley, the Malteser, | 0:28:24 | 0:28:26 | |
was that ever likely to be a currency? | 0:28:26 | 0:28:28 | |
It's very impractical. | 0:28:28 | 0:28:29 | |
It's not a currency that I would like to keep in my pockets. | 0:28:29 | 0:28:32 | |
-If it were Minstrel, that might be a bit easier. -There you go. | 0:28:32 | 0:28:35 | |
-Yeah, you have a coating. -It was the Maltese pound, | 0:28:35 | 0:28:38 | |
-but it is now the euro and has been since 2008. -It is the euro, OK. | 0:28:38 | 0:28:42 | |
Congratulations, chaps, | 0:28:42 | 0:28:44 | |
you have managed to discard an incorrect answer. | 0:28:44 | 0:28:47 | |
And that leaves you with two, one of which must be correct. | 0:28:47 | 0:28:51 | |
Let's have a look at the question behind Wolfsburg. | 0:28:51 | 0:28:54 | |
-This one is over to you. -I haven't heard it. I don't know this at all. | 0:29:02 | 0:29:06 | |
What do you think the chances are that Wolfgang Wolf managed | 0:29:06 | 0:29:09 | |
-Wolfsburg? -JAMIE CHUCKLES | 0:29:09 | 0:29:11 | |
-That's a mouthful to say in an interview. -Yeah. | 0:29:11 | 0:29:14 | |
It's entirely possible. | 0:29:14 | 0:29:16 | |
One of those two has to be correct. | 0:29:17 | 0:29:19 | |
You have to choose one of those two. | 0:29:19 | 0:29:22 | |
Maybe you do only have two canines. | 0:29:22 | 0:29:23 | |
What are the ones on the bottom, then? | 0:29:23 | 0:29:26 | |
I'm not sure. | 0:29:26 | 0:29:27 | |
I think there's four. | 0:29:29 | 0:29:30 | |
OK, we can go for Wolfsburg then. | 0:29:33 | 0:29:34 | |
We're going to lock in Wolfsburg as the correct answer. | 0:29:34 | 0:29:38 | |
Yes, please. | 0:29:38 | 0:29:39 | |
Lock it in. OK. | 0:29:39 | 0:29:42 | |
Did Wolfgang Wolf | 0:29:42 | 0:29:44 | |
manage Wolfsburg from 1998 to 2003? | 0:29:44 | 0:29:50 | |
JAMIE LAUGHS There you go. | 0:29:53 | 0:29:55 | |
That's unbelievable! Lesley, | 0:29:55 | 0:29:58 | |
did he just get the job | 0:29:58 | 0:29:59 | |
on the basis of his name? | 0:29:59 | 0:30:00 | |
He was destined for it. | 0:30:00 | 0:30:01 | |
He was, wasn't he? | 0:30:01 | 0:30:03 | |
What were the chances of Arsene Wenger managing Arsenal? | 0:30:03 | 0:30:05 | |
Another case of nominative determinism in football. | 0:30:05 | 0:30:09 | |
The teeth one... So much tooth counting. | 0:30:09 | 0:30:12 | |
It is four, not two. | 0:30:16 | 0:30:18 | |
Two on the top, two on the bottom. They support the bulges in the lip. | 0:30:18 | 0:30:22 | |
Thank you, Lesley. Gentlemen, you got the right answer. | 0:30:22 | 0:30:25 | |
That means you get to choose another digit. | 0:30:25 | 0:30:27 | |
You're whittling them down. | 0:30:27 | 0:30:29 | |
We've got one in there, the six is right. | 0:30:29 | 0:30:31 | |
We know the seven is wrong. | 0:30:31 | 0:30:32 | |
There are eight others left, what's it going to be next? | 0:30:32 | 0:30:34 | |
-Your turn. -Can we go for three, please? | 0:30:34 | 0:30:36 | |
Is number three in the code? Is it in the second box? | 0:30:36 | 0:30:40 | |
Three is not in the second box. How about the final box? | 0:30:46 | 0:30:49 | |
It's not there. It's not in the code. | 0:30:52 | 0:30:54 | |
But it's one more number down, | 0:30:54 | 0:30:56 | |
and that's another step closer | 0:30:56 | 0:30:58 | |
to the £5,000 that is sitting in that safe. | 0:30:58 | 0:31:01 | |
-Are you ready to go again? -Yeah. -Let's go for it. | 0:31:01 | 0:31:04 | |
Let's see the next three answers. | 0:31:04 | 0:31:06 | |
Is Plaid Cymru | 0:31:12 | 0:31:13 | |
the Welsh TV channel? | 0:31:13 | 0:31:15 | |
Cymru means Welsh in Welsh. | 0:31:15 | 0:31:17 | |
Isn't it the political party? | 0:31:17 | 0:31:18 | |
-Oh, yeah, yeah. -THEY LAUGH | 0:31:18 | 0:31:22 | |
-Um... -OK, tagliatelle? | 0:31:22 | 0:31:25 | |
-Tagliatelle, we know where we are with that. -Flat pasta. | 0:31:25 | 0:31:28 | |
ER, I watched a couple of episodes. | 0:31:28 | 0:31:31 | |
George Clooney was in it. | 0:31:31 | 0:31:32 | |
You're thinking TV show, are you? | 0:31:32 | 0:31:34 | |
-Yeah. -Go for tagliatelle? | 0:31:34 | 0:31:36 | |
-Yeah, I think so, yeah. -OK, tagliatelle, | 0:31:36 | 0:31:38 | |
let's have a look at the question. | 0:31:38 | 0:31:40 | |
-It's not. -It's the one that looks | 0:31:45 | 0:31:47 | |
-like butterflies. -Yeah, yeah. | 0:31:47 | 0:31:48 | |
-Fusilli? -No, that's the... | 0:31:48 | 0:31:49 | |
There's penne, which is the tube. | 0:31:49 | 0:31:52 | |
It's not that, though, is it? | 0:31:52 | 0:31:53 | |
No, it's not that. | 0:31:53 | 0:31:55 | |
There's a little butterfly one. | 0:31:55 | 0:31:56 | |
It's a flat pasta. | 0:31:56 | 0:31:58 | |
-Yeah. -OK. | 0:31:58 | 0:31:59 | |
OK. Let's choose another one. | 0:31:59 | 0:32:02 | |
ER or Plaid Cymru? | 0:32:02 | 0:32:04 | |
-Plaid Cymru. You think? -Yep. TV channel(!) | 0:32:04 | 0:32:07 | |
He's Farage's... | 0:32:13 | 0:32:14 | |
What's Nigel Farage's thing called again? | 0:32:14 | 0:32:16 | |
-UKIP. -Yeah. He was that, wasn't he? | 0:32:16 | 0:32:18 | |
Was he...? | 0:32:18 | 0:32:19 | |
Which one was the Respect? | 0:32:19 | 0:32:22 | |
-That's George Galloway. -That's George Galloway. | 0:32:22 | 0:32:24 | |
One of them has to go, | 0:32:24 | 0:32:25 | |
which one do you want to discard? | 0:32:25 | 0:32:26 | |
-Tagliatelle? -Yeah, I think get rid | 0:32:26 | 0:32:28 | |
-of tagliatelle, please. -OK. | 0:32:28 | 0:32:30 | |
We want tagliatelle not to mean | 0:32:30 | 0:32:32 | |
butterflies in Italian. | 0:32:32 | 0:32:34 | |
We want this to go red. | 0:32:35 | 0:32:37 | |
It's incorrect, good stuff. | 0:32:39 | 0:32:40 | |
That's what we wanted. | 0:32:40 | 0:32:42 | |
Lesley, tagliatelle? | 0:32:42 | 0:32:43 | |
Tagliatelle is a ribbon-like pasta, | 0:32:43 | 0:32:45 | |
that's where it gets its name from. | 0:32:45 | 0:32:48 | |
Tagliatelle comes from the word tagliare, | 0:32:48 | 0:32:49 | |
which is to cut in Italian. | 0:32:49 | 0:32:52 | |
You were right | 0:32:52 | 0:32:53 | |
to say that it's not butterfly-shaped. | 0:32:53 | 0:32:56 | |
The butterfly-shaped pasta is farfalle. | 0:32:56 | 0:32:57 | |
Farfalle. There we go. | 0:32:57 | 0:32:59 | |
And we get to see what's behind | 0:32:59 | 0:33:01 | |
the answer ER at this stage. | 0:33:01 | 0:33:04 | |
-I think... -Something about that - Chicago - | 0:33:10 | 0:33:12 | |
makes you think that that's right. | 0:33:12 | 0:33:14 | |
I remember having seen little bits with snow and things outside... | 0:33:14 | 0:33:18 | |
-Yeah. -..where the ambulances pull up and things and it being cold. | 0:33:18 | 0:33:21 | |
-It feels right? -It does, yeah. -I think it's ER. | 0:33:21 | 0:33:23 | |
-We're going to lock in ER? -Yes, please. | 0:33:23 | 0:33:25 | |
Is ER the correct answer? | 0:33:26 | 0:33:29 | |
It is the correct answer, | 0:33:33 | 0:33:34 | |
congratulations. | 0:33:34 | 0:33:36 | |
Lesley, ER, it ran for years! | 0:33:36 | 0:33:37 | |
It did. And it was so popular | 0:33:37 | 0:33:40 | |
that at one point in 1995, its second season, | 0:33:40 | 0:33:43 | |
it had 48 million viewers for one episode. | 0:33:43 | 0:33:47 | |
Robert Kilroy-Silk, | 0:33:47 | 0:33:49 | |
probably not 48 million viewers. | 0:33:49 | 0:33:50 | |
He founded Veritas in 2005 after leaving UKIP. | 0:33:50 | 0:33:54 | |
Did he found UKIP? | 0:33:54 | 0:33:55 | |
No, he didn't found UKIP, he was recruited to UKIP, | 0:33:55 | 0:33:57 | |
and then he founded Veritas. | 0:33:57 | 0:33:59 | |
Veritas. Well done, gentlemen. | 0:33:59 | 0:34:02 | |
That's really inspired thinking. | 0:34:02 | 0:34:04 | |
Good knowledge as well. | 0:34:04 | 0:34:05 | |
And it means it gets you a chance to put another digit into the code. | 0:34:05 | 0:34:09 | |
We've lost three, we've lost six, we've lost seven. | 0:34:09 | 0:34:11 | |
-What's it going to be next? -I'm going to go with the zero. -OK. | 0:34:11 | 0:34:15 | |
We want to find out if zero is in that code. Is it in the second box? | 0:34:15 | 0:34:19 | |
It's not in the second box. Is it the final digit in the code? | 0:34:24 | 0:34:29 | |
It's not there. | 0:34:31 | 0:34:32 | |
It does mean, once again, we are whittling away the numbers. | 0:34:32 | 0:34:35 | |
We are going to get there eventually. | 0:34:35 | 0:34:37 | |
You still get the chance to see two questions | 0:34:37 | 0:34:39 | |
at a time before you have to commit. | 0:34:39 | 0:34:41 | |
Let's see the next three answers. | 0:34:41 | 0:34:43 | |
If it's about the Neville family | 0:34:49 | 0:34:51 | |
of sportsmen, | 0:34:51 | 0:34:52 | |
I would like to think that I know a bit about them. | 0:34:52 | 0:34:55 | |
Yeah. Yogi bear. | 0:34:55 | 0:34:57 | |
Yeah. What's Firth of Forth? | 0:34:57 | 0:35:01 | |
I'm not entirely sure. | 0:35:01 | 0:35:03 | |
The Forth Bridge? | 0:35:03 | 0:35:05 | |
Firth of Forth. | 0:35:05 | 0:35:06 | |
-I think go for Neville, yeah. -Yeah. | 0:35:06 | 0:35:07 | |
Neville first. | 0:35:07 | 0:35:09 | |
OK, let's see the question behind Neville. | 0:35:09 | 0:35:11 | |
Pretty sure it's Wesley Snipes. | 0:35:19 | 0:35:21 | |
-In Blade? -Yeah. | 0:35:21 | 0:35:23 | |
-Vampire. Hunter. -Yeah. | 0:35:23 | 0:35:25 | |
OK, shall we go for...? | 0:35:25 | 0:35:27 | |
Shall we say Yogi? | 0:35:27 | 0:35:28 | |
Shall we go for Yogi? | 0:35:28 | 0:35:30 | |
Let's have a look at the question behind Yogi. | 0:35:30 | 0:35:32 | |
I don't know that. | 0:35:39 | 0:35:40 | |
What was his lit...? | 0:35:40 | 0:35:41 | |
He had a little friend. | 0:35:41 | 0:35:44 | |
Who was also a bear. | 0:35:44 | 0:35:47 | |
Boo-boo? | 0:35:47 | 0:35:48 | |
-Boo-boo the bear. -Mm. | 0:35:48 | 0:35:50 | |
But there were also... There were... | 0:35:50 | 0:35:51 | |
It was set in America, wasn't it? | 0:35:51 | 0:35:53 | |
-Yeah, Yosemite, I think. -Was it? -Yeah. | 0:35:53 | 0:35:56 | |
-Would they have...? -Bill Badger, Edward Trunk... | 0:35:56 | 0:35:59 | |
-Edward Trunk's got to be... -An elephant. -Yeah. | 0:35:59 | 0:36:02 | |
Shall we get rid of Neville? | 0:36:02 | 0:36:04 | |
Cos I'm pretty sure that | 0:36:04 | 0:36:06 | |
-it's Wesley Snipes. -OK. | 0:36:06 | 0:36:08 | |
We need to discard one of those | 0:36:08 | 0:36:09 | |
to see what's behind Firth of forth. | 0:36:09 | 0:36:11 | |
-OK, let's get rid of Neville. -Yeah. | 0:36:11 | 0:36:13 | |
OK, we want to discard Neville as an incorrect answer. | 0:36:13 | 0:36:18 | |
If it's incorrect, we get to see | 0:36:18 | 0:36:20 | |
what's behind Firth of Forth and move on. | 0:36:20 | 0:36:23 | |
It's incorrect. | 0:36:26 | 0:36:27 | |
Well done, gentlemen. Lesley, | 0:36:27 | 0:36:29 | |
Neville didn't play Blade | 0:36:29 | 0:36:30 | |
in the film trilogy after all? | 0:36:30 | 0:36:32 | |
Not in any Blade trilogy I've seen. | 0:36:32 | 0:36:34 | |
It was Wesley Snipes, as Jamie was quite correct to point out. | 0:36:34 | 0:36:38 | |
The founder of Methodism - John Wesley. | 0:36:38 | 0:36:40 | |
And that means we can bin | 0:36:40 | 0:36:42 | |
the incorrect answer. | 0:36:42 | 0:36:44 | |
And let's see the question behind Firth of Forth. | 0:36:44 | 0:36:47 | |
-OK. -Do you know anything about that? -Not really. | 0:36:57 | 0:37:02 | |
-But then thinking as well about the Yogi one. -Yeah. | 0:37:02 | 0:37:06 | |
-Rupert the Bear has a friend that's a badger, doesn't he? -Ah! | 0:37:06 | 0:37:10 | |
I think you might be onto something there. Yeah. | 0:37:10 | 0:37:12 | |
-Just I think by process of elimination... -Yeah. | 0:37:12 | 0:37:15 | |
I think out of the two, | 0:37:15 | 0:37:16 | |
I'd be more confident going with Firth of Forth. | 0:37:16 | 0:37:19 | |
-As a correct answer? -As the correct answer. -Yeah. | 0:37:19 | 0:37:21 | |
-Happy to do that? -Yeah. -Yeah, I think so. Yes, please. | 0:37:21 | 0:37:24 | |
OK, let's lock in Firth of Forth | 0:37:24 | 0:37:26 | |
as a correct answer. | 0:37:26 | 0:37:28 | |
If it's correct, you get to choose another digit. | 0:37:28 | 0:37:31 | |
Let's find out. | 0:37:31 | 0:37:32 | |
You've got it right. | 0:37:34 | 0:37:36 | |
Excellent. Well done. | 0:37:36 | 0:37:38 | |
The Firth of Forth, is that the Forth Bridge? | 0:37:38 | 0:37:40 | |
It is, it's the Forth Bridge, | 0:37:40 | 0:37:42 | |
sometimes called the Forth Rail Bridge - | 0:37:42 | 0:37:43 | |
there's a separate road bridge. | 0:37:43 | 0:37:45 | |
Ollie seemed convinced that they were Rupert the Bear's friends. | 0:37:45 | 0:37:49 | |
Yes. Ollie had a flash of | 0:37:49 | 0:37:51 | |
inspiration and remembered there was a badger in Rupert the Bear. | 0:37:51 | 0:37:54 | |
Yogi, friends with Boo-boo in Jelly Stone Park, not Yosemite, | 0:37:54 | 0:37:57 | |
as you mentioned earlier. | 0:37:57 | 0:37:58 | |
Really good work, gentlemen, | 0:37:58 | 0:38:00 | |
because it means you now get to choose another one of the dwindling | 0:38:00 | 0:38:04 | |
number of digits left on that keypad to try and fit in the code. | 0:38:04 | 0:38:08 | |
-Which one are you going to go for next? -We'll go for one, please. | 0:38:08 | 0:38:10 | |
Number one, in the second box. | 0:38:10 | 0:38:12 | |
It's not in the second box. Is it in the final box of the code? | 0:38:16 | 0:38:20 | |
THEY SIGH | 0:38:23 | 0:38:25 | |
It's not there, but that means there are only five numbers left. | 0:38:25 | 0:38:29 | |
If you keep getting your questions right, you will get there. | 0:38:29 | 0:38:32 | |
And, gentlemen, you're working very well together. | 0:38:32 | 0:38:35 | |
You are answering these questions as a team. | 0:38:35 | 0:38:37 | |
Let's see your next three answers. | 0:38:37 | 0:38:39 | |
Do you know Mount McKinley? | 0:38:46 | 0:38:47 | |
-No. -Me neither. | 0:38:47 | 0:38:49 | |
Gladiators? | 0:38:49 | 0:38:50 | |
OK, let's go Gladiators. | 0:38:50 | 0:38:52 | |
Let's see the question behind Gladiators. | 0:38:52 | 0:38:54 | |
I don't remember them doing it. | 0:39:03 | 0:39:04 | |
-I don't think. -What's his...? | 0:39:04 | 0:39:05 | |
Fashanu did it for ages. | 0:39:05 | 0:39:07 | |
-Kriss Akabusi did Record Breakers. -Yeah. | 0:39:07 | 0:39:10 | |
You've got a strong feeling about that one. Yeah. | 0:39:10 | 0:39:12 | |
I remember Jeremy Guscott did it | 0:39:12 | 0:39:14 | |
sometime after Fashanu. | 0:39:14 | 0:39:16 | |
-Did Ulrika Jonsson do Gladiators as well? -Yeah. | 0:39:16 | 0:39:19 | |
-Shall we have a look at one of the others? -Yeah. | 0:39:19 | 0:39:22 | |
Which one do you want to go for next? | 0:39:22 | 0:39:23 | |
-Go for red? -Yeah. | 0:39:23 | 0:39:25 | |
-We'll have red, please? -Let's have | 0:39:25 | 0:39:27 | |
a look at the question behind red. | 0:39:27 | 0:39:29 | |
What do you think? | 0:39:36 | 0:39:37 | |
At first I thought no, but... | 0:39:37 | 0:39:39 | |
I think it might... | 0:39:39 | 0:39:40 | |
Cerulean is like... | 0:39:40 | 0:39:42 | |
-It sounds like cherry, like cerise. -In French. | 0:39:42 | 0:39:45 | |
Azul, A-Z-U-L, is blue in Spanish. | 0:39:45 | 0:39:49 | |
-Shall we get rid of Gladiators? -Get rid of Gladiators. | 0:39:51 | 0:39:53 | |
I don't think Linford Christie did it. | 0:39:53 | 0:39:55 | |
OK, you want to get rid of Gladiators? | 0:39:55 | 0:39:57 | |
-Yeah. -You're confident in that one? | 0:39:57 | 0:39:59 | |
-OK. -Yes, please. | 0:39:59 | 0:40:00 | |
If Gladiators is a correct answer, | 0:40:00 | 0:40:02 | |
you'll be going home. | 0:40:02 | 0:40:04 | |
We want this to go red. | 0:40:04 | 0:40:05 | |
It's incorrect. | 0:40:07 | 0:40:08 | |
Congratulations. | 0:40:08 | 0:40:10 | |
So, Gladiators wasn't Kriss Akabusi and Linford Christie? | 0:40:10 | 0:40:13 | |
No, I never saw them on there | 0:40:13 | 0:40:15 | |
as either presenters or contestants. | 0:40:15 | 0:40:17 | |
The best-known presenters of Gladiators - Ulrika Jonsson | 0:40:17 | 0:40:20 | |
and, exactly as you said, John Fashanu. | 0:40:20 | 0:40:23 | |
John Fashanu. Fash the Bash. | 0:40:23 | 0:40:26 | |
Kriss Akabusi and Linford Christie did Record Breakers. | 0:40:26 | 0:40:28 | |
Record Breakers, exactly. | 0:40:28 | 0:40:30 | |
OK, well done, gentlemen. | 0:40:30 | 0:40:31 | |
You've binned yet another incorrect answer. | 0:40:31 | 0:40:34 | |
And it leaves us with two, | 0:40:34 | 0:40:36 | |
one of which must be correct. | 0:40:36 | 0:40:37 | |
Let's have a look at the question | 0:40:37 | 0:40:39 | |
behind Mount McKinley. | 0:40:39 | 0:40:41 | |
I haven't heard of it. | 0:40:50 | 0:40:51 | |
-Unless that's like... -I haven't heard of it. | 0:40:51 | 0:40:53 | |
..a Native American name, | 0:40:53 | 0:40:54 | |
and they renamed it back to what its original name perhaps was. | 0:40:54 | 0:40:58 | |
So, yeah, they renamed it... Yeah, I mean, that's... It's plausible. | 0:40:58 | 0:41:02 | |
Two answers there, one of them must be true. | 0:41:02 | 0:41:04 | |
-That's the one you're after. -I think it might be the azure. | 0:41:04 | 0:41:08 | |
-Yeah. I think we're leaning towards that, aren't we? -Yeah. | 0:41:08 | 0:41:11 | |
-There might be a gem or something, azure. -Azure. | 0:41:11 | 0:41:15 | |
Perhaps. | 0:41:15 | 0:41:16 | |
It's a... | 0:41:16 | 0:41:17 | |
Yeah, that C-E-R at the beginning does look like it would be red. | 0:41:17 | 0:41:20 | |
-Yeah. -Shall we go with it? -I think so. Let's go with that. | 0:41:20 | 0:41:23 | |
I think we're both happy with it. | 0:41:23 | 0:41:24 | |
-I think so. -As much as we can be. | 0:41:24 | 0:41:26 | |
You want to lock in red as the correct answer? | 0:41:26 | 0:41:29 | |
Yes, please. | 0:41:29 | 0:41:31 | |
OK, if red is the correct answer, | 0:41:31 | 0:41:33 | |
you will be within touching distance | 0:41:33 | 0:41:36 | |
of the code and £5,000. | 0:41:36 | 0:41:38 | |
So let's hope that azure and cerulean | 0:41:38 | 0:41:41 | |
are shades of the colour red. | 0:41:41 | 0:41:45 | |
Is that the case? | 0:41:45 | 0:41:46 | |
THEY GROAN | 0:41:49 | 0:41:51 | |
So sorry, it's not the correct answer. | 0:41:51 | 0:41:54 | |
It was Mount McKinley. | 0:41:54 | 0:41:56 | |
Lesley. | 0:41:56 | 0:41:57 | |
You were absolutely right | 0:41:57 | 0:41:59 | |
when you said that Mount McKinley was renamed to a previous | 0:41:59 | 0:42:02 | |
indigenous name of the peak, | 0:42:02 | 0:42:04 | |
Denali being the Alaskan name for that mountain. | 0:42:04 | 0:42:09 | |
And then Jamie with azul, | 0:42:09 | 0:42:11 | |
-did that sound right? Azul and azure? -Yes. | 0:42:11 | 0:42:13 | |
And, Ollie, you said it sounded like a gemstone. | 0:42:13 | 0:42:16 | |
It does come from lapis lazuli, the blue gemstone. | 0:42:16 | 0:42:19 | |
And that's the correct answer. | 0:42:19 | 0:42:21 | |
That's where the word azure comes from. And cerulean, a sea blue. | 0:42:21 | 0:42:26 | |
So sorry, gentlemen. | 0:42:26 | 0:42:27 | |
It was so close. You managed to talk yourselves all the way, 180 degrees. | 0:42:27 | 0:42:31 | |
-Back around it, yeah. -Yeah. | 0:42:31 | 0:42:32 | |
And after such good work up to that point. | 0:42:32 | 0:42:35 | |
You played brilliantly. | 0:42:35 | 0:42:36 | |
But unfortunately, on this occasion, you failed to break the code. | 0:42:36 | 0:42:40 | |
-Therefore, you have to leave the game. Thanks very much. -Thank you. | 0:42:40 | 0:42:43 | |
-Thanks very much. -Thanks a lot. Bye. | 0:42:43 | 0:42:45 | |
So close, but unfortunately, another team bites the dust. | 0:42:47 | 0:42:50 | |
The jackpot, though, is now up to £5,500. | 0:42:50 | 0:42:55 | |
-Thank you very much, Lesley. Amazing facts. -It's a pleasure. | 0:42:57 | 0:43:00 | |
And please be sure to join us next time when we find out | 0:43:00 | 0:43:04 | |
if our next team have what it takes to crack the code and win the cash. | 0:43:04 | 0:43:08 | |
Thanks for watching. Goodbye. | 0:43:08 | 0:43:10 |