Browse content similar to Graham Norton's Big Red Chair. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and adult humour. | 0:00:02 | 0:00:04 | |
Someone utters one of the most terrifying phrases - | 0:00:04 | 0:00:07 | |
"I have such a good story" - | 0:00:07 | 0:00:09 | |
and there's nothing you can do to stop them, | 0:00:09 | 0:00:11 | |
which is why we came up with this. | 0:00:11 | 0:00:14 | |
We call it the Big Red Chair. | 0:00:14 | 0:00:17 | |
-But before I could get away, it just lifted up and went... -BLOWS RASPBERRY | 0:00:17 | 0:00:21 | |
Basically I'd ruptured my whole testicle. | 0:00:21 | 0:00:23 | |
Then we decided to dress up as prostitutes. | 0:00:23 | 0:00:25 | |
Somebody smacked me, I pooped everywhere. | 0:00:25 | 0:00:28 | |
I'll vote for you if you show me your tits. | 0:00:28 | 0:00:30 | |
Welcome to the Big Red Chair, | 0:00:36 | 0:00:38 | |
as we celebrate the history | 0:00:38 | 0:00:40 | |
of one TV's most famous pieces of soft furnishing. | 0:00:40 | 0:00:43 | |
Your best story ever, off you go. | 0:00:43 | 0:00:45 | |
We'll meet some of the 500 storytellers | 0:00:45 | 0:00:48 | |
who have graced the chair. | 0:00:48 | 0:00:49 | |
LAUGHTER | 0:00:49 | 0:00:51 | |
Many not for very long. | 0:00:51 | 0:00:53 | |
LAUGHTER AND APPLAUSE | 0:00:53 | 0:00:54 | |
You'll get the chance to hear again | 0:00:54 | 0:00:56 | |
stories you've never forgotten. | 0:00:56 | 0:00:58 | |
So the first thing you need to know | 0:00:58 | 0:01:00 | |
is that my girlfriend and I were butt naked in bed. | 0:01:00 | 0:01:03 | |
And many you wish you could. | 0:01:03 | 0:01:04 | |
Oh! Oh! Oh! | 0:01:04 | 0:01:06 | |
And we'll reveal the secret | 0:01:06 | 0:01:08 | |
of how to tell the perfect Red Chair story. | 0:01:08 | 0:01:11 | |
That is the most beautiful story I've ever heard. | 0:01:11 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:01:13 | 0:01:14 | |
The Red Chair all started back in 2009, | 0:01:14 | 0:01:17 | |
when we had one of our all-time favourite guests on the show, | 0:01:17 | 0:01:20 | |
the late Ronnie Corbett. Now, we wanted to pay tribute | 0:01:20 | 0:01:23 | |
to Ronnie's classic monologues | 0:01:23 | 0:01:25 | |
and came up with the idea of letting some of the studio audience | 0:01:25 | 0:01:28 | |
tell a Corbett-style story. | 0:01:28 | 0:01:30 | |
-Hello, Charmaine. -Hello! | 0:01:30 | 0:01:32 | |
With a twist that if either of us got bored... | 0:01:32 | 0:01:34 | |
-Is that it? -I think that's the end. | 0:01:34 | 0:01:36 | |
..I could flip them into oblivion. | 0:01:36 | 0:01:38 | |
SHE SCREAMS, APPLAUSE | 0:01:38 | 0:01:41 | |
So began the Big Red Chair. | 0:01:41 | 0:01:43 | |
Now, all we had to do | 0:01:46 | 0:01:47 | |
was find people who could tell good stories... | 0:01:47 | 0:01:49 | |
and we did. | 0:01:49 | 0:01:51 | |
-Hello. -Hiya. -What's your name? | 0:01:51 | 0:01:53 | |
My name's Aileen. | 0:01:53 | 0:01:55 | |
-Aileen? -Yep. -And I'm guessing you're from Ireland? | 0:01:55 | 0:01:57 | |
I am, I'm from Derry. | 0:01:57 | 0:01:58 | |
Oh, you're from Derry, from the north of the country. | 0:01:58 | 0:02:00 | |
OK. And do you live there or here? | 0:02:00 | 0:02:02 | |
Study here, I live over there. | 0:02:02 | 0:02:04 | |
Oh, right, what are...? What are you studying? | 0:02:04 | 0:02:06 | |
Costume design. Costume interpretation. | 0:02:06 | 0:02:09 | |
OK, there will be subtitles on Friday. | 0:02:09 | 0:02:11 | |
LAUGHTER | 0:02:11 | 0:02:12 | |
Right now, only I can understand it. | 0:02:12 | 0:02:14 | |
Well, you can probably understand it, too. | 0:02:14 | 0:02:16 | |
-Yeah. -I can't. -No. So far, you're not missing anything. | 0:02:16 | 0:02:21 | |
-Hello. -Hello. | 0:02:21 | 0:02:23 | |
-Hi, what's your name? -Tony. -Tony, lovely Tony. | 0:02:23 | 0:02:25 | |
Nice to speak with you, Graham. | 0:02:27 | 0:02:29 | |
It's good, Tony. What do you do? | 0:02:29 | 0:02:31 | |
I work as a secondary school teacher, Graham. | 0:02:31 | 0:02:33 | |
Oh, yes? Specific subject? | 0:02:33 | 0:02:35 | |
No, I work with... Mainly now behaviour, | 0:02:35 | 0:02:37 | |
-with all the little rascals. -Oh, right. | 0:02:37 | 0:02:39 | |
LAUGHTER | 0:02:39 | 0:02:40 | |
OK, off you go. | 0:02:40 | 0:02:42 | |
Right, so, late after Christmas, I was back home, um... | 0:02:42 | 0:02:46 | |
Look at that face! | 0:02:46 | 0:02:48 | |
Did you get any of it? Christmas. | 0:02:48 | 0:02:50 | |
-Something about Christmas. -Yeah, Christmas. | 0:02:50 | 0:02:53 | |
That's the only good detail so far. | 0:02:53 | 0:02:55 | |
Just pick out words, you'll follow the story. | 0:02:55 | 0:02:57 | |
Just say, "Blah, blah, blah, Christmas, blah, blah, blah, home." | 0:02:57 | 0:03:00 | |
I'm going into the shop | 0:03:00 | 0:03:02 | |
and I had to get milk and bread. | 0:03:02 | 0:03:05 | |
LAUGHTER AND APPLAUSE | 0:03:05 | 0:03:08 | |
So I, literally, was really stressed, | 0:03:11 | 0:03:13 | |
so I was like, "Run in, run out, get the groceries, let's go." | 0:03:13 | 0:03:17 | |
Told my boyfriend do a lap and just pick me up, no need to park the car. | 0:03:17 | 0:03:22 | |
So, as planned, I came out... | 0:03:22 | 0:03:25 | |
You know, perfectly timing. | 0:03:25 | 0:03:27 | |
Er, silver people carrier, just casually drifts by, casual speed. | 0:03:27 | 0:03:32 | |
So, without hesitation, I sprint across, | 0:03:32 | 0:03:34 | |
with my groceries... | 0:03:34 | 0:03:36 | |
Jump in the back of the car, | 0:03:36 | 0:03:39 | |
screaming and thumping the back of the chair, | 0:03:39 | 0:03:42 | |
shouting, "Go, go, go, go!" | 0:03:42 | 0:03:44 | |
But taking in mind it was Christmas and I had like a scarf up here | 0:03:44 | 0:03:48 | |
-and a hat over here... -LAUGHTER | 0:03:48 | 0:03:51 | |
..I thought, which was my boyfriend? Turned out to be this middle aged, | 0:03:53 | 0:03:56 | |
like, 60-year-old woman. | 0:03:56 | 0:03:58 | |
"Jesus!" | 0:03:59 | 0:04:01 | |
And pushed her foot on the accelerator and, like, | 0:04:02 | 0:04:04 | |
pushed me into a lamppost. | 0:04:04 | 0:04:06 | |
APPLAUSE Oh! It's a good story. | 0:04:06 | 0:04:09 | |
You walk, you walk. | 0:04:09 | 0:04:10 | |
Go, go, go. Well done. Very good. | 0:04:10 | 0:04:12 | |
We'd just gone back to school in January, I've had... | 0:04:12 | 0:04:15 | |
Got my new suit, I always like to get a new suit for the New Year. | 0:04:15 | 0:04:17 | |
-Of course. -And... Yeah, naturally. And what's happened is, | 0:04:17 | 0:04:20 | |
I've gone into the canteen as normal, | 0:04:20 | 0:04:22 | |
cos I always like to eat with the pupils and then go out on duty. | 0:04:22 | 0:04:26 | |
So, I've gone down, it's me favourite - | 0:04:26 | 0:04:27 | |
there's a little roast dinner. | 0:04:27 | 0:04:29 | |
So I've gone into the queue, nice little bit of lamb, roast potatoes, | 0:04:29 | 0:04:32 | |
greens, gravy and, er... | 0:04:32 | 0:04:35 | |
I thought to myself, normally I don't get an afters, I thought, | 0:04:35 | 0:04:37 | |
"I'll have a little afters, have a bit of apple pie and custard, lovely." | 0:04:37 | 0:04:41 | |
So, I've got that, got me little tray, | 0:04:41 | 0:04:42 | |
walk round where you go to get the forks and knives | 0:04:42 | 0:04:45 | |
and as I've gone round, there must have been a bit of water. | 0:04:45 | 0:04:48 | |
I didn't see the water. The old foot's gone, | 0:04:48 | 0:04:50 | |
I thought, "Shit, I'm going over," | 0:04:50 | 0:04:52 | |
and it went in slow motion, I can still remember it, | 0:04:52 | 0:04:55 | |
it was slow motion, and I've got the tray, | 0:04:55 | 0:04:58 | |
I'm thinking, I've got to hold that tray. | 0:04:58 | 0:05:00 | |
I've gone over, me back's hit the floor, the tray's gone over, | 0:05:00 | 0:05:04 | |
I've got gravy, custard, apple pie and a little bit of lamb, | 0:05:04 | 0:05:08 | |
and as I've looked up, through the gravy and the custard, | 0:05:08 | 0:05:11 | |
I can see 100 teenagers going, "Sir's gone over! | 0:05:11 | 0:05:14 | |
"Sir's gone over!" | 0:05:14 | 0:05:16 | |
And that's me story, Graham. | 0:05:16 | 0:05:19 | |
-Aw, he can walk. -Give me a little flip, Graham. Give me a flip. | 0:05:19 | 0:05:22 | |
OK, here you go. | 0:05:22 | 0:05:24 | |
-Way! -Well done, Tony. | 0:05:24 | 0:05:25 | |
And from Monday morning, it's just like, "Sir, you're on telly, | 0:05:25 | 0:05:29 | |
"you're a celebrity, you know Kevin Hart, he's your mate. | 0:05:29 | 0:05:32 | |
"Ice Cube, he's your mate." | 0:05:32 | 0:05:34 | |
I'm going, "Yeah he's me mate, he's me mate, yeah, | 0:05:34 | 0:05:36 | |
"don't worry, we went out, had a drink." | 0:05:36 | 0:05:38 | |
They're going, "Sir, you've got to get me on telly." | 0:05:38 | 0:05:40 | |
I didn't expect, in any way, for as many people to really see it. | 0:05:40 | 0:05:44 | |
I was, like, getting, like, people jumping out of their cars, | 0:05:44 | 0:05:48 | |
to come over and get a photograph. | 0:05:48 | 0:05:49 | |
And from there, it progresses | 0:05:49 | 0:05:51 | |
where I'm on a corridor, I've got, like, kids, | 0:05:51 | 0:05:53 | |
"Ah, Sir's gone over, Sir's gone over!" | 0:05:53 | 0:05:55 | |
-ALL: -Sir's gone over! Sir's gone over! | 0:05:55 | 0:05:58 | |
And that went on for weeks. | 0:05:58 | 0:06:00 | |
I remember finding this weird section on Facebook | 0:06:00 | 0:06:02 | |
that's like your other outbox where people that aren't your friend | 0:06:02 | 0:06:05 | |
can message you. | 0:06:05 | 0:06:07 | |
So many different people from all over the world. | 0:06:07 | 0:06:10 | |
A lot of like positive, like, "You don't know me, but that was amazing, | 0:06:10 | 0:06:13 | |
"you really made my night." | 0:06:13 | 0:06:15 | |
I had a few, um, marriage proposals, but it was fun. | 0:06:15 | 0:06:18 | |
A lot of it, it was all positive, it was all, like, light-hearted. | 0:06:18 | 0:06:21 | |
The thought of making people laugh is really, really nice. | 0:06:21 | 0:06:24 | |
Nice to speak with you, Graham. | 0:06:24 | 0:06:27 | |
You've got ordinary people, you know, from all backgrounds, | 0:06:27 | 0:06:30 | |
different countries, | 0:06:30 | 0:06:31 | |
different areas of Britain go on there and tell a story. | 0:06:31 | 0:06:35 | |
That's what people remember, they remember that Red Chair. | 0:06:35 | 0:06:37 | |
It's Graham Norton and the Red Chair go together. | 0:06:37 | 0:06:40 | |
I think the Red Chair is so iconic and it is a classic, | 0:06:40 | 0:06:44 | |
like it's a classic of humour that will never get old and I think, | 0:06:44 | 0:06:47 | |
with me, it was a bit up and down, cos I was... | 0:06:47 | 0:06:50 | |
I did... They couldn't understand me and they could work out that I | 0:06:50 | 0:06:54 | |
had a bit of, like, energy, | 0:06:54 | 0:06:55 | |
but they didn't know how well the story is going to tell, | 0:06:55 | 0:06:58 | |
and I think that was really nice. | 0:06:58 | 0:06:59 | |
Like, I really didn't think how much of an impact it would have. | 0:06:59 | 0:07:02 | |
Go, go, go, go, go! | 0:07:02 | 0:07:05 | |
CAR ENGINE SCREECHES | 0:07:05 | 0:07:06 | |
What's the big deal? It's not even that scary. | 0:07:06 | 0:07:08 | |
It was a moment of a lifetime. | 0:07:08 | 0:07:10 | |
I just can't believe it, that all them people are looking at me, you know. | 0:07:10 | 0:07:13 | |
Unbelievable, unbelievable. | 0:07:13 | 0:07:15 | |
So far, we've had 500 stories told in the Red Chair and I think that | 0:07:15 | 0:07:20 | |
qualifies as a fair, statistical sample to teach us about | 0:07:20 | 0:07:24 | |
the audience for the show. | 0:07:24 | 0:07:26 | |
Firstly, women are keener than men to tell their story. | 0:07:26 | 0:07:30 | |
-Hiya. -Hello. -Hi. -14% more, actually. | 0:07:30 | 0:07:33 | |
And the geographical spread of our chair-fillers is truly amazing. | 0:07:33 | 0:07:37 | |
Obviously, the locals dominate, | 0:07:37 | 0:07:39 | |
but then come the Americans, | 0:07:39 | 0:07:42 | |
and our favourites, the Kiwis. | 0:07:42 | 0:07:44 | |
Then the Aussies, the Irish, the Northern Irish | 0:07:44 | 0:07:49 | |
and the Scots. | 0:07:49 | 0:07:51 | |
And the balance is made up by the South Africans, | 0:07:53 | 0:07:55 | |
the French, the Welsh, | 0:07:55 | 0:07:56 | |
the Mexicans, the Dutch, the Spanish, the Latvians, the Czechs, | 0:07:56 | 0:08:00 | |
the Hungarians... Pretty much every developed country in the world, | 0:08:00 | 0:08:03 | |
including those well-known yarn-spinners in Ecuador. | 0:08:03 | 0:08:08 | |
The secret of telling a good story? | 0:08:10 | 0:08:12 | |
Structure. And to have that, you need three things - a sold middle... | 0:08:12 | 0:08:17 | |
My hand was paralysed for half a day and I had, er, | 0:08:17 | 0:08:19 | |
no feeling in my arms for six months. | 0:08:19 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:23 | |
-A great opening... -I used to ride an Arab stallion in the desert. | 0:08:23 | 0:08:27 | |
Hello! LAUGHTER | 0:08:27 | 0:08:29 | |
And a brilliant ending. | 0:08:29 | 0:08:30 | |
His tiny, little penis rubbing against my hand. | 0:08:30 | 0:08:33 | |
LAUGHTER AND APPLAUSE | 0:08:33 | 0:08:35 | |
Though not necessarily in that order. | 0:08:37 | 0:08:39 | |
This is not as easy as you think, which is what Mia discovered... | 0:08:39 | 0:08:44 | |
-Hi. -..when she took her turn in the Red Chair, | 0:08:44 | 0:08:46 | |
and so began what is known world-wide now | 0:08:46 | 0:08:49 | |
as The Mystery Of The Dog Basket Lady. | 0:08:49 | 0:08:51 | |
So I was at a university reunion, in Baslow, | 0:08:51 | 0:08:55 | |
which is up north somewhere in a big country house. | 0:08:55 | 0:08:57 | |
We'd not seen each other in a while... | 0:08:57 | 0:08:59 | |
Sorry. | 0:08:59 | 0:09:01 | |
We were just having drinks, we went to the pub, | 0:09:01 | 0:09:04 | |
got a bit lairy at the pub, no-pants dance, teddy bear rolls. | 0:09:04 | 0:09:07 | |
Just standard on a night out. | 0:09:07 | 0:09:09 | |
-We go back... -No-pants dance? -..have some more drinks... | 0:09:09 | 0:09:11 | |
And then me and my friend go to get some drinks in the utility room and | 0:09:11 | 0:09:15 | |
it's winter, it's just the winter just gone, so it's really cold, | 0:09:15 | 0:09:18 | |
and the door shuts and there's no handle on the other side of the door. | 0:09:18 | 0:09:21 | |
So we're like, "Oh, this is the utility room, no drinks in here." | 0:09:21 | 0:09:24 | |
Anyway, banging on the door, banging on the door, half an hour, an hour, | 0:09:24 | 0:09:27 | |
an hour and a half. They've all gone to bed, assumed we'd get to bed. | 0:09:27 | 0:09:30 | |
We realise that we're stuck in this utility room, | 0:09:30 | 0:09:32 | |
it was about minus three degrees and there's a dog basket and some coats | 0:09:32 | 0:09:37 | |
and we watched a bit of Bear Grylls, so I think, "We're just going to | 0:09:37 | 0:09:40 | |
"have to get in the dog basket | 0:09:40 | 0:09:43 | |
"with my friend's parents' coats all around us, | 0:09:43 | 0:09:46 | |
"try to make us a bed," and realise that you have to sort of take your | 0:09:46 | 0:09:49 | |
clothes off to stay really warm, cos it was really, really cold, Graham, it really was. | 0:09:49 | 0:09:53 | |
-And then, um... -LAUGHTER | 0:09:53 | 0:09:55 | |
..no-one's coming, we're banging on the door, | 0:09:55 | 0:09:57 | |
we've got no phones, there's no toilet. | 0:09:57 | 0:09:59 | |
I really, really need a wee at this point. | 0:09:59 | 0:10:01 | |
There's just a bowl, so... With the dog basket! | 0:10:01 | 0:10:05 | |
You know that, that happens. Then one thing leads to another | 0:10:05 | 0:10:07 | |
in the dog basket, and he gets injured. Anyway... | 0:10:07 | 0:10:12 | |
OK, there are so many bits of this story missing. | 0:10:12 | 0:10:17 | |
So, you're having sex in a dog basket... | 0:10:17 | 0:10:20 | |
No! I'm not, I'm not! I'm absolutely not! | 0:10:20 | 0:10:23 | |
-We'd just.. -"One thing led to another." | 0:10:23 | 0:10:25 | |
What else does that mean?! | 0:10:25 | 0:10:27 | |
I just needed to make that innuendo. | 0:10:27 | 0:10:28 | |
Anyway, he gets injured, there's a lot of blood everywhere, going on... | 0:10:28 | 0:10:32 | |
From the dog, or...? | 0:10:32 | 0:10:33 | |
There's no dog... Pull the lever, pull the lever, Graham, please. | 0:10:33 | 0:10:36 | |
I'm going to pull the lever. | 0:10:36 | 0:10:38 | |
LAUGHTER AND APPLAUSE | 0:10:38 | 0:10:40 | |
We have no idea what went on in that dog basket and since the story was | 0:10:40 | 0:10:45 | |
broadcast we have been asked countless times for an explanation. | 0:10:45 | 0:10:48 | |
'To put the nation's mind at rest, | 0:10:48 | 0:10:50 | |
'we've tried to track down Mia to fill in the gaps.' | 0:10:50 | 0:10:54 | |
We did get a message eventually. | 0:10:54 | 0:10:57 | |
"I'm in the Himalayas." | 0:10:57 | 0:10:59 | |
'I think the mystery of the dog basket lady | 0:10:59 | 0:11:01 | |
'may go on for some time.' | 0:11:01 | 0:11:03 | |
Pull the lever, pull the lever, Graham, please. | 0:11:03 | 0:11:05 | |
I'm going to pull the lever! | 0:11:05 | 0:11:06 | |
500 stories in, there are some Red Chair patterns emerging, | 0:11:08 | 0:11:12 | |
and through them, we can get a glimpse of what the world | 0:11:12 | 0:11:14 | |
really cares about. | 0:11:14 | 0:11:16 | |
That would be at number two in the Top Story Subjects... | 0:11:16 | 0:11:19 | |
How can I put this? | 0:11:19 | 0:11:21 | |
Bodily fluids. | 0:11:21 | 0:11:23 | |
I peed myself. | 0:11:23 | 0:11:25 | |
LAUGHTER Oh! | 0:11:25 | 0:11:27 | |
I basically pooper-scooped my own poo | 0:11:27 | 0:11:29 | |
out of the toilet. | 0:11:29 | 0:11:30 | |
I saw that I had not in fact | 0:11:30 | 0:11:32 | |
sat on a soft toilet seat but I'd actually sat and weed on my friend's | 0:11:32 | 0:11:37 | |
elderly nan, who was also answering a call to nature. | 0:11:37 | 0:11:41 | |
Oh, it's a double decky! | 0:11:41 | 0:11:43 | |
I was sat down, having a nice little wee, | 0:11:43 | 0:11:45 | |
when it turned out I wasn't actually going for a wee, | 0:11:45 | 0:11:48 | |
it was actually a poo. Um... And it got stuck, as I was going, | 0:11:48 | 0:11:52 | |
in between the outside of my bum and my bowel | 0:11:52 | 0:11:54 | |
and the outside of my bum cheek, | 0:11:54 | 0:11:56 | |
so I had to de-wedge it with some tissue. | 0:11:56 | 0:11:59 | |
And in my frenzy, as I brought it round, it flew across the toilet. | 0:11:59 | 0:12:03 | |
There was immediately a massive shriek from next door | 0:12:03 | 0:12:05 | |
and all I could do was run. | 0:12:05 | 0:12:07 | |
That's quite a good story. That is quite a good story, yeah. | 0:12:07 | 0:12:10 | |
I turned my head to look down the toilet, | 0:12:10 | 0:12:12 | |
which was not in a particularly lovely state, | 0:12:12 | 0:12:15 | |
to see a rat swimming in the toilet, staring up at me. | 0:12:15 | 0:12:20 | |
I'm ashamed to say I was so desperate for the toilet | 0:12:20 | 0:12:23 | |
-that I peed on the rat. -Yay! CHEERING | 0:12:23 | 0:12:26 | |
OK, so I was out for a run with my friend Dunc and we're running past, | 0:12:26 | 0:12:31 | |
running past a car and Dunc really needed to go for a poo. | 0:12:31 | 0:12:36 | |
So we... | 0:12:36 | 0:12:37 | |
We saw a toilet block, it was a men's and a woman's and... | 0:12:37 | 0:12:41 | |
we ran over to the men's, and he was busting, | 0:12:41 | 0:12:43 | |
he really needed to get this thing out of him, | 0:12:43 | 0:12:46 | |
and the men's was closed, | 0:12:46 | 0:12:48 | |
so at this stage he didn't even care, | 0:12:48 | 0:12:50 | |
so he went over to the woman's toilets and that was closed as well. | 0:12:50 | 0:12:53 | |
So he's frantically looking round, "Where can I go? Where can I go?" | 0:12:53 | 0:12:56 | |
So he ran over to this | 0:12:56 | 0:12:58 | |
bush and crouched down behind this bush and he went. | 0:12:58 | 0:13:01 | |
And about 30 seconds later, I saw this big German Shepherd, | 0:13:01 | 0:13:04 | |
came bounding over, and Dunc pulled his pants up, | 0:13:04 | 0:13:08 | |
jogged off and then this... | 0:13:08 | 0:13:11 | |
And then about 20 seconds later the owner of the German Shepherd | 0:13:11 | 0:13:14 | |
came over and she was like, "Oh, Roy, you naughty boy"... | 0:13:14 | 0:13:19 | |
LAUGHTER DROWNS SPEECH | 0:13:19 | 0:13:20 | |
..and picks up the poo, ties it to her belt, | 0:13:21 | 0:13:24 | |
and then just wanders off with this poo dangling from her belt. | 0:13:24 | 0:13:28 | |
You can walk! Well done. Very good story, very good story. | 0:13:28 | 0:13:32 | |
And at number one, and how could there be any doubt about this? | 0:13:32 | 0:13:37 | |
It's Sex & Nudity. | 0:13:37 | 0:13:39 | |
So the first thing you need to know is that my girlfriend and I | 0:13:39 | 0:13:42 | |
-were butt naked in bed. -Oh. | 0:13:42 | 0:13:44 | |
-And... -Good start to any story. | 0:13:44 | 0:13:46 | |
-Nice start. -Yeah, very good start, very good start. | 0:13:46 | 0:13:48 | |
110 metre hurdles, I'm up next. | 0:13:48 | 0:13:50 | |
So, go and do my warm up, you know, brace myself, | 0:13:50 | 0:13:53 | |
bearing in mind the 110 metre guys are, like, warming up, | 0:13:53 | 0:13:56 | |
the hottest guys you've ever seen. | 0:13:56 | 0:13:58 | |
So, I was like, brace myself, look them dead in the eye and was like, | 0:13:58 | 0:14:01 | |
"Let's do this". One, two, three, jump. | 0:14:01 | 0:14:05 | |
One, two, three, jump. | 0:14:05 | 0:14:07 | |
One, two, three, 3.5, | 0:14:07 | 0:14:10 | |
hurdle, me, crash, bang. | 0:14:10 | 0:14:13 | |
Basically I popped my cherry on a hurdle. | 0:14:13 | 0:14:17 | |
I had a... | 0:14:17 | 0:14:18 | |
And we were in a train carriage travelling through South Africa, | 0:14:18 | 0:14:23 | |
all of a sudden the train started to slow down... | 0:14:23 | 0:14:26 | |
-Mm-hm. -..and that sent me careering through the partition door, | 0:14:26 | 0:14:29 | |
and I landed straight on top of the woman that was in the other cabin. | 0:14:29 | 0:14:33 | |
It's at that moment when her husband woke up | 0:14:33 | 0:14:35 | |
-and realised I was sitting on his wife's face. -Ooh! | 0:14:35 | 0:14:39 | |
Good story. | 0:14:39 | 0:14:40 | |
When I first came to London, | 0:14:40 | 0:14:41 | |
I was at a nightclub and I started dancing with this really cute guy | 0:14:41 | 0:14:45 | |
and started making out with him. | 0:14:45 | 0:14:46 | |
I went to a family reunion, it was actually my cousin, | 0:14:46 | 0:14:49 | |
that I didn't know who it was. | 0:14:49 | 0:14:50 | |
Ooh! Ooh, ooh! | 0:14:50 | 0:14:53 | |
Having fallen asleep in the cinema, I thought, "Go to the loo, | 0:14:53 | 0:14:57 | |
"get myself together, come back." | 0:14:57 | 0:14:59 | |
Thought, "I'm losing this guy here." | 0:14:59 | 0:15:01 | |
So I sat down and started having a little fumble in his lap | 0:15:01 | 0:15:05 | |
and this, um, girl leaned forward and said, um, "Excuse me, | 0:15:05 | 0:15:09 | |
"what are you doing with my boyfriend?" | 0:15:09 | 0:15:12 | |
I'm feeling up the wrong guy! | 0:15:12 | 0:15:13 | |
LAUGHTER | 0:15:13 | 0:15:15 | |
So, I'm in bed with an ex-lover of mine, | 0:15:15 | 0:15:18 | |
and we decided we'd engage in some grown-up activities. | 0:15:18 | 0:15:22 | |
-Yes. -You know, dinner for two. | 0:15:22 | 0:15:24 | |
LAUGHTER | 0:15:24 | 0:15:26 | |
More than 68, but not quite 70. | 0:15:26 | 0:15:28 | |
Because I'm so lazy by nature, I'm on the bottom... | 0:15:30 | 0:15:33 | |
Um, so I can't breath through my mouth, obviously, cos it's full. | 0:15:33 | 0:15:38 | |
LAUGHTER AND GASPING | 0:15:38 | 0:15:40 | |
So, I've taken a very deep breath through my nose. | 0:15:40 | 0:15:42 | |
-SHE INHALES DEEPLY -At which point his testicles | 0:15:42 | 0:15:45 | |
form a tight seal... | 0:15:45 | 0:15:48 | |
LAUGHTER | 0:15:48 | 0:15:50 | |
..across my nostrils, so I can't breath at all! | 0:15:50 | 0:15:53 | |
So, I'm wriggling around, panicking, he's thinking, obviously, | 0:15:53 | 0:15:56 | |
"Oh, she's loving this." | 0:15:56 | 0:15:58 | |
I'm going to do that, yeah. | 0:15:58 | 0:16:00 | |
LAUGHTER DROWNS SPEECH | 0:16:00 | 0:16:02 | |
-What's your name, sir? -My name's Howie Poon. | 0:16:02 | 0:16:04 | |
-Howie Poon? -Yes. | 0:16:04 | 0:16:06 | |
-Er, what do you do, sir? -I'm a flight attendant. | 0:16:06 | 0:16:10 | |
A flight attendant. OK, off you go with your story. | 0:16:10 | 0:16:13 | |
OK, so I had to take my 70-year-old Chinese mum | 0:16:13 | 0:16:17 | |
to her gynaecologist's check-up appointment and I had to... | 0:16:17 | 0:16:21 | |
Can I just say, already my hopes for this story are so high... | 0:16:21 | 0:16:25 | |
LAUGHTER AND WHOOPING | 0:16:25 | 0:16:27 | |
..I can't tell you! | 0:16:27 | 0:16:30 | |
So, basically, we get to the office, | 0:16:30 | 0:16:32 | |
I tell her gynaecologist that I have to translate. | 0:16:32 | 0:16:36 | |
The gynaecologist has a smirk on her face and says, "Well, | 0:16:36 | 0:16:39 | |
"I'm going to have to ask you a couple of uncomfortable questions, | 0:16:39 | 0:16:43 | |
"um, you know, to translate for your mum." | 0:16:43 | 0:16:45 | |
So she's like, "I need to know if your mum is sexually active | 0:16:45 | 0:16:50 | |
"and I need to know how active she is". | 0:16:50 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:55 | |
So, keep in mind she's 70 years old. | 0:16:55 | 0:16:57 | |
So, I um translate in Chinese, I'm like... | 0:16:57 | 0:17:01 | |
HE SPEAKS IN NATIVE LANGUAGE | 0:17:01 | 0:17:03 | |
Basically that means, "Do you guys still have sex?" | 0:17:03 | 0:17:06 | |
So my mum hits me in the shoulder, she's like, "You know your dad, | 0:17:06 | 0:17:10 | |
"of course we do, five to six times a week." | 0:17:10 | 0:17:14 | |
LAUGHTER AND APPLAUSE | 0:17:14 | 0:17:16 | |
So... | 0:17:17 | 0:17:18 | |
-Yeah. -Wow! | 0:17:18 | 0:17:20 | |
That's amazing. | 0:17:20 | 0:17:21 | |
APPLAUSE CONTINUES | 0:17:21 | 0:17:23 | |
So, basically, like, I'm completely embarrassed, | 0:17:25 | 0:17:28 | |
my mum's not even shy about it. | 0:17:28 | 0:17:31 | |
I go from, like, basically | 0:17:31 | 0:17:34 | |
embarrassed to depressed, cos Mum and Dad are getting more than I am. | 0:17:34 | 0:17:38 | |
Aww! | 0:17:38 | 0:17:40 | |
Can he walk? He should... You walk, yeah. | 0:17:40 | 0:17:42 | |
My parents like to go walking all the time in their neighbourhood | 0:17:42 | 0:17:45 | |
and a lot of their friends, who've seen the clip, they're like, | 0:17:45 | 0:17:49 | |
"It's good to see you walking again Mrs Poon!" | 0:17:49 | 0:17:52 | |
HE LAUGHS | 0:17:52 | 0:17:54 | |
Walk, walk. | 0:17:54 | 0:17:55 | |
When she first found out, | 0:17:56 | 0:17:58 | |
she thought I was crazy for telling this story. | 0:17:58 | 0:18:04 | |
She was, she was like, | 0:18:04 | 0:18:05 | |
"Why didn't you tell a story of how we struggled coming to America?" | 0:18:05 | 0:18:10 | |
And I was like, um... | 0:18:10 | 0:18:12 | |
"It's a funny show, no-one wants to hear your struggles," you know. | 0:18:12 | 0:18:16 | |
My dad actually was actually pretty proud, he's like, | 0:18:16 | 0:18:19 | |
"How do I find this on YouTube so I can show my friends?" | 0:18:19 | 0:18:23 | |
So what would Mr and Mrs Poon say is the secret to a happy marriage? | 0:18:23 | 0:18:28 | |
I think I might know the answer to this. | 0:18:28 | 0:18:30 | |
THEY LAUGH | 0:18:35 | 0:18:37 | |
Well, yeah, I didn't get to finish the story. | 0:18:37 | 0:18:40 | |
So, basically, after that translation, my mum, like, | 0:18:40 | 0:18:44 | |
hits me on the shoulder and she's like, | 0:18:44 | 0:18:46 | |
"Oh, and since your dad just got a pacemaker, | 0:18:46 | 0:18:48 | |
"could you ask the doctor if it's OK if we have sex?" | 0:18:48 | 0:18:52 | |
And the doctor translates to me and says, | 0:18:52 | 0:18:55 | |
"It's perfectly healthy for your dad to have a healthy sex life, | 0:18:55 | 0:18:58 | |
"just make sure he doesn't exert too much." | 0:18:58 | 0:19:00 | |
Maybe have your mum do the work and have her get on top sometimes." | 0:19:00 | 0:19:05 | |
And in my head, I'm just like, | 0:19:05 | 0:19:06 | |
"There is no way I'm going to translate that." | 0:19:06 | 0:19:09 | |
So in Chinese I basically go... | 0:19:09 | 0:19:12 | |
Told my mum, "Just have Dad take it easy." | 0:19:12 | 0:19:14 | |
HE LAUGHS | 0:19:14 | 0:19:16 | |
Now, I don't always have the patience to hear everybody's story. | 0:19:16 | 0:19:19 | |
If you don't grab my attention straightaway, | 0:19:19 | 0:19:21 | |
then prepare for whiplash. | 0:19:21 | 0:19:23 | |
This is it, the big time awaits. | 0:19:23 | 0:19:25 | |
If I ever want to have my hair cut, | 0:19:25 | 0:19:27 | |
I have to travel 150 miles, cos I... | 0:19:27 | 0:19:29 | |
LAUGHTER | 0:19:29 | 0:19:31 | |
-Hi. -Hi. | 0:19:31 | 0:19:32 | |
Hi, Graham. | 0:19:32 | 0:19:34 | |
Hi. | 0:19:34 | 0:19:36 | |
-What's your name? -Lettuce. | 0:19:36 | 0:19:38 | |
-What do you do, Jeremy? -I'm a student. | 0:19:39 | 0:19:41 | |
I'm a storyteller. | 0:19:41 | 0:19:43 | |
I'm a real estate sustainability consultant. | 0:19:43 | 0:19:46 | |
APPLAUSE | 0:19:46 | 0:19:48 | |
So, I'm in France, on holiday with my sister. | 0:19:48 | 0:19:51 | |
It's meaner to let them start telling the story. | 0:19:51 | 0:19:54 | |
-Hello, Mr Graham Norton and guests. -Hello. | 0:19:54 | 0:19:57 | |
HE MUTTERS | 0:19:57 | 0:19:59 | |
I didn't have time to put my underwear on. | 0:19:59 | 0:20:02 | |
SHE SCREAMS | 0:20:02 | 0:20:03 | |
He dressed to match a chair! | 0:20:05 | 0:20:08 | |
My story is about my pixies. | 0:20:08 | 0:20:10 | |
SHE SCREAMS | 0:20:10 | 0:20:12 | |
-Have you got a bag? -I do have a bag, yeah, it's a laundry bag. | 0:20:12 | 0:20:15 | |
LAUGHTER | 0:20:15 | 0:20:16 | |
Who's up next? | 0:20:16 | 0:20:18 | |
Ooh! | 0:20:18 | 0:20:19 | |
LAUGHTER AND APPLAUSE | 0:20:19 | 0:20:21 | |
I just didn't have the emotional energy to cope with that. | 0:20:21 | 0:20:25 | |
I apologise! | 0:20:25 | 0:20:26 | |
Come back and see us later in the series! | 0:20:26 | 0:20:29 | |
Not everybody gets to feel the wrath of the flip. | 0:20:29 | 0:20:31 | |
Catch me on a good night with a solid story | 0:20:31 | 0:20:33 | |
and I'll happily let you walk. | 0:20:33 | 0:20:35 | |
Shall we let her walk? Yeah, walk. Go on, walk. | 0:20:35 | 0:20:37 | |
It felt so good to walk. | 0:20:37 | 0:20:39 | |
You can walk! Well done, very good... | 0:20:39 | 0:20:41 | |
At the end of it, when I was just like, "Yes!" | 0:20:41 | 0:20:44 | |
I was so happy. | 0:20:44 | 0:20:46 | |
I was just... It just felt like I'd accomplished something. | 0:20:46 | 0:20:49 | |
When I was 13 years of age, I was playing golf | 0:20:49 | 0:20:51 | |
and I got struck by lightning. | 0:20:51 | 0:20:53 | |
Three friends watched me get hit by lightning. | 0:20:53 | 0:20:55 | |
I was really happy when I wasn't flipped | 0:20:55 | 0:20:57 | |
and was able to walk off happily. | 0:20:57 | 0:20:59 | |
You can walk, you can walk. | 0:20:59 | 0:21:00 | |
Yeah, I think it was a bit of an ego boost. | 0:21:00 | 0:21:02 | |
-Hello, what's your name? -Hey, I'm Aran. | 0:21:02 | 0:21:05 | |
LAUGHTER | 0:21:05 | 0:21:08 | |
-Arn? -Aran. -Arn. | 0:21:09 | 0:21:11 | |
A-R-A-N, Aran. | 0:21:11 | 0:21:13 | |
Aran, he's Aran. | 0:21:13 | 0:21:15 | |
-Like the jumper. -Yes, exactly the same, yes. | 0:21:15 | 0:21:17 | |
Like the jumper. Off you go with your story. | 0:21:17 | 0:21:18 | |
OK, so when I was 14, went on holiday to Tenerife with my parents, | 0:21:18 | 0:21:21 | |
had a great holiday, came home on the Sunday night, | 0:21:21 | 0:21:24 | |
to start school on the Monday. | 0:21:24 | 0:21:26 | |
On Sunday night, went for a shower, slapped on some after sun, | 0:21:26 | 0:21:29 | |
didn't really think much about it, till the next morning, woke up, | 0:21:29 | 0:21:33 | |
looked in the mirror, was covered in orange blotches. | 0:21:33 | 0:21:36 | |
Turned out I had used my mum's fake tan by accident, | 0:21:36 | 0:21:41 | |
instead of the after sun. | 0:21:41 | 0:21:43 | |
Went in, says to my mum, "No way, not going to school." | 0:21:43 | 0:21:46 | |
And she basically said, "No, you're definitely going," | 0:21:46 | 0:21:50 | |
got sent to school, got taken there and basically was ridiculed all day | 0:21:50 | 0:21:53 | |
and got given the nickname Aran Brew! | 0:21:53 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:57 | |
That saved it, that saved it. | 0:21:57 | 0:21:59 | |
You can walk, Aran Brew. Very good! | 0:21:59 | 0:22:01 | |
Everyone says, "I can't believe you got to walk, if anything, | 0:22:01 | 0:22:04 | |
"you know, instead of getting flipped". | 0:22:04 | 0:22:06 | |
But then part of me secretly also wouldn't have minded being flipped. | 0:22:06 | 0:22:09 | |
-Hiya. -Hi, what's your name? | 0:22:09 | 0:22:11 | |
My name's Kealy Peachy, I'm 25 and I'm from Hackney. | 0:22:11 | 0:22:14 | |
Yay! WHOOPING AND APPLAUSE | 0:22:14 | 0:22:16 | |
She's working the crowd, she's on fire. | 0:22:16 | 0:22:18 | |
-We love Hackney. -I love Hackney. | 0:22:18 | 0:22:20 | |
-OK, and what do you do in Hackney? What do you do in Hackney? -I work for a balloting company. | 0:22:20 | 0:22:23 | |
-A balloting company. -So, we administer elections. | 0:22:23 | 0:22:26 | |
Oh, wow! Oh, so you're busy... once in a while. | 0:22:26 | 0:22:29 | |
LAUGHTER | 0:22:29 | 0:22:30 | |
Not at the moment, but OK. Off you go with your story. | 0:22:32 | 0:22:35 | |
OK, so I was 16 and I'd finally inherited an heirloom | 0:22:35 | 0:22:39 | |
that I'd wanted my entire life - it was a gun and not like... | 0:22:39 | 0:22:42 | |
LAUGHTER | 0:22:42 | 0:22:44 | |
The most you could do to hurt someone was hit it over the head. | 0:22:44 | 0:22:47 | |
Wait, wait, can I just say, yeah, she's got a gun, she's 16. | 0:22:47 | 0:22:51 | |
-She's 16. -Yeah. -And she's got a gun. This story may not go well. | 0:22:51 | 0:22:54 | |
It's perfectly normal in your country. It's perfectly normal. | 0:22:54 | 0:22:57 | |
And... So, basically, the day I got it, | 0:22:57 | 0:22:59 | |
I was just elated, and for some reason - please don't ask me why - | 0:22:59 | 0:23:02 | |
but I put my finger in the barrel and it got stuck. | 0:23:02 | 0:23:06 | |
So, this is the infamous gun. | 0:23:06 | 0:23:08 | |
As you can see, it's practically a stick and this is the barrel | 0:23:08 | 0:23:12 | |
where I decided to put my finger, because I'm an idiot. | 0:23:12 | 0:23:16 | |
So, in the end, I thought, "OK, I've got to go to A&E and get this thing off." | 0:23:16 | 0:23:19 | |
-I got in a cab with a jumper over... -LAUGHTER DROWNS SPEECH | 0:23:19 | 0:23:23 | |
..put the gun in, in my jumper, as you do! | 0:23:23 | 0:23:26 | |
And I went to A&E and I thought, "OK what's the best way to do this?" | 0:23:26 | 0:23:29 | |
Cos there was genuinely sick people in A&E. | 0:23:29 | 0:23:32 | |
I went to the desk and I said to the lady... | 0:23:32 | 0:23:34 | |
I was like, whispered, "I'm really sorry, | 0:23:34 | 0:23:36 | |
"I don't mean to alarm you but I've got a gun stuck to my finger." | 0:23:36 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:41 | |
And she just flew back in her chair and screamed, "You've a gun?!" | 0:23:41 | 0:23:44 | |
I was like, "No, no, no." | 0:23:44 | 0:23:46 | |
The longer I was going on, I was like, | 0:23:46 | 0:23:48 | |
"OK, they're liking the story." I didn't think I'd walk | 0:23:48 | 0:23:50 | |
because you just don't know whether he's going to flip you for the sake of it. | 0:23:50 | 0:23:53 | |
You can walk! You can walk! | 0:23:53 | 0:23:55 | |
And the best bit, Lenny Kravitz gave me a standing ovation - | 0:23:55 | 0:23:58 | |
which is a claim to fame there. | 0:23:58 | 0:24:00 | |
Well done, that lady. | 0:24:00 | 0:24:01 | |
And just sometimes, you can get a second chance. | 0:24:01 | 0:24:04 | |
My name's Adam Shaw, Graham. | 0:24:04 | 0:24:06 | |
OK. And what do you do, Adam? | 0:24:06 | 0:24:08 | |
-I'm an actor. -And where are you from? | 0:24:08 | 0:24:10 | |
-I'm from Pudsey. -Pudsey? | 0:24:10 | 0:24:12 | |
Yeah... | 0:24:12 | 0:24:13 | |
LAUGHTER AND APPLAUSE | 0:24:13 | 0:24:15 | |
Whoa! That's cold, man! | 0:24:15 | 0:24:19 | |
-Here, wait... -Ah! | 0:24:20 | 0:24:23 | |
That guy looks... That guy actually looks familiar to me. | 0:24:23 | 0:24:26 | |
-You know him? -Is he allowed to be back in the chair again? | 0:24:26 | 0:24:29 | |
Yeah, yeah, yeah. What Tom Hanks wants, Tom Hanks gets. | 0:24:29 | 0:24:32 | |
Oh, there he is, Adam. | 0:24:32 | 0:24:34 | |
OK, Joseph took again you, but Tom thought you looked familiar. | 0:24:34 | 0:24:39 | |
I am hopefully, yeah. | 0:24:39 | 0:24:40 | |
I owe Tom quite a lot, because my very first acting job | 0:24:40 | 0:24:45 | |
was Saving Private Ryan. | 0:24:45 | 0:24:47 | |
Oh, that's right! You were... We were in the Higgins boats together! | 0:24:47 | 0:24:50 | |
That's right, yeah, and I lied about being able to swim, I lied about being American. | 0:24:50 | 0:24:53 | |
-I'm actually from up... -LAUGHTER | 0:24:53 | 0:24:56 | |
Tom, do you remember the AD showed me the action? | 0:24:56 | 0:24:58 | |
-He put me in the water with you. -Yeah. Yes, yes... | 0:24:58 | 0:25:00 | |
And I turned to you and I said, "I've no idea what I'm doing!" | 0:25:00 | 0:25:04 | |
LAUGHTER | 0:25:04 | 0:25:05 | |
Is the end of this story that Tom Hanks saved your life? | 0:25:07 | 0:25:09 | |
He did, he saved... He really did save my life, | 0:25:09 | 0:25:11 | |
-literally saved my life. -Did he really? | 0:25:11 | 0:25:13 | |
-Yeah, he did. -It was pretty deep water as I recall. | 0:25:13 | 0:25:16 | |
-LAUGHTER -You know... Yes. | 0:25:16 | 0:25:19 | |
-Can he walk? -Huh? | 0:25:19 | 0:25:20 | |
Can he walk, or the flip? Walk? Flip? | 0:25:20 | 0:25:22 | |
-Well.. -Oh, he's walking. | 0:25:22 | 0:25:25 | |
He's such a nice, genuine, graceful man | 0:25:25 | 0:25:29 | |
that it was... | 0:25:29 | 0:25:30 | |
It was just like meeting an old friend, really. | 0:25:30 | 0:25:33 | |
When it was all done, I said, "Just out of drama school, huh? | 0:25:33 | 0:25:36 | |
"Welcome to the big time, kid!" | 0:25:36 | 0:25:37 | |
LAUGHTER | 0:25:37 | 0:25:39 | |
Good to see him again. | 0:25:39 | 0:25:41 | |
One topic that regularly pops up in the Red Chair is animals. | 0:25:41 | 0:25:45 | |
I mean, we're a nation of animal lovers, aren't we? | 0:25:45 | 0:25:48 | |
I was on a safari in Kenya, and we get to the giraffe bit, | 0:25:48 | 0:25:52 | |
where we see all the giraffes, and we have food, | 0:25:52 | 0:25:55 | |
and we come across a giraffe that decides to start going crazy. | 0:25:55 | 0:25:59 | |
My dad punched it in the head, but the driver's going crazy, | 0:25:59 | 0:26:03 | |
and he gets one of the tranquiliser gun things, | 0:26:03 | 0:26:05 | |
and just before he was about to shoot it, | 0:26:05 | 0:26:08 | |
he sort of lifted off, and then he sort of drove the car and spun off | 0:26:08 | 0:26:11 | |
and it was like a police car in a safari. | 0:26:11 | 0:26:13 | |
-Yeah, so we were all right. -LAUGHTER | 0:26:13 | 0:26:15 | |
When I was seven years old, I went on holiday, with my mother, | 0:26:16 | 0:26:19 | |
to Egypt, and during my time there, | 0:26:19 | 0:26:22 | |
I saw a donkey that was fully erect. | 0:26:22 | 0:26:24 | |
That was your best story. "I saw a donkey with an erection." | 0:26:28 | 0:26:32 | |
..sort of watching rodeos on TV and unfortunately, | 0:26:32 | 0:26:34 | |
we didn't have any horses to practise on, | 0:26:34 | 0:26:37 | |
so I used to use our sheep on the farm. | 0:26:37 | 0:26:39 | |
And one day... | 0:26:39 | 0:26:41 | |
My granny wasn't very best pleased with this and, one day, | 0:26:41 | 0:26:43 | |
when I was like... I used to have a favourite sheep, called Sally, | 0:26:43 | 0:26:46 | |
and I was going at it good on Sally, | 0:26:46 | 0:26:48 | |
and Granny was just standing by the septic tank, | 0:26:48 | 0:26:50 | |
which is about six foot deep, and she was, like, telling me off, | 0:26:50 | 0:26:53 | |
and the sheep charged at her, bucked me off, | 0:26:53 | 0:26:56 | |
and both collided and both of them landed in the six-foot-deep crap. | 0:26:56 | 0:26:59 | |
Ugh! That's a horrible story. | 0:26:59 | 0:27:02 | |
This monkey took a liking to me and it started groping me | 0:27:02 | 0:27:05 | |
and grabbing my chest, and then I felt this sort of wetness | 0:27:05 | 0:27:07 | |
next to my ear. I turned my head and I saw | 0:27:07 | 0:27:09 | |
this great, big, red penis, | 0:27:09 | 0:27:12 | |
and he's put it in my ear. | 0:27:12 | 0:27:13 | |
SHE SCREAMS | 0:27:13 | 0:27:14 | |
LAUGHTER AND APPLAUSE | 0:27:14 | 0:27:16 | |
-Wow. -So you're the girl with the monkey dick! | 0:27:17 | 0:27:20 | |
I was always told to avoid the wild horses in the desert, | 0:27:21 | 0:27:25 | |
but on this occasion, I didn't notice them coming up, | 0:27:25 | 0:27:28 | |
so as they approached, | 0:27:28 | 0:27:30 | |
one of the mares whinnied to my stallion, | 0:27:30 | 0:27:32 | |
and my stallion whinnied back. | 0:27:32 | 0:27:35 | |
He then pricked up his ears - in fact, he pricked up everything. | 0:27:35 | 0:27:38 | |
LAUGHTER | 0:27:38 | 0:27:39 | |
So she seemed very willing, | 0:27:39 | 0:27:41 | |
so he decided to have his wicked way with her. | 0:27:41 | 0:27:44 | |
-With you on top?! -With me on top. | 0:27:44 | 0:27:46 | |
You're working in a call centre... | 0:27:46 | 0:27:48 | |
Yeah, and a customer calls, he's hysterically crying | 0:27:48 | 0:27:51 | |
and I was like, "Oh, my goodness, sir, are you OK? | 0:27:51 | 0:27:54 | |
"What's wrong?" He was telling me that he's... | 0:27:54 | 0:27:56 | |
People came out to fix his internet and they left some live wires | 0:27:56 | 0:28:00 | |
in his garden. He told me that his dog chewed on the wire... | 0:28:00 | 0:28:04 | |
AUDIENCE GASPS | 0:28:04 | 0:28:06 | |
..kind of electrocuted itself. | 0:28:06 | 0:28:08 | |
"Oh, my goodness, sir, what was the dog's name?" | 0:28:08 | 0:28:11 | |
He was like, "Sparky." | 0:28:11 | 0:28:12 | |
No! No... | 0:28:12 | 0:28:15 | |
Let him live, let him live. | 0:28:15 | 0:28:18 | |
-I'm Jon. -Hello, Jon. Hi. | 0:28:19 | 0:28:21 | |
And where do you live, John? | 0:28:21 | 0:28:22 | |
-Staines. -Staines. John from Staines. | 0:28:22 | 0:28:25 | |
OK. And what do you do, John? | 0:28:25 | 0:28:27 | |
I'm an electronics engineer. | 0:28:27 | 0:28:28 | |
-OK! This is it, ladies and gentlemen. DAVID: -Come on! | 0:28:28 | 0:28:31 | |
I don't think we've ever had an electronics engineer | 0:28:31 | 0:28:34 | |
on the show before. So we've high hopes for you, John. | 0:28:34 | 0:28:38 | |
Off you go with your story. | 0:28:38 | 0:28:40 | |
OK, this happened in 1980 when I was at school in Devizes, which... | 0:28:40 | 0:28:43 | |
Excellent, it's a period piece, Harvey. | 0:28:43 | 0:28:46 | |
The budget will be higher, but there's a lot... | 0:28:46 | 0:28:49 | |
People are very... They like that, they like that. | 0:28:49 | 0:28:51 | |
-Go on. -OK, I was at school in Devizes, | 0:28:51 | 0:28:53 | |
which is a small town near Swindon. | 0:28:53 | 0:28:55 | |
-Yes. -And in the dinner queue, in the distance, on the school field, | 0:28:55 | 0:28:58 | |
I saw what looked like a Great Dane bounding towards us, | 0:28:58 | 0:29:00 | |
and everyone laughed because somebody's dog | 0:29:00 | 0:29:02 | |
had obviously followed them to school. | 0:29:02 | 0:29:04 | |
But it came on at phenomenal speed, | 0:29:04 | 0:29:06 | |
came up the steps where I was standing, | 0:29:06 | 0:29:07 | |
brushed past my leg and smashed straight through | 0:29:07 | 0:29:09 | |
the plate-glass window behind me, | 0:29:09 | 0:29:11 | |
and when we looked through the hole in the door, it was a lion, Graham! | 0:29:11 | 0:29:14 | |
Jon! Jon! Come on, Harvey! | 0:29:14 | 0:29:17 | |
-This is a good story. -Africa. | 0:29:17 | 0:29:20 | |
No, seriously. No, he's in Devizes. | 0:29:20 | 0:29:22 | |
-We could do it in Africa. -He's in Deviz... | 0:29:22 | 0:29:24 | |
It's better cos he's in England. | 0:29:24 | 0:29:25 | |
-Right, OK. -You don't expect... In Africa, it's a lion, who cares? | 0:29:25 | 0:29:28 | |
In Devizes, it's a fucking lion! | 0:29:28 | 0:29:32 | |
LAUGHTER What's it doing there?! | 0:29:32 | 0:29:34 | |
-Jon, what happened? -So I thought, | 0:29:34 | 0:29:36 | |
"This is my chance to go running in to the headmaster | 0:29:36 | 0:29:38 | |
-"and actually get away with swearing." -Yes. | 0:29:38 | 0:29:40 | |
So I ran into the dinner hall. | 0:29:40 | 0:29:41 | |
That's your first thought! | 0:29:41 | 0:29:43 | |
I ran into the dinner hall and shouted, | 0:29:43 | 0:29:46 | |
"There's a flipping lion in the classroom!", and he said, | 0:29:46 | 0:29:49 | |
"Jon, go and stand outside my office," | 0:29:49 | 0:29:51 | |
but the whole of the rest of the school | 0:29:51 | 0:29:52 | |
came running in at that moment and so it backed up my story. | 0:29:52 | 0:29:55 | |
And so he went and had a look, | 0:29:55 | 0:29:56 | |
and of course there it was chewing the table legs | 0:29:56 | 0:29:58 | |
and the corners of the desks and stuff. | 0:29:58 | 0:30:00 | |
-JESSIE: -Where did it come from? -Good question. | 0:30:00 | 0:30:02 | |
That's why... That's why we're gripped to our seats. | 0:30:02 | 0:30:05 | |
Where did the lion come from? Well, no, wait a minute. | 0:30:05 | 0:30:07 | |
What...? So, did it kill anyone? | 0:30:07 | 0:30:09 | |
-No, they were... -Did it maim anyone? | 0:30:09 | 0:30:11 | |
-No. -Was it really a lion or have you lied? | 0:30:11 | 0:30:13 | |
It was actually a lion. | 0:30:13 | 0:30:15 | |
Was it a dog with a balaclava on? | 0:30:15 | 0:30:17 | |
LAUGHTER | 0:30:17 | 0:30:18 | |
And police marksmen were at the school the whole afternoon | 0:30:18 | 0:30:20 | |
while we hid in the library, | 0:30:20 | 0:30:22 | |
and they rounded up these two lions that got into the school. | 0:30:22 | 0:30:25 | |
-Two? DAVID: -What?! -And what had happened was that | 0:30:25 | 0:30:27 | |
the travelling circus had arrived in town | 0:30:27 | 0:30:29 | |
-while we were at morning lessons. -Is this just an Enid Blyton story... | 0:30:29 | 0:30:33 | |
you're recycling for the purpose of our show? | 0:30:33 | 0:30:36 | |
The brilliant thing about this story is that... | 0:30:36 | 0:30:38 | |
For today, is that the lions turned out to be called Girlie and Jessie. | 0:30:38 | 0:30:42 | |
Aww. | 0:30:42 | 0:30:44 | |
-UNCONVINCING: -Aww. -LAUGHTER | 0:30:44 | 0:30:47 | |
I think we have to let John walk. | 0:30:48 | 0:30:50 | |
-Yeah. -He was attacked by a lion! | 0:30:50 | 0:30:53 | |
It was great, because I'm a big Dr Who fan, | 0:30:53 | 0:30:55 | |
so to tell my story in front of David Tennant was fantastic. | 0:30:55 | 0:30:59 | |
You can walk. Walk. | 0:30:59 | 0:31:01 | |
The only concern I had that maybe people would think I'd made it up, | 0:31:01 | 0:31:04 | |
that's the amazing thing about it - | 0:31:04 | 0:31:06 | |
you know, it really happened. | 0:31:06 | 0:31:08 | |
Is this just an Enid Blyton story you're... | 0:31:08 | 0:31:11 | |
you're recycling for the purpose of our show? | 0:31:11 | 0:31:13 | |
I was in geography, I think, and the head mistress came in and said, | 0:31:13 | 0:31:16 | |
"Did anyone see the lions? | 0:31:16 | 0:31:17 | |
"Because there's a reporter from the Sunday Times | 0:31:17 | 0:31:19 | |
"who wants to speak to somebody," | 0:31:19 | 0:31:21 | |
so I put my hand up straightaway | 0:31:21 | 0:31:23 | |
and went and talked to the reporter. | 0:31:23 | 0:31:25 | |
And it was after that that I got grabbed by the local TV news | 0:31:25 | 0:31:29 | |
as well, which was, you know, miles more exciting. | 0:31:29 | 0:31:31 | |
Well, I was standing there by the door, | 0:31:31 | 0:31:33 | |
and I saw this shape come across the grass, | 0:31:33 | 0:31:35 | |
it looked like a Great Dane at first, and it just sort of | 0:31:35 | 0:31:38 | |
bounded up the steps, didn't stop or anything, | 0:31:38 | 0:31:40 | |
went straight through the glass, | 0:31:40 | 0:31:42 | |
and I looked in there and I realised it was a lion. | 0:31:42 | 0:31:44 | |
And I just ran straight in through there and told the teachers. | 0:31:44 | 0:31:47 | |
My parents didn't believe me when I got home from school and said, | 0:31:47 | 0:31:50 | |
"Oh, you know, there's been a lion in the school | 0:31:50 | 0:31:52 | |
"and I've got on telly." They just said, | 0:31:52 | 0:31:55 | |
"Oh, don't be so silly", you know. | 0:31:55 | 0:31:57 | |
My little sister said that I'd gone viral on the internet | 0:31:57 | 0:32:00 | |
and I think there's a Devizes blog called Spotted in Devizes, | 0:32:00 | 0:32:04 | |
and it was all over that. | 0:32:04 | 0:32:06 | |
It was a case of just telling everybody that would listen, | 0:32:06 | 0:32:09 | |
and I'm still doing it today! | 0:32:09 | 0:32:11 | |
One nation that has embraced the Red Chair | 0:32:11 | 0:32:14 | |
like no other is New Zealand. | 0:32:14 | 0:32:16 | |
-You're from? -New Zealand. | 0:32:16 | 0:32:17 | |
-Where are you from? -I'm from New Zealand. | 0:32:17 | 0:32:19 | |
I am from New Zealand. | 0:32:19 | 0:32:20 | |
Are you from New Zealand? | 0:32:20 | 0:32:21 | |
-Yes. -We love... We love New Zealand! | 0:32:21 | 0:32:24 | |
New Zealand must be empty. | 0:32:24 | 0:32:26 | |
You must go to New Zealand and just, the airport is deserted, | 0:32:26 | 0:32:29 | |
they're all queueing for the Red Chair. | 0:32:29 | 0:32:32 | |
The only problem is, they often seem to be telling their tale | 0:32:32 | 0:32:34 | |
in a language that's not quite English. | 0:32:34 | 0:32:37 | |
-And what's your name, sir? -My name's Brad. | 0:32:37 | 0:32:39 | |
-Bread?! -Brad. -Brad. | 0:32:39 | 0:32:42 | |
We wanted to find out what drives the Kiwi attraction | 0:32:42 | 0:32:46 | |
to the Red Chair, so we went to the top. | 0:32:46 | 0:32:48 | |
I mean, the very top. | 0:32:48 | 0:32:50 | |
The Graham Norton Show exports incredibly well to New Zealand. | 0:32:50 | 0:32:53 | |
It's got a really strong following across multi-generations. | 0:32:53 | 0:32:57 | |
It's invariably a highlight of the New Zealand viewing week. | 0:32:57 | 0:33:00 | |
-I'm from New Zealand. -GASPING: Oh, we have a... | 0:33:00 | 0:33:02 | |
No, no, wait, wait, wait. | 0:33:02 | 0:33:03 | |
New Zealand stories are often very good and, even if not, | 0:33:03 | 0:33:06 | |
accent - hilarious. | 0:33:06 | 0:33:07 | |
I think New Zealanders don't take themselves too seriously, | 0:33:09 | 0:33:12 | |
and they also love a little bit of limelight, I think. | 0:33:12 | 0:33:14 | |
-What's your name? -I'm Rafferty Fox. | 0:33:14 | 0:33:16 | |
So your mother and father decided to name you Rafferty? | 0:33:19 | 0:33:22 | |
Yeah, it's Dad's favourite pub. | 0:33:22 | 0:33:25 | |
The chance to show your mum and dad that you are still alive | 0:33:27 | 0:33:31 | |
and in one piece in the UK, | 0:33:31 | 0:33:32 | |
it's much easier to do that through a Graham Norton segment | 0:33:32 | 0:33:35 | |
on the Red Chair than it is to phone or Skype home. | 0:33:35 | 0:33:38 | |
-Who are you? -Simon. | 0:33:38 | 0:33:40 | |
-This is Simon. -For me, when I think of the Red Chair, I think of Simon. | 0:33:40 | 0:33:43 | |
To me, that was a really memorable New Zealand moment. | 0:33:43 | 0:33:45 | |
-Off you go. -OK, when I was ten, my parents | 0:33:45 | 0:33:48 | |
-took me to a small farm in... -LAUGHTER | 0:33:48 | 0:33:50 | |
Don't laugh at how I say "ten". | 0:33:50 | 0:33:53 | |
I think we take the poking of fun at our accent in really good humour | 0:33:53 | 0:33:56 | |
as long as you don't confuse us for Australians. | 0:33:56 | 0:33:58 | |
Anyway, we were going to a small farmers' sale, | 0:33:58 | 0:34:01 | |
we took the ute there, and so... | 0:34:01 | 0:34:02 | |
I can't understand a word you are saying! | 0:34:02 | 0:34:06 | |
-OK. -Dad was looking for some animals and things | 0:34:09 | 0:34:11 | |
to take home to our farm, | 0:34:11 | 0:34:13 | |
and so, anyway, him and Mum spotted this new dining room table. | 0:34:13 | 0:34:16 | |
And I was just wandering round | 0:34:16 | 0:34:18 | |
in my Jandals and, you know, just checking out the stuff. | 0:34:18 | 0:34:21 | |
Mum and Dad spotted this table and chairs that they thought, | 0:34:21 | 0:34:24 | |
"That's going to be perfect in the dining room." | 0:34:24 | 0:34:26 | |
HYSTERICAL LAUGHTER CONTINUES | 0:34:26 | 0:34:27 | |
We put it on the back of the ute and we're going home. | 0:34:27 | 0:34:29 | |
Us boys are sitting up... | 0:34:29 | 0:34:31 | |
Me and my two brothers were sitting up in the back of the ute, | 0:34:31 | 0:34:33 | |
in the chairs, in the dining room table chairs. | 0:34:33 | 0:34:35 | |
Dad thinks it will be a good idea, "Oh, I know what we'll do, | 0:34:35 | 0:34:38 | |
"you boys want some ice cream out the back?" | 0:34:38 | 0:34:40 | |
You know. So we're like, "Yeah, absolutely." | 0:34:40 | 0:34:42 | |
The next thing you know, | 0:34:42 | 0:34:43 | |
we're all sitting there, licking our ice creams, sitting on the back. | 0:34:43 | 0:34:46 | |
Dad decides, seeing a bit of Formula 1, | 0:34:46 | 0:34:49 | |
he'd like to take the corner probably a bit quicker | 0:34:49 | 0:34:51 | |
than he should have. Me on my chair... | 0:34:51 | 0:34:54 | |
Bang! Fall down on the road. | 0:34:54 | 0:34:56 | |
Like that! | 0:34:56 | 0:34:57 | |
I hope there will be many more New Zealanders | 0:35:00 | 0:35:02 | |
in the Red Chair, and my message to them would be... | 0:35:02 | 0:35:05 | |
you're part of the New Zealand community... | 0:35:05 | 0:35:08 | |
MUSIC: God Defend New Zealand | 0:35:08 | 0:35:09 | |
..that's taking over global entertainment, | 0:35:09 | 0:35:11 | |
one chair story at a time. | 0:35:11 | 0:35:13 | |
So, remember, you're a representative of our great country. | 0:35:13 | 0:35:16 | |
Do your best. | 0:35:16 | 0:35:18 | |
What we really like on the Red Chair is the truly unexpected, | 0:35:18 | 0:35:21 | |
and sometimes that can take a little bit of preparation. | 0:35:21 | 0:35:24 | |
Can any of you explain this tweet that was sent to the show? | 0:35:24 | 0:35:27 | |
HE READS ALOUD | 0:35:29 | 0:35:32 | |
This is Thomas. So, which of you knows Thomas? | 0:35:32 | 0:35:34 | |
You? What's your name? | 0:35:34 | 0:35:36 | |
I'm Jessica. | 0:35:36 | 0:35:37 | |
Jessica. And why is Thomas upset with us? | 0:35:37 | 0:35:41 | |
Thomas is upset because I've postponed a date for the second time | 0:35:41 | 0:35:45 | |
so that I could come and be here and meet Kylie. | 0:35:45 | 0:35:49 | |
I'm getting the blame for everything tonight! | 0:35:49 | 0:35:51 | |
Is he your boyfriend? | 0:35:51 | 0:35:53 | |
No, no... I... We have not been on a date yet because I keep... | 0:35:53 | 0:35:56 | |
So you put him off...? | 0:35:56 | 0:35:58 | |
Why did you put him off with the first time? | 0:35:58 | 0:36:00 | |
My sister, and this time, Kylie. | 0:36:00 | 0:36:02 | |
OK, you know that book Not That Into You? | 0:36:02 | 0:36:06 | |
-Are you into...? Are you into him? -I don't know. | 0:36:06 | 0:36:11 | |
-You don't know? -Well, clearly not that into him, she's... | 0:36:11 | 0:36:14 | |
She's fobbed him off twice. | 0:36:14 | 0:36:15 | |
Let's make this week's visit to the Red Chair just before we go. | 0:36:15 | 0:36:18 | |
Hello, who's there? Hello, sir. | 0:36:18 | 0:36:20 | |
-Hello. -What's your name? -Thomas. -OK, and where are you from? | 0:36:20 | 0:36:23 | |
-I'm from Durham. -Durham. | 0:36:23 | 0:36:25 | |
-All right, but do you live here now? -Yes. -OK, very good. | 0:36:25 | 0:36:27 | |
Off you go with your story, Thomas. | 0:36:27 | 0:36:29 | |
So, I asked a girl out a couple of weeks ago, and she said yes, | 0:36:29 | 0:36:33 | |
which was great because she is quite hot, | 0:36:33 | 0:36:34 | |
-and I really enjoyed... -KYLIE GASPS | 0:36:34 | 0:36:36 | |
But she cancelled on me once | 0:36:39 | 0:36:40 | |
and then we rescheduled for tonight, and she cancelled on me again... | 0:36:40 | 0:36:43 | |
LAUGHTER AND APPLAUSE | 0:36:43 | 0:36:45 | |
..so she could come here and watch Kylie Minogue. | 0:36:45 | 0:36:48 | |
So, as I had no plans tonight, I thought I'd come down | 0:36:48 | 0:36:50 | |
and see if she wanted to rearrange for next week. | 0:36:50 | 0:36:53 | |
Wow, can I just say, Thomas, | 0:36:53 | 0:36:55 | |
you're very keen, because she has given you | 0:36:55 | 0:36:59 | |
no indication that she is! | 0:36:59 | 0:37:01 | |
Oh, dear. Well, I guess he didn't... | 0:37:03 | 0:37:05 | |
Look, the good thing is he didn't make other plans. | 0:37:05 | 0:37:07 | |
-That's good. -Yeah. -OK, so... | 0:37:07 | 0:37:09 | |
So this is your decision now. | 0:37:09 | 0:37:10 | |
This is you, this is you sending a message to him. | 0:37:10 | 0:37:15 | |
So, Jessica, are we going to flip Thomas | 0:37:15 | 0:37:17 | |
or are we going to let Thomas walk? | 0:37:17 | 0:37:19 | |
This is... Oh, OK. | 0:37:19 | 0:37:21 | |
-MAN: -Please get Kylie to... | 0:37:24 | 0:37:25 | |
-Kylie, please will you lever him off the Red Chair? -Oh, no! | 0:37:25 | 0:37:28 | |
Oh! Oh! | 0:37:30 | 0:37:32 | |
No! Oh, that's the worst ever! | 0:37:32 | 0:37:35 | |
Oh, let's just end it, let's just end it! | 0:37:35 | 0:37:37 | |
Oh! Oh! Oh, my God. | 0:37:37 | 0:37:43 | |
Brutal. Well, literally dumped. | 0:37:43 | 0:37:48 | |
They never even went on a date and he got dumped! | 0:37:50 | 0:37:54 | |
-Oh! -He's going to be having nightmares the rest of his life. | 0:37:54 | 0:37:56 | |
-Oh, he's really in shock. -..you levered him off. -Oh! | 0:37:56 | 0:38:00 | |
I was quite disappointed Kylie didn't step up and say, | 0:38:00 | 0:38:03 | |
"Well, if you aren't going to take him out, I will!" | 0:38:03 | 0:38:05 | |
Jessica, what were you thinking? | 0:38:05 | 0:38:07 | |
Both me and Jessica got quite a lot of criticism afterwards. | 0:38:07 | 0:38:10 | |
There was quite a lot aimed at her for being so brutal, | 0:38:10 | 0:38:13 | |
which I didn't see in the first place. | 0:38:13 | 0:38:16 | |
And there was a lot aimed at me for being... | 0:38:16 | 0:38:18 | |
How dare I go on national TV and put her in that kind of situation? | 0:38:18 | 0:38:21 | |
We'd arranged the date for the Thursday, | 0:38:21 | 0:38:23 | |
which was obviously the night of filming. | 0:38:23 | 0:38:24 | |
When she called me on Tuesday I was like, | 0:38:24 | 0:38:26 | |
"Oh, there's a reason, she's called, | 0:38:26 | 0:38:28 | |
"there's only one reason to call and that's to cancel." | 0:38:28 | 0:38:30 | |
So, she explained why, why she was missing it. | 0:38:30 | 0:38:33 | |
So I put a Facebook status on saying, | 0:38:33 | 0:38:34 | |
"This is the weirdest excuse not to go on a date with me ever." | 0:38:34 | 0:38:37 | |
At the end of my status I put, | 0:38:37 | 0:38:38 | |
"I should tell this story in the Red Chair." | 0:38:38 | 0:38:40 | |
And then obviously all my friends were like, "Oh, my God, Thomas, | 0:38:40 | 0:38:43 | |
"you totally should go and tell this story in the Red Chair." | 0:38:43 | 0:38:45 | |
So I screenshotted the status and tweeted | 0:38:45 | 0:38:47 | |
The Graham Norton Show, and from there it was, | 0:38:47 | 0:38:49 | |
"Would you be up for coming on the show?" | 0:38:49 | 0:38:51 | |
Cos they didn't want Jess to know I was there at any point, | 0:38:51 | 0:38:53 | |
I watched the whole of the recording from the green room, | 0:38:53 | 0:38:56 | |
so I got to watch it with a Peroni and a handfull of crisps. | 0:38:56 | 0:38:59 | |
I was like, "This is really cool." | 0:38:59 | 0:39:01 | |
-Please will you lever him off the Red Chair? -Oh, no! | 0:39:01 | 0:39:04 | |
If you Google "guy gets rejected" | 0:39:04 | 0:39:07 | |
I'm the number one hit on Google | 0:39:07 | 0:39:09 | |
and especially YouTube, because the YouTube clip's had over | 0:39:09 | 0:39:12 | |
three and a half million hits. Erm, which is a nice claim to fame! | 0:39:12 | 0:39:17 | |
It's not a nice claim to fame, but there you go, | 0:39:17 | 0:39:19 | |
that IS my claim to fame. | 0:39:19 | 0:39:20 | |
I'm still single now, so my 15 minutes of fame is | 0:39:20 | 0:39:24 | |
for being dumped on TV and being a...hopeless singleton | 0:39:24 | 0:39:29 | |
it would seem, so...yeah. | 0:39:29 | 0:39:31 | |
'When you're telling a story, | 0:39:31 | 0:39:33 | |
'remember it's not just me you need to keep interested - | 0:39:33 | 0:39:35 | |
'it's also the celebrity guests, | 0:39:35 | 0:39:37 | |
'and if they're not entertained, they can be ruthless.' | 0:39:37 | 0:39:40 | |
-Let's have some stories. -This is my favourite thing ever. | 0:39:40 | 0:39:42 | |
Oh, is this...? Do you want to operate it? | 0:39:42 | 0:39:44 | |
-Yes. -OK. -Does this move? | 0:39:44 | 0:39:45 | |
Yeah, of course it does. Oh, look at him, he's on it. | 0:39:45 | 0:39:48 | |
-Righty-ho, then. -You look like you mean business. | 0:39:48 | 0:39:51 | |
I don't know how many people are out there, | 0:39:51 | 0:39:53 | |
but I imagine we're going to run out. | 0:39:53 | 0:39:55 | |
Why don't you do that and see what happens? | 0:39:55 | 0:39:57 | |
-Right now? -See what happens. | 0:39:57 | 0:39:58 | |
Oh! | 0:39:58 | 0:40:00 | |
-And what do you do in North London? -Shall we see if this works? | 0:40:00 | 0:40:02 | |
-I'm a student. -What do you study? -Journalism and PR. | 0:40:02 | 0:40:05 | |
LAUGHTER | 0:40:05 | 0:40:07 | |
A couple of years ago, when I was living in Germany, | 0:40:07 | 0:40:10 | |
being there with the... | 0:40:10 | 0:40:12 | |
That was amazing! | 0:40:12 | 0:40:14 | |
Russell, Last year, I went to a music festival down in Newquay. | 0:40:14 | 0:40:17 | |
-He's a New Zealander, is he? -New Zealander, yeah. | 0:40:17 | 0:40:20 | |
LAUGHTER | 0:40:20 | 0:40:22 | |
This is a few years ago, in my heyday... | 0:40:24 | 0:40:27 | |
Whoa! | 0:40:27 | 0:40:28 | |
Oh, the world is so beautiful. | 0:40:28 | 0:40:31 | |
-Hello. -Hi, there, you all right? | 0:40:31 | 0:40:34 | |
Not impressed. | 0:40:34 | 0:40:35 | |
We went for dinner and then, afterwards, | 0:40:35 | 0:40:37 | |
we went to the bar and I was really full... | 0:40:37 | 0:40:38 | |
You're going for a ride, baby. | 0:40:38 | 0:40:40 | |
Holy shit, I've got to get one of these at home. | 0:40:40 | 0:40:44 | |
Do you want a go? Do you want a go in the chair? | 0:40:44 | 0:40:46 | |
OK, go, Hugh, go. | 0:40:46 | 0:40:47 | |
-Who's up next? -Hi! | 0:40:47 | 0:40:49 | |
-Hi. -Hi, I'm Hugh, I'm from West Sussex. | 0:40:49 | 0:40:51 | |
-Hi, Hugh. -Hi, I'd just like to say that I think Matt Damon... | 0:40:51 | 0:40:55 | |
-Boom. -Hurray! | 0:40:55 | 0:40:57 | |
This is the best time I've ever had on a talk show. | 0:40:57 | 0:41:00 | |
Oh, bless you. | 0:41:00 | 0:41:02 | |
Emilia, you are gorgeous, by the way. If it don't work out with Joey, | 0:41:02 | 0:41:05 | |
-give me a bell. -Thank you so much. | 0:41:05 | 0:41:07 | |
Oh, you look so nervous, don't be. Well, Russell... He's looking benign. | 0:41:09 | 0:41:12 | |
-Don't be nervous, love. -Oh, no. | 0:41:12 | 0:41:14 | |
-Is that a moustache? -A beard. | 0:41:15 | 0:41:17 | |
Fantastic. | 0:41:19 | 0:41:20 | |
This is my way to say how much you mean to me, and after reading this, | 0:41:20 | 0:41:24 | |
you'll know just how I feel. | 0:41:24 | 0:41:26 | |
I was driving home from the library, and I'm at the lights... | 0:41:28 | 0:41:32 | |
Goodbye! | 0:41:32 | 0:41:34 | |
HE GRUNTS | 0:41:35 | 0:41:36 | |
I was too bad, I couldn't wear it again... | 0:41:36 | 0:41:39 | |
Whoa! | 0:41:39 | 0:41:40 | |
I'm a huge fan of Dawn French, | 0:41:40 | 0:41:42 | |
and I asked if I could have her autograph. | 0:41:42 | 0:41:45 | |
-Oh, get rid of her. -And she said..."Get lost." | 0:41:45 | 0:41:49 | |
No, I didn't! Lies, lies! | 0:41:49 | 0:41:53 | |
-Who's up next? -Hello. -Oh, my God. | 0:41:55 | 0:41:58 | |
Oh, my God! | 0:42:01 | 0:42:03 | |
This is a story all about how my life got flipped... | 0:42:06 | 0:42:09 | |
Don't you dare. | 0:42:09 | 0:42:10 | |
LAUGHTER | 0:42:10 | 0:42:11 | |
-Go on, baby. -..chilling out, maxing, relaxing, all cool, | 0:42:13 | 0:42:17 | |
and shooting some b-ball outside of the school. | 0:42:17 | 0:42:19 | |
Yes, yes! | 0:42:19 | 0:42:20 | |
When a couple of guys, they were up to no good... | 0:42:20 | 0:42:22 | |
This is a bit of a boo-hoo. | 0:42:22 | 0:42:24 | |
..started making trouble in my neighbourhood... | 0:42:24 | 0:42:26 | |
Yes, what happened, baby? | 0:42:26 | 0:42:28 | |
..I got in one little fight and my mum got scared... | 0:42:28 | 0:42:30 | |
What she say?! | 0:42:30 | 0:42:32 | |
You're moving with your auntie and uncle in Bel-Air. | 0:42:32 | 0:42:34 | |
-Yes! Yes! -Well done, young lady! | 0:42:34 | 0:42:36 | |
We got some food off a stall cos we were cheap | 0:42:36 | 0:42:38 | |
and trying to be cultural. | 0:42:38 | 0:42:40 | |
Oh, shut the fuck up. | 0:42:40 | 0:42:42 | |
LAUGHTER | 0:42:42 | 0:42:44 | |
So, there you have it, the Big Red Chair. | 0:42:47 | 0:42:49 | |
Its winners and losers and all the horror and laughter | 0:42:49 | 0:42:52 | |
it's brought us over the years. | 0:42:52 | 0:42:54 | |
Now, I hope you've been paying attention | 0:42:54 | 0:42:56 | |
to the best way to tell a story because, you never know, | 0:42:56 | 0:42:59 | |
one night you may find yourself on this | 0:42:59 | 0:43:01 | |
oversized, comfy chair and hear me asking you to tell your story. | 0:43:01 | 0:43:06 | |
Will it be pain or glory? | 0:43:06 | 0:43:08 | |
Will it ever get to that punchline? | 0:43:08 | 0:43:10 | |
Was there ever a punchline? | 0:43:10 | 0:43:12 | |
I, of course, will never be in that situation, | 0:43:12 | 0:43:13 | |
but it doesn't feel that bad here. | 0:43:13 | 0:43:15 | |
I mean, what's the worst that could happen? | 0:43:15 | 0:43:17 | |
SOUND OF CHAIR BUCKING | 0:43:17 | 0:43:19 | |
Oh, that. | 0:43:21 | 0:43:22 |