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We've got a treat in store for you over the next eight weeks | 0:00:02 | 0:00:05 | |
as we search for Britain's best amateur baker. | 0:00:05 | 0:00:07 | |
12 of the very best are ready to fight for the ultimate crown. | 0:00:07 | 0:00:11 | |
Elasticate those waistbands. It's the new series of The Great British Bake Off. | 0:00:11 | 0:00:15 | |
Thousands entered this year's nationwide search | 0:00:15 | 0:00:18 | |
for Britain's best amateur baker. | 0:00:18 | 0:00:20 | |
I feel like somebody's going to say, "Could you go? There's been a mistake." | 0:00:20 | 0:00:23 | |
But just 12 of the most passionate and skilled have made it through | 0:00:23 | 0:00:28 | |
to battle it out in the Great British Bake Off. | 0:00:28 | 0:00:30 | |
It's just like a dream come true, really. I'm so excited. | 0:00:30 | 0:00:34 | |
Over the next eight weeks, they'll be creating everything | 0:00:34 | 0:00:37 | |
from cakes, pies, bread and biscuits, | 0:00:37 | 0:00:39 | |
in challenges where every aspect of their baking skills will be pushed to the limit. | 0:00:39 | 0:00:44 | |
Worse-case scenario, make a complete hash of it and cry on camera. | 0:00:44 | 0:00:48 | |
Each week, those who fall short will be asked to leave. | 0:00:48 | 0:00:51 | |
It's like a village fete on adrenaline, really. | 0:00:51 | 0:00:54 | |
Only one can be crowned the winner of the Great British Bake Off. | 0:00:54 | 0:00:58 | |
There is some amazing talent in this marquee. It's just phenomenal. | 0:00:58 | 0:01:02 | |
Yes! Ah, ah, ah! | 0:01:02 | 0:01:05 | |
This year, the Great British Bake Off has found a home - | 0:01:29 | 0:01:33 | |
Valentine's Mansion, a 17th-century country estate that will play host | 0:01:33 | 0:01:38 | |
to the next chapter in the nation's love affair with home baking. | 0:01:38 | 0:01:42 | |
It's rolling pins at dawn. | 0:01:42 | 0:01:43 | |
Yes, The Great British Bake Off is about to begin, | 0:01:43 | 0:01:46 | |
and where better a place to start? | 0:01:46 | 0:01:49 | |
This show is all about cake. | 0:01:49 | 0:01:51 | |
The contestants are ready, and so are we. Excuse me. | 0:01:51 | 0:01:55 | |
-It's research. -Where's mine? -Get off. | 0:01:56 | 0:01:59 | |
None of these 12 people have baked in such a competitive environment before, | 0:01:59 | 0:02:04 | |
but they're about to face three increasingly complicated challenges over the next two days, | 0:02:04 | 0:02:09 | |
after which one of them will be crowned this week's star baker, | 0:02:09 | 0:02:14 | |
and another will have to leave The Great British Bake Off. | 0:02:14 | 0:02:18 | |
Morning, all, and a massive welcome. | 0:02:19 | 0:02:21 | |
We start as we mean to go on, with a challenge. This one is your signature bake, | 0:02:21 | 0:02:25 | |
so for this one we're asking you to show us tried and tested recipes. | 0:02:25 | 0:02:29 | |
Nothing too off-piste. Now is not the time to experiment. | 0:02:29 | 0:02:32 | |
We're looking for two hours of your finest baking, | 0:02:32 | 0:02:35 | |
producing 24 cupcakes, baked and iced, | 0:02:35 | 0:02:37 | |
to be judged by Paul and Mary. | 0:02:37 | 0:02:39 | |
We're all going to be here together for the next two days, | 0:02:39 | 0:02:42 | |
at the end of which we will be saying goodbye to one of you. | 0:02:42 | 0:02:45 | |
For the first time - you'll hear this a lot in the next two days - | 0:02:45 | 0:02:49 | |
on your marks, get set... | 0:02:49 | 0:02:51 | |
BOTH: Bake. | 0:02:51 | 0:02:53 | |
All the challenges in the bake off have been devised by acclaimed master baker Paul Hollywood | 0:02:54 | 0:02:59 | |
and legendary cookery writer and baker Mary Berry. | 0:02:59 | 0:03:03 | |
As a judge, I'm looking forward to having really interesting detailed recipes | 0:03:03 | 0:03:10 | |
and, of course, they've got to taste just as good as they look. | 0:03:10 | 0:03:14 | |
Mary and I want to find out who is the best amateur baker in this country, | 0:03:15 | 0:03:19 | |
and the way to do that, following from the last series, is to up the ante, | 0:03:19 | 0:03:23 | |
and that is exactly what we've done. | 0:03:23 | 0:03:25 | |
Their first challenge requires the bakers to achieve | 0:03:25 | 0:03:28 | |
consistency of size, texture and flavour across 24 individual cupcakes. | 0:03:28 | 0:03:33 | |
They're allowed to create up to two varieties, | 0:03:33 | 0:03:36 | |
and each one of them must be perfectly decorated | 0:03:36 | 0:03:38 | |
and feature sponge and icing of different but complementary flavours. | 0:03:38 | 0:03:43 | |
Every one of them must be ready to be judged in two hours. | 0:03:43 | 0:03:47 | |
At home, normally I've got all the time I need, really, | 0:03:47 | 0:03:51 | |
so I just meander into the kitchen and start baking, | 0:03:51 | 0:03:54 | |
and then it's finished when it's finished. | 0:03:54 | 0:03:57 | |
Jo lives in Essex and is a wife, mother and, at 41, | 0:03:57 | 0:03:59 | |
the youngest grandmother in the competition. | 0:03:59 | 0:04:03 | |
She's making her family's favourite chocolate and orange cupcakes. | 0:04:03 | 0:04:08 | |
-Do you like cooking for your family? -I love it, yeah. | 0:04:08 | 0:04:10 | |
-Do you find it frustrating when all you get is a grunt? -Yeah. | 0:04:10 | 0:04:14 | |
Well, mine actually mark me out of ten. | 0:04:14 | 0:04:17 | |
And they find it really amusing to mark me really low. | 0:04:17 | 0:04:21 | |
-Jo, I'm not having that. -No. -So you cook a meal for them? | 0:04:21 | 0:04:25 | |
-Yes, and they go, "One out of ten". -No! | 0:04:25 | 0:04:28 | |
-Or three, maybe six. Sometimes I feel like putting their head in the dinner. -Yeah! | 0:04:28 | 0:04:33 | |
The base for a traditional cupcake sponge is made by creaming butter and sugar... | 0:04:34 | 0:04:38 | |
-What? -..then gradually adding beaten eggs, then flour. | 0:04:38 | 0:04:42 | |
This is me being neat, not me being untidy! | 0:04:42 | 0:04:45 | |
But the fats in these ingredients are prone to reject each other... | 0:04:45 | 0:04:48 | |
No! It curdled with the last egg. | 0:04:48 | 0:04:51 | |
..emulsifying the batter, rendering it lumpy and unusable. | 0:04:51 | 0:04:56 | |
If the eggs aren't the same temperature as the butter, it ends up separating. | 0:04:56 | 0:05:00 | |
But what you can do is add a tiny bit of the flour and it should be OK. | 0:05:00 | 0:05:04 | |
25-year-old Rob works as a photographer, | 0:05:04 | 0:05:07 | |
but dreams of becoming a professional baker in Paris. | 0:05:07 | 0:05:10 | |
A keen innovator, his cupcakes feature a fresh blackberry juice and vanilla sponge | 0:05:10 | 0:05:15 | |
with Pernod icing and a unique topping. | 0:05:15 | 0:05:17 | |
-Is that liquorice there? -It is. | 0:05:17 | 0:05:19 | |
I'm going to cut it up fine and grate a bit on the top. | 0:05:19 | 0:05:22 | |
And then the icing, you use this alcohol as well as the liquorice? | 0:05:22 | 0:05:25 | |
I reduce it and then the liquorice is to finish it off. | 0:05:25 | 0:05:28 | |
-Have you been practising? -I've practised with the liquorice, | 0:05:28 | 0:05:31 | |
but I haven't mastered it. | 0:05:31 | 0:05:33 | |
When we say "signature bake, tried and tested"... | 0:05:33 | 0:05:35 | |
-When we say "tried and tested"... -You haven't tested it. -I have a bit. | 0:05:35 | 0:05:39 | |
The bakers are free to add whatever ingredients they wish | 0:05:41 | 0:05:45 | |
to their toppings and sponges. | 0:05:45 | 0:05:47 | |
I'm just trying not to cut my hand while I grate and chop. | 0:05:47 | 0:05:50 | |
But altering the consistency of their batter | 0:05:50 | 0:05:53 | |
by adding fruit or liquid at this stage is risky. | 0:05:53 | 0:05:55 | |
-Get a basic batter, that's fair enough. -Yeah. | 0:05:55 | 0:05:58 | |
-But if you're adding liquid, make your batter slightly thicker. -Yeah. | 0:05:58 | 0:06:01 | |
-Do you add more flour to combat it? -More flour. | 0:06:01 | 0:06:04 | |
Or less egg. Then you can compensate when you add the rest of the stuff. | 0:06:04 | 0:06:07 | |
-But you've made these before, presumably. -I have, loads of times. | 0:06:07 | 0:06:11 | |
40-year-old marketing manager Urvashi | 0:06:11 | 0:06:13 | |
is a self-taught baker and mother of two. She met her husband in the Far East, | 0:06:13 | 0:06:17 | |
the inspiration for her cherry blossom and Japanese lime cupcakes. | 0:06:17 | 0:06:21 | |
It's going to have lime zest in the base | 0:06:21 | 0:06:23 | |
to kind of just bring out the colour of the yuzu. | 0:06:23 | 0:06:26 | |
Yuzu is an East Asian citrus fruit | 0:06:26 | 0:06:29 | |
whose juice is widely used in Japanese cooking. | 0:06:29 | 0:06:32 | |
These come into season in winter, | 0:06:32 | 0:06:34 | |
and we used to pickle them and have them as a cool drink in the summer. | 0:06:34 | 0:06:38 | |
-Yeah. -It's so amazing. -It's very aromatic, isn't it? | 0:06:38 | 0:06:41 | |
-I'm not doing anything else. -It's a cross between a mandarin and a lime. | 0:06:41 | 0:06:44 | |
Rugby roach Simon has opted for a less subtle addition to his batter. | 0:06:44 | 0:06:49 | |
At the moment I'm heating together caster sugar, | 0:06:49 | 0:06:52 | |
Guinness and dark chocolate, | 0:06:52 | 0:06:54 | |
then I'm going to mix in egg whites and creme fraiche, | 0:06:54 | 0:06:57 | |
so it's fairly straightforward. | 0:06:57 | 0:06:59 | |
The 31-year-old ex-RAF officer lives in Norfolk with his wife and two sons, | 0:06:59 | 0:07:03 | |
but his signature cupcakes are more suited to his mates at the rugby club - | 0:07:03 | 0:07:07 | |
a Guinness and chocolate sponge topped with Bailey's and cream cheese frosting. | 0:07:07 | 0:07:12 | |
I'm a Guinness fan at heart, and it does work well with the recipe, | 0:07:12 | 0:07:15 | |
so they don't object. | 0:07:15 | 0:07:17 | |
Filling cupcake cases correctly is an art. | 0:07:18 | 0:07:21 | |
The bakers have to be able to anticipate | 0:07:21 | 0:07:23 | |
how far their batters will rise. | 0:07:23 | 0:07:26 | |
Over-filling will create an unacceptable mushroom top. | 0:07:26 | 0:07:29 | |
Because everyone's putting me off. | 0:07:29 | 0:07:31 | |
Under-filling produces a small, dry, over-baked sponge. | 0:07:31 | 0:07:35 | |
It won't help me, panicking. | 0:07:35 | 0:07:37 | |
Tapping helps to remove any trapped air bubbles, | 0:07:37 | 0:07:40 | |
which can balloon in the oven, ruining a cupcake's appearance. | 0:07:40 | 0:07:43 | |
I'm weighing cupcake mixture like a crazy woman at the moment. | 0:07:45 | 0:07:48 | |
I would never, ever do this at home. | 0:07:48 | 0:07:51 | |
31-year-old Holly lives in Leicester with her husband and two children. | 0:07:51 | 0:07:55 | |
She's honed her baking skills whilst on maternity leave, | 0:07:55 | 0:07:59 | |
and aims to impress with 12 cupcakes inspired by the Bakewell tart | 0:07:59 | 0:08:03 | |
and 12 ginger cupcakes with homemade fig truffles. | 0:08:03 | 0:08:07 | |
It's obviously a bit nuts to weigh mixture before it's cooked, | 0:08:07 | 0:08:11 | |
but because it's a competition and I want all the cakes to be the same size, | 0:08:11 | 0:08:15 | |
then that's what I'm doing. | 0:08:15 | 0:08:16 | |
Where did my timer go? | 0:08:25 | 0:08:27 | |
Where DID my timer go? | 0:08:27 | 0:08:28 | |
-15 minutes. -Say a little prayer. | 0:08:34 | 0:08:37 | |
To find out more about the history of cupcakes, | 0:08:37 | 0:08:39 | |
I've come to the beautiful Audley End House, Essex. | 0:08:39 | 0:08:42 | |
Conkers, hopscotch, having your head flushed down the toilet, | 0:08:42 | 0:08:46 | |
they're all classic childhood memories for me. | 0:08:46 | 0:08:48 | |
But nothing beats my recollection of the first fairy cake I ever baked, | 0:08:48 | 0:08:52 | |
which for so many kids is the original point of entry into the glorious world of baking. | 0:08:52 | 0:08:56 | |
Fairy cakes, or cupcakes as they're also known, | 0:08:56 | 0:08:59 | |
were first made in the kitchens of these vast stately homes, | 0:08:59 | 0:09:02 | |
but would never have been possible | 0:09:02 | 0:09:04 | |
without the use of an unusual piece of kitchen kit. | 0:09:04 | 0:09:07 | |
So, Annie, what is this unusual piece of kit? | 0:09:07 | 0:09:09 | |
I'm thinking sponge catapult. No? | 0:09:09 | 0:09:12 | |
Not really. What you're looking at is something as simple as the teacup. | 0:09:12 | 0:09:16 | |
-So this is literally why they're called cupcakes? -Yes. There are two arguments. | 0:09:16 | 0:09:20 | |
One is simply this, they're baked in cups, | 0:09:20 | 0:09:23 | |
and the other is that the recipe often includes cups of things, | 0:09:23 | 0:09:27 | |
so it will often be a cup of sugar, a cup of flour, a cup of butter. | 0:09:27 | 0:09:30 | |
How did servants get their hands on crockery like that? | 0:09:30 | 0:09:32 | |
Like anything, cups go out of fashion, so upstairs they're drinking from tea bowls. | 0:09:32 | 0:09:36 | |
Then they start to get handled cups. | 0:09:36 | 0:09:38 | |
The tea bowls evolved down the household until they reached the kitchen. | 0:09:38 | 0:09:42 | |
The cook may well be drinking tea out of them, | 0:09:42 | 0:09:45 | |
and she looks for something to bake a small cake in, | 0:09:45 | 0:09:48 | |
throws in the mixture, and hey presto! A ready-made mould. | 0:09:48 | 0:09:50 | |
One of the first published cake in a cup recipes | 0:09:50 | 0:09:53 | |
was written by the famous British cook Maria Rundell in 1806. | 0:09:53 | 0:09:58 | |
Her Queen cake contains three cups each of flour, sugar | 0:09:58 | 0:10:02 | |
currants, butter and some very frothy eggs. | 0:10:02 | 0:10:07 | |
I've expended less calories in a fitness DVD than I'm doing now. | 0:10:07 | 0:10:10 | |
I'm presuming that all this exertion is to create | 0:10:10 | 0:10:13 | |
-a lightness of touch that'll be enjoyed upstairs. -Absolutely. | 0:10:13 | 0:10:16 | |
This is the era where what we now know as the fairy cake is really invented, | 0:10:16 | 0:10:19 | |
and it's called a fairy cake precisely because it's so light. | 0:10:19 | 0:10:23 | |
So we're going to mix our well-whisked egg yolks in with our butter. | 0:10:23 | 0:10:26 | |
Now, at what point are aprons invented, because it may be time? | 0:10:26 | 0:10:30 | |
-I think we've got a strong argument to suggest way back in the medieval period. -Let's do it. | 0:10:30 | 0:10:34 | |
Then we're going to mix in our egg whites, | 0:10:34 | 0:10:36 | |
and add in the dry ingredients, folding them in, | 0:10:36 | 0:10:38 | |
so what we end up with is something that's nice and light and airy | 0:10:38 | 0:10:41 | |
and will rise very well because of the whisking. | 0:10:41 | 0:10:43 | |
Then we're going to fill them about two thirds full, | 0:10:43 | 0:10:46 | |
-because they will rise. -Let's bake. | 0:10:46 | 0:10:48 | |
Fairy cakes' popularity really took off as afternoon tea became more fashionable. | 0:10:48 | 0:10:53 | |
This tea house bridge was specially designed for ladies | 0:10:53 | 0:10:57 | |
to enjoy beautiful views and eat lots of small cakes. | 0:10:57 | 0:11:00 | |
Marvellous. | 0:11:00 | 0:11:02 | |
I want to see the results! | 0:11:03 | 0:11:04 | |
They've been in the oven for about 30 minutes. | 0:11:04 | 0:11:07 | |
Look at that. Perfection, though I say so myself. | 0:11:07 | 0:11:09 | |
That is all your beating. | 0:11:09 | 0:11:10 | |
Yes, thank you. Look how light that is! | 0:11:10 | 0:11:13 | |
It's beautiful, curranty, sugary, light, eggy goodness. | 0:11:13 | 0:11:16 | |
So did afternoon tea make these sorts of cakes more popular? | 0:11:16 | 0:11:19 | |
Very much so. Yes. The Georgian period is all about taste and gentility and refinement | 0:11:19 | 0:11:24 | |
and civilisation, and showing ourselves to be one of the most civilised nations on Earth. | 0:11:24 | 0:11:28 | |
So small cakes really are very useful, | 0:11:28 | 0:11:30 | |
both in terms of having something that's the right size | 0:11:30 | 0:11:32 | |
in proportion to the tea cup, but also having something | 0:11:32 | 0:11:35 | |
that isn't going to be unladylike in terms of what you're eating. | 0:11:35 | 0:11:37 | |
So you're saying all this gentility, this refinement, | 0:11:37 | 0:11:39 | |
all created by this shape and this drinking utensil. | 0:11:39 | 0:11:44 | |
-Absolutely. -Cheers. | 0:11:44 | 0:11:45 | |
SUE SLURPS | 0:11:48 | 0:11:49 | |
-That's how they did it, isn't it? -SHE LAUGHS | 0:11:51 | 0:11:54 | |
'One hour to go in the signature cupcake challenge.' | 0:12:01 | 0:12:04 | |
I want them to go brown, but they're not going brown, | 0:12:04 | 0:12:06 | |
and I keep turning it up a little notch. | 0:12:06 | 0:12:09 | |
'Oven timing for cupcakes is critical.' | 0:12:09 | 0:12:12 | |
I'm so scared to leave them in there too long. | 0:12:12 | 0:12:15 | |
'Their small size means the margin for error is tiny.' | 0:12:15 | 0:12:18 | |
It would be a couple of minutes. | 0:12:18 | 0:12:19 | |
'As little as one minute either side of the optimum time can produce | 0:12:19 | 0:12:23 | |
'an underdone, doughy texture or dry them out completely. | 0:12:23 | 0:12:27 | |
'They must also remember to turn them | 0:12:27 | 0:12:29 | |
'to make sure the batch is baked evenly.' | 0:12:29 | 0:12:32 | |
Whoops. Note to self - | 0:12:32 | 0:12:33 | |
don't poke the uncooked cupcake, because it will sink! | 0:12:33 | 0:12:37 | |
If this thing's right, it says they're baked. | 0:12:37 | 0:12:40 | |
Technology wouldn't be wrong, would it? | 0:12:40 | 0:12:42 | |
When you do it at home, it doesn't matter if it doesn't work, you know. | 0:12:42 | 0:12:46 | |
People eat them anyway. | 0:12:46 | 0:12:48 | |
Here, I've got the queen of cooking tasting them, so, you know, | 0:12:48 | 0:12:51 | |
if they don't work out, she's going to say, "What on earth are you doing here? | 0:12:51 | 0:12:55 | |
-"Get lost!". -Liverpudlian and grandmother of three, Janet, | 0:12:55 | 0:12:59 | |
is never without a home-baked cake in her house. | 0:12:59 | 0:13:02 | |
For her signature cupcakes, she's miniaturised her favourite recipe | 0:13:02 | 0:13:05 | |
for fresh raspberries and cream cake. | 0:13:05 | 0:13:08 | |
-Looking very flippety-flop. -They're looking flippety-flop? | 0:13:08 | 0:13:11 | |
-Don't look, please. -It's a bit late for that. Was the batter quite a wet mix? | 0:13:11 | 0:13:15 | |
-It was quite liquid. -Get them out of there as soon as you can, | 0:13:15 | 0:13:18 | |
put them on a cool surface as quickly as possible. | 0:13:18 | 0:13:20 | |
The cool surface will prevent them from dropping, | 0:13:20 | 0:13:22 | |
because you're rapidly cooling off the inside. | 0:13:22 | 0:13:25 | |
Did you add baking powder to these? | 0:13:25 | 0:13:27 | |
-I did. -Sometimes, if you use too much baking powder, | 0:13:27 | 0:13:30 | |
it rises up and then drops down again. | 0:13:30 | 0:13:32 | |
Yeah. Well, it was the recipe. | 0:13:32 | 0:13:34 | |
I don't normally make cupcakes because I normally make just one great big cake for the masses. | 0:13:34 | 0:13:39 | |
Has the pressure got to you? Are you feeling nervous? | 0:13:39 | 0:13:42 | |
Well, I wasn't until these came out! No. | 0:13:42 | 0:13:46 | |
They look great in there. Hope they don't sink at the last minute, like they sometimes do. | 0:13:46 | 0:13:49 | |
Am I ready like Freddy? In a Chevy on the levee, drinking a bevvie... | 0:13:49 | 0:13:55 | |
19-year-old engineering student, Jason, is from Croydon | 0:13:55 | 0:13:58 | |
and is a passionate member of his university's baking society. | 0:13:58 | 0:14:02 | |
He's baking 12 lemon meringue cupcakes and 12 apple and cinnamon cupcakes | 0:14:02 | 0:14:07 | |
with a technically challenging topping that he hopes will impress. | 0:14:07 | 0:14:11 | |
I'm separating my eggs, half for the meringue and half for the creme patissiere. | 0:14:11 | 0:14:15 | |
'A creme patissiere is a cooled custard created by carefully adding beaten eggs, sugar and flour | 0:14:15 | 0:14:21 | |
'to milk infused with fresh vanilla or extract.' | 0:14:21 | 0:14:25 | |
-Ooh, this stuff is potent, boy. -'The mixture must be continuously stirred over a moderate heat. | 0:14:25 | 0:14:30 | |
'This warms the fat, causing the mixture to thicken, | 0:14:30 | 0:14:32 | |
'making it suitable as a filling or topping. | 0:14:32 | 0:14:35 | |
'Too much heat can cook the eggs, creating a lumpy, useless mess.' | 0:14:36 | 0:14:40 | |
Is there a reason why you didn't use vanilla pods? | 0:14:40 | 0:14:43 | |
I've never used them before because none of my family bakes on this level and stuff. | 0:14:43 | 0:14:47 | |
You see it on TV, and they're either expensive or just... | 0:14:47 | 0:14:50 | |
I'm used to vanilla extract, and this has got seeds in it so it has the look. | 0:14:50 | 0:14:53 | |
Are you a bit scared of the judges? | 0:14:55 | 0:14:57 | |
You want to make Mary proud and you want to prove what you can do. | 0:14:57 | 0:15:01 | |
-Is that what the relationship is? -That's what it is. | 0:15:01 | 0:15:03 | |
-So Mary is almost like your mum. -You want her to be proud of you. | 0:15:03 | 0:15:06 | |
-You want her to just... -Yeah, yeah. -..to not be disappointed. | 0:15:06 | 0:15:10 | |
Mary's disappointment is the worst thing, isn't it? | 0:15:10 | 0:15:12 | |
-Oh, yes. -Like a bucket of cold water. | 0:15:12 | 0:15:15 | |
31-year-old graphic designer, Ben, | 0:15:15 | 0:15:16 | |
was taught to bake by his grandmother, | 0:15:16 | 0:15:18 | |
but it's Mary he hopes to impress with his rhubarb and custard and "After Dinner" cupcakes. | 0:15:18 | 0:15:24 | |
I've got one lot done and ready to go. | 0:15:24 | 0:15:26 | |
I'm just waiting to do the ganache on top of the mint ones | 0:15:26 | 0:15:29 | |
and I've probably got about 20 minutes to spare, hopefully. | 0:15:29 | 0:15:32 | |
Lady bakers and gent bakers, you've got 15 minutes left. | 0:15:35 | 0:15:39 | |
I've never iced this fast before. | 0:15:40 | 0:15:43 | |
I'm just making a butter cream, so I'll give it another little whizz | 0:15:43 | 0:15:47 | |
and then start adding a huge amount of icing sugar to it. | 0:15:47 | 0:15:50 | |
And some booze. | 0:15:50 | 0:15:51 | |
'But alcohol is just the beginning of Simon's final presentation.' | 0:15:52 | 0:15:55 | |
-What is this? -This is my cake stand. -So how does it work? | 0:15:55 | 0:16:00 | |
Each one just sits on its own lolly stick? | 0:16:00 | 0:16:02 | |
No, they get pierced - cut in the bottom and then pushed on. | 0:16:02 | 0:16:04 | |
The cupcakes will be iced and look like a bowl of flowers | 0:16:04 | 0:16:07 | |
and then I'll put rose leaves in between. | 0:16:07 | 0:16:10 | |
-Like that. -Yes! -I'm never going to live this down at the rugby club! | 0:16:10 | 0:16:13 | |
Rob, what gives? Oh, it's a dejected Rob! | 0:16:13 | 0:16:17 | |
-It is a dejected Rob. -No! Why a dejected Rob? | 0:16:17 | 0:16:19 | |
They didn't go right. These ones didn't rise, they just flopped out. | 0:16:19 | 0:16:22 | |
You're basically trimming off the excess round the sides. | 0:16:22 | 0:16:25 | |
They don't look anywhere near as good as I thought they would. | 0:16:25 | 0:16:27 | |
That's because you're a perfectionist. The beauty is not only in the eye of the beholder, | 0:16:27 | 0:16:31 | |
but also in the digestive tract of the beholder, so... | 0:16:31 | 0:16:34 | |
'Rob isn't the only baker facing presentation issues.' | 0:16:34 | 0:16:38 | |
I don't know how this is working. | 0:16:38 | 0:16:39 | |
'Urvashi was hoping to create piped chocolate chop sticks.' | 0:16:39 | 0:16:43 | |
It seems to be clogged up. | 0:16:43 | 0:16:45 | |
It might have been because I let the chocolate go too cold, | 0:16:45 | 0:16:47 | |
so I'm going to start again. | 0:16:47 | 0:16:49 | |
I think it is a little bit of the nerves playing up. | 0:16:49 | 0:16:52 | |
Normally, baking is my calm, relaxing, quiet time, distressing activity. | 0:16:52 | 0:16:56 | |
Not wanting to stress anyone out remotely, | 0:16:56 | 0:16:58 | |
but you do have ten minutes left, bakers. | 0:16:58 | 0:17:01 | |
Are you winning? | 0:17:09 | 0:17:10 | |
-Hope so. -I'm fascinated now to see how it's going to turn out. | 0:17:10 | 0:17:14 | |
Some of these people are getting into too much technical detail, trying to get too many flavours in. | 0:17:14 | 0:17:19 | |
Simple is often the best way. | 0:17:19 | 0:17:21 | |
The moment those cakes come out of the oven, they're either all right or they're not, | 0:17:21 | 0:17:24 | |
and they've got to make the most of them. This is what happens in baking. | 0:17:24 | 0:17:28 | |
Oh, look at that. Oh. Magnificent! | 0:17:28 | 0:17:30 | |
The problem is, the cupcake is not just the sponge, | 0:17:30 | 0:17:33 | |
but you can either mess it up or make it even more beautiful with the topping that you put on. | 0:17:33 | 0:17:37 | |
-Ah! -Oh, hang on, hang on. | 0:17:40 | 0:17:42 | |
Got to love them. | 0:18:06 | 0:18:08 | |
OK, that's time up. Put away your piping bags. | 0:18:08 | 0:18:11 | |
Step away from the royal icing. It's judging time. | 0:18:11 | 0:18:15 | |
(Yes! Ah, ah, ah.) | 0:18:15 | 0:18:16 | |
These bakers are more accustomed to having their baking judged by their friends and family | 0:18:25 | 0:18:31 | |
than two of the country's leading professionals. | 0:18:31 | 0:18:34 | |
-Hello, Jo. -Hi, there, hi. | 0:18:34 | 0:18:36 | |
Don't they just look pretty? | 0:18:36 | 0:18:38 | |
We're always looking for this sort of, "gosh!" factor. | 0:18:39 | 0:18:43 | |
And that is just so inviting, isn't it? | 0:18:43 | 0:18:45 | |
-You'd be proud to put them in any shop to sell them. -Thank you. | 0:18:45 | 0:18:48 | |
-There you are. -Beautiful. -It does look good. | 0:18:48 | 0:18:50 | |
I made a drizzle with granulated sugar and some orange juice | 0:18:50 | 0:18:54 | |
so hopefully you should get a bit of that running through. | 0:18:54 | 0:18:56 | |
That is delicious. The orange lightens things up. | 0:18:56 | 0:18:59 | |
-Yeah. -You've got two great bakes. | 0:18:59 | 0:19:01 | |
The topping, the flavours, the appearance, sublime. | 0:19:01 | 0:19:04 | |
-Oh, thank you so much. -It is very, very, very good. | 0:19:04 | 0:19:07 | |
I don't think I've ever heard him say that word on this show. | 0:19:07 | 0:19:10 | |
-And I'm about to take his temperature. -Yes! | 0:19:10 | 0:19:13 | |
It's a mess. | 0:19:18 | 0:19:19 | |
-The meringue and the...? -And the apple, yeah. | 0:19:19 | 0:19:21 | |
It hasn't worked. | 0:19:21 | 0:19:23 | |
-The taste without the meringue is delicious. -Thank you. | 0:19:23 | 0:19:27 | |
The apple and cinnamon just really beautifully balanced. | 0:19:27 | 0:19:30 | |
But what a shame that top didn't have a bit more of a finesse. | 0:19:30 | 0:19:34 | |
Lovely flavour, but then we come to the top. | 0:19:36 | 0:19:39 | |
Forgive me being rude, but it looks a bit like a stuffed olive. | 0:19:39 | 0:19:42 | |
Or an eyeball, perhaps. | 0:19:42 | 0:19:44 | |
I think this one, delicious. It's so fresh. | 0:19:44 | 0:19:48 | |
-It is. -The fruit going through it really lifts it up. | 0:19:48 | 0:19:51 | |
I think, visually, they look amazing. | 0:19:51 | 0:19:53 | |
It's very doughy. It's sticking to the roof of my mouth. | 0:19:56 | 0:20:00 | |
This is a nice finish. | 0:20:03 | 0:20:04 | |
-I think they look stunning. -Your piping is perfect. | 0:20:04 | 0:20:08 | |
With a cupcake, so often there's so much on top. | 0:20:08 | 0:20:10 | |
All that icing, so sickly. | 0:20:10 | 0:20:12 | |
-There's nothing sickly about this at all. -No. | 0:20:12 | 0:20:14 | |
Now, that's rather clever. That's the raspberry jam in the middle. | 0:20:14 | 0:20:17 | |
A nice light sponge round the outside. | 0:20:17 | 0:20:20 | |
-It's delicious, absolutely delicious. -Thank you. | 0:20:20 | 0:20:24 | |
-Different. -It's a bouquet. | 0:20:26 | 0:20:28 | |
-It is. -It's a bouquet of cupcakes. -Thought I'd give it a go. | 0:20:28 | 0:20:32 | |
I don't... | 0:20:33 | 0:20:34 | |
-..I don't like it. -I don't like it. It is quite heavy. | 0:20:36 | 0:20:40 | |
-Heavy flavour, not heavy texture. -OK, yeah. | 0:20:40 | 0:20:44 | |
Guinness, use one, chocolate, use another, | 0:20:44 | 0:20:46 | |
chocolate and Guinness, you're in a hiding for nothing. | 0:20:46 | 0:20:49 | |
-Think about your flavour combinations in future. -OK. -(Just going to take this one...) | 0:20:49 | 0:20:55 | |
I think the banoffee pie is delicious. | 0:20:58 | 0:21:01 | |
You've got lots of flavours going on. | 0:21:01 | 0:21:02 | |
A very clever idea to have the crumb crust. | 0:21:02 | 0:21:05 | |
It's sad, it's a bit of a disaster, really, isn't it? | 0:21:08 | 0:21:10 | |
-It is, yes, afraid so. -They went down in the middle when they were in the oven. | 0:21:10 | 0:21:14 | |
The flavour is not very distinctive, the lemon icing needs more lemon. | 0:21:14 | 0:21:19 | |
The taste of the lemon is very, very good. | 0:21:19 | 0:21:21 | |
Appearance-wise, too simple. | 0:21:21 | 0:21:23 | |
If you take all the fruit away | 0:21:23 | 0:21:25 | |
and leave one of those on their own. | 0:21:25 | 0:21:27 | |
Also, you must be able to eat the decoration, | 0:21:27 | 0:21:30 | |
-and I'm not sure whether you should eat orchids. -No. | 0:21:30 | 0:21:33 | |
These should be boozy, shouldn't they? If I remember rightly. | 0:21:35 | 0:21:38 | |
They will probably be a bit boozy. | 0:21:38 | 0:21:40 | |
The liquorice very much comes through, and the Pernod. | 0:21:42 | 0:21:45 | |
It's a very unusual combination and, like Marmite, | 0:21:45 | 0:21:49 | |
-you'll either like it or loathe it. -I'm in the camp, I hate it. | 0:21:49 | 0:21:53 | |
-Paul hates it. -I really... | 0:21:53 | 0:21:54 | |
I thought one of you would be in the camp. | 0:21:54 | 0:21:56 | |
-To be honest with you, it's disgusting. -Paul! | 0:21:56 | 0:21:59 | |
It's sitting in my mouth. It's bitter on my tongue. | 0:21:59 | 0:22:02 | |
-The icing tastes OK, but you need to practise with your icing guide. -Yeah. | 0:22:02 | 0:22:06 | |
I could've dropped that in from a five-foot height and ended up with that finish. | 0:22:06 | 0:22:10 | |
-Must try harder. -Noted. | 0:22:10 | 0:22:12 | |
-I'm a fan of the Pernod, Rob. -Thanks. | 0:22:12 | 0:22:14 | |
Looks nice sponge inside, and light. | 0:22:18 | 0:22:21 | |
It's lovely and sharp and what goes better with rhubarb than cream? | 0:22:23 | 0:22:28 | |
Two great bakes, and the flavours are so delicate. | 0:22:28 | 0:22:31 | |
You've got lovely tart rhubarb, you've got the mint coming through, and it's very, very, very good. | 0:22:31 | 0:22:36 | |
Ben, Holly and Jo have already staked their claim to become this week's star baker. | 0:22:37 | 0:22:42 | |
But Rob, Janet and Simon must improve to avoid an early exit | 0:22:42 | 0:22:47 | |
from the Great British Bake Off. | 0:22:47 | 0:22:49 | |
I think it was a risk doing what I did, but it wouldn't have | 0:22:49 | 0:22:52 | |
been my baking, or my style of baking, if I'd played safe. | 0:22:52 | 0:22:56 | |
I'm feeling a little bit more confident but, you know, | 0:22:56 | 0:22:59 | |
I don't want to get ahead of myself. | 0:22:59 | 0:23:01 | |
Their expectations are obviously higher than my friends' and my family! | 0:23:01 | 0:23:06 | |
After the individual flare of the signature bake, | 0:23:09 | 0:23:13 | |
the second challenge is a controlled technical bake, | 0:23:13 | 0:23:16 | |
allowing the judges to directly compare the bakers' ability. | 0:23:16 | 0:23:20 | |
Coming up now is possibly the moment that you've been dreading. | 0:23:20 | 0:23:24 | |
It's our first technical challenge of the series. | 0:23:24 | 0:23:27 | |
Now, this challenge is performed blind, which means we're going to ask the judges to leave. | 0:23:27 | 0:23:32 | |
Paul and Mary, you cannot see who is baking what. | 0:23:32 | 0:23:35 | |
The technical bake is a controlled test of both your intuition | 0:23:36 | 0:23:40 | |
and your ability. | 0:23:40 | 0:23:41 | |
You are going to be baking something you have no idea about, | 0:23:41 | 0:23:44 | |
and what you are going to be creating | 0:23:44 | 0:23:46 | |
is the bete noire of bakers - | 0:23:46 | 0:23:48 | |
it's a Battenberg cake. | 0:23:48 | 0:23:50 | |
Not just any old Battenberg cake, but a coffee and walnut Battenberg cake. | 0:23:50 | 0:23:56 | |
The judges are going to be looking for the perfect sponge | 0:23:56 | 0:23:59 | |
which holds its form, perfect symmetry, distinctive flavours | 0:23:59 | 0:24:03 | |
and also a very lovely smooth exterior. | 0:24:03 | 0:24:06 | |
And as if the pressure was not intense enough already, bakers, | 0:24:06 | 0:24:09 | |
you are going to be working to one of Mary Berry's - | 0:24:09 | 0:24:13 | |
that's Queen Mary Berry's - own recipes. | 0:24:13 | 0:24:15 | |
So, with that in mind, on your marks, get set, bake. | 0:24:15 | 0:24:20 | |
All the bakers have been given the same recipe. | 0:24:22 | 0:24:25 | |
It contains a full list of ingredients and measurements and a basic method. | 0:24:25 | 0:24:29 | |
Some details are missing and it's down to the bakers' instinct | 0:24:29 | 0:24:33 | |
and experience to deliver a Battenberg worthy of Mary Berry's classic interpretation. | 0:24:33 | 0:24:38 | |
OK, Mary, can I reveal... | 0:24:38 | 0:24:40 | |
-Come on. -..your gorgeous Battenberg? | 0:24:40 | 0:24:43 | |
-That looks lovely. -Right, there it is, in all its glory | 0:24:43 | 0:24:46 | |
The history of this most famous of British cakes | 0:24:48 | 0:24:51 | |
began on the Isle of Wight in the 19th century | 0:24:51 | 0:24:54 | |
at Osborne House, the private residence of Queen Victoria. | 0:24:54 | 0:24:56 | |
Queen Victoria's favourite granddaughter, Princess Victoria, | 0:24:58 | 0:25:01 | |
fell in love with her first cousin once removed, | 0:25:01 | 0:25:04 | |
Prince Louis of Battenberg. They'd known each other since children. | 0:25:04 | 0:25:07 | |
As they grew older, they became increasingly devoted | 0:25:07 | 0:25:10 | |
to each other, and it was at Osborne House where the romance flourished. | 0:25:10 | 0:25:14 | |
When the engagement was announced, in early 1884, | 0:25:14 | 0:25:17 | |
the bakers of London decided to make a celebration cake | 0:25:17 | 0:25:21 | |
for the wedding, and it would be a Battenberg cake. | 0:25:21 | 0:25:23 | |
The Battenberg elevated British cake-making to new heights. | 0:25:23 | 0:25:27 | |
Layered with rich sponge, sugary jam and marzipan, | 0:25:27 | 0:25:31 | |
the cake was packed with flavour and sported a new design. | 0:25:31 | 0:25:35 | |
The most startling feature about Battenberg is always the colours, | 0:25:35 | 0:25:39 | |
and it was thought to be to reflect the romance of the wedding, | 0:25:39 | 0:25:41 | |
the pink, the pastel, the pale yellows. There were four squares, | 0:25:41 | 0:25:45 | |
each to honour one of the Battenberg princes - | 0:25:45 | 0:25:47 | |
Prince Alexander, Prince Francis Joseph, Prince Henry | 0:25:47 | 0:25:51 | |
and, of course, Prince Louis. | 0:25:51 | 0:25:52 | |
It's most likely that, if this cake was created in London, it was created in Whitechapel. | 0:25:52 | 0:25:57 | |
Most of the bakers in Whitechapel were German anyway, | 0:25:57 | 0:25:59 | |
so it's quite funny because we've taken the credit for this cake being a British cake, | 0:25:59 | 0:26:03 | |
but actually it was most likely created by a German baker for a German prince. | 0:26:03 | 0:26:08 | |
The Battenberg cake's link to the British monarchy is as strong today as when it was first created. | 0:26:08 | 0:26:13 | |
In 1947, our Queen Elizabeth II was married to her Prince Philip, | 0:26:13 | 0:26:18 | |
who just happens to be a direct descendant of the Battenberg family. | 0:26:18 | 0:26:22 | |
But can these 12 amateur bakers do justice to 125 years | 0:26:26 | 0:26:30 | |
of British baking history in just two hours? | 0:26:30 | 0:26:34 | |
I've never made a Battenberg before, no. | 0:26:34 | 0:26:36 | |
I have made a coffee and walnut cake before, | 0:26:36 | 0:26:39 | |
but I don't like coffee so I don't know how it was. It looked good. | 0:26:39 | 0:26:42 | |
I know what it is because Dot in EastEnders likes to make them for Jim. | 0:26:42 | 0:26:46 | |
The bakers have been given just one tin to bake both the vanilla | 0:26:47 | 0:26:50 | |
-and the coffee and walnut sponges. -I'm going to have to just hope. | 0:26:50 | 0:26:54 | |
It must be perfectly lined to bake two identical sponges simultaneously. | 0:26:54 | 0:26:59 | |
"Put the paper in half with the fold on the inner side. | 0:26:59 | 0:27:03 | |
"Open up the paper and push up the centre fold to make a 4cm pleat." | 0:27:03 | 0:27:07 | |
That's not going to work. | 0:27:07 | 0:27:10 | |
It's completely new territory for me. Not used to all this origami effort. | 0:27:10 | 0:27:14 | |
31-year-old Keith lives in Bedfordshire | 0:27:14 | 0:27:17 | |
and began baking after deciding to leave his job in the City to become | 0:27:17 | 0:27:21 | |
a full-time house husband and stay-at-home dad to his baby son, Alfie. | 0:27:21 | 0:27:25 | |
-Battenberg, Keith. Are you familiar? -Nervous. | 0:27:25 | 0:27:28 | |
-Are you familiar? -I haven't got a clue. I feel like Arsene Wenger! | 0:27:28 | 0:27:31 | |
It's like one game at a time, working my way through. | 0:27:31 | 0:27:33 | |
Do you know why you shouldn't think like him? | 0:27:33 | 0:27:35 | |
You'll end up second or third in this contest! You won't win. | 0:27:35 | 0:27:39 | |
To create the basic Battenberg sponge, | 0:27:42 | 0:27:44 | |
the bakers have to combine butter, sugar, eggs and flour. | 0:27:44 | 0:27:48 | |
The tin was the most problematic, I think. | 0:27:48 | 0:27:50 | |
The cake should be OK. | 0:27:50 | 0:27:51 | |
Over-mixing will trap too much air in the mixture... | 0:27:51 | 0:27:55 | |
..air that will expand too much in the oven, | 0:27:55 | 0:27:58 | |
only to contract as it cools, causing the cake to sink, | 0:27:58 | 0:28:01 | |
making a symmetrical finish impossible. | 0:28:01 | 0:28:03 | |
Worried that it won't give me enough rise, but I'll see what happens. | 0:28:03 | 0:28:06 | |
To create the distinctive chequerboard design, | 0:28:06 | 0:28:09 | |
one half of the mixture must be coloured and flavoured with coffee. | 0:28:09 | 0:28:14 | |
I like experimenting and making my own recipes, | 0:28:14 | 0:28:17 | |
but I would much rather follow a Mary Berry recipe. | 0:28:17 | 0:28:20 | |
I'm good at following recipes, I think. | 0:28:20 | 0:28:22 | |
45-year-old Mary-Anne lives with her husband, Robert, | 0:28:22 | 0:28:26 | |
and daughter, Sasha, in Kidderminster. | 0:28:26 | 0:28:28 | |
She's represented Wales in women's rugby, | 0:28:28 | 0:28:30 | |
and has now brought all of her competitive spirit to baking. | 0:28:30 | 0:28:34 | |
I think I should go in search of more coffee. | 0:28:34 | 0:28:36 | |
It's not a very definite taste, so... | 0:28:36 | 0:28:39 | |
There's something very '70s about that taste. | 0:28:42 | 0:28:44 | |
It's a mild coffee flavour, which think that suits the Battenberg vibe. | 0:28:44 | 0:28:49 | |
-I shall let it sit and see if it develops a bit. -OK. | 0:28:49 | 0:28:52 | |
-That was very cheffy, wasn't it? "Develops a bit." -Exactly! | 0:28:52 | 0:28:55 | |
I put all the coffee in the cake instead of half in the cake and half for the icing, so I don't know. | 0:28:56 | 0:29:01 | |
It'll probably have a stronger flavour, but the judges wanted strong flavour | 0:29:01 | 0:29:04 | |
-so I'm sure they'll like it. -With weighing and mixing complete, | 0:29:04 | 0:29:08 | |
the bakers now need to plan how long their sponges need to bake for. | 0:29:08 | 0:29:12 | |
But also allow enough time for cooling and decoration. | 0:29:16 | 0:29:20 | |
I think having a military background does help to some extent, | 0:29:21 | 0:29:24 | |
following specific things to do. | 0:29:24 | 0:29:26 | |
It does make up for the fact that I'm a man, and multi-tasking is a nightmare. | 0:29:26 | 0:29:29 | |
I nearly had a stroke when I heard it was Battenberg. | 0:29:35 | 0:29:38 | |
I've always wanted to make a Battenberg, | 0:29:38 | 0:29:41 | |
and I thought what a good time to try! | 0:29:41 | 0:29:43 | |
So, under pressure while being filmed. | 0:29:43 | 0:29:45 | |
When he isn't baking, 40-year-old Ian works as a fund-raiser | 0:29:45 | 0:29:49 | |
for the Royal Academy of Arts. | 0:29:49 | 0:29:50 | |
He lives in Dunstable with his partner, Stefan, and their Cocker Spaniel, Monty. | 0:29:50 | 0:29:54 | |
He's been baking since he was a boy | 0:29:54 | 0:29:57 | |
when he realised that his mum couldn't. | 0:29:57 | 0:29:59 | |
-It's an anti-stress thing, this, isn't it? -It is. -I'll join you. | 0:29:59 | 0:30:02 | |
Even if I don't use them, I'm doing something with the time. | 0:30:02 | 0:30:05 | |
Do you feel the pressure's on because you're doing one of Mary's recipes? | 0:30:05 | 0:30:08 | |
Oh, God, yeah. You can't prepare. What would you do, | 0:30:08 | 0:30:11 | |
-go through every one of Mary's books and practise everything? -No. | 0:30:11 | 0:30:14 | |
Please work. | 0:30:24 | 0:30:25 | |
As long as mine don't sink down... Yeah, boy! | 0:30:28 | 0:30:32 | |
-Otherwise I'm out of here. -Little bit disappointed, actually. | 0:30:32 | 0:30:35 | |
My foil's curled over, so it's split away from the side. | 0:30:35 | 0:30:39 | |
Hopefully I'll be able to rescue that with some marzipan. | 0:30:39 | 0:30:41 | |
I'm actually quite happy with that. | 0:30:41 | 0:30:43 | |
It'll be fine. | 0:30:43 | 0:30:45 | |
I need to let the cakes chill. They have to be cold before I put this on. | 0:30:47 | 0:30:50 | |
The Battenbergs must be finished with a precisely measured amount of coffee butter cream. | 0:30:50 | 0:30:55 | |
Bingo jingo. | 0:30:55 | 0:30:56 | |
It bonds the four sponge sections together | 0:30:56 | 0:31:00 | |
and ensures that the marzipan stays stuck to the side of the cake. | 0:31:00 | 0:31:03 | |
-I don't like Battenberg. -Really? Why not? | 0:31:03 | 0:31:06 | |
-It's got marzipan on it. -Do you not like it? | 0:31:06 | 0:31:08 | |
I've never made one, I've never eaten one. | 0:31:08 | 0:31:10 | |
43-year-old housewife and WI member Yasmin lives in the Wirral | 0:31:10 | 0:31:15 | |
with her husband and three children. When she's not baking, she spends her time learning new hobbies, | 0:31:15 | 0:31:20 | |
including photography and burlesque dancing. | 0:31:20 | 0:31:23 | |
It's interesting that you're cooking something you don't like. | 0:31:25 | 0:31:27 | |
Maybe that's a good thing because it gives you a bit of distance from it. | 0:31:27 | 0:31:31 | |
You won't be emotionally tied up with it. | 0:31:31 | 0:31:33 | |
-I can be like one of my children and just pick the outside off. -Yes! | 0:31:33 | 0:31:36 | |
OK, that's 15 minutes, everyone. | 0:31:36 | 0:31:39 | |
You should think about getting that marzipan on. | 0:31:39 | 0:31:42 | |
The Berry is coming. | 0:31:42 | 0:31:43 | |
It's going to be cut in two, into kind of long square shapes. | 0:31:47 | 0:31:50 | |
Not as perfect as I'd want them to be. That one's really not good. | 0:31:52 | 0:31:55 | |
You do one and one, and the alternate one, don't you? | 0:31:55 | 0:31:58 | |
It's quite difficult to get the butter cream on because the cake keeps crumbling. | 0:31:58 | 0:32:02 | |
It's a bit like brick-laying. | 0:32:02 | 0:32:05 | |
I'm using cling-wrap here | 0:32:11 | 0:32:12 | |
-because I didn't want the marzipan to stick to the roller. -No, that didn't work. | 0:32:12 | 0:32:17 | |
I'm using these two wooden handles to try | 0:32:17 | 0:32:20 | |
and get the marzipan an even width. | 0:32:20 | 0:32:22 | |
The moment of truth. | 0:32:37 | 0:32:39 | |
With some judicious encouragement, it can be persuaded to wrap round. | 0:32:47 | 0:32:51 | |
Rubbish. | 0:32:54 | 0:32:55 | |
Is it going to match?! | 0:32:56 | 0:32:58 | |
That'll be at the bottom, so they won't see that! | 0:32:58 | 0:33:01 | |
No, start again. | 0:33:03 | 0:33:04 | |
Stupid. | 0:33:05 | 0:33:06 | |
I'm hoping that it's all going to stay together. | 0:33:15 | 0:33:19 | |
Much better. | 0:33:19 | 0:33:20 | |
OK! That's time up. | 0:33:33 | 0:33:35 | |
So if you'd like to bring your Battenberg booty here, | 0:33:35 | 0:33:37 | |
put it just behind the picture of yourself. | 0:33:37 | 0:33:40 | |
The judging for the technical bake is unique. | 0:33:41 | 0:33:44 | |
Paul and Mary will have no idea whose cake is whose. | 0:33:44 | 0:33:48 | |
Well...what an array of Battenbergs. | 0:33:49 | 0:33:51 | |
The strict rules of the technical bake are about to reveal | 0:33:51 | 0:33:54 | |
who has a future in the Bake Off and who will have | 0:33:54 | 0:33:57 | |
to up their game in the final challenge. | 0:33:57 | 0:34:00 | |
So, over to the first one. | 0:34:00 | 0:34:01 | |
-This is interesting. -Well... | 0:34:01 | 0:34:04 | |
-Where's the butter cream? -It seems to have disappeared at the end. | 0:34:04 | 0:34:08 | |
It didn't rise enough, and if it had risen just a little bit more, | 0:34:08 | 0:34:11 | |
-we would have a taller, squarer cake. -It's flatter. | 0:34:11 | 0:34:14 | |
-You can't see what the Battenberg is. -The whole idea of a Battenberg | 0:34:14 | 0:34:18 | |
-is to be able to see that chequerboard at the end. -Oh, dear. | 0:34:18 | 0:34:21 | |
The marzipan is rather too thick. | 0:34:21 | 0:34:24 | |
-It's very yellow, this one, isn't it? -It would be the egg yolks. | 0:34:24 | 0:34:29 | |
It's a good flavour. It's slightly drier than the others. | 0:34:29 | 0:34:32 | |
It is slightly drier. This is dinky. | 0:34:32 | 0:34:34 | |
And it's been really well pressed into shape. | 0:34:34 | 0:34:36 | |
-It looks very neat... -It looks very pretty. -..and businesslike. | 0:34:36 | 0:34:39 | |
Now, this one is absolutely massive! | 0:34:39 | 0:34:42 | |
It's rather difficult to believe that you all had the same recipe. | 0:34:42 | 0:34:47 | |
Somebody's been beating very hard. | 0:34:47 | 0:34:49 | |
-There's hardly any butter cream at all. -It's neat. | 0:34:49 | 0:34:52 | |
-There's butter cream in there. -This person has followed | 0:34:52 | 0:34:56 | |
the recipe exactly. | 0:34:56 | 0:34:57 | |
This one, again, has been totally encased. | 0:34:57 | 0:35:01 | |
This looks a very neat, tidy person, well trimmed. | 0:35:01 | 0:35:04 | |
This is another rectangular one. | 0:35:04 | 0:35:06 | |
No butter cream round the outside again. | 0:35:06 | 0:35:09 | |
As you can see here, it's a generous amount. | 0:35:09 | 0:35:12 | |
It's sticking the squares together, but none left for the outside. | 0:35:12 | 0:35:15 | |
It's very strong coffee. | 0:35:15 | 0:35:18 | |
It's very strong coffee. Marzipan's very neat. | 0:35:18 | 0:35:21 | |
This has been well trimmed. It looks perfection. | 0:35:21 | 0:35:26 | |
-It's good flavour, good bake. -A very good execution. | 0:35:26 | 0:35:29 | |
And finally, the last one. | 0:35:29 | 0:35:31 | |
It's a little uneven, | 0:35:31 | 0:35:33 | |
the marzipan round the outside, but it is beautifully thin. | 0:35:33 | 0:35:37 | |
-Now we have to decide. -We do. | 0:35:38 | 0:35:39 | |
Paul and Mary must now rank all of the Battenbergs | 0:35:41 | 0:35:43 | |
from the worst to the best. | 0:35:43 | 0:35:46 | |
The bakers' position in this challenge could prove crucial | 0:35:48 | 0:35:51 | |
to their chance of staying in the competition. | 0:35:51 | 0:35:55 | |
Our decision has been made, and in 12th place | 0:35:56 | 0:35:59 | |
is this one. Whose is this? | 0:35:59 | 0:36:01 | |
It needed cutting into a square, not a rectangle, | 0:36:01 | 0:36:05 | |
needed a lot more butter cream on the inside. | 0:36:05 | 0:36:07 | |
And the next one is... | 0:36:07 | 0:36:09 | |
It's me, unfortunately. | 0:36:10 | 0:36:13 | |
Rather too much marzipan. | 0:36:13 | 0:36:15 | |
10th place is this one. | 0:36:15 | 0:36:16 | |
-Whose is that? -And who is this one here? | 0:36:16 | 0:36:19 | |
Marzipan is not stuck down at all. | 0:36:19 | 0:36:22 | |
-In fact, it's flying in the wind. -And in 8th place is this person. | 0:36:22 | 0:36:25 | |
Janet, it needed more butter cream round the outside. | 0:36:25 | 0:36:30 | |
Again, it's rectangular and we wanted it square. | 0:36:30 | 0:36:32 | |
Urvashi, Jason, Yasmin and Mary-Anne have all done enough | 0:36:32 | 0:36:36 | |
to keep themselves out of danger. | 0:36:36 | 0:36:38 | |
Now we're coming to the proper shaped ones. | 0:36:38 | 0:36:40 | |
This one has achieved the right shape, | 0:36:40 | 0:36:43 | |
and it certainly had the right flavour. Well done. | 0:36:43 | 0:36:47 | |
Number two is this one. Well done. | 0:36:47 | 0:36:49 | |
And who has this one here? | 0:36:49 | 0:36:51 | |
-This is a masterpiece. -Well done, Holly. -APPLAUSE | 0:36:52 | 0:36:56 | |
I'm feeling very smiley, tired but very, very smiley and happy, | 0:37:00 | 0:37:04 | |
and relieved. | 0:37:04 | 0:37:06 | |
I'm feeling elated, compared to last time. | 0:37:06 | 0:37:10 | |
Top three, I didn't even think I'd do that, but brilliant. | 0:37:10 | 0:37:13 | |
-So buzzing. -I'm still quite optimistic, you know. | 0:37:13 | 0:37:16 | |
I still feel that, you know, not all is lost. | 0:37:16 | 0:37:20 | |
Tomorrow, my biggest focus, I think, is going to be praying | 0:37:20 | 0:37:24 | |
that Lady Luck's on my side and that something goes well for me. | 0:37:24 | 0:37:27 | |
I might even be relying on a bit luck that something went bad for someone else. | 0:37:27 | 0:37:31 | |
Just one more challenge remains in this week's Bake Off, | 0:37:37 | 0:37:41 | |
a final chance for the bakers to convince Paul and Mary | 0:37:41 | 0:37:44 | |
that they have what it takes to remain in the competition. | 0:37:44 | 0:37:47 | |
I thought Holly really did wonders. | 0:37:47 | 0:37:49 | |
She was top of the class, both times. | 0:37:49 | 0:37:52 | |
Joanne, her cupcakes were so professional. | 0:37:52 | 0:37:54 | |
She then fell flat on her face with the Battenberg. | 0:37:54 | 0:37:57 | |
-She had a terrible one, didn't she? -Keith didn't do very well. | 0:37:57 | 0:38:01 | |
He came bottom in the Battenberg and he wasn't too good in the cupcakes. | 0:38:01 | 0:38:04 | |
Janet didn't impress you with the cupcakes. | 0:38:04 | 0:38:07 | |
-They weren't done, they sunk. -She's already said to us big cakes are her forte. | 0:38:07 | 0:38:10 | |
And also Rob, with the liquorice cupcakes. | 0:38:10 | 0:38:13 | |
-The liquorice didn't work. -It didn't go down very well with either of you. -No. | 0:38:13 | 0:38:16 | |
Then on the Battenberg he was in the top quarter! | 0:38:16 | 0:38:18 | |
-He did well, but that showed his skill. -Simon's Guinness thing didn't work on any level, | 0:38:18 | 0:38:22 | |
and he was also in the bottom third of the Battenbergs. | 0:38:22 | 0:38:25 | |
It'll be interesting to see who raises their game and who buckles. | 0:38:25 | 0:38:28 | |
Good morning, bakers. | 0:38:32 | 0:38:34 | |
Now, we have the Showstopper Challenge - | 0:38:34 | 0:38:37 | |
jazz hands are not mandatory - where you're going to be creating a tiered celebration cake. | 0:38:37 | 0:38:41 | |
The judges are looking for brilliant ideas, | 0:38:41 | 0:38:43 | |
elaborate multi-layered designs and, most important of all, | 0:38:43 | 0:38:47 | |
it's got to taste as good as it looks. | 0:38:47 | 0:38:49 | |
-So, what for one of you will be final time, on your marks, get set. -Bake! | 0:38:49 | 0:38:55 | |
The Showstopper Challenge is the ultimate test | 0:38:56 | 0:38:59 | |
of ingenuity and creativity under immense time pressure. | 0:38:59 | 0:39:03 | |
Not only have they got to make two or three cakes baked to perfection... | 0:39:03 | 0:39:07 | |
..they've got to go beyond anything they've done before. | 0:39:07 | 0:39:09 | |
They've got to decorate it, a sugar paste, a fondant, a ganache. | 0:39:09 | 0:39:13 | |
We're looking for a really high standard. | 0:39:13 | 0:39:16 | |
Then they've got to think of the finesse, | 0:39:16 | 0:39:19 | |
the little bits to make that cake go, "Wow, that is amazing." | 0:39:19 | 0:39:22 | |
The cakes must be baked, cooled, stacked and fully decorated | 0:39:22 | 0:39:26 | |
in just five hours. | 0:39:26 | 0:39:28 | |
Today's more of a fun day for me. | 0:39:28 | 0:39:30 | |
I've done the cake a lot of times, I enjoy working with chocolate. | 0:39:30 | 0:39:34 | |
I'll be more relaxed, should be a different me! | 0:39:34 | 0:39:37 | |
Rob needs to impress with his two-tiered chocolate showstopper, | 0:39:37 | 0:39:41 | |
filled with fresh chocolate mousse, covered in a dark chocolate ganache, | 0:39:41 | 0:39:46 | |
and finished with a cracked tempered chocolate decoration. | 0:39:46 | 0:39:49 | |
'I'm doing a Genoise sponge and you add butter in the end.' | 0:39:49 | 0:39:53 | |
'A Genoise is a technically daunting variation on a standard sponge cake | 0:39:53 | 0:39:57 | |
'that forms the basis for most French patisserie. | 0:39:57 | 0:40:00 | |
'It contains no raising agents and the cake gets its rise and unique | 0:40:00 | 0:40:04 | |
'texture through heating the eggs and sugar over a moderate heat | 0:40:04 | 0:40:08 | |
'and then whisking them until enough air has been trapped to triple the batter's volume. | 0:40:08 | 0:40:13 | |
'This then has to be slowly folded into flour.' | 0:40:13 | 0:40:16 | |
I'm worried about the chocolate, | 0:40:16 | 0:40:18 | |
-I don't know how it will turn out, but... -I'm worried that bowl isn't big enough. | 0:40:18 | 0:40:21 | |
-Yeah, I've never done with this amount of mixture before. -Yeah, I guessed, I guessed. | 0:40:21 | 0:40:27 | |
'All the bakers have to produce at least two perfectly baked sponges. | 0:40:27 | 0:40:31 | |
'Mary-Anne has set herself an even tougher challenge.' | 0:40:31 | 0:40:33 | |
It's a cake of many layers. Rather than bake one big cake and then slice it into layers, | 0:40:33 | 0:40:40 | |
I'm making very thin layers and assembling them into a cake. | 0:40:40 | 0:40:43 | |
She's attempting an Opera cake, which is traditionally square and | 0:40:43 | 0:40:47 | |
features at least five extremely thin layers of sponge, filling and icing. | 0:40:47 | 0:40:53 | |
So how many layers are we talking about, in total? | 0:40:53 | 0:40:55 | |
Four sponge, two buttercream, that's six, a ganache... | 0:40:55 | 0:40:59 | |
-Seven. -..And the mirror glaze, eight. | 0:40:59 | 0:41:01 | |
-Wowzers! -This really is difficult! | 0:41:01 | 0:41:03 | |
To think that this is the very first programme | 0:41:03 | 0:41:06 | |
-and we're getting this very exciting cake. -I hope I'm not peaking too early. | 0:41:06 | 0:41:10 | |
'Simon is hoping to book his place in the next round by dazzling with what's inside his cake.' | 0:41:10 | 0:41:16 | |
I hope it'll be enough to impress them. It's usually better the third day, | 0:41:16 | 0:41:19 | |
but, from experience, these cakes never last three days anyway. | 0:41:19 | 0:41:23 | |
He's recreating his mum's recipe for courgette and chocolate cake | 0:41:23 | 0:41:27 | |
and topping it with fresh fruit and vanilla buttercream icing. | 0:41:27 | 0:41:31 | |
The courgettes go in here, similar to what you do in a carrot cake. | 0:41:31 | 0:41:34 | |
It adds moisture without an overpowering flavour. | 0:41:34 | 0:41:37 | |
Yeah, I thought it was strange when my mum gave me the recipe a few years ago, but it works well. | 0:41:37 | 0:41:41 | |
'Most of the bakers have chosen chocolate as a key ingredient in their tiered showstopper cakes, | 0:41:41 | 0:41:48 | |
'and some are attempting to use it in its elusive tempered form.' | 0:41:48 | 0:41:51 | |
I think it makes it stronger but I don't do chocolate very often, so I'm hoping it works. | 0:41:51 | 0:41:57 | |
'Tempering is a process that must be done in advance | 0:41:57 | 0:42:01 | |
'and aims to produce perfect crystallisation in melted chocolate.' | 0:42:01 | 0:42:05 | |
It is quite a skilled thing to do. I've managed it successfully a few times. | 0:42:05 | 0:42:09 | |
I hope today will be one of them. | 0:42:09 | 0:42:10 | |
'The fats in cocoa butter can crystallise in six different forms. | 0:42:10 | 0:42:14 | |
'Just one, the so-called seed crystal, | 0:42:14 | 0:42:18 | |
'results in the shiny flexible chocolate that can be used for | 0:42:18 | 0:42:21 | |
'decorations and collars to wrap around cakes.' | 0:42:21 | 0:42:24 | |
Don't know the intricacies of these things. | 0:42:24 | 0:42:26 | |
'To create seed crystals, | 0:42:26 | 0:42:28 | |
'chocolate must be heated over water to exactly 45 Celsius.' | 0:42:28 | 0:42:32 | |
At home, I just shove it in the microwave, you know. | 0:42:32 | 0:42:35 | |
'Then it must be cooled to 27 Celsius whilst stirring continuously.' | 0:42:35 | 0:42:40 | |
How can you wait to eat it? | 0:42:40 | 0:42:41 | |
'Finally, it must be manipulated as it cools on a flat surface.' | 0:42:41 | 0:42:45 | |
-I think it's going to be OK. -'Only this process will provide a glossy finish and crisp texture.' | 0:42:45 | 0:42:52 | |
You can leave that to set and then get a knife and cut through the plastic, | 0:42:52 | 0:42:55 | |
so you end up with strips of chocolate on plastic. | 0:42:55 | 0:42:58 | |
-You can then pick up that chocolate, and the plastic... -Is this the first...? | 0:42:58 | 0:43:02 | |
..wrap it round a cake and take the plastic off. | 0:43:02 | 0:43:04 | |
The chocolate adheres to the cake and gives you a smooth finish. | 0:43:04 | 0:43:07 | |
Only Jo is attempting to go one better. | 0:43:07 | 0:43:10 | |
Actually, it's better than I hoped for. | 0:43:10 | 0:43:13 | |
She's attempting a polka dot white and milk chocolate collar | 0:43:13 | 0:43:16 | |
for her two-tiered chocolate and fresh strawberry cake. | 0:43:16 | 0:43:19 | |
I've got a ribbon and things I want to put round it and a brooch. | 0:43:19 | 0:43:22 | |
I wanted to keep it quite simple, but famous last words. | 0:43:22 | 0:43:25 | |
'Three hours to go in the final challenge.' | 0:43:25 | 0:43:29 | |
Well, we've all seen how tough it is baking for the judges. | 0:43:31 | 0:43:34 | |
But imagine if you were asked to bake a cake for the Prime Minister. | 0:43:34 | 0:43:39 | |
Sir Winston Churchill: 'We shall fight in the fields and in the streets. | 0:43:39 | 0:43:42 | |
'We shall fight in the hills. | 0:43:42 | 0:43:44 | |
-'We shall never surrender!' -Our great wartime leader, Winston Churchill, | 0:43:44 | 0:43:48 | |
sending out a stern warning to any country that dared pick a fight with us. | 0:43:48 | 0:43:53 | |
What you might not know is that Winston Churchill himself was the cause of a great conflict here, | 0:43:53 | 0:43:59 | |
on British soil - The Battle of the Cake Bakers. | 0:43:59 | 0:44:02 | |
Churchill's status as Prime Minister made every birthday a national event. | 0:44:02 | 0:44:07 | |
He'd receive thousands of telegrams and cards. | 0:44:07 | 0:44:10 | |
Downing Street would be packed with well-wishers and, year after year, | 0:44:10 | 0:44:13 | |
the country's best bakers would fight for the right to bake Churchill's cake. | 0:44:13 | 0:44:19 | |
Now, there are only a handful of people left who've had | 0:44:19 | 0:44:23 | |
the honour of baking this prized cake, but I found one of them in Essex, | 0:44:23 | 0:44:27 | |
in the heart of Winston Churchill's old constituency. | 0:44:27 | 0:44:31 | |
84 year-old Mike Tomkins was just 26 | 0:44:31 | 0:44:34 | |
when he was selected to bake our wartime leader's 80th birthday cake. | 0:44:34 | 0:44:38 | |
The family bakery in South Woodford is now run by son, Chris, | 0:44:38 | 0:44:42 | |
and is still going strong. | 0:44:42 | 0:44:44 | |
So you got the call to make the cake. | 0:44:44 | 0:44:47 | |
Yes, one of the shop girls passed the message on, and I just didn't believe it. | 0:44:47 | 0:44:51 | |
So I had to return the call, and then I found out it was real. | 0:44:51 | 0:44:55 | |
-You thought it was somebody winding you up. -Yes, that's right. | 0:44:55 | 0:44:59 | |
I then had to think very hard about what sort of cake I would make Winston Churchill. | 0:44:59 | 0:45:04 | |
To me, it became an obvious solution to have an octagonal cake, | 0:45:04 | 0:45:08 | |
eight sides, to demonstrate achievements that Churchill had made in his 80 years. | 0:45:08 | 0:45:13 | |
And what are these different designs showing? | 0:45:13 | 0:45:15 | |
-There's his hat and cigar. -The trademark. | 0:45:15 | 0:45:17 | |
And, of course, his famous V-sign. | 0:45:17 | 0:45:20 | |
What's this over here, Mike? There's a trowel. | 0:45:20 | 0:45:22 | |
-Oh, yes, he was a bricklayer as well, in his garden. -Really? | 0:45:22 | 0:45:25 | |
Oh, yes, he was a competent bricklayer | 0:45:25 | 0:45:27 | |
-So a lot of work creating these designs. -A lot of work, yes. | 0:45:27 | 0:45:29 | |
-What an achievement. -Well, I felt proud to have been given the chance to do it, | 0:45:29 | 0:45:35 | |
because he is the man of the century without a doubt. | 0:45:35 | 0:45:38 | |
Mike's cake recipe is as traditionally British as Churchill himself. | 0:45:38 | 0:45:43 | |
Laced with treacle, spices and dried fruit, | 0:45:43 | 0:45:45 | |
soaked in Winston's favourite tipple. | 0:45:45 | 0:45:48 | |
-Shall we add a bit more whisky, Mike? -Just a little. | 0:45:48 | 0:45:51 | |
-A little? How much, Mike? -Go on, I'll tell you. -OK. | 0:45:51 | 0:45:53 | |
Oh, hello. More than that? | 0:45:53 | 0:45:56 | |
-Now, enough. -SHE LAUGHS | 0:45:56 | 0:45:57 | |
Do you need any help with that bit, Chris? | 0:45:57 | 0:46:00 | |
-Do you need me to...? -Well, as long as no fingers go in it. | 0:46:00 | 0:46:03 | |
I'm very excited. | 0:46:03 | 0:46:04 | |
Mike personally delivered the original cake to Churchill on his 80th birthday, | 0:46:04 | 0:46:10 | |
so this reproduction is a true slice of history. | 0:46:10 | 0:46:13 | |
-That's absolutely gorgeous. -Mm. | 0:46:14 | 0:46:16 | |
Is this bringing back memories? | 0:46:16 | 0:46:19 | |
Oh, it's unbelievable when you look back on it all. | 0:46:19 | 0:46:22 | |
I've always said, it's my only claim to fame. Peak of my life. | 0:46:22 | 0:46:25 | |
No question. | 0:46:25 | 0:46:26 | |
Here's to Winston himself. | 0:46:26 | 0:46:28 | |
-Yeah. -Cheers. -Cheers. | 0:46:28 | 0:46:30 | |
-There's enough booze in there to have a toast, isn't there? -Yes. | 0:46:30 | 0:46:33 | |
-Mm. -Ooh. | 0:46:33 | 0:46:35 | |
Yeah, I'm very happy with that one, yeah. | 0:46:43 | 0:46:47 | |
I'm hoping that's not liquid something inside. Nothing I can do now. Point of no return! | 0:46:47 | 0:46:54 | |
Janet's future in the Bake Off could rest on her two-tiered dark chocolate marble cake, | 0:46:54 | 0:46:59 | |
topped with handmade chocolate truffles. | 0:46:59 | 0:47:02 | |
-How did you make these? -Just a usual sponge, sort of thing. | 0:47:02 | 0:47:04 | |
Then knifed in 200 grams of melted dark chocolate. | 0:47:04 | 0:47:08 | |
That's very effective. It's come out really well. | 0:47:08 | 0:47:12 | |
'While their sponges are cooling, most of the bakers have | 0:47:12 | 0:47:15 | |
'moved on to preparing their toppings and fillings.' | 0:47:15 | 0:47:18 | |
-I'm in my element, kneading sugar paste. It's brilliant. I love it. -Good lad. -It's therapeutic. | 0:47:18 | 0:47:22 | |
I feel like I'm back at home. | 0:47:22 | 0:47:24 | |
Keith is creating a two-tiered chocolate cake, | 0:47:24 | 0:47:28 | |
inspired by his son Alfie's favourite television programme. | 0:47:28 | 0:47:31 | |
-A lighter green goes on the base, which is, if you like, the land. -Mm. | 0:47:31 | 0:47:34 | |
Slightly darker green at the top, tunnel inside, trains coming through the tunnels. | 0:47:34 | 0:47:38 | |
Are you going to have a tunnel, a real tunnel? | 0:47:38 | 0:47:40 | |
Well, not a real, real tunnel, but... | 0:47:40 | 0:47:43 | |
-But a tunnel of cake. -Yeah. | 0:47:43 | 0:47:44 | |
Yeah. | 0:47:46 | 0:47:46 | |
OK, bakers, just 30 minutes left. | 0:47:48 | 0:47:51 | |
Just time to smear that last blob of ganache on. | 0:47:51 | 0:47:55 | |
I'm just layering up with the chocolate butter cream, | 0:47:59 | 0:48:03 | |
and ganache, and then I'm going to trim it so that it looks stunning instead of like a dog's breakfast. | 0:48:03 | 0:48:09 | |
This is about as complicated as I wanted to get. I didn't want to go throwing in, | 0:48:09 | 0:48:14 | |
having to temper chocolate and do flowers and stuff. | 0:48:14 | 0:48:17 | |
It's not worked. | 0:48:17 | 0:48:21 | |
Get my hands washed. | 0:48:21 | 0:48:24 | |
The chocolate didn't set properly so I had to rescue it and put a panel on it, | 0:48:24 | 0:48:29 | |
so I'm going to try and work panels round the whole outside, | 0:48:29 | 0:48:33 | |
just to give it... I like that sheen better. | 0:48:33 | 0:48:36 | |
I can only do what I can do in the time I've got, so we'll see what happens. | 0:48:36 | 0:48:40 | |
Ben aims to produce the tallest cake in the final challenge, | 0:48:40 | 0:48:44 | |
a three-tiered vanilla sponge cake covered in air-brushed sugar paste icing. | 0:48:44 | 0:48:49 | |
I'm trying to get it on and done and. | 0:48:49 | 0:48:53 | |
You're the make-up artist to all the sponge cakes. When they need perfection they call for you. | 0:48:53 | 0:48:57 | |
'Before they can finish their final decorations, the bakers have to face stacking their tiers.' | 0:48:58 | 0:49:04 | |
They're ordinary drinking straws, but they're quite good for this. | 0:49:04 | 0:49:08 | |
'A process that even professionals fear.' | 0:49:08 | 0:49:10 | |
They give you a bit of support for the top tiers to sit on. | 0:49:10 | 0:49:13 | |
'Straws or dowling must be used to create a foundation for each tier.' | 0:49:13 | 0:49:19 | |
This is a bit of butter cream. It just sticks them together to stop them sliding around. | 0:49:19 | 0:49:24 | |
It should stay neatly on top. | 0:49:24 | 0:49:26 | |
OK, bakers, 15 minutes. | 0:49:27 | 0:49:30 | |
My hands are shaking. Phew! | 0:49:30 | 0:49:34 | |
Yahhh! | 0:49:56 | 0:49:57 | |
THUD Ohh! | 0:49:57 | 0:49:59 | |
BLEEP. | 0:50:01 | 0:50:03 | |
OK... Oh, man, I'm sorry. | 0:50:06 | 0:50:10 | |
Is there anything we can do then? | 0:50:12 | 0:50:14 | |
I think as I was turning it round I kept pushing it a bit, | 0:50:14 | 0:50:17 | |
turning it round, pushing it a bit more, and just pushed it off. | 0:50:17 | 0:50:20 | |
I'm so gutted. So gutted. | 0:50:20 | 0:50:21 | |
I thought it was starting to look really good, as well. | 0:50:21 | 0:50:25 | |
You didn't mean it to happen. | 0:50:25 | 0:50:27 | |
Try and rescue one of those layers. | 0:50:30 | 0:50:31 | |
Hang on. Don't, don't bend it, right? | 0:50:31 | 0:50:34 | |
Hang on. Get your hand there. | 0:50:34 | 0:50:37 | |
Now, you've got one layer, put a layer of chocolate on that now. | 0:50:39 | 0:50:42 | |
A layer of chocolate on it, get it round the side, now. | 0:50:42 | 0:50:45 | |
Poor Rob. | 0:50:56 | 0:50:58 | |
Ladies and gentlemen, it's that time of day, the time for stopping and moving away. | 0:50:58 | 0:51:06 | |
Thankfully, everything went on pretty much as I'd like it to. | 0:51:06 | 0:51:11 | |
We got the colour on there, we got everything on, so, | 0:51:11 | 0:51:14 | |
fingers crossed, it'll taste as good as it looks. | 0:51:14 | 0:51:17 | |
It looks OK from a distance. | 0:51:17 | 0:51:20 | |
If you don't look too close, it looks quite castle-like, | 0:51:20 | 0:51:23 | |
Transylvania castle-like! | 0:51:23 | 0:51:24 | |
I ran out of time and didn't have enough time to do everything I wanted, but it's finished, | 0:51:24 | 0:51:30 | |
I suppose, so I'm happy. | 0:51:30 | 0:51:31 | |
If somebody said to me, "Do you think you're going to be in the competition from now?" | 0:51:31 | 0:51:36 | |
I'd say, "Probably not", actually, because I did abysmally yesterday. | 0:51:36 | 0:51:39 | |
It's a bit of a Pyrrhic victory if I was to beat Rob to the post. | 0:51:39 | 0:51:42 | |
It's like racing against a guy with a broken leg. It's not fair, is it? | 0:51:42 | 0:51:45 | |
For one of these bakers, this will be the last time that they face the judges. | 0:51:58 | 0:52:03 | |
Mary and Paul will taste each cake individually before discussing their final decision away from the bakers. | 0:52:03 | 0:52:11 | |
The brief was, a tiered celebration cake. | 0:52:13 | 0:52:16 | |
What we have here is two layered cakes. | 0:52:16 | 0:52:18 | |
It tastes absolutely divine. | 0:52:18 | 0:52:21 | |
-If I was being very picky I would like to have seen a tempered chocolate somewhere. -Mm-hm. | 0:52:21 | 0:52:25 | |
..Because that's what you need on an Opera, to go crack and then down. | 0:52:25 | 0:52:28 | |
But that is a very good cake. | 0:52:28 | 0:52:30 | |
-Thank you. -It tastes delicious. -Thank you. | 0:52:30 | 0:52:32 | |
I've made and tried lots of courgette cakes, | 0:52:32 | 0:52:35 | |
but this one is quite different and it's very chocolatey. | 0:52:35 | 0:52:38 | |
The icing on it, it needs work, it needs to be smoother, | 0:52:38 | 0:52:41 | |
-and it needs to be set. -Mm-hm. | 0:52:41 | 0:52:43 | |
I'm not too keen on these because I feel that I would like to have made something. | 0:52:43 | 0:52:48 | |
-Don't buy things to cover up your own mistakes, essentially. -Yeah. | 0:52:48 | 0:52:51 | |
Mm... There's booze. | 0:52:51 | 0:52:53 | |
Yes. | 0:52:53 | 0:52:54 | |
On the base. Too much? | 0:52:54 | 0:52:56 | |
-Oh, yes, lovely. -That's fine. | 0:52:56 | 0:52:58 | |
You've had difficulty with the outside. | 0:52:58 | 0:53:00 | |
The interior is fantastic. | 0:53:00 | 0:53:03 | |
It is, in fact, a beautifully baked sponge. | 0:53:03 | 0:53:05 | |
The overall appearance of it, it needs work. | 0:53:05 | 0:53:08 | |
Personally, I would have liked to have seen these being constructed by you. | 0:53:08 | 0:53:12 | |
The actual icing is very good, you've rolled that well. | 0:53:12 | 0:53:15 | |
-It's slightly under-baked. -It looks... | 0:53:15 | 0:53:18 | |
Mm... It's dropped. It probably needed another five minutes. | 0:53:20 | 0:53:24 | |
Just look at that. It's beautifully marbled. | 0:53:24 | 0:53:27 | |
-I'm scared if it's OK. -You've got a chocolate butter cream running through it too. | 0:53:27 | 0:53:30 | |
-I have, yeah. -That's delicious. | 0:53:30 | 0:53:32 | |
The chocolate that's coming through, it's not bitter at all. It's lovely and sweet. | 0:53:32 | 0:53:36 | |
The dark chocolate ganache is very good. | 0:53:36 | 0:53:38 | |
I think the cow's fantastic. | 0:53:38 | 0:53:41 | |
You've got a lovely smooth edge here, too. | 0:53:41 | 0:53:43 | |
Overall, the appearance is very unmistakeable. | 0:53:43 | 0:53:46 | |
But the sponge is a little bland. | 0:53:46 | 0:53:49 | |
I think it's slightly overdone, as well. | 0:53:49 | 0:53:51 | |
-I think more work on the sponge and a little less time on the finish. -Yes. | 0:53:51 | 0:53:56 | |
-This was a Genoise. -Yeah. | 0:54:01 | 0:54:04 | |
-And do you know... -The truffles add to it. -Exactly. | 0:54:04 | 0:54:07 | |
We haven't had one in the bake off before. It's very tricky. | 0:54:07 | 0:54:10 | |
The taste of that - it's a shame you haven't got the top, to be honest. | 0:54:16 | 0:54:21 | |
The taste of that is divine. | 0:54:21 | 0:54:23 | |
-Absolutely. -Absolutely gorgeous. | 0:54:23 | 0:54:27 | |
Paul and Mary must now decide who is this week's star baker | 0:54:27 | 0:54:32 | |
and who hasn't done enough to stay in the competition. | 0:54:32 | 0:54:36 | |
Who's really impressed you? Who's your star baker? | 0:54:37 | 0:54:40 | |
I think it's Holly and Jo. | 0:54:40 | 0:54:43 | |
Holly came top in both of the challenges. | 0:54:43 | 0:54:46 | |
She showed her skills, she thought out her recipes, she could go far. | 0:54:46 | 0:54:49 | |
And today, her novelty cake was a little bit awkward. | 0:54:49 | 0:54:52 | |
Jo's sponge today is stunning. But then, on the Battenberg, it all went to pieces. | 0:54:52 | 0:54:56 | |
-So overall? -I think it's one of those two girls. | 0:54:56 | 0:54:59 | |
Who is looking as if they might be going today? | 0:54:59 | 0:55:01 | |
-I can think of three boys. -Three boys? | 0:55:01 | 0:55:04 | |
Rob, I wasn't too pleased. | 0:55:04 | 0:55:07 | |
He lost one of the tiers on his cake! | 0:55:07 | 0:55:09 | |
But he was the one that did the Genoise, the most difficult sponge to make. | 0:55:09 | 0:55:13 | |
Keith and Simon are also in a very precarious position. | 0:55:13 | 0:55:16 | |
When you look at Keith, his celebration cake was too simple. | 0:55:16 | 0:55:19 | |
And Simon did the Guinness cake and it really didn't taste very nice. | 0:55:19 | 0:55:24 | |
Well, I've got someone in mind. | 0:55:24 | 0:55:27 | |
I have, too. | 0:55:27 | 0:55:29 | |
-Oh, my heart just started going then. -It's not you, Mel. | 0:55:29 | 0:55:32 | |
-It's not you. -Sorry. -You're not scheduled to go till next week. -OK. | 0:55:32 | 0:55:35 | |
Bakers, first things first. We want to thank you for all your hard work. | 0:55:52 | 0:55:56 | |
It's been an incredibly tiring weekend, but you have really surpassed yourselves. | 0:55:56 | 0:56:01 | |
Paul and Mary want you to know the standard's been incredibly high. | 0:56:01 | 0:56:05 | |
With that in mind, each week we'll nominate a star baker. | 0:56:05 | 0:56:09 | |
And the person this week who has that accolade is... | 0:56:09 | 0:56:13 | |
Holly. Well done, Holly. | 0:56:15 | 0:56:18 | |
But I'm afraid there is one person among you who hasn't impressed the judges quite enough | 0:56:23 | 0:56:27 | |
to stay with us on the Bake Off. | 0:56:27 | 0:56:30 | |
I'm sorry to say that the person who will not be joining us next week... | 0:56:32 | 0:56:39 | |
is Keith. | 0:56:40 | 0:56:42 | |
Commiserations, Keith. Round of applause. | 0:56:42 | 0:56:45 | |
-Well done. -Thank you very much, I've had a great time. | 0:56:49 | 0:56:52 | |
'I suppose the only part of me that's sad about leaving today is' | 0:56:52 | 0:56:55 | |
cos I don't want to be the first one who goes, but someone has to be and, you know, it was my time. | 0:56:55 | 0:57:00 | |
It's the way it goes sometimes, isn't it? | 0:57:00 | 0:57:02 | |
'I'm looking forward to getting back to home baking and doing things that I do week in, week out,' | 0:57:02 | 0:57:06 | |
baking breads and pies and, yeah, no more cakes. | 0:57:06 | 0:57:10 | |
-Relieved! -OMG! | 0:57:10 | 0:57:14 | |
'I'm massively relieved I'm here, just because it was such an uncertain week for me, and so I feel relieved' | 0:57:14 | 0:57:19 | |
that I've got through so that I can show how good I am at other things. | 0:57:19 | 0:57:23 | |
I feel quite pleased, I'm trying to stop myself smiling because I think it can... | 0:57:25 | 0:57:30 | |
I don't want to look smug cos I'm well aware that next week I could be going. | 0:57:30 | 0:57:33 | |
-Are you proud? -I am, yeah. | 0:57:33 | 0:57:35 | |
'It's lovely to get positive feedback from people, particularly Mary. | 0:57:35 | 0:57:39 | |
'I've been baking her cakes for a long time.' | 0:57:39 | 0:57:41 | |
I don't want to disappoint her now! So I want to keep doing well. | 0:57:41 | 0:57:45 | |
PHONE RINGS | 0:57:45 | 0:57:49 | |
Hello, I've just finished. | 0:57:49 | 0:57:52 | |
And...I'm through to the pastry! | 0:57:52 | 0:57:56 | |
Next time... | 0:57:56 | 0:57:57 | |
-Did you sleep last night? -I didn't, no. | 0:57:57 | 0:57:59 | |
-'The bakers tackle tarts.' -My biggest concern is that my pastry will have a soggy bottom. | 0:57:59 | 0:58:04 | |
Creating their signature quiches. | 0:58:04 | 0:58:07 | |
-It looks a mess. -Really? -Yeah. -OK. | 0:58:07 | 0:58:09 | |
Mary Berry's second technical challenge. | 0:58:09 | 0:58:11 | |
Very nice short pastry. | 0:58:11 | 0:58:13 | |
-'Tarte au citron.' -It's shrinking away from the side. | 0:58:13 | 0:58:17 | |
And 24 show-stopping miniature sweet tarts. | 0:58:17 | 0:58:20 | |
Just get it done. Stop messing around and get it in the oven. | 0:58:20 | 0:58:23 | |
But who will become the next star baker? | 0:58:23 | 0:58:25 | |
You can win it one week and be knocked out the next. | 0:58:25 | 0:58:27 | |
And whose Bake Off is about to end? | 0:58:27 | 0:58:30 | |
-Nobody gets an extra chance. -Her work is just a little bit clumsy. | 0:58:30 | 0:58:34 | |
Oh, no! | 0:58:34 | 0:58:35 | |
The person who will be leaving us this week is... | 0:58:35 | 0:58:39 | |
Oh, sorry! | 0:58:40 | 0:58:43 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 | |
E-mail [email protected] | 0:58:58 | 0:59:01 |