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Welcome back to Somerset. | 0:00:02 | 0:00:03 | |
And, crucially, we're at the halfway point | 0:00:03 | 0:00:05 | |
in our mission to find Britain's best amateur baker. | 0:00:05 | 0:00:07 | |
So far, we've had chocolate breeze blocks, | 0:00:07 | 0:00:09 | |
we've had skyscraper meringues, and collapsed caramels. | 0:00:09 | 0:00:12 | |
As Celine Dion would say, "Things are getting serious." | 0:00:12 | 0:00:15 | |
As Mary Berry would say, "Get your oven gloves on." | 0:00:15 | 0:00:17 | |
It's the Great British Bake-Off. | 0:00:17 | 0:00:19 | |
It's round five of the Bake-Off. The standard is higher than ever. | 0:00:20 | 0:00:24 | |
It's not like life or death any more, | 0:00:24 | 0:00:26 | |
it's not about good bakes and bad bakes - that's it. | 0:00:26 | 0:00:28 | |
I do put my heart and soul into everything I bake, and I just want them to see | 0:00:28 | 0:00:31 | |
that everything that I am about is baking. | 0:00:31 | 0:00:33 | |
Last week, desserts were on the menu. | 0:00:33 | 0:00:35 | |
I like the total originality of your presentation. | 0:00:35 | 0:00:39 | |
Brendan was Star Baker. | 0:00:39 | 0:00:42 | |
Slop! | 0:00:42 | 0:00:43 | |
But it proved to be Stuart's last course. | 0:00:43 | 0:00:45 | |
-It looks.... -Messy. | 0:00:45 | 0:00:48 | |
You have good days and bad days, and for me, unfortunately, it's been a bad weekend. | 0:00:48 | 0:00:51 | |
This week, the bakers take on pies. | 0:00:51 | 0:00:54 | |
For me, the onus is purely on the pastry itself. | 0:00:54 | 0:00:58 | |
Oh, my goodness! Look at that! | 0:00:58 | 0:01:01 | |
-But who will pull out all the stops? -It's out! It's out, it's out! | 0:01:01 | 0:01:06 | |
-Sheer perfection. -And who will sink under pressure? | 0:01:06 | 0:01:09 | |
I'm completely out of my depth. | 0:01:09 | 0:01:12 | |
If that collapses on me again, I don't know what I'll do. | 0:01:12 | 0:01:15 | |
There's no plan B. | 0:01:15 | 0:01:16 | |
-I don't like that. -The taste is not very appealing. | 0:01:16 | 0:01:20 | |
Argh! | 0:01:20 | 0:01:21 | |
3.14... | 0:01:44 | 0:01:46 | |
1592... | 0:01:46 | 0:01:47 | |
2837... | 0:01:47 | 0:01:49 | |
64... | 0:01:49 | 0:01:50 | |
-2... -3. | 0:01:50 | 0:01:52 | |
It's pie week. | 0:01:52 | 0:01:53 | |
Eight remaining bakers, three pie-making challenges, | 0:01:58 | 0:02:02 | |
two days in the marquee - | 0:02:02 | 0:02:04 | |
one baker will be leaving. | 0:02:04 | 0:02:07 | |
Bakers, welcome to pie week.. Very exciting. | 0:02:09 | 0:02:13 | |
Now, for your first challenge, | 0:02:13 | 0:02:15 | |
which is of course your signature challenge, | 0:02:15 | 0:02:19 | |
we would like you to make a centrepiece classic - | 0:02:19 | 0:02:21 | |
a Wellington. | 0:02:21 | 0:02:23 | |
Now, Paul has specified it's at least eight inches long, | 0:02:23 | 0:02:26 | |
it needs to be completely covered with pastry, the rest is up to you. | 0:02:26 | 0:02:31 | |
-You've got three hours, so on your marks... -Get set... | 0:02:31 | 0:02:33 | |
bake! | 0:02:33 | 0:02:35 | |
'Wellingtons are traditionally made with beef, | 0:02:36 | 0:02:39 | |
'and wrapped in a pastry crust to keep the meat moist.' | 0:02:39 | 0:02:42 | |
The Wellington challenge is all about the pastry itself. | 0:02:42 | 0:02:46 | |
Yes, I am looking for some interesting fillings, | 0:02:46 | 0:02:48 | |
but more importantly, | 0:02:48 | 0:02:50 | |
I just want to see a great pastry. | 0:02:50 | 0:02:54 | |
We will be looking for a lovely even bake, | 0:02:54 | 0:02:56 | |
underneath too - no soggy bottoms. | 0:02:56 | 0:03:00 | |
And it must rise in layers and flakes. | 0:03:00 | 0:03:03 | |
'Manisha and James are both attempting puff pastry, | 0:03:04 | 0:03:07 | |
'the big daddy of the pastry world, | 0:03:07 | 0:03:09 | |
'and infamously tricky to make. | 0:03:09 | 0:03:11 | |
'But the traditional choice for Wellington.' | 0:03:11 | 0:03:13 | |
Puff pastry is notorious... | 0:03:13 | 0:03:17 | |
for its complexity, | 0:03:17 | 0:03:18 | |
although hopefully this will go OK. | 0:03:18 | 0:03:22 | |
'The butter's added in a single slab | 0:03:22 | 0:03:24 | |
'and is rolled, folded and rested six times, | 0:03:24 | 0:03:27 | |
'creating a layer of butter between each layer of dough. | 0:03:27 | 0:03:30 | |
'In a hot oven, the moisture in the dough turns to steam, | 0:03:30 | 0:03:33 | |
'which pushes up as it evaporates, | 0:03:33 | 0:03:35 | |
'creating the "puff" in the pastry.' | 0:03:35 | 0:03:38 | |
I mean, who makes their own puff pastry these days? No-one. | 0:03:38 | 0:03:41 | |
It's quite enjoyable to make your own puff pastry - | 0:03:41 | 0:03:44 | |
when it turns out right. | 0:03:44 | 0:03:45 | |
'Manisha's attempting a lamb Wellington with rosemary and mint.' | 0:03:45 | 0:03:49 | |
I don't make this at home at all. | 0:03:49 | 0:03:52 | |
It's like the second time I'm making this. | 0:03:52 | 0:03:54 | |
If it goes down well today I'll probably make it more often. | 0:03:54 | 0:03:57 | |
I've only made this a couple of times, | 0:03:57 | 0:04:00 | |
but yeah, it's been really good both times. | 0:04:00 | 0:04:03 | |
I'm making a "four little pigs" Wellington. | 0:04:03 | 0:04:07 | |
It's got four cuts of pork. | 0:04:07 | 0:04:09 | |
We've got pork fillet, | 0:04:09 | 0:04:11 | |
gammon, smoked gammon, | 0:04:11 | 0:04:12 | |
prosciutto ham, and black pudding. | 0:04:12 | 0:04:16 | |
'Most of the bakers are making rough puff pastry. | 0:04:16 | 0:04:19 | |
'It won't rise as much as its puff-pastry cousin | 0:04:19 | 0:04:22 | |
'and its texture won't be as fine, | 0:04:22 | 0:04:23 | |
'but it's quicker to make, | 0:04:23 | 0:04:25 | |
'as chunks of butter are simply mixed into the flour.' | 0:04:25 | 0:04:28 | |
The trickiest part is that you've got to make sure not only that the pastry is cooked and not soggy, | 0:04:28 | 0:04:32 | |
but also that the meat's cooked | 0:04:32 | 0:04:34 | |
The pastry's got be laminated, but it won't rise too much cos it's wrapped around something, | 0:04:34 | 0:04:38 | |
but there needs to be that lamination | 0:04:38 | 0:04:40 | |
that Paul and Mary both look for. | 0:04:40 | 0:04:41 | |
Every element is a potential pitfall for me today. | 0:04:41 | 0:04:44 | |
But we all like a challenge. | 0:04:44 | 0:04:46 | |
'Law student John is surrounding his cut of venison | 0:04:46 | 0:04:50 | |
'with a layer of haggis and porcini pate, | 0:04:50 | 0:04:52 | |
'all wrapped in Parma ham.' | 0:04:52 | 0:04:53 | |
It's an interesting blend with the venison and haggis. | 0:04:53 | 0:04:56 | |
-It should go quite well together. -Yes. -Pastry, it's a nice one. | 0:04:56 | 0:05:00 | |
-That's its final turn now. -Are you doing book or single? | 0:05:00 | 0:05:03 | |
-Sorry? -Book turns or single turns? | 0:05:03 | 0:05:05 | |
-Just like an envelope. -Single turns. | 0:05:05 | 0:05:06 | |
Book turn...you go one, two, and then you go over. | 0:05:06 | 0:05:11 | |
-I might try that actually. -It's like a double-turn, really. | 0:05:11 | 0:05:14 | |
-MARY: It's one more layer, isn't it? -I'll give it a go. | 0:05:14 | 0:05:16 | |
Can't moan about one more layer, can we, eh? | 0:05:16 | 0:05:18 | |
I'm not amazing at pastry. | 0:05:21 | 0:05:23 | |
But I'm OK at pastry. | 0:05:23 | 0:05:25 | |
And this is going to be, I think, the biggest challenge. | 0:05:25 | 0:05:29 | |
Everything is tricky about this bake. Everything. | 0:05:29 | 0:05:32 | |
The meat, the pastry, the bits that you put with it, | 0:05:32 | 0:05:35 | |
everything is really tricky about this. | 0:05:35 | 0:05:38 | |
And they all have to be good. | 0:05:38 | 0:05:40 | |
Danny's the only baker making a vegetarian Wellington. | 0:05:40 | 0:05:43 | |
I'm just making the rough puff pastry at the moment. | 0:05:43 | 0:05:46 | |
And then I'll move on to the actual filling of the Wellington, | 0:05:46 | 0:05:49 | |
which is going to be chickpeas, peppers and spinach. | 0:05:49 | 0:05:53 | |
And then it's going to have some garlic mushrooms around it. | 0:05:53 | 0:05:56 | |
'Last week's Star Baker Brendan | 0:05:58 | 0:06:00 | |
'is breaking from tradition with the fish Wellington. | 0:06:00 | 0:06:03 | |
'Salmon, eggs, rice, mushrooms and spinach, | 0:06:03 | 0:06:05 | |
'all wrapped in a Scandinavian-style pastry made using quark, | 0:06:05 | 0:06:08 | |
'an un-aged cheese similar to fromage frais.' | 0:06:08 | 0:06:12 | |
Tell us a little bit more about this pastry. | 0:06:12 | 0:06:15 | |
It's equal quantities of butter, strong flour and quark. | 0:06:15 | 0:06:18 | |
Half a teaspoon of baking powder, | 0:06:18 | 0:06:21 | |
normally they put in one to one-and-a-half, but I'm reducing it, | 0:06:21 | 0:06:24 | |
because the more baking powder you put in, it loses it's flakiness. | 0:06:24 | 0:06:29 | |
And a little salt, and that's it. | 0:06:29 | 0:06:30 | |
The binding agent is the quark cheese. | 0:06:30 | 0:06:33 | |
So it's not very strong in flavour, the cheese, | 0:06:33 | 0:06:37 | |
but it will complement, I think, the salmon. | 0:06:37 | 0:06:39 | |
'The filling in a Wellington can make the pastry soggy, | 0:06:41 | 0:06:45 | |
'so using pate, pancakes, | 0:06:45 | 0:06:46 | |
'or a thin ham to create a protective seal stops the juices seeping out.' | 0:06:46 | 0:06:50 | |
My mum works at a butcher's on a Saturday, | 0:06:50 | 0:06:56 | |
and all are a little bit obsessed with the sausages. | 0:06:56 | 0:06:59 | |
We all love big breakfasts and stuff, | 0:06:59 | 0:07:01 | |
so it is kind of what the family like. | 0:07:01 | 0:07:04 | |
Basically, it's a glorified sausage roll. | 0:07:04 | 0:07:06 | |
Cathryn's wrapping Parma ham | 0:07:06 | 0:07:08 | |
around the contents of a full English breakfast. | 0:07:08 | 0:07:11 | |
Eggs, tomatoes, mushrooms, and black pudding. | 0:07:11 | 0:07:14 | |
No baked beans, Cathryn? | 0:07:14 | 0:07:16 | |
-No baked beans. -That's sad. | 0:07:16 | 0:07:17 | |
-Baked beans on the side. -Good. | 0:07:17 | 0:07:19 | |
-What pastry are you going to be using? -Flaky pastry. | 0:07:19 | 0:07:21 | |
Flaky pastry. It sounds good. | 0:07:21 | 0:07:23 | |
I think that sounds lovely, and I like the idea of the Parma ham. | 0:07:23 | 0:07:26 | |
Because it has such a good, strong flavour. | 0:07:26 | 0:07:29 | |
And also, it's not porous, | 0:07:29 | 0:07:31 | |
because you don't want any of that wet mixture to go into the pastry. | 0:07:31 | 0:07:34 | |
'Photographer Ryan is taking a chance with an unconventional recipe. | 0:07:36 | 0:07:40 | |
'A sea bass en croute, with Malaysian curry powder and puy lentils.' | 0:07:40 | 0:07:44 | |
The thing that's dangerous for this recipe is | 0:07:44 | 0:07:46 | |
I'm using a lot of things that are quite wet. | 0:07:46 | 0:07:48 | |
I'm making puy lentils, I'm boiling that, | 0:07:48 | 0:07:50 | |
so that's a lot of liquid intake on there. | 0:07:50 | 0:07:53 | |
I'm using onions, there'll be a lot of liquid there, | 0:07:53 | 0:07:56 | |
obviously liquid from the fish. | 0:07:56 | 0:07:57 | |
And so if that steams up it might make the pastry soft. | 0:07:57 | 0:08:00 | |
OK, bakers, that's half-time. | 0:08:02 | 0:08:03 | |
Give your pastry some welly, | 0:08:03 | 0:08:06 | |
because you got an hour and a half left. | 0:08:06 | 0:08:08 | |
I need to hurry the hell up! | 0:08:08 | 0:08:09 | |
The key to a successful Wellington is to partly cook the filling | 0:08:13 | 0:08:16 | |
and allow it to cool before it's wrapped in the pastry. | 0:08:16 | 0:08:20 | |
If the filling is hot when the pastry is put together, | 0:08:20 | 0:08:22 | |
the fat in the pastry will melt and the shape collapse. | 0:08:22 | 0:08:26 | |
-My goodness, that's massive! -It's huge. | 0:08:26 | 0:08:28 | |
-Isn't it massive? -That is beef, yeah? -I hope so! | 0:08:28 | 0:08:32 | |
Scary, isn't it? | 0:08:33 | 0:08:35 | |
It's like the best cut of beef. It's expensive. | 0:08:35 | 0:08:39 | |
If I mess it up and make it disgusting, that would be awful. | 0:08:39 | 0:08:42 | |
Sarah-Jane is opting for a traditional beef Wellington | 0:08:42 | 0:08:46 | |
with a twist of Gorgonzola cheese. | 0:08:46 | 0:08:48 | |
Why have you got your beef in foil? | 0:08:48 | 0:08:50 | |
I seared it in the pan and then I roasted it in the oven, | 0:08:50 | 0:08:54 | |
just for 15 minutes. | 0:08:54 | 0:08:55 | |
I put it in the foil so that all the steam would stay in | 0:08:55 | 0:08:57 | |
and try and keep it as most as possible. | 0:08:57 | 0:09:00 | |
So that's the plan. | 0:09:00 | 0:09:01 | |
And then you're going to chill it before you put the pastry round? | 0:09:01 | 0:09:04 | |
I'm not going to chill it, I'm going to leave it resting on the side, | 0:09:04 | 0:09:07 | |
because I don't want it really, really cold | 0:09:07 | 0:09:10 | |
when it goes in the oven. | 0:09:10 | 0:09:12 | |
Because then I won't know how long it takes to cook in the middle | 0:09:12 | 0:09:16 | |
if it's really, really cold. | 0:09:16 | 0:09:17 | |
That's the plan, anyway. | 0:09:17 | 0:09:19 | |
Oh! That's a little bit unstable. | 0:09:21 | 0:09:25 | |
The Wellingtons should be tightly wrapped, | 0:09:25 | 0:09:27 | |
or trapped air will become steam | 0:09:27 | 0:09:29 | |
and cause the pastry to blister and burst in the oven. | 0:09:29 | 0:09:31 | |
Groovy. That's what we say up north. | 0:09:31 | 0:09:34 | |
It's going to look a bit like a big Cornish pasty. | 0:09:34 | 0:09:38 | |
Because it's got the cheese in it, | 0:09:38 | 0:09:40 | |
when I topped it underneath, the cheese came out of the bottom. | 0:09:40 | 0:09:42 | |
So I'm going to seal it on the top, to try to keep the cheese in. | 0:09:42 | 0:09:46 | |
You could do someone a real mischief with that. I mean, that is... | 0:09:46 | 0:09:49 | |
Yeah, you could. | 0:09:49 | 0:09:51 | |
I thought we said eight inches? | 0:09:51 | 0:09:53 | |
I know, and when I've been at home | 0:09:53 | 0:09:55 | |
it has been kind of... more around that size, | 0:09:55 | 0:09:58 | |
but I just got carried away today, I think. | 0:09:58 | 0:10:01 | |
You just thought, "OK, big is best?" | 0:10:01 | 0:10:02 | |
I can't decide whether to decorate or to score? | 0:10:02 | 0:10:05 | |
-I'd decorate it. -You reckon? I might decorate it. | 0:10:05 | 0:10:08 | |
You know how Mary loves to see what's on the inside | 0:10:08 | 0:10:10 | |
replicated on the outside? | 0:10:10 | 0:10:12 | |
-Oh, no, don't. -I think you should do a full farmyard scene. | 0:10:12 | 0:10:15 | |
OK, you need to go in. | 0:10:16 | 0:10:17 | |
Bakers, that's one hour left, | 0:10:19 | 0:10:21 | |
so, Cathryn, if you haven't put that one metre-long meat mallet in the oven, it needs to go in now! | 0:10:21 | 0:10:26 | |
Massive. | 0:10:26 | 0:10:27 | |
It's just frightening. | 0:10:27 | 0:10:29 | |
'Timing the bake of a Wellington is key. | 0:10:29 | 0:10:32 | |
'The filling should be cooked to perfection | 0:10:32 | 0:10:34 | |
'and the pastry case flaky and golden.' | 0:10:34 | 0:10:38 | |
Oh, my God almighty... | 0:10:44 | 0:10:45 | |
Sarah-Jane, keep it in the oven. | 0:10:47 | 0:10:49 | |
I can't keep it in the oven, John. It's melting. | 0:10:49 | 0:10:51 | |
I think that the butter has melted in the pastry | 0:10:53 | 0:10:57 | |
and the whole thing has just collapsed. | 0:10:57 | 0:11:00 | |
There's absolutely nothing I can do about it. Absolutely nothing. | 0:11:00 | 0:11:04 | |
Can you not get it out and wrap it in more pastry or something? | 0:11:08 | 0:11:10 | |
I haven't got any more pastry, that's the only pastry I've got. | 0:11:10 | 0:11:13 | |
Oh, no... | 0:11:13 | 0:11:15 | |
This is the worst thing I've ever made in my whole entire life. | 0:11:15 | 0:11:19 | |
And I've got to serve it to Paul and Mary. | 0:11:19 | 0:11:22 | |
OK, bakers, 10 minutes. It's just 10 minutes left. | 0:11:23 | 0:11:27 | |
I've actually... Oh, hello. | 0:11:29 | 0:11:32 | |
I'm going to leave it one more minute. | 0:11:32 | 0:11:35 | |
The pastry looks good. | 0:11:35 | 0:11:36 | |
That's one of the main things, isn't it? | 0:11:36 | 0:11:40 | |
It helps. | 0:11:40 | 0:11:42 | |
OK, one minute left, bakers, to get the en croute on a bit of board | 0:11:48 | 0:11:52 | |
and into my chops. | 0:11:52 | 0:11:53 | |
I haven't got time. I have to come out. Haven't got time. | 0:11:53 | 0:11:58 | |
More than slight spillage - massive spillage. | 0:12:07 | 0:12:10 | |
Bakers, pie time is over. | 0:12:13 | 0:12:15 | |
Step away from your pies. | 0:12:15 | 0:12:17 | |
Oh, God... | 0:12:17 | 0:12:19 | |
Each Wellington will now be tasted and judged by Paul and Mary. | 0:12:26 | 0:12:32 | |
The pastry itself is a little under-baked. | 0:12:39 | 0:12:41 | |
It looks as though you've got the lamb just right. | 0:12:43 | 0:12:46 | |
The flavours of the meat, the texture of the meat, is good. | 0:12:46 | 0:12:49 | |
Unfortunately, the key element that lets it down is the pastry, | 0:12:49 | 0:12:53 | |
which is what Wellington is all about. | 0:12:53 | 0:12:55 | |
There's no flake, it has stayed quite raw. | 0:12:55 | 0:12:57 | |
You've got some moisture coming from the bottom, | 0:12:57 | 0:12:59 | |
which is actually where the juices have soaked back in. | 0:12:59 | 0:13:02 | |
But, you've also got moisture at the top, | 0:13:02 | 0:13:05 | |
which is an indication that the pastry wasn't as good as we expected it to be. | 0:13:05 | 0:13:08 | |
You know what I'm going to say, don't you? No soggy bottom. | 0:13:14 | 0:13:17 | |
It needs more substance running through it. | 0:13:17 | 0:13:19 | |
-There's not much about it. -OK. -I think it's missing something. | 0:13:19 | 0:13:24 | |
Underneath, you just look there, look... | 0:13:28 | 0:13:30 | |
It's quite wet and soggy at the bottom as well. | 0:13:30 | 0:13:34 | |
The interior is delicious. | 0:13:34 | 0:13:37 | |
I've never had a quark pastry, | 0:13:40 | 0:13:41 | |
and so this is really exciting. | 0:13:41 | 0:13:44 | |
I think you've got a decent bake round the outside, | 0:13:44 | 0:13:46 | |
you got a little bit of a crisp there. | 0:13:46 | 0:13:48 | |
Looks very nice on the plate, when you serve it. | 0:13:48 | 0:13:52 | |
And what lovely contrasting colours. | 0:13:52 | 0:13:54 | |
Pastry is very interesting, and is a lovely flavour. Quite different. | 0:13:56 | 0:14:00 | |
When we walked up to it, it was sort of Monarch of the Glen. | 0:14:05 | 0:14:08 | |
-Lovely antlers. -The top - there's not many layers in there. | 0:14:08 | 0:14:12 | |
It's trying to be flaky. | 0:14:12 | 0:14:13 | |
-Would you mind if I eat an antler? -Be my guest. | 0:14:15 | 0:14:18 | |
-Great flavour. -Is it? | 0:14:19 | 0:14:22 | |
-It's delicious. But the pastry is just a bit... -Too thin. | 0:14:22 | 0:14:26 | |
You can see how thin it is, and therefore it can't flake. | 0:14:26 | 0:14:31 | |
It's trying to, but it can't. | 0:14:31 | 0:14:32 | |
Although, there's some great lamination on the antler. | 0:14:32 | 0:14:35 | |
-Thanks, John. -Thank you. | 0:14:35 | 0:14:37 | |
Delicious. | 0:14:37 | 0:14:38 | |
I think it looks great. The design of it looks great, the cuts... | 0:14:42 | 0:14:45 | |
-Love the little fishy eyes, Ryan. -Thank you. -Very sweet. | 0:14:45 | 0:14:48 | |
Mm... It's a bit soggy right down the middle of that. | 0:14:49 | 0:14:52 | |
You needed a little bit longer just to catch that bit there. | 0:14:52 | 0:14:56 | |
It's got a great texture. It looks amazing inside. | 0:14:57 | 0:15:00 | |
It does. Flavour is really good. | 0:15:00 | 0:15:02 | |
You've used these very subtle spices. | 0:15:02 | 0:15:05 | |
I think you've got a beautiful flavour of fish, well baked fish, | 0:15:05 | 0:15:08 | |
the blend of the flavours is so subtle, | 0:15:08 | 0:15:11 | |
-and I think you've got great layers in that pastry as well. Well done. -Thank you. | 0:15:11 | 0:15:14 | |
I think it's quite coquettish. You know, it's saying, | 0:15:23 | 0:15:26 | |
"Look at me, look what's inside. Come on in." | 0:15:26 | 0:15:28 | |
I think it looks like the Alien film. | 0:15:28 | 0:15:30 | |
SHE LAUGHS NERVOUSLY | 0:15:30 | 0:15:31 | |
I think it's happened because you told us earlier on | 0:15:33 | 0:15:36 | |
-you weren't going to chill your meat. -Uh-huh, yeah. | 0:15:36 | 0:15:39 | |
But because the whole thing would've been a bit warm, not stone cold, | 0:15:39 | 0:15:43 | |
that's why it's had a little trickle down the side. | 0:15:43 | 0:15:45 | |
-Yeah, that's completely... -I'm looking down the other side. -The pastry melted before it cooked. | 0:15:45 | 0:15:49 | |
The flavours inside I've no problem with but I do have a problem with the bottom. | 0:15:49 | 0:15:53 | |
It's... Well, it's raw. | 0:15:53 | 0:15:54 | |
-OK... -Ooh, hello! Look at that! | 0:16:03 | 0:16:05 | |
That flake is lovely. | 0:16:05 | 0:16:07 | |
-It's quite impressive, that, Cathryn. -Thank you. | 0:16:07 | 0:16:10 | |
What, essentially, you've done, is you've made a massive sausage roll. | 0:16:10 | 0:16:15 | |
-Yeah, OK. I know. -I think it's nice. | 0:16:15 | 0:16:16 | |
But it is, it's a massive sausage roll. | 0:16:16 | 0:16:19 | |
It's a lovely family Wellington. | 0:16:19 | 0:16:21 | |
You have a young family and I can imagine this appealing to everybody. | 0:16:21 | 0:16:24 | |
It's different from all the others | 0:16:24 | 0:16:26 | |
-but for me, it's absolutely delicious. -Mmm. | 0:16:26 | 0:16:29 | |
I'm actually really shocked that they liked it as much as they did. | 0:16:32 | 0:16:36 | |
'Pastry's not my big forte' | 0:16:36 | 0:16:38 | |
but the lamb was perfect. Mary did love the lamb. | 0:16:38 | 0:16:42 | |
SHEEP BLEATS | 0:16:42 | 0:16:44 | |
I would say I don't think it could've gone much worse | 0:16:44 | 0:16:47 | |
but I think it could've gone worse. | 0:16:47 | 0:16:49 | |
Well...no. At the moment it couldn't have gone worse. | 0:16:51 | 0:16:55 | |
Of the many pleasures of pie-eating, | 0:16:58 | 0:17:00 | |
surely the most satisfying | 0:17:00 | 0:17:02 | |
is that moment where you cut in through the crust | 0:17:02 | 0:17:06 | |
and reveal the beautiful, succulent filling that lies within. | 0:17:06 | 0:17:10 | |
But imagine if said filling was a slimy, elongated fish | 0:17:10 | 0:17:14 | |
that had been hauled out of a polluted river. | 0:17:14 | 0:17:17 | |
'London's East End market workers have long enjoyed cooking with eels. | 0:17:19 | 0:17:23 | |
'Throughout the 19th century, freshwater eels were part of the staple diet of the working classes. | 0:17:23 | 0:17:28 | |
'At the time of the Industrial Revolution, | 0:17:28 | 0:17:31 | |
'when the East End of London was overcrowded, polluted | 0:17:31 | 0:17:34 | |
'and desperately poor, eel pie became ideal Cockney grub.' | 0:17:34 | 0:17:38 | |
Now, clearly, we've got one very large eel pond | 0:17:38 | 0:17:43 | |
in the form of the Thames. | 0:17:43 | 0:17:45 | |
Presumably, the Thames played a huge part in the whole eel industry? | 0:17:45 | 0:17:49 | |
There was a huge tradition of eel-fishing in the Thames | 0:17:49 | 0:17:52 | |
going back centuries, and by the early 19th century, | 0:17:52 | 0:17:55 | |
when the river was beginning to get very polluted, | 0:17:55 | 0:17:58 | |
eels are one of the few things that could survive. | 0:17:58 | 0:18:00 | |
Ollie, why were eels so popular as a pie filling? | 0:18:00 | 0:18:03 | |
In those days eels were very cheap. In the mid-19th century, | 0:18:03 | 0:18:06 | |
you could buy five pieces for a ha'penny. | 0:18:06 | 0:18:08 | |
They're also very nutritious, very high in fat, | 0:18:08 | 0:18:10 | |
and added to the piecrust, that would be a rich, filling dish which would keep you going | 0:18:10 | 0:18:14 | |
if you were a Victorian man or woman of work. | 0:18:14 | 0:18:16 | |
So they were the kind of perfect East End food. | 0:18:16 | 0:18:19 | |
Originally, they were sold by travelling street vendors. | 0:18:19 | 0:18:22 | |
By the middle of the 19th century, there were 500 of those in London. | 0:18:22 | 0:18:25 | |
They also sold live eels, if you can believe it, | 0:18:25 | 0:18:28 | |
so they would have buckets of thrashing eels | 0:18:28 | 0:18:30 | |
which people would grab their hands in and take home to cook for tea. | 0:18:30 | 0:18:33 | |
'Pie and mash shops became a more sociable and hygienic environment | 0:18:33 | 0:18:37 | |
'in which to consume pies. | 0:18:37 | 0:18:40 | |
'They were often family-run | 0:18:40 | 0:18:41 | |
'and became an integral part of the working-class community. | 0:18:41 | 0:18:45 | |
'By the First World War there were hundreds of pie and mash shops | 0:18:45 | 0:18:47 | |
'scattered around the East End of London.' | 0:18:47 | 0:18:50 | |
One well-known family running pie and mash shops here in the East of London | 0:18:50 | 0:18:54 | |
is the Goddard family, | 0:18:54 | 0:18:56 | |
and their shops are still going strong to this day, | 0:18:56 | 0:18:59 | |
proving that Cockney fare is still as popular as ever. | 0:18:59 | 0:19:02 | |
I'm going to go inside and get myself some eel pie. | 0:19:02 | 0:19:05 | |
Cor, my blimeys, Guv, strike a light, stone the crows! | 0:19:05 | 0:19:08 | |
So, Clive, what were the old pie and mash shops like? | 0:19:10 | 0:19:14 | |
Very similar to the one we've got now but with marble table. | 0:19:14 | 0:19:19 | |
And probably tiled walls. | 0:19:19 | 0:19:22 | |
-Sawdust on the floor. -Oh, really? | 0:19:22 | 0:19:24 | |
-Why the sawdust? Cos of... -Eel bone. | 0:19:24 | 0:19:26 | |
-Now, you say eel bones... -Yes. | 0:19:26 | 0:19:29 | |
-How would those have made their way onto the floor? -From there... | 0:19:29 | 0:19:33 | |
HE SPITS | 0:19:33 | 0:19:34 | |
-So, hence spit and sawdust? -Yes. | 0:19:36 | 0:19:38 | |
'With eels no longer thriving in the Thames and their prices soaring, | 0:19:38 | 0:19:43 | |
'eels fell off the menus in the pie and mash shops | 0:19:43 | 0:19:46 | |
'to be replaced by beef. | 0:19:46 | 0:19:47 | |
'But Clive's resurrected a traditional eel pie recipe | 0:19:47 | 0:19:51 | |
'with a rough puff-pastry top and short-crust base, | 0:19:51 | 0:19:54 | |
'to give me a taste of this long-lost Cockney bake.' | 0:19:54 | 0:19:57 | |
-Amazing. Thank you so much for making this. -I hope you enjoy it. | 0:19:57 | 0:20:00 | |
-I'm going in. -Mind, there might be an odd bone here and there. -OK. | 0:20:00 | 0:20:04 | |
Aw... | 0:20:04 | 0:20:05 | |
Mm.. | 0:20:09 | 0:20:11 | |
I got quite a lot of eel in that one! It's quite rivery! | 0:20:14 | 0:20:17 | |
-I thought it'd be more chewy. -It's a very delicate fish. | 0:20:17 | 0:20:20 | |
Yes, it's a nice, soft fish. People don't realise that it is | 0:20:20 | 0:20:24 | |
as delicate as it is. | 0:20:24 | 0:20:26 | |
-Is that nice? -Do you know, it is. -Oh, good! -It is. | 0:20:26 | 0:20:28 | |
I'm quite getting into this, actually. | 0:20:28 | 0:20:30 | |
I might be an eel convert. | 0:20:30 | 0:20:32 | |
Two challenges remaining. | 0:20:37 | 0:20:40 | |
The bakers have no idea what kind of pie is about to hit them. | 0:20:41 | 0:20:46 | |
Of course, now it's time for the Technical Challenge, and, as ever, this is judged blind. | 0:20:46 | 0:20:51 | |
So, Paul, Mary, | 0:20:51 | 0:20:52 | |
if you'd care to go into the puff-pastry-lined pagoda of passion, | 0:20:52 | 0:20:56 | |
we shall see you later. | 0:20:56 | 0:20:57 | |
For today's Technical Challenge, | 0:20:57 | 0:21:00 | |
we would like you to make | 0:21:00 | 0:21:03 | |
a hand-raised pie. | 0:21:03 | 0:21:05 | |
And we'd like it chicken, bacon and apricot. | 0:21:05 | 0:21:08 | |
This is made with a hot-water crust, | 0:21:08 | 0:21:10 | |
which is the kind of pastry that basically defies | 0:21:10 | 0:21:13 | |
ALL the rules of pastry-making. | 0:21:13 | 0:21:15 | |
You've got two and a quarter hours to go, bakers. | 0:21:15 | 0:21:17 | |
-All the very best of luck. -On your marks... -Get set... -Bake! | 0:21:17 | 0:21:21 | |
'Hand-raising pies is a bit of a lost art. | 0:21:24 | 0:21:27 | |
'The method all the bakers have been given will probably be unfamiliar. | 0:21:27 | 0:21:32 | |
'As will the equipment.' | 0:21:33 | 0:21:35 | |
This is particularly hard because they have to use a doilie | 0:21:37 | 0:21:41 | |
rather than a mould to raise the hot-water crust pastry around the outside. | 0:21:41 | 0:21:46 | |
The hardest thing they're going to encounter | 0:21:46 | 0:21:49 | |
is actually getting the thickness of the sides of the doilie correct. | 0:21:49 | 0:21:52 | |
If it's too thin, when they try to put the filling in, it'll crack. | 0:21:52 | 0:21:56 | |
If it's too thick then it'll be difficult to eat. | 0:21:56 | 0:21:59 | |
So you've got to get it just right. | 0:21:59 | 0:22:01 | |
And one of the key thing is where they will go wrong | 0:22:01 | 0:22:04 | |
is the releasing of the doilie. | 0:22:04 | 0:22:05 | |
If they haven't oiled their doilie correctly it will get stuck. | 0:22:05 | 0:22:10 | |
-Look at those layers, Mary. -Absolutely perfect, | 0:22:12 | 0:22:14 | |
and the chicken is just done to perfection. | 0:22:14 | 0:22:17 | |
And you've got a good pastry on the side, not too thick, not too thin. | 0:22:17 | 0:22:21 | |
Good bit of jelly inside there which fills all the gaps, | 0:22:21 | 0:22:24 | |
and you can see distinct layers of the bacon, chicken, apricot, | 0:22:24 | 0:22:28 | |
bacon, chicken, apricot, | 0:22:28 | 0:22:29 | |
with the lid that sits below the level of the sides. | 0:22:29 | 0:22:32 | |
And that is the perfect hand-raised pie. | 0:22:32 | 0:22:36 | |
I have never made...or... | 0:22:38 | 0:22:43 | |
probably eaten a hand-raised pie but I've seen one. | 0:22:43 | 0:22:47 | |
'Hot-water crust pastry lives up to its name, | 0:22:47 | 0:22:49 | |
'made from hot water instead of cold. | 0:22:49 | 0:22:52 | |
'It needs to be worked while warm.' | 0:22:52 | 0:22:54 | |
I like making hot-water crust pastry because I'm quite hot-handed. | 0:22:54 | 0:22:58 | |
'Two fats have to be melted together. | 0:22:58 | 0:23:00 | |
'Butter for flavour and lard to give it its crisp texture.' | 0:23:00 | 0:23:04 | |
Oh, lard! I hate the smell of lard. It stinks. | 0:23:05 | 0:23:09 | |
'Once melted, | 0:23:09 | 0:23:10 | |
'the fat is added to flour and salt to create smooth, shiny dough.' | 0:23:10 | 0:23:14 | |
Interesting. | 0:23:14 | 0:23:15 | |
Never done hot-water crust pastry, never done anything like this before. | 0:23:15 | 0:23:19 | |
Never seen even some of the equipment. | 0:23:19 | 0:23:22 | |
I don't know. I've never had dollies, believe it or not! | 0:23:22 | 0:23:24 | |
Grease two medium-size pie dollies with some oil. | 0:23:24 | 0:23:28 | |
Didn't know what a pie doilie was till right now. | 0:23:28 | 0:23:31 | |
Guess this is it. | 0:23:31 | 0:23:33 | |
'The doilie is an ancient method of shaping a pie case | 0:23:33 | 0:23:36 | |
'without using a tin. | 0:23:36 | 0:23:37 | |
'The doilie is then removed and the pie baked in the oven | 0:23:37 | 0:23:40 | |
'so the sides of the pastry are directly exposed to the heat, | 0:23:40 | 0:23:43 | |
'becoming crisp and water-tight. Perfect for holding jelly or gravy.' | 0:23:43 | 0:23:47 | |
One pastry I'd never made and was worried about before applying for this whole competition | 0:23:47 | 0:23:52 | |
was a hot-water crust, and so for my auditions | 0:23:52 | 0:23:55 | |
I actually made an effort to make a hot-water crust pheasant pie. | 0:23:55 | 0:23:58 | |
So... But I never used dollies. I had a tin. | 0:23:58 | 0:24:01 | |
But the good thing is, one thing I learnt about hot-water crust | 0:24:01 | 0:24:04 | |
is that it falls apart and then you just paste it back together. | 0:24:04 | 0:24:08 | |
So it gives you confidence cos you've dealt with it once before. | 0:24:08 | 0:24:11 | |
'The recipe contains no instructions for raising the dough.' | 0:24:11 | 0:24:15 | |
Oh, dear. This is going to go really wrong. | 0:24:16 | 0:24:19 | |
'To prevent the dough from sticking to the doilie, | 0:24:19 | 0:24:23 | |
'they should rotate it while squeezing the pastry into shape.' | 0:24:23 | 0:24:26 | |
I've never seen one of these before in my whole life. | 0:24:26 | 0:24:30 | |
I don't know if this is right... | 0:24:30 | 0:24:32 | |
..or not. | 0:24:32 | 0:24:34 | |
I'm going to start again. | 0:24:36 | 0:24:38 | |
Manisha, presumably this is your first time working with this? | 0:24:38 | 0:24:41 | |
-Yeah. I'm not really aware... -Is it freaking you? | 0:24:41 | 0:24:44 | |
-Yeah, because... -Yeah? -..this could have chances of me going out. | 0:24:44 | 0:24:47 | |
Don't know how to make puff pastry, don't know how to make this pastry. | 0:24:47 | 0:24:51 | |
-Oh, come on! -It's all about the pastry these days. | 0:24:51 | 0:24:53 | |
Well...these days it is all about the pastry. | 0:24:53 | 0:24:55 | |
OK, right... | 0:24:55 | 0:24:57 | |
'The warm pastry must be chilled, | 0:24:58 | 0:25:01 | |
'giving the bakers time to make the filling.' | 0:25:01 | 0:25:04 | |
I'll be more comfortable when this goes in the oven. | 0:25:08 | 0:25:11 | |
At the moment I'm not sure how that pastry will come out of the dollies, | 0:25:11 | 0:25:14 | |
so a bit worried about that. | 0:25:14 | 0:25:16 | |
'The chilled pastry must be handled delicately.' | 0:25:19 | 0:25:23 | |
I don't know how to get these off. | 0:25:23 | 0:25:26 | |
If I roll it down then I could perhaps roll it back up, but... | 0:25:26 | 0:25:30 | |
This is not going to work. | 0:25:30 | 0:25:32 | |
'The slightest tear will allow the filling to seep out, | 0:25:32 | 0:25:35 | |
'ruining the pie's appearance.' | 0:25:35 | 0:25:38 | |
Must be a technique. | 0:25:38 | 0:25:40 | |
This can't be right. | 0:25:41 | 0:25:43 | |
So far, we are all in exactly the same predicament. | 0:25:45 | 0:25:49 | |
Nobody is able to get their pastry off of the dollies. | 0:25:49 | 0:25:53 | |
Oh, look at that! It's just a disgrace from start to finish! | 0:25:55 | 0:25:58 | |
Is knocking going to help? Knocking the doilie? | 0:25:59 | 0:26:02 | |
Why use a stupid thing like this when you can use tins? | 0:26:05 | 0:26:08 | |
We're not in the 1600s now, are we? Let's face it. | 0:26:10 | 0:26:13 | |
SHE GASPS | 0:26:17 | 0:26:18 | |
-It's out! It's out, it's out, it's out! -SHE LAUGHS | 0:26:18 | 0:26:21 | |
(Yay! Still standing up!) | 0:26:21 | 0:26:23 | |
Right. How did I do that just then? | 0:26:24 | 0:26:27 | |
One hour to go, bakers! | 0:26:27 | 0:26:28 | |
Just going to make one free hand. | 0:26:31 | 0:26:33 | |
'Mary and Paul want to see clearly defined layers | 0:26:34 | 0:26:38 | |
'of bacon, apricot and chicken.' | 0:26:38 | 0:26:40 | |
This looks like something dreadful! | 0:26:40 | 0:26:43 | |
Oh, no! Oh, no! Oh, no! | 0:26:43 | 0:26:45 | |
'Crimping the pie lids prevents the filling from spilling out. | 0:26:45 | 0:26:49 | |
'The small hole allows steam to escape in the oven and stops the crust becoming soggy.' | 0:26:49 | 0:26:54 | |
I'm in a flap. | 0:26:54 | 0:26:55 | |
Oh, yeah, I didn't eggwash. | 0:26:55 | 0:26:57 | |
And I think that might be important, particularly for the colour, | 0:26:57 | 0:27:00 | |
so I'm just literally going like this, really quick, | 0:27:00 | 0:27:05 | |
pretending they've never been in the oven. | 0:27:05 | 0:27:07 | |
OK, and they're going back in and no-one's any the wiser. | 0:27:07 | 0:27:11 | |
Except I've got a bit of scrambled egg on my baking tray. | 0:27:11 | 0:27:14 | |
Done. | 0:27:17 | 0:27:18 | |
And nobody knew! | 0:27:18 | 0:27:20 | |
OK, bakers, ten minutes. It's just ten minutes left. | 0:27:23 | 0:27:28 | |
Look at them, they're hideous. Absolutely hideous. | 0:27:28 | 0:27:31 | |
Isn't this just the most horrible challenge you've ever done in your life? | 0:27:31 | 0:27:34 | |
Yeah. They look awful. They look absolutely awful. | 0:27:34 | 0:27:38 | |
'Paul's recipe demands that the pies are filled with a mixture of gelatine and stock. | 0:27:44 | 0:27:48 | |
'If this jelly doesn't completely surround the meat inside | 0:27:48 | 0:27:52 | |
'it will become dry as the pie cools.' | 0:27:52 | 0:27:54 | |
Please do not leak! | 0:27:57 | 0:27:59 | |
Stop dripping. | 0:28:01 | 0:28:02 | |
This one's leaking like any person's business. | 0:28:02 | 0:28:05 | |
It's going down and then out the bottom! | 0:28:12 | 0:28:15 | |
SHE LAUGHS | 0:28:15 | 0:28:17 | |
Ooh... | 0:28:20 | 0:28:21 | |
Right, they'll never know. | 0:28:24 | 0:28:26 | |
I'm completely out of my depth. I know that they look awful. | 0:28:33 | 0:28:37 | |
Bakers, your time's up now. That was a very, very tough pie-riddled day for you all. | 0:28:38 | 0:28:44 | |
We're actually going to ask you to leave them over night | 0:28:44 | 0:28:47 | |
so that the jelly can set, | 0:28:47 | 0:28:49 | |
and so Paul and Mary will judge them and taste them tomorrow morning. | 0:28:49 | 0:28:52 | |
That technical challenge was a bit of a nightmare for me from start to finish, | 0:28:52 | 0:28:57 | |
so it's not great that I've got to wait over night to find out my fate, really. | 0:28:57 | 0:29:02 | |
It was a disaster, yeah. | 0:29:02 | 0:29:03 | |
The pie was cooked. It looked a bit of a dog's dinner. | 0:29:05 | 0:29:08 | |
But at least it's a pie to hand in. | 0:29:08 | 0:29:10 | |
Tonight will be... I'm just going to have to forget about it tonight | 0:29:10 | 0:29:13 | |
cos there's absolutely nothing I can do now. | 0:29:13 | 0:29:16 | |
So I'll just have to try and keep that in the front of my mind | 0:29:16 | 0:29:19 | |
and not obsess over it at two o'clock in the morning. | 0:29:19 | 0:29:21 | |
After a restless night for the bakers, it's judgment time. | 0:29:30 | 0:29:34 | |
Mary and Paul haven't seen the baking | 0:29:34 | 0:29:36 | |
so have no idea which pie belongs to which baker. | 0:29:36 | 0:29:39 | |
When you glance your eye down these pies, the doilie you'd not | 0:29:39 | 0:29:44 | |
believe was the same size. | 0:29:44 | 0:29:47 | |
This one is dropped. The pastry is soft and has ballooned out. | 0:29:47 | 0:29:50 | |
There is no layers. It's just been thrown in. | 0:29:50 | 0:29:56 | |
It's not a hand raised pie. | 0:29:59 | 0:30:03 | |
-It's more like a pasty. -Flavour is good though. | 0:30:03 | 0:30:06 | |
There has been some effort been made in this one | 0:30:06 | 0:30:08 | |
but there's been no crimping at all. | 0:30:08 | 0:30:10 | |
You needed to fold it in to give it that strength. | 0:30:10 | 0:30:14 | |
-The filling is absolutely delicious. -It tastes good. | 0:30:16 | 0:30:20 | |
It just looks a mess. | 0:30:20 | 0:30:22 | |
I can't see any sign of jelly in that. See here? | 0:30:24 | 0:30:27 | |
There's nothing. Very little in there. | 0:30:27 | 0:30:32 | |
As long as the walls and the structure of your pie is strong | 0:30:32 | 0:30:35 | |
and it just doesn't pour straight out the bottom which | 0:30:35 | 0:30:38 | |
looking down here, it probably did on a few of them | 0:30:38 | 0:30:42 | |
especially this one. | 0:30:42 | 0:30:44 | |
-This has got a nice crimp on the outside. -This is better. | 0:30:44 | 0:30:47 | |
This is better. Good colour. Crimping isn't bad. | 0:30:47 | 0:30:50 | |
-Got the layers right. -The walls are pretty good as well. | 0:30:50 | 0:30:53 | |
-Again where's the jelly? -This one has gone a bit lopsided. | 0:30:53 | 0:30:59 | |
-The layers are good. -Flavour's nice. Pastry a bit thick. | 0:30:59 | 0:31:06 | |
Layers are good. Can't see the gelatine in there again. | 0:31:09 | 0:31:14 | |
We haven't got any at all. Look. It's a crisp pastry though. | 0:31:14 | 0:31:18 | |
The structure's not bad, but it's too fat. | 0:31:18 | 0:31:23 | |
Look at the size of the doilie. It's got no resemblance | 0:31:23 | 0:31:26 | |
to the size of the doilie. | 0:31:26 | 0:31:27 | |
OK, last one. | 0:31:27 | 0:31:29 | |
This is an improvement. | 0:31:29 | 0:31:32 | |
Although the pastry wall very, very thick. | 0:31:32 | 0:31:36 | |
And slightly underdone here. | 0:31:36 | 0:31:38 | |
But whose hand-raised pie has risen above the rest? | 0:31:41 | 0:31:44 | |
We're going to start from the last one which is here. | 0:31:44 | 0:31:49 | |
It's a pasty. | 0:31:49 | 0:31:52 | |
It's been packed and just splayed out. | 0:31:52 | 0:31:56 | |
Seventh place was this one. | 0:31:56 | 0:31:58 | |
The holes and everything that runs round that you obviously had | 0:31:58 | 0:32:02 | |
serious problems with the pastry trying to build it up | 0:32:02 | 0:32:05 | |
round the doilie and probably taking it off as well. | 0:32:05 | 0:32:07 | |
-Number six is this one. -The lid, there's no crimping. | 0:32:07 | 0:32:10 | |
It's just been dropped on from a height. In fifth place is this one. | 0:32:10 | 0:32:16 | |
It's not bad. You got the layers in there | 0:32:16 | 0:32:19 | |
and again it goes down to the colour and the structure of it. | 0:32:19 | 0:32:22 | |
It's all collapsed and concertinaed in. | 0:32:22 | 0:32:25 | |
With Sarah Jane fourth and Brendan third, the battle for top place | 0:32:25 | 0:32:30 | |
is between Cathryn and John. | 0:32:30 | 0:32:33 | |
Number two is this one. It does look like a raised pie. | 0:32:33 | 0:32:38 | |
It's got lovely layers in it, pastry just a little too thick. | 0:32:38 | 0:32:42 | |
Obviously first place is this one. | 0:32:42 | 0:32:44 | |
Well done, Cathryn. | 0:32:44 | 0:32:47 | |
APPLAUSE | 0:32:47 | 0:32:49 | |
The layers are good, the colour is good, the crimping excellent. | 0:32:49 | 0:32:53 | |
It looks the closest to mine. | 0:32:53 | 0:32:55 | |
I'm really shocked, really happy and I can't wait to ring my family | 0:32:55 | 0:32:59 | |
later and tell them. They won't believe it because I phoned them | 0:32:59 | 0:33:02 | |
last night and said that was really horrible, horrible, | 0:33:02 | 0:33:05 | |
technical challenge so they'll be really surprised. | 0:33:05 | 0:33:09 | |
I could quite easily go out today. So could a few other people I think. | 0:33:11 | 0:33:17 | |
If my next bake wasn't up to standard or wasn't that good, | 0:33:17 | 0:33:21 | |
then definitely, you know, this girl's got to go out. | 0:33:21 | 0:33:24 | |
It's come to a point where you can't be average any more. | 0:33:24 | 0:33:28 | |
You've got to get your basics right and the pastry is a basic. | 0:33:28 | 0:33:32 | |
It means a lot to me. I've worked so hard to get to this point. | 0:33:32 | 0:33:37 | |
It's almost beyond baking now. It's not like life or death any more. | 0:33:37 | 0:33:40 | |
It's about good bakes and bad bakes. That's it. | 0:33:40 | 0:33:44 | |
Just one pie challenge remains for the bakers to prove they're | 0:33:44 | 0:33:48 | |
worthy of staying in the bakeoff. | 0:33:48 | 0:33:50 | |
If you take Cathryn and Brendan because I think they've done well | 0:33:50 | 0:33:54 | |
and put them to one side, | 0:33:54 | 0:33:56 | |
everybody else is in the danger zone. | 0:33:56 | 0:33:58 | |
It's the technical challenge that really sorted them out. | 0:33:58 | 0:34:01 | |
Ryan who I thought did really well, came last in the technical, | 0:34:01 | 0:34:04 | |
therefore it automatically puts you up for leaving the show. | 0:34:04 | 0:34:11 | |
We've now got the showstopper. It'll all rest on the showstopper. | 0:34:11 | 0:34:14 | |
So, bakers, it's your showstopper challenge of course. | 0:34:16 | 0:34:20 | |
And today we'd love you to make a sweet American pie. | 0:34:20 | 0:34:24 | |
So we're looking for a family sized American pie. | 0:34:24 | 0:34:28 | |
It's got no lid so you don't have to worry about that. | 0:34:28 | 0:34:31 | |
Just the side and bottom and crust. You've got three and a half hours | 0:34:31 | 0:34:35 | |
to bake it in. Best of luck, this is a big one. So, on your marks... | 0:34:35 | 0:34:39 | |
-Get set... -bake. | 0:34:39 | 0:34:41 | |
The vast range of American pies were invented by European immigrants | 0:34:43 | 0:34:47 | |
who brought pastry making techniques with them to America | 0:34:47 | 0:34:51 | |
and took advantage of the local ingredients. | 0:34:51 | 0:34:54 | |
What I'm hoping for is that some baker picks up the idea of a | 0:34:54 | 0:34:59 | |
pumpkin pie, pecan pie, key lime pie and says you know what | 0:34:59 | 0:35:02 | |
that's far too sweet. I'm going to lessen that sweetness and let | 0:35:02 | 0:35:06 | |
the subtlety of flavours come through and give you that sense | 0:35:06 | 0:35:09 | |
of wow, I'm going to have another piece of that, because to be honest, | 0:35:09 | 0:35:12 | |
most of the American pies we've had before, I'd not go back | 0:35:12 | 0:35:15 | |
for another one. | 0:35:15 | 0:35:16 | |
Most of the bakers are making a sweet crust base which is | 0:35:19 | 0:35:22 | |
a shortcrust pastry enriched with sugar. | 0:35:22 | 0:35:26 | |
It's strong enough to hold fillings but delicate | 0:35:26 | 0:35:28 | |
and has a rich buttery taste. | 0:35:28 | 0:35:31 | |
I'm kind of in the danger zone at the moment | 0:35:31 | 0:35:35 | |
and the really technical part of this dish is in the pastry | 0:35:35 | 0:35:39 | |
and if I have problems with pastry, you know, that's it. | 0:35:39 | 0:35:44 | |
I might be history. | 0:35:44 | 0:35:46 | |
Ryan is pinning his hopes for survival on an American classic - | 0:35:46 | 0:35:49 | |
key lime pie and adding an unusual twist. | 0:35:49 | 0:35:52 | |
Ryan, what's different about your key lime pie? | 0:35:52 | 0:35:55 | |
I've actually brought in the flavour of ginger which isn't | 0:35:55 | 0:35:59 | |
traditional to a normal key lime pie. I put ginger with the lime. | 0:35:59 | 0:36:03 | |
-It goes really well. -Your flavour combinations | 0:36:03 | 0:36:06 | |
generally have been very good, however in the technical you got | 0:36:06 | 0:36:09 | |
-a kick in the teeth but I'm looking forward to this. -I think it's great. | 0:36:09 | 0:36:13 | |
My brother lives in America so I got a few tips from him | 0:36:15 | 0:36:19 | |
and he did say peanut butter was a goer so that's what I went with. | 0:36:19 | 0:36:24 | |
Cathryn's hoping to continue her run of success with her peanut butter | 0:36:24 | 0:36:27 | |
and squash pie filling packed into a chocolate short crust pastry. | 0:36:27 | 0:36:32 | |
I'd love to be star baker. | 0:36:32 | 0:36:34 | |
I'm reluctant to say it really | 0:36:34 | 0:36:36 | |
but I really want it before I leave to have got star baker once. | 0:36:36 | 0:36:43 | |
This could be terrible and then I've blown my chances, so. | 0:36:43 | 0:36:47 | |
Half of my family are American | 0:36:51 | 0:36:53 | |
and my childhood memory of pumpkin pie was it's disgusting. | 0:36:53 | 0:36:57 | |
So I've actually decided to try and make a pumpkin pie that was going | 0:36:57 | 0:37:02 | |
to be acceptable and palatable to my adult self. | 0:37:02 | 0:37:05 | |
Danny is making a trick or treat pie with a chocolate short | 0:37:05 | 0:37:09 | |
crust base lined with salted caramel and filled with roasted | 0:37:09 | 0:37:12 | |
butternut squash, maple syrup and a generous splash of rum. | 0:37:12 | 0:37:16 | |
One thing - Paul is notoriously abstemious | 0:37:16 | 0:37:20 | |
-when it comes to alcohol in desserts. -Yes. | 0:37:20 | 0:37:22 | |
Puddings, pies etc. So you're in a difficult position now. | 0:37:22 | 0:37:26 | |
Do you basically make it all booze to satisfy Mary's palate | 0:37:26 | 0:37:30 | |
or do you ease off it for Paul? | 0:37:30 | 0:37:32 | |
I'm using a spiced rum and I actually think this is | 0:37:32 | 0:37:36 | |
quite rich and I think the rum just lifts it a bit. | 0:37:36 | 0:37:39 | |
Because otherwise it's just cloyingly sweet. | 0:37:39 | 0:37:42 | |
It's got all-American desserts to my taste | 0:37:42 | 0:37:45 | |
and I say this as a child being fed them. | 0:37:45 | 0:37:46 | |
For me, to make a good American pie you almost have to make it British | 0:37:46 | 0:37:50 | |
but then technically it's got to come through right. | 0:37:50 | 0:37:54 | |
I'll try, Paul, and we'll see what you have to say. | 0:37:54 | 0:37:56 | |
The kids like this. My husband loves this, it's one of his favourites - | 0:37:58 | 0:38:02 | |
banana, chocolate, rum and stuff. | 0:38:02 | 0:38:05 | |
It's good. | 0:38:05 | 0:38:06 | |
Sarah Jane's future in the bakeoff could rest on her chocolate | 0:38:06 | 0:38:10 | |
and banana cream pie with salted rum caramel. | 0:38:10 | 0:38:13 | |
The English don't do things like this do they? A bit embarrassed. | 0:38:13 | 0:38:17 | |
You love this kind of stuff, but we'd be like, | 0:38:17 | 0:38:20 | |
oh no, I'd rather just have an apple. I don't want a pie. | 0:38:20 | 0:38:24 | |
I'm making a sweet potato pie | 0:38:24 | 0:38:28 | |
and it's basically just sweet pastry and then a sweet potato filling | 0:38:28 | 0:38:33 | |
made with two potatoes, eggs and condensed milk - all nice things. | 0:38:33 | 0:38:36 | |
I really came up with the idea when I found some really old-fashioned | 0:38:36 | 0:38:39 | |
videos online of this being made by these kind of grassroots | 0:38:39 | 0:38:45 | |
southern American chefs and I'll was like, I need to try this. | 0:38:45 | 0:38:51 | |
I'm rushing the pastry. I'm so short on time. | 0:39:00 | 0:39:03 | |
And it's not chilling enough and it's falling apart. I mean. | 0:39:03 | 0:39:08 | |
To prevent the pastry getting soggy the case is baked before adding | 0:39:12 | 0:39:16 | |
the filling. | 0:39:16 | 0:39:18 | |
The ceramic beans conduct the heat evenly ensuring a crisp | 0:39:18 | 0:39:21 | |
and perfectly baked bottom. | 0:39:21 | 0:39:24 | |
Damn it! | 0:39:24 | 0:39:26 | |
In my rush I didn't put baking beans on. | 0:39:30 | 0:39:32 | |
The sites of the tart collapsed. I don't know why. | 0:39:32 | 0:39:35 | |
So I've to do a second batch obviously. Of course I'm panicking. | 0:39:35 | 0:39:40 | |
I'm sorry, Brendan. | 0:39:46 | 0:39:47 | |
Bakers, you've got one hour | 0:39:48 | 0:39:50 | |
until bye bye, American pie. | 0:39:50 | 0:39:54 | |
If that collapses on me again, I don't know what I'll do. | 0:40:05 | 0:40:09 | |
There's no plan B. | 0:40:09 | 0:40:11 | |
The bakers are using a variety of traditional American ingredients. | 0:40:11 | 0:40:16 | |
None have opted to make the most famous of all American pies | 0:40:16 | 0:40:20 | |
the humble apple pie. | 0:40:20 | 0:40:22 | |
This ironically blossomed from the fussy eating | 0:40:22 | 0:40:25 | |
habits of the first British settlers in the early 1600s. | 0:40:25 | 0:40:30 | |
When the English colonists arrived in the New World they find | 0:40:30 | 0:40:34 | |
a variety of fruit and vegetables with which they were very unfamiliar. | 0:40:34 | 0:40:37 | |
Of course they didn't trust the local population either. | 0:40:37 | 0:40:40 | |
This distrust led many of them not to use the local ingredients | 0:40:40 | 0:40:43 | |
and in fact in some colonies they even starved to death. | 0:40:43 | 0:40:46 | |
One solution the colonists found was to bring over fruit | 0:40:46 | 0:40:49 | |
and vegetables with which they were familiar, particularly apple. | 0:40:49 | 0:40:52 | |
So they brought apple seeds all the way from the old world to | 0:40:52 | 0:40:55 | |
America and planted orchards. | 0:40:55 | 0:40:58 | |
These orchards became vital to the colonists survival and in | 0:40:58 | 0:41:01 | |
the 1640s they were written into law with the state of Virginia | 0:41:01 | 0:41:05 | |
insisting that all landholdings above a certain size | 0:41:05 | 0:41:09 | |
-include an apple orchard. -Soon apple orchards were spreading | 0:41:09 | 0:41:11 | |
right across the United States and were helped by early pioneers | 0:41:11 | 0:41:15 | |
such as Johnny Appleseed. From 1775 onwards he crisscrossed | 0:41:15 | 0:41:18 | |
the United States taking apple seed from cider presses | 0:41:18 | 0:41:21 | |
and scattering them all over the country. | 0:41:21 | 0:41:23 | |
It took ten years before the first orchards bore fruit | 0:41:23 | 0:41:26 | |
but when they did one of the first ways in which the colonists | 0:41:26 | 0:41:31 | |
celebrated their bountiful harvest was by baking apple pies. | 0:41:31 | 0:41:34 | |
You have the first apple harvest after ten years and it's wonderful | 0:41:34 | 0:41:39 | |
because it's a sign that they've established themselves, | 0:41:39 | 0:41:42 | |
the nation is growing the same way the fruit trees are growing, | 0:41:42 | 0:41:46 | |
they do the harvest, it's a fantastic triumph | 0:41:46 | 0:41:48 | |
and the ultimate thing they can do to celebrate is to make apple pies | 0:41:48 | 0:41:52 | |
because it was the only thing you could really make in these | 0:41:52 | 0:41:56 | |
really primitive ovens and kettles they had. Not cakes, pies. | 0:41:56 | 0:42:00 | |
The apple pie was fast becoming the iconic American dish and it | 0:42:00 | 0:42:05 | |
didn't remain the preserve of the British settlers for long, but was | 0:42:05 | 0:42:09 | |
adapted to suit the vast array of culinary tastes that formed America. | 0:42:09 | 0:42:13 | |
Each wave of people that came added their own influences. | 0:42:13 | 0:42:18 | |
So in the area where you've a lot of German or Pennsylvania Dutch | 0:42:18 | 0:42:22 | |
people coming in they had a very Germanic sour cream pie. | 0:42:22 | 0:42:26 | |
And as the apple moves into the Midwest, | 0:42:26 | 0:42:30 | |
you've the Scandinavian version which is an apple pie | 0:42:30 | 0:42:33 | |
but it's open and has a crunchy crust with chopped walnuts | 0:42:33 | 0:42:37 | |
and lots of cinnamon, but it's still an apple pie. | 0:42:37 | 0:42:41 | |
These pies from that moment became the image of America the nation, | 0:42:41 | 0:42:46 | |
self-sufficiency, colonial beginnings and most of all, | 0:42:46 | 0:42:50 | |
mom, because it was a sign of motherhood to be able to make | 0:42:50 | 0:42:53 | |
a good pie and that's why in World War II | 0:42:53 | 0:42:57 | |
they asked the American troops what are you fighting for? | 0:42:57 | 0:43:00 | |
They said we're fighting for mom and apple pie in the same way | 0:43:00 | 0:43:04 | |
that the English would say they're fighting for God and country. | 0:43:04 | 0:43:07 | |
The apple pie might have begun its American journey as a result | 0:43:07 | 0:43:11 | |
of the British settlers unwillingness to try new things | 0:43:11 | 0:43:14 | |
but it's gone on to symbolise the optimistic resourceful | 0:43:14 | 0:43:17 | |
and pioneering spirit that has built America. | 0:43:17 | 0:43:19 | |
It looks OK. | 0:43:28 | 0:43:30 | |
With the pastry cases out of the oven, the bakers | 0:43:32 | 0:43:35 | |
concentrate on their fillings. | 0:43:35 | 0:43:37 | |
Manisha's pureeing bananas with butterscotch sauce, whipped cream | 0:43:39 | 0:43:43 | |
and egg whites for her banana scotch pie, topped off with meringue. | 0:43:43 | 0:43:48 | |
What is going to set it? Have you got egg in it? | 0:43:48 | 0:43:50 | |
-Yeah, egg white. -Egg white. | 0:43:50 | 0:43:52 | |
I'm going to whisk the egg white until it's firm-peaked, | 0:43:52 | 0:43:55 | |
fold it, put the banana in the double cream that's whipped, | 0:43:55 | 0:43:59 | |
and then fold that creamed banana within the egg whites. | 0:43:59 | 0:44:02 | |
And are you going to bake that? | 0:44:02 | 0:44:04 | |
No, then it's going to go onto the baked pastry | 0:44:04 | 0:44:07 | |
and it's going to set in the fridge. | 0:44:07 | 0:44:10 | |
Right. | 0:44:10 | 0:44:11 | |
I don't know how she's going to set her pie. | 0:44:13 | 0:44:15 | |
When we have the pies presented in front of us, | 0:44:15 | 0:44:18 | |
we've got to get a beautiful cut piece out of it | 0:44:18 | 0:44:21 | |
and that is the skill, not only getting all the flavours right, | 0:44:21 | 0:44:25 | |
the crispy pastry and everything else, | 0:44:25 | 0:44:28 | |
it's getting, when you cut into it, | 0:44:28 | 0:44:30 | |
-every single slice looks beautiful on the plate. -Sits up and begs. | 0:44:30 | 0:44:33 | |
All the pies should have a firm consistency | 0:44:33 | 0:44:37 | |
to create the perfect slice. | 0:44:37 | 0:44:39 | |
It will be big, it will be special occasion, Thanksgiving-like, | 0:44:39 | 0:44:43 | |
and it captures the colours of America. | 0:44:43 | 0:44:45 | |
Brendan's using layers of blueberries, raspberries | 0:44:45 | 0:44:49 | |
and Chantilly cream in his pie | 0:44:49 | 0:44:51 | |
to represent the red, white and blue | 0:44:51 | 0:44:53 | |
of the American flag. | 0:44:53 | 0:44:54 | |
His pie won't be baked again, so he's using pectin in the blueberries | 0:44:55 | 0:44:58 | |
and gelatine in the raspberry chiffon, | 0:44:58 | 0:45:02 | |
a layer of strained raspberries mixed with cream, | 0:45:02 | 0:45:05 | |
to set the filling. | 0:45:05 | 0:45:06 | |
It's just enough that it slices and holds its shape. | 0:45:06 | 0:45:09 | |
Ryan's using a natural reaction between condensed milk | 0:45:09 | 0:45:12 | |
and acidic lime juice to thicken his pie filling, | 0:45:12 | 0:45:15 | |
which is then baked in the oven. | 0:45:15 | 0:45:17 | |
OK, which way round is it? | 0:45:17 | 0:45:20 | |
Dish, dish, dish, yep. | 0:45:20 | 0:45:21 | |
Um... Idiot. | 0:45:25 | 0:45:26 | |
Probably use that one. Don't worry. | 0:45:26 | 0:45:28 | |
Now watch it, it might splash. | 0:45:31 | 0:45:33 | |
John is pulling out all the stops | 0:45:35 | 0:45:37 | |
with his star-spangled pecan pie | 0:45:37 | 0:45:40 | |
with sour cherries and chocolate ganache | 0:45:40 | 0:45:42 | |
in a sweet crust pastry. | 0:45:42 | 0:45:43 | |
I don't know, I do always feel under pressure in this tent, you know, | 0:45:43 | 0:45:47 | |
because no matter how good you do in one round, | 0:45:47 | 0:45:51 | |
the next round could go bottoms up, so... | 0:45:51 | 0:45:55 | |
I feel under immense pressure. | 0:45:56 | 0:45:59 | |
OK, bakers, you've got 30 minutes left on your pie clocks. | 0:46:00 | 0:46:04 | |
30 minutes, please. | 0:46:04 | 0:46:06 | |
Ryan's making an Italian meringue for his topping, | 0:46:08 | 0:46:11 | |
adding cooked sugar syrup into whipped egg whites. | 0:46:11 | 0:46:14 | |
Right, so I'm taking a risk because I was such rushed for time, | 0:46:14 | 0:46:18 | |
I whipped the egg white before I left it in the fridge. | 0:46:18 | 0:46:21 | |
Hopefully, it won't slow me up. | 0:46:21 | 0:46:23 | |
I'm re-whipping it again, this time in a sugar syrup | 0:46:24 | 0:46:28 | |
and I'm just hoping it'll hold. | 0:46:28 | 0:46:29 | |
The beaten egg whites trap hundreds of bubbles, creating volume, | 0:46:29 | 0:46:33 | |
but if overbeaten or left too long, | 0:46:33 | 0:46:35 | |
the bubbles burst and the egg white turns to liquid. | 0:46:35 | 0:46:39 | |
Oh, my goodness! Look at that! | 0:46:42 | 0:46:44 | |
Definitely out this week, people. | 0:46:47 | 0:46:49 | |
-What am I supposed to do? -Caramel. | 0:46:49 | 0:46:53 | |
-Oh! -Caramel, Manisha? | 0:46:53 | 0:46:56 | |
Sugar. I'm going to try and patch it on with sugar. | 0:46:56 | 0:47:00 | |
If the pastry tastes good, then I stand a chance of surviving. | 0:47:10 | 0:47:13 | |
If not, then I'm in danger. | 0:47:13 | 0:47:15 | |
Can you believe this? I don't think I can handle the pressure, you know. | 0:47:20 | 0:47:24 | |
Yee-ha! You be gettin' them pies ready in five minutes! | 0:47:24 | 0:47:26 | |
I don't know why I'm speaking Norwegian. | 0:47:26 | 0:47:28 | |
Shaking like a... | 0:47:31 | 0:47:34 | |
leaf. | 0:47:34 | 0:47:35 | |
How's it going, Manisha? | 0:47:39 | 0:47:40 | |
As you can see, not good. | 0:47:40 | 0:47:42 | |
It is dripping. | 0:47:44 | 0:47:46 | |
I should actually just leave it. That does not look right. | 0:47:48 | 0:47:51 | |
There's a bit of a gap here, isn't there? | 0:47:51 | 0:47:53 | |
Is there something you can shore it up with? | 0:47:53 | 0:47:56 | |
Shall I do it with lots of meringue? | 0:47:56 | 0:47:58 | |
Is the meringue going to stop that from oozing out, | 0:47:58 | 0:48:01 | |
-do you think? -Hopefully. -Yeah. | 0:48:01 | 0:48:02 | |
OK, bakers, that's the end of the bake. Move your pies | 0:48:02 | 0:48:05 | |
to the end of the benches. Thank you and God bless America. | 0:48:05 | 0:48:08 | |
HE GASPS, SIGHS | 0:48:12 | 0:48:15 | |
For one of these bakers, | 0:48:23 | 0:48:24 | |
this will be the last time they'll face the judges. | 0:48:24 | 0:48:28 | |
Brendan, please bring your pie up. | 0:48:33 | 0:48:36 | |
It's quite an elegant-looking pie. | 0:48:40 | 0:48:42 | |
Pastry's nice and thin around the side. It looks crispy. | 0:48:42 | 0:48:46 | |
It's held quite well. | 0:48:48 | 0:48:51 | |
-It's well baked. -Really well baked. -Oh, good. | 0:48:51 | 0:48:54 | |
Sharp. Sweet. Flavour's coming through. | 0:48:56 | 0:48:59 | |
Well thought out. | 0:48:59 | 0:49:00 | |
Great base. | 0:49:00 | 0:49:02 | |
John. Please bring us your pie. | 0:49:02 | 0:49:05 | |
Oh, lovely! | 0:49:07 | 0:49:09 | |
SUE SMACKS HER LIPS | 0:49:09 | 0:49:11 | |
-There's a lot going on in there, isn't there? -Yeah, | 0:49:11 | 0:49:14 | |
there is, but that's America for you. | 0:49:14 | 0:49:16 | |
I think it's very, very interesting. | 0:49:16 | 0:49:18 | |
I'm not mad on these cherries. | 0:49:18 | 0:49:20 | |
I think it's a nice idea. It's well executed. | 0:49:20 | 0:49:22 | |
I think you had a bit of a problem with the sleeve itself | 0:49:22 | 0:49:24 | |
but I don't think it's a bad thing, you've done quite well. | 0:49:24 | 0:49:27 | |
Good piping work. | 0:49:27 | 0:49:29 | |
A little bit of weeping with the caramel | 0:49:31 | 0:49:33 | |
coming just over the top. You've been too generous with it. | 0:49:33 | 0:49:36 | |
I think the pastry looks quite thin. | 0:49:37 | 0:49:40 | |
I like that cos it's not overpowering. | 0:49:44 | 0:49:46 | |
Everything goes with it and it's not too sweet. | 0:49:46 | 0:49:49 | |
-Overall, it's a nice pie. -I'm pleased. -Well done. -Thank you! | 0:49:49 | 0:49:53 | |
This way. | 0:49:53 | 0:49:55 | |
Wheel of Fortune. | 0:49:55 | 0:49:56 | |
It doesn't look very appetising, if I'm going to be honest. | 0:50:00 | 0:50:02 | |
-Mmm. -I really rather like it. | 0:50:10 | 0:50:12 | |
It's unusual. The spice is coming through. | 0:50:12 | 0:50:14 | |
The pecan's sitting well underneath. Good, crispy base. | 0:50:14 | 0:50:18 | |
It's very interesting. | 0:50:18 | 0:50:19 | |
Is that a showstopper? | 0:50:19 | 0:50:20 | |
Has it quite got the wow factor when you look at it? | 0:50:20 | 0:50:23 | |
Manisha. | 0:50:23 | 0:50:25 | |
I mean, obviously, you've had issues with it. | 0:50:32 | 0:50:35 | |
-Yes. -OK, let's have a look inside the texture. | 0:50:35 | 0:50:38 | |
(That's a big mess.) | 0:50:41 | 0:50:43 | |
-Yeah, but it is. -Right. | 0:50:43 | 0:50:46 | |
Your pastry is good. | 0:50:47 | 0:50:48 | |
Your pastry's crisp. After that... | 0:50:48 | 0:50:52 | |
-It's all downhill. -Yeah. | 0:50:52 | 0:50:54 | |
You know what's wrong with it? What started at the beginning, | 0:50:54 | 0:50:57 | |
you have no setting agent in the whole thing. | 0:50:57 | 0:51:00 | |
There's nothing in there to set that off, | 0:51:00 | 0:51:04 | |
to build your layers up | 0:51:04 | 0:51:05 | |
and you had banana mousse, meringue, the caramel. | 0:51:05 | 0:51:08 | |
It's never going to set in a million years. | 0:51:08 | 0:51:11 | |
Danny, please bring your pie up for inspection. | 0:51:12 | 0:51:15 | |
-It's held up well. -Mmm. | 0:51:19 | 0:51:20 | |
-It's baked well underneath. -MEL: Smells good. | 0:51:22 | 0:51:26 | |
-Um, the alcohol... -Yeah. | 0:51:29 | 0:51:31 | |
-Really strong. -Right. -Um... | 0:51:31 | 0:51:33 | |
The pastry's good. The texture of the filling is good. | 0:51:35 | 0:51:38 | |
The flavour's all right as well, | 0:51:38 | 0:51:40 | |
it's the alcohol, it's the only thing that's lingering in my mouth. | 0:51:40 | 0:51:43 | |
-It is. It's very strong. -OK, thank you very much. | 0:51:43 | 0:51:45 | |
- I take your point. - Very tasty, though. | 0:51:45 | 0:51:47 | |
Cathryn, if you'd like to bring your American pie up. | 0:51:47 | 0:51:51 | |
-Mmm! -Wow! | 0:51:51 | 0:51:54 | |
-I like the simplicity of the whole thing. -That cuts beautifully. | 0:51:56 | 0:52:00 | |
-The slice comes out well. -Thank you. | 0:52:00 | 0:52:04 | |
-I don't like that. -Don't you? -At all. | 0:52:10 | 0:52:12 | |
It's like eating a pot full of crunchy peanut butter. | 0:52:12 | 0:52:16 | |
-But with none of the flavour. -Oh. | 0:52:16 | 0:52:18 | |
I think you've made something | 0:52:19 | 0:52:21 | |
that looks wonderful, terribly tempting to eat, but... | 0:52:21 | 0:52:24 | |
-But then tastes disgusting? -The taste is not very appealing. | 0:52:24 | 0:52:28 | |
Ryan, you're up next. | 0:52:30 | 0:52:31 | |
-I think it looks absolutely lovely. So fresh. -Thank you. | 0:52:35 | 0:52:39 | |
To have it, instantly you know | 0:52:40 | 0:52:43 | |
that is key lime pie | 0:52:43 | 0:52:45 | |
because you've got the little pieces of lime. | 0:52:45 | 0:52:48 | |
-You nailed that one, Ryan. -Thank you. -You've absolutely nailed that. | 0:52:55 | 0:53:00 | |
The flavour of that lime coming through | 0:53:00 | 0:53:02 | |
and you get that crystallised ginger as well. That is very special. | 0:53:02 | 0:53:06 | |
-Thank you. -That's a very nice pie. | 0:53:06 | 0:53:09 | |
-Sheer perfection. -Oh, thank you. | 0:53:09 | 0:53:10 | |
That's fantastic, mate. | 0:53:10 | 0:53:13 | |
I really want to stay, so having a good bake for a showstopper, | 0:53:13 | 0:53:18 | |
you know, gets me to next weekend, so it's always good. | 0:53:18 | 0:53:21 | |
MANISHA: That pie did look horrendous. | 0:53:23 | 0:53:25 | |
There was nothing else I was expecting for them to say. | 0:53:25 | 0:53:28 | |
"Oh, it looks beautiful." "Does it?" "No." | 0:53:28 | 0:53:30 | |
You know, it didn't hold up, so...yeah. | 0:53:30 | 0:53:34 | |
The main quote that's sticking with me is, "It tastes awful." | 0:53:34 | 0:53:39 | |
Hero to zero. That's me. | 0:53:39 | 0:53:43 | |
Having sampled a slice of every pie, | 0:53:43 | 0:53:46 | |
it's up to Mary and Paul to decide who has truly excelled | 0:53:46 | 0:53:49 | |
and whose journey has come to an end. | 0:53:49 | 0:53:52 | |
-When you look at Cathryn's here at the moment... -Who was a contender. | 0:53:52 | 0:53:55 | |
Before she came into today, she was that far from getting Star Baker. | 0:53:55 | 0:53:59 | |
I'm sorry. It wasn't good. | 0:53:59 | 0:54:01 | |
I think Brendan's had a great weekend again. | 0:54:01 | 0:54:04 | |
I mean, that tartness coming from the blueberries, | 0:54:04 | 0:54:07 | |
then the sweetness coming from the chiffon was delicious. | 0:54:07 | 0:54:10 | |
-He was the only person to use gelatine. -Yeah. | 0:54:10 | 0:54:12 | |
His attention to detail, his knowledge, | 0:54:12 | 0:54:14 | |
as Bake Off goes on, he is getting stronger. | 0:54:14 | 0:54:17 | |
I'm getting a smell of lime from this lovely piece of pie here | 0:54:17 | 0:54:20 | |
which is of course Ryan's. | 0:54:20 | 0:54:22 | |
I thought it was absolutely outstanding | 0:54:22 | 0:54:25 | |
and it tasted way above all the others. | 0:54:25 | 0:54:29 | |
This, I mean... | 0:54:29 | 0:54:30 | |
-Technically, technical challenge... -He was last. -Last place. | 0:54:30 | 0:54:35 | |
Now, this breaks most of the rules that we'd set, but actually, | 0:54:35 | 0:54:39 | |
that is good enough on its own to put him through to Star Baker. | 0:54:39 | 0:54:44 | |
So we started off today pre-showstopper | 0:54:44 | 0:54:46 | |
with six people being in trouble | 0:54:46 | 0:54:49 | |
and potentially up for consideration to leave the show. | 0:54:49 | 0:54:51 | |
Where do you think we stand after the big pie challenge? | 0:54:51 | 0:54:55 | |
For the ones that need to go - | 0:54:55 | 0:54:57 | |
Sarah-Jane could be in the ones to go | 0:54:57 | 0:55:00 | |
because I didn't think... I mean, it tasted OK | 0:55:00 | 0:55:02 | |
but having said that, I'd have to throw Manisha in there | 0:55:02 | 0:55:05 | |
because that was a disaster. | 0:55:05 | 0:55:07 | |
-Can I throw somebody else in as well? -Yes. | 0:55:07 | 0:55:10 | |
Danny. The alcohol in that was far too much. | 0:55:10 | 0:55:14 | |
It wrecked what was actually, technically not a bad pie. | 0:55:14 | 0:55:17 | |
-Yes. -To recap, we've got three in the danger zone - | 0:55:17 | 0:55:20 | |
Sarah-Jane, Danny and Manisha | 0:55:20 | 0:55:22 | |
-and two for consideration for Star Baker. -Ryan and Brendan. -Yes. | 0:55:22 | 0:55:25 | |
There's been much deliberation about this week's Star Baker | 0:55:41 | 0:55:45 | |
and I have to say, it's a first. | 0:55:45 | 0:55:47 | |
It began with something fishy. | 0:55:47 | 0:55:50 | |
In the middle was a pasty-like substance | 0:55:50 | 0:55:52 | |
but it ended on a high. | 0:55:52 | 0:55:54 | |
In fact, this pie was so good that Paul and Mary | 0:55:54 | 0:55:57 | |
wanted Ryan to know it was one of the best things they have tasted | 0:55:57 | 0:56:02 | |
in all three series of The Bake Off. | 0:56:02 | 0:56:04 | |
-Congratulations, Ryan. -Well done, Ryan! -You're our Star Baker. | 0:56:04 | 0:56:08 | |
Oh, my goodness! | 0:56:08 | 0:56:09 | |
-Thank you. -Well done. | 0:56:09 | 0:56:11 | |
But sadly, one of you, | 0:56:11 | 0:56:15 | |
this is where your Bake Off experience ends, I'm afraid to say. | 0:56:15 | 0:56:20 | |
And the person that we're going to say goodbye to this week is... | 0:56:20 | 0:56:23 | |
..Manisha. | 0:56:27 | 0:56:29 | |
-We're going to miss you. -We are going to miss you. | 0:56:29 | 0:56:33 | |
Come and have a Mel/Sue sandwich. Whether you like it or not! | 0:56:33 | 0:56:37 | |
'Manisha struggled. We're halfway through now.' | 0:56:38 | 0:56:41 | |
Things are only going to get harder from now. | 0:56:41 | 0:56:43 | |
I think she'd find it quite painful as we go on. | 0:56:43 | 0:56:45 | |
The technical challenges are going to get even harder | 0:56:45 | 0:56:48 | |
and I think she'd really struggle. | 0:56:48 | 0:56:49 | |
My family, if I tell them that I'm out, | 0:56:52 | 0:56:55 | |
they'll be all right with it because obviously... | 0:56:55 | 0:56:57 | |
I don't know, they'll be all right with it, I think. | 0:56:57 | 0:57:00 | |
They'll be a bit dis... I don't know if they'll be disappointed or not | 0:57:00 | 0:57:03 | |
but I hope they're not, you know. | 0:57:03 | 0:57:05 | |
That's the only thing I don't want to do, is disappoint people. | 0:57:05 | 0:57:08 | |
'But yeah, it's been good.' | 0:57:09 | 0:57:11 | |
This whole Bake Off has definitely given me good confidence, you know, | 0:57:13 | 0:57:16 | |
that I can do things. Even if they mess up, I can still do them. | 0:57:16 | 0:57:19 | |
I feel a bit battered by this one, actually. | 0:57:21 | 0:57:23 | |
I think I've scraped through. | 0:57:23 | 0:57:25 | |
I live to bake another week! Yay! | 0:57:25 | 0:57:28 | |
'I think what means to me more than anything else' | 0:57:29 | 0:57:32 | |
is when they said this was one of the best bakes they'd had in a Bake Off. | 0:57:32 | 0:57:36 | |
and didn't realise it was that good | 0:57:36 | 0:57:38 | |
so yes, it took me by surprise. | 0:57:38 | 0:57:40 | |
Very lifted because the standard's been so high | 0:57:40 | 0:57:43 | |
and I think I might go home and make that key lime pie. | 0:57:43 | 0:57:46 | |
Next week... | 0:57:46 | 0:57:48 | |
I feel a bit panicky already, which is not a good way to start. | 0:57:48 | 0:57:52 | |
Rrgh! Stress! | 0:57:52 | 0:57:53 | |
-Why am I stressed? It's just baking. -'It's time for pudding.' | 0:57:53 | 0:57:57 | |
Ooh, look at those! | 0:57:57 | 0:57:59 | |
'With a double signature sponge bake...' | 0:57:59 | 0:58:01 | |
The judges are making the challenges harder and harder. | 0:58:01 | 0:58:04 | |
Oh! Oh, no! | 0:58:04 | 0:58:08 | |
A royal technical challenge from the queen of baking... | 0:58:08 | 0:58:11 | |
-"Make the jam." That's detailed, Mary(!) -I hate it when this happens. | 0:58:11 | 0:58:15 | |
Every single week in technical challenge, it's a guessing game. | 0:58:15 | 0:58:18 | |
A strudel challenge that will stretch them to the limit. | 0:58:18 | 0:58:21 | |
So far that you can... | 0:58:21 | 0:58:24 | |
But whose showstopper will stop everything? | 0:58:24 | 0:58:27 | |
Then that spike... | 0:58:27 | 0:58:28 | |
There was a lot of blood. It was grim. | 0:58:28 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 |