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Hello and welcome to The Code. | 0:00:11 | 0:00:14 | |
Locked inside this safe is £6,500. | 0:00:14 | 0:00:18 | |
To open the safe and win the money, | 0:00:18 | 0:00:20 | |
contestants just need to crack a three-digit code. | 0:00:20 | 0:00:24 | |
Each time someone fails, though, more money goes into the safe | 0:00:24 | 0:00:27 | |
and the jackpot gets higher and higher. | 0:00:27 | 0:00:29 | |
Last time, Michael and Tom were well on their way | 0:00:29 | 0:00:32 | |
when we ran out of time. | 0:00:32 | 0:00:33 | |
So, let's get them back on. | 0:00:33 | 0:00:35 | |
Michael, Tom, lovely to have you back. Good to see you boys. | 0:00:41 | 0:00:44 | |
Flatmates, Sheffield University, that's where you are at the moment. | 0:00:44 | 0:00:47 | |
-That's right, yeah. -So how did you spend last night? | 0:00:47 | 0:00:49 | |
Were you cramming furiously? | 0:00:49 | 0:00:51 | |
We went with a relaxation strategy - had a couple of drinks | 0:00:51 | 0:00:54 | |
and a chat and just calmed ourselves down. | 0:00:54 | 0:00:56 | |
-Yep. -Ready for today's big event, yeah? -Well, let's hope so. | 0:00:56 | 0:00:59 | |
I mean, we're talking about quite a sizable sum of money now. | 0:00:59 | 0:01:02 | |
What would you do with it? | 0:01:02 | 0:01:03 | |
I think, if I was feeling sensible, I'd save up for a Master's degree, | 0:01:03 | 0:01:06 | |
put some money towards that. | 0:01:06 | 0:01:07 | |
But if not, maybe splash it on a nice holiday. | 0:01:07 | 0:01:09 | |
A holiday? Excellent. How about you, Tom? | 0:01:09 | 0:01:11 | |
As an accounting student, I'm probably going to do | 0:01:11 | 0:01:13 | |
the accounting thing - put it away in the bank, | 0:01:13 | 0:01:16 | |
help pay for my university, hopefully, | 0:01:16 | 0:01:18 | |
and get me through next year. | 0:01:18 | 0:01:19 | |
Terribly, terribly sensible. THEY LAUGH | 0:01:19 | 0:01:21 | |
But that's great. That's great to hear. | 0:01:21 | 0:01:24 | |
Anyway, let's look at where you are now because, so far, | 0:01:24 | 0:01:27 | |
you've answered three questions correctly. | 0:01:27 | 0:01:29 | |
You've chosen three numbers, none of which have been in the code. | 0:01:29 | 0:01:33 | |
Before we get cracking, let's reacquaint ourselves with Lesley. | 0:01:33 | 0:01:36 | |
-Hello, Lesley. -Good afternoon. And good luck, boys. | 0:01:36 | 0:01:39 | |
-Thanks very much, Lesley. -OK. If you're ready, gentlemen, | 0:01:39 | 0:01:42 | |
let's have a look at your first three answers. | 0:01:42 | 0:01:45 | |
Remember, only one | 0:01:48 | 0:01:49 | |
of those is correct. | 0:01:49 | 0:01:50 | |
That's the one that you're trying to find. | 0:01:50 | 0:01:52 | |
At this point of the game, | 0:01:52 | 0:01:54 | |
you can open all three answers to reveal the questions. | 0:01:54 | 0:01:56 | |
So, where would you like to start? | 0:01:56 | 0:01:58 | |
-Shall we go with the top, then? -Let's start from the top. | 0:01:58 | 0:02:01 | |
-The usual strategy, just to go with it. -OK. | 0:02:01 | 0:02:02 | |
We're looking for | 0:02:02 | 0:02:03 | |
the one correct answer that's there. | 0:02:03 | 0:02:05 | |
We're going to look for the question behind red, please. | 0:02:05 | 0:02:08 | |
That's the one that's notorious. | 0:02:14 | 0:02:15 | |
OK, but for some reason, I thought the Red Sea was in Egypt. | 0:02:15 | 0:02:20 | |
I don't know why. | 0:02:20 | 0:02:21 | |
I have this idea of Egypt being there | 0:02:21 | 0:02:22 | |
and the Red Sea being on the other side. | 0:02:22 | 0:02:25 | |
OK, well, let's have a look | 0:02:25 | 0:02:26 | |
at another one, shall we? Just to give us a bit of context. | 0:02:26 | 0:02:29 | |
Which one next? | 0:02:29 | 0:02:30 | |
-Let's go orange, please, Matt. -OK. | 0:02:30 | 0:02:32 | |
The question behind orange, please. | 0:02:32 | 0:02:34 | |
Have you ever heard of a king or queen Orange? Someone Orange? | 0:02:42 | 0:02:46 | |
I'm not... I've got to be honest. | 0:02:46 | 0:02:47 | |
-I don't know that, to be honest. -The Tudors? | 0:02:47 | 0:02:49 | |
-Tudors... Ah. -Like in history. | 0:02:51 | 0:02:52 | |
Henry VIII was 1500s, wasn't it? | 0:02:52 | 0:02:55 | |
-Yeah. -But does that...? | 0:02:55 | 0:02:56 | |
Ah, you could be onto something there. | 0:02:56 | 0:02:59 | |
Maybe worth looking at the last one. | 0:02:59 | 0:03:00 | |
-Yeah. -Shall we? -Yeah. | 0:03:00 | 0:03:02 | |
OK, let's have a look at the question behind yellow. | 0:03:02 | 0:03:05 | |
That's one of those things | 0:03:08 | 0:03:09 | |
you see every day and don't take | 0:03:09 | 0:03:11 | |
any conscious notice. But I think... | 0:03:11 | 0:03:12 | |
-They're white on the front, aren't they? -They are white, yeah. | 0:03:12 | 0:03:15 | |
And they must be yellow on the back. I think it is the bottom one, yeah. | 0:03:15 | 0:03:18 | |
I think the Red Sea is in Egypt. | 0:03:18 | 0:03:21 | |
Well, yeah, near Egypt. | 0:03:21 | 0:03:23 | |
I think you're right about the Tudors, actually. | 0:03:23 | 0:03:25 | |
Tudors, Stuarts, | 0:03:25 | 0:03:26 | |
that kind of era, wasn't it? | 0:03:26 | 0:03:28 | |
That seemed like it's right, | 0:03:28 | 0:03:29 | |
didn't it, the other one? | 0:03:29 | 0:03:31 | |
Yeah, I've got a feeling about that. | 0:03:31 | 0:03:32 | |
-Shall we go for that, then? -Yep. | 0:03:32 | 0:03:34 | |
Let's lock in yellow. | 0:03:34 | 0:03:37 | |
If it's right, you get to choose | 0:03:37 | 0:03:38 | |
your fourth number from the code. | 0:03:38 | 0:03:40 | |
If it's wrong, I'm afraid, gentlemen, | 0:03:40 | 0:03:42 | |
it's been a short trip today. | 0:03:42 | 0:03:44 | |
Is yellow our correct answer? | 0:03:44 | 0:03:46 | |
It is correct. | 0:03:49 | 0:03:50 | |
Congratulations, well done. Lesley, | 0:03:50 | 0:03:53 | |
yellow on the back, white on the front? | 0:03:53 | 0:03:55 | |
Yes, according to the DVLA, | 0:03:55 | 0:03:56 | |
it's so that you can tell | 0:03:56 | 0:03:58 | |
the difference quickly between | 0:03:58 | 0:03:59 | |
the front and the back of a vehicle. | 0:03:59 | 0:04:01 | |
Motorbikes these days only have | 0:04:01 | 0:04:02 | |
to have the plates at the back. | 0:04:02 | 0:04:04 | |
With the sea, the salt lake bordered | 0:04:04 | 0:04:06 | |
by Jordan, Israel and the West Bank. | 0:04:06 | 0:04:08 | |
Tom, you were confident that | 0:04:08 | 0:04:09 | |
the Red Sea is closer to Egypt. | 0:04:09 | 0:04:12 | |
That is absolutely right. | 0:04:12 | 0:04:13 | |
The Red Sea is between Africa | 0:04:13 | 0:04:15 | |
and the Middle East. | 0:04:15 | 0:04:17 | |
The correct answer is the Dead Sea, | 0:04:17 | 0:04:20 | |
dead because almost nothing lives there. | 0:04:20 | 0:04:22 | |
The name of the royal house that ruled England | 0:04:22 | 0:04:24 | |
and Wales from 1485 to 1603. | 0:04:24 | 0:04:27 | |
You couldn't think of a king that came from the House of Orange. | 0:04:27 | 0:04:30 | |
William III was from Orange, | 0:04:30 | 0:04:32 | |
William of Orange. | 0:04:32 | 0:04:33 | |
He was proclaimed king in 1689. | 0:04:33 | 0:04:36 | |
The correct answer is the Tudor House. | 0:04:36 | 0:04:39 | |
The Tudor House. | 0:04:39 | 0:04:41 | |
Henry VII uniting the Yorks | 0:04:41 | 0:04:42 | |
and the Lancasters | 0:04:42 | 0:04:44 | |
after the Wars of the Roses. | 0:04:44 | 0:04:46 | |
Fantastic. So, yeah, you were there. | 0:04:46 | 0:04:48 | |
You were there with all of those answers. | 0:04:48 | 0:04:50 | |
Not just discounting them, | 0:04:50 | 0:04:51 | |
but knowing the answers, that's a good start today. | 0:04:51 | 0:04:53 | |
Clearly, whatever you did last night, it worked. | 0:04:53 | 0:04:56 | |
THEY LAUGH | 0:04:56 | 0:04:57 | |
And it means you get the chance to pick another number. | 0:04:57 | 0:04:59 | |
Now, I'm going to go out on a limb here. Is it going to be number four? | 0:04:59 | 0:05:03 | |
I think you might be right there. | 0:05:03 | 0:05:04 | |
Don't let me lead you, it's your choice. | 0:05:04 | 0:05:06 | |
I think we'll stick with it. | 0:05:06 | 0:05:07 | |
We're going to go for the number four, are we? | 0:05:07 | 0:05:09 | |
OK, let's find out if the number four is in the code today. | 0:05:09 | 0:05:14 | |
Is it in the first box? | 0:05:14 | 0:05:16 | |
No number four. Is it in the second box? | 0:05:17 | 0:05:19 | |
It's not. Is it in the final box of the code? | 0:05:21 | 0:05:24 | |
It's not there. That means from now on, it's 50-50 | 0:05:26 | 0:05:30 | |
if the next box is going to contain one of your numbers. | 0:05:30 | 0:05:33 | |
Good stuff. Are we ready for your next three answers? | 0:05:33 | 0:05:35 | |
-I think so. -We are. -Let's have a look. | 0:05:35 | 0:05:37 | |
Again, it doesn't matter which order you open them. | 0:05:42 | 0:05:44 | |
I don't know much about bishops. | 0:05:44 | 0:05:46 | |
We'll have to start with eyes. | 0:05:46 | 0:05:47 | |
We'll go with the logic chain again. | 0:05:47 | 0:05:49 | |
Let's have a look behind the eyes. | 0:05:49 | 0:05:51 | |
So I've got a feeling | 0:05:55 | 0:05:56 | |
that's to do with, like, | 0:05:56 | 0:05:58 | |
the bacteria or something as they kind of grow it, | 0:05:58 | 0:06:00 | |
but as for a name... | 0:06:00 | 0:06:01 | |
What they're called. | 0:06:01 | 0:06:03 | |
-Yeah, exactly. -I wouldn't know. | 0:06:03 | 0:06:04 | |
-Shall we move on? -Can we have black ice, please? | 0:06:04 | 0:06:06 | |
Let's have a look at the question behind black ice. | 0:06:06 | 0:06:09 | |
-I haven't seen that film. -I have seen it. | 0:06:17 | 0:06:19 | |
I can't remember much of it, though. I know he has a look that he does. | 0:06:19 | 0:06:23 | |
I don't know, it's famous. | 0:06:23 | 0:06:25 | |
I don't think it's black ice. | 0:06:25 | 0:06:27 | |
-I think it is something steel. -OK. | 0:06:27 | 0:06:29 | |
-Go on to bishops. -There may be a hint there. | 0:06:29 | 0:06:32 | |
Let's have a look | 0:06:32 | 0:06:33 | |
at the question behind bishops. | 0:06:33 | 0:06:34 | |
That's the knight. | 0:06:40 | 0:06:41 | |
Pawns at the start, castles... | 0:06:41 | 0:06:44 | |
Knights? | 0:06:44 | 0:06:46 | |
-BOTH: -Bishops, king and queen. | 0:06:46 | 0:06:49 | |
-I think that's... -So that... | 0:06:49 | 0:06:51 | |
-I think that's false. -If we start on the back rows... | 0:06:51 | 0:06:53 | |
They're definitely on the back. | 0:06:53 | 0:06:55 | |
It would be the knights. | 0:06:55 | 0:06:56 | |
I think they're third in. | 0:06:56 | 0:06:58 | |
I think they're third in. | 0:06:58 | 0:06:59 | |
I think knights... | 0:06:59 | 0:07:00 | |
I can't profess to playing much chess. | 0:07:00 | 0:07:01 | |
We're looking for one correct answer there. | 0:07:01 | 0:07:03 | |
Eyes in the cheese... | 0:07:03 | 0:07:04 | |
The Zoolander thing, I think, is blue steel. | 0:07:04 | 0:07:07 | |
-Or something like that. -OK. | 0:07:07 | 0:07:08 | |
-So are we leaning towards...? -Black ice, I discount that. | 0:07:08 | 0:07:11 | |
Which one of those is the correct answer? | 0:07:11 | 0:07:13 | |
I think we're leaning towards eyes then, just by | 0:07:13 | 0:07:15 | |
ruling out the other two. | 0:07:15 | 0:07:17 | |
-Go on. -We'll lock in eyes, please. | 0:07:17 | 0:07:19 | |
Let's lock in eyes. | 0:07:19 | 0:07:21 | |
If it's the correct answer, | 0:07:21 | 0:07:22 | |
then we get another chance | 0:07:22 | 0:07:24 | |
at that code. If it's not, | 0:07:24 | 0:07:25 | |
you're on your train back to Sheffield. | 0:07:25 | 0:07:27 | |
Is eyes the correct answer? | 0:07:27 | 0:07:29 | |
It is... TOM SIGHS | 0:07:33 | 0:07:35 | |
..the correct answer. | 0:07:35 | 0:07:36 | |
However you got there doesn't matter, you got there. Lesley, | 0:07:36 | 0:07:40 | |
-eyes in cheese? -Eyes, exactly. | 0:07:40 | 0:07:42 | |
In popular culture, it's suggested that mice eat their way | 0:07:42 | 0:07:45 | |
through the cheese, making the holes. | 0:07:45 | 0:07:47 | |
Some people, exactly as Michael suggested, | 0:07:47 | 0:07:50 | |
think that it's bacteria causing | 0:07:50 | 0:07:52 | |
carbon dioxide to release. | 0:07:52 | 0:07:53 | |
Others think it's to do with hay dust. | 0:07:53 | 0:07:55 | |
In the film Zoolander, | 0:07:55 | 0:07:56 | |
what is the name Derek Zoolander | 0:07:56 | 0:07:58 | |
gives to his most famous modelling pose? | 0:07:58 | 0:08:00 | |
Well, Tom had this nailed. | 0:08:00 | 0:08:02 | |
It's not black ice but blue steel. | 0:08:02 | 0:08:04 | |
-Blue steel. -Well done. | 0:08:04 | 0:08:05 | |
And in chess, the pieces | 0:08:05 | 0:08:06 | |
which start on the back rows, | 0:08:06 | 0:08:08 | |
one from the corner squares, | 0:08:08 | 0:08:09 | |
you were right to go with Michael's confidence in the order | 0:08:09 | 0:08:13 | |
of the back row of the chess board, | 0:08:13 | 0:08:14 | |
which does indeed go with rooks in the corners, | 0:08:14 | 0:08:17 | |
and then not the bishops but the horsies, | 0:08:17 | 0:08:19 | |
the knights next along, | 0:08:19 | 0:08:21 | |
and then the bishop, the king and the queen. | 0:08:21 | 0:08:23 | |
Thank you, Lesley. | 0:08:23 | 0:08:25 | |
Well, terrific work there. | 0:08:25 | 0:08:26 | |
That was classic teamwork there because you knew about chess. | 0:08:26 | 0:08:29 | |
And, Tom, you let him take that one. | 0:08:29 | 0:08:31 | |
And you knew about Zoolander. | 0:08:31 | 0:08:33 | |
Does it work this way with washing up in the flat? | 0:08:33 | 0:08:35 | |
Do you take it in turns? | 0:08:35 | 0:08:36 | |
-Washing up is...? -Fair enough. | 0:08:36 | 0:08:38 | |
OK, probably best leave that there. | 0:08:38 | 0:08:40 | |
It means, though, however you did it, you've bought yourself | 0:08:40 | 0:08:43 | |
the chance to enter another number into the code. | 0:08:43 | 0:08:46 | |
-Number five, please. -You're going to go for number five. | 0:08:46 | 0:08:49 | |
Yeah, we'll go for number five. | 0:08:49 | 0:08:50 | |
Let's find out if five is in the code. | 0:08:50 | 0:08:52 | |
Let's have a look at the first box. | 0:08:52 | 0:08:53 | |
It's not there, in the first box. | 0:08:55 | 0:08:57 | |
Is it in the second box? | 0:08:57 | 0:08:58 | |
It's not there, in the second one. | 0:09:00 | 0:09:02 | |
Is number five in the third box? | 0:09:02 | 0:09:05 | |
It is! | 0:09:07 | 0:09:09 | |
-Finally... -We got one. -..we've got one. | 0:09:09 | 0:09:11 | |
You found your first number, finally. | 0:09:11 | 0:09:13 | |
Five numbers left there to choose from, two to find in the code. | 0:09:13 | 0:09:18 | |
That does mean that we now move the game to the next level, | 0:09:18 | 0:09:21 | |
because you found that first number, | 0:09:21 | 0:09:23 | |
which makes life a little bit more difficult. | 0:09:23 | 0:09:25 | |
This time, we reveal all the answers as before, | 0:09:25 | 0:09:28 | |
but the questions only come out two at a time before you have to | 0:09:28 | 0:09:32 | |
commit and make a decision. | 0:09:32 | 0:09:35 | |
Let's have a look at those three answers. | 0:09:35 | 0:09:37 | |
Now, it starts to matter | 0:09:43 | 0:09:45 | |
the order in which you choose them. | 0:09:45 | 0:09:47 | |
Tracey Emin, is she the...comedy actress? | 0:09:47 | 0:09:50 | |
I don't know, I'm not into TV or celebrities or anything. | 0:09:50 | 0:09:52 | |
Shall we go for Greece? It might be geography... | 0:09:52 | 0:09:54 | |
Greece is perhaps... Greece - geography, political, maybe. | 0:09:54 | 0:09:57 | |
-Maybe history in there. -Economic history. -Yep. | 0:09:57 | 0:09:59 | |
You think that's your strongest suit | 0:09:59 | 0:10:01 | |
out of those three? | 0:10:01 | 0:10:02 | |
-Yeah, I think so. -Who knows? | 0:10:02 | 0:10:03 | |
Who knows what it's going to be? | 0:10:03 | 0:10:05 | |
It's wide open, isn't it? | 0:10:05 | 0:10:07 | |
Let's have a look at the question behind Greece. | 0:10:07 | 0:10:09 | |
I don't think tomatoes are especially grown in Greece. | 0:10:16 | 0:10:19 | |
And also, it doesn't look Greek, | 0:10:19 | 0:10:21 | |
does it? La Tomatina. | 0:10:21 | 0:10:22 | |
-Yeah, that sounds Spanish, doesn't I? -Yeah. | 0:10:22 | 0:10:24 | |
I think that's the one in Spain. | 0:10:24 | 0:10:26 | |
They often publicise as well on social media and stuff, so... | 0:10:26 | 0:10:29 | |
I think that one must be wrong. | 0:10:29 | 0:10:30 | |
Shall we go with walk on water? | 0:10:30 | 0:10:32 | |
We can have a look at one other | 0:10:32 | 0:10:33 | |
before we have to make a decision. | 0:10:33 | 0:10:35 | |
-Walk on water, please. -OK. | 0:10:35 | 0:10:37 | |
Have you ever heard | 0:10:44 | 0:10:45 | |
of a Jesus Christ lizard? | 0:10:45 | 0:10:46 | |
I can't say that I have. | 0:10:48 | 0:10:49 | |
Now, but I haven't heard of | 0:10:49 | 0:10:50 | |
Tracey Emin either, so... | 0:10:50 | 0:10:52 | |
So I may not be too good for that. | 0:10:52 | 0:10:53 | |
OK, to open | 0:10:53 | 0:10:55 | |
the Tracey Emin question, | 0:10:55 | 0:10:57 | |
we have discard one. | 0:10:57 | 0:10:58 | |
I would definitely like | 0:10:58 | 0:11:00 | |
-to discount La Tomatina. -OK. | 0:11:00 | 0:11:02 | |
We are going to rule out Greece. | 0:11:02 | 0:11:04 | |
OK? If that is the correct answer, | 0:11:04 | 0:11:06 | |
that's the end of our journey, | 0:11:06 | 0:11:08 | |
and you're doing so well. | 0:11:08 | 0:11:09 | |
So let's hope that | 0:11:09 | 0:11:10 | |
this is an incorrect answer | 0:11:10 | 0:11:12 | |
and it allows us to play on | 0:11:12 | 0:11:14 | |
and see behind Tracey Emin. | 0:11:14 | 0:11:16 | |
It is incorrect. | 0:11:18 | 0:11:19 | |
Well done. Lesley. | 0:11:19 | 0:11:21 | |
Yes, you sound like you know a lot about this. | 0:11:21 | 0:11:24 | |
It is a food fight involving 100 metric tonnes of tomatoes | 0:11:24 | 0:11:28 | |
squashed all over the streets of Bunol, in Spain. | 0:11:28 | 0:11:31 | |
If you ever go, take a snorkel. | 0:11:31 | 0:11:32 | |
THEY LAUGH | 0:11:32 | 0:11:34 | |
Well done, gentlemen. | 0:11:34 | 0:11:35 | |
What you've done there is bought yourself the right to bin | 0:11:35 | 0:11:38 | |
that incorrect answer and see | 0:11:38 | 0:11:40 | |
behind the answer Tracey Emin. | 0:11:40 | 0:11:42 | |
If it's who I think it is, | 0:11:50 | 0:11:52 | |
I would be surprised if that was true. | 0:11:52 | 0:11:54 | |
Especially directing a film that's won a Best Picture Oscar. But... | 0:11:54 | 0:11:58 | |
There are a lot of Oscars now, but... | 0:11:58 | 0:12:00 | |
I mean, I don't watch much film, | 0:12:00 | 0:12:01 | |
but Tracey Emin doesn't ring a bell to me at all. | 0:12:01 | 0:12:04 | |
Not whatsoever. | 0:12:04 | 0:12:05 | |
Erm... | 0:12:05 | 0:12:07 | |
The Turner Prize... Is the Turner Prize for...? | 0:12:07 | 0:12:10 | |
-You thought she was a comedy actress. -Yeah. | 0:12:10 | 0:12:11 | |
Is the Turner prize comedy? | 0:12:11 | 0:12:13 | |
If she is who I think she is. | 0:12:13 | 0:12:14 | |
Is that for...? That's for authors, isn't it? | 0:12:14 | 0:12:16 | |
I don't think... Yeah, I think the Turner Prize is for authors. | 0:12:16 | 0:12:20 | |
So that sounds like it could be wrong. | 0:12:20 | 0:12:22 | |
-But then again, I've never heard of a book by Tracey Emin. -Hm. | 0:12:22 | 0:12:25 | |
-And I don't read a lot either. -HE CHUCKLES | 0:12:25 | 0:12:28 | |
Only one of those can be the correct answer, | 0:12:28 | 0:12:30 | |
that's the one we're looking for. | 0:12:30 | 0:12:31 | |
I think we're probably going to stick with maybe a bit of logic | 0:12:31 | 0:12:34 | |
-and go with walk on water. -You want to lock that in? | 0:12:34 | 0:12:36 | |
-We're both in for that. -OK, let's lock in walk on water. | 0:12:36 | 0:12:39 | |
Yes, please. | 0:12:39 | 0:12:41 | |
If it's correct, we get to choose another number | 0:12:41 | 0:12:45 | |
to see if it's in the code. | 0:12:45 | 0:12:47 | |
If it's not correct, I'm afraid, again, the journey ends here. | 0:12:47 | 0:12:51 | |
Let's find out, is walk on water a correct answer? | 0:12:51 | 0:12:54 | |
It is correct. | 0:12:59 | 0:13:01 | |
I don't quite know how you're doing it, but you're doing it. Lesley. | 0:13:01 | 0:13:04 | |
Yes, Michael and Tom, you weren't certain, | 0:13:04 | 0:13:06 | |
but you said you used logic, and it seems to have paid off. | 0:13:06 | 0:13:09 | |
The plumed basilisk | 0:13:09 | 0:13:10 | |
essentially runs really quickly | 0:13:10 | 0:13:13 | |
on its hind legs, uses its tail to balance | 0:13:13 | 0:13:15 | |
and the surface tension of the water. | 0:13:15 | 0:13:17 | |
Then, the Turner Prize and the Best Picture Oscar, | 0:13:17 | 0:13:20 | |
not won by Tracey Emin. | 0:13:20 | 0:13:21 | |
Tracey Emin did exhibit in the Turner Prize in 1999 | 0:13:21 | 0:13:25 | |
with her unmade bed - My Bed. | 0:13:25 | 0:13:27 | |
But it was Steve McQueen who won that year for some short films, | 0:13:27 | 0:13:30 | |
and he won the Best Picture for 12 Years A Slave. | 0:13:30 | 0:13:34 | |
Wow. So the Turner Prize for artists rather than authors. | 0:13:34 | 0:13:37 | |
So again, | 0:13:37 | 0:13:39 | |
way out, but somehow...somehow, you got there. | 0:13:39 | 0:13:41 | |
-Not a comedy actress either. -No, not a comedy actress. | 0:13:41 | 0:13:43 | |
-I think you were thinking of Tracey Ullman. -Tracey Ullman! | 0:13:43 | 0:13:46 | |
-That's who I'm thinking of. -There we go. | 0:13:46 | 0:13:48 | |
Listen, don't worry, it's working, whatever it is, | 0:13:48 | 0:13:50 | |
the way you're working together as a team. So keep going. | 0:13:50 | 0:13:53 | |
What are we going to do about the numbers now? | 0:13:53 | 0:13:55 | |
We've got five left to fit into the code, two boxes left. | 0:13:55 | 0:13:59 | |
What's it going to be? | 0:13:59 | 0:14:00 | |
It may come as a surprise, we're going to go for six. | 0:14:00 | 0:14:03 | |
Number six. | 0:14:03 | 0:14:04 | |
OK, let's see if six is in the code. | 0:14:04 | 0:14:06 | |
Oh, my goodness, it is. TOM LAUGHS | 0:14:11 | 0:14:14 | |
Six... | 0:14:14 | 0:14:15 | |
It's finally coming good. Things are going to get really serious now. | 0:14:15 | 0:14:19 | |
Remember, in the safe right now, £6,500. | 0:14:19 | 0:14:24 | |
You've got two numbers out of three. | 0:14:24 | 0:14:27 | |
But it does mean the game becomes more difficult | 0:14:27 | 0:14:31 | |
because now you get to see questions to the answers one at a time | 0:14:31 | 0:14:36 | |
and make a decision on them as they come up, | 0:14:36 | 0:14:39 | |
without seeing the others. | 0:14:39 | 0:14:41 | |
-That's tough. -It's tough. | 0:14:41 | 0:14:43 | |
Tough. | 0:14:43 | 0:14:44 | |
But you're still just looking for the one correct answer. | 0:14:44 | 0:14:48 | |
Find that and you get the chance to try | 0:14:48 | 0:14:51 | |
and enter the last number on the code. | 0:14:51 | 0:14:54 | |
Are you ready for your next three answers? | 0:14:54 | 0:14:57 | |
-Yes, please. -OK, here we go. | 0:14:57 | 0:14:59 | |
Wow. | 0:15:05 | 0:15:07 | |
The Dandy was a comic | 0:15:07 | 0:15:09 | |
magazine, wasn't it? I think. | 0:15:09 | 0:15:11 | |
I believe. | 0:15:11 | 0:15:12 | |
I couldn't say much more than that. | 0:15:12 | 0:15:14 | |
Pontypandy, perhaps a Welsh town? | 0:15:14 | 0:15:15 | |
-MICHAEL LAUGHS -Yeah. | 0:15:15 | 0:15:17 | |
You have Pontypridd, Pontypool, etc. | 0:15:17 | 0:15:20 | |
Um, Gandhi. Now, I know a bit... | 0:15:20 | 0:15:23 | |
Well, a little bit about Gandhi. | 0:15:23 | 0:15:25 | |
-Yeah. -Mahatma Gandhi. | 0:15:25 | 0:15:26 | |
Um... | 0:15:26 | 0:15:28 | |
-Shall we go...? -Should we probably go with Gandhi? -I think... | 0:15:28 | 0:15:31 | |
Going to go with Gandhi. Let's see | 0:15:31 | 0:15:33 | |
the question behind Gandhi. | 0:15:33 | 0:15:35 | |
-Um... -Was he assassinated | 0:15:40 | 0:15:43 | |
after independence? | 0:15:43 | 0:15:45 | |
Do you know? | 0:15:45 | 0:15:46 | |
I think he was around for a while after post-war. | 0:15:46 | 0:15:49 | |
I'm not convinced that that's right. | 0:15:49 | 0:15:52 | |
I'm leaning to the side that that's wrong. | 0:15:52 | 0:15:54 | |
If you think it's incorrect, | 0:15:54 | 0:15:56 | |
we can reject it | 0:15:56 | 0:15:57 | |
and move on to the other two. | 0:15:57 | 0:15:59 | |
I think it's wrong. | 0:15:59 | 0:16:00 | |
-I'm going to stick my neck out. -We'll go with that then. | 0:16:00 | 0:16:03 | |
We're going to discard it. | 0:16:03 | 0:16:04 | |
If it's the right answer, | 0:16:04 | 0:16:05 | |
I'm afraid that | 0:16:05 | 0:16:06 | |
that's where it ends, | 0:16:06 | 0:16:08 | |
after all this hard work. | 0:16:08 | 0:16:09 | |
If it's the wrong answer, | 0:16:09 | 0:16:11 | |
we get to see behind either | 0:16:11 | 0:16:12 | |
The Dandy or Pontypandy. | 0:16:12 | 0:16:14 | |
Is it right or is it wrong? | 0:16:14 | 0:16:17 | |
Well done. | 0:16:20 | 0:16:21 | |
It's incorrect. Lesley. | 0:16:21 | 0:16:23 | |
Yes, that's right, it wasn't | 0:16:23 | 0:16:24 | |
Gandhi but Nehru was the first | 0:16:24 | 0:16:26 | |
Prime Minister of India, in 1947. | 0:16:26 | 0:16:27 | |
Gandhi had previously | 0:16:27 | 0:16:29 | |
been the leader | 0:16:29 | 0:16:31 | |
of the Congress Party | 0:16:31 | 0:16:32 | |
but was not Prime Minister. | 0:16:32 | 0:16:33 | |
Your instincts were right about Gandhi having been assassinated. | 0:16:33 | 0:16:36 | |
He was killed in 1948. | 0:16:36 | 0:16:38 | |
Well done, you've binned an incorrect answer. | 0:16:38 | 0:16:41 | |
And that means we can concentrate on The Dandy or Pontypandy, | 0:16:41 | 0:16:44 | |
which question would you like to see next? | 0:16:44 | 0:16:46 | |
-I think we'll go for The Dandy, please. -The Dandy, please. | 0:16:46 | 0:16:48 | |
Let's have a look at the question | 0:16:48 | 0:16:50 | |
behind The Dandy. | 0:16:50 | 0:16:51 | |
I think... I know | 0:16:57 | 0:16:58 | |
that it's British. | 0:16:58 | 0:16:59 | |
And we said that it was a comic, didn't we? | 0:16:59 | 0:17:02 | |
-Yeah. -When it had its last printed edition, I do not know. | 0:17:02 | 0:17:04 | |
Some of these things run for longer than you think they do. | 0:17:04 | 0:17:07 | |
We didn't see them, doesn't mean they weren't there. | 0:17:07 | 0:17:09 | |
-Hm. -Or was it the Be...? There was the Beano. | 0:17:09 | 0:17:12 | |
-Beano, Dennis the Menace. -I think Beano still prints. | 0:17:12 | 0:17:15 | |
They still do the shows on television, don't they? | 0:17:15 | 0:17:17 | |
-Dennis the Menace at least. -Yeah. | 0:17:17 | 0:17:19 | |
I mean... | 0:17:19 | 0:17:20 | |
We either have to choose this as a correct answer or dismiss | 0:17:20 | 0:17:23 | |
it as incorrect. | 0:17:23 | 0:17:24 | |
We used logic on the last question, | 0:17:24 | 0:17:26 | |
and it's paid for us in the numbers. | 0:17:26 | 0:17:29 | |
We should probably apply that | 0:17:29 | 0:17:30 | |
and go with the fact that it's long-running, British, comic. | 0:17:30 | 0:17:33 | |
-Whether or not it was December 2012, we don't know. -Shall we lock it in? | 0:17:33 | 0:17:37 | |
We'll have to lock it in as our answer. | 0:17:37 | 0:17:40 | |
It's going in as a correct answer. | 0:17:40 | 0:17:43 | |
If it's correct, you get to choose another number, | 0:17:43 | 0:17:46 | |
possibly the last number for the code. | 0:17:46 | 0:17:49 | |
We can have a look at the question behind Pontypandy | 0:17:49 | 0:17:51 | |
and find out if that makes you feel more or less | 0:17:51 | 0:17:53 | |
confident about the choice you've made. | 0:17:53 | 0:17:55 | |
OK, let's have a look at the question | 0:17:55 | 0:17:57 | |
behind Pontypandy. | 0:17:57 | 0:17:59 | |
Any idea with that? Are you still happy with your choice? | 0:18:04 | 0:18:07 | |
-Wow. -It's a 50-50, isn't it, really? -Yeah, it really is. | 0:18:07 | 0:18:10 | |
Both are possible. | 0:18:10 | 0:18:11 | |
So far, you've trusted your instincts, | 0:18:11 | 0:18:13 | |
and you haven't gone too far wrong, have you? | 0:18:13 | 0:18:15 | |
So far. | 0:18:15 | 0:18:17 | |
Shall we find out if The Dandy | 0:18:17 | 0:18:19 | |
finished its last printed edition in December 2012? | 0:18:19 | 0:18:22 | |
If it's wrong, I'm afraid that's the end of that, | 0:18:22 | 0:18:26 | |
brutal though it sounds after all this time. | 0:18:26 | 0:18:28 | |
Let's find out. We're really rooting for you. | 0:18:28 | 0:18:30 | |
It is the correct answer. | 0:18:36 | 0:18:39 | |
You've done it again. | 0:18:39 | 0:18:40 | |
Michael, Tom, fantastic. Lesley. | 0:18:40 | 0:18:42 | |
Yes, congratulations. Well worked out. | 0:18:42 | 0:18:45 | |
The Dandy ended after 75 years of publication. | 0:18:45 | 0:18:48 | |
And, Tom, you were right to say the Beano is still going, | 0:18:48 | 0:18:51 | |
still in print. | 0:18:51 | 0:18:52 | |
The best-known character from The Dandy is probably Desperate Dan, | 0:18:52 | 0:18:55 | |
-the world's strongest man. -Oh, yeah. | 0:18:55 | 0:18:57 | |
So strong he can lift a cow above his head, shaves with a blowtorch. | 0:18:57 | 0:19:00 | |
THEY LAUGH | 0:19:00 | 0:19:02 | |
In Little Britain, the name of the village where Dafydd Thomas | 0:19:02 | 0:19:05 | |
lives is not Pontypandy. | 0:19:05 | 0:19:06 | |
Pontypandy is from Fireman Sam. | 0:19:06 | 0:19:08 | |
But it is Llanddewi Brefi. | 0:19:08 | 0:19:09 | |
-Right. -That rings a bell now. -Mouthful. -Beautifully pronounced. | 0:19:09 | 0:19:13 | |
Wow, amazing job, Michael, Tom. So, this is it. | 0:19:13 | 0:19:16 | |
There are only four numbers left to choose from. | 0:19:16 | 0:19:19 | |
One slot left to fill. | 0:19:19 | 0:19:22 | |
If you choose the right one, you will have cracked the code. | 0:19:22 | 0:19:25 | |
You'll get to open the safe and take home £6,500 | 0:19:25 | 0:19:28 | |
that's waiting in there for you. | 0:19:28 | 0:19:31 | |
Have you chosen your number? | 0:19:31 | 0:19:32 | |
We'll go with the logic. | 0:19:32 | 0:19:34 | |
But if I were ever to have a lucky number, it'd be number nine. | 0:19:34 | 0:19:36 | |
If that's what you're feeling... | 0:19:36 | 0:19:38 | |
It was my number in football, it's my birthday. | 0:19:38 | 0:19:40 | |
-If that's what you want to do... -Isn't it odd to have three in a row? | 0:19:40 | 0:19:43 | |
You just never know. | 0:19:43 | 0:19:44 | |
If that's what you want to go for, I completely...I trust your judgment. | 0:19:44 | 0:19:47 | |
-OK. Who's going to go for it? -Shall we go with the logic? | 0:19:47 | 0:19:51 | |
We'll stick with logic. | 0:19:51 | 0:19:53 | |
-Do you want to change your mind? -TOM LAUGHS | 0:19:53 | 0:19:55 | |
Honestly, if you want to go for nine, | 0:19:55 | 0:19:57 | |
if you want to walk up and go for nine, then... | 0:19:57 | 0:19:59 | |
-I'll go for it. -Whatever you want. | 0:19:59 | 0:20:01 | |
-OK, who's going to go for it with me? -That'll be me. | 0:20:01 | 0:20:03 | |
OK, Tom, join me. Let's make our way to the safe. | 0:20:03 | 0:20:06 | |
OK, Tom, you've chosen the number nine. | 0:20:12 | 0:20:16 | |
You've broken your pattern. | 0:20:16 | 0:20:17 | |
We've been sequential up till now, and now you're jumping to nine. | 0:20:17 | 0:20:20 | |
You're going to stick with that? Absolutely. | 0:20:20 | 0:20:23 | |
Are you ready? | 0:20:23 | 0:20:25 | |
-Yep. -Punch in the number nine. | 0:20:25 | 0:20:26 | |
Is it there? | 0:20:35 | 0:20:36 | |
If we land on the number nine, | 0:20:38 | 0:20:40 | |
you're going home with £6,500 today. | 0:20:40 | 0:20:44 | |
Is it there? | 0:20:44 | 0:20:45 | |
Oh, my goodness. | 0:20:51 | 0:20:52 | |
TOM LAUGHS | 0:20:55 | 0:20:56 | |
Congratulations, Tom, Michael, you have cracked the code | 0:20:56 | 0:20:59 | |
and you leave with £6,500. | 0:20:59 | 0:21:03 | |
It's your money, reach in, open the safe and take it. | 0:21:03 | 0:21:08 | |
MICHAEL LAUGHS Wow. | 0:21:09 | 0:21:11 | |
Our first winners. Congratulations. Let's go back and see Michael. | 0:21:12 | 0:21:15 | |
-Well done, mate. -Well done. | 0:21:15 | 0:21:18 | |
Wow. Well, do you know what? | 0:21:19 | 0:21:21 | |
You've managed to avoid those numbers for a long time, | 0:21:21 | 0:21:24 | |
but in the end, you chose so well. | 0:21:24 | 0:21:26 | |
That's absolutely fantastic. Michael, | 0:21:26 | 0:21:28 | |
tell us what you are going to do. | 0:21:28 | 0:21:30 | |
That's real money. HE SIGHS | 0:21:30 | 0:21:32 | |
How does that feel? | 0:21:32 | 0:21:33 | |
Unbelie... I've never... Oh! | 0:21:33 | 0:21:35 | |
I don't even know what to say. | 0:21:35 | 0:21:36 | |
We even said we would be happy with like 100 quid, 100 quid... | 0:21:36 | 0:21:41 | |
-No, don't tell him that now. -THEY LAUGH | 0:21:41 | 0:21:44 | |
We were happy to get a question right and be on air. | 0:21:44 | 0:21:47 | |
-We honestly came for the experience, and so... -We did. | 0:21:47 | 0:21:51 | |
Well, you've certainly had an experience. | 0:21:51 | 0:21:53 | |
But you're also leaving with £6,500, | 0:21:53 | 0:21:57 | |
the first contestants we've had to successfully break the code. | 0:21:57 | 0:22:00 | |
And to be honest, the way you played has been fantastic. | 0:22:00 | 0:22:03 | |
You played as a team, as friends. | 0:22:03 | 0:22:05 | |
What was the thinking about suddenly jumping all the way to nine? | 0:22:05 | 0:22:08 | |
-A bit of a moment of madness, really. -You've got a talent, mate. | 0:22:08 | 0:22:12 | |
I don't know, just 567, in my head, doesn't sit right. | 0:22:12 | 0:22:15 | |
It doesn't follow suit. And nine is my lucky number. | 0:22:15 | 0:22:17 | |
I was born on the ninth, my football number was nine | 0:22:17 | 0:22:20 | |
-when I played football. -Listen, whatever the logic behind it is, | 0:22:20 | 0:22:23 | |
-it worked. -And now it is my lucky number! | 0:22:23 | 0:22:25 | |
-Lesley, didn't they play brilliantly? -Incredibly well. | 0:22:25 | 0:22:27 | |
Knowledge, teamwork, lateral thinking and the right numbers. | 0:22:27 | 0:22:31 | |
Well, we are so pleased for you, boys. | 0:22:31 | 0:22:33 | |
Michael, Tom, congratulations, you've broken the code. | 0:22:33 | 0:22:36 | |
You leave with £6,500. Thank you so much for joining us. | 0:22:36 | 0:22:40 | |
-And what can I say? Enjoy it. -Thank you. -Thanks very much. | 0:22:40 | 0:22:44 | |
Wow, big congratulations to Michael and Tom, who walk away with £6,500. | 0:22:48 | 0:22:53 | |
Lovely boys. | 0:22:53 | 0:22:54 | |
The jackpot has been won, | 0:22:54 | 0:22:56 | |
and that means the prize now returns to £3,000. | 0:22:56 | 0:23:00 | |
Please reset the code. | 0:23:04 | 0:23:06 | |
And let's find out who's hoping to repeat their success. | 0:23:07 | 0:23:10 | |
-And here they are. Kerry and Kosta. -Hello. | 0:23:16 | 0:23:18 | |
-From Harlow, in Essex. -That's right, yes. -Lovely to see you. | 0:23:18 | 0:23:22 | |
Tell us a little bit about yourself. How do you know each other? | 0:23:22 | 0:23:25 | |
-We've been married for nearly 11 years. -Right. | 0:23:25 | 0:23:27 | |
What first attracted you to Kosta? | 0:23:27 | 0:23:29 | |
-That's a very good question. -MATT LAUGHS | 0:23:29 | 0:23:31 | |
-I met him on holiday. -Right. -In Cyprus. -I was living out there. | 0:23:31 | 0:23:36 | |
I'd left England, gone back to live in Cyprus, | 0:23:36 | 0:23:39 | |
and she came into the restaurant where I was working. | 0:23:39 | 0:23:42 | |
And I expected him to turn round with this thick Greek accent | 0:23:42 | 0:23:44 | |
and say something in Greek, | 0:23:44 | 0:23:46 | |
and he turned around with a cockney accent and said, "Hello, ladies." | 0:23:46 | 0:23:49 | |
-And that was it? -And that was it. | 0:23:49 | 0:23:50 | |
That's good. THEY LAUGH | 0:23:50 | 0:23:52 | |
So what do you do now then? | 0:23:52 | 0:23:53 | |
Um, I work for a busy conference and wedding venue, | 0:23:53 | 0:23:58 | |
look after our two children - Nico and Caitlin, nine and eight. | 0:23:58 | 0:24:01 | |
And I'm a bus driver. | 0:24:01 | 0:24:03 | |
-You're a bus driver? -Yes. -A London bus driver? -Yes. | 0:24:03 | 0:24:06 | |
One of them at new Boris bendy buses. | 0:24:06 | 0:24:08 | |
-Boris buses, is that what it's called? -I believe they're called. | 0:24:08 | 0:24:11 | |
Now, Kosta, your background in Cyprus is Greek, is it? | 0:24:11 | 0:24:14 | |
My dad's from the Greek islands, my mum's from Cyprus. | 0:24:14 | 0:24:17 | |
Right. So could you wish Lesley a good morning in Greek, | 0:24:17 | 0:24:20 | |
-do you think? -Kalimera, Lesley. | 0:24:20 | 0:24:22 | |
-HE SPEAKS GREEK -Oh, thank you. | 0:24:22 | 0:24:25 | |
-THEY LAUGH -You're welcome. | 0:24:25 | 0:24:27 | |
Fantastic. | 0:24:27 | 0:24:28 | |
OK, so, it would've been £7,000 in the jackpot if Michael and Tom | 0:24:28 | 0:24:32 | |
hadn't done so well and taken all of that away. | 0:24:32 | 0:24:35 | |
So it is now back down to £3,000. But still, not a bad sum of money. | 0:24:35 | 0:24:39 | |
-Indeed. -Are you ready, Kerry, Kosta? -We are. -OK, let's go for it. | 0:24:39 | 0:24:43 | |
Let's have a look at your first three answers. | 0:24:43 | 0:24:45 | |
Now, at this stage of the game, | 0:24:51 | 0:24:52 | |
it doesn't actually matter the order in which you take them. | 0:24:52 | 0:24:55 | |
Shall we just go from the top then? | 0:24:55 | 0:24:57 | |
-Yeah, yeah. -Yeah? OK. | 0:24:57 | 0:24:58 | |
So we'll go for carbon dioxide, please. | 0:24:58 | 0:25:00 | |
OK, only one of them is a correct answer, | 0:25:00 | 0:25:02 | |
that's the one you're trying to identify. | 0:25:02 | 0:25:04 | |
Let's have a look at the question behind carbon dioxide. | 0:25:04 | 0:25:07 | |
That's not true. | 0:25:11 | 0:25:13 | |
I don't believe that's true either. | 0:25:13 | 0:25:15 | |
I don't know which gas it is. | 0:25:15 | 0:25:16 | |
Nitrogen gas is dry ice. | 0:25:16 | 0:25:18 | |
Nitrogen oxide or | 0:25:18 | 0:25:19 | |
-something like that. -Yeah. | 0:25:19 | 0:25:20 | |
Yeah, no, I'm with you on that, | 0:25:20 | 0:25:21 | |
I think. At the moment, | 0:25:21 | 0:25:23 | |
I think we're OK. | 0:25:23 | 0:25:25 | |
You're fairly confident that's not correct. | 0:25:25 | 0:25:27 | |
Let's have a look at the others. Which one next? | 0:25:27 | 0:25:29 | |
-Shall we go for JK Rowling? -We shall. -Yep. | 0:25:29 | 0:25:30 | |
JK Rowling, let's have a look at the question behind that. | 0:25:30 | 0:25:33 | |
That's a definite no. | 0:25:38 | 0:25:39 | |
That's definitely not. | 0:25:39 | 0:25:40 | |
She definitely didn't put | 0:25:40 | 0:25:41 | |
her name to that, yeah. | 0:25:41 | 0:25:43 | |
OK, let's have a look at the question behind golf, the last one. | 0:25:43 | 0:25:46 | |
Well, that's American football. | 0:25:52 | 0:25:54 | |
You win the Vince Lombardi trophy in American football, | 0:25:54 | 0:25:57 | |
so that's definitely not true. | 0:25:57 | 0:25:58 | |
-Are you sure? -Absolutely. | 0:25:58 | 0:26:00 | |
I know Super Bowl... | 0:26:00 | 0:26:01 | |
The Super Bowl, yeah. | 0:26:01 | 0:26:02 | |
And Vince Lombardi was a famous old manager. | 0:26:02 | 0:26:05 | |
It was an American man | 0:26:05 | 0:26:06 | |
who wrote 50 Shades Of Grey. | 0:26:06 | 0:26:08 | |
Well, it was an older woman, | 0:26:08 | 0:26:10 | |
-I think. -What? Oh. So then we're wrong | 0:26:10 | 0:26:11 | |
with the carbon dioxide. | 0:26:11 | 0:26:13 | |
That means we've got three incorrect | 0:26:13 | 0:26:15 | |
answers, which can't happen. | 0:26:15 | 0:26:16 | |
The first one must be right. | 0:26:16 | 0:26:18 | |
Kosta, you've been very sure about all of these. | 0:26:18 | 0:26:20 | |
Yes, I am very sure until I realise I've made a mistake. | 0:26:20 | 0:26:22 | |
-MATT LAUGHS OK. -And then I'm sure | 0:26:22 | 0:26:24 | |
-about my correction. -OK. | 0:26:24 | 0:26:26 | |
Which one do you want to lock in as the correct answer? | 0:26:26 | 0:26:28 | |
Dry ice, carbon dioxide. | 0:26:28 | 0:26:30 | |
Let's lock it in. | 0:26:30 | 0:26:32 | |
OK. If that is the correct answer, | 0:26:34 | 0:26:36 | |
it means you get to put one number | 0:26:36 | 0:26:38 | |
into the code to see if it sticks. | 0:26:38 | 0:26:39 | |
If it's not, | 0:26:39 | 0:26:41 | |
then back on board the Boris bus, I'm afraid. | 0:26:41 | 0:26:43 | |
Let's find out, is dry ice the solid form of the gas carbon dioxide? | 0:26:43 | 0:26:49 | |
It is the correct answer. | 0:26:50 | 0:26:52 | |
I really wasn't certain about that, | 0:26:52 | 0:26:54 | |
so that's very good. | 0:26:54 | 0:26:55 | |
You got there in the end, that's what counts. | 0:26:55 | 0:26:57 | |
-Lesley. -Yes, I thought you were going to slip up | 0:26:57 | 0:26:59 | |
on that one. I think you were getting confused, Kosta, | 0:26:59 | 0:27:02 | |
with liquid nitrogen. | 0:27:02 | 0:27:03 | |
Yes, that's what I was thinking. | 0:27:03 | 0:27:05 | |
It's carbon dioxide sublime, | 0:27:05 | 0:27:07 | |
so it goes straight from a solid | 0:27:07 | 0:27:09 | |
to a gas without passing through | 0:27:09 | 0:27:11 | |
a liquid state, in most situations. | 0:27:11 | 0:27:13 | |
Who wrote the bestselling novel | 0:27:13 | 0:27:15 | |
50 Shades Of Grey? Kosta, you thought | 0:27:15 | 0:27:17 | |
that was an American man. | 0:27:17 | 0:27:19 | |
It wasn't, it was a woman | 0:27:19 | 0:27:20 | |
-from the United Kingdom... -Oh. | 0:27:20 | 0:27:22 | |
..called Erika Mitchell going | 0:27:22 | 0:27:24 | |
by the pen name of EL James. | 0:27:24 | 0:27:26 | |
Ah, yes. | 0:27:26 | 0:27:27 | |
Then, in the Super Bowl, | 0:27:27 | 0:27:28 | |
the Vince Lombardi trophy. | 0:27:28 | 0:27:30 | |
-Kosta was 100% certain about this... -(Thank goodness.) | 0:27:30 | 0:27:32 | |
..and he was right. | 0:27:32 | 0:27:33 | |
It's not golf but American football. | 0:27:33 | 0:27:36 | |
Vince Lombardi being the one-time coach of the Green Bay Packers. | 0:27:36 | 0:27:40 | |
Lots of wonderful quotations from Vince Lombardi. | 0:27:40 | 0:27:43 | |
He once said, | 0:27:43 | 0:27:44 | |
"Show me a good loser and I'll show you a loser." | 0:27:44 | 0:27:46 | |
But in this situation, you're a winner. | 0:27:46 | 0:27:49 | |
Thank you, Lesley. Well done, Kerry, Kosta. | 0:27:49 | 0:27:51 | |
You are now off the mark. | 0:27:51 | 0:27:52 | |
You get to choose your first number from the code. | 0:27:52 | 0:27:55 | |
-What's it going to be? -Shall we go for the numbers we thought? | 0:27:55 | 0:27:58 | |
I think we're going to go for five, please. | 0:27:58 | 0:28:00 | |
-OK, five. -Yes. -Right in the middle there. | 0:28:00 | 0:28:02 | |
Let's see, is number five in your code today? | 0:28:02 | 0:28:04 | |
Is it in the first box? | 0:28:04 | 0:28:06 | |
It's not. Is it in the second box? | 0:28:08 | 0:28:10 | |
It's not there. | 0:28:11 | 0:28:13 | |
How about the final box? | 0:28:13 | 0:28:14 | |
-It is there. -Yay! -You've got one, scored on your first attempt. | 0:28:16 | 0:28:20 | |
And that means the game moves up to the next level. | 0:28:20 | 0:28:23 | |
And that means it's a little bit harder, OK? | 0:28:23 | 0:28:25 | |
What's going to happen now is you will see all three | 0:28:25 | 0:28:28 | |
answers as usual. | 0:28:28 | 0:28:30 | |
-But you'll only see two questions before you have to commit. -Right. | 0:28:30 | 0:28:35 | |
Let's see the three answers. | 0:28:35 | 0:28:36 | |
Now, the order that you choose | 0:28:40 | 0:28:42 | |
them in does become | 0:28:42 | 0:28:43 | |
a bit more important. | 0:28:43 | 0:28:45 | |
Stephen Hawking, I think you... | 0:28:45 | 0:28:46 | |
-Yeah, might know. -One of Kosta's... | 0:28:46 | 0:28:49 | |
-That's a hobby of mine. -Oh, is it? | 0:28:49 | 0:28:51 | |
-Yeah, I study math, so... -OK. | 0:28:51 | 0:28:52 | |
I've read some of his work. | 0:28:52 | 0:28:53 | |
I understand very little of it, | 0:28:53 | 0:28:55 | |
-but... -And heart... | 0:28:55 | 0:28:57 | |
We have no heart. | 0:28:57 | 0:28:58 | |
Shall we go...? | 0:28:58 | 0:29:01 | |
-I reckon we should do the bottom two. -Yes, I agree. | 0:29:01 | 0:29:03 | |
-And then leave heart. -Yep, OK. | 0:29:03 | 0:29:05 | |
-OK. Which one first? -£25. -£25. -OK. | 0:29:05 | 0:29:09 | |
Let's have a look at the question behind £25. | 0:29:09 | 0:29:11 | |
I can never ever remember | 0:29:19 | 0:29:20 | |
-a £25 note. -I can't. | 0:29:20 | 0:29:22 | |
So that one feels wrong. | 0:29:22 | 0:29:23 | |
That one feels incorrect. | 0:29:23 | 0:29:25 | |
OK, shall we have a look | 0:29:25 | 0:29:26 | |
-at the next one? -Yes. | 0:29:26 | 0:29:27 | |
-Stephen Hawking? -Yeah. -Yeah, OK. | 0:29:27 | 0:29:28 | |
Let's look at the question behind Stephen Hawking. | 0:29:28 | 0:29:31 | |
It's not Stephen. | 0:29:35 | 0:29:36 | |
No, it's Turing, Alan Turing. | 0:29:36 | 0:29:38 | |
Absolutely it is. Yes. | 0:29:38 | 0:29:40 | |
So both of those we're saying are incorrect? | 0:29:40 | 0:29:42 | |
But we are more certain about the | 0:29:42 | 0:29:44 | |
Stephen Hawking one being incorrect. | 0:29:44 | 0:29:45 | |
I've not seen the film. Have you? | 0:29:45 | 0:29:47 | |
It's definitely not. | 0:29:47 | 0:29:48 | |
-OK. -It's the guy that did the... | 0:29:48 | 0:29:50 | |
-The Enigma code. -Yes. | 0:29:50 | 0:29:51 | |
That's Alan Turing. | 0:29:51 | 0:29:52 | |
So, yes, we'd like to discard | 0:29:52 | 0:29:54 | |
-that one, please. -OK. | 0:29:54 | 0:29:55 | |
Stephen Hawking. | 0:29:55 | 0:29:56 | |
If it is incorrect, | 0:29:56 | 0:29:58 | |
it means we look at the question behind heart and play on. | 0:29:58 | 0:30:01 | |
If it's correct, | 0:30:01 | 0:30:02 | |
then I'm afraid that's the end of | 0:30:02 | 0:30:03 | |
our journey today. Let's find out. | 0:30:03 | 0:30:05 | |
Well done. | 0:30:08 | 0:30:09 | |
It's incorrect. Lesley. | 0:30:09 | 0:30:11 | |
Yes, Stephen Hawking played by Eddie Redmayne | 0:30:11 | 0:30:14 | |
in The Theory Of Everything. | 0:30:14 | 0:30:16 | |
In The Imitation Game, Benedict Cumberbatch, | 0:30:16 | 0:30:18 | |
exactly as Kosta said, played Alan Turing. | 0:30:18 | 0:30:20 | |
Fantastic. Well, well done, Kerry, you absolutely nailed that one. | 0:30:20 | 0:30:24 | |
It means we can bin | 0:30:24 | 0:30:25 | |
an incorrect answer. | 0:30:25 | 0:30:27 | |
We're left with two, one of which must be the correct answer. | 0:30:27 | 0:30:30 | |
-That's what we're looking for now. -(Take heart.) | 0:30:30 | 0:30:32 | |
So let's see the question behind heart. | 0:30:32 | 0:30:34 | |
I'm not 100% sure | 0:30:41 | 0:30:42 | |
of the name or the date, | 0:30:42 | 0:30:44 | |
I'm quite confident that that is probably right. | 0:30:44 | 0:30:47 | |
Out of the two, if I was a betting woman... | 0:30:47 | 0:30:50 | |
THEY LAUGH | 0:30:50 | 0:30:52 | |
-Yeah. So are we happy to go with...? -Yeah, I'd say heart. | 0:30:52 | 0:30:55 | |
We're not 100% sure, but... | 0:30:55 | 0:30:56 | |
Looking for one correct answer there. | 0:30:56 | 0:30:58 | |
Out of the two, I think we're going to go... Well, we are, we're going | 0:30:58 | 0:31:01 | |
to go for heart being the correct answer. | 0:31:01 | 0:31:03 | |
-Happy to lock in heart? -Yes. -As happy as we're going to be, yes. | 0:31:03 | 0:31:05 | |
-Not 100%. -OK, let's lock in heart | 0:31:05 | 0:31:08 | |
as a correct answer. If it is correct, | 0:31:08 | 0:31:10 | |
we get to have another go at putting another digit | 0:31:10 | 0:31:12 | |
into the code. If it's wrong, | 0:31:12 | 0:31:14 | |
-that's it. Brutal but true... -(Not 100%.) | 0:31:14 | 0:31:16 | |
..you'll be on your way. | 0:31:16 | 0:31:17 | |
So hang on to your coat. | 0:31:17 | 0:31:19 | |
-It is correct. -Yes! | 0:31:21 | 0:31:22 | |
-Well done. -There you go. | 0:31:22 | 0:31:23 | |
You got it right. Lesley. | 0:31:23 | 0:31:25 | |
Good knowledge, good instincts. | 0:31:25 | 0:31:26 | |
Yes, Christiaan Barnard performed the first-ever transplant - | 0:31:26 | 0:31:29 | |
human-to-human heart transplant. | 0:31:29 | 0:31:32 | |
He is a South African doctor. | 0:31:32 | 0:31:33 | |
That brings us to the wrong pair | 0:31:33 | 0:31:35 | |
on the board. | 0:31:35 | 0:31:36 | |
The banknote which was withdrawn from circulation in England | 0:31:36 | 0:31:39 | |
and Wales in March 1988 - England and Wales there because there are | 0:31:39 | 0:31:43 | |
still some knocking around in Scotland - not the £25 note. | 0:31:43 | 0:31:46 | |
Kosta said, you agreed, there's never been a £25 note. | 0:31:46 | 0:31:50 | |
It was the £1 note. | 0:31:50 | 0:31:52 | |
With Isaac Newton on the back. | 0:31:52 | 0:31:54 | |
Ah, we forget. | 0:31:54 | 0:31:55 | |
The £1 note. Yeah, how quickly we forget. | 0:31:55 | 0:31:58 | |
Fantastic work. | 0:31:58 | 0:31:59 | |
It's great then to see that we can now put another digit into the code. | 0:31:59 | 0:32:03 | |
Five has gone. You got lucky with your first strike. | 0:32:03 | 0:32:06 | |
Will you be as lucky this time? What's it going to be? | 0:32:06 | 0:32:09 | |
-We'd like to go for a four, please. -Number four. | 0:32:09 | 0:32:12 | |
Is number four in your code today? Let's have a look in the first box. | 0:32:12 | 0:32:16 | |
SHE CHUCKLES | 0:32:16 | 0:32:18 | |
It's not there. Number four in the second box? | 0:32:19 | 0:32:22 | |
So four is not in the code. | 0:32:25 | 0:32:26 | |
We've now eliminated it from our inquiries | 0:32:26 | 0:32:29 | |
and it means you get to carry on playing the game at this level, | 0:32:29 | 0:32:32 | |
seeing two at a time, rather than the next level, | 0:32:32 | 0:32:35 | |
which is really much harder. | 0:32:35 | 0:32:37 | |
-Are you ready to see your next three answers? -We're ready. -We are. | 0:32:37 | 0:32:41 | |
I've never heard of that word. | 0:32:46 | 0:32:48 | |
-No. -Name or anything. | 0:32:48 | 0:32:50 | |
Ellen MacArthur | 0:32:50 | 0:32:51 | |
-is the solo... -Yes. -..sailor. -She sailed round the... | 0:32:51 | 0:32:54 | |
-Yeah. -Around the world. -And one... | 0:32:54 | 0:32:57 | |
-Is a number. It could be literally anything. -# One... # | 0:32:57 | 0:32:59 | |
-Wide open, isn't it? -Yeah. | 0:32:59 | 0:33:01 | |
Shall we go with the two that we know about | 0:33:01 | 0:33:03 | |
-and then see if we can eliminate one? -All right. | 0:33:03 | 0:33:05 | |
Shall we go for one then? | 0:33:05 | 0:33:06 | |
-Yes. O-for-two that we know. -SHE CHUCKLES | 0:33:07 | 0:33:10 | |
Let's have a look at the question behind one. | 0:33:10 | 0:33:12 | |
I'm inclined to think that's more than one. | 0:33:17 | 0:33:19 | |
-No, I think that's the solo. -Oh, do you? | 0:33:19 | 0:33:21 | |
Don't forget, you can open one of the others before you commit. | 0:33:21 | 0:33:24 | |
Best open Ellen MacArthur, | 0:33:24 | 0:33:25 | |
-do you think? -Yeah. -If she doesn't mind! | 0:33:25 | 0:33:28 | |
OK, let's open | 0:33:28 | 0:33:29 | |
the question behind Ellen MacArthur. | 0:33:29 | 0:33:31 | |
Well, that's definitely wrong. | 0:33:35 | 0:33:37 | |
That's definitely not her because | 0:33:37 | 0:33:38 | |
-she's the sailor, isn't she? -Yes. | 0:33:38 | 0:33:40 | |
So we're happy to discard | 0:33:40 | 0:33:41 | |
-Ellen MacArthur. -OK. -Sorry, Ellen. | 0:33:41 | 0:33:44 | |
We're saying Ellen MacArthur is an incorrect answer. | 0:33:44 | 0:33:46 | |
Was Ellen MacArthur | 0:33:46 | 0:33:48 | |
the first British person in space? | 0:33:48 | 0:33:50 | |
It's incorrect. Well done. Lesley. | 0:33:53 | 0:33:56 | |
Ellen MacArthur, better known as the round-the-world yacht person. | 0:33:56 | 0:33:59 | |
In 1991, the first British person in space was Helen Sharman. | 0:33:59 | 0:34:03 | |
Helen Sharman took a copy with her | 0:34:03 | 0:34:06 | |
of Road To The Stars by Yuri Gagarin | 0:34:06 | 0:34:08 | |
when she visited Mir in 1991, | 0:34:08 | 0:34:10 | |
and she gave it to Tim Peake | 0:34:10 | 0:34:12 | |
so he could take it to the international space station. | 0:34:12 | 0:34:14 | |
-Oh, cool. -It's up there right now. -Wow. | 0:34:14 | 0:34:16 | |
OK, so your instinct is | 0:34:16 | 0:34:17 | |
right, you nailed that one. | 0:34:17 | 0:34:19 | |
That means we get to bin | 0:34:19 | 0:34:20 | |
that incorrect answer. | 0:34:20 | 0:34:22 | |
-Look at the question behind Gawain. -Right... | 0:34:22 | 0:34:24 | |
Gawain, Gawain... | 0:34:28 | 0:34:30 | |
You're balancing your knowledge of camels against that | 0:34:30 | 0:34:32 | |
-of Arthurian legend. -Yes. -Yes. | 0:34:32 | 0:34:34 | |
Which one is stronger? SHE LAUGHS | 0:34:34 | 0:34:37 | |
I don't know. It's given me the hump. | 0:34:37 | 0:34:39 | |
I knew one of us was going to say that. | 0:34:39 | 0:34:41 | |
It had to be you. | 0:34:43 | 0:34:44 | |
Gawain is an Anglo-Saxon name. | 0:34:44 | 0:34:46 | |
It sounds like an Anglo-Saxon name. | 0:34:46 | 0:34:49 | |
It came into my head before. | 0:34:49 | 0:34:50 | |
Sounds a bit more like Dwayne to me. | 0:34:50 | 0:34:53 | |
The one most likely, I think, | 0:34:53 | 0:34:56 | |
to be correct is... | 0:34:56 | 0:34:59 | |
I'm going for Gawain now. | 0:34:59 | 0:35:01 | |
Oh, no, don't do that. | 0:35:01 | 0:35:02 | |
I'm going for Gawain. | 0:35:02 | 0:35:05 | |
So you think Gawain is the one that | 0:35:05 | 0:35:07 | |
-is most likely to be correct? -Yes. | 0:35:07 | 0:35:08 | |
So you think a dromedary camel may have two humps? | 0:35:08 | 0:35:11 | |
-I think it may. -Kerry, does Kosta | 0:35:11 | 0:35:13 | |
change his mind very much? | 0:35:13 | 0:35:15 | |
I was hoping he wasn't going to, | 0:35:15 | 0:35:17 | |
to be honest with you. | 0:35:17 | 0:35:19 | |
Got to go with one of them. | 0:35:19 | 0:35:20 | |
Instinctively, first of all, | 0:35:20 | 0:35:22 | |
I did think that a camel had more than one hump. | 0:35:22 | 0:35:25 | |
-You did. -But I'm now thrown. | 0:35:25 | 0:35:28 | |
No, let's go with Gawain being | 0:35:28 | 0:35:32 | |
-Sir Galahad's dad then. -OK. | 0:35:32 | 0:35:33 | |
-Is that what you're happy with? -Gawain. -OK. | 0:35:33 | 0:35:36 | |
We're going to lock in Gawain | 0:35:36 | 0:35:38 | |
as the father of Sir Galahad. | 0:35:38 | 0:35:40 | |
Let's hope it's the right answer. Otherwise, | 0:35:40 | 0:35:43 | |
it all stops here. | 0:35:43 | 0:35:44 | |
In Arthurian legend, is the father of Sir Galahad Gawain? | 0:35:44 | 0:35:48 | |
-It isn't. I'm so sorry. -I'm sorry. | 0:35:51 | 0:35:53 | |
That's OK. That's OK. | 0:35:53 | 0:35:55 | |
I'm so sorry. We went round the houses, | 0:35:55 | 0:35:58 | |
nearly got there. Lesley. | 0:35:58 | 0:35:59 | |
Gawain, the right answer to that is Lancelot. | 0:35:59 | 0:36:02 | |
Gawain is usually portrayed as King Arthur's nephew. | 0:36:02 | 0:36:05 | |
Going with the camel humps, | 0:36:05 | 0:36:06 | |
your initial instinct was that this was the correct pairing. | 0:36:06 | 0:36:10 | |
Dromedary camel - one hump. | 0:36:10 | 0:36:12 | |
The way I remember this is that the letter D has one hump | 0:36:12 | 0:36:14 | |
and the Bactrian camel has two humps, the letter B. | 0:36:14 | 0:36:17 | |
-Oh, what a shame. -It is a shame. | 0:36:17 | 0:36:19 | |
Kerry, Kosta, you fought gallantly, | 0:36:19 | 0:36:23 | |
in an Arthurian way. THEY LAUGH | 0:36:23 | 0:36:25 | |
But in the end, that let you down. | 0:36:25 | 0:36:26 | |
-We have to leave on our camel. -Yes, you have to leave on your camel. | 0:36:26 | 0:36:29 | |
And I do now have the right hump. | 0:36:29 | 0:36:31 | |
THEY LAUGH | 0:36:31 | 0:36:33 | |
Kerry, Kosta, on this occasion, you failed to break the code, | 0:36:33 | 0:36:35 | |
so we have to say goodbye. | 0:36:35 | 0:36:37 | |
-BOTH: -Thank you very much. -Thank you. -Bye-bye. | 0:36:37 | 0:36:39 | |
Thank you. | 0:36:39 | 0:36:40 | |
Kerry and Kosta there. | 0:36:43 | 0:36:45 | |
Well, their failure is the next team's gain because, | 0:36:45 | 0:36:48 | |
of course, that means the money goes up. | 0:36:48 | 0:36:51 | |
So let's meet the next team hoping to crack the code. | 0:36:51 | 0:36:54 | |
-Hello, hello. -Hello. -Nick and Mark. -Yes. -Hello. -Good to see you. | 0:37:00 | 0:37:04 | |
-Now, Nick, you're from Brighton? -Yeah, that's right. | 0:37:04 | 0:37:07 | |
-Mark, you're from Leicester? -That's right, yes. | 0:37:07 | 0:37:09 | |
Which does raise the question, how do you know each other? | 0:37:09 | 0:37:11 | |
-Do you want to explain, Nick? -Yeah, OK. | 0:37:11 | 0:37:14 | |
-So basically, I'm the boyfriend of Mark's daughter. -OK. | 0:37:14 | 0:37:18 | |
So a little bit awkward. | 0:37:18 | 0:37:20 | |
-I take it you guys get on. -So far. -MARK GROANS | 0:37:20 | 0:37:22 | |
-No, we do. Definitely. -Almost a bit of a pause there. | 0:37:22 | 0:37:25 | |
And I understand you're both musical, | 0:37:25 | 0:37:27 | |
-you have that in common. -Yeah. -Yes, that's right. | 0:37:27 | 0:37:29 | |
So what are your instruments? | 0:37:29 | 0:37:30 | |
Well, I play the harmonica mainly. | 0:37:30 | 0:37:32 | |
-A bit of ukulele, but mainly the harmonica. -And how about you? | 0:37:32 | 0:37:34 | |
I play drums, guitar and a bit of piano. | 0:37:34 | 0:37:37 | |
And in terms of jobs, what do you guys do? | 0:37:37 | 0:37:39 | |
Well, I am a marketing | 0:37:39 | 0:37:42 | |
and events executive in Nottingham at the moment. | 0:37:42 | 0:37:45 | |
But I'm also studying towards a TEFL qualification. | 0:37:45 | 0:37:48 | |
What do you do, apart from playing the harmonica? | 0:37:48 | 0:37:51 | |
So I retired from teaching just over three years ago | 0:37:51 | 0:37:53 | |
and started doing all sorts of other very different things | 0:37:53 | 0:37:56 | |
since then, so, yes, harmonica playing has become a big | 0:37:56 | 0:38:00 | |
interest and I do a lot of performing work as well. | 0:38:00 | 0:38:03 | |
Well, listen, we wish you the very best today. | 0:38:03 | 0:38:06 | |
Now, the team before you failed to crack the code, | 0:38:06 | 0:38:09 | |
and that means that another £500 goes into the safe, | 0:38:09 | 0:38:13 | |
meaning that the jackpot | 0:38:13 | 0:38:15 | |
now stands at... | 0:38:15 | 0:38:17 | |
Now, what we have to do first is reset the code. | 0:38:19 | 0:38:22 | |
And if you're ready to play, | 0:38:26 | 0:38:28 | |
let's have a look at your first three answers. | 0:38:28 | 0:38:31 | |
At this stage of the game, | 0:38:36 | 0:38:38 | |
you get to see all the questions together. | 0:38:38 | 0:38:40 | |
You're just trying to find | 0:38:40 | 0:38:41 | |
the one correct answer that's there. | 0:38:41 | 0:38:43 | |
Which one would you like to look at first? | 0:38:43 | 0:38:45 | |
-Let's start with the most obscure. 80 minutes then, shall we? -Yeah. | 0:38:45 | 0:38:48 | |
OK, 80 minutes first, please. | 0:38:48 | 0:38:49 | |
Let's see the question behind 80 minutes. | 0:38:49 | 0:38:51 | |
I'm quite pleased | 0:38:55 | 0:38:57 | |
-that one came up. -You're confident about that? | 0:38:57 | 0:38:59 | |
I am relatively confident about | 0:38:59 | 0:39:00 | |
-that, yeah. -Rugby your sport, Nick? | 0:39:00 | 0:39:02 | |
It's not my sport, | 0:39:02 | 0:39:03 | |
but I'll go with 80% confident. | 0:39:03 | 0:39:05 | |
Let's open another one. | 0:39:05 | 0:39:06 | |
Let's do it in order now, | 0:39:06 | 0:39:07 | |
let's go for Hinduism. | 0:39:07 | 0:39:08 | |
Yeah, well, | 0:39:13 | 0:39:14 | |
I'm very confident about that. | 0:39:14 | 0:39:15 | |
-That's Islam. -Yeah. | 0:39:15 | 0:39:17 | |
-OK, shall we open the final question? -Yes. | 0:39:17 | 0:39:19 | |
Let's have a look. | 0:39:19 | 0:39:20 | |
You know that as well, that's July. | 0:39:25 | 0:39:26 | |
-Yeah, exactly. -Fourth of July. | 0:39:26 | 0:39:27 | |
-So we'll go with... -Yeah. | 0:39:27 | 0:39:29 | |
-..80 minutes. -Happy to lock in 80 minutes as the correct answer? | 0:39:29 | 0:39:32 | |
-Absolutely. -Yes. | 0:39:32 | 0:39:34 | |
Lock it in, please. | 0:39:34 | 0:39:36 | |
Is 80 minutes the correct answer? | 0:39:36 | 0:39:38 | |
It is the correct answer. | 0:39:42 | 0:39:43 | |
Well done, gentlemen. Lesley. | 0:39:43 | 0:39:45 | |
Nick, immediately confident about this one. | 0:39:45 | 0:39:48 | |
Very happy to see that question come up. | 0:39:48 | 0:39:50 | |
80 minutes is the playing time | 0:39:50 | 0:39:51 | |
of a professional Rugby Union match, | 0:39:51 | 0:39:53 | |
in two halves of 40 minutes. | 0:39:53 | 0:39:55 | |
Shia and Sunni are the names of | 0:39:55 | 0:39:57 | |
major branches in Islam | 0:39:57 | 0:39:59 | |
rather than Hinduism. | 0:39:59 | 0:40:00 | |
And the US Independence Day | 0:40:00 | 0:40:01 | |
falls on the fourth not of February | 0:40:01 | 0:40:03 | |
but - you both knew this one - in July. | 0:40:03 | 0:40:06 | |
It's the celebration of the Declaration of Independence. | 0:40:06 | 0:40:09 | |
Thank you, Lesley. Great stuff. | 0:40:09 | 0:40:11 | |
It means you get to choose one digit from the keypad to try | 0:40:11 | 0:40:14 | |
it in the code, see if it sticks. | 0:40:14 | 0:40:15 | |
-Go on, then, Nick. -I'm liking the look of number eight. | 0:40:15 | 0:40:18 | |
Eight is a great number. Let's see if it's in the code. | 0:40:18 | 0:40:21 | |
Is it in the first box? | 0:40:21 | 0:40:22 | |
It's not. How about the second box? | 0:40:24 | 0:40:26 | |
It's not there. How about box number three? | 0:40:28 | 0:40:30 | |
No. No eight in the code. | 0:40:31 | 0:40:34 | |
It also means you carry on playing the game at the level where you see | 0:40:34 | 0:40:38 | |
all three questions at the same time. | 0:40:38 | 0:40:40 | |
-Would you like to see your next three answers? -Sure. | 0:40:40 | 0:40:42 | |
OK, shall we | 0:40:46 | 0:40:47 | |
-just go down in order then? -Yeah, let's do it. | 0:40:47 | 0:40:49 | |
Let's do boat first, please. | 0:40:49 | 0:40:51 | |
Let's see the question behind boat. | 0:40:51 | 0:40:53 | |
That's my period of music. | 0:40:59 | 0:41:01 | |
It's Rock The Casbah, so that's definitely not the right answer. | 0:41:01 | 0:41:04 | |
-Which one next? -Coat. | 0:41:04 | 0:41:06 | |
Coat. The question | 0:41:06 | 0:41:07 | |
behind coat, please. | 0:41:07 | 0:41:08 | |
-Trench coat. -Well, a trench coat is. | 0:41:13 | 0:41:14 | |
I've not heard of a duster coat, though. Have you? | 0:41:14 | 0:41:17 | |
I've heard of something being duster and... | 0:41:17 | 0:41:20 | |
Chesterfield is a chest... | 0:41:20 | 0:41:23 | |
That's an item of furniture. | 0:41:23 | 0:41:25 | |
-Drawer. -Chesterfield drawers. | 0:41:25 | 0:41:27 | |
Trench drawers? | 0:41:27 | 0:41:29 | |
I think we need to just hold fire on | 0:41:29 | 0:41:31 | |
-that. -Yeah. -Let's open the last one. | 0:41:31 | 0:41:34 | |
The question behind goat, please. | 0:41:34 | 0:41:36 | |
The sign for Leo | 0:41:39 | 0:41:40 | |
-is a lion. -Leo the lion. | 0:41:40 | 0:41:43 | |
-Leo the lion. -OK. | 0:41:43 | 0:41:44 | |
-So it must be the middle one. -Are you happy to lock in the second one? | 0:41:44 | 0:41:47 | |
-I am. -Absolutely. | 0:41:47 | 0:41:49 | |
We are going to lock in coat as the correct answer. | 0:41:49 | 0:41:52 | |
If it's right, | 0:41:52 | 0:41:53 | |
you get another stab at putting a digit | 0:41:53 | 0:41:55 | |
into the code to see if it sticks. | 0:41:55 | 0:41:57 | |
Let's see if it's the correct answer. | 0:41:57 | 0:42:00 | |
It is correct. Lesley. | 0:42:02 | 0:42:04 | |
The Chesterfield, named after | 0:42:04 | 0:42:05 | |
the Earl of Chesterfield. | 0:42:05 | 0:42:07 | |
It is a long tailored overcoat. | 0:42:07 | 0:42:09 | |
Duster - worn when horse riding. | 0:42:09 | 0:42:12 | |
And trench, from the trenches. | 0:42:12 | 0:42:13 | |
All coats. The Clash... Mark, | 0:42:13 | 0:42:16 | |
you didn't need to consider this question at all, | 0:42:16 | 0:42:18 | |
you knew immediately The Clash | 0:42:18 | 0:42:19 | |
had a hit with Rock The Casbah, | 0:42:19 | 0:42:21 | |
not Rock The Boat. Rock The Boat was | 0:42:21 | 0:42:23 | |
a hit by The Hues Corporation. | 0:42:23 | 0:42:25 | |
And the astrological sign Leo | 0:42:25 | 0:42:26 | |
represented by which animal? | 0:42:26 | 0:42:28 | |
Goat is Capricorn, Leo is the lion. | 0:42:28 | 0:42:30 | |
Well done. | 0:42:30 | 0:42:31 | |
Thank you very much, Lesley. | 0:42:31 | 0:42:33 | |
That means you get to pick another number. | 0:42:33 | 0:42:35 | |
Eight is out of commission. What's it going to be next? | 0:42:35 | 0:42:37 | |
Right, my turn to choose. I'm going to go for number two. | 0:42:37 | 0:42:40 | |
OK. Number two, is it there in the code? | 0:42:40 | 0:42:43 | |
Let's have a look at the first box. | 0:42:43 | 0:42:44 | |
No number two. How about the second box? | 0:42:47 | 0:42:49 | |
It's not there. How about box number three? | 0:42:51 | 0:42:53 | |
It is there. Well done. Number two, in the third box. | 0:42:55 | 0:42:59 | |
You've got your one number, | 0:42:59 | 0:43:00 | |
that means we move the game on to the next level. | 0:43:00 | 0:43:03 | |
HORN BLOWS | 0:43:03 | 0:43:05 | |
And that sound means it's all we've got time for. | 0:43:05 | 0:43:07 | |
We had our first jackpot win today - Michael and Tom | 0:43:07 | 0:43:10 | |
taking home £6,500. | 0:43:10 | 0:43:13 | |
Can Mark and Nick here also crack the code? | 0:43:13 | 0:43:16 | |
-What do you think, gentlemen? -Well, we're doing all right so far. | 0:43:16 | 0:43:19 | |
You're doing very well so far. | 0:43:19 | 0:43:21 | |
Lesley, thank you so much for all your knowledge and facts today. | 0:43:21 | 0:43:23 | |
-You're very welcome. -OK. And thank you to you at home for watching. | 0:43:23 | 0:43:27 | |
Goodbye. | 0:43:27 | 0:43:29 |