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Tonight, we've got the new Doctor Who. | 0:00:02 | 0:00:03 | |
I wonder if his TARDIS is really bigger on the inside? | 0:00:03 | 0:00:05 | |
Let's have a look. | 0:00:05 | 0:00:07 | |
-HE GASPS -Yes, it is! | 0:00:07 | 0:00:09 | |
CHEERING | 0:00:09 | 0:00:10 | |
Let's start the show! | 0:00:10 | 0:00:12 | |
-CHEERING AND APPLAUSE -Oh! Oh! Oh! | 0:00:26 | 0:00:29 | |
Hello-ho-ho! | 0:00:29 | 0:00:32 | |
Hello! | 0:00:32 | 0:00:34 | |
Hello, everybody. | 0:00:34 | 0:00:37 | |
Thank you very much. | 0:00:37 | 0:00:38 | |
We are back and how I've missed you, ladies and gentlemen. | 0:00:38 | 0:00:42 | |
And I tell you, we're back with a big bang - | 0:00:42 | 0:00:44 | |
from across time and space, the new Doctor Who, Peter Capaldi, is here. | 0:00:44 | 0:00:48 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:49 | |
He's good, isn't he? He's good. | 0:00:49 | 0:00:52 | |
Bond girl and graduate of St Trinian's, | 0:00:52 | 0:00:54 | |
Gemma Arterton, is on the show. | 0:00:54 | 0:00:56 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:58 | |
We love Gemma. | 0:00:58 | 0:00:59 | |
And Hollywood's come a-calling - | 0:00:59 | 0:01:01 | |
Oscar-winning star of Training Day and Philadelphia, | 0:01:01 | 0:01:03 | |
Denzel Washington is here! | 0:01:03 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:07 | |
Yeah! | 0:01:07 | 0:01:08 | |
Plus, we've got music from hot new singer-songwriter | 0:01:09 | 0:01:12 | |
George Ezra, ladies and gentlemen. | 0:01:12 | 0:01:14 | |
CHEERING AND APPLAUSE | 0:01:14 | 0:01:15 | |
Oh-ho-ho! He a baby! | 0:01:15 | 0:01:17 | |
He a little baby! | 0:01:17 | 0:01:19 | |
He's just like a child. | 0:01:19 | 0:01:21 | |
Now Denzel Washington, of course, famous for his action films - | 0:01:23 | 0:01:27 | |
Unstoppable with that runaway train, | 0:01:27 | 0:01:29 | |
Flight with a crashing plane in it. | 0:01:29 | 0:01:32 | |
Deja Vu, with the exploding ferry. | 0:01:32 | 0:01:34 | |
Basically what I'm saying is, | 0:01:34 | 0:01:35 | |
if he sits next to you on the bus, get off it! | 0:01:35 | 0:01:38 | |
Just get off! | 0:01:38 | 0:01:39 | |
I will be talking to Denzel about his new film, The Equalizer. | 0:01:39 | 0:01:43 | |
Mm. Now, he plays a retired soldier who's now working in a DIY store. | 0:01:43 | 0:01:47 | |
Now, it's more exciting than that makes it sound, I'll tell you. | 0:01:47 | 0:01:50 | |
More happens, the story unfolds. | 0:01:50 | 0:01:52 | |
Now, there he is, there he is. | 0:01:52 | 0:01:53 | |
He's just attacked someone with a hammer. | 0:01:53 | 0:01:55 | |
Why would you attack somebody you've just seen in a DIY store, hm? | 0:01:55 | 0:02:00 | |
APPLAUSE | 0:02:03 | 0:02:05 | |
"Keep moving! Keep moving! Keep moving!" | 0:02:05 | 0:02:07 | |
Gemma Arterton. Gemma Arterton - she'll be telling us | 0:02:09 | 0:02:12 | |
all about her new role in the West End musical, Made In Dagenham. | 0:02:12 | 0:02:16 | |
Now, it's set in the '60s, at the Ford factory in Dagenham, Essex. | 0:02:16 | 0:02:21 | |
And, of course, back then, Essex was famous | 0:02:21 | 0:02:23 | |
for churning out Escorts in a production line. | 0:02:23 | 0:02:26 | |
Well... | 0:02:26 | 0:02:27 | |
-APPLAUSE -..it sort of still is! | 0:02:29 | 0:02:32 | |
You can get any colour you want. | 0:02:32 | 0:02:34 | |
As long as it's orange! | 0:02:34 | 0:02:35 | |
Made In Dagenham is a lively musical romp, | 0:02:37 | 0:02:39 | |
set in the Swinging Sixties. | 0:02:39 | 0:02:41 | |
Here's Dagenham in the '60s. | 0:02:41 | 0:02:43 | |
Yeah, the only thing swinging there was this... | 0:02:45 | 0:02:47 | |
Can I say - kudos to the team for finding a picture of a wrecking ball | 0:02:49 | 0:02:53 | |
that didn't have Miley Cyrus glued to it! | 0:02:53 | 0:02:55 | |
Gemma - Gemma always looks so glamorous on the red carpet. | 0:02:57 | 0:03:00 | |
The thing is, not everyone can pull off an outfit | 0:03:00 | 0:03:03 | |
that has a nude-coloured stripe through the middle. | 0:03:03 | 0:03:06 | |
Did you see the ladies' Colombian cycling team? | 0:03:06 | 0:03:09 | |
APPLAUSE | 0:03:11 | 0:03:13 | |
HE LAUGHS | 0:03:13 | 0:03:15 | |
Just standing there - "Our humiliation is complete." | 0:03:15 | 0:03:19 | |
Yeah, Colombian... | 0:03:21 | 0:03:22 | |
with a hint of Brazilian! | 0:03:22 | 0:03:23 | |
Hey, and a big first-time welcome to Peter Capaldi. Yeah! | 0:03:26 | 0:03:29 | |
CHEERING | 0:03:29 | 0:03:31 | |
I tell you... There he is - the new Doctor! | 0:03:31 | 0:03:34 | |
Looking so cool there, isn't he? Very cool. | 0:03:34 | 0:03:38 | |
But I will be posing the question, "What were you thinking?" | 0:03:38 | 0:03:41 | |
when we look at some of his early modelling pictures. | 0:03:41 | 0:03:45 | |
WHOOPING | 0:03:46 | 0:03:47 | |
That is a genuine picture from his portfolio - that's casual wear. | 0:03:47 | 0:03:51 | |
There's also formal wear, ladies and gentlemen. | 0:03:51 | 0:03:54 | |
Well, that isn't awkward at all, is it(?) | 0:03:56 | 0:03:59 | |
HE LAUGHS | 0:03:59 | 0:04:01 | |
Have you all been watching the new Doctor Who series? | 0:04:01 | 0:04:03 | |
-You watching it, yeah? -AUDIENCE: Yes! | 0:04:03 | 0:04:05 | |
It's good, isn't it? | 0:04:05 | 0:04:06 | |
I tell you, the first episode - oh! So much action! | 0:04:06 | 0:04:09 | |
Ah! Look at that! | 0:04:09 | 0:04:11 | |
A dinosaur, loose in Victorian London. | 0:04:11 | 0:04:13 | |
Mind you, it does look ridiculously out of place. | 0:04:13 | 0:04:16 | |
-PING! -Oh, that's better. | 0:04:16 | 0:04:18 | |
That's all to come, plus more of your stories in the big red chair. | 0:04:18 | 0:04:21 | |
Let's get some guests on! | 0:04:21 | 0:04:23 | |
CHEERING AND APPLAUSE | 0:04:23 | 0:04:24 | |
Later, we'll have music from the brilliant George Ezra. | 0:04:24 | 0:04:27 | |
CHEERING AND APPLAUSE | 0:04:27 | 0:04:28 | |
But, first, Norton hears a Who - it's Peter Capaldi! | 0:04:28 | 0:04:32 | |
-CHEERING AND APPLAUSE -Oh! | 0:04:32 | 0:04:35 | |
Hello, sir. So dapper! | 0:04:35 | 0:04:37 | |
Hello. Hi. | 0:04:37 | 0:04:39 | |
Peter Capaldi, everybody! | 0:04:39 | 0:04:41 | |
CHEERING AND APPLAUSE | 0:04:41 | 0:04:43 | |
She'll be Strawberry Fields for ever - | 0:04:43 | 0:04:45 | |
it's Gemma Arterton! | 0:04:45 | 0:04:47 | |
CHEERING AND APPLAUSE | 0:04:47 | 0:04:48 | |
Wowser! Whoo! | 0:04:48 | 0:04:50 | |
You look so beautiful. Hello, darling. Mwah! Mwah! | 0:04:50 | 0:04:53 | |
-Welcome back. -Thanks, Graham. | 0:04:53 | 0:04:55 | |
Peter, Gemma. | 0:04:55 | 0:04:57 | |
And I'm in a state of excitement - it's Denzel Washington! | 0:04:57 | 0:05:01 | |
CHEERING AND APPLAUSE | 0:05:01 | 0:05:03 | |
Hello. Come in, sit down, sit down. | 0:05:03 | 0:05:07 | |
It's Denzel. | 0:05:08 | 0:05:10 | |
Whoo! | 0:05:10 | 0:05:11 | |
-Oh! -To business. | 0:05:11 | 0:05:13 | |
They are loving that couch. | 0:05:13 | 0:05:15 | |
-Er, welcome back, sir. -Thank you. | 0:05:15 | 0:05:17 | |
Welcome back, Gemma. | 0:05:17 | 0:05:18 | |
And, of course, it's a tradition - | 0:05:18 | 0:05:19 | |
a first-time welcome to the new Doctor Who, Peter Capaldi. Yay! | 0:05:19 | 0:05:22 | |
Thank you very much. | 0:05:22 | 0:05:24 | |
CHEERING AND APPLAUSE Thank you. | 0:05:24 | 0:05:26 | |
-Are you familiar with the whole Doctor Who fuss? -No. | 0:05:27 | 0:05:30 | |
-The fuss about Doctor Who? -No. -Well, let me explain. Er... | 0:05:30 | 0:05:33 | |
So Peter wasn't Doctor Who, now he is Doctor Who. | 0:05:33 | 0:05:36 | |
-And obviously you talked to previous Doctor Whos... -Uh-huh. | 0:05:36 | 0:05:39 | |
..but nothing can prepare you, so are you enjoying being Doctor Who? | 0:05:39 | 0:05:44 | |
I love being Doctor Who. It's absolutely amazing. | 0:05:44 | 0:05:46 | |
I wake up in the morning and I'm Doctor Who. | 0:05:46 | 0:05:48 | |
I go out to the shops and buy a pint of milk, I'm Doctor Who. | 0:05:48 | 0:05:52 | |
I go and get the papers, I'm Doctor Who. | 0:05:52 | 0:05:54 | |
Everywhere I go, I'm Doctor Who. | 0:05:54 | 0:05:55 | |
People smile at me and are pleased to see Doctor Who, | 0:05:55 | 0:05:57 | |
who's far more interesting and exciting than I am. | 0:05:57 | 0:06:00 | |
-But, actually, Denzel's new movie is set in a big DIY superstore. -Yes. | 0:06:00 | 0:06:05 | |
Didn't you go...? | 0:06:05 | 0:06:06 | |
Was it one of those shops you went to the next day? | 0:06:06 | 0:06:08 | |
Um, I was... | 0:06:08 | 0:06:09 | |
Denzel, charmingly, doesn't know anything at all about Doctor Who | 0:06:09 | 0:06:13 | |
and was asking me what the TARDIS was. | 0:06:13 | 0:06:15 | |
-Or-or-or... What is it? TARDIS? -TARDIS, yes. | 0:06:15 | 0:06:18 | |
It sounds wrong when you say it. | 0:06:18 | 0:06:19 | |
-ENGLISH ACCENT: -TARDIS. | 0:06:19 | 0:06:21 | |
But, the day after I was announced as Doctor Who, | 0:06:21 | 0:06:23 | |
which is a big deal in this country, I went to buy a light bulb. | 0:06:23 | 0:06:27 | |
Because a light bulb had obviously, er, gone wrong in my house. | 0:06:27 | 0:06:31 | |
It was an old hardware store, like the old.... | 0:06:31 | 0:06:34 | |
-Do you know the four candles kind of sketch? -Oh, yes. | 0:06:34 | 0:06:36 | |
One of those ones. I went in there to buy this light bulb. | 0:06:36 | 0:06:39 | |
And a bloke came out from behind the counter, | 0:06:39 | 0:06:42 | |
with a sink plunger stuck to his head like that! | 0:06:42 | 0:06:45 | |
LAUGHTER AND APPLAUSE | 0:06:46 | 0:06:49 | |
APPLAUSE DROWNS SPEECH | 0:06:49 | 0:06:51 | |
Can I say just, though, because you were in The Thick Of It... | 0:06:51 | 0:06:55 | |
Yeah, yeah. | 0:06:55 | 0:06:56 | |
..as Malcolm Tucker, you were quite sweary and out there, | 0:06:56 | 0:06:59 | |
so do you have to be careful meeting people in the street now? | 0:06:59 | 0:07:03 | |
Yes, of course. Yes, because Doctor Who doesn't... | 0:07:03 | 0:07:05 | |
I played a character who was a spin doctor for the Prime Minister. | 0:07:05 | 0:07:10 | |
Who swore all the time. | 0:07:10 | 0:07:12 | |
-And really used very, very, very rich language. -The worst. | 0:07:12 | 0:07:16 | |
-Yeah, the worst sort of language. -Mm. | 0:07:16 | 0:07:18 | |
But fans of the show would come up to me in the street and say, | 0:07:18 | 0:07:21 | |
"Swear at me. Please, please, swear at me." | 0:07:21 | 0:07:24 | |
So I'd have to stand in the street | 0:07:24 | 0:07:25 | |
and abuse them in the worst possible language, | 0:07:25 | 0:07:27 | |
and sign their autographs and say, "Get lost! Go and get a life!" | 0:07:27 | 0:07:30 | |
I'd love to do that with people in the street. | 0:07:30 | 0:07:33 | |
It's quite fun. | 0:07:33 | 0:07:35 | |
-You could! -I could, but I'd get in trouble. | 0:07:35 | 0:07:38 | |
-But now you have to be squeaky-clean. -Yes. | 0:07:38 | 0:07:40 | |
Well, I AM squeaky-clean. | 0:07:40 | 0:07:41 | |
Are you contractually obliged not to swear at people in the street? | 0:07:41 | 0:07:44 | |
No, I can swear in my own time, obviously - | 0:07:44 | 0:07:46 | |
you know, for my own entertainment. | 0:07:46 | 0:07:48 | |
But, er, I haven't sworn for about two years now. | 0:07:48 | 0:07:50 | |
I so don't believe you! | 0:07:52 | 0:07:53 | |
Listen, we'll talk more about Doctor Who later, | 0:07:53 | 0:07:55 | |
plus about Gemma's new musical. | 0:07:55 | 0:07:57 | |
But let's start tonight with Denzel's new movie, | 0:07:57 | 0:07:59 | |
-The Equalizer. -Yes. | 0:07:59 | 0:08:00 | |
-I've seen it - it's fantastic. -Thank you. | 0:08:00 | 0:08:02 | |
It's one of those movies - it must be a pleasure to talk about, | 0:08:02 | 0:08:04 | |
-cos it is such a crowd-pleaser. -Yeah. | 0:08:04 | 0:08:07 | |
It's a proper, big, people punching the air and cheering at the end... | 0:08:07 | 0:08:10 | |
-Yeah. -It's fantastic. | 0:08:10 | 0:08:12 | |
And now, it borrows the name, really, from the... | 0:08:12 | 0:08:14 | |
-Basically, yeah. -..from the TV series. | 0:08:14 | 0:08:16 | |
And the basic idea that he... helps people who need help. | 0:08:16 | 0:08:20 | |
And I'm guessing that there's more planned. | 0:08:20 | 0:08:23 | |
We've got to get this one out first. | 0:08:23 | 0:08:25 | |
You know, they talked about that, but that is up to the people. | 0:08:25 | 0:08:28 | |
-The people decide. -"The people"! -Well, it is. | 0:08:28 | 0:08:31 | |
That's the last part of a movie or a play, | 0:08:31 | 0:08:33 | |
is the audience, or like your show - | 0:08:33 | 0:08:36 | |
I mean, you couldn't just do it, you know, by yourself. | 0:08:36 | 0:08:39 | |
LAUGHTER | 0:08:39 | 0:08:41 | |
APPLAUSE | 0:08:43 | 0:08:45 | |
I think it might be easier! | 0:08:47 | 0:08:48 | |
Yeah, it might be easier! | 0:08:48 | 0:08:50 | |
But, listen, if people aren't aware of what the premise | 0:08:51 | 0:08:54 | |
of The Equalizer is, tell the people. | 0:08:54 | 0:08:57 | |
He helps people who need his help. | 0:08:57 | 0:08:59 | |
And he does what he needs to do | 0:08:59 | 0:09:02 | |
to get them out of whatever trouble they're in. | 0:09:02 | 0:09:05 | |
And, when he says that, it's not helping old ladies cross the road. | 0:09:05 | 0:09:08 | |
No. If they need it - I'm not above that. | 0:09:08 | 0:09:10 | |
Yeah, but you would KILL the guy in the car. | 0:09:10 | 0:09:13 | |
No, cos it's pretty full-on violence. | 0:09:15 | 0:09:17 | |
It's-it's... Well... He... They... | 0:09:17 | 0:09:19 | |
Yes. | 0:09:19 | 0:09:21 | |
But he's a quiet man with OCD, who lives alone, | 0:09:22 | 0:09:28 | |
lives a quiet life and this girl needs his help | 0:09:28 | 0:09:31 | |
and he helps her and people get in his way | 0:09:31 | 0:09:34 | |
and he uses various...instruments from the... | 0:09:34 | 0:09:37 | |
What do you call it? "The D-I...?" | 0:09:37 | 0:09:39 | |
-DIY. -The DI...? | 0:09:39 | 0:09:41 | |
-BOTH: Do-it-yourself... -..store. | 0:09:41 | 0:09:43 | |
-You know, power tools and... -LAUGHTER | 0:09:43 | 0:09:46 | |
You've learnt so much today - Doctor Who... | 0:09:46 | 0:09:47 | |
-I know - TARDIS? -TARDIS. | 0:09:47 | 0:09:49 | |
-TARDIS, Doctor Who... -DIY. -DIY. | 0:09:49 | 0:09:52 | |
-DIY. -Wow. -Four candles. | 0:09:52 | 0:09:53 | |
BOTH: Four candles. | 0:09:53 | 0:09:55 | |
-You didn't tell him that backstage! -No, no. I don't know what that is. | 0:09:55 | 0:09:58 | |
Actually, talking of jokes, this has been annoying us all day, | 0:09:58 | 0:10:02 | |
and I think Peter Capaldi might know. Maybe you know. | 0:10:02 | 0:10:04 | |
In the office... We can't remember what it is... | 0:10:04 | 0:10:06 | |
-Edward Woodward... -The original...? -Yeah. -Yes? | 0:10:06 | 0:10:08 | |
So it's a joke. And the punch line is... | 0:10:08 | 0:10:11 | |
-Is Edward Woodward? -Would. | 0:10:11 | 0:10:13 | |
-Oh, without the letters? -Yes! | 0:10:13 | 0:10:14 | |
What is Edward...? How do you...? What is it? | 0:10:14 | 0:10:16 | |
How do you say Edward Woodward without the D? | 0:10:16 | 0:10:20 | |
No, that's not a joke, though. | 0:10:20 | 0:10:22 | |
"Ewar Woowar" is the answer. | 0:10:22 | 0:10:23 | |
-How do you...? -Say it without the Ds, right? | 0:10:23 | 0:10:25 | |
Is it, "Why does he need so many Ds in his name?" | 0:10:25 | 0:10:28 | |
-Is that the joke? -Something like that. | 0:10:28 | 0:10:29 | |
There's also something about farting in a bath... | 0:10:29 | 0:10:31 | |
Someone must know in the audience. | 0:10:31 | 0:10:33 | |
-SILENCE -Oh, there you have it. | 0:10:33 | 0:10:35 | |
Useless! | 0:10:35 | 0:10:37 | |
I told you! I told you! | 0:10:37 | 0:10:39 | |
Useless! | 0:10:39 | 0:10:40 | |
Is there not a "Who would Edward Woodward wood?" | 0:10:40 | 0:10:44 | |
Oh, there is another! Yes! That's another joke. | 0:10:44 | 0:10:47 | |
It's a kind of rather racy situation that is posited. | 0:10:47 | 0:10:49 | |
Do you have this in England - "How much wood would a woodchuck chuck | 0:10:49 | 0:10:52 | |
-"if a woodchuck could chuck wood?" -Yeah. | 0:10:52 | 0:10:54 | |
"He'd chuck as much wood as a woodchuck could | 0:10:54 | 0:10:56 | |
if a woodchuck could chuck wood, but he can't." | 0:10:56 | 0:10:59 | |
APPLAUSE | 0:10:59 | 0:11:00 | |
I'm just asking. | 0:11:00 | 0:11:01 | |
You know, we got a couple of things in America. | 0:11:01 | 0:11:04 | |
I'm so impressed. | 0:11:04 | 0:11:05 | |
Do you say that here? | 0:11:05 | 0:11:07 | |
-You've had a long day of press. -That's all I've got! | 0:11:07 | 0:11:10 | |
I'm amazed that you can string any words together at all. | 0:11:10 | 0:11:13 | |
We've got a clip from The Equalizer. | 0:11:13 | 0:11:16 | |
By the way, The Equalizer is open tonight. | 0:11:16 | 0:11:19 | |
It's open nationwide tonight. | 0:11:19 | 0:11:20 | |
This is basically you showing off some of your special skills. | 0:11:20 | 0:11:24 | |
-This is a... You know, a "Don't mess with Denzel." -Uh-oh. | 0:11:24 | 0:11:28 | |
Is it just you, or are we waiting for someone else? | 0:11:28 | 0:11:31 | |
What's that? What? | 0:11:32 | 0:11:34 | |
Your hands. | 0:11:34 | 0:11:35 | |
If you really work the power lines, your hands wouldn't look like that. | 0:11:35 | 0:11:38 | |
I know we gotta be waiting for somebody else. | 0:11:38 | 0:11:41 | |
HE CHUCKLES | 0:11:41 | 0:11:43 | |
Hands where I can see 'em. | 0:11:45 | 0:11:46 | |
We'll take a little walk across the street, me and you. Like Denali. | 0:11:48 | 0:11:51 | |
Here we go. | 0:11:51 | 0:11:53 | |
You vary from these instructions, I'm going to kill you. Understand? | 0:11:53 | 0:11:57 | |
SLOW MOTION: Stand up. | 0:11:57 | 0:11:58 | |
Let's go! | 0:12:05 | 0:12:07 | |
No witnesses. | 0:12:07 | 0:12:09 | |
What the hell is this guy doing? | 0:12:09 | 0:12:11 | |
CHEERING AND APPLAUSE | 0:12:13 | 0:12:18 | |
And I actually read the book! | 0:12:22 | 0:12:24 | |
You know, we had Navy SEAL guys, expert...killers | 0:12:25 | 0:12:30 | |
and we were using everything - books and, you know, like... | 0:12:30 | 0:12:33 | |
power tools. | 0:12:33 | 0:12:34 | |
So it was all real, the Navy SEALS trained...? | 0:12:34 | 0:12:36 | |
Yeah, they showed me what to do with the book, and how to... | 0:12:36 | 0:12:40 | |
That was impressive. | 0:12:40 | 0:12:41 | |
You flapped me to death! | 0:12:44 | 0:12:46 | |
Listen. Gemma Arterton, beside you, | 0:12:50 | 0:12:52 | |
we've seen you, you know, in films, being kick-ass and doing stuff. | 0:12:52 | 0:12:56 | |
But, in life, you're quite... you're quite... | 0:12:56 | 0:12:59 | |
Well, I was going to say "rough" but not in THAT way... | 0:12:59 | 0:13:01 | |
Thanks(!) | 0:13:01 | 0:13:03 | |
-Like, the horse riding thing sounds amazing. -Yeah. | 0:13:03 | 0:13:06 | |
So tell us what you can do on the horse. | 0:13:06 | 0:13:08 | |
I can do trick riding and stunt riding. | 0:13:08 | 0:13:11 | |
How long did this take, by the way? | 0:13:11 | 0:13:12 | |
Um, so I learned to ride in... I did sort of like a month's training. | 0:13:12 | 0:13:16 | |
And then I got a bit obsessed with it | 0:13:16 | 0:13:18 | |
and started, you know, doing trick riding. | 0:13:18 | 0:13:21 | |
So, I guess, within a couple of months. | 0:13:21 | 0:13:24 | |
So, Prince Of Persia, you do all that horse riding yourself? | 0:13:24 | 0:13:27 | |
Yeah. There was a riding double for REALLY dangerous stuff, | 0:13:27 | 0:13:30 | |
but I did do a big stunt, which I'm really proud of. | 0:13:30 | 0:13:33 | |
Tell us about it. | 0:13:33 | 0:13:34 | |
-SHE SIGHS -So... | 0:13:34 | 0:13:36 | |
there's a bit where a horse - a massive big old black horse - | 0:13:36 | 0:13:41 | |
is galloping towards me, | 0:13:41 | 0:13:42 | |
and I pull myself on to the horse whilst it's in gallop from standing. | 0:13:42 | 0:13:46 | |
Um, so basically, you hold on to the horse's reins, | 0:13:46 | 0:13:50 | |
and you, while it's galloping, jump up onto it and gallop off. | 0:13:50 | 0:13:54 | |
And, um, I trained for it for a long time - | 0:13:54 | 0:13:56 | |
you know, for days and days and days and weeks. | 0:13:56 | 0:13:59 | |
And then, when it came down to it, it was this big Disney movie, | 0:13:59 | 0:14:02 | |
so it's very expensive. | 0:14:02 | 0:14:03 | |
I said, "You know, I can do that stunt. I've practised it," | 0:14:03 | 0:14:05 | |
-to the producers. -Uh-oh. | 0:14:05 | 0:14:07 | |
And they went, "No way. You're not doing it - it's too dangerous." | 0:14:07 | 0:14:10 | |
I was like... | 0:14:10 | 0:14:11 | |
-BRATTY VOICE: -"I've been practising for WEEKS!" | 0:14:11 | 0:14:13 | |
I had a BIG hissy fit. | 0:14:13 | 0:14:14 | |
And they were like, "For God's sake! All right, she can do it", | 0:14:16 | 0:14:18 | |
and I did and it's in the movie. | 0:14:18 | 0:14:21 | |
Obviously, everyone thinks it's the stunt double, usually, | 0:14:21 | 0:14:24 | |
unless you do something like this. Gallop, gallop... | 0:14:24 | 0:14:27 | |
LAUGHTER | 0:14:27 | 0:14:29 | |
APPLAUSE | 0:14:29 | 0:14:30 | |
So, you know... There you go. | 0:14:30 | 0:14:33 | |
-Because you are now going to be doing this? -A Western? Yeah. | 0:14:33 | 0:14:36 | |
Are you learning to ride now? | 0:14:36 | 0:14:38 | |
October 1st, I start, five or six months of riding. | 0:14:38 | 0:14:41 | |
Wow! You're going to be great! | 0:14:41 | 0:14:42 | |
-It's such a great opportunity. -I got a... -I'll come and help. | 0:14:42 | 0:14:46 | |
That's the one! | 0:14:46 | 0:14:47 | |
LAUGHTER | 0:14:47 | 0:14:48 | |
The Magnificent Seven! | 0:14:48 | 0:14:50 | |
LAUGHTER | 0:14:50 | 0:14:51 | |
You know what to do, Denzel! | 0:14:51 | 0:14:53 | |
-We're going to look for that move. -I'm going to do it! | 0:14:53 | 0:14:55 | |
It may not make the film! You get the credit, absolutely. | 0:14:55 | 0:14:59 | |
LAUGHTER | 0:14:59 | 0:15:00 | |
And you know, someone told me, too, in the old days, | 0:15:01 | 0:15:04 | |
they would put little trampolines for guys in the Westerns, | 0:15:04 | 0:15:08 | |
and they'd bounce off it and jump up on the horse to make it look like... | 0:15:08 | 0:15:11 | |
-Oh! -So, that's why they just match it. -Yeah, yeah. | 0:15:11 | 0:15:14 | |
-Hm! -So, you'll see that as well! | 0:15:14 | 0:15:16 | |
LAUGHTER | 0:15:16 | 0:15:17 | |
APPLAUSE | 0:15:20 | 0:15:22 | |
We look forward to that! | 0:15:23 | 0:15:25 | |
Peter Capaldi, | 0:15:27 | 0:15:28 | |
you've done some very dangerous things over the years. | 0:15:28 | 0:15:32 | |
Wasn't it quite recently you had an injury? | 0:15:32 | 0:15:34 | |
Oh, yes. I was in the Three Musketeers, | 0:15:34 | 0:15:36 | |
which has lots of sword fighting, | 0:15:36 | 0:15:38 | |
and, you know, guys are jumping off horses, | 0:15:38 | 0:15:41 | |
and hitting each other, and everyone had broken shoulder blades | 0:15:41 | 0:15:44 | |
and stuff like that. I played Cardinal Richelieu, | 0:15:44 | 0:15:47 | |
who was a more waspish character, | 0:15:47 | 0:15:49 | |
and I had to grab a lady and get her into trouble | 0:15:49 | 0:15:52 | |
and throw her against a wall, and as I was doing it, | 0:15:52 | 0:15:54 | |
I suddenly internally screamed with agony, | 0:15:54 | 0:15:57 | |
and looked down and my thumb was caught in her frock. | 0:15:57 | 0:15:59 | |
LAUGHTER | 0:15:59 | 0:16:00 | |
It was Maimie McCoy. My thumb was on back to front. | 0:16:00 | 0:16:03 | |
AUDIENCE GROANS | 0:16:03 | 0:16:05 | |
That's what you get if you put your thumb in ladies' frocks. | 0:16:05 | 0:16:08 | |
LAUGHTER | 0:16:08 | 0:16:09 | |
You were lucky that's all that happened! | 0:16:10 | 0:16:12 | |
If you'd done that to Gemma, boof! | 0:16:12 | 0:16:14 | |
LAUGHTER | 0:16:14 | 0:16:15 | |
Just snapped it back into place. | 0:16:15 | 0:16:17 | |
-Ooh! -It was really some... | 0:16:17 | 0:16:19 | |
And to this day, I can't open a packet of crisps. | 0:16:19 | 0:16:21 | |
-No! -It's awful for me. | 0:16:21 | 0:16:23 | |
Oh, gosh. | 0:16:23 | 0:16:25 | |
-Cheese and onion! -You're looking great. | 0:16:25 | 0:16:27 | |
LAUGHTER | 0:16:27 | 0:16:28 | |
He used to be much heavier. | 0:16:28 | 0:16:30 | |
LAUGHTER | 0:16:30 | 0:16:32 | |
But talking of finger injuries, | 0:16:32 | 0:16:34 | |
we were going through pictures before the show. | 0:16:34 | 0:16:37 | |
-We found this picture... -Oh, you found my pinkie?! | 0:16:37 | 0:16:40 | |
-Oh, don't show it. -No, this is... -It's not nice. | 0:16:40 | 0:16:43 | |
-This is amazing. -It's not nice. | 0:16:43 | 0:16:44 | |
AUDIENCE GROANS | 0:16:44 | 0:16:46 | |
It look likes Meryl Streep has just gone, | 0:16:46 | 0:16:49 | |
"Tell me I did that by accident." | 0:16:49 | 0:16:51 | |
She's just like.. Look at that. She's like... What did you do? | 0:16:51 | 0:16:54 | |
I had it rebuilt. | 0:16:54 | 0:16:55 | |
I'd injured it so many times playing American football. | 0:16:57 | 0:16:59 | |
-It's that one? -Yeah. But it's fine now. | 0:16:59 | 0:17:01 | |
But it's like a gummy bear in there. | 0:17:01 | 0:17:03 | |
Like a little piece of rubber candy something. | 0:17:03 | 0:17:06 | |
So, what was that thing? | 0:17:06 | 0:17:07 | |
I went up for a pass, playing American football, | 0:17:07 | 0:17:09 | |
and dislocated it, and it's happened so many times over the years, | 0:17:09 | 0:17:13 | |
that if I just open my hand like that, it would pop that far. | 0:17:13 | 0:17:16 | |
AUDIENCE GROANS | 0:17:16 | 0:17:17 | |
Aw... | 0:17:17 | 0:17:19 | |
Do people... | 0:17:19 | 0:17:20 | |
LAUGHTER | 0:17:20 | 0:17:21 | |
Do people in films have to shoot around it? | 0:17:21 | 0:17:23 | |
No. I'm constantly... | 0:17:23 | 0:17:24 | |
You can probably see me in other films just going, | 0:17:24 | 0:17:26 | |
"Yeah. Mm..." | 0:17:26 | 0:17:28 | |
LAUGHTER | 0:17:28 | 0:17:30 | |
"That way." I was always fixing it. | 0:17:30 | 0:17:32 | |
When my kids were young, they would ask me, | 0:17:32 | 0:17:34 | |
"Daddy, could you show my friends the magic finger?" | 0:17:34 | 0:17:36 | |
LAUGHTER | 0:17:36 | 0:17:38 | |
That doesn't sound right, does it? | 0:17:40 | 0:17:41 | |
LAUGHTER AND APPLAUSE | 0:17:41 | 0:17:43 | |
Wait a minute! | 0:17:44 | 0:17:45 | |
No! You went there! | 0:17:45 | 0:17:46 | |
-I didn't go there! You went there. -You went there! -No, I didn't! | 0:17:46 | 0:17:50 | |
So, I would do like this and do like this, | 0:17:50 | 0:17:53 | |
and they'd run, "Argh!" | 0:17:53 | 0:17:55 | |
LAUGHTER AND APPLAUSE | 0:17:55 | 0:17:56 | |
Now. Gemma Arterton, award-winning actress, kick-ass movie star, | 0:18:00 | 0:18:03 | |
and now treading the boards in a new musical, | 0:18:03 | 0:18:06 | |
which is so exciting! Brand-new musical. | 0:18:06 | 0:18:09 | |
It's Made In Dagenham, which, sometimes you hear about things | 0:18:09 | 0:18:12 | |
being made into musicals and you think, "Is that a good idea?" | 0:18:12 | 0:18:15 | |
But this is clearly a very good idea. | 0:18:15 | 0:18:17 | |
-It is. -It's such a rousing, great story. -Yeah. I... | 0:18:17 | 0:18:20 | |
Well, it's because it's based on real events and it's about | 0:18:20 | 0:18:23 | |
these women that are so normal and charming and real | 0:18:23 | 0:18:27 | |
and did something extraordinary. | 0:18:27 | 0:18:30 | |
They got the Equal Pay Act into the system, | 0:18:30 | 0:18:33 | |
and they're just these lovely ladies from Essex. | 0:18:33 | 0:18:37 | |
I should tell people, by the way, it opens in the West End | 0:18:37 | 0:18:39 | |
-on the 5th of November, that's the big glitzy night. -Officially. | 0:18:39 | 0:18:43 | |
But then the previews are from the 9th of October. | 0:18:43 | 0:18:45 | |
So, I've said all the good thing. | 0:18:45 | 0:18:47 | |
In the real story, they get equal pay in the Ford factory | 0:18:47 | 0:18:51 | |
in Dagenham, but does that open up for women across the country? | 0:18:51 | 0:18:55 | |
Well, what happens in our story is slightly different | 0:18:55 | 0:18:58 | |
-to what happened in real life. -They sing. | 0:18:58 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:03 | |
I'm sure the girls sang as well in real life. | 0:19:03 | 0:19:06 | |
But it really opened it up. | 0:19:06 | 0:19:08 | |
They were the first to get equal pay in the workplace. | 0:19:08 | 0:19:11 | |
It set up the whole equal pay for equal work act, | 0:19:11 | 0:19:14 | |
which was already instrumental in America at the time, but not the UK. | 0:19:14 | 0:19:18 | |
So, if a man's doing the same job as a woman, | 0:19:18 | 0:19:21 | |
they should be getting equal pay. | 0:19:21 | 0:19:23 | |
So, that's what these women did. It's huge. | 0:19:23 | 0:19:26 | |
Have you been back to Essex? Have you met the women? | 0:19:26 | 0:19:28 | |
-Are they around? -The women are actually here tonight. | 0:19:28 | 0:19:31 | |
-Oh! -Come and wave your hands, ladies. | 0:19:31 | 0:19:34 | |
-There they are! -Oh! | 0:19:34 | 0:19:36 | |
CHEERING | 0:19:36 | 0:19:37 | |
That's amazing! | 0:19:39 | 0:19:40 | |
It's Gwen, Eileen and Vera. | 0:19:41 | 0:19:43 | |
-So, is it Gwen, Eileen, Vera? -Yes. | 0:19:43 | 0:19:46 | |
Yeah. And presumably, you saw the movie. | 0:19:46 | 0:19:48 | |
Have you seen any of the workshops to the musicals yet? | 0:19:48 | 0:19:50 | |
-Yes. -A part of it, yeah. | 0:19:50 | 0:19:52 | |
LAUGHTER | 0:19:52 | 0:19:53 | |
Eileen doesn't seem that keen! | 0:19:54 | 0:19:57 | |
"I saw a bit of it, yeah... | 0:19:57 | 0:19:59 | |
"Not sure I'd sit through the whole thing!" | 0:19:59 | 0:20:01 | |
LAUGHTER | 0:20:01 | 0:20:03 | |
Did you like the musical? You're on television, say yes! | 0:20:05 | 0:20:07 | |
-Oh, yes! -Yeah? Good. | 0:20:07 | 0:20:08 | |
LAUGHTER | 0:20:08 | 0:20:10 | |
Say yes, you'll get free tickets and a taxi home! | 0:20:10 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:13 | |
So, at the time, was there a big fuss? | 0:20:13 | 0:20:18 | |
Were you in the papers and did it seems like a big deal at the time? | 0:20:18 | 0:20:21 | |
At the time, yeah. But... | 0:20:21 | 0:20:24 | |
after it was all over, it was all forgotten. | 0:20:24 | 0:20:27 | |
So, that was a double surprise when the movie came out? | 0:20:27 | 0:20:30 | |
When? | 0:20:30 | 0:20:31 | |
LAUGHTER | 0:20:31 | 0:20:33 | |
"Movie? What movie?!" | 0:20:33 | 0:20:35 | |
LAUGHTER | 0:20:35 | 0:20:36 | |
"What is that man talking about?! | 0:20:36 | 0:20:38 | |
"It's a musical! We've seen a bit of it." | 0:20:39 | 0:20:42 | |
Do you stay in touch because of the movie and things? | 0:20:44 | 0:20:48 | |
Has that brought you back together or have you been friends for years? | 0:20:48 | 0:20:51 | |
-All the time. -All the time. | 0:20:51 | 0:20:52 | |
-Aw! -Isn't that sweet? | 0:20:52 | 0:20:54 | |
-That's fantastic! -They've just gotten back off holiday. | 0:20:54 | 0:20:56 | |
-They go on holiday together. -Oh, really? | 0:20:59 | 0:21:01 | |
Fantastic! | 0:21:01 | 0:21:03 | |
-Gemma was just saying you go on holiday together? -Yes. | 0:21:03 | 0:21:07 | |
With all your extra pay! | 0:21:07 | 0:21:08 | |
LAUGHTER | 0:21:08 | 0:21:09 | |
"Put it in the holiday fund, didn't we? Yeah!" | 0:21:09 | 0:21:12 | |
-Now, the singing. -Yeah. | 0:21:13 | 0:21:15 | |
I feel like we should have known you were a singer by now. | 0:21:15 | 0:21:18 | |
How did this happen? Have you always been a singer? | 0:21:18 | 0:21:20 | |
Yes, but it's, erm... | 0:21:20 | 0:21:23 | |
The right thing has not come along. | 0:21:23 | 0:21:24 | |
I've always wanted to do a musical, | 0:21:24 | 0:21:26 | |
but I wanted to do something that was original | 0:21:26 | 0:21:28 | |
and never been done before. | 0:21:28 | 0:21:30 | |
You know, I have sung in films, but not really. | 0:21:30 | 0:21:33 | |
Yeah, so, this is the first time in public. | 0:21:33 | 0:21:36 | |
Not to put you on the spot, but to put you on the spot... | 0:21:36 | 0:21:39 | |
No, no, not to sing a whole song. | 0:21:39 | 0:21:40 | |
-Are there any bits? -Little bits? | 0:21:40 | 0:21:42 | |
Can you do a little bit? | 0:21:42 | 0:21:43 | |
There's a song called Busy Woman, which starts the show. | 0:21:43 | 0:21:46 | |
It's all the girls in the house doing their housework. It goes... | 0:21:46 | 0:21:49 | |
# If you want something done | 0:21:49 | 0:21:51 | |
# Ask a busy woman | 0:21:51 | 0:21:53 | |
# Cos your wasting your time asking a man | 0:21:53 | 0:21:58 | |
# She can do in an hour what he can't do in ten | 0:21:58 | 0:22:01 | |
# It's the basic effing difference between us and effing them | 0:22:01 | 0:22:04 | |
# If you want it done then ask a busy woman. # | 0:22:04 | 0:22:08 | |
Wow! | 0:22:08 | 0:22:09 | |
CHEERING AND APPLAUSE | 0:22:09 | 0:22:10 | |
Eileen's smiling now. | 0:22:13 | 0:22:14 | |
She's going, "Oh, yeah! Effing Eileen." | 0:22:15 | 0:22:18 | |
Oh, yeah. | 0:22:19 | 0:22:20 | |
Eileen's like, "Oh, it's better than I remember! | 0:22:20 | 0:22:22 | |
"It's quite good! Oh, it's come on, it's come on!" Yeah. | 0:22:22 | 0:22:26 | |
You haven't seen that one, have you? | 0:22:26 | 0:22:29 | |
No. | 0:22:29 | 0:22:30 | |
LAUGHTER | 0:22:30 | 0:22:32 | |
They don't remember the entire film, Gemma, I really wouldn't go... | 0:22:32 | 0:22:35 | |
I wouldn't go on individual songs. | 0:22:35 | 0:22:37 | |
So, here is the thing, Gemma and Peter have something in common, | 0:22:37 | 0:22:41 | |
because Gemma was in a band. What was the name of your band? | 0:22:41 | 0:22:45 | |
Violent Pink. | 0:22:45 | 0:22:46 | |
-Was this when you were in school? -When I was in Gravesend. | 0:22:46 | 0:22:49 | |
-Yeah, we were a four-part girl band. -Were you kind of punky? | 0:22:49 | 0:22:53 | |
Yeah. It was a kind of like... | 0:22:53 | 0:22:55 | |
Angsty, Alanis Morrisette kind of stuff with harmonies. | 0:22:55 | 0:23:01 | |
I think Violent Pink is a good name for a band. | 0:23:01 | 0:23:04 | |
-Yeah? -Peter Capaldi's band... | 0:23:04 | 0:23:06 | |
I would say... | 0:23:06 | 0:23:08 | |
a less good name. | 0:23:08 | 0:23:10 | |
What was your band called? | 0:23:10 | 0:23:12 | |
Er... The Dream Boys. | 0:23:12 | 0:23:14 | |
LAUGHTER | 0:23:14 | 0:23:15 | |
This was at a time before the Chippendales | 0:23:19 | 0:23:22 | |
and acts like that, and remember, we were all just kids at art school, | 0:23:22 | 0:23:26 | |
so we thought that we were being Kafkaesque and arty and dark. | 0:23:26 | 0:23:30 | |
But of course, people didn't think that. | 0:23:30 | 0:23:32 | |
They thought they were booking a bunch of guys | 0:23:32 | 0:23:34 | |
to come up and take their clothes off, | 0:23:34 | 0:23:36 | |
which we didn't do, but we would if people paid us! | 0:23:36 | 0:23:39 | |
Before that we were called... | 0:23:39 | 0:23:41 | |
Our first name was the Bastards From Hell... | 0:23:41 | 0:23:45 | |
which was more appropriate to the punk ethos that we were clinging to. | 0:23:45 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:50 | |
Denzel, have you ever dabbled in musicals? | 0:23:51 | 0:23:54 | |
No. | 0:23:54 | 0:23:56 | |
But in Denzel's new movie, you bust a move! | 0:23:56 | 0:23:58 | |
Oh, I got my little, er... | 0:23:58 | 0:24:00 | |
What do you call it? Gladys Knight And The Pips. | 0:24:00 | 0:24:02 | |
Look at him go! Yeah! | 0:24:02 | 0:24:04 | |
Was that choreographed or was that all in you? | 0:24:04 | 0:24:06 | |
That's all me! All me! | 0:24:06 | 0:24:08 | |
I YouTubed them, | 0:24:08 | 0:24:09 | |
and I stood in front of the computer and I'm like, "OK..." | 0:24:09 | 0:24:12 | |
LAUGHTER | 0:24:12 | 0:24:14 | |
Do you want a little bit of music? Let's hear some music. | 0:24:14 | 0:24:17 | |
# I'll be with him | 0:24:17 | 0:24:19 | |
# I know you will | 0:24:19 | 0:24:21 | |
# On that midnight train to Georgia | 0:24:21 | 0:24:23 | |
# Leaving on the midnight train to Georgia | 0:24:23 | 0:24:27 | |
# Whoo! Whoo! | 0:24:27 | 0:24:29 | |
# I would rather live in his world... # | 0:24:29 | 0:24:31 | |
CHEERING AND APPLAUSE | 0:24:31 | 0:24:33 | |
And that's as violent as the film gets. | 0:24:35 | 0:24:39 | |
LAUGHTER | 0:24:39 | 0:24:40 | |
He lies! | 0:24:40 | 0:24:41 | |
Now, Peter Capaldi, new Doctor Who, I had no idea. | 0:24:41 | 0:24:44 | |
Your career is extraordinary. So... No, no. | 0:24:44 | 0:24:47 | |
Let's start with Doctor Who. | 0:24:47 | 0:24:48 | |
Every Doctor Who always says, "I was a fan when I was a kid growing up." | 0:24:48 | 0:24:54 | |
This man... I mean, you were beyond a fan! | 0:24:54 | 0:24:57 | |
Oh, gosh! | 0:24:57 | 0:24:58 | |
LAUGHTER | 0:24:58 | 0:24:59 | |
None of this would have come out. | 0:24:59 | 0:25:01 | |
None of this would've come out, my total geekness, | 0:25:01 | 0:25:04 | |
my total anorak-ness, as a child, a teenager, | 0:25:04 | 0:25:08 | |
would've been left to... | 0:25:08 | 0:25:09 | |
-But the good thing is, your letters... -Oh, no! | 0:25:09 | 0:25:13 | |
No, no, no! There's a letter... | 0:25:13 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:15 | |
No! No, we don't have... No. | 0:25:15 | 0:25:17 | |
There was a sweet letter you sent to the Radio Times, | 0:25:17 | 0:25:20 | |
we won't read that one, that was you saying how much you liked | 0:25:20 | 0:25:22 | |
the Doctor Who Special. There's this weird thing, right? | 0:25:22 | 0:25:25 | |
So, there's a Doctor Who fan club, and the guy who ran that, | 0:25:25 | 0:25:28 | |
Keith Miller, he put... This is volume one. | 0:25:28 | 0:25:31 | |
Can you imagine the size of his anorak? | 0:25:31 | 0:25:33 | |
This is volume one of the... | 0:25:33 | 0:25:35 | |
This isn't the story of Doctor Who, | 0:25:35 | 0:25:37 | |
this is the story of the fan club, volume one. | 0:25:37 | 0:25:41 | |
LAUGHTER | 0:25:41 | 0:25:43 | |
-So, Peter decided he was... -No! | 0:25:43 | 0:25:45 | |
No, there was a fan club, and Peter decided | 0:25:45 | 0:25:48 | |
-he should be the head of the fan club. -Oh, no! No, no, no! | 0:25:48 | 0:25:53 | |
So, he wrote to Sarah Newman, at the Doctor Who office. | 0:25:53 | 0:25:56 | |
This is proper. This is a woman that really works at the BBC. | 0:25:56 | 0:25:59 | |
-I can't even remember. -How old were you? | 0:25:59 | 0:26:01 | |
Don't even... 21. | 0:26:01 | 0:26:03 | |
LAUGHTER | 0:26:03 | 0:26:05 | |
This is the reply to you, | 0:26:05 | 0:26:07 | |
"Dear Peter, thank you for your letter. | 0:26:07 | 0:26:10 | |
"The pictures aren't ready yet, and secondly, I'm afraid, | 0:26:10 | 0:26:13 | |
"we have an official Doctor Who fan club secretary. | 0:26:13 | 0:26:15 | |
"I'm passing your letter on to him and I expect he will send you | 0:26:15 | 0:26:17 | |
"something himself. Yours sincerely, Sarah Newman." | 0:26:17 | 0:26:20 | |
See, that's all very nice. That's very nice. | 0:26:20 | 0:26:22 | |
Then in another letter, to the guy who is the secretary | 0:26:22 | 0:26:26 | |
of the fan club, she writes, "No, no, no. You're not by any means | 0:26:26 | 0:26:31 | |
"worse than Peter C." | 0:26:31 | 0:26:33 | |
LAUGHTER | 0:26:33 | 0:26:34 | |
"I had a very sad letter back from him today. | 0:26:35 | 0:26:38 | |
"I think I better write back and apologise. | 0:26:38 | 0:26:41 | |
"I think it's the end, and I wish the Daleks would exterminate him | 0:26:41 | 0:26:44 | |
"or something to that effect." | 0:26:44 | 0:26:45 | |
She worked for the BBC?! | 0:26:45 | 0:26:46 | |
Where is she now? | 0:26:48 | 0:26:50 | |
She's here tonight! | 0:26:50 | 0:26:52 | |
LAUGHTER | 0:26:52 | 0:26:53 | |
And I'm Doctor Who! | 0:26:54 | 0:26:55 | |
Take that! | 0:26:57 | 0:26:58 | |
CHEERING AND APPLAUSE | 0:26:58 | 0:27:00 | |
That's terrible. I can't imagine the BBC let that happen. | 0:27:04 | 0:27:08 | |
But how annoying must you have been? | 0:27:08 | 0:27:11 | |
LAUGHTER | 0:27:11 | 0:27:12 | |
"I wish something would kill him." | 0:27:13 | 0:27:16 | |
Despite all of that stuff of being a kid, | 0:27:16 | 0:27:18 | |
I loved Doctor Who when I was a kid, | 0:27:18 | 0:27:20 | |
and then you reach an age when you get involved | 0:27:20 | 0:27:22 | |
in sex and drugs and rock'n'roll and you move on and you have a life. | 0:27:22 | 0:27:25 | |
Let's just say I spent a lot of time drinking. | 0:27:25 | 0:27:28 | |
LAUGHTER | 0:27:28 | 0:27:29 | |
A lot of time drinking and eating curries and getting confused, | 0:27:29 | 0:27:33 | |
-which is where the modelling comes from. -Weird. | 0:27:33 | 0:27:35 | |
The modelling. I so don't understand the modelling. | 0:27:35 | 0:27:37 | |
So, this picture, I sort of do. | 0:27:37 | 0:27:39 | |
I kind of... That one... | 0:27:40 | 0:27:42 | |
Awful as it is, it sort of makes sense. This next one... | 0:27:42 | 0:27:46 | |
Was the cameraman blind? | 0:27:46 | 0:27:47 | |
What... What... That is not a pose at all! | 0:27:47 | 0:27:51 | |
I know! I can't even put my elbow on the stool! | 0:27:51 | 0:27:56 | |
Something's gone wrong there, totally. | 0:27:56 | 0:27:57 | |
That is just being an idiot. | 0:27:57 | 0:28:00 | |
That's just being... You don't know anything. | 0:28:00 | 0:28:02 | |
Nobody gives you a book to say, "This is how to become an actor." | 0:28:02 | 0:28:05 | |
This is what you do. You're just an idiot! | 0:28:05 | 0:28:07 | |
Drinking lager and having curry, and people say... | 0:28:07 | 0:28:10 | |
Did you send those pictures out to people? | 0:28:10 | 0:28:12 | |
They were nothing to do with me. It was a popular daily newspaper. | 0:28:12 | 0:28:16 | |
-So, they were published? -Yes! | 0:28:16 | 0:28:19 | |
LAUGHTER | 0:28:19 | 0:28:20 | |
-I just assumed that was you trying to be a model. -No, no! | 0:28:22 | 0:28:25 | |
-They were published?! -Obviously, I was a style icon! | 0:28:25 | 0:28:28 | |
LAUGHTER | 0:28:28 | 0:28:31 | |
Then, so, you look at that picture, and you think, | 0:28:31 | 0:28:34 | |
"Clearly, he will never be troubled by success." | 0:28:34 | 0:28:38 | |
LAUGHTER | 0:28:38 | 0:28:39 | |
You could put a big stamp guarantee, "loser" on it. | 0:28:39 | 0:28:42 | |
LAUGHTER | 0:28:42 | 0:28:43 | |
What an amazing moment, then, all these years later, when you are | 0:28:43 | 0:28:47 | |
sitting in a dressing room waiting to walk on the set to be Doctor Who. | 0:28:47 | 0:28:53 | |
-That must have been mind-blowing? -It was amazing. It was wonderful. | 0:28:53 | 0:28:57 | |
It's a great gift and privilege, and great fun. | 0:28:57 | 0:29:00 | |
It's brilliant. | 0:29:00 | 0:29:01 | |
Didn't you have to pretend not to know how to use the TARDIS | 0:29:01 | 0:29:03 | |
when you got the part? Weren't people trying to explain | 0:29:03 | 0:29:06 | |
-to you how to do it? -Well, everybody... | 0:29:06 | 0:29:08 | |
See, all the stuff that you've just read out, | 0:29:08 | 0:29:10 | |
they didn't know, so I go on the set and guys say to me, | 0:29:10 | 0:29:12 | |
"Turn that switch there, this, that and the other." | 0:29:12 | 0:29:15 | |
I said, "I know how to work this." | 0:29:15 | 0:29:17 | |
LAUGHTER | 0:29:17 | 0:29:18 | |
"You don't have to tell me how to work it. I know." | 0:29:19 | 0:29:22 | |
And what's that... | 0:29:22 | 0:29:24 | |
This is, again, one of those weird coincidence-type stories. | 0:29:24 | 0:29:27 | |
You're in the Czech Republic when you find out. | 0:29:27 | 0:29:30 | |
What's that sweet story about? | 0:29:30 | 0:29:32 | |
The story is that it's very secret when you become Doctor Who, | 0:29:32 | 0:29:36 | |
cos Matt Smith, who was wonderful, he was still being Doctor Who, | 0:29:36 | 0:29:41 | |
so they keep it a secret when there's a new Doctor Who. | 0:29:41 | 0:29:44 | |
But I knew I was cast, but I wasn't allowed to tell anybody. | 0:29:44 | 0:29:48 | |
I happened to be Cardinal Richelieu in The Musketeers | 0:29:48 | 0:29:52 | |
in the Czech Republic, and we moved... | 0:29:52 | 0:29:54 | |
We were filming and then we moved to the north of the Czech Republic | 0:29:54 | 0:29:57 | |
to a place called Moravia. | 0:29:57 | 0:29:58 | |
To a very small town there. | 0:29:58 | 0:30:00 | |
Er, and we were filming this scene. | 0:30:00 | 0:30:03 | |
I was in all of my resplendent kind of Richelieu dark cloak, | 0:30:03 | 0:30:08 | |
and there was a little lad who was playing a pageboy. | 0:30:08 | 0:30:11 | |
He started to talk to me and he couldn't speak English very well. | 0:30:11 | 0:30:14 | |
He said, "I love you as Doctor Who." | 0:30:14 | 0:30:17 | |
I said, "You love me as Doctor Who?" | 0:30:17 | 0:30:21 | |
He said, "Yeah, I love you as..." I thought, "How can he know? | 0:30:21 | 0:30:25 | |
"Here? I can't even tell anybody on the production." | 0:30:25 | 0:30:28 | |
He said, "I loved you in the episode about Pompeii." | 0:30:28 | 0:30:32 | |
And what he was saying was he loved me in an episode of Doctor Who, | 0:30:32 | 0:30:35 | |
cos I had been in an episode with David Tennant, | 0:30:35 | 0:30:38 | |
playing a character in Pompeii. | 0:30:38 | 0:30:41 | |
I said, "Do you like Doctor Who?" He said, "I love it." | 0:30:41 | 0:30:45 | |
He said, "I'm a Whovian." And I thought, | 0:30:45 | 0:30:47 | |
"I've stumbled upon the only person in the Czech Republic... | 0:30:47 | 0:30:50 | |
"who knows this show and he loves it, | 0:30:50 | 0:30:53 | |
"and he's standing next to the new Doctor Who and he doesn't know." | 0:30:53 | 0:30:56 | |
-Did you tell him? -I was going to say, did you tell him? | 0:30:56 | 0:30:58 | |
So I said nothing. I said, "Have you a phone with a camera?" | 0:30:58 | 0:31:03 | |
He said, "I haven't got it on me." | 0:31:03 | 0:31:06 | |
I said, "Go and get it, you should have your picture taken with me." | 0:31:06 | 0:31:08 | |
Er... | 0:31:08 | 0:31:09 | |
Oh! | 0:31:11 | 0:31:12 | |
That is so sweet. | 0:31:14 | 0:31:16 | |
He wasn't very interested in doing that. | 0:31:16 | 0:31:17 | |
Now, listen, Peter continues as Doctor Who on Saturdays | 0:31:21 | 0:31:25 | |
at 8.30 on BBC One and, yes, we have a very exclusive... | 0:31:25 | 0:31:28 | |
This isn't from tomorrow's episode, this is from a week tomorrow | 0:31:28 | 0:31:32 | |
and presumably you can't tell us anything about this. | 0:31:32 | 0:31:35 | |
I can't remember anything about it! | 0:31:35 | 0:31:37 | |
Well, let's all enjoy this exclusive clip | 0:31:39 | 0:31:42 | |
of next week's Doctor Who episode. | 0:31:42 | 0:31:45 | |
SCRABBLING | 0:31:46 | 0:31:47 | |
I think we've found your alien. | 0:31:53 | 0:31:54 | |
Back, back, back! | 0:31:55 | 0:31:57 | |
-We need a door! A door! -Here! Here! | 0:31:57 | 0:32:00 | |
The door's locked. | 0:32:01 | 0:32:02 | |
SCREECHING | 0:32:02 | 0:32:03 | |
There's no power to work it! | 0:32:03 | 0:32:05 | |
SCREECHING Come on! | 0:32:06 | 0:32:08 | |
Doctor! | 0:32:08 | 0:32:09 | |
Stay still. It's sensing movement. It can't see you. | 0:32:10 | 0:32:13 | |
Fast movement. | 0:32:13 | 0:32:15 | |
There must be another exit through there. | 0:32:15 | 0:32:16 | |
Slowly! | 0:32:19 | 0:32:20 | |
SCRABBLING Slowly! | 0:32:22 | 0:32:23 | |
Head to that exit. | 0:32:28 | 0:32:29 | |
Slowly! Slowly! | 0:32:30 | 0:32:32 | |
Slowly! Slowly! | 0:32:33 | 0:32:35 | |
SCRABBLING | 0:32:35 | 0:32:36 | |
Gently! Gently! | 0:32:36 | 0:32:37 | |
When I say "run", run! | 0:32:41 | 0:32:43 | |
Who made you the boss? | 0:32:43 | 0:32:45 | |
Well, you say "run", then. | 0:32:46 | 0:32:48 | |
I know, I tell you... | 0:32:51 | 0:32:53 | |
Right, before our first stories of the series in the big, red chair, | 0:32:55 | 0:32:58 | |
it's time for our musical guest. | 0:32:58 | 0:32:59 | |
This young man's debut album is at the top of the charts | 0:32:59 | 0:33:02 | |
and his first single Budapest went gold in five countries. | 0:33:02 | 0:33:05 | |
Tonight, performing his second single, Blame It On Me, | 0:33:05 | 0:33:08 | |
please welcome George Ezra! | 0:33:08 | 0:33:10 | |
APPLAUSE AND CHEERING | 0:33:10 | 0:33:12 | |
# The garden was blessed by the Gods of me and you | 0:33:23 | 0:33:27 | |
# We headed west for to find ourselves some truth, ooh | 0:33:27 | 0:33:33 | |
# What you waiting for? What you waiting for? | 0:33:33 | 0:33:38 | |
# We counted all our reasons, excuses that we made | 0:33:41 | 0:33:46 | |
# We found ourselves some treasure and threw it all away, ooh | 0:33:46 | 0:33:51 | |
# What you waiting for? What you waiting for? | 0:33:51 | 0:33:57 | |
# What you waiting for? What you waiting for? | 0:33:58 | 0:34:03 | |
# When I dance alone and the sun's bleeding down | 0:34:06 | 0:34:10 | |
# Blame it on me | 0:34:10 | 0:34:13 | |
# When I lose control and the veil's overused | 0:34:15 | 0:34:19 | |
# Blame it on me | 0:34:19 | 0:34:23 | |
# What you waiting for? What you waiting for? | 0:34:23 | 0:34:29 | |
# Caught in the tide of blossom, caught in the carnival | 0:34:32 | 0:34:36 | |
# Your confidence forgotten, I see the gypsies run | 0:34:36 | 0:34:41 | |
# What you waiting for? What you waiting for? | 0:34:41 | 0:34:48 | |
# What you waiting for? What you waiting for? | 0:34:49 | 0:34:54 | |
# When I dance alone and the sun's bleeding down | 0:34:56 | 0:35:01 | |
# Blame it on me | 0:35:01 | 0:35:03 | |
When I lose control and the veil's overused | 0:35:06 | 0:35:10 | |
# Blame it on me | 0:35:10 | 0:35:13 | |
# What you waiting for? What you waiting for? | 0:35:16 | 0:35:22 | |
# What you waiting for? What you waiting for? | 0:35:24 | 0:35:29 | |
# When I dance alone and the sun's bleeding down | 0:35:31 | 0:35:36 | |
# Blame it on me | 0:35:36 | 0:35:39 | |
# When I lose control and the veil's overused | 0:35:40 | 0:35:45 | |
# Blame it on me | 0:35:45 | 0:35:48 | |
# When I dance alone, I know I'll go | 0:35:49 | 0:35:54 | |
# Blame it on me, oh! | 0:35:54 | 0:35:58 | |
# When I lose control, I know I'll go | 0:35:58 | 0:36:03 | |
# Blame it on me, oh! | 0:36:03 | 0:36:09 | |
# What you waiting for? What you waiting for? | 0:36:09 | 0:36:15 | |
# What you waiting for? What you waiting for? # | 0:36:17 | 0:36:23 | |
CHEERING AND APPLAUSE | 0:36:25 | 0:36:26 | |
George Ezra, everybody. Very good. | 0:36:30 | 0:36:33 | |
Excellent job, sir. Come and join us. Come on and join us. | 0:36:33 | 0:36:37 | |
-Hello, sir. Very nice to meet you. -Hello. Thank you very much. | 0:36:37 | 0:36:42 | |
-Say hi to Peter Capaldi... -Hi, how are you doing? Lovely to meet you. | 0:36:42 | 0:36:45 | |
-..Gemma Arterton... -Hi, Gemma. | 0:36:45 | 0:36:47 | |
-Lovely to meet you. -Nice to meet you. | 0:36:47 | 0:36:49 | |
..and that's your actual Denzel Washington right there. Very good. | 0:36:49 | 0:36:52 | |
Oh, so congratulations and everything, sir. | 0:36:52 | 0:36:55 | |
-Yeah, thank you very much. -It's very cool. | 0:36:55 | 0:36:57 | |
-How old are you? -I'm 21. -21. | 0:36:57 | 0:37:00 | |
Oh, God! You look 11! | 0:37:00 | 0:37:02 | |
But the song is fantastic and that's the new single. | 0:37:05 | 0:37:08 | |
-Budapest has been number one all over the place. -Yeah. | 0:37:08 | 0:37:10 | |
That album's still in the charts... | 0:37:10 | 0:37:12 | |
That's the best bit - when you release an album, it's nice to know | 0:37:12 | 0:37:16 | |
that the album sticks around and not just a song. | 0:37:16 | 0:37:19 | |
-That's the nice thing. -Now the cover of the album Wanted On Voyage... | 0:37:19 | 0:37:23 | |
-Oh, you've got it up. -Yeah! Oh, yeah! | 0:37:23 | 0:37:25 | |
Yeah, yeah, I've got a computer and everything! Yeah! | 0:37:25 | 0:37:30 | |
I'm... | 0:37:30 | 0:37:31 | |
I know I'm old... | 0:37:33 | 0:37:34 | |
Even I have a computer! So, no, it's clever. | 0:37:34 | 0:37:38 | |
So obviously that's you in the middle there. | 0:37:38 | 0:37:40 | |
-That's definitely me. -Who's everybody else? | 0:37:40 | 0:37:43 | |
Surrounding it is my family and friends. | 0:37:43 | 0:37:45 | |
They're all dressed up as different people. | 0:37:45 | 0:37:48 | |
Who's that in the curlers? | 0:37:48 | 0:37:50 | |
Well, you kind of ruined it there | 0:37:50 | 0:37:52 | |
because she's not family or a friend! | 0:37:52 | 0:37:53 | |
Tip for the future - lie! "That's my Auntie Edith." | 0:37:59 | 0:38:03 | |
How is it your voice sounds so sweet when you speak, | 0:38:05 | 0:38:07 | |
but your singing voice is great too but it sounds much deeper? | 0:38:07 | 0:38:11 | |
Do you know? Yeah, I could never really sing. | 0:38:11 | 0:38:15 | |
My brother and sister could | 0:38:15 | 0:38:16 | |
and I used to sing a lot but I wasn't very good. | 0:38:16 | 0:38:19 | |
I remember reading the back of a Lead Belly album. He said... | 0:38:19 | 0:38:22 | |
No, it said on it Lead Belly's voice was so big | 0:38:22 | 0:38:25 | |
you had to turn your record player down compared to other records. | 0:38:25 | 0:38:27 | |
And I thought, "Having a big voice could be fun," and I tried it. | 0:38:27 | 0:38:31 | |
And I could do it, so I didn't ask any questions. | 0:38:31 | 0:38:34 | |
I just continued to do it. | 0:38:34 | 0:38:35 | |
I am so pleased to say the Eurovision Song Contest | 0:38:36 | 0:38:41 | |
-played an enormous part in your success. -Yeah. | 0:38:41 | 0:38:44 | |
So what happened was, a lot of the album was written while | 0:38:44 | 0:38:48 | |
I travelled around Europe by myself, about... | 0:38:48 | 0:38:50 | |
just over a year ago, I think. | 0:38:50 | 0:38:52 | |
And, er, I stopped off in Malmo | 0:38:52 | 0:38:54 | |
and it was the Eurovision Song Contest final in Malmo. | 0:38:54 | 0:38:58 | |
Now, I'd never seen it before, but I was staying... | 0:38:58 | 0:39:00 | |
-I'd been put in touch with these girls who lived in Malmo. -Oh, yeah? | 0:39:00 | 0:39:04 | |
So I was with them and they said... | 0:39:04 | 0:39:06 | |
and they said we should go and watch the Eurovision... | 0:39:06 | 0:39:08 | |
You could watch it in parks and stuff. | 0:39:08 | 0:39:10 | |
OK. You can't buy alcohol after a certain time in Malmo, | 0:39:10 | 0:39:14 | |
which was an issue, seeing as we were watching... | 0:39:14 | 0:39:17 | |
-Something you need to be drunk to watch! -Exactly. | 0:39:17 | 0:39:20 | |
-So I found myself... -I find myself... | 0:39:20 | 0:39:24 | |
Honestly, I mean, yeah, it helped. We found, er... | 0:39:24 | 0:39:29 | |
this guy very kindly sold us a bottle of rum in the park and, er... | 0:39:29 | 0:39:33 | |
..the bottle of rum ended up inside me | 0:39:34 | 0:39:36 | |
and I missed my train the next morning. | 0:39:36 | 0:39:39 | |
I was meant to go to Budapest and I missed my train. | 0:39:39 | 0:39:42 | |
Budapest was the only city I was meant to visit | 0:39:42 | 0:39:45 | |
that I didn't made it to, | 0:39:45 | 0:39:46 | |
er, so then I wrote a song called Budapest, | 0:39:46 | 0:39:49 | |
listing the things I didn't have | 0:39:49 | 0:39:51 | |
and trying to tell someone from the Hungarian press | 0:39:51 | 0:39:54 | |
that the song Budapest has nothing to do with Hungary is impossible. | 0:39:54 | 0:39:58 | |
Honestly, it kills it every time. | 0:39:59 | 0:40:01 | |
Have you stayed in touch with the girls in Malmo? | 0:40:01 | 0:40:03 | |
Loosely, yeah. | 0:40:03 | 0:40:05 | |
Seriously, George, congratulations on everything. | 0:40:11 | 0:40:14 | |
It's fantastic to meet someone who has just arrived | 0:40:14 | 0:40:17 | |
and you're going to have an amazing time, so congratulations | 0:40:17 | 0:40:20 | |
and good luck with the tour. | 0:40:20 | 0:40:21 | |
Right, before we go, let's have our first visit | 0:40:21 | 0:40:24 | |
of the new series on the red chair. | 0:40:24 | 0:40:26 | |
Who's up first? | 0:40:26 | 0:40:28 | |
GASPING | 0:40:28 | 0:40:30 | |
Oh, I can't! | 0:40:30 | 0:40:31 | |
-PETER: Oh, that's terrible! -I need... | 0:40:36 | 0:40:38 | |
It was right, though. | 0:40:38 | 0:40:40 | |
No, it's the first show back - I need to build up to that. | 0:40:40 | 0:40:44 | |
I just didn't have the emotional energy to cope with that. | 0:40:46 | 0:40:49 | |
I apologise. Come back and see us later in the series. | 0:40:49 | 0:40:53 | |
I'll hear your story then. I feel bad now. Not that bad! Er... | 0:40:53 | 0:40:58 | |
-Who's up next? Hello! -Hello. | 0:40:58 | 0:41:01 | |
-What's your name? -My name's Lucy. -Lucy, lovely, Lucy, what do you do? | 0:41:03 | 0:41:08 | |
-I am a buxom barmaid. -A barmaid! Fabulous! | 0:41:08 | 0:41:11 | |
-Where do you do the barmaiding? -Twickenham. -Oh, dear! | 0:41:11 | 0:41:14 | |
-CHEERING -Oh, no, they're loving Twickenham. | 0:41:14 | 0:41:16 | |
All right, off you go with your story. | 0:41:17 | 0:41:19 | |
I've been Scouting my whole life. | 0:41:19 | 0:41:20 | |
-When I was about 12... -Sorry, you've been what? -Scouting. | 0:41:20 | 0:41:24 | |
-As in... -Oh, being a Scout. -..bit of a nerd. | 0:41:24 | 0:41:26 | |
-Oh, I see, being a Scout! -Yes. | 0:41:26 | 0:41:28 | |
And on one camp, I was about 12, it was quite rainy. | 0:41:28 | 0:41:31 | |
And it was about a half-hour walk from the toilets. | 0:41:31 | 0:41:35 | |
Wake up in the middle of the night, I suddenly realise... | 0:41:35 | 0:41:39 | |
"Oh, God, oh, I've got to poo!" | 0:41:39 | 0:41:42 | |
So, I've taken a bag and some tissues with me. | 0:41:42 | 0:41:45 | |
Be prepared - the Scout that I am. | 0:41:45 | 0:41:48 | |
I look at the bag and I think, "Yeah, I'm going to have to, | 0:41:48 | 0:41:51 | |
"I can't make it all the way," | 0:41:51 | 0:41:52 | |
so I went in the bag and I thought, "I'm just going to lob it. | 0:41:52 | 0:41:56 | |
"I won't have to deal with it. Someone else can. We'll be fine." | 0:41:56 | 0:41:59 | |
So I throw it as far as I think I can. | 0:41:59 | 0:42:01 | |
Go back to bed, wake up in the morning, everyone is laughing | 0:42:01 | 0:42:04 | |
and shouting. Something is happening. Get out of my bunk bed. | 0:42:04 | 0:42:07 | |
Go outside and, oh, God, oh, just on the branch outside the door, | 0:42:07 | 0:42:12 | |
about head height, there's the bag. | 0:42:12 | 0:42:14 | |
Visibly, there's a poo in the bag. Never confessed. | 0:42:15 | 0:42:19 | |
So, to everyone who was on that camp, | 0:42:19 | 0:42:21 | |
this is my confession - that was mine. | 0:42:21 | 0:42:23 | |
Shall we let her walk? | 0:42:23 | 0:42:24 | |
-I have a question. -She can walk. | 0:42:24 | 0:42:26 | |
-Oh, wait, wait, we have a question. -She said she pooped? | 0:42:26 | 0:42:29 | |
-Yeah. -That's, like, number two? -Yeah. | 0:42:29 | 0:42:32 | |
-She didn't say she wiped! -No, I took tissues. | 0:42:32 | 0:42:36 | |
-She had a tissue. -I'm not completely filthy. | 0:42:36 | 0:42:38 | |
I might poo in a bag but at least I'm going to wipe. Come on! | 0:42:38 | 0:42:41 | |
I just want to know - is there a badge for that? | 0:42:42 | 0:42:46 | |
A steaming turd in a triangle. | 0:42:46 | 0:42:49 | |
-There you go, you can walk. -Thank you. -Off you go. | 0:42:49 | 0:42:52 | |
Well done in the red chair. | 0:42:55 | 0:42:56 | |
If you'd like to join us on the show | 0:42:56 | 0:42:58 | |
and have a go in that chair, you can. | 0:42:58 | 0:42:59 | |
Contact us via our website at this very address. | 0:42:59 | 0:43:02 | |
Thank you very much to all my guests tonight - George Ezra... | 0:43:02 | 0:43:06 | |
..Peter Capaldi... | 0:43:08 | 0:43:09 | |
..Gemma Arterton... | 0:43:11 | 0:43:12 | |
..and Mr Denzel Washington. | 0:43:13 | 0:43:15 | |
Join me next week with music from Lenny Kravitz, | 0:43:18 | 0:43:20 | |
rising star Luke Evans, | 0:43:20 | 0:43:22 | |
Oscar-winning actress and writer Emma Thompson | 0:43:22 | 0:43:24 | |
and the heart-throb that is Hugh Grant. See you then. | 0:43:24 | 0:43:27 | |
Good night, everybody. Goodbye. | 0:43:27 | 0:43:29 | |
The only good thing about older... | 0:43:53 | 0:43:55 | |
The only good thing for the women in the audience, | 0:43:55 | 0:43:57 | |
cos everyone thinks you're old and there's no one-night stands, | 0:43:57 | 0:44:00 | |
cos just to get the old guy out of the car, into the house, | 0:44:00 | 0:44:03 | |
up the stairs, on you, off of you, | 0:44:03 | 0:44:06 | |
re-diapered, back in the car and off. | 0:44:06 | 0:44:08 | |
Four days! Four days! It's a relationship. | 0:44:08 | 0:44:12 |