Browse content similar to Cakes. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the moment every cake, bread and pie lover has been waiting for. | 0:00:02 | 0:00:05 | |
The tent's up, the ovens are pre-heated | 0:00:05 | 0:00:07 | |
and 12 of Britain's finest amateur bakers are ready to do battle. | 0:00:07 | 0:00:12 | |
This year, the challenges are tougher | 0:00:12 | 0:00:14 | |
than Ross Kemp on a paintballing weekend | 0:00:14 | 0:00:16 | |
plus the portions are even larger, matron. | 0:00:16 | 0:00:19 | |
Welcome to The Great British Bake Off. | 0:00:19 | 0:00:21 | |
From thousands of entries, | 0:00:24 | 0:00:26 | |
a fresh batch of 12 hugely talented home bakers from all over Britain | 0:00:26 | 0:00:30 | |
have made it to the Bake Off tent. | 0:00:30 | 0:00:32 | |
Winning's definitely the top of my mind. I just want to beat everybody, | 0:00:32 | 0:00:35 | |
really, and just say that I'm the best, as cocky as that sounds. | 0:00:35 | 0:00:38 | |
They've been practising for months | 0:00:38 | 0:00:41 | |
to tackle a totally new set of challenges | 0:00:41 | 0:00:43 | |
that will push their skills, | 0:00:43 | 0:00:46 | |
creativity and determination to the limit. | 0:00:46 | 0:00:49 | |
My kids haven't seen me without being covered in flour and with an apron on | 0:00:49 | 0:00:52 | |
and meringue in my hair and stuff for a very long time. | 0:00:52 | 0:00:55 | |
Their battle for bake off survival... | 0:00:55 | 0:00:58 | |
-Ow! -Argh! | 0:00:58 | 0:00:59 | |
..will be judged by the king and queen of British baking... | 0:00:59 | 0:01:02 | |
Go on, say something nice. | 0:01:02 | 0:01:04 | |
..legendary cookery writer, Mary Berry, | 0:01:04 | 0:01:06 | |
and master baker, Paul Hollywood. | 0:01:06 | 0:01:08 | |
I hope they know that things are advancing now, | 0:01:08 | 0:01:12 | |
techniques are moving on. | 0:01:12 | 0:01:15 | |
They're going to have to really raise the game. | 0:01:15 | 0:01:18 | |
If all else fails, I can say I've built the Coliseum. | 0:01:18 | 0:01:20 | |
All the challenges this year are considerably harder. | 0:01:20 | 0:01:24 | |
Right, this could go horribly, horribly wrong. | 0:01:24 | 0:01:26 | |
Don't kid yourself, we'll be on their backs from the very first off. | 0:01:26 | 0:01:30 | |
You respect Mary, but you fear the Wood, yeah | 0:01:30 | 0:01:34 | |
Those piercing blue eyes, it's quite scary. | 0:01:34 | 0:01:36 | |
Those that fall short... | 0:01:36 | 0:01:38 | |
Stop dripping. | 0:01:38 | 0:01:40 | |
..will have to leave. | 0:01:40 | 0:01:41 | |
You're cutting through my heart. | 0:01:41 | 0:01:42 | |
And only one... | 0:01:42 | 0:01:44 | |
-There's no going back! -..can be crowned the winner... | 0:01:44 | 0:01:47 | |
-Yes! -Yes! -..of the Great British Bake Off. | 0:01:47 | 0:01:50 | |
If you're happy and you know it, clap your hands. | 0:01:50 | 0:01:52 | |
CLAPS HANDS Yay! | 0:01:52 | 0:01:53 | |
Honestly, I've completely lost it. | 0:01:53 | 0:01:56 | |
The Bake Off has travelled west to Harptree Court, | 0:02:16 | 0:02:20 | |
deep in the Somerset countryside, | 0:02:20 | 0:02:23 | |
for this year's search for Britain's best home baker. | 0:02:23 | 0:02:26 | |
Up until last year, | 0:02:28 | 0:02:29 | |
the word "chicken" was the most searched for term on the internet. | 0:02:29 | 0:02:32 | |
-Really? -Food term, anyway. -OK. | 0:02:32 | 0:02:34 | |
But it's now it's been usurped with the word "cake", | 0:02:34 | 0:02:36 | |
which is useful because today's episode's all about cake. | 0:02:36 | 0:02:39 | |
-Mmm. -Yeah? -And it doesn't taste like chicken. | 0:02:39 | 0:02:41 | |
Which is strange, cos it's actually a giblet sponge. | 0:02:41 | 0:02:45 | |
Tastes like cake. | 0:02:45 | 0:02:47 | |
The bakers face two days of baking. | 0:02:47 | 0:02:49 | |
After three challenges, one will be crowned this week's star baker | 0:02:49 | 0:02:53 | |
and another will have to leave the Bake Off. | 0:02:53 | 0:02:55 | |
A very warm welcome, bakers, to our Bake Off tent | 0:02:57 | 0:03:01 | |
and to this, your signature challenge. | 0:03:01 | 0:03:04 | |
This is your opportunity to demonstrate | 0:03:04 | 0:03:06 | |
one of your tried and tested home recipes. | 0:03:06 | 0:03:10 | |
So what we're looking for is your own personal spin | 0:03:10 | 0:03:13 | |
on an absolute classic, the upside down cake. | 0:03:13 | 0:03:16 | |
Or, as the Australians call it, cake. | 0:03:16 | 0:03:19 | |
So this is a simple sponge, just topped with a fruit of your choice. | 0:03:20 | 0:03:24 | |
You've got two hours to bake and present your cake, | 0:03:24 | 0:03:28 | |
so for the first time... | 0:03:28 | 0:03:29 | |
On your marks... | 0:03:29 | 0:03:31 | |
-Get set... -Bake. -Bake. | 0:03:31 | 0:03:33 | |
A classic British upside down cake traditionally features | 0:03:33 | 0:03:37 | |
a sponge baked on top of a layer of fruit. | 0:03:37 | 0:03:40 | |
It's flipped once it comes out of the oven | 0:03:40 | 0:03:43 | |
so the fruit bottom becomes the top. | 0:03:43 | 0:03:45 | |
They could do all sorts of things with different fruits, | 0:03:45 | 0:03:47 | |
different flavours, and the fruit must hold its shape, | 0:03:47 | 0:03:51 | |
it mustn't all fall apart and become mushy. | 0:03:51 | 0:03:54 | |
The bake is crucial. | 0:03:54 | 0:03:57 | |
You're adding liquid to a batter and baking it so the top roasts | 0:03:57 | 0:04:01 | |
and cooks properly and the sponge bakes properly, | 0:04:01 | 0:04:04 | |
creating an upside down cake that's moist, light and full of flavour. | 0:04:04 | 0:04:08 | |
Really nerve-wracking. I haven't had any breakfast this morning. | 0:04:10 | 0:04:14 | |
My hands are still a bit shaky, | 0:04:14 | 0:04:16 | |
but I'm just trying to be calm and...methodical, | 0:04:16 | 0:04:20 | |
which is not me at all. | 0:04:20 | 0:04:22 | |
27-year-old mum of two Cathryn works at a motorway service station | 0:04:22 | 0:04:26 | |
near the village where she lives in Sussex. | 0:04:26 | 0:04:29 | |
If she manages to find any free time, | 0:04:29 | 0:04:30 | |
she bakes with seven-year-old Maisy and three-year-old Ambrose. | 0:04:30 | 0:04:35 | |
Her signature upside down cake features apple, vanilla, | 0:04:35 | 0:04:39 | |
calvados, hazelnut and caramel. | 0:04:39 | 0:04:41 | |
-That's a very busy cake. -Oh! | 0:04:41 | 0:04:44 | |
-Have you had any problems with it before? -No. | 0:04:44 | 0:04:48 | |
-You can be honest with us. -Not really. I don't know! | 0:04:48 | 0:04:51 | |
-He's just trying to put the wind up you. -It's working! | 0:04:51 | 0:04:53 | |
Just make sure that your timing is perfect. All about timing. | 0:04:53 | 0:04:56 | |
I feel the need just to reach across very briefly. | 0:04:56 | 0:04:59 | |
-Unclench your hands. There we go. -Thanks. -Breathe. -Thank you. | 0:04:59 | 0:05:04 | |
-And relax. -Thank you. -Good luck. -Thank you. | 0:05:04 | 0:05:07 | |
Normally, I mean, you can eat kumquats with the pips, | 0:05:07 | 0:05:10 | |
but for a competition, I'll go that extra bit | 0:05:10 | 0:05:14 | |
and just take the pips out. | 0:05:14 | 0:05:15 | |
38-year-old Ryan lives in Bristol with his wife and two children. | 0:05:15 | 0:05:18 | |
Coo-ee! | 0:05:18 | 0:05:20 | |
Now a photographer, he grew up in kitchens | 0:05:20 | 0:05:22 | |
honing his skills in his parents' Chinese takeaway. | 0:05:22 | 0:05:25 | |
He's the only baker not using a traditional sponge mix | 0:05:25 | 0:05:29 | |
for his kumquat upside down cake. | 0:05:29 | 0:05:32 | |
I make this with polenta and it's very crumbly. | 0:05:32 | 0:05:34 | |
It's nice in the mouth, the texture's very nice, | 0:05:34 | 0:05:36 | |
but there's a risk that, as I turn it over, it'll just fall apart. | 0:05:36 | 0:05:41 | |
It's dangerous, using polenta on a cake that you will have to turn out. | 0:05:41 | 0:05:44 | |
But I'm looking forward to this | 0:05:44 | 0:05:46 | |
cos that sourness coming from the kumquats is fantastic, | 0:05:46 | 0:05:50 | |
it should come through well. | 0:05:50 | 0:05:52 | |
Most bakers are using a simple caramel made of sugar and butter | 0:05:52 | 0:05:55 | |
to help keep their fruit in place at the bottom of their tins. | 0:05:55 | 0:05:58 | |
I think a lot of people are going to do round, | 0:05:58 | 0:06:01 | |
so I thought I'd do a square one because, you know, | 0:06:01 | 0:06:04 | |
it's a bit more pleasing to the eye, really, these days. | 0:06:04 | 0:06:07 | |
It's a bit more modern. | 0:06:07 | 0:06:08 | |
So it's 10.30, 11.30, 11, 12.30. | 0:06:08 | 0:06:11 | |
But, worried about time, Manisha is using a caramel substitute. | 0:06:11 | 0:06:14 | |
So you're having golden syrup underneath, yeah? | 0:06:14 | 0:06:16 | |
When I turn it over, it'll look golden brown. | 0:06:16 | 0:06:19 | |
That's quite unusual to use golden syrup underneath it. | 0:06:19 | 0:06:22 | |
-It'll make it very sweet, won't it? -Yeah. | 0:06:22 | 0:06:24 | |
-Are you going to be lining that at all? -No. | 0:06:24 | 0:06:27 | |
-Have you had any problems with using golden syrup? -So far, no. | 0:06:27 | 0:06:31 | |
After work at a nursery in Leicester, Manisha rushes home | 0:06:31 | 0:06:35 | |
to cook all the family meals for her dad and brothers. | 0:06:35 | 0:06:38 | |
Her quick and easy golden syrup topped sponge also features | 0:06:38 | 0:06:41 | |
fresh raspberries and peaches. | 0:06:41 | 0:06:44 | |
I've tried this recipe out with my dad and my two brothers. | 0:06:44 | 0:06:47 | |
They seemed to love it, so... I'm really nervous now, a little bit. | 0:06:47 | 0:06:51 | |
Unlike Manisha, Victoria isn't taking any short cuts. | 0:06:53 | 0:06:57 | |
Roasting her own pecans and making pear rings by hand. | 0:06:58 | 0:07:05 | |
I think it's very easy, because you're cooking fruit or vegetables, | 0:07:05 | 0:07:08 | |
for them to sort of mush, and I thought, | 0:07:08 | 0:07:10 | |
if I at least attempt to have some structure, | 0:07:10 | 0:07:14 | |
then that adds a visual component that perhaps will make it | 0:07:14 | 0:07:17 | |
attractive when it's tipped out. | 0:07:17 | 0:07:18 | |
Career-driven Victoria has risen to CEO of a charity | 0:07:19 | 0:07:23 | |
dedicated to preserving wild plant life in Britain. | 0:07:23 | 0:07:25 | |
Baking at home in Somerset | 0:07:25 | 0:07:28 | |
is a welcome break from her huge responsibilities. | 0:07:28 | 0:07:30 | |
She's aiming to impress the judges | 0:07:30 | 0:07:33 | |
by giving her upside down cake bite, | 0:07:33 | 0:07:35 | |
by adding finely chopped stem ginger. | 0:07:35 | 0:07:37 | |
Normally baking is something I do in private | 0:07:37 | 0:07:40 | |
and then what I really want to do is share it with people, | 0:07:40 | 0:07:43 | |
take it into work and then that's the bit I get tense usually, | 0:07:43 | 0:07:45 | |
cos I go, "Oh golly, I thought this was great, | 0:07:45 | 0:07:47 | |
"but what did other people think?" | 0:07:47 | 0:07:49 | |
Whereas this is the other way round in a way, | 0:07:49 | 0:07:51 | |
because it's all about, you know, how you actually prepare it | 0:07:51 | 0:07:54 | |
so definitely a different experience, | 0:07:54 | 0:07:56 | |
but baking's still in there somewhere. | 0:07:56 | 0:07:59 | |
While some are hoping to succeed with traditional ingredients... | 0:08:01 | 0:08:05 | |
Everyone associates pineapple when they think of upside-down pudding, | 0:08:05 | 0:08:08 | |
but I've put a Caribbean twist on. | 0:08:08 | 0:08:10 | |
..others are aiming higher. | 0:08:10 | 0:08:12 | |
I'm going for a tomato upside down cake. | 0:08:12 | 0:08:15 | |
So it sounds a bit odd, I know, | 0:08:16 | 0:08:18 | |
but it does work, I've tried it, so...yeah. | 0:08:18 | 0:08:21 | |
26-year-old PE teacher Stuart works and lives in Staffordshire. | 0:08:21 | 0:08:26 | |
He was taught how to bake from just four years old | 0:08:26 | 0:08:29 | |
by his grandmother, a domestic science teacher. | 0:08:29 | 0:08:32 | |
His tomato upside down cake also features a ginger sponge. | 0:08:32 | 0:08:37 | |
Can we have a look at what you've done with the tomatoes? | 0:08:37 | 0:08:39 | |
Yeah, so at the moment it's an unfortunate colour | 0:08:39 | 0:08:42 | |
cos of the type of ingredients like the black treacle, for example, | 0:08:42 | 0:08:45 | |
so it comes out looking a bit dark. | 0:08:45 | 0:08:47 | |
I've tweaked it by making it a little bit more tomatoey, | 0:08:47 | 0:08:50 | |
by adding some tomato jam with it as well. | 0:08:50 | 0:08:54 | |
-Well, he's original anyway. We're waiting. -He's a maverick. | 0:08:54 | 0:08:57 | |
But there's more than one maverick in this year's Bake Off. | 0:08:57 | 0:09:01 | |
It's maybe slightly surprising, parsnip. | 0:09:01 | 0:09:03 | |
Like a carrot cake, | 0:09:03 | 0:09:04 | |
it doesn't actually taste too radical. | 0:09:04 | 0:09:06 | |
Everyone has loved it so far. | 0:09:06 | 0:09:08 | |
I just need to keep that up. | 0:09:08 | 0:09:11 | |
21-year-old medical student James grew up in the Shetland Isles | 0:09:11 | 0:09:15 | |
and is the youngest baker in the competition. | 0:09:15 | 0:09:18 | |
He treats his kitchen like a laboratory | 0:09:18 | 0:09:21 | |
and his experiment with parsnips | 0:09:21 | 0:09:23 | |
also involves comice pears and pecans. | 0:09:23 | 0:09:26 | |
I've just added the parsnips and the pecans and I'm just folding them in. | 0:09:26 | 0:09:29 | |
I've already added the flour so I don't want to over mix. | 0:09:29 | 0:09:32 | |
I hope they all blend together and work. | 0:09:32 | 0:09:34 | |
Just check my recipe. | 0:09:34 | 0:09:35 | |
Yep, I think we're ready to rock and roll. | 0:09:35 | 0:09:38 | |
Dirty dozen, you are halfway through your first signature bake. | 0:09:41 | 0:09:45 | |
You have one hour to go. | 0:09:45 | 0:09:47 | |
The bakers have faced the point of no return. | 0:09:49 | 0:09:52 | |
Once the sponge mix goes on top of their fruit, | 0:09:52 | 0:09:54 | |
the fate of their upside down cake is sealed. | 0:09:54 | 0:09:58 | |
I'm quite worried, actually. I'm the first one in. | 0:09:58 | 0:10:02 | |
TIMERS BLEEP | 0:10:04 | 0:10:07 | |
Praying, I think, is the next stage. | 0:10:07 | 0:10:10 | |
Fingers crossed, people, fingers crossed. | 0:10:10 | 0:10:13 | |
I forgot to put my tomato jam in. | 0:10:19 | 0:10:21 | |
-What?! -Yeah. Gutted. Stupid error. | 0:10:21 | 0:10:24 | |
I kind of made a bit of an error, it's kind of a major one, I think. | 0:10:26 | 0:10:30 | |
In a blind panic, | 0:10:30 | 0:10:32 | |
I put the cake in the oven before putting the tomato jam on. | 0:10:32 | 0:10:35 | |
It adds to the flavour of it. | 0:10:35 | 0:10:37 | |
Other than that, it's just a cake with just tomato decorations on top. | 0:10:37 | 0:10:41 | |
They're quite tricky to cook all the way through, upside down cakes, | 0:10:41 | 0:10:45 | |
cos you don't want to overcook it so the sponge is dry, | 0:10:45 | 0:10:48 | |
but you need to cook it enough so the fruit is cooked. | 0:10:48 | 0:10:50 | |
At home, all the numbers are worn off around my dial, | 0:10:50 | 0:10:53 | |
so it's always a guess as to whether anything's going to cook or not! | 0:10:53 | 0:10:56 | |
28-year-old mum of two Sarah-Jane is a vicar's wife | 0:10:57 | 0:11:00 | |
and regularly bakes for her husband David's congregation in West Sussex. | 0:11:00 | 0:11:05 | |
Her pear, chocolate and hazelnut upside down cake | 0:11:05 | 0:11:09 | |
is a parish favourite. | 0:11:09 | 0:11:10 | |
-TIMER BLEEPS -That's my timer. I'm just going to check. | 0:11:10 | 0:11:14 | |
Oh, we came at the right moment. | 0:11:14 | 0:11:15 | |
It might need a little bit longer. | 0:11:15 | 0:11:18 | |
We'll have a look and see. | 0:11:18 | 0:11:20 | |
How are you judging when it's ready? | 0:11:20 | 0:11:22 | |
It's still got a little shake in the middle at the moment. | 0:11:22 | 0:11:25 | |
I don't want it to collapse when I turn it out. | 0:11:25 | 0:11:27 | |
So you'll know when it's ready when it doesn't shake? | 0:11:27 | 0:11:30 | |
Yeah. | 0:11:30 | 0:11:31 | |
Oven timing is critical. | 0:11:34 | 0:11:35 | |
Still feels a little bit undercooked in the middle. | 0:11:35 | 0:11:39 | |
One or two minutes can mean the difference | 0:11:39 | 0:11:42 | |
between a burnt fruit topping or a liquid, underdone sponge. | 0:11:42 | 0:11:45 | |
It's not supposed to leak. | 0:11:45 | 0:11:47 | |
It's bubbling over like a volcano | 0:11:48 | 0:11:51 | |
and all the golden syrup is coming out. | 0:11:51 | 0:11:53 | |
Oh, golden syrup, why you have to leak for? | 0:11:55 | 0:11:58 | |
Maybe I should take it out, I don't know. | 0:11:58 | 0:12:01 | |
Don't underestimate this lady. | 0:12:01 | 0:12:03 | |
She keeps on saying how nervous she is, | 0:12:03 | 0:12:05 | |
but actually she's very determined. | 0:12:05 | 0:12:07 | |
TIMER BLEEPS | 0:12:07 | 0:12:08 | |
Oh, heavens. I've got too much going on now, look. | 0:12:08 | 0:12:11 | |
I'm making the spiky hazelnut decorations. | 0:12:11 | 0:12:14 | |
Oh! Hopefully it will look nice when they're done. | 0:12:15 | 0:12:19 | |
OK, bakers, that's just ten minutes on the upside downs. | 0:12:21 | 0:12:25 | |
Ten minutes, please. | 0:12:25 | 0:12:28 | |
The bakers need to factor in | 0:12:28 | 0:12:29 | |
not just enough time for their cakes to bake | 0:12:29 | 0:12:33 | |
but also for the delicate process of turning out. | 0:12:33 | 0:12:37 | |
OK, let's do it now. Help. | 0:12:37 | 0:12:41 | |
Kind of got a bit stuck at the moment. | 0:12:47 | 0:12:50 | |
Fingers crossed, everybody. | 0:13:07 | 0:13:08 | |
Yep, happy with that. | 0:13:41 | 0:13:43 | |
Very pleased, absolutely. Went to plan. | 0:13:43 | 0:13:46 | |
Oop. Yes. | 0:13:46 | 0:13:49 | |
Messy, isn't it? | 0:13:50 | 0:13:52 | |
Pretty happy...apart from the one component, obviously. | 0:13:52 | 0:13:56 | |
Just spread it on top. | 0:13:56 | 0:13:59 | |
It turned over. I'm not complaining. I won't tempt fate, you know. | 0:14:01 | 0:14:05 | |
It's a disaster. | 0:14:10 | 0:14:13 | |
We can save this. | 0:14:14 | 0:14:15 | |
11 signature cakes are upside down | 0:14:15 | 0:14:18 | |
but James' parsnip sponge experiment is still in progress. | 0:14:18 | 0:14:24 | |
-Oh, keep it in there. -Normally it's well cooked by this time. | 0:14:24 | 0:14:29 | |
So do you think the fruit is just a little bit more juicy? | 0:14:29 | 0:14:32 | |
A little bit more moisture's gone in? | 0:14:32 | 0:14:33 | |
Yeah. I've got absolutely no idea, to be honest. | 0:14:33 | 0:14:36 | |
-Bakers dozen, you've got five minutes to go. -Five now? That's good. | 0:14:36 | 0:14:40 | |
-Five minutes. -You've got three minutes in the oven | 0:14:40 | 0:14:42 | |
-and then two minutes to turn it. -Four minutes in the oven. | 0:14:42 | 0:14:45 | |
-That's a speedy turn, isn't it? -Yeah. -It's going to be, "boom!" | 0:14:45 | 0:14:48 | |
It's all going to be good, it's all going to be good. | 0:14:48 | 0:14:52 | |
This could be...horrific. | 0:14:52 | 0:14:54 | |
I'm going to take it out at the very last minute and pray. | 0:14:54 | 0:14:57 | |
Bakers, this is your 60-second countdown. | 0:15:08 | 0:15:10 | |
Not great. | 0:15:22 | 0:15:24 | |
Countdown is complete. | 0:15:24 | 0:15:27 | |
Move your cakes to the end of the benches. | 0:15:27 | 0:15:30 | |
Time to leave the cakes well alone. No more touching. | 0:15:30 | 0:15:34 | |
It's judgment time. | 0:15:44 | 0:15:47 | |
-Hiya. -Right, so remind us of the topping of this. | 0:15:51 | 0:15:54 | |
Well, the topping is kumquats, but it's a polenta cake. | 0:15:54 | 0:15:57 | |
The idea is all about texture, really. | 0:15:57 | 0:16:01 | |
-It's a little solid for me. -It's far too dry. | 0:16:01 | 0:16:05 | |
The texture of an upside down cake should be moist and hold moisture. | 0:16:05 | 0:16:10 | |
As soon as you add polenta, it's going to dry, | 0:16:10 | 0:16:12 | |
because that's the nature of the beast. | 0:16:12 | 0:16:14 | |
The decoration has worked. You've done what you told us you'd do. | 0:16:18 | 0:16:23 | |
I rather like the way that you've coarsely chopped the nuts | 0:16:23 | 0:16:26 | |
round the outside | 0:16:26 | 0:16:28 | |
and then we have the nut with its spike at the top. | 0:16:28 | 0:16:30 | |
It's really lovely. | 0:16:30 | 0:16:32 | |
The texture, the flavour, the crunch...are gorgeous. | 0:16:36 | 0:16:40 | |
-I think it's a beautiful cake. -Thank you. -It's scrummy. | 0:16:40 | 0:16:45 | |
The decoration I think is lovely, | 0:16:45 | 0:16:48 | |
but that ginger cake to me is slightly over baked. | 0:16:48 | 0:16:51 | |
-At least there are no soggy bottoms. -Yes, thank you very much for that! | 0:16:51 | 0:16:55 | |
You don't want one of those. | 0:16:55 | 0:16:56 | |
He lives in fear of that. | 0:16:56 | 0:16:58 | |
-It's over-baked. -Is it? -Yeah. | 0:16:58 | 0:17:00 | |
But you can really taste the pears, which is a good thing. | 0:17:00 | 0:17:02 | |
That's good, I'm pleased. | 0:17:02 | 0:17:04 | |
The chocolate cake is delicious, but I can't taste the pear. | 0:17:04 | 0:17:08 | |
The pear doesn't have a very strong flavour anyway. | 0:17:08 | 0:17:11 | |
-That's why I poached it in the wine. -Unfortunately, we've lost the wine. | 0:17:11 | 0:17:14 | |
Sure you didn't have a little tipple before you started? | 0:17:14 | 0:17:17 | |
I love the way you've built the structure of the pears on there. | 0:17:17 | 0:17:22 | |
Very professional when you look at it. | 0:17:22 | 0:17:24 | |
-You've actually managed to hold the pear flavour. -Oh, really? | 0:17:24 | 0:17:28 | |
-It's so delicious. -Oh, good. | 0:17:28 | 0:17:30 | |
The decoration you've managed to get is quite even and well structured. | 0:17:30 | 0:17:35 | |
I had a worry that it would be too sweet. | 0:17:40 | 0:17:43 | |
-It's not at all too sweet. -Thank you. | 0:17:43 | 0:17:46 | |
-Doesn't it look tempting? -I love that. | 0:17:46 | 0:17:48 | |
The passion fruit you put in at the beginning? | 0:17:48 | 0:17:51 | |
Well, I just made a syrup with the passion fruit, | 0:17:51 | 0:17:53 | |
then I did the pineapple. | 0:17:53 | 0:17:55 | |
Pretty unusual to have passion fruit heated. | 0:17:55 | 0:17:59 | |
-It loses some of its flavour. -Yeah, it's not as intense, is it? | 0:17:59 | 0:18:02 | |
It does look so inviting. | 0:18:02 | 0:18:05 | |
Everything is in the right proportion. | 0:18:05 | 0:18:08 | |
That's delicious. | 0:18:08 | 0:18:09 | |
-It tastes really good. -I'm actually struggling to find something | 0:18:09 | 0:18:13 | |
to have a go at - flavour, texture, colour, well done. | 0:18:13 | 0:18:17 | |
I'm going to bundle him out before he can say anything negative. | 0:18:17 | 0:18:20 | |
I think it looks... I think it could be better. | 0:18:26 | 0:18:31 | |
-Looks can be deceiving. -It's a very, very close texture. | 0:18:31 | 0:18:35 | |
The tomato has added moisture, but hasn't added any taste. | 0:18:41 | 0:18:45 | |
It's almost immaterial that it's there. | 0:18:45 | 0:18:48 | |
That's what the jam was there for, but I forgot to put it in. | 0:18:48 | 0:18:52 | |
That's probably why the taste isn't there. | 0:18:52 | 0:18:54 | |
-It's just predominately a very dense ginger cake. -Yeah. | 0:18:54 | 0:18:57 | |
So how do you think it went then, Professor Cake Maker? | 0:18:57 | 0:19:01 | |
-It might be under-baked. -Why do you think that? | 0:19:01 | 0:19:03 | |
Because it was raw five minutes before I took it out! | 0:19:03 | 0:19:08 | |
It's fine underneath. | 0:19:09 | 0:19:10 | |
I think it's actually baked all right. | 0:19:10 | 0:19:13 | |
I don't think there's a problem with that. | 0:19:13 | 0:19:15 | |
-Actually, the parsnip is not coming through strongly as parsnip. -No. | 0:19:19 | 0:19:24 | |
But very brave to put that parsnip in, even though we can't find it. | 0:19:24 | 0:19:28 | |
-I just got a lovely bit of parsnip. -Did you? -It was really nice. | 0:19:28 | 0:19:32 | |
Mmm. It's tasty. | 0:19:32 | 0:19:34 | |
It was cooked. It was cooked! Who'd have thought? | 0:19:37 | 0:19:40 | |
I just thought, it being the first bake, try and push the boat out. | 0:19:40 | 0:19:44 | |
Unfortunately, this time it's not gone according to plan. | 0:19:44 | 0:19:48 | |
They didn't have any criticisms, which just blew me away. | 0:19:48 | 0:19:52 | |
A real fillip, as one might say. | 0:19:52 | 0:19:54 | |
Mary Berry said it was scrummy, | 0:19:54 | 0:19:56 | |
which is amazing. Really properly amazing. | 0:19:56 | 0:19:59 | |
The worst our bakers can expect | 0:20:01 | 0:20:03 | |
is a dressing down from the baking silverback Paul Hollywood | 0:20:03 | 0:20:05 | |
or a frown from Mary Berry, | 0:20:05 | 0:20:07 | |
so spare a thought for the 13th century baker who, | 0:20:07 | 0:20:09 | |
if they produced a sub-standard loaf, | 0:20:09 | 0:20:11 | |
would face imprisonment or being pelted with rotten fruit. | 0:20:11 | 0:20:15 | |
800 years ago, ordinary people didn't have ovens at home | 0:20:15 | 0:20:19 | |
and were at the mercy of bakers for their daily bread. | 0:20:19 | 0:20:24 | |
In 1266, the government introduced a new law | 0:20:24 | 0:20:26 | |
called the Assize of Bread and Ale | 0:20:26 | 0:20:29 | |
and any baker seen to be flouting this would be sent here, | 0:20:29 | 0:20:32 | |
to the Bakers' Hall, to face trial at the Court of Halimote. | 0:20:32 | 0:20:36 | |
The law spelled out exactly what a loaf should weigh, cost, | 0:20:36 | 0:20:39 | |
and the quality of bread expected. | 0:20:39 | 0:20:42 | |
So, if you were a medieval baker, | 0:20:42 | 0:20:43 | |
this would've been the last place you wanted to end up. | 0:20:43 | 0:20:47 | |
The court beadle was in charge of tracking down the culprits and bringing them to justice. | 0:20:47 | 0:20:51 | |
The position still exists today, but his role is now purely ceremonial. | 0:20:51 | 0:20:56 | |
So, Neil, I'm a bad baker. | 0:20:56 | 0:20:57 | |
My scones are scandalous, my cottage loaf is a crime against gluten, | 0:20:57 | 0:21:01 | |
but it's my first offence. What's going to happen to me? | 0:21:01 | 0:21:04 | |
Well, the Beadle of the day would have summoned | 0:21:04 | 0:21:07 | |
a man with a horse and a stretcher, | 0:21:07 | 0:21:09 | |
or a hurdle, and they would have been tied to the hurdle | 0:21:09 | 0:21:11 | |
by their wrists and feet | 0:21:11 | 0:21:13 | |
and dragged through the city | 0:21:13 | 0:21:14 | |
so everyone can see that you've been caught producing illicit bread. | 0:21:14 | 0:21:17 | |
Just one duff loaf and suddenly | 0:21:17 | 0:21:19 | |
you're strapped to a gurney and being paraded around...? | 0:21:19 | 0:21:22 | |
You are, but the fact of the matter | 0:21:22 | 0:21:24 | |
was that people were putting things like cobwebs and sand | 0:21:24 | 0:21:28 | |
and all sorts of illicit products in the bread, which could kill someone. | 0:21:28 | 0:21:33 | |
For bakers that continually flouted the law, | 0:21:33 | 0:21:36 | |
being dragged through the streets of medieval London | 0:21:36 | 0:21:39 | |
was just the beginning. | 0:21:39 | 0:21:40 | |
Neil, why have you brought me here? | 0:21:40 | 0:21:43 | |
This would be the place where, for the second offence, | 0:21:43 | 0:21:46 | |
they would be brought, | 0:21:46 | 0:21:47 | |
where the pillory would be set - at the Royal Exchange - | 0:21:47 | 0:21:50 | |
and a pillory always had to be on a junction. | 0:21:50 | 0:21:52 | |
You could come from north, south, east or west. | 0:21:52 | 0:21:54 | |
To get the maximum amount of people to stare and laugh? | 0:21:54 | 0:21:57 | |
No, just to throw the rotten fruit. | 0:21:57 | 0:21:59 | |
So we know that the second offence you basically get a face smoothie. | 0:21:59 | 0:22:03 | |
But the third offence, what happens then? | 0:22:03 | 0:22:06 | |
The third is the most extreme and that would be myself | 0:22:06 | 0:22:09 | |
and a bailiff going round to the errant baker | 0:22:09 | 0:22:12 | |
and smashing their ovens | 0:22:12 | 0:22:13 | |
so they were no longer able to operate in the city. | 0:22:13 | 0:22:17 | |
-How many ovens do you smash nowadays? -None. | 0:22:17 | 0:22:19 | |
-There's real disappointment there, isn't there? -There is. | 0:22:19 | 0:22:23 | |
It wasn't until the 19th century that the law was repealed, | 0:22:23 | 0:22:26 | |
bringing an end to such punishments. | 0:22:26 | 0:22:28 | |
Nowadays, an icy glare from Paul and Mary | 0:22:28 | 0:22:30 | |
is more than enough to bring our bakers into line. | 0:22:30 | 0:22:33 | |
For the second test, | 0:22:42 | 0:22:43 | |
all the bakers will be given the same surprise recipe, | 0:22:43 | 0:22:47 | |
allowing the judges to directly compare their results. | 0:22:47 | 0:22:50 | |
Bakers, adopt the brace position, | 0:22:50 | 0:22:53 | |
this is your first technical challenge. | 0:22:53 | 0:22:56 | |
The challenge is judged blind, | 0:22:56 | 0:22:59 | |
so Paul and Mary please retire to your secret tepee. | 0:22:59 | 0:23:02 | |
Now, this technical challenge is actually Paul Hollywood's recipe - | 0:23:04 | 0:23:08 | |
no pressure - and this recipe is for a classic 1970s' staple, | 0:23:08 | 0:23:13 | |
rum baba, OK? | 0:23:13 | 0:23:15 | |
So what we're looking for are four perfect babas | 0:23:15 | 0:23:19 | |
with cream in the middle and perfectly sliced fruit on top. | 0:23:19 | 0:23:22 | |
So you've got three hours to bake and present your babas. | 0:23:22 | 0:23:26 | |
-On your marks... -Get set... -Bake. -Bake. | 0:23:26 | 0:23:29 | |
All the bakers have the same ingredients | 0:23:29 | 0:23:32 | |
and the same very basic recipe, so they'll have to rely | 0:23:32 | 0:23:36 | |
on their baking instincts | 0:23:36 | 0:23:38 | |
to produce baba perfection. | 0:23:38 | 0:23:39 | |
Could be hit and a miss with this. | 0:23:41 | 0:23:43 | |
The baba is believed to be a descendant of a cake called babka, | 0:23:43 | 0:23:46 | |
Polish for "grandmother". | 0:23:46 | 0:23:47 | |
It's unusual, as it uses yeast as a raising agent. | 0:23:47 | 0:23:52 | |
I'm quite afraid of this recipe. | 0:23:52 | 0:23:54 | |
The bakers should be used to working with yeast in bread making. | 0:23:54 | 0:23:56 | |
I've got no idea what I'm doing! | 0:23:56 | 0:24:00 | |
But applying these techniques to a cake mix | 0:24:00 | 0:24:03 | |
could be a step into the unknown. | 0:24:03 | 0:24:05 | |
It's a tricky one. It's basically a yeasted cake. | 0:24:05 | 0:24:08 | |
We've filled it with Chantilly cream and then topped it with fresh fruit. | 0:24:08 | 0:24:12 | |
Those are absolute perfection. Where could they go wrong? | 0:24:12 | 0:24:16 | |
I reckon there's going to be a few heads scratching on this one. | 0:24:16 | 0:24:19 | |
It is a hybrid between bread and cake | 0:24:19 | 0:24:22 | |
and the batter/soft dough is extremely difficult to make. | 0:24:22 | 0:24:26 | |
So this is quite confusing for our bakers. | 0:24:26 | 0:24:29 | |
I think a lot of them will be perplexed | 0:24:29 | 0:24:31 | |
and I'm sure that most of them | 0:24:31 | 0:24:33 | |
wouldn't have made anything quite like this before. | 0:24:33 | 0:24:35 | |
And I hope you've given them lots of instruction. | 0:24:35 | 0:24:39 | |
I've given them some. | 0:24:39 | 0:24:41 | |
Once the ingredients of flour, yeast, eggs, | 0:24:41 | 0:24:44 | |
sugar and butter are combined, the mixture requires kneading. | 0:24:44 | 0:24:49 | |
It's just, like, strange really. | 0:24:49 | 0:24:51 | |
But the high liquid content from the beaten egg means | 0:24:51 | 0:24:55 | |
the texture of this thick dough might be unfamiliar. | 0:24:55 | 0:24:58 | |
Oh, my God, get off. Oh, my God. | 0:24:58 | 0:25:00 | |
This is not going to go well, is it? | 0:25:01 | 0:25:03 | |
The dough is so delicate that 16th century pastry chefs | 0:25:03 | 0:25:07 | |
were said to rest it on an eiderdown before baking. | 0:25:07 | 0:25:10 | |
One of my favourite cookbooks is an old dairy cookbook of Mum's | 0:25:10 | 0:25:14 | |
back from the '70s and there's a big glossy picture of rum babas | 0:25:14 | 0:25:18 | |
so I instantly thought of that cookbook | 0:25:18 | 0:25:20 | |
and thought, "Gosh, I wish I'd have read it now!" | 0:25:20 | 0:25:23 | |
37-year-old Natasha is a midwife who lives and works | 0:25:23 | 0:25:26 | |
in Tamworth in the West Midlands. | 0:25:26 | 0:25:28 | |
Now her two daughters are teenagers, | 0:25:28 | 0:25:30 | |
she aims to spend more time raising cakes. | 0:25:30 | 0:25:33 | |
-Do you find it relaxing, working with dough? -Yes. | 0:25:33 | 0:25:38 | |
I suppose I've got to say that, Mr Hollywood might be listening. | 0:25:38 | 0:25:41 | |
-Have you ever made one of these before? -No, no. | 0:25:41 | 0:25:43 | |
But are you good in a crisis? | 0:25:43 | 0:25:45 | |
Ask me in an hour's time and I'll tell you. | 0:25:45 | 0:25:47 | |
I was very happy to see this recipe come up. | 0:25:47 | 0:25:51 | |
Can I explain how happy? | 0:25:51 | 0:25:52 | |
I'm obviously setting myself up for a fall now, | 0:25:52 | 0:25:54 | |
but I made a really big rum baba last week. | 0:25:54 | 0:25:57 | |
Or actually, I used whisky, I didn't use rum, but I'm Scottish. | 0:25:57 | 0:26:00 | |
Once kneaded, the dough has to prove... | 0:26:02 | 0:26:05 | |
Good luck. | 0:26:05 | 0:26:06 | |
..until it's doubled in size... | 0:26:06 | 0:26:09 | |
..which gives the bakers time to line their baba tins. | 0:26:10 | 0:26:13 | |
I covered my tins with butter and flour | 0:26:13 | 0:26:16 | |
and it's meant to be butter and sugar, so... Completely stupid. | 0:26:16 | 0:26:22 | |
Once proved, the dough should be soft enough | 0:26:22 | 0:26:25 | |
to be piped into its mould and then proved for a second time. | 0:26:25 | 0:26:29 | |
I have a firmer dough and so I'm rolling it, rather than pipe it. | 0:26:29 | 0:26:33 | |
Maybe it should be more liquidy, I don't know. | 0:26:33 | 0:26:37 | |
Now, I'm thinking, Brendan, that, like myself, | 0:26:37 | 0:26:39 | |
-you might have been around in the '70s? -I was. | 0:26:39 | 0:26:41 | |
I made these about 25 whatever it was, years ago. | 0:26:41 | 0:26:44 | |
You've actually made a baba? | 0:26:44 | 0:26:45 | |
Oh yes, but it's so long ago, I don't think it counts! | 0:26:45 | 0:26:47 | |
Were you a bit of a groovster? | 0:26:47 | 0:26:50 | |
No. I mean, I liked Gloria Gaynor. | 0:26:50 | 0:26:53 | |
I was very good with my dips at the discos, so... | 0:26:53 | 0:26:55 | |
Show me a dip, please. | 0:26:55 | 0:26:56 | |
-But I've been... -Brendan, dip for me, please. | 0:26:56 | 0:26:59 | |
-There's a little wiggle you have to do! -Oh, one of these? | 0:26:59 | 0:27:02 | |
-Exactly. -Like this. -You shimmy a bit. -Yeah! | 0:27:02 | 0:27:04 | |
63-year-old Brendan is a semi-retired recruitment consultant... | 0:27:06 | 0:27:10 | |
but now has the time to indulge his passion for music and baking, | 0:27:10 | 0:27:13 | |
which he first discovered as a child growing up in rural Ireland. | 0:27:13 | 0:27:17 | |
You have a disaster. | 0:27:19 | 0:27:21 | |
I put a damp towel over them to protect them and it's stuck to it. | 0:27:21 | 0:27:24 | |
It's not going to plan, as it were. | 0:27:26 | 0:27:28 | |
-Hi. -Danny. -Yes. -Two words. -Yeah. -Rum baba. | 0:27:29 | 0:27:33 | |
Yeah. And a completely foreign language to me. | 0:27:33 | 0:27:36 | |
Does this feel slightly exam-like? | 0:27:36 | 0:27:38 | |
You know, when you wake up in the middle of the night sometimes | 0:27:38 | 0:27:41 | |
-and you think, "I haven't revised"? -Or you have no pants on. | 0:27:41 | 0:27:44 | |
-Yes, yes. This is everybody's looking at me and I'm naked. -Yes. | 0:27:44 | 0:27:46 | |
This is a no pants moment, Danny. | 0:27:46 | 0:27:48 | |
Raised in Manchester, 45-year-old Danny | 0:27:48 | 0:27:51 | |
is an intensive care consultant working in Sheffield. | 0:27:51 | 0:27:54 | |
A keen traveller, she's researched baking from all over the world. | 0:27:54 | 0:27:59 | |
I would try a new recipe, but this is different | 0:27:59 | 0:28:01 | |
because somebody's going to judge it and I can't put it in the bin. | 0:28:01 | 0:28:05 | |
So...here's hoping. | 0:28:07 | 0:28:10 | |
Paul's recipe only states that babas should be baked in a hot oven, | 0:28:10 | 0:28:15 | |
leaving some bakers room to experiment. | 0:28:15 | 0:28:19 | |
I'm stuck. | 0:28:19 | 0:28:20 | |
I don't know whether just to bake them or to do a bain marie, | 0:28:20 | 0:28:23 | |
I'm just not sure. | 0:28:23 | 0:28:24 | |
Something's telling me to do a bain marie, | 0:28:24 | 0:28:27 | |
but it might be the wrong decision. | 0:28:27 | 0:28:29 | |
It's a big decision, this is. | 0:28:31 | 0:28:33 | |
It could all go wrong, couldn't it? If I take the wrong path. | 0:28:33 | 0:28:36 | |
What the hell, I'm going to do the bain marie. | 0:28:39 | 0:28:41 | |
I don't think it'll do any damage. | 0:28:41 | 0:28:46 | |
All done now. I can't turn back. | 0:28:46 | 0:28:49 | |
So you seem very, very relaxed. It's all under control? | 0:28:54 | 0:28:57 | |
My mum always said that stress in baking tastes terrible, | 0:28:57 | 0:29:00 | |
so I'm going to apply that principle | 0:29:00 | 0:29:02 | |
and just try and be cool, calm and collected. | 0:29:02 | 0:29:05 | |
But some people think maybe baking is, you know, | 0:29:05 | 0:29:08 | |
-traditionally maybe as a more sedate, older person's thing? -Yeah. | 0:29:08 | 0:29:11 | |
So why are you so drawn to it? | 0:29:11 | 0:29:13 | |
I think that baking is the biggest fashion there is at the minute. | 0:29:13 | 0:29:16 | |
I still go out to clubs and I can come home and make a cake. | 0:29:16 | 0:29:19 | |
What's wrong with that? | 0:29:19 | 0:29:20 | |
Big sponge, little sponge. Big sponge, little sponge. | 0:29:20 | 0:29:23 | |
Exactly, that's how we do it! | 0:29:23 | 0:29:24 | |
22-year-old law student John left Oxford University | 0:29:26 | 0:29:29 | |
to study in Manchester, so he could live nearer his family. | 0:29:29 | 0:29:32 | |
He was taught to bake by his mum | 0:29:32 | 0:29:35 | |
and has always relied on her advice when trying new recipes. | 0:29:35 | 0:29:39 | |
I'm just worried cos I didn't put any sugar in the actual dough | 0:29:39 | 0:29:42 | |
and I think a few people have, but it wasn't very clear. | 0:29:42 | 0:29:45 | |
But...I should have known, I should have known. | 0:29:45 | 0:29:48 | |
They're going quite brown quite quickly... | 0:29:53 | 0:29:56 | |
so I turned it down. I don't want them to collapse. | 0:29:56 | 0:29:59 | |
An enriched dough needs a high heat to rise, | 0:29:59 | 0:30:01 | |
but the added sugar means they're more sensitive to burning. | 0:30:01 | 0:30:04 | |
I think that's a bit of sugar | 0:30:04 | 0:30:06 | |
that's perhaps caught around the edges there, | 0:30:06 | 0:30:09 | |
you know, when I lined the tin? | 0:30:09 | 0:30:10 | |
Mmm. | 0:30:10 | 0:30:11 | |
One hour remaining. | 0:30:12 | 0:30:14 | |
Always happens. | 0:30:17 | 0:30:18 | |
Hmm, how does one get this out? | 0:30:21 | 0:30:24 | |
But this is just stuck fast. | 0:30:24 | 0:30:26 | |
Removing a baba from its tin is a delicate operation. | 0:30:29 | 0:30:33 | |
Come on, you beauty. | 0:30:33 | 0:30:35 | |
Please come out. | 0:30:35 | 0:30:37 | |
If the soft texture isn't treated with enough care, | 0:30:39 | 0:30:41 | |
it's liable to rip. | 0:30:41 | 0:30:43 | |
Uh-oh. | 0:30:43 | 0:30:45 | |
Oh dear, that's not good. | 0:30:45 | 0:30:47 | |
Oh, oh. | 0:30:47 | 0:30:48 | |
Just kept it together. | 0:30:48 | 0:30:50 | |
Oh. | 0:30:50 | 0:30:51 | |
Oh, I've...messed up big style here. | 0:30:55 | 0:30:58 | |
I've put salt in with the tin, rather than sugar. | 0:30:58 | 0:31:03 | |
That is disgusting. | 0:31:03 | 0:31:05 | |
That's going to put me in the bad books from the start, really. | 0:31:08 | 0:31:12 | |
It's going, you know, John's the boy who...messed around with salt. | 0:31:12 | 0:31:16 | |
Oh. It's all gone wrong! | 0:31:16 | 0:31:19 | |
My gamble didn't pay off. | 0:31:19 | 0:31:22 | |
They're all stuck into the dish. | 0:31:22 | 0:31:23 | |
It's all gone wrong, Mel. It's all gone wrong. | 0:31:23 | 0:31:25 | |
What's going on? Tell me. | 0:31:25 | 0:31:27 | |
They're all rubbish. | 0:31:27 | 0:31:28 | |
Oh. | 0:31:28 | 0:31:29 | |
I've made the wrong decision, haven't I? | 0:31:29 | 0:31:32 | |
So, could be all over for me now, so... Oh, well! | 0:31:32 | 0:31:36 | |
I'm just trying to slice off the saltiest part of the baba. | 0:31:38 | 0:31:41 | |
I'm fighting for my place in the competition now. | 0:31:41 | 0:31:44 | |
When everything goes right and everyone's getting along, | 0:31:45 | 0:31:48 | |
it seems like it's not a competition. | 0:31:48 | 0:31:50 | |
But as soon as something goes wrong, | 0:31:50 | 0:31:52 | |
you realise that you could lose your place here. | 0:31:52 | 0:31:55 | |
The syrup for the baba is made from sugar, water and rum. | 0:31:56 | 0:32:00 | |
Quite a lot. | 0:32:00 | 0:32:03 | |
It should be heated long enough to burn off the alcohol, whilst keeping | 0:32:03 | 0:32:06 | |
the distinctive flavour that gives the baba its name. | 0:32:06 | 0:32:09 | |
Most of the alcohol is going up into my face at the moment, | 0:32:09 | 0:32:12 | |
so if I start to stop making sense, then stop me! | 0:32:12 | 0:32:16 | |
This is just quite an easy way to soak a baba. | 0:32:16 | 0:32:19 | |
I'll just chuck them back in the tins and they slowly soak up all this goo. | 0:32:20 | 0:32:25 | |
Oh, dear! | 0:32:26 | 0:32:28 | |
They're a mess. Oh, I'm embarrassed. | 0:32:31 | 0:32:33 | |
I can't serve these. | 0:32:33 | 0:32:35 | |
Natasha isn't the only baker concerned about presentation. | 0:32:35 | 0:32:39 | |
I'm thinking that, if I can make a caramel cage to go over the top, | 0:32:39 | 0:32:43 | |
it might look quite nice and I've got a bit of time. | 0:32:43 | 0:32:45 | |
From a presentation perspective, it should look pretty good, | 0:32:45 | 0:32:49 | |
but also it's going to give it some real nice crunch. | 0:32:49 | 0:32:51 | |
43-year-old father of two, Peter, is a sales manager from Windsor. | 0:32:51 | 0:32:56 | |
His cakes are in constant demand at meetings | 0:32:57 | 0:32:59 | |
and at birthday parties | 0:32:59 | 0:33:01 | |
for his son Harry's school friends. | 0:33:01 | 0:33:03 | |
Now, that is what I call gilding the lily! | 0:33:03 | 0:33:06 | |
We asked for rum babas, they're not difficult enough for you, are they? | 0:33:06 | 0:33:09 | |
This is, what, you've had two minutes off? | 0:33:09 | 0:33:12 | |
It hinges on the fact that I have not got a clue on what I'm doing | 0:33:12 | 0:33:16 | |
in terms of making a rum baba. | 0:33:16 | 0:33:18 | |
So it's smoke and mirrors? | 0:33:18 | 0:33:19 | |
So I'm thinking, nice presentation may hide a multitude of sins. | 0:33:19 | 0:33:23 | |
Bakers, five minutes to go. Time to primp and slightly panic. | 0:33:24 | 0:33:31 | |
Each baba must be filled with a chantilly cream | 0:33:33 | 0:33:36 | |
and topped with fresh fruit. | 0:33:36 | 0:33:39 | |
I'm trying to...make them look presentable. | 0:33:39 | 0:33:44 | |
Some kind of miracle. | 0:33:48 | 0:33:50 | |
Barbapapas and Barbamamas, you have one minute left. | 0:33:54 | 0:34:00 | |
I know this is not going to be good. | 0:34:01 | 0:34:04 | |
I'm happy with that. | 0:34:07 | 0:34:09 | |
It's a disappointment and even worse | 0:34:09 | 0:34:10 | |
cos it's Mr Hollywood's recipe, so he's just going to annihilate me, | 0:34:11 | 0:34:14 | |
you see, cos I've just destroyed it. | 0:34:14 | 0:34:16 | |
Bakers, time is up, so if you'd all like to bring your babas over | 0:34:19 | 0:34:24 | |
to the altar and place them behind the photograph of yourself. | 0:34:24 | 0:34:27 | |
Technical challenges are judged blind, meaning that Mary and Paul | 0:34:27 | 0:34:31 | |
will have no idea whose baba they are biting into. | 0:34:31 | 0:34:35 | |
This particular recipe I've had for over 20 years | 0:34:35 | 0:34:39 | |
and I'm very proud of it. | 0:34:39 | 0:34:41 | |
OK, Mary, shall we try from this side? | 0:34:43 | 0:34:46 | |
The colour's not bad, quite even. | 0:34:46 | 0:34:48 | |
They look quite attractive. | 0:34:48 | 0:34:49 | |
Taste isn't too bad. | 0:34:51 | 0:34:52 | |
This one's had some serious issues. | 0:34:52 | 0:34:56 | |
They've had problems with the dough. | 0:34:56 | 0:34:57 | |
They probably haven't blended it together properly, worked it. | 0:34:57 | 0:35:00 | |
I'll talk to this person later. | 0:35:00 | 0:35:03 | |
This has been trimmed to fit. This has been over-proved. | 0:35:03 | 0:35:08 | |
When you say over-proved, you can see there's a ridge here | 0:35:08 | 0:35:10 | |
and that means that it's come above and it should be sort of level. | 0:35:10 | 0:35:14 | |
Right, this one, someone's decided that my recipe wasn't quite | 0:35:14 | 0:35:18 | |
good enough and decided to put a sugar cage on the top of it. | 0:35:18 | 0:35:21 | |
It's well done, come on. | 0:35:21 | 0:35:22 | |
No, you're covering up cos you're trying to hide something. | 0:35:22 | 0:35:25 | |
Now, that really does taste of a rum baba. | 0:35:25 | 0:35:28 | |
It's got a nice flavour there, the texture's good. | 0:35:28 | 0:35:31 | |
Now, just don't. Isn't he unkind? | 0:35:31 | 0:35:35 | |
Let's have a look at this one. | 0:35:35 | 0:35:37 | |
This has had a good soaking. | 0:35:37 | 0:35:38 | |
-That's what I like. -It's got a bit of a ridge round the outside. | 0:35:38 | 0:35:41 | |
That's over-proving again. | 0:35:41 | 0:35:43 | |
It's over-proven again. | 0:35:43 | 0:35:44 | |
This one's been over-proved again. | 0:35:44 | 0:35:46 | |
Big fat bottom on that one as well. | 0:35:46 | 0:35:48 | |
The structure's quite dense, but it's not bad, though. | 0:35:48 | 0:35:53 | |
It tastes all right. | 0:35:53 | 0:35:54 | |
This is an interesting one, cos it's all been cut, look. | 0:35:54 | 0:35:57 | |
The tops have all been cut off. | 0:35:57 | 0:35:59 | |
It's a bit dry here. | 0:36:00 | 0:36:02 | |
The syrup has only got halfway down. | 0:36:05 | 0:36:08 | |
-Oh, jeez. -What is it, Paul? | 0:36:08 | 0:36:10 | |
There's too much salt in there. | 0:36:10 | 0:36:12 | |
-It is dead salty. -Urgh. | 0:36:12 | 0:36:15 | |
Oh! | 0:36:15 | 0:36:16 | |
This one, there was a problem getting it out of the tin, | 0:36:16 | 0:36:19 | |
-wasn't there? -Mmm, that was stuck. | 0:36:19 | 0:36:21 | |
The syrup has gone through. | 0:36:21 | 0:36:22 | |
It's not bad. | 0:36:22 | 0:36:24 | |
Oh, no. | 0:36:28 | 0:36:30 | |
It's been over baked, this one. It's got such a dense crust on it. | 0:36:30 | 0:36:34 | |
Let's move on to this thing. It's had a few issues, this one. | 0:36:34 | 0:36:39 | |
I know he's not going to say nice things. | 0:36:40 | 0:36:41 | |
They've stuck, they haven't risen, | 0:36:41 | 0:36:44 | |
they haven't fermented it. They've had serious timing issues. | 0:36:44 | 0:36:47 | |
This one isn't too bad. It's soaked, which is good. | 0:36:47 | 0:36:51 | |
The cream's been kept in the middle. | 0:36:51 | 0:36:53 | |
It's not over proved. Yeah, it's not too bad. | 0:36:53 | 0:36:56 | |
But all of you, well done for trying it anyway. | 0:36:56 | 0:36:59 | |
We're now going to mark you 12 to 1. | 0:36:59 | 0:37:01 | |
That's that one, isn't it? | 0:37:01 | 0:37:03 | |
This one? | 0:37:03 | 0:37:04 | |
-That one's pretty bad. -That's pretty bad. | 0:37:04 | 0:37:07 | |
This one here was very good. | 0:37:07 | 0:37:09 | |
That one's quite nice. | 0:37:09 | 0:37:10 | |
Right, the person in last place is... | 0:37:12 | 0:37:18 | |
this one. | 0:37:18 | 0:37:19 | |
This is me. | 0:37:19 | 0:37:21 | |
Something drastic has gone wrong with the dough | 0:37:21 | 0:37:24 | |
and it's been boiled to death. | 0:37:24 | 0:37:26 | |
-And number 11 is here. -That's me. | 0:37:26 | 0:37:29 | |
Dusting the tins, I put salt in the tin instead of sugar. | 0:37:29 | 0:37:32 | |
Tenth place is this one. What happened? | 0:37:32 | 0:37:36 | |
I couldn't get it to pipe, | 0:37:36 | 0:37:38 | |
so I put a cloth over it for the second prove and it stuck to it. | 0:37:38 | 0:37:42 | |
Yeah. You'll know now for next time. | 0:37:42 | 0:37:44 | |
Then we come to number nine and that was the one that was... | 0:37:44 | 0:37:49 | |
Yeah. | 0:37:49 | 0:37:50 | |
Ryan, Danny, Manisha, Cathryn and Victoria | 0:37:50 | 0:37:54 | |
all produced decent enough babas to keep them out of the spotlight. | 0:37:54 | 0:37:57 | |
And number three is right here. | 0:37:57 | 0:38:01 | |
You got a really good ticking off for that, didn't you? | 0:38:01 | 0:38:04 | |
But, you see, you came quite high up with your rum baba underneath. | 0:38:04 | 0:38:08 | |
Number two is this one. | 0:38:08 | 0:38:09 | |
And number one, in all its glory. | 0:38:09 | 0:38:13 | |
SHE LAUGHS | 0:38:15 | 0:38:16 | |
Oh, my God. | 0:38:16 | 0:38:18 | |
But you've all done... | 0:38:18 | 0:38:20 | |
not bad. Some better than others. | 0:38:20 | 0:38:23 | |
But tomorrow's the big one. | 0:38:23 | 0:38:25 | |
Do you know what? I know it's only four little cakes, | 0:38:25 | 0:38:29 | |
but it's, like, monumental to me. It's amazing. | 0:38:29 | 0:38:32 | |
I was just begging for the ground to open up | 0:38:32 | 0:38:34 | |
and just swallow the babas down. | 0:38:34 | 0:38:36 | |
The most important thing about this process is to learn things. | 0:38:36 | 0:38:39 | |
That's what I'm going to say, anyway. | 0:38:39 | 0:38:41 | |
I suppose I've wanted to play safe in this whole process | 0:38:41 | 0:38:43 | |
and I thought, "Come on, take a bit of a risk." | 0:38:43 | 0:38:46 | |
Look where it got me. | 0:38:46 | 0:38:47 | |
In order to do well, tomorrow's got to go without a hitch. | 0:38:47 | 0:38:51 | |
It's just got to be perfect. | 0:38:51 | 0:38:52 | |
There's one cake challenge remaining, | 0:38:58 | 0:39:00 | |
a last opportunity to claim the crown of this week's star baker. | 0:39:00 | 0:39:04 | |
And a final chance to avoid having to leave the Bake Off. | 0:39:04 | 0:39:08 | |
Victoria and Sarah-Jane really came out on top. | 0:39:08 | 0:39:13 | |
These two have basically started to step away from the pack. | 0:39:13 | 0:39:16 | |
This then causes a little bit of rift amongst all of them. They're all quite friendly at the beginning, | 0:39:16 | 0:39:20 | |
-then this competition steps up. -He lives for this bit. -He loves it. | 0:39:20 | 0:39:24 | |
It's about the pressure and which one of them | 0:39:24 | 0:39:26 | |
is going to really start pushing it. | 0:39:26 | 0:39:28 | |
Who's not quite got the technical expertise? | 0:39:28 | 0:39:31 | |
Ryan and Stuart are the two that I think are in a bit of trouble. | 0:39:31 | 0:39:34 | |
Stuart's main problem was that tomato cake. | 0:39:34 | 0:39:37 | |
He'd really tried to be original, but it just didn't work. | 0:39:37 | 0:39:40 | |
And then, when you move to Ryan, that upside down cake, | 0:39:40 | 0:39:43 | |
the textures were very, very wrong. | 0:39:43 | 0:39:45 | |
I'd throw Natasha in there as being the lowest part | 0:39:45 | 0:39:48 | |
-of the technical challenge. -She had totally the wrong method. | 0:39:48 | 0:39:51 | |
The most spectacular fall from grace was John, | 0:39:51 | 0:39:52 | |
who had that fabulous toffee apple upside-down cake | 0:39:52 | 0:39:56 | |
and then put salt instead of sugar. | 0:39:56 | 0:39:58 | |
You tasted first and your face. | 0:39:58 | 0:40:00 | |
But the show stopper today is full of surprises | 0:40:00 | 0:40:03 | |
and full of things that can go wrong. I can see trouble today. | 0:40:03 | 0:40:07 | |
-You can see trouble ahead. -I can. | 0:40:07 | 0:40:08 | |
On that positive note, let's enjoy the show stopper. | 0:40:08 | 0:40:13 | |
Morning, all. | 0:40:17 | 0:40:18 | |
Now, today we're going to ask you to do a hidden design cake. | 0:40:18 | 0:40:21 | |
So, when you slice into it, reveals a hidden design or pattern. | 0:40:21 | 0:40:26 | |
Now, you've got five hours on the clock. So... | 0:40:26 | 0:40:28 | |
-On your marks. -Get set. -Bake. -Bake. | 0:40:28 | 0:40:31 | |
To create a cake using different layers and shapes of coloured sponge | 0:40:32 | 0:40:36 | |
that reveal a hidden design when it's cut | 0:40:36 | 0:40:39 | |
requires meticulous planning. | 0:40:39 | 0:40:40 | |
Divide by four. | 0:40:42 | 0:40:45 | |
What is hidden inside must be something that, | 0:40:45 | 0:40:47 | |
the very first time you see it, | 0:40:47 | 0:40:49 | |
you think, "Oh gosh! Oh, isn't that special?" | 0:40:49 | 0:40:51 | |
They won't know what it looks like until we cut into it, | 0:40:51 | 0:40:54 | |
that's the tricky bit. | 0:40:54 | 0:40:56 | |
They have to be well rehearsed. | 0:40:56 | 0:40:58 | |
This has got to be perfection. | 0:40:58 | 0:41:01 | |
Recipes are placed alongside blueprints | 0:41:01 | 0:41:03 | |
and diagrams that the bakers have measured up at home. | 0:41:03 | 0:41:06 | |
I'm not good at 3D. | 0:41:06 | 0:41:08 | |
When I did mechanical and spatial awareness at school, | 0:41:08 | 0:41:11 | |
I'm rubbish at it. | 0:41:11 | 0:41:12 | |
It's a nice concept, but it's really a menacing task for us bakers, | 0:41:12 | 0:41:16 | |
so whoever invented it, I'm cursing their name right now. | 0:41:16 | 0:41:19 | |
Most of the bakers are using a basic Victoria sponge mix, | 0:41:19 | 0:41:23 | |
then adding food colouring to create their hidden design. | 0:41:23 | 0:41:27 | |
I'm trying to avoid using food colouring as much as I can, | 0:41:27 | 0:41:29 | |
but this strawberry layer with the, kind of, natural red food colouring | 0:41:29 | 0:41:33 | |
gives it a kind of orangey tint, which is quite nice | 0:41:33 | 0:41:36 | |
but, if you use too much of it, you can get a beetroot flavour, | 0:41:36 | 0:41:40 | |
which is what it's made from, partly. | 0:41:40 | 0:41:41 | |
James is using all natural flavours and colourings | 0:41:41 | 0:41:45 | |
to create a sunset ensconced inside his Simmer Dim Sunset Cake. | 0:41:45 | 0:41:50 | |
So you've actually used proper flavours, | 0:41:50 | 0:41:52 | |
-quite strong flavours in the Genoese? -Yeah. | 0:41:52 | 0:41:54 | |
-Impressive. -Yeah, the only thing about it is it is very large. | 0:41:54 | 0:41:57 | |
-It is extraordinarily large. -That's never an issue here. | 0:41:57 | 0:42:01 | |
James, could you have a try at opening that for me? | 0:42:01 | 0:42:04 | |
-Cos it's just... -Yeah. -Would you mind? | 0:42:04 | 0:42:06 | |
I'm going to start and colour the gradients of sponge now | 0:42:06 | 0:42:09 | |
in different colours, so I'm starting with the light pink, | 0:42:09 | 0:42:12 | |
then I'll put some more sponge batter back in, whisk it up | 0:42:12 | 0:42:15 | |
and add more colouring, so I've got four different shades of colour. | 0:42:15 | 0:42:18 | |
-No? -No. | 0:42:18 | 0:42:21 | |
Natasha's baking four different coloured sponges. | 0:42:21 | 0:42:24 | |
She's going to soak them in rose syrup and hide them | 0:42:24 | 0:42:27 | |
under butter icing, piped into the shape of roses. | 0:42:27 | 0:42:29 | |
When I originally compiled the recipe, | 0:42:29 | 0:42:32 | |
I wondered if it was too simple, | 0:42:32 | 0:42:34 | |
but I think after my technical challenge yesterday, | 0:42:34 | 0:42:36 | |
I'm glad to have something that's got less chance of failure | 0:42:36 | 0:42:39 | |
and isn't too complicated. | 0:42:39 | 0:42:40 | |
I played around with a few ideas and, | 0:42:43 | 0:42:44 | |
cos it's the Jubilee year, go quite patriotic. | 0:42:44 | 0:42:48 | |
It's the Queen's Jubilee, | 0:42:48 | 0:42:50 | |
it's the Olympics in Great Britain, it's the Great British Bake Off. | 0:42:50 | 0:42:53 | |
I'm going for a Union Jack cake. | 0:42:53 | 0:42:57 | |
I'm doing a Union Jack hidden design cake. | 0:42:57 | 0:43:01 | |
Peter and Stuart have to bake red, white and blue sponges, | 0:43:01 | 0:43:05 | |
slice them into perfectly proportioned pieces | 0:43:05 | 0:43:07 | |
that will reveal the Union Flag when the cake is cut. | 0:43:07 | 0:43:11 | |
Peter's mix is simple, but Stuart's flavouring his with lemon | 0:43:11 | 0:43:16 | |
and he's replacing some of the flour with almonds and pistachio nuts. | 0:43:16 | 0:43:19 | |
It's all about the consistency of the sponge. | 0:43:19 | 0:43:21 | |
At the end of the day, flavour's part of it. | 0:43:21 | 0:43:23 | |
The construction is going to be difficult enough. | 0:43:23 | 0:43:26 | |
Well, because of the nature of the cake, there's not much flour in it, | 0:43:26 | 0:43:29 | |
so it's actually a bit tricky to kind of carve as well, | 0:43:29 | 0:43:32 | |
-so that's going to be... -I'm in agony already. -..the pressure point. | 0:43:32 | 0:43:35 | |
Well, I'm looking forward to seeing how it turns out. | 0:43:35 | 0:43:37 | |
Oh, good. Well, hopefully I'll give you something to behold. | 0:43:37 | 0:43:41 | |
Timing is critical. The bakers will struggle to construct their designs | 0:43:42 | 0:43:47 | |
without perfectly risen pieces of cake. | 0:43:47 | 0:43:50 | |
Because the sponge is so thin, I'm only baking it for eight minutes. | 0:43:50 | 0:43:53 | |
If you're half a minute out in the baking, | 0:43:53 | 0:43:55 | |
it'll just crack and break up. | 0:43:55 | 0:43:58 | |
Ryan's making an Italian meringue mousse set around pieces of sponge. | 0:43:58 | 0:44:01 | |
When his cake is cut into, | 0:44:01 | 0:44:02 | |
it should reveal multi-coloured and flavoured flowers. | 0:44:02 | 0:44:06 | |
This one I can't use. This is a bit too bubbly. | 0:44:06 | 0:44:11 | |
A little bit tense cos there's more pressure on today to get it right. | 0:44:11 | 0:44:14 | |
They're done. | 0:44:21 | 0:44:23 | |
It's sunk a little bit too much than I actually anticipated, | 0:44:30 | 0:44:34 | |
so I'm going to struggle getting the bits off. | 0:44:34 | 0:44:36 | |
I've taken the nursery rhyme Four And Twenty Blackbirds | 0:44:41 | 0:44:44 | |
and so I'm making a pie and then when you cut into it there should, | 0:44:44 | 0:44:49 | |
touch wood, be the blackbird's head and the beak and the maid's nose. | 0:44:49 | 0:44:54 | |
You're making a pie with cake. | 0:44:54 | 0:44:56 | |
Yes. | 0:44:56 | 0:44:57 | |
Sing A Song Of Sixpence is the inspiration | 0:44:57 | 0:45:00 | |
for Victoria's show stopper, | 0:45:00 | 0:45:02 | |
where four different coloured sponges should reveal | 0:45:02 | 0:45:04 | |
a blackbird holding a maid's nose. | 0:45:04 | 0:45:07 | |
Here's the beak. | 0:45:08 | 0:45:10 | |
And the nose. | 0:45:13 | 0:45:14 | |
And the head. | 0:45:15 | 0:45:17 | |
All looks a bit revolting, sort of like a Dr Who set, | 0:45:17 | 0:45:19 | |
but in there lies a nursery rhyme. | 0:45:19 | 0:45:22 | |
Whoa. | 0:45:23 | 0:45:25 | |
I know it looks a bit messy, but it's all under control, | 0:45:25 | 0:45:28 | |
even though it doesn't look like it. | 0:45:28 | 0:45:30 | |
I'm going to have a image of a cupcake inside, | 0:45:32 | 0:45:35 | |
which is going to be three different colours | 0:45:35 | 0:45:38 | |
and three different berry flavours. | 0:45:38 | 0:45:40 | |
Cathryn has to scoop out the centre of her sponge, | 0:45:40 | 0:45:43 | |
colour it, flavour it and then replace it. | 0:45:43 | 0:45:46 | |
I'm packing it in quite densely so that when it cuts, | 0:45:46 | 0:45:49 | |
it doesn't all crumble away. | 0:45:49 | 0:45:52 | |
Sarah-Jane is using little cakes to make a big cake | 0:45:52 | 0:45:55 | |
with a crown in the middle. | 0:45:55 | 0:45:57 | |
How you getting on? | 0:45:57 | 0:45:58 | |
-The cake going up the side makes the edges. -Yep. | 0:45:58 | 0:46:02 | |
And then that makes the middle. | 0:46:02 | 0:46:05 | |
I've only got one of these, so if I mess it up - a bit of a disaster. | 0:46:05 | 0:46:10 | |
We've moved out of baking in a sense | 0:46:10 | 0:46:13 | |
-and into kind of... -Into joinery. -It's joinery, isn't it? -Yeah. | 0:46:13 | 0:46:15 | |
John's using a pastry cutter to cut a romantic design | 0:46:15 | 0:46:18 | |
that should appear in every slice of his cake. | 0:46:18 | 0:46:21 | |
I love this pink sponge. | 0:46:21 | 0:46:23 | |
It's like the texture, and I mean this with all respect, of a muppet. | 0:46:23 | 0:46:29 | |
-Let's hope it doesn't make a muppet out of me. -No, it won't do. | 0:46:29 | 0:46:32 | |
Mary, have you ever seen anything as precise as this in your life? | 0:46:35 | 0:46:37 | |
It's a work of beauty. | 0:46:37 | 0:46:39 | |
It's a work of precision. | 0:46:39 | 0:46:41 | |
I'm having to, kind of, construct loosely a blue bit | 0:46:43 | 0:46:49 | |
just from the remains, | 0:46:49 | 0:46:51 | |
so it's a bit frustrating and a bit confusing at the moment. | 0:46:51 | 0:46:55 | |
-Testing stuff, eh? -Yeah, making a mess as well. | 0:46:56 | 0:46:59 | |
Bakers, you've got half an hour left for your insidey-outy cakes. | 0:47:02 | 0:47:07 | |
Ah! You're kidding me! | 0:47:07 | 0:47:09 | |
Right, OK, I'm on it, like a car bonnet. | 0:47:09 | 0:47:13 | |
The saucepan's heavy and I just want some pressure on | 0:47:13 | 0:47:16 | |
so that those layers will stick together. | 0:47:16 | 0:47:19 | |
I need this to go right, so, yeah. | 0:47:19 | 0:47:21 | |
Well, with classic British understatement, that's not too bad. | 0:47:23 | 0:47:27 | |
Looking over at Peter's, | 0:47:29 | 0:47:31 | |
just because it's a different type of cake. | 0:47:31 | 0:47:33 | |
Mine's less, erm, sturdy is the correct word. | 0:47:33 | 0:47:38 | |
Ryan's been waiting by the fridge for half an hour. | 0:47:45 | 0:47:48 | |
He needs his mousse to be completely set | 0:47:48 | 0:47:50 | |
before he can begin to decorate it. | 0:47:50 | 0:47:52 | |
-Ryan. -Yeah? | 0:47:52 | 0:47:53 | |
How's yours coming along? | 0:47:53 | 0:47:55 | |
Very long time, it's not cold enough. | 0:47:55 | 0:47:57 | |
Oh, it's not cold enough? | 0:47:57 | 0:48:00 | |
-What's that you've got? What's that? -It's a sort of spray. -What for? | 0:48:00 | 0:48:03 | |
-It's the colour, it's just a spray to make it red. -Ooh. | 0:48:03 | 0:48:07 | |
OK, everyone, there's ten minutes left. Just ten minutes now. | 0:48:07 | 0:48:10 | |
Oh, my Lord. | 0:48:13 | 0:48:15 | |
Getting a bit... I don't know if I'm going to finish. | 0:48:15 | 0:48:18 | |
It's a bit patchy. | 0:48:32 | 0:48:34 | |
Maybe the mousse is not cold enough. | 0:48:36 | 0:48:38 | |
Ahh. | 0:48:38 | 0:48:40 | |
If it was my last bake, I'd be pretty gutted. | 0:48:40 | 0:48:43 | |
I don't think I've been able to show my full potential, really. | 0:48:43 | 0:48:47 | |
I know how cliche that kind of sounds. | 0:48:47 | 0:48:49 | |
The mousse is not set enough. | 0:48:59 | 0:49:02 | |
That's one minute of hot piping action left. Just one minute. | 0:49:02 | 0:49:05 | |
Oh, my goodness. | 0:49:05 | 0:49:07 | |
This is the black bit. | 0:49:16 | 0:49:18 | |
I want the outline before I run out of time. | 0:49:18 | 0:49:21 | |
Five, four, three, two, one. Time is up. | 0:49:23 | 0:49:27 | |
Please step away from your cakes. | 0:49:27 | 0:49:31 | |
Time is up. | 0:49:31 | 0:49:34 | |
From the outside, it's a bit messy because of the last minute rush. | 0:49:38 | 0:49:41 | |
But inside, I think I made it very well. | 0:49:41 | 0:49:43 | |
Hopefully, they'll like the taste and that'll get me through. | 0:49:43 | 0:49:45 | |
I think Mary will probably like the roses, | 0:49:45 | 0:49:48 | |
cos she's all pretty and delicate herself, | 0:49:48 | 0:49:50 | |
but I just hope it's just as good inside as it looks on the outside. | 0:49:50 | 0:49:54 | |
Maybe mine tells a story, but all I can see are the imperfections, | 0:49:54 | 0:49:58 | |
so I think, basically they'll be saying it's a nice idea, | 0:49:58 | 0:50:00 | |
but not executed well enough. | 0:50:00 | 0:50:02 | |
To be brutally honest, | 0:50:02 | 0:50:03 | |
all I was doing was focussing on what I had to do. | 0:50:03 | 0:50:05 | |
I can't remember who was doing the Union Jack cake, | 0:50:05 | 0:50:09 | |
but I think I did as well as I could with my design. | 0:50:09 | 0:50:10 | |
Peter's just looked amazing compared to mine. | 0:50:10 | 0:50:13 | |
Ah. # Memories. # | 0:50:15 | 0:50:17 | |
The bakers have no idea how the cakes have turned out | 0:50:22 | 0:50:25 | |
until the judges cut them open. | 0:50:25 | 0:50:26 | |
What they reveal will decide their future in the Bake Off. | 0:50:28 | 0:50:31 | |
It looks very smart. | 0:50:33 | 0:50:35 | |
What is it going to reveal? | 0:50:35 | 0:50:37 | |
Hopefully, a nice, pink heart in every single slice. | 0:50:37 | 0:50:40 | |
I feel like you're cutting through my heart. | 0:50:41 | 0:50:44 | |
Well, we've got two beautiful, pink hearts. | 0:50:49 | 0:50:54 | |
It's moist. It's a nice cake. | 0:50:54 | 0:50:56 | |
-Thank you so much. -I think it's a very clever concept. | 0:50:56 | 0:50:59 | |
I don't think I can look when you do that. | 0:51:01 | 0:51:03 | |
What? You worried? | 0:51:03 | 0:51:05 | |
A very clever effect of that crown. | 0:51:08 | 0:51:12 | |
The flavour, as it is, is not there, it's quite bland. | 0:51:12 | 0:51:16 | |
You're a bit worried as that knife's going down. | 0:51:19 | 0:51:22 | |
-Just massaging the temples in stress. -Remind us what's inside. | 0:51:22 | 0:51:25 | |
It should be an image of a cupcake. | 0:51:25 | 0:51:27 | |
Yeah, it's a cupcake, excellent. | 0:51:27 | 0:51:30 | |
And it looks a lovely and fruity cupcake, too. | 0:51:30 | 0:51:33 | |
That flavour, the fruit really lifts it up. | 0:51:33 | 0:51:35 | |
Cos if it wasn't there, it'd be quite bland. | 0:51:35 | 0:51:37 | |
But overall, technically, that's a nice cake. | 0:51:37 | 0:51:40 | |
-Thank you. -Lovely. | 0:51:40 | 0:51:41 | |
As a novelty cake which looks like a pie, | 0:51:41 | 0:51:46 | |
-I think you've done extremely well. -Very clever. | 0:51:46 | 0:51:48 | |
PAUL LAUGHS | 0:51:50 | 0:51:52 | |
It tells a story. Anybody could guess what it is, couldn't you? | 0:51:52 | 0:51:56 | |
Very impressed. | 0:51:56 | 0:51:58 | |
I mean, the design inside the cake, that's got that little step further. | 0:51:58 | 0:52:01 | |
Thank you very much, indeed. | 0:52:01 | 0:52:03 | |
You've based it on the Union Jack, so if we cut it down the middle... | 0:52:03 | 0:52:07 | |
-Goodness gracious. -That's impressive. | 0:52:09 | 0:52:12 | |
Most impressive. It's very sweet, it's moist. | 0:52:12 | 0:52:16 | |
You've got there. | 0:52:16 | 0:52:17 | |
-Yeah, well done. -Thank you. -Thank you, Peter. | 0:52:17 | 0:52:20 | |
-Is that the Queen's head on top? -It was meant to be, | 0:52:23 | 0:52:25 | |
-but I ran out of time, unfortunately. -OK, OK. | 0:52:25 | 0:52:27 | |
If you cut round about the neckline, | 0:52:27 | 0:52:30 | |
-you'll probably get the best... -About there? | 0:52:30 | 0:52:32 | |
-Off with her head. -It's treasonous. It's pure treason. | 0:52:32 | 0:52:35 | |
-Are you absolutely certain about this? -Yes, yeah. | 0:52:35 | 0:52:37 | |
It's gone a bit awry on the structure of it, technically. | 0:52:44 | 0:52:47 | |
-The flavour's all right, actually. -Mmm, it's really good, the flavour. | 0:52:48 | 0:52:52 | |
And we do take note of what things taste like as well as they look. | 0:52:52 | 0:52:57 | |
You've had an issue with the mottling from the spray. | 0:53:01 | 0:53:03 | |
-Yes. Whoa, whoa, it's this way, Paul, please. -Right. | 0:53:03 | 0:53:06 | |
-This way. -I thought the raspberry line meant follow the raspberries. | 0:53:06 | 0:53:09 | |
It was, but I put the rolls in the wrong way, it was a bit too late. | 0:53:09 | 0:53:13 | |
OK. What are we expecting to see when we cut down the middle? | 0:53:13 | 0:53:16 | |
Red and yellow flowers. | 0:53:16 | 0:53:17 | |
-Ha-ha. -It looks very, very pretty. | 0:53:20 | 0:53:24 | |
They do look very good. It's very modern. | 0:53:24 | 0:53:26 | |
-I think you've done really well, actually. -Thank you. | 0:53:26 | 0:53:28 | |
That is one monster of a cake, isn't it? | 0:53:30 | 0:53:34 | |
It's very bold. | 0:53:34 | 0:53:35 | |
I think I've got to be bold now, to be honest. | 0:53:35 | 0:53:37 | |
Have you got a shovel or anything? I could just lift this up. | 0:53:37 | 0:53:40 | |
Can you tell me what we're expecting to see inside? | 0:53:40 | 0:53:42 | |
A sun. | 0:53:42 | 0:53:43 | |
Well, we've got the sun in the bottom. | 0:53:43 | 0:53:46 | |
-And this is Genoese? -Yeah. -It is quite heavy. | 0:53:46 | 0:53:51 | |
-No, I think what it is, is... -The weight of it crushing down. | 0:53:52 | 0:53:54 | |
-There's so much weight, yeah. -Yeah. | 0:53:54 | 0:53:55 | |
Try and think a little bit smaller sometimes. | 0:53:55 | 0:53:58 | |
It's the first cake we've ever had you can see from space as well. | 0:53:58 | 0:54:02 | |
THEY LAUGH | 0:54:02 | 0:54:04 | |
That looks so pretty. | 0:54:06 | 0:54:09 | |
I haven't seen this double-tone filling a bag | 0:54:09 | 0:54:12 | |
and it is so effective, isn't it? | 0:54:12 | 0:54:14 | |
Ooh, it's heavy. | 0:54:14 | 0:54:16 | |
You've got some under baked. | 0:54:19 | 0:54:20 | |
It looks more like a paste than it does a sponge, | 0:54:20 | 0:54:23 | |
because it's concertinaed up. | 0:54:23 | 0:54:24 | |
It looks as though it has been over soaked as well. | 0:54:24 | 0:54:28 | |
-Yeah, it might have been. -It looks absolutely solid. | 0:54:28 | 0:54:30 | |
The texture is way, way out there. | 0:54:32 | 0:54:35 | |
Technically, it's raw. | 0:54:35 | 0:54:37 | |
Mary and Paul will look back over the weekend | 0:54:41 | 0:54:43 | |
to decide who will be this week's star baker | 0:54:43 | 0:54:47 | |
and who will leave. | 0:54:47 | 0:54:48 | |
Who do you think's really excelled? Who's in contention for star baker? | 0:54:48 | 0:54:52 | |
Cathryn has been pretty good. | 0:54:52 | 0:54:54 | |
Victoria, I thought, has done quite well. | 0:54:54 | 0:54:56 | |
-We have... -We have spoken about this | 0:54:56 | 0:54:57 | |
and one person has stepped away from the whole pack, substantially. | 0:54:57 | 0:55:01 | |
-You mean you agree? -Yes. | 0:55:01 | 0:55:04 | |
-No! -No! I'm amazed. | 0:55:04 | 0:55:05 | |
Well, that leaves us with people | 0:55:05 | 0:55:07 | |
who have performed badly and who are now facing | 0:55:07 | 0:55:10 | |
removal from the competition. | 0:55:10 | 0:55:12 | |
Both Natasha and Stuart have had issues. | 0:55:12 | 0:55:15 | |
Let's start with Natasha. | 0:55:15 | 0:55:16 | |
Having done an interesting finish on the top, | 0:55:16 | 0:55:20 | |
her cake is really solid and it's just gone into one mass. | 0:55:20 | 0:55:24 | |
Stuart's cake today, the decoration wasn't fantastic. | 0:55:24 | 0:55:28 | |
-Yeah. -Peter's looks absolutely meticulous and perfect. | 0:55:28 | 0:55:31 | |
-Pristine. -But Stuart's cake is not so pristine. | 0:55:31 | 0:55:34 | |
And when you look back at Stuart's upside-down cake | 0:55:34 | 0:55:39 | |
with the tomato, the tomato was sort of wasted. | 0:55:39 | 0:55:40 | |
It just created too much moisture, which made the cake very dense. | 0:55:40 | 0:55:44 | |
Stuart came ninth in the rum baba technical challenge. | 0:55:44 | 0:55:47 | |
But when you look at Natasha's, her baba was boiled to death | 0:55:47 | 0:55:50 | |
and, sort of, it had lack of colour, no flavour, | 0:55:50 | 0:55:52 | |
it needed a lot of sorting out. | 0:55:52 | 0:55:54 | |
It just comes down to you guys deciding what the cardinal error is. | 0:55:54 | 0:55:58 | |
Is it ketchup cake or is it boiled baba? | 0:55:58 | 0:55:59 | |
-And that's something that only you guys can really think about. -Yep. | 0:55:59 | 0:56:03 | |
Bakers, huge congratulations. | 0:56:10 | 0:56:14 | |
It's been an immense weekend | 0:56:14 | 0:56:17 | |
and you've shown the judges stamina, style and skill. | 0:56:17 | 0:56:22 | |
And you've also given us the largest cake ever seen | 0:56:22 | 0:56:24 | |
by the naked human eye. | 0:56:24 | 0:56:28 | |
Now, we'd like to focus on the person that has really shone out. | 0:56:28 | 0:56:33 | |
Our star baker this week is... | 0:56:33 | 0:56:36 | |
Victoria. | 0:56:38 | 0:56:39 | |
-Woo-hoo! -Well done. Congratulations. | 0:56:39 | 0:56:42 | |
Now, as you also know, | 0:56:46 | 0:56:47 | |
for one of you the journey is going to stop here. | 0:56:47 | 0:56:49 | |
And the person that is going to leave us this week is... | 0:56:53 | 0:56:57 | |
Natasha. I'm so sorry, darling. Thank you. | 0:57:00 | 0:57:04 | |
-I'm so sorry, sweetheart. -I think that's fair. | 0:57:04 | 0:57:08 | |
I hate to say it, I hate to see you go. | 0:57:08 | 0:57:10 | |
I think it was the right decision. I suppose I just didn't do my best. | 0:57:10 | 0:57:14 | |
It's been a wonderful experience. | 0:57:21 | 0:57:23 | |
Baking's a huge part of me, has been for years. | 0:57:23 | 0:57:25 | |
You know, I'll just return to baking how I enjoy it, | 0:57:25 | 0:57:28 | |
baking for the family, baking as a therapy, baking to relax, | 0:57:28 | 0:57:32 | |
baking to share, and that's what it's all about. | 0:57:32 | 0:57:35 | |
You pulled it back from the brink, mate. | 0:57:35 | 0:57:37 | |
-Thank you. -That's what the Bake Off's all about. | 0:57:37 | 0:57:39 | |
HE LAUGHS | 0:57:39 | 0:57:41 | |
My God. I think I've barely scraped through. | 0:57:41 | 0:57:45 | |
I've got to just step up my game. | 0:57:45 | 0:57:47 | |
Well done, guys, all of you. | 0:57:47 | 0:57:49 | |
I was pretty thrilled to be staying, | 0:57:49 | 0:57:52 | |
so just still taking it in, actually. | 0:57:52 | 0:57:55 | |
I could be out next week, so I can just enjoy this moment. | 0:57:55 | 0:57:59 | |
PHONE RINGS | 0:57:59 | 0:58:01 | |
Guess what? | 0:58:01 | 0:58:02 | |
-'What?' -I got through to the next round, to the next episode. | 0:58:02 | 0:58:05 | |
Don't swear. Don't swear, because we're... | 0:58:05 | 0:58:08 | |
SHE LAUGHS | 0:58:08 | 0:58:10 | |
Next time. | 0:58:10 | 0:58:12 | |
It's sticking. | 0:58:12 | 0:58:13 | |
-It's Paul's passion. -Get in there. | 0:58:13 | 0:58:16 | |
Bread. | 0:58:16 | 0:58:17 | |
That's brave. | 0:58:17 | 0:58:18 | |
With signature flatbreads. | 0:58:18 | 0:58:21 | |
There's no turning back now. | 0:58:21 | 0:58:22 | |
A twisted technical challenge. | 0:58:22 | 0:58:25 | |
I'm going again, I'm going again. | 0:58:25 | 0:58:26 | |
-And 24... -Got it. Oop! | 0:58:26 | 0:58:28 | |
..show stopping bagels. | 0:58:28 | 0:58:29 | |
I think I'm in trouble today. | 0:58:29 | 0:58:32 | |
But who will be crowned star baker? | 0:58:32 | 0:58:34 | |
Like the curate's egg, good in part. | 0:58:34 | 0:58:36 | |
And who... | 0:58:36 | 0:58:37 | |
He's going to hate it. | 0:58:37 | 0:58:38 | |
..will be the next to leave... | 0:58:38 | 0:58:39 | |
Ha-ha-ha. I don't know. | 0:58:39 | 0:58:42 | |
..The Great British Bake Off? | 0:58:42 | 0:58:43 | |
-Done! -Looks good to me. See? Perfect, no bother. | 0:58:43 | 0:58:47 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:59:01 |