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Welcome back to Somerset, where, last week, | 0:00:00 | 0:00:02 | |
we single-handedly ploughed our way through a mountain of doughnuts | 0:00:02 | 0:00:05 | |
and saw tighter buns than the Eurovision Song Contest. | 0:00:05 | 0:00:08 | |
Two of their contemporaries went, | 0:00:08 | 0:00:10 | |
this week, five bakers face the quarterfinals. | 0:00:10 | 0:00:12 | |
And they face some of the biggest challenges we've ever seen. | 0:00:12 | 0:00:16 | |
As always with the Bake Off, expect the unexpected. | 0:00:16 | 0:00:19 | |
Scream if you want to go faster. | 0:00:19 | 0:00:20 | |
We are on the roller coaster of baking, | 0:00:20 | 0:00:23 | |
otherwise known as the Great British Bake Off. | 0:00:23 | 0:00:25 | |
Last week: | 0:00:25 | 0:00:26 | |
Oh! | 0:00:26 | 0:00:28 | |
Sweet dough stood between the bakers and the quarterfinals. | 0:00:28 | 0:00:31 | |
Psyching myself up. | 0:00:31 | 0:00:33 | |
Cathryn was technically challenged. | 0:00:33 | 0:00:35 | |
Doughnut doom. | 0:00:35 | 0:00:36 | |
-Brendan and James were technically brilliant. -Yes! | 0:00:36 | 0:00:39 | |
-John wobbled. -What's wrong with them? | 0:00:39 | 0:00:41 | |
And Danny finally became Star Baker. | 0:00:41 | 0:00:44 | |
That was amazing, actually. | 0:00:44 | 0:00:46 | |
But Ryan and Sarah Jane... | 0:00:46 | 0:00:48 | |
-It's raw. -Raw? -Yeah. -..baked their final buns. | 0:00:48 | 0:00:51 | |
You have to win now, seriously. | 0:00:51 | 0:00:53 | |
'Tonight... | 0:00:53 | 0:00:55 | |
I've burnt my first batch. | 0:00:55 | 0:00:56 | |
'It's the quarterfinals.' | 0:00:56 | 0:00:58 | |
-Oh, law. I don't know what to do. -What the heck? | 0:00:58 | 0:01:02 | |
'..with the largest number of Signature Bakes ever assembled.' | 0:01:02 | 0:01:06 | |
I can't count! | 0:01:06 | 0:01:07 | |
The hottest technical challenge... | 0:01:07 | 0:01:09 | |
It's 35 degrees in here. | 0:01:09 | 0:01:10 | |
-Oh, dear. -..Ever attempted. | 0:01:10 | 0:01:13 | |
I'm going to wait to right at the last minute. | 0:01:13 | 0:01:15 | |
The biggest showstoppers ever constructed. | 0:01:15 | 0:01:17 | |
This is like Meccano for boys with baking. | 0:01:17 | 0:01:20 | |
And someone's Bake Off is about to fall apart. | 0:01:20 | 0:01:23 | |
Total disaster. | 0:01:23 | 0:01:25 | |
-It's crunch time. -Are they going to snap? | 0:01:56 | 0:01:58 | |
-They're feeling brittle. -Phew... Will they crumble? | 0:01:58 | 0:02:01 | |
It's biscuit week! | 0:02:01 | 0:02:03 | |
Two days. | 0:02:03 | 0:02:05 | |
Three challenges. | 0:02:05 | 0:02:07 | |
And just four of these five remaining bakers | 0:02:07 | 0:02:10 | |
can go through to the semi-finals. | 0:02:10 | 0:02:12 | |
Famous five, welcome. | 0:02:17 | 0:02:18 | |
I know the pressure's building, | 0:02:18 | 0:02:20 | |
so we'll crack on with the Signature Bake this morning. | 0:02:20 | 0:02:23 | |
And "crack" is the operative word because | 0:02:23 | 0:02:25 | |
we're going to ask you today to make, please, | 0:02:25 | 0:02:27 | |
48 crackers or crispbreads. | 0:02:27 | 0:02:30 | |
You can use any flour you want, they can be leavened or unleavened. | 0:02:30 | 0:02:34 | |
But the most important thing is they should be thin | 0:02:34 | 0:02:36 | |
and crack when snapped in two. | 0:02:36 | 0:02:39 | |
-Little bit like Nicole Kidman. -Yeah. | 0:02:39 | 0:02:41 | |
You've got two hours for this challenge. | 0:02:41 | 0:02:44 | |
-On your marks. -Get set. -Bake! | 0:02:44 | 0:02:46 | |
This is a gruelling test of consistency. | 0:02:49 | 0:02:52 | |
Delivering a huge batch of perfectly baked crispbreads and crackers | 0:02:54 | 0:02:57 | |
demands impressive organisation | 0:02:57 | 0:02:59 | |
and incredible attention to the smallest of details. | 0:02:59 | 0:03:02 | |
It's very, very difficult to get savoury crispbreads evenly baked, | 0:03:05 | 0:03:11 | |
because they're so wafer-thin, they catch at the edges. | 0:03:11 | 0:03:14 | |
We want every single one to be crisp all the way up | 0:03:14 | 0:03:18 | |
and, when we turn them over, evenly baked. | 0:03:18 | 0:03:21 | |
It's all about the bake on this. That, and the crispiness. | 0:03:21 | 0:03:25 | |
I will be testing for the snap on every single one of them. | 0:03:25 | 0:03:30 | |
Let's hope Mary and Paul like them. | 0:03:30 | 0:03:32 | |
Most crackers start with a simple mix of flour, water and fat | 0:03:32 | 0:03:35 | |
to make a basic dough. | 0:03:35 | 0:03:37 | |
It's not often you make crackers unless there's a gathering or buffet or something, | 0:03:37 | 0:03:41 | |
which is why it's interesting as a challenge, really. | 0:03:41 | 0:03:43 | |
Crackers can be unleavened or leavened, they don't depend on a rise. | 0:03:43 | 0:03:47 | |
James is using yeast, he's a real keen bread maker. | 0:03:47 | 0:03:50 | |
I've not put yeast in it as I want them to be really crisp. | 0:03:50 | 0:03:52 | |
But perhaps mine are going to be too dry. | 0:03:52 | 0:03:54 | |
You just don't know what they're looking for. | 0:03:54 | 0:03:57 | |
Yeast creates masses of tiny bubbles in the dough | 0:03:57 | 0:04:00 | |
which gives a lighter texture, | 0:04:00 | 0:04:01 | |
but makes it very difficult to get a thin, crispy result. | 0:04:01 | 0:04:05 | |
First thing is quickly making the dough. | 0:04:05 | 0:04:07 | |
These have got to prove, so I need, actually, as much time as possible. | 0:04:07 | 0:04:11 | |
Two hours isn't that long. | 0:04:11 | 0:04:14 | |
James' smoky cayenne, cumin and chilli crackers | 0:04:14 | 0:04:17 | |
have an unconventional base ingredient. | 0:04:17 | 0:04:20 | |
You're using a yeasted dough? | 0:04:20 | 0:04:22 | |
-Yeasted polenta dough, yes. -Interesting. | 0:04:22 | 0:04:24 | |
You've got to get that very thin. | 0:04:24 | 0:04:26 | |
I baked it a couple of days ago. Teeth are just like steel. | 0:04:26 | 0:04:29 | |
It's very spicy. | 0:04:29 | 0:04:30 | |
You've got cumin and coriander and a chilli that, I don't know... | 0:04:30 | 0:04:34 | |
-Chipotle, yes. -Chipotle. | 0:04:34 | 0:04:36 | |
Fantastic taste. I love it. | 0:04:36 | 0:04:39 | |
Quite spicy. Hope you like things spicy. | 0:04:39 | 0:04:41 | |
Let's just hope you get that thinness that you need. | 0:04:41 | 0:04:43 | |
Thinness. I'll make it extra thin for you. | 0:04:43 | 0:04:45 | |
James isn't the only baker taking a chance with yeast. | 0:04:47 | 0:04:51 | |
I've made them a lot this week. | 0:04:51 | 0:04:54 | |
They don't always work perfectly, but they always taste nice. | 0:04:54 | 0:04:57 | |
Cathryn has based her signature crispbreads | 0:04:57 | 0:05:00 | |
on the classic British ploughman's lunch. | 0:05:00 | 0:05:03 | |
I'm doing local Sussex cheese and pickle. | 0:05:03 | 0:05:07 | |
-OK. Can I try a bit? -Yeah, of course. | 0:05:07 | 0:05:09 | |
It's a bit like Cheshire. | 0:05:09 | 0:05:11 | |
Cross between Cheshire and Cheddar. Very crumbly. | 0:05:11 | 0:05:13 | |
It's a very full flavour. | 0:05:13 | 0:05:14 | |
I'm going to roll them as thin as I can, | 0:05:14 | 0:05:17 | |
then stretch each one individually before I put it on the baking tray. | 0:05:17 | 0:05:21 | |
-If they're thin enough, they will snap. -Cathryn, they've got to be. | 0:05:21 | 0:05:24 | |
Cos otherwise it'll be like a cookie. | 0:05:24 | 0:05:26 | |
No, it won't be a cookie, it'll be a cracker. | 0:05:26 | 0:05:28 | |
Flavouring a delicate cracker dough is risky. | 0:05:30 | 0:05:33 | |
I've just added the chipotle and the cayenne. | 0:05:33 | 0:05:35 | |
No idea what effect they might have on the yeast, | 0:05:35 | 0:05:38 | |
but I just decided to add them halfway though. | 0:05:38 | 0:05:41 | |
Acids and some proteins present in cheese or spices | 0:05:41 | 0:05:44 | |
can retard yeast and affect a leavened cracker's structure when baked. | 0:05:44 | 0:05:49 | |
For dried spice, a lot of the flavour is fairly redundant in it until it's cooked. | 0:05:50 | 0:05:53 | |
So I want to just toast them off first, | 0:05:53 | 0:05:56 | |
because that releases the essential oils in the spices | 0:05:56 | 0:05:58 | |
and that gets the flavour really booming. | 0:05:58 | 0:06:00 | |
But adding flavour at this early stage | 0:06:00 | 0:06:03 | |
is the only way to ensure it's even across the whole batch. | 0:06:03 | 0:06:06 | |
-HE SINGS -# Can you do this to me? # | 0:06:08 | 0:06:11 | |
John's spicy Asian-inspired crackers are made without yeast | 0:06:11 | 0:06:15 | |
and are flavoured with cumin, coriander and fennel. | 0:06:15 | 0:06:19 | |
90 grammes. | 0:06:19 | 0:06:21 | |
He's melting butter in water, before adding it to his dough mix | 0:06:21 | 0:06:24 | |
so that, like his spices, it's distributed as evenly as possible. | 0:06:24 | 0:06:28 | |
These are the crackers you'd have with your mates around. | 0:06:28 | 0:06:30 | |
A really good nibbley cracker, packed full of flavour, | 0:06:30 | 0:06:34 | |
which is what the judges were missing last week in my food. | 0:06:34 | 0:06:36 | |
So, hopefully, this'll sort them out. | 0:06:36 | 0:06:39 | |
I'm making a spicy almond cracker. | 0:06:39 | 0:06:41 | |
It's a biscuit dough, where you're pulsing the butter into the flour. | 0:06:41 | 0:06:45 | |
Then I'm using yoghurt to bind it together. | 0:06:45 | 0:06:48 | |
The downside is I eat them as they come out. | 0:06:48 | 0:06:51 | |
Today, there's meant to be a batch of 48. | 0:06:51 | 0:06:52 | |
When I've made these at home before, I'm lucky if 20 make it to the tin. | 0:06:52 | 0:06:56 | |
Danny's unleavened crackers | 0:06:56 | 0:06:58 | |
are flavoured with a blend of North African spices called ras el hanout, | 0:06:58 | 0:07:01 | |
as well as chopped almonds. | 0:07:01 | 0:07:03 | |
Her dough has a controversial ingredient. | 0:07:03 | 0:07:06 | |
I've taken a leaf out of Brendan's book, | 0:07:06 | 0:07:08 | |
cos we're back to the '70s of desiccated cheese. | 0:07:08 | 0:07:11 | |
I know you look horrified. | 0:07:11 | 0:07:12 | |
-That's Parmesan? -It is. | 0:07:12 | 0:07:14 | |
-But proper Parmesan doesn't work. -Shaky, shaky Parmesan? -Yeah. | 0:07:14 | 0:07:17 | |
That's percussion, that's not edible! | 0:07:17 | 0:07:19 | |
I've done it so many times I've tried it with fresh Parmesan. | 0:07:19 | 0:07:22 | |
If you didn't want it to snap, I'd put fresh Parmesan on, | 0:07:22 | 0:07:25 | |
-There's too much moisture in fresh Parmesan. -It's your choice. | 0:07:25 | 0:07:28 | |
-Great. -Thanks very much, good luck. -Look forward to it. | 0:07:28 | 0:07:31 | |
Bakers, you are halfway through the crispbread challenge. | 0:07:34 | 0:07:38 | |
Are we? | 0:07:38 | 0:07:39 | |
You've got one hour to go, I hope you're cracking on. | 0:07:39 | 0:07:41 | |
Once their dough is rested, | 0:07:41 | 0:07:43 | |
the bakers face a crucial decision when rolling it out. | 0:07:43 | 0:07:47 | |
Oh, it's getting hot! | 0:07:47 | 0:07:48 | |
Too thick, and their crackers won't snap. | 0:07:48 | 0:07:51 | |
I'm just rolling these crackers out between two pieces of parchment paper. | 0:07:51 | 0:07:55 | |
It's just the easiest way for me to get them as thin as I possibly can. | 0:07:55 | 0:07:58 | |
Too thin, and the edges will burn before they're properly baked. | 0:07:58 | 0:08:03 | |
Just pricking the cracker all over before I cut it, | 0:08:03 | 0:08:06 | |
so that, when it's in the oven, it doesn't puff up. | 0:08:06 | 0:08:08 | |
I'm expecting a few little bubbles here and there, | 0:08:08 | 0:08:10 | |
but I don't want it to be like a big flying saucer, for example. | 0:08:10 | 0:08:13 | |
What this allows you to do is test the thickness is even. | 0:08:13 | 0:08:16 | |
When you prick it, | 0:08:16 | 0:08:18 | |
you can feel whether it's thicker in one part than it is in another. | 0:08:18 | 0:08:21 | |
Like Woody Woodpecker! | 0:08:21 | 0:08:22 | |
HE IMITATES WOODY'S CALL | 0:08:22 | 0:08:26 | |
Not only should every single cracker be the same thickness. | 0:08:26 | 0:08:29 | |
10, 11... | 0:08:29 | 0:08:33 | |
All 48 must also be exactly the same shape. | 0:08:33 | 0:08:36 | |
I bring precision to everything I do. | 0:08:36 | 0:08:39 | |
Equally with my gardening. | 0:08:39 | 0:08:41 | |
If it's worth doing, it's worth doing well, to get the finish right. | 0:08:41 | 0:08:44 | |
Brendan's crackers are packed with sesame, pumpkin and flax seeds | 0:08:44 | 0:08:47 | |
and topped with a sprinkling of aniseed. | 0:08:47 | 0:08:50 | |
I think you're rather clever to have done this on an oiled table. | 0:08:50 | 0:08:54 | |
That means you can get it off, | 0:08:54 | 0:08:55 | |
and you don't get that extra flour added all the time. | 0:08:55 | 0:08:59 | |
The challenge for me is, because they're so thin, it's getting the bake right. | 0:08:59 | 0:09:03 | |
The challenge is getting them off there! | 0:09:03 | 0:09:05 | |
Even with the palette knife, you're going to distort that diamond a bit as well. | 0:09:05 | 0:09:09 | |
Using one oven to bake 48 crackers perfectly... | 0:09:13 | 0:09:17 | |
Um, I should be all right if I just pull my finger out | 0:09:17 | 0:09:21 | |
and roll them a bit quicker than I have been. | 0:09:21 | 0:09:23 | |
..requires careful planning. | 0:09:23 | 0:09:26 | |
And intense concentration. | 0:09:26 | 0:09:28 | |
The consistency is key and, because we're doing 48, | 0:09:34 | 0:09:37 | |
it's going to be tricky to make sure every single one is the same. | 0:09:37 | 0:09:39 | |
Crackers can bake in as little as four minutes. | 0:09:39 | 0:09:42 | |
There's a really fine line between being cooked and crispy, or burnt. | 0:09:43 | 0:09:48 | |
The baking temperature must be constant... | 0:09:50 | 0:09:53 | |
Whoa! | 0:09:53 | 0:09:54 | |
..to ensure every cracker is crisp. | 0:09:54 | 0:09:57 | |
Which means using the same shelf | 0:09:58 | 0:10:02 | |
for multiple batches. | 0:10:02 | 0:10:03 | |
OK, there's 30 minutes left, bakers! Don't snap under the pressure. | 0:10:05 | 0:10:09 | |
But one baker has decided to take a short cut. | 0:10:09 | 0:10:12 | |
Might just chuck in a few more, just to see what they taste like. | 0:10:14 | 0:10:19 | |
Cos I can't really taste any of these, cos I made exactly on 48. | 0:10:19 | 0:10:22 | |
So, it's a bit annoying. | 0:10:22 | 0:10:25 | |
James has made his crackers in one batch, and on different shelves. | 0:10:25 | 0:10:30 | |
My perfect cracker would be this one. | 0:10:30 | 0:10:33 | |
Just toasted. | 0:10:33 | 0:10:35 | |
That one. | 0:10:35 | 0:10:37 | |
Very thin, even thinner, but over-baked. | 0:10:37 | 0:10:40 | |
Ones like that are a bit wonky. That's quite nice. | 0:10:40 | 0:10:42 | |
Looks like a little mouse. | 0:10:42 | 0:10:43 | |
I've burned the batch. | 0:10:50 | 0:10:52 | |
I'm checking how far they've reached in their browning. | 0:10:52 | 0:10:55 | |
I'm going to turn the oven off and leave it for ten minutes | 0:10:55 | 0:10:58 | |
and the residual heat to complete the browning. | 0:10:58 | 0:11:00 | |
Ohhh! | 0:11:00 | 0:11:02 | |
Because, I suppose, the bake is short, | 0:11:02 | 0:11:04 | |
there's not that kind of terror of, | 0:11:04 | 0:11:06 | |
-will it prove or will it rise? -I'm feeling a little bit of terror now. | 0:11:06 | 0:11:09 | |
-Are you? -Yes. A little bit. | 0:11:09 | 0:11:12 | |
-Don't be scared of the crackerbreads. -Oh, my gosh, | 0:11:12 | 0:11:14 | |
I've got others in the oven that are going to be burnt! | 0:11:14 | 0:11:16 | |
Oh! Don't worry, that's all right. | 0:11:20 | 0:11:23 | |
They're only a little bit burnt. | 0:11:25 | 0:11:27 | |
Heavens to Betsy. What am I doing? | 0:11:27 | 0:11:30 | |
Five minutes left, bakers. 48 crackers. Here we go. | 0:11:31 | 0:11:35 | |
HE SIGHS HEAVILY | 0:11:35 | 0:11:38 | |
One, two, three, four, five. | 0:11:38 | 0:11:39 | |
It's too hot. | 0:11:39 | 0:11:42 | |
I've got another 16 to go. | 0:11:42 | 0:11:44 | |
Checking these. | 0:11:44 | 0:11:46 | |
Just got my last batch in. | 0:11:46 | 0:11:48 | |
Honestly, I've completely lost it. | 0:11:57 | 0:12:00 | |
This is car crash crackers. | 0:12:00 | 0:12:01 | |
I think I've just done enough. I haven't counted actually. | 0:12:05 | 0:12:08 | |
Four, eight. | 0:12:08 | 0:12:10 | |
12. | 0:12:10 | 0:12:13 | |
-HE SINGS -# A cracker in the morning. # | 0:12:15 | 0:12:18 | |
Three, four, five, | 0:12:18 | 0:12:20 | |
six, seven, eight, nine, ten. | 0:12:20 | 0:12:23 | |
Bakers, that is it. Cracker time is now up. | 0:12:23 | 0:12:27 | |
I hope I've got that right. | 0:12:27 | 0:12:29 | |
I've got 40... | 0:12:29 | 0:12:31 | |
Danny, back away from the crackers. | 0:12:31 | 0:12:33 | |
I'm not touching them. I can't count. | 0:12:33 | 0:12:35 | |
It's judgement time. | 0:12:46 | 0:12:50 | |
Brendan. Diamonds are trumps. | 0:12:53 | 0:12:55 | |
They certainly look the part. They're beautifully even, | 0:12:55 | 0:12:59 | |
but it's all in the tasting. | 0:12:59 | 0:13:01 | |
BISCUIT SNAPS | 0:13:01 | 0:13:02 | |
Nice break. | 0:13:02 | 0:13:03 | |
< BRENDAN: Good. | 0:13:03 | 0:13:05 | |
It's got a great bake on it. They're all equal. | 0:13:05 | 0:13:08 | |
It adds a lot of texture to the cracker itself, the seeds. | 0:13:08 | 0:13:11 | |
The seasoning for me is just right. Really scrummy. | 0:13:11 | 0:13:14 | |
Do the Hollywood crack. | 0:13:19 | 0:13:20 | |
BISCUIT SNAPS | 0:13:20 | 0:13:22 | |
Good. | 0:13:22 | 0:13:23 | |
BISCUIT SNAPS | 0:13:23 | 0:13:24 | |
Yeah, good. | 0:13:24 | 0:13:25 | |
What an interesting colour, so inviting. | 0:13:25 | 0:13:28 | |
You've got a good consistency as well. | 0:13:28 | 0:13:30 | |
Good consistency amongst the whole batch. | 0:13:30 | 0:13:33 | |
You eat it first and you think, that's a bit bland, | 0:13:36 | 0:13:38 | |
maybe a little bit salty. | 0:13:38 | 0:13:40 | |
But when you get into it, you have a very fiery flavour. | 0:13:40 | 0:13:43 | |
-Did you put salt on the top as well? -Just a tiny bit, yeah. | 0:13:43 | 0:13:47 | |
-You didn't need it. -Right. | 0:13:47 | 0:13:49 | |
That salt has tipped it over to be very salty. | 0:13:49 | 0:13:52 | |
SOFT SNAP | 0:14:00 | 0:14:02 | |
Just about. | 0:14:02 | 0:14:03 | |
They're beautifully crisp. | 0:14:03 | 0:14:05 | |
Difficult to achieve. | 0:14:05 | 0:14:06 | |
-One or two of them are a little bit overbaked. -Yes, yes. | 0:14:06 | 0:14:11 | |
-MEL: I can't believe you just did that. -Oh, don't take that one. | 0:14:11 | 0:14:16 | |
I do like the flavour. I like the seeds as well. | 0:14:16 | 0:14:19 | |
That little bit of fire in there from the cayenne. | 0:14:19 | 0:14:22 | |
Well done to get them so wafer thin and full of flavour. | 0:14:22 | 0:14:25 | |
-Nice one, James. Thank you. -Thank you, guys. -Do we have to go? | 0:14:25 | 0:14:29 | |
I'm really sorry. I'm so embarrassed. | 0:14:37 | 0:14:39 | |
They're really disastrous. I'm really sorry. | 0:14:39 | 0:14:42 | |
There are only 46, for which I'm also sorry. | 0:14:42 | 0:14:44 | |
-They don't look particularly good. -No, they're shocking. | 0:14:45 | 0:14:48 | |
It's thick and thin. | 0:14:48 | 0:14:50 | |
Irregular colours. | 0:14:50 | 0:14:51 | |
-The bakes, you go from that... -Oh, don't. | 0:14:51 | 0:14:54 | |
-..to that. -Yeah, I know. | 0:14:54 | 0:14:57 | |
That one you can bend. | 0:14:57 | 0:15:00 | |
-Oh, lor'. -That one will snap. | 0:15:00 | 0:15:01 | |
That's a lovely crack, though, on that. | 0:15:01 | 0:15:03 | |
-CRACKER SNAPS -It is. | 0:15:03 | 0:15:06 | |
Great flavour, but poorly... | 0:15:06 | 0:15:08 | |
Yeah, I know, just dreadful. I know. | 0:15:08 | 0:15:10 | |
You've got, obviously, some darker ones here. | 0:15:17 | 0:15:20 | |
-But let's just see what the... -The Hollywood crack. | 0:15:20 | 0:15:23 | |
-BISCUIT SNAPS -Yeah, it's breaking well. | 0:15:23 | 0:15:26 | |
It's lovely and crisp. Hint of curry. | 0:15:26 | 0:15:29 | |
One or two of them are a little overbaked. | 0:15:29 | 0:15:31 | |
It just makes them a little bit bitter. | 0:15:31 | 0:15:34 | |
Flavour's lovely, and it is crispy. And they're all the same size. | 0:15:34 | 0:15:37 | |
-I'd like to have seen them a little bit bigger, though. -OK. | 0:15:37 | 0:15:40 | |
Well, you could always have twice as many! | 0:15:40 | 0:15:42 | |
I think I've found my confidence again. | 0:15:44 | 0:15:47 | |
If I let last week fester away inside me, then I'm going to fail. | 0:15:47 | 0:15:50 | |
But I just need to get over it, forget about it, and carry on. | 0:15:50 | 0:15:53 | |
The competition at the moment is variable in the remaining five. | 0:15:53 | 0:15:56 | |
There's certainly two or three that I'm keeping an eye on. | 0:15:56 | 0:16:00 | |
But, may the best man win. | 0:16:00 | 0:16:02 | |
It's now all about knowledge and technique, | 0:16:02 | 0:16:03 | |
and I've been round the track a bit longer than most of them. | 0:16:03 | 0:16:06 | |
I was designing them as a cracker with drinks. | 0:16:06 | 0:16:09 | |
I think Paul's comment about the salt is fair, | 0:16:09 | 0:16:11 | |
but that's not a hanging offence. | 0:16:11 | 0:16:13 | |
I don't want it to look like I'm not giving it everything | 0:16:13 | 0:16:16 | |
because my family will be disappointed | 0:16:16 | 0:16:19 | |
if they saw me not trying hard enough. | 0:16:19 | 0:16:22 | |
It just takes really one bad round to get you kicked out. | 0:16:22 | 0:16:26 | |
Everyone relies on a bit of luck. Me, more than anyone. | 0:16:26 | 0:16:29 | |
In a small corner of north Wales, | 0:16:29 | 0:16:32 | |
there is a regional biscuit which has been baked for centuries. | 0:16:32 | 0:16:35 | |
Now, it's not as famous as its Yorkshire Rich Tea | 0:16:35 | 0:16:38 | |
or Scottish shortbread siblings, | 0:16:38 | 0:16:41 | |
but its distinctive appearance and mysterious origins | 0:16:41 | 0:16:43 | |
make it one of the most charming biscuits in Britain. | 0:16:43 | 0:16:47 | |
The island of Anglesey is known as the Mother of Wales. | 0:16:49 | 0:16:51 | |
Its fertile soil and abundant crops | 0:16:51 | 0:16:54 | |
supply the whole country with a rich variety of produce. | 0:16:54 | 0:16:57 | |
One delicious bake, born from the plentiful Anglesey wheat, | 0:16:57 | 0:17:00 | |
is a distinctively scallop-shaped biscuit, steeped in local legend. | 0:17:00 | 0:17:05 | |
The Aberffraw biscuit | 0:17:05 | 0:17:06 | |
is one of the oldest biscuits in Britain and, indeed, Wales. | 0:17:06 | 0:17:10 | |
It's made similar to shortbread, | 0:17:10 | 0:17:12 | |
but what really sets it apart is this amazing scallop shape. | 0:17:12 | 0:17:16 | |
One of the reasons for that is that | 0:17:16 | 0:17:17 | |
scallops have been found in the waters of Anglesey for centuries. | 0:17:17 | 0:17:21 | |
One local legend has it that the wife of the Prince of Wales, | 0:17:21 | 0:17:25 | |
who held court in Aberffraw in the 13th century, | 0:17:25 | 0:17:28 | |
was walking on the beach, she picked up a scallop, brought it back, | 0:17:28 | 0:17:31 | |
and he had the biscuit made in honour of her. | 0:17:31 | 0:17:34 | |
The Aberffraw biscuit is also locally known as the James cake, | 0:17:34 | 0:17:38 | |
named in honour of St James, one of the 12 apostles, | 0:17:38 | 0:17:41 | |
whose symbol is a scallop. | 0:17:41 | 0:17:44 | |
There's a strong Celtic culture in Wales, | 0:17:44 | 0:17:47 | |
and that is shared in parts of Spain, | 0:17:47 | 0:17:49 | |
especially in Santiago de Compostela | 0:17:49 | 0:17:51 | |
which happens to be the burial place of St James. | 0:17:51 | 0:17:55 | |
It's known that pilgrims from Anglesey | 0:17:55 | 0:17:57 | |
would have made this pilgrimage | 0:17:57 | 0:17:59 | |
and, traditionally, pilgrims to Santiago wore scalloped hats | 0:17:59 | 0:18:04 | |
and a scallop around their neck. | 0:18:04 | 0:18:06 | |
So it's very likely that | 0:18:06 | 0:18:08 | |
the biscuit continued to be made for all these centuries | 0:18:08 | 0:18:11 | |
as a tribute to St James and to the people who'd made the pilgrimage. | 0:18:11 | 0:18:15 | |
The Aberffaw biscuit is traditionally made | 0:18:15 | 0:18:17 | |
using the wheat produced by the hundreds of windmills | 0:18:17 | 0:18:20 | |
that once dotted the Anglesey landscape. | 0:18:20 | 0:18:23 | |
The Linen Mill is the last surviving working windmill on the island. | 0:18:23 | 0:18:27 | |
But that hasn't stopped local bakers | 0:18:27 | 0:18:29 | |
from continuing to make this homegrown delicacy. | 0:18:29 | 0:18:32 | |
The Aberffraw biscuit is quite famous on Anglesey. | 0:18:32 | 0:18:35 | |
We call it the Teisennau Aberffraw. | 0:18:35 | 0:18:37 | |
Every year, in the Anglesey Show, | 0:18:37 | 0:18:40 | |
there's a competition for six pieces of Aberffraw biscuits. | 0:18:40 | 0:18:44 | |
Each one of them had to be identical, | 0:18:44 | 0:18:46 | |
and that was a craft in itself. | 0:18:46 | 0:18:49 | |
The Aberffraw biscuit is a shortbread mixture made from sugar, | 0:18:49 | 0:18:53 | |
Welsh farmhouse butter, | 0:18:53 | 0:18:54 | |
and a mixture of plain white and wholemeal flour. | 0:18:54 | 0:18:57 | |
The wholemeal flour ground in the mill has a grainy quality | 0:18:57 | 0:19:00 | |
that has traditionally been used to give a sandy texture, | 0:19:00 | 0:19:04 | |
evoking the beaches where the scallop shells were first discovered. | 0:19:04 | 0:19:07 | |
Instead of rolling it out, | 0:19:07 | 0:19:09 | |
it is pressed on to the shell, | 0:19:09 | 0:19:13 | |
so that you can see the shell shape on the finished biscuits. | 0:19:13 | 0:19:16 | |
The Aberffraw biscuit is unique to Anglesey. | 0:19:16 | 0:19:20 | |
It is something that is only made on this island. | 0:19:20 | 0:19:24 | |
The Aberffraw biscuit uniquely captures the spirit of Anglesey. | 0:19:25 | 0:19:29 | |
Shaped like the shells of its beaches | 0:19:29 | 0:19:31 | |
and made with the grain from its mills, | 0:19:31 | 0:19:34 | |
it has gained a special place in the folklore and tradition of the island. | 0:19:34 | 0:19:37 | |
The quarterfinalists have no idea | 0:19:44 | 0:19:47 | |
what kind of biscuit they'll be asked to bake next. | 0:19:47 | 0:19:50 | |
It's time to reveal the old Technical Challenge. | 0:19:50 | 0:19:55 | |
As you know by now, this is always judged blind. | 0:19:55 | 0:19:57 | |
So, Paul and Mary, off you go please, | 0:19:57 | 0:20:01 | |
to the place that you go at this time. | 0:20:01 | 0:20:04 | |
The pub! | 0:20:04 | 0:20:05 | |
For today's Technical Challenge, | 0:20:05 | 0:20:07 | |
we'd like you to create an iconic biscuit. | 0:20:07 | 0:20:12 | |
It's got a biscuit base, | 0:20:12 | 0:20:14 | |
then tower of marshmallow, topped with a dome of chocolate. | 0:20:14 | 0:20:18 | |
Because today, we're asking you to make six chocolate tea cakes. | 0:20:18 | 0:20:23 | |
-In 30 degree heat. -Enjoy tempering that! | 0:20:23 | 0:20:27 | |
You've got two hours. | 0:20:27 | 0:20:29 | |
-So on your marks. -Get set. | 0:20:29 | 0:20:30 | |
-BOTH: -Bake! | 0:20:30 | 0:20:31 | |
The heat could be the least of the bakers' worries. | 0:20:31 | 0:20:36 | |
Marshmallow chocolate tea cake. | 0:20:36 | 0:20:38 | |
I know them, I see them in the shops. I have never made one. | 0:20:38 | 0:20:41 | |
Paul's recipe only contains very basic instructions. | 0:20:41 | 0:20:44 | |
This is like hell on a plate. | 0:20:44 | 0:20:48 | |
Quarterfinal chocolate tea cakes. Magnificent. | 0:20:50 | 0:20:54 | |
They are very difficult to make. A bit stagey. | 0:20:54 | 0:20:56 | |
What we've got is a homemade digestive biscuit. | 0:20:56 | 0:21:01 | |
Wow! Look at that. | 0:21:01 | 0:21:04 | |
The dome itself, we've given them a rubber mould, | 0:21:04 | 0:21:07 | |
with six domes inside it. | 0:21:07 | 0:21:09 | |
If it's too thin near the top, | 0:21:09 | 0:21:11 | |
when they finally try to bring the dome away from the mould, | 0:21:11 | 0:21:15 | |
the whole thing will collapse. | 0:21:15 | 0:21:16 | |
It's a bit like putting a cork in a bottle, | 0:21:16 | 0:21:19 | |
putting that biscuit into the dome. It's got to fit down into it | 0:21:19 | 0:21:22 | |
and then you just seal it with a bit more chocolate. | 0:21:22 | 0:21:25 | |
So, really hot day, doing something chocolate is tricky. | 0:21:25 | 0:21:29 | |
I think, on this occasion, you're going to have to be really kind. | 0:21:29 | 0:21:33 | |
Never done anything like this. No idea how to even approach it. | 0:21:38 | 0:21:41 | |
I think I can make the biscuit. | 0:21:42 | 0:21:45 | |
Digestive biscuits should be a straightforward combination | 0:21:45 | 0:21:47 | |
of wholemeal flour, sugar and butter. | 0:21:47 | 0:21:51 | |
Maybe I should have melted the butter. | 0:21:51 | 0:21:53 | |
It wants more butter. That's why it's not coming together. | 0:21:54 | 0:21:57 | |
But wholemeal flour contains little gluten. | 0:21:57 | 0:21:58 | |
The biscuit dough is extremely short. | 0:21:58 | 0:22:02 | |
"Short" means the gluten strands are short | 0:22:02 | 0:22:04 | |
and so it doesn't really hold together. | 0:22:04 | 0:22:06 | |
It's a very crumbly biscuit, with a good crumb to it, | 0:22:06 | 0:22:08 | |
a very tender crumb. | 0:22:08 | 0:22:10 | |
The biscuit dough made from wholemeal flour | 0:22:10 | 0:22:13 | |
is incredibly vulnerable to overworking. | 0:22:13 | 0:22:15 | |
It's a very dry dough, but I'm sticking with the recipe. | 0:22:15 | 0:22:19 | |
You're tempted, at this point, to put in a little more liquid. | 0:22:19 | 0:22:22 | |
I'm just going to torture it a bit, until I get it to bind together. | 0:22:22 | 0:22:25 | |
Handling it too much | 0:22:25 | 0:22:27 | |
can produce an unacceptably rubbery and chewy biscuit. | 0:22:27 | 0:22:30 | |
I don't mind if it is a bit short. | 0:22:30 | 0:22:32 | |
-There's not much there! -No. You've got to get it really thin. | 0:22:32 | 0:22:35 | |
Most biscuits, you seem to have to get them about five millimetres. | 0:22:35 | 0:22:38 | |
-I might have to get the ruler out. -I like it when you get the ruler out. | 0:22:38 | 0:22:42 | |
It's very dry, isn't it? | 0:22:43 | 0:22:45 | |
The bakers need to cut six biscuits from the dough. | 0:22:45 | 0:22:48 | |
Brendan's just a machine. Look at him go. | 0:22:48 | 0:22:50 | |
The thickness is up to them. | 0:22:50 | 0:22:52 | |
It's meant to be like the digestive biscuits | 0:22:52 | 0:22:54 | |
you buy in the shops? I don't know. Maybe. | 0:22:54 | 0:22:57 | |
And Paul has only given one instruction for baking them. | 0:22:57 | 0:23:00 | |
BEEPING | 0:23:00 | 0:23:02 | |
The oven temperature. | 0:23:02 | 0:23:05 | |
How long's the biscuits need? | 0:23:05 | 0:23:09 | |
They need to be baked long enough to be just crisp. | 0:23:09 | 0:23:12 | |
Ten minutes. | 0:23:15 | 0:23:16 | |
A fraction too long, and the high sugar contents in these biscuits | 0:23:16 | 0:23:20 | |
will burn and taste bitter. | 0:23:20 | 0:23:24 | |
-HE SIGHS HEAVILY -I can't work in this heat. | 0:23:24 | 0:23:26 | |
I'm actually dripping in sweat. | 0:23:26 | 0:23:29 | |
Makes them look better if you put them upside down. | 0:23:34 | 0:23:37 | |
You want them so that they feel firm | 0:23:37 | 0:23:40 | |
and that they're just starting to go at the edges, | 0:23:40 | 0:23:43 | |
says she, never having made a digestive biscuit in her life! | 0:23:43 | 0:23:47 | |
As the digestive biscuits cool, | 0:23:47 | 0:23:50 | |
the bakers have to temper chocolate for their teacake topping. | 0:23:50 | 0:23:53 | |
Tempering changes the sugar formation in the chocolate, | 0:23:53 | 0:23:56 | |
so that it sets really hard with a great shine on it, you can crack it. | 0:23:56 | 0:24:00 | |
The chocolate has to be heated to exactly 45 degrees Celsius, | 0:24:00 | 0:24:04 | |
and then cooled rapidly to 32 degrees. | 0:24:04 | 0:24:06 | |
It's 35 degrees in here. | 0:24:06 | 0:24:08 | |
-Oh dear, and you want your chocolate to be 33? -33 or 32, yes. | 0:24:08 | 0:24:12 | |
-OK, so we've got an issue already. -HE LAUGHS NERVOUSLY | 0:24:12 | 0:24:15 | |
After tempering, | 0:24:15 | 0:24:17 | |
the chocolate has to be the right consistency to coat the mould. | 0:24:17 | 0:24:20 | |
I want it to be a slower pourer than that, | 0:24:20 | 0:24:23 | |
so that it will stick to the sides. | 0:24:23 | 0:24:25 | |
If I put it in now, it'll all sink to the bottom. | 0:24:25 | 0:24:28 | |
I don't know how much chocolate I'm putting on. | 0:24:28 | 0:24:31 | |
I think it's got to hold marshmallow in it, and biscuit at the bottom. | 0:24:31 | 0:24:35 | |
So I think it needs to be quite thick. | 0:24:35 | 0:24:38 | |
I think it's a bit like if you make Easter eggs. | 0:24:38 | 0:24:40 | |
The best thing to do is to put a thin layer on, let it dry, | 0:24:40 | 0:24:43 | |
and if you don't think it's thick enough, just put another layer on. | 0:24:43 | 0:24:46 | |
The heat's just obviously melting the chocolate. | 0:24:48 | 0:24:51 | |
And, if the chocolate doesn't hold, you won't have a teacake. | 0:24:51 | 0:24:54 | |
You'll just have a big messy thing on a plate. | 0:24:54 | 0:24:56 | |
They'll have to go in the fridge or else they're not going to come out. | 0:24:56 | 0:24:59 | |
You should never fridge chocolate, straight from melting. | 0:24:59 | 0:25:02 | |
You should really let it cool to room temperature | 0:25:02 | 0:25:04 | |
before you put it near the fridge, at least. | 0:25:04 | 0:25:06 | |
We don't have room temperature here. | 0:25:06 | 0:25:09 | |
We have hot. | 0:25:09 | 0:25:11 | |
Cooling the chocolate in the fridge could result in a bloom, | 0:25:11 | 0:25:15 | |
making it lose its shine and gloss. | 0:25:15 | 0:25:17 | |
OK, bakers, two things to note. | 0:25:17 | 0:25:20 | |
A, there's a massive cross-wind going through the tents. | 0:25:20 | 0:25:22 | |
It's almost blowing my wig off. | 0:25:22 | 0:25:24 | |
Secondly, you've got one hour remaining. One hour. | 0:25:24 | 0:25:27 | |
For the marshmallow, | 0:25:27 | 0:25:28 | |
traditional meringue ingredients are combined with golden syrup | 0:25:28 | 0:25:32 | |
to stabilise the mixture and give structure. | 0:25:32 | 0:25:34 | |
I've never made marshmallow before. | 0:25:34 | 0:25:35 | |
I think it's some kind of Swiss meringue, by the looks of it. | 0:25:35 | 0:25:38 | |
It's then whisked to a temperature of 65 degrees over a bain marie | 0:25:38 | 0:25:43 | |
to gently heat the egg whites. | 0:25:43 | 0:25:44 | |
You don't want it to cook the sugar or the eggs. | 0:25:44 | 0:25:47 | |
When it starts to do that, if it feels grainy on the bottom of the bowl with your hand whisk, | 0:25:47 | 0:25:52 | |
which obviously you can't feel if you're using an electric whisk. | 0:25:52 | 0:25:56 | |
Everyone's finding this quite tricky, aren't they? | 0:25:56 | 0:25:59 | |
I've not heard Brendan. | 0:25:59 | 0:26:02 | |
That guy can do anything. | 0:26:02 | 0:26:03 | |
Oh... Well, look, it's rather nice actually. It's quite stiff. | 0:26:03 | 0:26:08 | |
I take it this is what it would look like. | 0:26:08 | 0:26:11 | |
My first encounter with marshmallow. | 0:26:11 | 0:26:13 | |
It's quite a funny texture, | 0:26:15 | 0:26:16 | |
but I guess that's how it should be. | 0:26:16 | 0:26:19 | |
Oh, wow, this is really good. | 0:26:19 | 0:26:23 | |
That's a good marshmallow. | 0:26:23 | 0:26:25 | |
My marshmallow's not very marshmallow-like, but James's is. | 0:26:25 | 0:26:29 | |
So perhaps I should have whisked it for a bit longer. | 0:26:29 | 0:26:32 | |
I'm wondering if dipping is the best way forward. | 0:26:34 | 0:26:37 | |
A chocolate coating ensures the biscuit stays crisp | 0:26:37 | 0:26:40 | |
when sealed into the teacake. | 0:26:40 | 0:26:42 | |
I want them to be covered in chocolate, | 0:26:42 | 0:26:44 | |
but I really don't want to break them. | 0:26:44 | 0:26:48 | |
If the chocolate coating is too thick, | 0:26:48 | 0:26:51 | |
the biscuit won't sit in the mould. | 0:26:51 | 0:26:53 | |
I'll settle for that. I'm easily pleased. | 0:26:53 | 0:26:55 | |
My chocolate hasn't set at all. | 0:26:59 | 0:27:02 | |
Cathryn's chosen not to chill her domes or biscuits... | 0:27:04 | 0:27:08 | |
I don't want to put them in the fridge | 0:27:08 | 0:27:09 | |
but I'm going to have to, aren't I? | 0:27:09 | 0:27:11 | |
..in an attempt to avoid losing the shine on the chocolate surface. | 0:27:11 | 0:27:15 | |
You can see why you don't put chocolate straight into the fridge, | 0:27:15 | 0:27:18 | |
because of this dull hardness. | 0:27:18 | 0:27:21 | |
And it's not just the weather that's against her. | 0:27:21 | 0:27:23 | |
Bakers, just 30 minutes remaining. | 0:27:23 | 0:27:26 | |
Oh, no! | 0:27:27 | 0:27:29 | |
All the bakers must now factor in enough remaining time | 0:27:29 | 0:27:32 | |
to fill, assemble and re-chill their teacake. | 0:27:32 | 0:27:35 | |
I'm filling them about four-fifths full, | 0:27:35 | 0:27:39 | |
because there's a biscuit now to sit on that. | 0:27:39 | 0:27:41 | |
So I take it, it should be flat. | 0:27:41 | 0:27:43 | |
Let's have a little wee look at them. | 0:27:50 | 0:27:53 | |
-SHE SIGHS -It's not what I want to do, but... | 0:27:53 | 0:27:57 | |
Or shall I just pipe, | 0:27:57 | 0:28:00 | |
and set the whole thing as one instead of wasting time? | 0:28:00 | 0:28:02 | |
That's what I'm going to do. Probably going to be a big mistake. | 0:28:04 | 0:28:06 | |
I'm using as much of this chocolate as I can | 0:28:16 | 0:28:17 | |
because I don't want any leaks or breakages or anything. | 0:28:17 | 0:28:21 | |
All the bakers can do now is wait. | 0:28:21 | 0:28:24 | |
Lovely bakers, you've got ten minutes to go, | 0:28:29 | 0:28:33 | |
so you'd better start finishing up, pronto. | 0:28:33 | 0:28:35 | |
Each delicate teacake must now be removed from the mould. | 0:28:35 | 0:28:39 | |
-Please be careful. -Please. | 0:28:40 | 0:28:42 | |
Is that a good way to do it? | 0:28:42 | 0:28:43 | |
Or do you think you ought to turn them? | 0:28:43 | 0:28:46 | |
-That's the way to do it. -Ooh, my word! | 0:28:46 | 0:28:49 | |
-You've made a teacake! -I didn't think I'd ever make a teacake. | 0:28:49 | 0:28:53 | |
Look at him. | 0:28:53 | 0:28:55 | |
-I quite like this. -I don't know whether to eat it | 0:28:55 | 0:28:57 | |
or set up a shrine in honour of it. | 0:28:57 | 0:28:59 | |
That's beautiful! | 0:28:59 | 0:29:01 | |
Oh! | 0:29:01 | 0:29:03 | |
Oh, my gosh, I hope mine look like this. | 0:29:03 | 0:29:05 | |
They're quite easy to pop out, though, | 0:29:05 | 0:29:06 | |
so I'm going to wait right to the last minute. | 0:29:06 | 0:29:09 | |
I'm delighted actually, and it's nice and shiny, | 0:29:09 | 0:29:11 | |
which suggests the chocolate is tempered. | 0:29:11 | 0:29:13 | |
They're melting. Can I have a plate? | 0:29:13 | 0:29:15 | |
Oh! | 0:29:17 | 0:29:19 | |
They're not ready! | 0:29:19 | 0:29:22 | |
Oh, lor'. I don't know what to do. | 0:29:22 | 0:29:24 | |
-What the heck? -Argh, they're not ready! | 0:29:24 | 0:29:27 | |
What do you mean, they're not ready? | 0:29:27 | 0:29:29 | |
-They keep like, they're broken. -What do you mean, they're broken? | 0:29:29 | 0:29:33 | |
-Argh! -You mean the base is separating? | 0:29:33 | 0:29:35 | |
Well, no, look. | 0:29:35 | 0:29:37 | |
-That's fine. -But they're still so... No, look! | 0:29:37 | 0:29:40 | |
What am I going to do? Oh, lord. What am I going to do? | 0:29:40 | 0:29:42 | |
-Fridge. Fridge and pray. -Oh, my giddy aunt. | 0:29:42 | 0:29:46 | |
Oh, man, this is not... | 0:29:46 | 0:29:48 | |
Bakers, you've got five minutes left. Five minutes left. | 0:29:48 | 0:29:51 | |
Oh, man. | 0:29:51 | 0:29:53 | |
Oh, no! | 0:29:53 | 0:29:55 | |
-There's five minutes left. They've got to come out. -Oh, no. | 0:29:55 | 0:29:58 | |
Oh, yes. Oh, yes. | 0:29:58 | 0:30:01 | |
She's had a bit of a mare of a day, really. | 0:30:01 | 0:30:04 | |
Positive, positive, positive. | 0:30:04 | 0:30:05 | |
-They're pooper scoops. They're just horrendous! -They're fine. | 0:30:05 | 0:30:08 | |
-Oh, man. What shall I do? -They're going to be great. -Right. Er... | 0:30:08 | 0:30:11 | |
-Oh, man. -Individually, individually. | 0:30:11 | 0:30:13 | |
-Oh, no, look! -That's OK. | 0:30:13 | 0:30:15 | |
No. Oh, my giddy aunt. | 0:30:15 | 0:30:17 | |
Oh, my giddy aunt! | 0:30:17 | 0:30:19 | |
So that's a bit embarrassing, isn't it? | 0:30:21 | 0:30:24 | |
And that's it, bakers, your time is up. | 0:30:24 | 0:30:26 | |
Please step completely away from your teacakes. | 0:30:26 | 0:30:31 | |
-Shall we start with this one? -Yes. | 0:30:57 | 0:30:59 | |
The tempered chocolate - obviously there was an issue. | 0:30:59 | 0:31:03 | |
Lovely, crisp biscuit. | 0:31:10 | 0:31:12 | |
The problem with the marshmallow inside that one... | 0:31:18 | 0:31:20 | |
-It's more like whipped cream. -It is, yeah. | 0:31:20 | 0:31:22 | |
This one has had a few issues with the dome itself. It's too thin. | 0:31:22 | 0:31:26 | |
Tastes good. | 0:31:32 | 0:31:33 | |
It's a lovely, crisp biscuit, a very good marshmallow. | 0:31:33 | 0:31:36 | |
The biscuit's sort of making this one rock a bit, you know. | 0:31:37 | 0:31:41 | |
-It's got a good shine on it, though. -Thicker biscuit on that one. | 0:31:41 | 0:31:43 | |
Quite thick biscuit on that one. | 0:31:43 | 0:31:45 | |
And there's a lot of chocolate underneath. | 0:31:45 | 0:31:47 | |
You need to scrape down the bottom on these to keep them flat. | 0:31:47 | 0:31:49 | |
Because you don't want it too thick so it ends up rocking. | 0:31:49 | 0:31:52 | |
The meringue's pretty good. | 0:31:53 | 0:31:56 | |
This hasn't got a bad shine on it. | 0:31:56 | 0:31:58 | |
Good biscuit inside. | 0:32:01 | 0:32:03 | |
The meringue inside is just a little bit runny here, isn't it? | 0:32:03 | 0:32:08 | |
It needed a bit longer on the mix. | 0:32:08 | 0:32:11 | |
This one... | 0:32:11 | 0:32:13 | |
Looks a good, firm marshmallow. | 0:32:16 | 0:32:19 | |
It's cut through nicely. | 0:32:26 | 0:32:28 | |
It's the first one that's cut through absolutely neatly and firmly. | 0:32:28 | 0:32:31 | |
Yeah. It's got a good biscuit base on that one, as well. | 0:32:31 | 0:32:36 | |
But, overall, pretty good considering the temperature. | 0:32:36 | 0:32:39 | |
I think that's quite an achievement on such a day. | 0:32:39 | 0:32:44 | |
It's a bit runny. | 0:32:44 | 0:32:46 | |
'But whose teacakes could be a stepping stone to the semifinal?' | 0:32:46 | 0:32:50 | |
'And who could have tackled their last technical challenge?' | 0:32:50 | 0:32:55 | |
In fifth place is this one. The problem is with the dome. | 0:32:55 | 0:32:58 | |
The biscuit, actually, was good, | 0:32:58 | 0:33:00 | |
the marshmallow's good, but the dome was terrible. | 0:33:00 | 0:33:03 | |
Whether it wasn't chilled enough or not thick enough, there was a problem. | 0:33:03 | 0:33:06 | |
And, in fourth place, the join wasn't so good | 0:33:06 | 0:33:10 | |
and the marshmallow was a little bit runny. | 0:33:10 | 0:33:12 | |
In third place was this one. | 0:33:12 | 0:33:14 | |
These three were actually quite close, but this one, | 0:33:14 | 0:33:17 | |
because of the marshmallow being too weak... | 0:33:17 | 0:33:19 | |
And number two? Almost there, wouldn't you say? | 0:33:19 | 0:33:22 | |
The biscuit's a bit thick on that one, | 0:33:22 | 0:33:24 | |
but you had the best shine out of all of them. | 0:33:24 | 0:33:26 | |
And number one is this one. | 0:33:26 | 0:33:28 | |
-James. -James! | 0:33:28 | 0:33:30 | |
Overall, you had a good base, a great meringue | 0:33:30 | 0:33:33 | |
and that dome as well... | 0:33:33 | 0:33:35 | |
I mean, you ticked all the boxes. | 0:33:35 | 0:33:37 | |
'It was impossible to call it.' | 0:33:38 | 0:33:40 | |
Even after the judging, I thought I could have been easily bottom. | 0:33:40 | 0:33:44 | |
'I think that the only thing that differentiated me from number one' | 0:33:44 | 0:33:47 | |
was the thickness of a biscuit. | 0:33:47 | 0:33:49 | |
I don't think I can leave today and think, | 0:33:49 | 0:33:51 | |
"That's OK, my place in the next round is assured." | 0:33:51 | 0:33:53 | |
But, to be honest, at this stage, I don't think anyone can feel | 0:33:53 | 0:33:57 | |
that their place in the next round is assured. | 0:33:57 | 0:33:59 | |
I thought you weren't supposed to chill chocolate in the fridge, | 0:33:59 | 0:34:03 | |
so I didn't. | 0:34:03 | 0:34:04 | |
Bang in the middle again. I've been there for some time. | 0:34:04 | 0:34:06 | |
If I mess up tomorrow, I could still go home, | 0:34:06 | 0:34:09 | |
cos Paul doesn't like people who stick in the middle. | 0:34:09 | 0:34:12 | |
One biscuit challenge remaining. | 0:34:18 | 0:34:19 | |
And one baker won't make it through to the semi-final. | 0:34:19 | 0:34:25 | |
Who would you say is leading the pack at the moment? | 0:34:25 | 0:34:28 | |
Brendan is certainly leading the pack. | 0:34:28 | 0:34:31 | |
He's been consistently good. | 0:34:31 | 0:34:33 | |
I actually thought James's crackers were very good. | 0:34:33 | 0:34:35 | |
Obviously, he came first in the technical challenge as well. | 0:34:35 | 0:34:39 | |
Who is possibly slightly lagging behind? | 0:34:39 | 0:34:41 | |
Cathryn was bottom on technical. | 0:34:41 | 0:34:43 | |
She had such difficulty with her chocolate. | 0:34:43 | 0:34:46 | |
She is the one that isn't using thermometers. | 0:34:46 | 0:34:49 | |
She's a true home baker. | 0:34:49 | 0:34:52 | |
I think you could also put Danny and John in there as well, | 0:34:52 | 0:34:55 | |
because Danny's biscuits were over-seasoned. | 0:34:55 | 0:34:58 | |
John, there was a lot of different variants in colour in that as well. | 0:34:58 | 0:35:01 | |
He's erratic, John. He has flashes of brilliance. | 0:35:01 | 0:35:03 | |
Danny, I'm surprised to see in that position, | 0:35:03 | 0:35:05 | |
because she's been very solid. | 0:35:05 | 0:35:07 | |
Good morning, bakers. | 0:35:08 | 0:35:10 | |
First up, a very happy birthday to James, who is 21 today. | 0:35:10 | 0:35:14 | |
James, today, the world's your oyster - | 0:35:14 | 0:35:16 | |
you can become an MEP and you can go to adult prison! | 0:35:16 | 0:35:19 | |
The choice is yours. | 0:35:19 | 0:35:21 | |
Now, today is the Showstopper Challenge. | 0:35:21 | 0:35:24 | |
And this stands between you and a place in the semifinals. | 0:35:24 | 0:35:29 | |
We are asking you today to channel your inner Hansels and Gretels | 0:35:29 | 0:35:33 | |
and build a gingerbread structure. | 0:35:33 | 0:35:36 | |
Not just any old gingerbread structure - | 0:35:36 | 0:35:38 | |
you've got to take the normal gingerbread house to another level. | 0:35:38 | 0:35:42 | |
Sydney Opera House, Eiffel Tower, like that. | 0:35:42 | 0:35:44 | |
You've only got four hours to bake and build, | 0:35:44 | 0:35:48 | |
-so on your marks... -Get set... | 0:35:48 | 0:35:50 | |
..bake! | 0:35:50 | 0:35:51 | |
The gingerbread house is a tradition that became popular in Germany | 0:35:53 | 0:35:56 | |
after the publication of Grimms' Fairy Tales. | 0:35:56 | 0:35:59 | |
It's now become synonymous with Christmas. | 0:35:59 | 0:36:01 | |
This is a particularly fantastic challenge. | 0:36:01 | 0:36:04 | |
This is the gingerbread structure. | 0:36:04 | 0:36:07 | |
Not house! | 0:36:07 | 0:36:08 | |
If you make me a house, I will smash it down, I'll blow your doors in. | 0:36:08 | 0:36:12 | |
What we're looking for is a bit of architectural genius. | 0:36:12 | 0:36:15 | |
It's going to be one of the most exciting things | 0:36:15 | 0:36:17 | |
that we've seen on the Bake Off. | 0:36:17 | 0:36:19 | |
-DANNY: -'This is an awful lot of dough | 0:36:19 | 0:36:22 | |
'and an awful lot of stuff to be processing in four hours. | 0:36:22 | 0:36:25 | |
'I make gingerbread,' | 0:36:25 | 0:36:27 | |
but I have not got a tradition of trying to build something with it! | 0:36:27 | 0:36:31 | |
Basic gingerbread is a mix of flour, brown sugar, golden syrup, | 0:36:31 | 0:36:35 | |
and ground ginger. | 0:36:35 | 0:36:37 | |
I'm going to do it a little bit thicker than I normally would, | 0:36:37 | 0:36:40 | |
just for safety. | 0:36:40 | 0:36:42 | |
The gingerbread needs a stable structure, | 0:36:42 | 0:36:44 | |
but the flavour has to be good as well. | 0:36:44 | 0:36:46 | |
So I'm adding in additional spices - | 0:36:46 | 0:36:48 | |
it's a mixture of cinnamon, nutmeg, ginger and cloves. | 0:36:48 | 0:36:52 | |
DANNY: You want molasses, because it adds a really nice, treacly flavour. | 0:36:52 | 0:36:55 | |
But pomegranate molasses tastes a little bit fruity. | 0:36:55 | 0:36:58 | |
It doesn't make the gingerbread taste fruity. | 0:36:58 | 0:37:00 | |
It actually makes the gingerbread taste of caramel. | 0:37:00 | 0:37:02 | |
-JOHN: -I put black treacle in as well - | 0:37:02 | 0:37:04 | |
it has a dark flavour you want in it, | 0:37:04 | 0:37:06 | |
just to make it a little bit more sophisticated and malty. | 0:37:06 | 0:37:09 | |
I am doing chocolate and orange flavour. | 0:37:09 | 0:37:13 | |
I do make this with my children, but only, you know, talking like this. | 0:37:13 | 0:37:18 | |
But this is going to be pretty big, so it's not ordinary. | 0:37:18 | 0:37:22 | |
Cathryn's grand design is for a chocolate and orange | 0:37:22 | 0:37:24 | |
spiced gingerbread Buckingham Palace. | 0:37:24 | 0:37:27 | |
-You couldn't go grander than that! -That's what I thought. | 0:37:27 | 0:37:30 | |
I'm using chocolate to separate the windows. | 0:37:30 | 0:37:32 | |
It has a lot of windows, so I practiced cutting them out. | 0:37:32 | 0:37:35 | |
As there are so many, it weakens the structure and it distorts the shape, | 0:37:35 | 0:37:38 | |
so I'm sticking them on rather than cutting them out. | 0:37:38 | 0:37:40 | |
I think you're being very positive about this. | 0:37:40 | 0:37:42 | |
You are very upbeat for it, so it'll be good, won't it? | 0:37:42 | 0:37:45 | |
It's going to be good. You're going to like it. | 0:37:45 | 0:37:48 | |
-DANNY: -I have baked this structure a couple of times. | 0:37:48 | 0:37:50 | |
Once, it went brilliantly. | 0:37:50 | 0:37:51 | |
Once, it kind of went boom, boom, boom, straight down. | 0:37:51 | 0:37:54 | |
Danny's gingerbread, made with ginger syrup and pomegranate molasses, | 0:37:54 | 0:37:58 | |
should rise in the form of Big Ben. | 0:37:58 | 0:38:01 | |
-How tall is it going to be? -Two feet tall. | 0:38:01 | 0:38:03 | |
-Two feet tall?! -Yeah. -That's nearly as big as Mel! | 0:38:03 | 0:38:06 | |
And how are you going to bind it all together? | 0:38:06 | 0:38:09 | |
Caramel to hold the weight, really. | 0:38:09 | 0:38:11 | |
And then I'll probably use some icing, | 0:38:11 | 0:38:14 | |
just to kind of fill in the gaps. | 0:38:14 | 0:38:16 | |
Well, caramel is a very good sticking agent. | 0:38:16 | 0:38:18 | |
And it's a lovely, dry day. | 0:38:18 | 0:38:21 | |
If it was a wet day, and all damp, that would affect the caramel. | 0:38:21 | 0:38:25 | |
But, today, it'll hold it together beautifully. | 0:38:25 | 0:38:27 | |
I hope so. I mean, the issue I've had is actually... | 0:38:27 | 0:38:30 | |
I've realised how much respect I have for the Ancient Egyptians | 0:38:30 | 0:38:33 | |
..is getting a square-based pyramid! That took me ages! | 0:38:33 | 0:38:37 | |
All of the bakers, except James, | 0:38:38 | 0:38:40 | |
have made templates for their buildings. | 0:38:40 | 0:38:42 | |
They're shaping their dough into pieces before they go into the oven. | 0:38:42 | 0:38:46 | |
It took a week to design these, | 0:38:46 | 0:38:48 | |
like, get the logistics and the measurements | 0:38:48 | 0:38:50 | |
and then Paul, my amazing partner, he did it. | 0:38:50 | 0:38:52 | |
-Paul printed that up? -He printed that for me. -Is he an architect? | 0:38:52 | 0:38:55 | |
He's a graphic designer and works for an architect. | 0:38:55 | 0:38:57 | |
-This is where you come into your own, then. -Yeah. It is. | 0:38:57 | 0:39:00 | |
So you've been looking for a baking building project, the two of you, | 0:39:00 | 0:39:02 | |
and now you've found one. | 0:39:02 | 0:39:04 | |
John is adding black treacle | 0:39:04 | 0:39:06 | |
and spices to his epic gingerbread Coliseum. | 0:39:06 | 0:39:09 | |
He'll also be making a peanut praline gravel. | 0:39:09 | 0:39:11 | |
-This looks very complicated. -Over 100 pieces. -Over 100 pieces? -Yeah. | 0:39:11 | 0:39:17 | |
So I'll get all of these pieces | 0:39:17 | 0:39:19 | |
and then, with the sugar caramel, I'll stick them together. | 0:39:19 | 0:39:22 | |
-Oh, my days. -And then up again. | 0:39:22 | 0:39:24 | |
What sort of flavour? Are we going to expect something hot and fiery? | 0:39:24 | 0:39:27 | |
Not too hot and fiery, but it'll have a strong ginger flavour, | 0:39:27 | 0:39:30 | |
because the Coliseum is about strength and fighting. | 0:39:30 | 0:39:32 | |
-All right. Thanks, John. -As they say in Latin, bona fortunas. | 0:39:32 | 0:39:35 | |
Bona fortunas. | 0:39:35 | 0:39:36 | |
-Bona fortorna. Fortuna? -Grazie. | 0:39:36 | 0:39:40 | |
This isn't at all my sort of baking, | 0:39:40 | 0:39:42 | |
but I have come round to this challenge. | 0:39:42 | 0:39:44 | |
It's not baking, it's building. And I like building. | 0:39:44 | 0:39:48 | |
James's pristine barn will be built out of gingerbread biscuit planks, | 0:39:48 | 0:39:52 | |
with a softer gingerbread cake for cladding. | 0:39:52 | 0:39:54 | |
So you're starting off by baking all the gingerbread - | 0:39:54 | 0:39:57 | |
the walls, the tiles, the roof - | 0:39:57 | 0:39:59 | |
and then you're going to assemble it and stick it together with what? | 0:39:59 | 0:40:03 | |
-Caramel. Yes, caramel. -Well, that should hold it firmly. | 0:40:03 | 0:40:06 | |
-What sort of size are we looking at here? -Life size. -Two foot by one foot. | 0:40:06 | 0:40:10 | |
-Sorry? Two foot. -Two foot by how high? -I don't know. | 0:40:10 | 0:40:13 | |
You don't know. | 0:40:13 | 0:40:16 | |
-However big I can get away with pitching the angle at. -MARY: -This is the construction plan? | 0:40:16 | 0:40:20 | |
-This is my rough plan, yes. -Good luck, James. | 0:40:20 | 0:40:22 | |
-Have a nice relaxing day. -Oh, I will. | 0:40:22 | 0:40:26 | |
'Planning is essential. The bakers should prioritise | 0:40:26 | 0:40:29 | |
'baking the pieces of gingerbread they need to build with first | 0:40:29 | 0:40:33 | |
'if they're to finish on time.' | 0:40:33 | 0:40:35 | |
For me, it needs to be all crisp, or else it's going to bend and fall down. | 0:40:35 | 0:40:38 | |
'Depending on the size of the pieces, | 0:40:38 | 0:40:41 | |
'baking time can vary wildly from five to 20 minutes.' | 0:40:41 | 0:40:44 | |
Bit longer. | 0:40:44 | 0:40:46 | |
When it comes to artistic expression, | 0:40:47 | 0:40:50 | |
Britain's bakers have been turning to gingerbread for centuries. | 0:40:50 | 0:40:53 | |
And although styles and shapes may change, one town in particular | 0:40:53 | 0:40:56 | |
has been granted the moniker "home of gingerbread". | 0:40:56 | 0:40:59 | |
In the beautiful setting of the Cumbrian countryside | 0:40:59 | 0:41:02 | |
lies Grasmere, a town with a rich tradition of gingerbread baking. | 0:41:02 | 0:41:07 | |
And at the world famous gingerbread shop, a unique romantic gift | 0:41:07 | 0:41:10 | |
is sold that revives a tradition dating back to medieval times. | 0:41:10 | 0:41:14 | |
Gingerbread was given originally as a love token, | 0:41:14 | 0:41:17 | |
usually by knights | 0:41:17 | 0:41:18 | |
given to fair maidens before jousting competitions, | 0:41:18 | 0:41:21 | |
so it's like an original favour. | 0:41:21 | 0:41:22 | |
These little love tokens were absolutely gorgeous. | 0:41:22 | 0:41:25 | |
They were little shield-shaped gingerbreads | 0:41:25 | 0:41:28 | |
or heart-shaped gingerbreads and it was obviously because ginger | 0:41:28 | 0:41:32 | |
was very expensive spice and it warms the blood and encourages love. | 0:41:32 | 0:41:35 | |
And that's what made them very, very special. It was a very sought-after thing. | 0:41:35 | 0:41:39 | |
Over time, the celebratory gift of gingerbread | 0:41:39 | 0:41:41 | |
increased in popularity throughout Europe | 0:41:41 | 0:41:43 | |
and by the 16th and 17th centuries, these highly prized biscuits | 0:41:43 | 0:41:47 | |
had evolved into spectacular works of art. | 0:41:47 | 0:41:51 | |
In the Netherlands, there was a tradition | 0:41:51 | 0:41:53 | |
of giving a ritual token of two gingerbreads at a wedding. | 0:41:53 | 0:41:57 | |
One was in the form of Abraham and the other one | 0:41:57 | 0:42:00 | |
was in the form of his wife, Sarah, from the Old Testament. | 0:42:00 | 0:42:04 | |
Now, they thought they couldn't conceive because they were too old, | 0:42:04 | 0:42:07 | |
but an angel appeared to them | 0:42:07 | 0:42:08 | |
and said, "You're going to have a child," - Isaac, which they did. | 0:42:08 | 0:42:12 | |
So, in Holland, what they did, they had these figures | 0:42:12 | 0:42:15 | |
which represented Abraham and Sarah and they were given | 0:42:15 | 0:42:17 | |
to the bride and groom in the hope | 0:42:17 | 0:42:19 | |
that they too would conceive and have lots of children. | 0:42:19 | 0:42:22 | |
Such intricately detailed gingerbread men and women | 0:42:22 | 0:42:25 | |
weren't just presented at weddings. | 0:42:25 | 0:42:28 | |
They were sold as gifts to celebrate a huge variety of events. | 0:42:28 | 0:42:31 | |
Some of the most elaborate were reserved for royal occasions. | 0:42:31 | 0:42:35 | |
This mould, which dates from the late 17th century, represents | 0:42:35 | 0:42:38 | |
King William III and on the other side, it's got Mary, his queen. | 0:42:38 | 0:42:44 | |
And it may have been sold | 0:42:44 | 0:42:45 | |
at the time of the coronation on the streets of London. | 0:42:45 | 0:42:48 | |
The remarkable casts that you get from these are some of | 0:42:48 | 0:42:51 | |
the most beautiful gingerbreads in the history of England. | 0:42:51 | 0:42:54 | |
I mean, just look at King William here, | 0:42:54 | 0:42:56 | |
with this incredible detail on his waistcoat and coat. | 0:42:56 | 0:42:58 | |
Every part of it is just completely covered. | 0:42:58 | 0:43:00 | |
So, this is really a work of art. | 0:43:00 | 0:43:03 | |
Smaller gingerbread figures would have been presented | 0:43:03 | 0:43:06 | |
at 17th century aristocratic banquets, | 0:43:06 | 0:43:08 | |
using a popular recipe known as white gingerbread. | 0:43:08 | 0:43:11 | |
Flavoured with almonds and coated with sugar paste, | 0:43:11 | 0:43:14 | |
it provided a fine texture for picking up such ornate detail. | 0:43:14 | 0:43:18 | |
This little Shakespearian gingerbread I've got here | 0:43:18 | 0:43:20 | |
was used for making a very high-status type of gingerbread. | 0:43:20 | 0:43:24 | |
These gingerbreads were frequently gilded | 0:43:24 | 0:43:26 | |
and, obviously, gold leaf is a precious metal. | 0:43:26 | 0:43:29 | |
So it was expensive. But the idea was to have | 0:43:29 | 0:43:32 | |
something on the table that looked sensational. | 0:43:32 | 0:43:36 | |
As ginger has become more common, | 0:43:36 | 0:43:37 | |
gingerbread has now lost much of its romanticism, | 0:43:37 | 0:43:40 | |
but whilst we can now find a card for any occasion, | 0:43:40 | 0:43:42 | |
for our ancestors, there was nothing that couldn't be said | 0:43:42 | 0:43:47 | |
without the help of a piece of gingerbread. | 0:43:47 | 0:43:50 | |
'There are just two hours to go in the Showstopper Challenge.' | 0:43:52 | 0:43:56 | |
I've still got 18 windows to make. | 0:43:56 | 0:43:58 | |
'The baking time is crucial. | 0:43:58 | 0:44:00 | |
'Any variation in bake or thickness could create | 0:44:00 | 0:44:03 | |
'a weakness in the structure.' | 0:44:03 | 0:44:04 | |
No idea how this is going to turn out. | 0:44:04 | 0:44:06 | |
Don't even know if it's going to be soft or hard. | 0:44:06 | 0:44:08 | |
I hope, right now, it's hard enough to cool, | 0:44:08 | 0:44:10 | |
but I may need to bake it again. | 0:44:10 | 0:44:13 | |
That's one roof. | 0:44:14 | 0:44:17 | |
You know your life is taking a strange twist and turn | 0:44:17 | 0:44:20 | |
when you find yourself asking questions about | 0:44:20 | 0:44:22 | |
what's a good edible material that would make | 0:44:22 | 0:44:25 | |
a good thatched roof on a gingerbread house. | 0:44:25 | 0:44:28 | |
'Brendan's thatched gingerbread bird house will be surrounded by | 0:44:28 | 0:44:32 | |
'grass made from dried coconut and be home to two fondant icing residents.' | 0:44:32 | 0:44:38 | |
That's interesting. You've baked it and then you trim it after baking. | 0:44:38 | 0:44:42 | |
It's a slight spread you get with it. | 0:44:42 | 0:44:44 | |
Of course, to hold it all together, you need to keep it very accurate. | 0:44:44 | 0:44:47 | |
-PAUL: -While it's warm, it's the best time to do it. -Absolutely. | 0:44:47 | 0:44:50 | |
Even if it does hurt your fingers a little bit. | 0:44:50 | 0:44:52 | |
I'm going to put it into a lovely, cute Walt Disney-type setting. | 0:44:52 | 0:44:55 | |
There's going to be lots of flowering clematis all over it, | 0:44:55 | 0:44:59 | |
climbing up the sides and across the roof. | 0:44:59 | 0:45:01 | |
-I'm going to make two blue birds out of icing. -Fantastic. | 0:45:01 | 0:45:04 | |
Well, it'll give us a piece of your little mind then when we look at your construction later. | 0:45:04 | 0:45:08 | |
Knowing Brendan, the birds will actually be tweeting as well. | 0:45:08 | 0:45:11 | |
-They probably will. -They will be. -On the hour. -Good luck, Brendan. -Thank you. -Thanks, bye-bye. | 0:45:11 | 0:45:16 | |
I'm making a few small changes | 0:45:16 | 0:45:19 | |
in order to have something that looks better at the end, | 0:45:19 | 0:45:21 | |
cos I don't want to steam roller through and then have something | 0:45:21 | 0:45:24 | |
that looks really shoddy at the end. | 0:45:24 | 0:45:26 | |
So you think you might be a bit pushed for time? | 0:45:26 | 0:45:28 | |
I'm totally pushed for time. | 0:45:28 | 0:45:30 | |
So, you're going to modify our monarch's home? | 0:45:30 | 0:45:33 | |
-I'm going to slightly tweak Buck House. -What are you doing? | 0:45:33 | 0:45:36 | |
-A little extension? Conservatory? Patio? -No, I'm downsizing. | 0:45:36 | 0:45:40 | |
It's a bungalow. I've changed my mind. It's a royal bungalow. | 0:45:40 | 0:45:44 | |
Time for the grand assembly. | 0:45:44 | 0:45:48 | |
Most of the bakers are using caramel as the glue. | 0:45:48 | 0:45:50 | |
I don't know if that's burnt or not. | 0:45:50 | 0:45:53 | |
But it has to be kept at exactly the right temperature | 0:45:53 | 0:45:56 | |
to stick the structure together. | 0:45:56 | 0:45:58 | |
That caramel's just rubbish. Not gluing anything. It's far too hard. | 0:45:58 | 0:46:02 | |
It's quite fun when things go your way. Like, this is horrible. | 0:46:02 | 0:46:05 | |
This is a horrible situation. | 0:46:05 | 0:46:08 | |
It needs to be soft, really soft in order for it to stick. It's not. | 0:46:08 | 0:46:13 | |
To cement his structure, Brendan is using royal icing. | 0:46:13 | 0:46:16 | |
It takes longer to dry than caramel, | 0:46:16 | 0:46:18 | |
but once set, is more stable. | 0:46:18 | 0:46:20 | |
-I catch you mid-roofing. -You do. Under pressure now. | 0:46:21 | 0:46:25 | |
This is the trickiest bit - getting the roof to adhere. | 0:46:25 | 0:46:28 | |
So far, so good. | 0:46:28 | 0:46:30 | |
I'm going to start assembling the front, | 0:46:30 | 0:46:33 | |
so that's got time to set and then crack on. | 0:46:33 | 0:46:36 | |
This competition means the world to me and to win it would be amazing. | 0:46:36 | 0:46:40 | |
Everything I want to do in my life is bake. | 0:46:40 | 0:46:43 | |
So, that's why I'm taking the care now, | 0:46:43 | 0:46:45 | |
cos I can't afford to make any more stupid mistakes. | 0:46:45 | 0:46:47 | |
Well, it's the quarter finals and I think nobody's safe. | 0:46:47 | 0:46:53 | |
So, you could easily be on your way out if something goes wrong. | 0:46:53 | 0:46:56 | |
Time is getting the better of James and, with the build under way, | 0:46:56 | 0:47:00 | |
he's only just getting the ginger cake that will form | 0:47:00 | 0:47:02 | |
the wall of his barn in the oven. | 0:47:02 | 0:47:05 | |
It's got the roof to go on. I've got the bricks to be built. | 0:47:05 | 0:47:09 | |
All the slates to be made, cut and put on. | 0:47:09 | 0:47:12 | |
We don't have enough time to do it all, so we're going to have to start cutting bits. | 0:47:12 | 0:47:15 | |
I'm not sure which bits are going to go. | 0:47:15 | 0:47:18 | |
The male will have a coxcomb and the female doesn't, | 0:47:20 | 0:47:23 | |
so, I thought I would give her some mascara. | 0:47:23 | 0:47:26 | |
You know, I've spent years creating a certain image, | 0:47:26 | 0:47:30 | |
which is now going to be blown apart. | 0:47:30 | 0:47:32 | |
I don't believe my life. I really don't. | 0:47:32 | 0:47:36 | |
OK, bakers, 15 minutes left on your bake/build. | 0:47:36 | 0:47:39 | |
Time-wise, I'm running a bit behind now. | 0:47:40 | 0:47:43 | |
I mean, I'm going to be able to finish the structure, the coliseum. | 0:47:43 | 0:47:46 | |
It's just going to be an issue of decoration. | 0:47:46 | 0:47:49 | |
I don't think the Queen would like this much. | 0:47:51 | 0:47:53 | |
I think she'd be a bit naffed off with me if she saw this. | 0:47:53 | 0:47:56 | |
It's a total disaster. | 0:47:56 | 0:47:57 | |
It's gone from looking rather lovely to absolute disaster. | 0:47:57 | 0:48:02 | |
Oh, Sue. | 0:48:06 | 0:48:07 | |
-What have you done, darling? -I don't know. | 0:48:07 | 0:48:09 | |
The barn seems to have changed from the original plans submitted. | 0:48:09 | 0:48:13 | |
Yes. | 0:48:13 | 0:48:14 | |
It's a derelict barn. I think I should get marks for ambition. | 0:48:16 | 0:48:20 | |
Ah! | 0:48:27 | 0:48:28 | |
It's literally buckling under its own sorry weight. | 0:48:31 | 0:48:35 | |
Bakers, one minute before the gingerbread repossession people | 0:48:35 | 0:48:40 | |
come and take your houses away from you. | 0:48:40 | 0:48:42 | |
It's OK. I've got the tower constructed. | 0:48:51 | 0:48:53 | |
There's a crack in the clock tower, which is slightly unfortunate. | 0:48:53 | 0:48:58 | |
So, I'm literally going to leave it to the very last moment | 0:48:58 | 0:49:02 | |
to put the roof on. | 0:49:02 | 0:49:03 | |
I don't think Paul will be that impressed. | 0:49:03 | 0:49:05 | |
I mean, it's certainly not the standard of Brendan's | 0:49:05 | 0:49:09 | |
beauteous edifice over there. | 0:49:09 | 0:49:11 | |
I'm quite close to completion. It's just a bit messier than I'd have liked it to be. | 0:49:15 | 0:49:19 | |
But, you know, it is an old building. | 0:49:19 | 0:49:21 | |
It's bound to, you know, not look great. | 0:49:21 | 0:49:23 | |
Stable. Really quite strong. | 0:49:29 | 0:49:32 | |
But not happy with it. | 0:49:32 | 0:49:34 | |
This is like Meccano for boys with baking. | 0:49:38 | 0:49:42 | |
It's on. Please, stay there. | 0:49:42 | 0:49:46 | |
OK, bakers, out of time. | 0:49:46 | 0:49:47 | |
Shutting the build down as of now. Step away. | 0:49:47 | 0:49:50 | |
Danny, away from the massive clock. | 0:49:50 | 0:49:52 | |
That looks wicked, Danny. | 0:49:52 | 0:49:54 | |
That's pretty good, to be honest. | 0:50:22 | 0:50:24 | |
-Oh, don't break it. -The sacking of Rome. -Oh, no! | 0:50:24 | 0:50:27 | |
I think it's a magnificent construction. The flavour of the ginger is coming through, | 0:50:27 | 0:50:34 | |
-but not strongly enough for me. -OK. | 0:50:34 | 0:50:35 | |
The whole colour of the bake is the same | 0:50:35 | 0:50:37 | |
and, overall, you've come up with something that is spectacular. | 0:50:37 | 0:50:41 | |
-You've really lifted your game. -Thank you. -And you had to. | 0:50:41 | 0:50:44 | |
-Yeah, I did. -And you've done it. -Thank you. | 0:50:44 | 0:50:47 | |
It's a bit much for me, to be honest. | 0:50:51 | 0:50:54 | |
It's like knifing Walt Disney. | 0:50:54 | 0:50:57 | |
It's a very crisp gingerbread. | 0:51:02 | 0:51:06 | |
-Probably a little bit too spicy. -OK. | 0:51:06 | 0:51:08 | |
And I'm somewhat disappointed | 0:51:08 | 0:51:10 | |
that we've got a breakfast cereal as the tiles. | 0:51:10 | 0:51:14 | |
We know how creative you are. | 0:51:14 | 0:51:16 | |
You could have taken it to another level. | 0:51:16 | 0:51:19 | |
To create something that's probably a bit more | 0:51:19 | 0:51:21 | |
structurally demanding. | 0:51:21 | 0:51:22 | |
Right. | 0:51:22 | 0:51:24 | |
It could probably have been a bit straighter. | 0:51:28 | 0:51:30 | |
It's an interesting flavour. | 0:51:38 | 0:51:40 | |
The biscuit's softening up quite dramatically. | 0:51:40 | 0:51:44 | |
You can feel the biscuit softening up. | 0:51:44 | 0:51:45 | |
It probably needed a little bit longer in the oven. | 0:51:45 | 0:51:48 | |
-It's more sort of cookie gingerbread, which I like. -Yeah. | 0:51:48 | 0:51:52 | |
It's a very bold construction. | 0:51:52 | 0:51:55 | |
You've done well to get that structure in one piece and still standing. | 0:51:55 | 0:51:59 | |
Cathryn. There is no doubt this is Buckingham Palace. | 0:52:04 | 0:52:08 | |
It doesn't look exactly as I would have hoped. | 0:52:08 | 0:52:11 | |
Interesting flavour. | 0:52:16 | 0:52:18 | |
-Is that chocolate and ginger? -Yeah. And orange. | 0:52:18 | 0:52:22 | |
It needs to choose one and run with it. | 0:52:24 | 0:52:28 | |
It looks stunning from the front. | 0:52:28 | 0:52:31 | |
All those windows. You were so brave to do it so tall. | 0:52:31 | 0:52:33 | |
-I like the flavour of the chocolate, ginger and orange. I think it's good. -Thank you. | 0:52:33 | 0:52:37 | |
That looks amazing. There are even cobwebs here. | 0:52:44 | 0:52:48 | |
I was under the understanding it was meant to be finished with a barn. | 0:52:48 | 0:52:52 | |
No it wasn't. This is exactly how I intended. It's a piece of modern art. | 0:52:52 | 0:52:56 | |
Now we've got a door. We didn't have a door before. | 0:52:56 | 0:53:00 | |
This is the only one you couldn't get in. | 0:53:00 | 0:53:04 | |
That biscuit, the ginger is superb. | 0:53:06 | 0:53:10 | |
And the cake's part of it, too? | 0:53:10 | 0:53:12 | |
Yeah, not a biscuit, technically, but, you know. | 0:53:12 | 0:53:15 | |
Everything that you eat as part of this is absolutely delicious. | 0:53:15 | 0:53:20 | |
You'd be able to eat it till the last crumb. | 0:53:20 | 0:53:22 | |
I wonder how many of the others we would enjoy eating to the last part. | 0:53:22 | 0:53:27 | |
If that's the look you were going for, top marks. | 0:53:27 | 0:53:29 | |
If it isn't, I would still give you good marks, | 0:53:29 | 0:53:34 | |
because the structure that you've built is very tricky to do. | 0:53:34 | 0:53:38 | |
-Well done. -Thanks, James. -Thank you so much. | 0:53:38 | 0:53:40 | |
It's been an odd birthday. | 0:53:45 | 0:53:46 | |
'That was a lovely surprise. What's come over the judges?' | 0:53:46 | 0:53:50 | |
Beautiful weather must be getting to them. | 0:53:50 | 0:53:52 | |
But which bakers do Paul and Mary feel deserve a place | 0:53:52 | 0:53:55 | |
in the semi final of the Great British Bake Off? | 0:53:55 | 0:53:58 | |
Well of course the Coliseum was absolutely great, technically. | 0:54:00 | 0:54:04 | |
Original. | 0:54:04 | 0:54:05 | |
I've definitely exhausted myself with the fight this week | 0:54:05 | 0:54:09 | |
and I hope they appreciate that. | 0:54:09 | 0:54:11 | |
But what fun James' was. His flavours were absolutely brilliant. | 0:54:11 | 0:54:17 | |
Does Brendan deserve to go in there again? Possibly. | 0:54:17 | 0:54:21 | |
My aim was to deliver cuteness - Walt Disney-like cuteness | 0:54:21 | 0:54:25 | |
in that bake. | 0:54:25 | 0:54:26 | |
Whatever he does, he does well. | 0:54:26 | 0:54:28 | |
Now, whether you like it or not, it comes down to personal opinion. | 0:54:28 | 0:54:32 | |
Time has come to cast our minds to who might be leaving. | 0:54:32 | 0:54:36 | |
I think we've both actually made our minds up on who's going. | 0:54:36 | 0:54:40 | |
At this stage, you have to be prepared to stay or go, | 0:54:40 | 0:54:43 | |
because it is a very, very close competition. | 0:54:43 | 0:54:46 | |
For once, we're absolutely unanimous. | 0:54:46 | 0:54:48 | |
We don't want anyone to go, but we've sort of made a decision. | 0:54:48 | 0:54:52 | |
This has been a crummy week. | 0:54:52 | 0:54:55 | |
Yeah, definitely haven't shown what I could have done. | 0:54:55 | 0:54:59 | |
Let's focus on the positive | 0:55:15 | 0:55:18 | |
and we're going to announce this week's Star Baker. | 0:55:18 | 0:55:21 | |
Who is somebody who, across all three challenges, | 0:55:21 | 0:55:25 | |
has shown excellence in technical ability and also flavours. | 0:55:25 | 0:55:29 | |
And, amazingly, did not use whisky in any single one of those. | 0:55:29 | 0:55:35 | |
It's our barn-stormer birthday boy, James, this week's Star Baker. | 0:55:35 | 0:55:39 | |
-Well done, James. -Well done. | 0:55:39 | 0:55:42 | |
The next task is more onerous, as you know. | 0:55:42 | 0:55:44 | |
Oh God, here we go. | 0:55:44 | 0:55:47 | |
But, unfortunately for one of you, the journey has to end today. | 0:55:49 | 0:55:53 | |
And so the person leaving us today is... | 0:55:55 | 0:55:58 | |
..Cathryn. | 0:56:07 | 0:56:09 | |
We're going to really, really, really miss you. | 0:56:10 | 0:56:15 | |
-Thanks. -We're going to miss you so much. It's ludicrous. | 0:56:15 | 0:56:19 | |
Come and have a Mel and Sue sandwich. Come on. | 0:56:19 | 0:56:22 | |
-Yes, please. -It's a scary thought, but there you go. -Very unpleasant. | 0:56:22 | 0:56:25 | |
I am... not surprised, | 0:56:27 | 0:56:32 | |
little bit heartbroken, | 0:56:32 | 0:56:34 | |
but it's been the best thing ever. | 0:56:34 | 0:56:38 | |
-Seriously, you're so good. -You are. | 0:56:42 | 0:56:46 | |
Sadly, it was Cathryn's turn to go. She's done magnificently up to now, | 0:56:46 | 0:56:52 | |
but sometimes things just don't go right. | 0:56:52 | 0:56:56 | |
I am bloody proud of you and you... | 0:56:56 | 0:56:58 | |
My daughter will be disappointed, | 0:56:58 | 0:57:01 | |
cos she thinks that her mum is the best at everything, | 0:57:01 | 0:57:04 | |
so she thought I was going to win. | 0:57:04 | 0:57:06 | |
But my son will be so happy that I'm not in it any more, | 0:57:06 | 0:57:10 | |
cos he just wants me to be back at home. | 0:57:10 | 0:57:11 | |
'I'm glad that I'm through, but I'm just' | 0:57:11 | 0:57:14 | |
absolutely gutted that Cathryn's going home. | 0:57:14 | 0:57:16 | |
In terms of this competition and in terms of anyone who enters | 0:57:18 | 0:57:21 | |
this competition, Star Baker on their birthday would be, you know, | 0:57:21 | 0:57:24 | |
their ultimate dream. | 0:57:24 | 0:57:26 | |
Maybe they only gave it to me because it was my birthday. | 0:57:26 | 0:57:30 | |
'Everybody left now, going into the semi finals, has been Star Baker.' | 0:57:30 | 0:57:34 | |
Danny, John, James and Brendan. | 0:57:34 | 0:57:38 | |
Next week it's going to be extremely difficult for both them and us. | 0:57:38 | 0:57:42 | |
This competition has thrown me in at the deep end, but I've been | 0:57:42 | 0:57:45 | |
kicking and kicking and kicking and I think I'm still swimming. | 0:57:45 | 0:57:48 | |
I think now everything you do is going to be so closely scrutinised. | 0:57:48 | 0:57:52 | |
You know, one mistake could literally mean | 0:57:52 | 0:57:54 | |
you lose your place in the final. | 0:57:54 | 0:57:56 | |
So, I'm going to give it a real go. | 0:57:56 | 0:57:59 | |
'Next time...' | 0:57:59 | 0:58:01 | |
-Worst comes to the worst, you've got a couple of perfect breasts. -Oui. | 0:58:01 | 0:58:05 | |
'..it's a French semi final...' | 0:58:05 | 0:58:07 | |
There's nothing I can do. Everything's just gone to pot. | 0:58:07 | 0:58:11 | |
'..with signature petit four...' | 0:58:11 | 0:58:13 | |
I've got a whole chilli in here. Not sure how wise that was. | 0:58:13 | 0:58:16 | |
'..a technical challenge straight from a French patisserie.' | 0:58:16 | 0:58:22 | |
You could hear a penny drop. | 0:58:22 | 0:58:23 | |
'..and choux pastry show stoppers.' | 0:58:23 | 0:58:25 | |
My creme pat's got cellulite at the moment. | 0:58:25 | 0:58:27 | |
'But one baker will fall at the final hurdle.' | 0:58:27 | 0:58:33 | |
The person who will not be joining us | 0:58:33 | 0:58:35 | |
next week for the Great British Bake Off final is... | 0:58:35 | 0:58:40 | |
Subtitles by Red Bee Media Ltd | 0:58:43 | 0:58:46 |