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Taking part in the Great British Bake Off | 0:00:02 | 0:00:03 | |
is an ambition of amateur bakers across the country. | 0:00:03 | 0:00:06 | |
I could pinch myself, I'm in the Bake-Off tent! I can't believe it! | 0:00:06 | 0:00:10 | |
But what is it really like inside the tent? | 0:00:10 | 0:00:12 | |
You're sort of stood there at the gingham altar | 0:00:12 | 0:00:14 | |
and you're just thinking, "Just shoot me." | 0:00:14 | 0:00:16 | |
What are the side effects | 0:00:16 | 0:00:17 | |
of being exposed to Paul's steely blue eyes... | 0:00:17 | 0:00:20 | |
Paul came across as a bit of a... | 0:00:20 | 0:00:21 | |
bit of an arrogant so-and-so in some instances. | 0:00:21 | 0:00:24 | |
-I don't like that. -Don't you? -At all. -Oh. | 0:00:24 | 0:00:27 | |
-You may as well be chewing on a piece of card. -That's a bit harsh. | 0:00:27 | 0:00:30 | |
No, honestly. | 0:00:30 | 0:00:31 | |
..and the possibility of disappointing Mary Berry? | 0:00:31 | 0:00:33 | |
Look at her eyes, she's telling you with her eyes, | 0:00:33 | 0:00:37 | |
"Take that and put it in the fridge, | 0:00:37 | 0:00:38 | |
"otherwise the pastry's going to melt." | 0:00:38 | 0:00:41 | |
Are Mel and Sue a help or a hindrance? | 0:00:41 | 0:00:43 | |
It's really annoying, you have some ingredients there, she'll come | 0:00:43 | 0:00:46 | |
and peck at it and you won't believe it, she'll sometimes finish it off! | 0:00:46 | 0:00:49 | |
Reliving their highs... | 0:00:49 | 0:00:51 | |
You nailed that one, Ryan. | 0:00:51 | 0:00:53 | |
The relief when you put a bake down and they said, "That's all right." | 0:00:53 | 0:00:57 | |
..and lows. | 0:00:57 | 0:00:58 | |
I knew that I was going, | 0:00:58 | 0:01:00 | |
so from the minute I sat on the seat, I was going to cry. | 0:01:00 | 0:01:04 | |
The class of 2012 revisit their experience | 0:01:04 | 0:01:07 | |
and reveal their lives after the Bake Off. | 0:01:07 | 0:01:09 | |
It's been extraordinary, what's happened. | 0:01:09 | 0:01:11 | |
-The bakers, I mean... -2012... | 0:01:11 | 0:01:14 | |
I can remember faces, but the names escape me. | 0:01:14 | 0:01:17 | |
There were some blokes, weren't there? | 0:01:17 | 0:01:19 | |
There was one with glasses, he was quite a honey. | 0:01:19 | 0:01:22 | |
-They're a blur, they're a blur. -It's gone, really. | 0:01:22 | 0:01:24 | |
I'm sure they were nice, I'm sure they were lovely. | 0:01:24 | 0:01:26 | |
Lovely, but to be honest, once their back's turned on the tent, | 0:01:26 | 0:01:29 | |
it's just...missed. | 0:01:29 | 0:01:30 | |
In April of last year, 12 of the country's best home bakers | 0:01:57 | 0:02:00 | |
gathered in a field in Somerset, | 0:02:00 | 0:02:03 | |
crossed a small wooden bridge | 0:02:03 | 0:02:05 | |
and walked into the jaws of the Bake Off tent for the first time. | 0:02:05 | 0:02:09 | |
The first day, walking into that tent, | 0:02:14 | 0:02:16 | |
I've never felt as much apprehension | 0:02:16 | 0:02:19 | |
and been so nervous than I have done | 0:02:19 | 0:02:21 | |
in the whole of my life, including getting married. | 0:02:21 | 0:02:24 | |
It was actually really scary, | 0:02:25 | 0:02:27 | |
thinking that, "What have I got myself into?" | 0:02:27 | 0:02:29 | |
On the first day, I think everyone was a bit on edge, | 0:02:31 | 0:02:34 | |
because no-one knew each other, | 0:02:34 | 0:02:36 | |
we hadn't become the great friends we are now. | 0:02:36 | 0:02:39 | |
A very warm welcome, bakers, to our Bake Off tent. | 0:02:39 | 0:02:44 | |
Initially, it's just almost as if you think, "I need to pinch myself, | 0:02:44 | 0:02:48 | |
"I'm in the Bake Off tent, I can't believe it." You know? | 0:02:48 | 0:02:52 | |
It was really surreal, | 0:02:52 | 0:02:53 | |
but everything happens so quickly, you don't have time to think. | 0:02:53 | 0:02:57 | |
Whereas you'd seen it on television, it doesn't prepare you | 0:02:57 | 0:03:00 | |
for the actual sight and the work stations, and so forth. | 0:03:00 | 0:03:05 | |
And before I knew it, Sue was saying, | 0:03:07 | 0:03:09 | |
"Ready, steady, bake," and I was like, | 0:03:09 | 0:03:11 | |
"OK, we're actually doing this, then, this is happening now." | 0:03:11 | 0:03:15 | |
-For the first time... -On your marks... | 0:03:15 | 0:03:17 | |
Get set... BOTH: Bake! | 0:03:17 | 0:03:19 | |
'Oh, there's a story, there's a story, | 0:03:19 | 0:03:21 | |
'behind the "On your marks, get set, bake."' | 0:03:21 | 0:03:25 | |
Well, it took five months, I used a flip chart, | 0:03:25 | 0:03:30 | |
-we used diagrams, and we just thought... -On your marks... | 0:03:30 | 0:03:33 | |
Get set... I came up with "get set". You came up with "on your marks", | 0:03:33 | 0:03:36 | |
-I did "get set". -And then "bake" just came out of nowhere. | 0:03:36 | 0:03:39 | |
It's like sometimes the universe gives you a gift. | 0:03:39 | 0:03:42 | |
Everyone was sort of checking each other out | 0:03:46 | 0:03:50 | |
and jockeying for position and trying to sort of work out | 0:03:50 | 0:03:54 | |
who were the potential contenders to go on and win. | 0:03:54 | 0:03:58 | |
Don't underestimate this lady, she keeps on saying how nervous she is, | 0:03:58 | 0:04:01 | |
but actually she's very determined. | 0:04:01 | 0:04:04 | |
I just remember feeling so nervous, so sick. | 0:04:04 | 0:04:08 | |
I hadn't eaten anything because I was so nervous. | 0:04:08 | 0:04:10 | |
Just make sure your timing is perfect, it's all about timing. | 0:04:10 | 0:04:12 | |
I feel the need just to reach across very briefly, | 0:04:12 | 0:04:15 | |
unclench your hands, there we go. | 0:04:15 | 0:04:18 | |
-Breathe, relax. -Thank you. | 0:04:18 | 0:04:20 | |
-Good luck. -Thank you. | 0:04:20 | 0:04:22 | |
You sort of look around and you think, | 0:04:22 | 0:04:24 | |
"OK, what ingredients has he got? What ingredients has she got?" | 0:04:24 | 0:04:27 | |
You sort of think, "Am I good enough for this, really?" | 0:04:27 | 0:04:29 | |
I've got apples, Manisha had peaches, Natasha had pineapples. | 0:04:29 | 0:04:32 | |
So I just thought, "Oh, crumbs, I'm going to be kicked out first." | 0:04:32 | 0:04:36 | |
The realisation they'd have to bake like never before | 0:04:36 | 0:04:39 | |
to keep their place in the tent | 0:04:39 | 0:04:41 | |
dawned with the first Showstopper Challenge - a hidden design cake. | 0:04:41 | 0:04:45 | |
It's a really menacing task for us bakers, so whoever invented it, | 0:04:45 | 0:04:50 | |
I'm cursing their name right now. | 0:04:50 | 0:04:51 | |
It was such a technical thing to do. | 0:04:51 | 0:04:53 | |
I mean, putting a design inside a cake is crazy work. | 0:04:53 | 0:04:56 | |
We've moved out of baking, in a sense, | 0:04:56 | 0:04:59 | |
-and into kind of... -It's joinery. | 0:04:59 | 0:05:00 | |
It's joinery, isn't it? | 0:05:00 | 0:05:01 | |
And two of the bakers were in direct competition. | 0:05:01 | 0:05:04 | |
I'm going for a Union Jack cake. | 0:05:04 | 0:05:08 | |
I'm doing a Union Jack hidden design cake. | 0:05:08 | 0:05:12 | |
I was really pleased with the Union Jack cake, | 0:05:12 | 0:05:14 | |
because I had spent a huge amount of time making sure | 0:05:14 | 0:05:18 | |
that everything could have worked out on the day. | 0:05:18 | 0:05:22 | |
It's a work of beauty, it's a work of precision. | 0:05:22 | 0:05:25 | |
It was quite a technical piece of engineering out of sponge, | 0:05:25 | 0:05:29 | |
and I think it was really great to be able to compare that to Stuart's, | 0:05:29 | 0:05:33 | |
because then it made it quite obvious | 0:05:33 | 0:05:34 | |
that there were so many potential pitfalls, | 0:05:34 | 0:05:37 | |
and how it could have gone wrong. | 0:05:37 | 0:05:39 | |
It's gone a bit awry on the structure of it, technically. | 0:05:43 | 0:05:45 | |
My disaster of a Union Jack cake, | 0:05:45 | 0:05:47 | |
it didn't really turn out well for me at all. | 0:05:47 | 0:05:50 | |
When we went up for judging | 0:05:50 | 0:05:51 | |
and I think he'd actually said I'd nailed it, it was really fantastic. | 0:05:51 | 0:05:55 | |
That was one of the great moments of being on the programme. | 0:05:55 | 0:05:59 | |
Most impressive. It's very sweet, it's moist. You've got there. | 0:05:59 | 0:06:04 | |
-Well done. -Thank you. | 0:06:04 | 0:06:06 | |
Sorry, Stuart. | 0:06:07 | 0:06:09 | |
Some bakers shone from the very beginning. | 0:06:09 | 0:06:12 | |
Very, very pretty. | 0:06:12 | 0:06:13 | |
Very impressed, I mean, a design inside a cake, | 0:06:15 | 0:06:18 | |
it's got that little step further. | 0:06:18 | 0:06:20 | |
Thank you very much indeed. | 0:06:20 | 0:06:22 | |
It's a very clever concept. | 0:06:24 | 0:06:26 | |
And one in particular made a big impression. | 0:06:26 | 0:06:30 | |
-That is one monster of a cake. -It's very bold. | 0:06:30 | 0:06:34 | |
Have you got a shovel or anything I can use to cut this up? | 0:06:34 | 0:06:37 | |
-Can you tell me what we're expecting to see inside? -A sun. | 0:06:37 | 0:06:40 | |
-And this is genoise? -Yeah. -It's quite heavy. | 0:06:40 | 0:06:44 | |
-No, I think what it is... -The weight of it crushing down. | 0:06:44 | 0:06:46 | |
So much weight, yeah. | 0:06:46 | 0:06:49 | |
My very first Showstopper was awful, | 0:06:49 | 0:06:51 | |
I was quite surprised I didn't go in the first week. | 0:06:51 | 0:06:54 | |
It's the first cake we've ever had you can see from space as well. | 0:06:54 | 0:06:57 | |
Big things are always better, aren't they? | 0:06:57 | 0:07:00 | |
But James wasn't the only one to struggle. | 0:07:02 | 0:07:05 | |
When I originally compiled the recipe, | 0:07:05 | 0:07:08 | |
I'd wondered if it was too simple. | 0:07:08 | 0:07:09 | |
I'm glad to have something that's got less chance of failing | 0:07:09 | 0:07:12 | |
and isn't too complicated. | 0:07:12 | 0:07:14 | |
'I was hoping to do a graduated layer cake,' | 0:07:14 | 0:07:16 | |
and I was trying to play safe, and I suppose the irony is | 0:07:16 | 0:07:20 | |
I couldn't even get a simple bake right. | 0:07:20 | 0:07:22 | |
The saucepan's heavy, and I just want some pressure on | 0:07:22 | 0:07:24 | |
so those layers will stick together. | 0:07:24 | 0:07:27 | |
I need this to go right, so...yeah. | 0:07:27 | 0:07:29 | |
I was quite satisfied by the finish of the cake, | 0:07:29 | 0:07:31 | |
but I knew that the sponge inside was a disaster, | 0:07:31 | 0:07:34 | |
and I think you'll see me lean over as Paul cuts into the cake. | 0:07:34 | 0:07:37 | |
He commented on how heavy it was and my heart was just pounding, | 0:07:37 | 0:07:41 | |
cos it's awful, | 0:07:41 | 0:07:42 | |
that moment where you know everyone's going to discover | 0:07:42 | 0:07:45 | |
what you already knew, that that cake is a disaster. | 0:07:45 | 0:07:48 | |
It looks more like a paste than it does a sponge, | 0:07:48 | 0:07:50 | |
because it's concertinaed up. | 0:07:50 | 0:07:52 | |
It looks as though it has been oversoaked as well. | 0:07:52 | 0:07:55 | |
-Yeah, it might have been, yeah. -It looks absolutely solid. | 0:07:55 | 0:07:59 | |
Technically, it's raw. | 0:07:59 | 0:08:01 | |
The judging of the baking was scary. | 0:08:01 | 0:08:04 | |
I don't think I can look when you do that. | 0:08:05 | 0:08:08 | |
It is the first time that your baking is being judged, you know? | 0:08:08 | 0:08:11 | |
Nobody has ever done that to me before, | 0:08:11 | 0:08:15 | |
I've never entered any kind of competition. | 0:08:15 | 0:08:18 | |
If I make something for my family, then they eat it. | 0:08:18 | 0:08:21 | |
You and your family have | 0:08:21 | 0:08:23 | |
a particular type of, I suppose, taste that they like, | 0:08:23 | 0:08:27 | |
and it's not until I got into that tent last year | 0:08:27 | 0:08:31 | |
that I actually had real criticism from professionals | 0:08:31 | 0:08:35 | |
who actually know what they're talking about. | 0:08:35 | 0:08:37 | |
I think it could be better. | 0:08:37 | 0:08:39 | |
We find we have to hold back, actually, because our knowledge | 0:08:39 | 0:08:42 | |
is so extensive of baking. Don't you find that? | 0:08:42 | 0:08:47 | |
What she doesn't know about ganache isn't worth knowing. | 0:08:47 | 0:08:49 | |
Do you know what I mean? We let them judge, we just hold back. | 0:08:49 | 0:08:53 | |
Week after week, the bakers would make the long, lonely walk | 0:08:56 | 0:08:59 | |
to the gingham altar, | 0:08:59 | 0:09:00 | |
praying they'd done enough to impress Mary and Paul. | 0:09:00 | 0:09:05 | |
You're just shaking, it's like a firing squad. | 0:09:05 | 0:09:07 | |
Just get it over and done with and shoot me. | 0:09:08 | 0:09:11 | |
It looks like a chocolate breezeblock. | 0:09:11 | 0:09:13 | |
I'm not very good at many things, | 0:09:13 | 0:09:15 | |
but I think I'm quite good at baking, and to have somebody say, | 0:09:15 | 0:09:19 | |
"Actually, this is a bit naff," it's hard to hear that. | 0:09:19 | 0:09:22 | |
It's a little bit dry and a little bit lacking in flavour. | 0:09:22 | 0:09:25 | |
Is it really? Oh, goodness. | 0:09:25 | 0:09:28 | |
Waiting in the queue, | 0:09:28 | 0:09:29 | |
you've overheard some of the other judgements and then you start | 0:09:29 | 0:09:32 | |
looking again at your bake, trying to anticipate some of the feedback. | 0:09:32 | 0:09:36 | |
There were a few moments I can think of in particular where | 0:09:36 | 0:09:40 | |
I stood waiting at the judging and was trying quite hard not to cry, | 0:09:40 | 0:09:45 | |
because that's what you're there for, it all builds up to that point. | 0:09:45 | 0:09:49 | |
You're a bit worried as that knife's going down. | 0:09:49 | 0:09:52 | |
Just massaging the temples in stress. | 0:09:52 | 0:09:55 | |
People tell me all the time that I looked terrified | 0:09:55 | 0:09:58 | |
most of the time. I think I probably was terrified most of the time. | 0:09:58 | 0:10:02 | |
And if there's one thing Mary and Paul like to do, | 0:10:02 | 0:10:04 | |
it's make the bakers sweat. | 0:10:04 | 0:10:07 | |
It's like life is moving in slow motion, so they slowly taste it | 0:10:07 | 0:10:11 | |
and you're just watching for any sort of emotion on their faces. | 0:10:11 | 0:10:17 | |
You feel like you've got a big, fat spotlight hovering above you. | 0:10:17 | 0:10:23 | |
You're hoping that it's baked properly, | 0:10:23 | 0:10:25 | |
because that's a key component, that the crumb is right, | 0:10:25 | 0:10:27 | |
and your balance of flavourings is right, | 0:10:27 | 0:10:29 | |
and so all of these things are going through your head, | 0:10:29 | 0:10:32 | |
which makes you apprehensive at that point, | 0:10:32 | 0:10:34 | |
and you're just hoping that all the elements come together. | 0:10:34 | 0:10:37 | |
Yeah, well done. | 0:10:44 | 0:10:45 | |
The relief, I suppose, was amazing. | 0:10:48 | 0:10:50 | |
That was the best feeling, the relief when you put a bake down | 0:10:50 | 0:10:53 | |
and they said, "That's all right." | 0:10:53 | 0:10:56 | |
-Great flavour. -Good, thank you. | 0:10:56 | 0:10:59 | |
Lovely crust on it. | 0:10:59 | 0:11:00 | |
I'm loving that. | 0:11:00 | 0:11:02 | |
You kind of wait for the facial expression, | 0:11:02 | 0:11:04 | |
and if you know that they like it, you feel happy. | 0:11:04 | 0:11:07 | |
That tastes absolutely delicious. | 0:11:07 | 0:11:09 | |
I was kind of shocked every time I got positive feedback | 0:11:10 | 0:11:16 | |
from the judges, it's just the best feeling. | 0:11:16 | 0:11:19 | |
If you get one very, very good remark from the judging, | 0:11:19 | 0:11:23 | |
it helps you for your next bake and kind of takes the pressure off. | 0:11:23 | 0:11:26 | |
It makes your day. | 0:11:26 | 0:11:28 | |
It reminds me of those '70s cakes. | 0:11:28 | 0:11:31 | |
It's Technicolor, it's great, it's beautiful. | 0:11:31 | 0:11:34 | |
I remember Paul made this comment which sort of stuck with me | 0:11:34 | 0:11:38 | |
for the rest of the series. | 0:11:38 | 0:11:39 | |
I think you've done a good job there, | 0:11:39 | 0:11:41 | |
but keep away from the '70s decoration. | 0:11:41 | 0:11:43 | |
There was a lot of teasing going on. | 0:11:43 | 0:11:45 | |
Is it '70s delight today, or is it something more in the '80s? | 0:11:47 | 0:11:51 | |
They say '70s, but I think I'm a great bridge | 0:11:51 | 0:11:53 | |
between the '70s and today. | 0:11:53 | 0:11:54 | |
I'm giving the '70s the modern twist. | 0:11:54 | 0:11:57 | |
I hope he heard that. | 0:11:57 | 0:11:59 | |
Since the Bake Off, life has changed for many of them. | 0:12:02 | 0:12:05 | |
Brendan's spare time has become saturated with baking. | 0:12:06 | 0:12:10 | |
He now shares his knowledge twice a month at a cookery school. | 0:12:10 | 0:12:12 | |
I love teaching, I've reached that stage of my life now, | 0:12:14 | 0:12:16 | |
I'm in my early 60s, I've reached that stage where I'm keen to pass on | 0:12:16 | 0:12:21 | |
the skill to those who are keen to have it. | 0:12:21 | 0:12:23 | |
A quick way is to just do that, it's called fluffing. | 0:12:23 | 0:12:27 | |
-Fluffing? -Yeah. | 0:12:27 | 0:12:28 | |
If you fluff it like you would a sheet when you're making the bed, | 0:12:31 | 0:12:35 | |
that helps the tension to go a bit. | 0:12:35 | 0:12:37 | |
And his flair for mixing the old with the new | 0:12:39 | 0:12:41 | |
is being used by a local restaurant. | 0:12:41 | 0:12:43 | |
This is a project I'm doing on behalf of a restaurateur, | 0:12:45 | 0:12:49 | |
and it's reviving some of the old classics. | 0:12:49 | 0:12:52 | |
For example, this is a black forest gateau, | 0:12:52 | 0:12:54 | |
which was hugely popular in the '70s and '80s, | 0:12:54 | 0:12:57 | |
and then became over-exposed and people grew tired of it. | 0:12:57 | 0:13:01 | |
Being on Bake Off, it's been extraordinary, what's happened, | 0:13:01 | 0:13:04 | |
so, yes, it's opened doors everywhere, really. | 0:13:04 | 0:13:08 | |
During the Bake Off, Brendan and his fellow bakers | 0:13:14 | 0:13:17 | |
wanted to please a woman whose name is synonymous with baking. | 0:13:17 | 0:13:21 | |
Mary Berry's recipes, such pressure. | 0:13:21 | 0:13:23 | |
If I don't present them as perfect, I'm going to feel dreadful. | 0:13:23 | 0:13:27 | |
Even now, I can't believe, really, that I've baked for Mary. | 0:13:27 | 0:13:33 | |
It just is amazing. | 0:13:33 | 0:13:36 | |
That looks amazing, there are even cobwebs here! | 0:13:36 | 0:13:42 | |
Oh, Mary was always so nice, | 0:13:42 | 0:13:43 | |
you didn't feel any stress baking for Mary, did you? | 0:13:43 | 0:13:46 | |
Actually, the parsnip is not coming through strongly as parsnip, | 0:13:46 | 0:13:49 | |
but very brave to put that parsnip in, even though we can't find it. | 0:13:49 | 0:13:54 | |
In many ways, it felt like a bit of an honour. You really, really didn't | 0:13:54 | 0:13:58 | |
want to disappoint them. It was like baking for the Queen, or something. | 0:13:58 | 0:14:01 | |
These are for good appetites, aren't they? | 0:14:01 | 0:14:03 | |
When I got praise from Mary, it was actually something special. | 0:14:03 | 0:14:07 | |
I think, actually, that's delicious. | 0:14:07 | 0:14:10 | |
Thank you. | 0:14:10 | 0:14:11 | |
She's got so much knowledge, | 0:14:11 | 0:14:12 | |
you just worry that you'll do something wrong technically | 0:14:12 | 0:14:15 | |
in front of her, and so when she comes along, I always pray to myself, | 0:14:15 | 0:14:18 | |
"Don't be doing something quite technical, | 0:14:18 | 0:14:20 | |
"peel some fruits or something, yeah?" So it doesn't look bad. | 0:14:20 | 0:14:23 | |
I don't want her to go, | 0:14:23 | 0:14:24 | |
"Ryan, why are you doing that? It's wrong, yeah?" It's quite worrying. | 0:14:24 | 0:14:27 | |
While many flourished with a good word from Mary, | 0:14:27 | 0:14:30 | |
even the hardiest bakers crumbled | 0:14:30 | 0:14:32 | |
under the steely gaze of Paul Hollywood. | 0:14:32 | 0:14:34 | |
-The sponge is bland. -Bland? -Absolutely. | 0:14:39 | 0:14:42 | |
Paul's a bit more of a tricky creature to please. | 0:14:42 | 0:14:45 | |
You may as well be chewing on a piece of card. | 0:14:45 | 0:14:47 | |
-Well, that's a bit harsh. -No, honestly. | 0:14:47 | 0:14:50 | |
There's always something there that he wants you to improve on, | 0:14:50 | 0:14:52 | |
but he's a professional, and of course, that's his line of business. | 0:14:52 | 0:14:55 | |
The flavour's there, the texture's there, but the look is terrible. | 0:14:55 | 0:14:58 | |
With Paul, I mean, yes, he doesn't have that... | 0:14:58 | 0:15:01 | |
Graciousness is the word that comes to mind. | 0:15:01 | 0:15:04 | |
Neither would you put him into the diplomatic service either, | 0:15:04 | 0:15:06 | |
because he'd create incidents, I suspect. | 0:15:06 | 0:15:08 | |
This one's had some serious issues. | 0:15:08 | 0:15:11 | |
They've had problems with the dough, | 0:15:11 | 0:15:13 | |
they probably haven't blended it together properly, worked it. | 0:15:13 | 0:15:16 | |
I'll talk to this person later. | 0:15:16 | 0:15:19 | |
But you do respect the quality of his judging. | 0:15:19 | 0:15:22 | |
Say something nice. | 0:15:22 | 0:15:24 | |
It's got a nice glaze on it, but it's like raw dough in the middle. | 0:15:24 | 0:15:28 | |
When someone criticises your bakes, it can be really quite difficult. | 0:15:28 | 0:15:32 | |
It's a comment that can come from someone like Paul that takes you | 0:15:32 | 0:15:36 | |
from a really upbeat high, | 0:15:36 | 0:15:38 | |
and then you're into a really downbeat moment again. | 0:15:38 | 0:15:41 | |
You have got some burnt ones and you have got some light ones. | 0:15:41 | 0:15:43 | |
Burnt's maybe a bit harsh. | 0:15:43 | 0:15:46 | |
Paul came across as a bit of... | 0:15:46 | 0:15:48 | |
an arrogant so-and-so in some instances. | 0:15:48 | 0:15:51 | |
Paul put up with me, I think he always thought I was quite cheeky. | 0:15:54 | 0:15:58 | |
I was under the understanding it was meant to be finished with a barn. | 0:15:58 | 0:16:01 | |
No, it wasn't, this is exactly how I intended it, | 0:16:01 | 0:16:04 | |
it's a piece of modern art. | 0:16:04 | 0:16:06 | |
Paul was never really that impressed with me, I don't think. | 0:16:06 | 0:16:09 | |
He was not a fan of my bread | 0:16:09 | 0:16:11 | |
when I served him that enriched dough thing, | 0:16:11 | 0:16:13 | |
he wasn't impressed with that. | 0:16:13 | 0:16:15 | |
-Yeah, it's raw. -Raw? -Yeah. | 0:16:16 | 0:16:19 | |
There were times when you sort of wanted to just leap off that chair | 0:16:19 | 0:16:22 | |
and strangle Paul Hollywood by the scruff of his neck. | 0:16:22 | 0:16:26 | |
It's beginning to weld my mouth together, | 0:16:26 | 0:16:28 | |
which is probably not a bad thing. | 0:16:28 | 0:16:30 | |
Well, of course, you know, you'd get kicked out for that, | 0:16:30 | 0:16:32 | |
so I was quite restrained. | 0:16:32 | 0:16:34 | |
Grr, stress. Hello, are you in there? | 0:16:35 | 0:16:37 | |
I feel a bit panicky already, which is not a good way to start. | 0:16:37 | 0:16:42 | |
But no amount of practice at home could prepare the bakers | 0:16:42 | 0:16:44 | |
for the effects of being in the Bake Off tent. | 0:16:44 | 0:16:48 | |
I'm going to give that five more and then I'm going to bring it out. | 0:16:48 | 0:16:51 | |
Maybe not even five, maybe just four. | 0:16:51 | 0:16:54 | |
No, because I've opened the oven, I'll give it five. | 0:16:54 | 0:16:56 | |
It was so different, baking in there, to being in my own kitchen. | 0:16:56 | 0:16:59 | |
Everything worked in there, for a start, which is always good. | 0:16:59 | 0:17:02 | |
Not everything works in my kitchen. | 0:17:02 | 0:17:03 | |
It's not a normal baking environment, | 0:17:05 | 0:17:07 | |
although it's a lovely environment, but it's not like being at home. | 0:17:07 | 0:17:12 | |
And you either look at what other people are doing... | 0:17:12 | 0:17:18 | |
I would be the first person in the oil. | 0:17:18 | 0:17:20 | |
Maybe I should just take the oily plunge. | 0:17:20 | 0:17:22 | |
So you spend your time worrying about what you're doing, | 0:17:22 | 0:17:25 | |
kind of worrying about what everyone else is doing | 0:17:25 | 0:17:28 | |
and just hoping that everything turns out all right. | 0:17:28 | 0:17:30 | |
Oh, my giddy aunt. | 0:17:30 | 0:17:31 | |
The pressure's just incredible. | 0:17:31 | 0:17:33 | |
You could hear a penny drop. | 0:17:33 | 0:17:35 | |
It's the make or break of people, I think, in that tent. | 0:17:35 | 0:17:38 | |
There's problems with it, there's issues. | 0:17:38 | 0:17:40 | |
When I look back, I had fond memories, | 0:17:40 | 0:17:42 | |
but after seeing the programme, | 0:17:42 | 0:17:44 | |
it all floods back how, actually, quite stressful it is. | 0:17:44 | 0:17:47 | |
I might be in a bit of trouble, because if he believes | 0:17:47 | 0:17:49 | |
it's overproved again, he'll say this is a constant mistake. | 0:17:49 | 0:17:56 | |
The other biggest challenge we had was it was either | 0:17:56 | 0:17:59 | |
bucketing down when we had to work with meringue-like mixtures... | 0:17:59 | 0:18:02 | |
..and you do not make meringues when there's a lot of dampness | 0:18:04 | 0:18:07 | |
in the atmosphere, because you're beating in damp air | 0:18:07 | 0:18:09 | |
into the egg white, | 0:18:09 | 0:18:10 | |
or it was sweltering hot and we were now working with chocolate. | 0:18:10 | 0:18:16 | |
Today, we're asking you to make six chocolate teacakes. | 0:18:16 | 0:18:20 | |
-In 30-degree heat. -Enjoy tempering that. | 0:18:20 | 0:18:24 | |
I can't work in this heat, I'm actually dripping in sweat. | 0:18:24 | 0:18:28 | |
So, the weather conditions | 0:18:28 | 0:18:30 | |
as well as all the other areas in addition. | 0:18:30 | 0:18:35 | |
It's so strange, there's so much going on in that little tent, | 0:18:38 | 0:18:41 | |
it's like a TARDIS. You think it's a tiny little tent in the middle | 0:18:41 | 0:18:44 | |
of a quaint field, but actually it's a baking whirlwind inside that tent. | 0:18:44 | 0:18:48 | |
Slowly, the quest for perfect pastry | 0:18:48 | 0:18:50 | |
and brilliant bread took over the bakers' every moment. | 0:18:50 | 0:18:54 | |
If I wasn't on the show, I was at home practising, | 0:18:54 | 0:18:57 | |
so it was just baking, baking, baking, 24/7. | 0:18:57 | 0:19:00 | |
The Bake Off did become my life, I was baking like mad, | 0:19:00 | 0:19:04 | |
and even dominated my family's life. Me and my wife... | 0:19:04 | 0:19:07 | |
She'd had enough even before we started the Bake Off, | 0:19:07 | 0:19:10 | |
because flour's everywhere in the kitchen. | 0:19:10 | 0:19:13 | |
So it really dominated my life for that period, yes. | 0:19:13 | 0:19:16 | |
Oh, pants! | 0:19:16 | 0:19:17 | |
I'm not going to tell you I became slightly obsessive, | 0:19:19 | 0:19:21 | |
even though I might have done. | 0:19:21 | 0:19:24 | |
I'm checking the time on my timer, because I didn't set it, | 0:19:24 | 0:19:28 | |
but then I remembered I didn't set it, so it's not actually coming out | 0:19:28 | 0:19:31 | |
in one minute, but it was check it in one minute, | 0:19:31 | 0:19:34 | |
but they're not ready to come out, but I need a small saucepan. | 0:19:34 | 0:19:37 | |
It feels like it's the centre of the universe, it really does. | 0:19:37 | 0:19:41 | |
It sounds ridiculous, and that's why people maybe can't understand | 0:19:41 | 0:19:45 | |
why we're so emotional about it, but it's everything when you're doing it. | 0:19:45 | 0:19:50 | |
I thought it looked good as it was, and it didn't. | 0:19:54 | 0:19:57 | |
I can't believe I've actually cried, it's ridiculous. | 0:19:59 | 0:20:01 | |
It's a bloody treacle tart. | 0:20:01 | 0:20:04 | |
At that time, baking was everything. Literally, I couldn't think about | 0:20:04 | 0:20:07 | |
anything else, all I thought about was baking, constantly. | 0:20:07 | 0:20:12 | |
I remember we were in the hotel and Sarah-Jane said that she thought | 0:20:12 | 0:20:15 | |
the little light on her television was the oven light, so she got up | 0:20:15 | 0:20:18 | |
in the middle of the night, walked over to the television | 0:20:18 | 0:20:20 | |
and tried to turn it off, thinking it was the oven. | 0:20:20 | 0:20:22 | |
You hallucinate, you hallucinate Mary Berry | 0:20:22 | 0:20:25 | |
and Paul coming out of a big cake. It's bonkers. | 0:20:25 | 0:20:27 | |
It's a total rollercoaster, this Bake Off. | 0:20:27 | 0:20:29 | |
I thought it would just be a nice, gentle plod. | 0:20:29 | 0:20:32 | |
It's not, it's the craziest rollercoaster you've ever been on. | 0:20:32 | 0:20:36 | |
In a marquee, in the middle of a field. It's mental. | 0:20:36 | 0:20:39 | |
And the Bake Off rollercoaster was unrelenting. | 0:20:41 | 0:20:45 | |
And for some, it became a physical problem. | 0:20:45 | 0:20:48 | |
The week I cut my finger, I think I was more embarrassed than | 0:20:48 | 0:20:51 | |
actually in pain, because what a stupid thing to do. | 0:20:51 | 0:20:54 | |
His glove, it's full of blood, and it's all down his arm. | 0:20:54 | 0:20:56 | |
John's really cut himself. | 0:20:56 | 0:20:58 | |
His glove is full of blood. | 0:20:58 | 0:21:00 | |
And I was just so embarrassed, I went quite pale at one point. | 0:21:00 | 0:21:03 | |
Along with the Bake Off medic, a fellow baker came to John's aid. | 0:21:03 | 0:21:07 | |
-Don't worry. -I just keep feeling really dizzy. -That's fine. | 0:21:07 | 0:21:10 | |
Just sit down, I'm going to have a quick look, all right? Don't look. | 0:21:10 | 0:21:12 | |
You just do what you need to do. | 0:21:12 | 0:21:14 | |
I just had to sit down and Danny had to help me, | 0:21:14 | 0:21:16 | |
because she's the doctor, and I was just embarrassed, | 0:21:16 | 0:21:20 | |
I was so embarrassed, I just felt so stupid that I'd done it. | 0:21:20 | 0:21:24 | |
I've done everything, all I need to do now is make the dough. | 0:21:24 | 0:21:27 | |
You can't do your strudel with your finger like this. | 0:21:27 | 0:21:29 | |
The last thing you need to worry about right now is a strudel. | 0:21:29 | 0:21:32 | |
I was really gutted, because I honestly thought that | 0:21:32 | 0:21:35 | |
I would get kicked out for that, because obviously it's a competition, | 0:21:35 | 0:21:38 | |
you can't make stupid moves like that, and if you do something stupid, | 0:21:38 | 0:21:41 | |
you will get kicked out. | 0:21:41 | 0:21:42 | |
But after much deliberation, | 0:21:42 | 0:21:44 | |
Paul and Mary called for something that had never been done before. | 0:21:44 | 0:21:48 | |
The journey has to end this week for somebody. | 0:21:48 | 0:21:52 | |
And that person is... | 0:21:54 | 0:21:56 | |
..nobody. No-one's going! Because it just wasn't fair. | 0:22:02 | 0:22:06 | |
Oh, my days. | 0:22:08 | 0:22:10 | |
Not only was the tent full of stress, panic and mayhem, | 0:22:14 | 0:22:17 | |
there were two other ingredients essential to the mix, | 0:22:17 | 0:22:21 | |
and it wasn't the judges. | 0:22:21 | 0:22:22 | |
Paul and Mary, off you trot. | 0:22:22 | 0:22:24 | |
Literally trot, please, Mary, rising trot, good girl. | 0:22:24 | 0:22:27 | |
She can still do it, won several gymkhanas. Good girl. Lovely filly. | 0:22:27 | 0:22:30 | |
I love Mel and Sue, like, I literally love them. | 0:22:30 | 0:22:34 | |
What we're looking for is your own personal spin | 0:22:34 | 0:22:37 | |
on an absolute classic - the upside-down cake. | 0:22:37 | 0:22:41 | |
Or, as the Australians call it, cake. | 0:22:41 | 0:22:44 | |
Those girls are just fabulous. | 0:22:44 | 0:22:45 | |
Mel and Sue were brilliant, when you had a negative or a down day, | 0:22:45 | 0:22:50 | |
they would come and lift your spirits high. | 0:22:50 | 0:22:51 | |
This is semi-finalitis, mate. Just calm down a bit, yeah? | 0:22:51 | 0:22:56 | |
-It's all right, you're going to be fine. -Thanks for that, Mel. | 0:22:56 | 0:22:59 | |
There was one particular occasion when Mel and I were talking | 0:22:59 | 0:23:02 | |
about the '70s label. | 0:23:02 | 0:23:04 | |
Were you a bit of a groovester? | 0:23:04 | 0:23:06 | |
I used to love disco, and Gloria Gaynor, | 0:23:06 | 0:23:09 | |
I was very good at Gloria Gaynor, | 0:23:09 | 0:23:11 | |
and I was known for my dips, as it were. | 0:23:11 | 0:23:13 | |
Dip for me, please. | 0:23:13 | 0:23:15 | |
-There's a little wiggle you have to do. -Oh, one of these? | 0:23:15 | 0:23:18 | |
Exactly, shimmy a bit. | 0:23:18 | 0:23:20 | |
When you needed the sort of arm round the shoulder | 0:23:20 | 0:23:23 | |
or a shoulder to cry on, you thought of Mel... | 0:23:23 | 0:23:26 | |
Do you know what? My dad always told this to me. | 0:23:26 | 0:23:28 | |
If I was doing an exam or I was really nervous... | 0:23:28 | 0:23:30 | |
-Don't say pretend they're naked. -..pretend they're naked. | 0:23:30 | 0:23:33 | |
I knew you were going to say that. That'll make it so much worse. | 0:23:33 | 0:23:36 | |
Pretend Hollywood and Berry are fully in the buff - | 0:23:36 | 0:23:39 | |
that will help, seriously. | 0:23:39 | 0:23:42 | |
Exactly, seriously. | 0:23:42 | 0:23:44 | |
..whereas Sue on the other hand had a different technique. | 0:23:44 | 0:23:46 | |
She'd ask you a simple question, you'd give her a simple answer | 0:23:46 | 0:23:50 | |
and it'd suddenly be taken into the realms of the absurd. | 0:23:50 | 0:23:52 | |
I think that's marvellous, | 0:23:52 | 0:23:54 | |
it's the best use I've seen for a mug tree since mugs went on it. | 0:23:54 | 0:23:58 | |
People don't understand how hard it is, really, | 0:23:58 | 0:24:01 | |
to once every three or four hours | 0:24:01 | 0:24:03 | |
just walk over to somebody and say, "How are you doing?" | 0:24:03 | 0:24:06 | |
Because it's not the phrase "How are you doing?" - | 0:24:06 | 0:24:08 | |
-it's the way you say it. -Well, it's 25 years, it's 25 years of hard graft | 0:24:08 | 0:24:13 | |
and experience that goes into that. | 0:24:13 | 0:24:15 | |
Mel and Sue were little mischiefs. | 0:24:17 | 0:24:20 | |
-Are these going spare? -They are going spare. | 0:24:20 | 0:24:23 | |
Not for any longer they're not. | 0:24:23 | 0:24:24 | |
But one thing Sue does is she nicks your ingredients. | 0:24:24 | 0:24:27 | |
How many macaroons do you need? | 0:24:27 | 0:24:29 | |
Not as many as that. | 0:24:29 | 0:24:31 | |
It's really annoying, she'll come and peck at it | 0:24:31 | 0:24:33 | |
and you won't believe it, and she'll sometimes finish it off! | 0:24:33 | 0:24:35 | |
And this one, because it's got a tail, | 0:24:35 | 0:24:38 | |
I don't think you want Mary to see that. | 0:24:38 | 0:24:40 | |
No, Mary, that one did not exist. | 0:24:40 | 0:24:42 | |
That's a genetic mutation. It's gone now. | 0:24:42 | 0:24:45 | |
They were a help at times and a hindrance at other times, | 0:24:45 | 0:24:47 | |
but they were good fun. They kept us alive, I think. | 0:24:47 | 0:24:51 | |
When not filling their faces, | 0:24:51 | 0:24:53 | |
Mel and Sue had the other enjoyable task of announcing the Star Baker. | 0:24:53 | 0:24:58 | |
It's the one and the only Brendan. Star Baker, well done. | 0:24:58 | 0:25:01 | |
Danny, Star Baker, well done. | 0:25:01 | 0:25:03 | |
And they're giving it this week to the best tank top in the room - | 0:25:03 | 0:25:07 | |
it's James. | 0:25:07 | 0:25:08 | |
James' skills would lead him to win Star Baker | 0:25:08 | 0:25:11 | |
a series best of three times. | 0:25:11 | 0:25:15 | |
You're such a clever thing, you are. Clever and cosy. | 0:25:15 | 0:25:18 | |
I think the tank tops and the fair isle, | 0:25:18 | 0:25:21 | |
I think I've done my bit now for Shetland knitting. | 0:25:21 | 0:25:25 | |
I think it's very nice that almost everything you do, | 0:25:25 | 0:25:28 | |
you bring from Scotland, including your jumper. | 0:25:28 | 0:25:31 | |
Since leaving Bake Off, James has taken his baking knowledge | 0:25:31 | 0:25:34 | |
and stylish knitwear to a new venture. | 0:25:34 | 0:25:38 | |
I've chosen this particular tank top today | 0:25:38 | 0:25:40 | |
because this is actually the same, the very same tank top, | 0:25:40 | 0:25:44 | |
that I wore on episode three. | 0:25:44 | 0:25:47 | |
I was very happy and very lucky to win Star Baker that week, | 0:25:47 | 0:25:50 | |
so this tank top has got good memories. | 0:25:50 | 0:25:53 | |
It's very exciting, it's just absolutely very... This is amazing. | 0:25:53 | 0:25:58 | |
Today, he is at a photo shoot for his first baking book. | 0:25:58 | 0:26:02 | |
It's a lovely smile, it's great. | 0:26:02 | 0:26:04 | |
This is the fifth day of our photo shoot for my new book, | 0:26:04 | 0:26:08 | |
and we've just got the cover done, and we're just interspersing that | 0:26:08 | 0:26:14 | |
with a few breads to go inside as well. | 0:26:14 | 0:26:16 | |
I just wanted to show people, bread is so, so easy to make, | 0:26:16 | 0:26:20 | |
and it's so, so good when you make it yourself. | 0:26:20 | 0:26:24 | |
I hope Paul and Mary, they'll be at least a little bit proud. | 0:26:25 | 0:26:29 | |
I've got a lot to thank them for, | 0:26:29 | 0:26:30 | |
but I don't want this book to outsell Paul's. | 0:26:30 | 0:26:32 | |
During his time in the tent, James produced some spectacular creations. | 0:26:36 | 0:26:41 | |
I think it's really most unusual, and certainly you've been inventive. | 0:26:46 | 0:26:51 | |
I liked the whisky. Whisky was good. | 0:26:51 | 0:26:53 | |
Whisky with orange, whisky with anything. | 0:26:53 | 0:26:55 | |
-So this is agar and whisky? -Yeah. -Basically, whisky jelly. | 0:26:55 | 0:26:58 | |
Can I eat this? | 0:26:58 | 0:27:00 | |
Goodness, that is strong. | 0:27:00 | 0:27:02 | |
-Woo! -That is strong! | 0:27:02 | 0:27:04 | |
And he wasn't the only one to produce some incredible bakes. | 0:27:07 | 0:27:10 | |
I think the bakes that I was most proud of, | 0:27:13 | 0:27:15 | |
there were a number I was really very happy with, | 0:27:15 | 0:27:17 | |
but I liked particularly the finish to the Gateau St Honore. | 0:27:17 | 0:27:22 | |
The moment I'm most proud of, it has to be the key lime pie. | 0:27:24 | 0:27:28 | |
Watch it, it might splash. | 0:27:28 | 0:27:30 | |
To this day, I get so many people stopping me | 0:27:30 | 0:27:33 | |
and asking me for recipes and talk about the key lime pie. | 0:27:33 | 0:27:36 | |
I think it looks absolutely lovely, so fresh. | 0:27:36 | 0:27:40 | |
To have it, instantly, you know that it's key lime pie, | 0:27:40 | 0:27:45 | |
because you've got the little pieces of lime. | 0:27:45 | 0:27:48 | |
Well, the first thing was I noticed he was chewing for ages | 0:27:48 | 0:27:50 | |
without saying anything, and I thought, "This is a very good sign | 0:27:50 | 0:27:53 | |
"or a very bad sign," and I weren't sure, and I was so worried, | 0:27:53 | 0:27:57 | |
because for the technical challenge that week, I came bottom. | 0:27:57 | 0:28:01 | |
So I thought, "Uh-oh, if that is a bad sign, | 0:28:01 | 0:28:04 | |
"I am in big, big trouble." So I was actually really freaked out. | 0:28:04 | 0:28:07 | |
You nailed that one, Ryan. You've absolutely nailed that. | 0:28:09 | 0:28:14 | |
When he said it was amazing, I didn't actually feel happy at that time. | 0:28:14 | 0:28:17 | |
It was more of a relief, and then the emotions kicked in | 0:28:17 | 0:28:21 | |
and I got a bit wet and soppy and a tear ran down my cheek. | 0:28:21 | 0:28:26 | |
-That is very special. -Oh, thank you. | 0:28:26 | 0:28:27 | |
-That's a very nice pie. -Sheer perfection. -Oh, thank you. | 0:28:27 | 0:28:30 | |
The comments I got from the judges were just amazing. | 0:28:30 | 0:28:33 | |
This pie was so good that Paul and Mary wanted Ryan to know | 0:28:33 | 0:28:37 | |
it was one of the best things they have tasted | 0:28:37 | 0:28:40 | |
in all three series of the Bake Off. Congratulations, Ryan. | 0:28:40 | 0:28:45 | |
I didn't realise it was that good. | 0:28:45 | 0:28:47 | |
But the scales of baking success could always tip the other way. | 0:28:47 | 0:28:51 | |
Oh. | 0:28:53 | 0:28:55 | |
What a mess. Total disaster. | 0:28:55 | 0:28:58 | |
They're not ready! | 0:29:02 | 0:29:03 | |
Messed up again. | 0:29:05 | 0:29:07 | |
Oh, my God. | 0:29:09 | 0:29:10 | |
They're not ready! | 0:29:10 | 0:29:12 | |
I've burnt my first batch. | 0:29:12 | 0:29:14 | |
It's all gone wrong. | 0:29:14 | 0:29:16 | |
-They're broken! -What do you mean, they're broken? They're separating? | 0:29:16 | 0:29:20 | |
No, look! What am I going to do? | 0:29:20 | 0:29:22 | |
-Fridge and pray. -Oh, my giddy aunt. | 0:29:22 | 0:29:25 | |
When things went wrong, it did kind of feel awful, it's like, | 0:29:28 | 0:29:30 | |
"Come on, why are all these things going wrong?" | 0:29:30 | 0:29:33 | |
And once one went wrong, something else went wrong, | 0:29:33 | 0:29:35 | |
and then something else went wrong. | 0:29:35 | 0:29:37 | |
Slide that on top, Bob's your uncle. | 0:29:37 | 0:29:40 | |
Let's try that again. | 0:29:42 | 0:29:44 | |
My strudel's got a haemorrhage. Do I mean haemorrhage? | 0:29:44 | 0:29:48 | |
Haemorrhage or haemorrhoid? | 0:29:48 | 0:29:49 | |
You've only got one opportunity, you can't just say, "Actually, I know | 0:29:49 | 0:29:52 | |
"it's a bit pants, do you mind if I go and quickly bake another one?" | 0:29:52 | 0:29:55 | |
Oh, my giddy aunt. | 0:29:55 | 0:29:57 | |
I'm going to have to start again. | 0:29:57 | 0:29:58 | |
When things went wrong, you did try and sort of get round it, | 0:29:58 | 0:30:01 | |
and I'd throw it in the bin or throw it at somebody else. | 0:30:01 | 0:30:04 | |
Mary always says that if you drop something on the floor, | 0:30:04 | 0:30:07 | |
if no-one's looking, pick it back up and throw it back in the pot, | 0:30:07 | 0:30:09 | |
and I completely agree. | 0:30:09 | 0:30:11 | |
One thing I learnt, that if you make a mistake, don't tell Paul Hollywood | 0:30:12 | 0:30:17 | |
about it or he'll pick up on it. Don't give him a reason | 0:30:17 | 0:30:19 | |
to get rid of you, just pretend nothing happened and just drive on. | 0:30:19 | 0:30:23 | |
-Hi, Paul. -Am I not wanted at the moment? | 0:30:24 | 0:30:26 | |
-No, no, you're always wanted. -It's a mess in here. -Yes, it is. | 0:30:26 | 0:30:29 | |
When I did the upside-down cake, I wanted to do something really... | 0:30:32 | 0:30:37 | |
I suppose out of the norm, | 0:30:37 | 0:30:40 | |
and just try and impress on the first episode. | 0:30:40 | 0:30:42 | |
I've tweaked it by making it a little bit more tomatoey | 0:30:42 | 0:30:45 | |
by adding some more tomato jam with it as well. | 0:30:45 | 0:30:48 | |
-Well, he's original anyway, we're waiting. -He's a maverick. | 0:30:48 | 0:30:51 | |
And I forgot to put the jam in, | 0:30:51 | 0:30:53 | |
which is obviously the main component | 0:30:53 | 0:30:56 | |
of the tomato upside-down cake. | 0:30:56 | 0:30:59 | |
-I forgot to put my tomato jam in! -What? | 0:30:59 | 0:31:02 | |
Yeah, gutted. Stupid error. | 0:31:02 | 0:31:04 | |
In blind panic, I put the cake in the oven before putting | 0:31:06 | 0:31:10 | |
the tomato jam on. It adds to the flavour of it. | 0:31:10 | 0:31:13 | |
Other than that, it's just a cake with tomato decorations on top. | 0:31:13 | 0:31:17 | |
I should spread it on top. | 0:31:19 | 0:31:20 | |
I've messed up big style here. | 0:31:26 | 0:31:29 | |
Of course, you have a pot of sugar and a pot of salt here | 0:31:29 | 0:31:32 | |
and you can't tell the difference unless you taste it. | 0:31:32 | 0:31:34 | |
I should have dipped my finger in, but I didn't, | 0:31:34 | 0:31:36 | |
so I salted the tin and it was too late by the time I found out, | 0:31:36 | 0:31:40 | |
because I'd baked the rum baba. | 0:31:40 | 0:31:42 | |
That is disgusting. It's going to put me in the bad books. | 0:31:42 | 0:31:46 | |
I genuinely believed that I was going home. | 0:31:46 | 0:31:48 | |
Not even that week - I thought after that challenge | 0:31:48 | 0:31:51 | |
they'd say, "What the hell are you doing here? Get out." | 0:31:51 | 0:31:54 | |
It made Paul Hollywood gag, | 0:31:54 | 0:31:56 | |
and that's something... That's an achievement in itself, isn't it? | 0:31:56 | 0:31:59 | |
Oh, jeez! | 0:31:59 | 0:32:00 | |
What is it, Paul? | 0:32:00 | 0:32:02 | |
There's too much salt in there. Ugh! | 0:32:02 | 0:32:05 | |
During the American Pie Showstopper Challenge, | 0:32:05 | 0:32:08 | |
Cathryn took the unusual step of using an ingredient she didn't like. | 0:32:08 | 0:32:12 | |
My brother lives in America, so I got a few tips from him, | 0:32:12 | 0:32:15 | |
and he did say peanut butter was a goer, | 0:32:15 | 0:32:19 | |
so that's what I went with. | 0:32:19 | 0:32:21 | |
It was the most stupid thing I could have done. | 0:32:21 | 0:32:23 | |
To make something that, actually, I thought was horrible. | 0:32:23 | 0:32:28 | |
Other people had told me it was nice, and I believed them. | 0:32:28 | 0:32:32 | |
-I don't like that. -Don't you? -At all. | 0:32:33 | 0:32:36 | |
It's like eating a pot full of crunchy peanut butter, | 0:32:36 | 0:32:39 | |
-but none of the flavour. -Oh. | 0:32:39 | 0:32:42 | |
What a stupid thing, | 0:32:42 | 0:32:43 | |
to make something that you don't like the taste of yourself. | 0:32:43 | 0:32:47 | |
Oh, my God almighty! | 0:32:48 | 0:32:50 | |
Sarah-Jane, keep it in the oven. | 0:32:51 | 0:32:53 | |
I can't keep it in the oven, John. It's melting. | 0:32:53 | 0:32:56 | |
A particular disaster that sticks in my mind is my Wellington. | 0:32:58 | 0:33:02 | |
I can't watch it, I can't watch that moment at all. | 0:33:02 | 0:33:07 | |
I had it on the other day, and it was the bit where Mary came over | 0:33:07 | 0:33:13 | |
and she was asking me why the joint of meat was in the silver foil. | 0:33:13 | 0:33:18 | |
Why have you got your beef in foil? | 0:33:18 | 0:33:21 | |
I seared it in the pan and then I roasted it in the oven | 0:33:21 | 0:33:24 | |
just for 15 minutes, and put it in the foil so that all the steam would | 0:33:24 | 0:33:27 | |
stay in and try and keep it as moist as possible. So, that's the plan. | 0:33:27 | 0:33:31 | |
I had some answer at the time, but I watch it back now, | 0:33:31 | 0:33:35 | |
I was just screaming at the telly, "Look at her eyes! | 0:33:35 | 0:33:39 | |
"She's telling you with her eyes, take that | 0:33:39 | 0:33:42 | |
"and put it in the fridge, otherwise the pastry's going to melt." | 0:33:42 | 0:33:45 | |
And I can see it in her face | 0:33:45 | 0:33:46 | |
and she's just getting really frustrated. You can see | 0:33:46 | 0:33:49 | |
she really wants to say something, but she doesn't, | 0:33:49 | 0:33:52 | |
but she's looking at me in that kind of, | 0:33:52 | 0:33:55 | |
"I know better - put it in the fridge," kind of way. | 0:33:55 | 0:33:58 | |
Oh, no! | 0:33:58 | 0:33:59 | |
This is the worst thing I've ever made in my whole entire life. | 0:33:59 | 0:34:04 | |
I've got to serve it to Paul and Mary. | 0:34:04 | 0:34:06 | |
She was exactly right, I put it in the oven and the whole thing melted | 0:34:06 | 0:34:10 | |
and it looked like something out of a horror film. | 0:34:10 | 0:34:13 | |
I think it's quite coquettish. | 0:34:13 | 0:34:16 | |
It's saying, "Look at me, look what's inside, come on in." | 0:34:16 | 0:34:19 | |
I think it looks like the Alien film. | 0:34:19 | 0:34:21 | |
It was the worst thing I'd ever made. | 0:34:22 | 0:34:24 | |
So awful. | 0:34:25 | 0:34:27 | |
Sarah-Jane pulled herself back from her calamitous Wellington, | 0:34:30 | 0:34:34 | |
and, post-Bake Off, is working in a local patisserie. | 0:34:34 | 0:34:38 | |
Every other Thursday, I'm in the kitchen, | 0:34:39 | 0:34:42 | |
under the instruction of Denise. | 0:34:42 | 0:34:44 | |
-And obviously, I've pre-processed this. -Yes. | 0:34:44 | 0:34:47 | |
What is this? | 0:34:47 | 0:34:49 | |
-Sun-dried tomatoes and garlic. -OK. | 0:34:49 | 0:34:51 | |
And then that'll just... knock it in a bit for us. | 0:34:51 | 0:34:54 | |
Probably the best thing that has come out of the Bake Off is | 0:34:54 | 0:34:59 | |
that I now know that I want to work in a kitchen, | 0:34:59 | 0:35:02 | |
so I'm really, really lucky, I feel really lucky to be able to be here | 0:35:02 | 0:35:07 | |
in such a lovely environment and be taught by Denise, it's brilliant. | 0:35:07 | 0:35:11 | |
And Sarah-Jane keeps her baking guardian angel close by. | 0:35:11 | 0:35:17 | |
I've got a little picture of Mary watching over us | 0:35:17 | 0:35:20 | |
when we're baking, for a little bit of inspiration. | 0:35:20 | 0:35:24 | |
If we're lacking a bit of energy, | 0:35:24 | 0:35:26 | |
we look to Mary and her beautiful smile cheers us up. | 0:35:26 | 0:35:29 | |
During her time in the Bake Off, Sarah-Jane developed | 0:35:36 | 0:35:39 | |
a very close relationship with one of her fellow bakers. | 0:35:39 | 0:35:43 | |
I think Cathryn and I got on so well because we'd both come | 0:35:44 | 0:35:48 | |
from similar situations, we both had a husband and children at home. | 0:35:48 | 0:35:51 | |
Sarah-Jane and I had the most brilliant relationship. | 0:35:51 | 0:35:56 | |
We would have such a laugh and we were always really happy | 0:35:56 | 0:36:00 | |
if our benches were near each other, so we could have a bit of a chat | 0:36:00 | 0:36:03 | |
and maybe try and help each other a bit, | 0:36:03 | 0:36:05 | |
and we'd always be peeping in each other's ovens. | 0:36:05 | 0:36:07 | |
But this baking camaraderie nearly led to baking disaster | 0:36:07 | 0:36:12 | |
during the strudel Showstopper Challenge. | 0:36:12 | 0:36:15 | |
Paul had come over to me and shown me | 0:36:15 | 0:36:18 | |
a way that he did it of grabbing the end of the dough, twisting it over | 0:36:18 | 0:36:23 | |
and flicking it at the same time, in kind of that sort of motion. | 0:36:23 | 0:36:28 | |
Hang on, hang on, is that kneaded? Is that what you do? | 0:36:28 | 0:36:30 | |
That's not what I've been doing. | 0:36:30 | 0:36:33 | |
All you're trying to do on a strudel is build up the resistance, | 0:36:33 | 0:36:38 | |
build up the gluten in the actual dough itself by stretching it. | 0:36:38 | 0:36:42 | |
Because we liked to share tips and help each other along, | 0:36:42 | 0:36:45 | |
Sarah-Jane came back and we were having a chat | 0:36:45 | 0:36:47 | |
and she decided to show me this ingenious kneading technique | 0:36:47 | 0:36:51 | |
of Paul's that would obviously make my strudel superior, | 0:36:51 | 0:36:54 | |
so if it's good enough for Hollywood, it's good enough for me. | 0:36:54 | 0:36:57 | |
-Hold it by the end and flick it. -This is horrible. | 0:36:57 | 0:37:01 | |
No, no, that looks really good. | 0:37:01 | 0:37:03 | |
So I was listening to Sarah-Jane's instructions | 0:37:03 | 0:37:07 | |
and...I had a... | 0:37:07 | 0:37:10 | |
A bit stayed in my hand, but the rest just launched. | 0:37:10 | 0:37:14 | |
So far that you can... | 0:37:14 | 0:37:16 | |
Ooh! | 0:37:16 | 0:37:17 | |
Well, I'm glad I wasn't standing there! | 0:37:17 | 0:37:20 | |
Oh, Sarah-Jane! | 0:37:20 | 0:37:22 | |
It was then covered in green carpet, which she didn't feel | 0:37:22 | 0:37:25 | |
she could serve to Mary Berry, for some reason. | 0:37:25 | 0:37:27 | |
-Oh, it's so hairy. -Oh, my God, I'm so sorry! | 0:37:27 | 0:37:30 | |
Don't be silly, you didn't throw it on the floor. | 0:37:30 | 0:37:33 | |
But I made you try and throw it on the floor. Don't throw it away, | 0:37:33 | 0:37:36 | |
-it's really nice. -You can see carpet in it. -Just take the carpet out. | 0:37:36 | 0:37:39 | |
Wrap it in some oil and put it on a table. | 0:37:39 | 0:37:41 | |
It's got green carpet in it, I'm not serving Mary Berry green carpet. | 0:37:41 | 0:37:46 | |
Cathryn, do you blame me? | 0:37:49 | 0:37:51 | |
Completely, but, you know, I'll get over it(!) | 0:37:51 | 0:37:54 | |
Course I don't, it's fine. | 0:37:54 | 0:37:57 | |
I get lots and lots of people say that that's their funniest, | 0:37:57 | 0:38:01 | |
most calamitous moment of Bake Off, and it is really funny, | 0:38:01 | 0:38:04 | |
my children think it's hilarious. | 0:38:04 | 0:38:06 | |
Luckily, it went really well for her and they loved her strudel. | 0:38:06 | 0:38:10 | |
It's good strudel, it's nice and thin | 0:38:10 | 0:38:12 | |
and the interior is delicious, it all goes really well together. | 0:38:12 | 0:38:15 | |
Thanks. | 0:38:15 | 0:38:17 | |
But if it hadn't have gone well, I'd have felt awful. | 0:38:17 | 0:38:20 | |
Luckily, it went terribly for me. | 0:38:20 | 0:38:22 | |
The strudel itself is not crisp. | 0:38:22 | 0:38:25 | |
-No. -OK. -It's not strudel-like. -OK. | 0:38:25 | 0:38:28 | |
-Can I borrow your golden syrup, please, James? -Yes. -Excuse me. | 0:38:31 | 0:38:36 | |
The friendships in the tent were surprising. | 0:38:36 | 0:38:38 | |
I thought it was going to be quite intense in there, | 0:38:38 | 0:38:41 | |
no-one was going to talk to each other, | 0:38:41 | 0:38:43 | |
but in fact, it was totally the opposite. | 0:38:43 | 0:38:46 | |
We became kind of a close family. | 0:38:46 | 0:38:49 | |
Oh, wow, this is really, really good. | 0:38:49 | 0:38:52 | |
That's a good marshmallow. | 0:38:52 | 0:38:53 | |
There was a strong sense of friendship and loyalty | 0:38:53 | 0:38:56 | |
between all the bakers, there wasn't really any jealousy | 0:38:56 | 0:39:00 | |
or any moments you wanted to trip someone up. | 0:39:00 | 0:39:03 | |
My goodness, that is massive. | 0:39:03 | 0:39:05 | |
It's huge. Isn't it massive? | 0:39:05 | 0:39:07 | |
-That is beef, yeah? -I hope so. | 0:39:07 | 0:39:10 | |
Most of the time, it just felt like we were just a group of friends | 0:39:10 | 0:39:14 | |
baking together in a tent, in the middle of a field, as you do. | 0:39:14 | 0:39:18 | |
12 months later, lots of us are all still in touch, | 0:39:18 | 0:39:21 | |
so that says it all, really. | 0:39:21 | 0:39:24 | |
Oh, I like that. | 0:39:24 | 0:39:26 | |
We were like a little family, and it's so nice, and every time | 0:39:26 | 0:39:29 | |
we see each other, we don't shut up. All of us, we had the best time. | 0:39:29 | 0:39:32 | |
Beautiful. | 0:39:32 | 0:39:34 | |
Please tell me you are going to dust that with icing sugar. | 0:39:34 | 0:39:38 | |
-Liberally. -Oh, it's going to be beautiful! | 0:39:38 | 0:39:39 | |
There definitely was a sense of, "We're all in this together." | 0:39:39 | 0:39:42 | |
There was a great sense of solidarity. | 0:39:42 | 0:39:44 | |
We knew we were competing, we knew we'd be judged on it. | 0:39:46 | 0:39:49 | |
But there was a togetherness there that was impressive. | 0:39:49 | 0:39:53 | |
This sense of solidarity made it all the more difficult | 0:39:58 | 0:40:01 | |
when it came to say goodbye. | 0:40:01 | 0:40:03 | |
Natasha, I'm so sorry, darling. | 0:40:04 | 0:40:07 | |
-Thank you. -I'm so sorry, sweetheart. -I think that's fair. | 0:40:07 | 0:40:11 | |
I think it was the right decision, I suppose I just didn't do my best. | 0:40:11 | 0:40:15 | |
I was quite emotional, and anybody who knows me | 0:40:19 | 0:40:22 | |
knows I'm not an emotional person at all, | 0:40:22 | 0:40:24 | |
so lots of people saw me cry on the Bake Off for the first time. | 0:40:24 | 0:40:27 | |
People who've known me all their lives have never seen me cry. | 0:40:27 | 0:40:31 | |
Peter... | 0:40:31 | 0:40:32 | |
Let me give you a massive Mel and Sue sandwich, | 0:40:32 | 0:40:35 | |
the like of which you can only have in your worst nightmares. | 0:40:35 | 0:40:38 | |
I'm so sorry. | 0:40:38 | 0:40:40 | |
-It's been fantastic. -A round of applause. -Thank you. | 0:40:40 | 0:40:43 | |
Victoria. | 0:40:43 | 0:40:44 | |
It's absolutely the right decision that my bake was not up to scratch, | 0:40:44 | 0:40:49 | |
and that's how it's judged. Yeah, no case to answer. Guilty, m'lud. | 0:40:49 | 0:40:53 | |
Stuart. | 0:40:53 | 0:40:54 | |
We're going to miss you, Stuart, come on. | 0:40:54 | 0:40:58 | |
Go on! | 0:40:58 | 0:41:00 | |
It just felt...everything was in slow motion. | 0:41:00 | 0:41:02 | |
As cliched as that sounds, | 0:41:02 | 0:41:04 | |
everything was in slow motion when Sue said my name | 0:41:04 | 0:41:07 | |
and...I don't know, it was the realisation | 0:41:07 | 0:41:09 | |
that it was all over, it was really, really sad when it was all over. | 0:41:09 | 0:41:12 | |
Manisha. | 0:41:12 | 0:41:13 | |
-We're going to miss you. -We are going to miss you. | 0:41:13 | 0:41:17 | |
It is quite sad because, you know, I would like to stay more | 0:41:17 | 0:41:20 | |
and carry on baking more, | 0:41:20 | 0:41:22 | |
but it was my time to go, so, you know, I had to leave. | 0:41:22 | 0:41:27 | |
It was almost like standing on the edge of a cliff, | 0:41:28 | 0:41:31 | |
waiting to jump off. | 0:41:31 | 0:41:32 | |
I knew what was going to happen, I knew the outcome, | 0:41:32 | 0:41:35 | |
but that really long pause they have between was just purgatory. | 0:41:35 | 0:41:40 | |
I'm very sorry to say that the people not coming with us | 0:41:41 | 0:41:46 | |
on our journey next week are Sarah-Jane... | 0:41:46 | 0:41:49 | |
..and Ryan. | 0:41:50 | 0:41:52 | |
I was actually devastated when I got kicked out. | 0:41:52 | 0:41:55 | |
You know, at first, when I came onto Bake Off, | 0:41:55 | 0:41:58 | |
I didn't actually take it that seriously, it was for fun. | 0:41:58 | 0:42:01 | |
But I somehow got wrapped into it. | 0:42:01 | 0:42:03 | |
It was really sad at the time, really sad, | 0:42:03 | 0:42:06 | |
because I was just having so much fun | 0:42:06 | 0:42:08 | |
and we were all getting on so well. | 0:42:08 | 0:42:11 | |
-Just having a really, really good time. -Oh! | 0:42:11 | 0:42:14 | |
I wanted to just carry on right to the end, but I messed it up. | 0:42:15 | 0:42:21 | |
With only five bakers left in the quarter-final... | 0:42:24 | 0:42:27 | |
One, two, three, four, five... | 0:42:27 | 0:42:29 | |
..the rivalry reached boiling point. | 0:42:29 | 0:42:32 | |
It's 35 degrees in here. | 0:42:32 | 0:42:33 | |
Oh, dear, and you want your chocolate to be 33. | 0:42:35 | 0:42:37 | |
-33 or 32, yeah. -OK, so we've got an issue already. | 0:42:37 | 0:42:40 | |
Oh, it's so hot! | 0:42:40 | 0:42:41 | |
And for one baker, the cracks really started to show. | 0:42:41 | 0:42:45 | |
Honestly, I've completely lost it, this is car-crash crackers. | 0:42:45 | 0:42:49 | |
I had an absolute shocker. | 0:42:49 | 0:42:51 | |
Don't be scared of the cracker breads. | 0:42:51 | 0:42:53 | |
Oh, gosh, I've got others in the oven, they'll be totally burnt! | 0:42:53 | 0:42:55 | |
-Oh! -Don't worry, that's all right. | 0:42:59 | 0:43:02 | |
Yeah, they're a little bit burnt. | 0:43:04 | 0:43:06 | |
Heavens to Betsy, what am I doing? | 0:43:06 | 0:43:09 | |
I just wasn't... I just wasn't on it. | 0:43:09 | 0:43:13 | |
I'm really sorry, I'm so embarrassed, | 0:43:13 | 0:43:15 | |
they're really disastrous, I'm really sorry. | 0:43:15 | 0:43:18 | |
There are only 46, for which I'm also sorry. | 0:43:18 | 0:43:21 | |
-They don't look particularly good. -No, they're shocking. | 0:43:21 | 0:43:24 | |
They're thick and thin and irregular colours. | 0:43:24 | 0:43:27 | |
-The bakes, you go from that to that. -Yeah, I know. | 0:43:27 | 0:43:32 | |
-Yeah, I know. -That one, you can bend. | 0:43:32 | 0:43:35 | |
Dreadful, I know. | 0:43:35 | 0:43:36 | |
Partly, choosing to make Buckingham Palace out of gingerbread | 0:43:37 | 0:43:41 | |
was another not-so-wonderful idea. | 0:43:41 | 0:43:44 | |
I don't think the Queen would like this much, | 0:43:44 | 0:43:46 | |
I think she'd be a bit naffed off with me if she saw this. | 0:43:46 | 0:43:50 | |
I was so gutted that I hadn't done my best. | 0:43:50 | 0:43:54 | |
If I'd gone home on a week where I had done my best | 0:43:54 | 0:43:58 | |
and that just hadn't matched up and been good enough, | 0:43:58 | 0:44:00 | |
I'd have felt so cool about it, | 0:44:00 | 0:44:02 | |
but because I really felt I hadn't done a good enough job, | 0:44:02 | 0:44:06 | |
it was horrible. | 0:44:06 | 0:44:08 | |
Is that chocolate and ginger? | 0:44:08 | 0:44:11 | |
Yeah, and orange. | 0:44:11 | 0:44:12 | |
It needs to choose one and run with it. | 0:44:13 | 0:44:16 | |
Usually, when we're sat on the stools waiting to find out | 0:44:17 | 0:44:20 | |
who's going home, there's always that slight, "Could it be me? | 0:44:20 | 0:44:25 | |
"Could it be that person?" | 0:44:25 | 0:44:27 | |
On the week I went, | 0:44:27 | 0:44:29 | |
there was not 1% of doubt in anybody's mind, | 0:44:29 | 0:44:32 | |
I was definitely going home, so that was horrible, | 0:44:32 | 0:44:35 | |
because I almost felt everyone had gone, "Oh, sorry, Cathryn." | 0:44:35 | 0:44:38 | |
Oh, God, here we go! | 0:44:38 | 0:44:40 | |
And I had to sit there and I knew I was going | 0:44:40 | 0:44:45 | |
and I knew I looked quite hot | 0:44:45 | 0:44:48 | |
and, you know, my hair was quite flat | 0:44:48 | 0:44:51 | |
and I was quite flat and I knew I was going home, | 0:44:51 | 0:44:55 | |
so from the minute I sat on the seat, I was going to cry, | 0:44:55 | 0:44:58 | |
and I was sort of crying from the minute I sat down, | 0:44:58 | 0:45:02 | |
which is embarrassing. | 0:45:02 | 0:45:03 | |
The person leaving us today is... | 0:45:05 | 0:45:07 | |
..Cathryn. | 0:45:09 | 0:45:11 | |
We're going to really, really, really miss you. | 0:45:12 | 0:45:15 | |
Thanks. | 0:45:16 | 0:45:17 | |
We're going to miss you so much. It's ludicrous. | 0:45:17 | 0:45:21 | |
Come have a Mel-Sue sandwich. Come on. It's a scary thought. | 0:45:21 | 0:45:25 | |
It's very unpleasant. | 0:45:25 | 0:45:26 | |
Every time I watch it, | 0:45:26 | 0:45:27 | |
because we watch it all the time, the whole series, we're quite sad, | 0:45:27 | 0:45:30 | |
and every time I watch it, I think, "I'm going to be fine this time," | 0:45:30 | 0:45:33 | |
and I sit down and it gets towards the end and I think, | 0:45:33 | 0:45:36 | |
"Oh, no, you're going to cry again." | 0:45:36 | 0:45:37 | |
And I don't just have a little tear - I do the proper crying. | 0:45:37 | 0:45:41 | |
Every time. | 0:45:41 | 0:45:43 | |
But Cathryn's love of baking didn't crumble with biscuit week | 0:45:43 | 0:45:47 | |
as, after Bake Off, she started working at a local cafe and bakery. | 0:45:47 | 0:45:51 | |
Morning! | 0:45:52 | 0:45:53 | |
After Bake Off, I asked if I could come and work here, | 0:45:53 | 0:45:58 | |
and it's been so nice to have a job that fits in with my family, | 0:45:58 | 0:46:03 | |
but also where I'm learning loads | 0:46:03 | 0:46:06 | |
and putting all of that work into practice, it's really fun. | 0:46:06 | 0:46:09 | |
I have learnt a lot about macaroons since getting my job here, | 0:46:09 | 0:46:13 | |
I literally couldn't make them before, and now I'm quite good, eh? | 0:46:13 | 0:46:18 | |
-Getting there, I suppose. -Thank you! | 0:46:18 | 0:46:22 | |
She's also working on a book of baking recipes for children. | 0:46:22 | 0:46:26 | |
I said, right at the beginning, I remember talking to someone | 0:46:26 | 0:46:30 | |
and they said, "What would be your dream?" | 0:46:30 | 0:46:33 | |
And one recipe in a magazine would have been completely amazing, | 0:46:33 | 0:46:38 | |
so the thought that there will be somewhere at some point | 0:46:38 | 0:46:42 | |
a collection of recipes that are all mine and a book | 0:46:42 | 0:46:45 | |
that I actually wrote on a shop shelf somewhere will be ridiculous. | 0:46:45 | 0:46:52 | |
Semi-final, mate. | 0:46:55 | 0:46:57 | |
Come on! | 0:46:57 | 0:46:58 | |
As the last four bakers battled for a place in the final... | 0:47:00 | 0:47:04 | |
My creme pat has got cellulite at the moment. | 0:47:04 | 0:47:06 | |
Oh, my God! | 0:47:06 | 0:47:07 | |
I can't do it. | 0:47:08 | 0:47:09 | |
..John and Danny both struggled | 0:47:09 | 0:47:11 | |
under the pressure of producing perfect patisserie. | 0:47:11 | 0:47:14 | |
There's nothing I can do, everything's just gone to pot. | 0:47:14 | 0:47:17 | |
-Breathe. -Don't be nice, I'll start crying. | 0:47:17 | 0:47:21 | |
It's all right. | 0:47:21 | 0:47:22 | |
Oh, God above, just look at that! | 0:47:24 | 0:47:27 | |
It looks hideous. | 0:47:32 | 0:47:33 | |
Danny's fraisier cake failure... | 0:47:34 | 0:47:37 | |
Oh, dear, we need a spoon with this, rather than a slice. | 0:47:37 | 0:47:41 | |
This has got serious problems with the creme pat. | 0:47:41 | 0:47:45 | |
-The creme patissiere is not thick enough. -No. | 0:47:45 | 0:47:49 | |
..meant she was the last girl to leave. | 0:47:49 | 0:47:51 | |
So I'm afraid the person who will not be joining us | 0:47:53 | 0:47:56 | |
next week for the Great British Bake Off final is... | 0:47:56 | 0:47:59 | |
-..Danny. -Thank you for all your help. | 0:48:01 | 0:48:04 | |
This has pushed me as far as anything can push me, | 0:48:04 | 0:48:07 | |
and it's been a good experience. | 0:48:07 | 0:48:10 | |
Danny, whom I had a great regard for, I was sad to see her go. | 0:48:12 | 0:48:16 | |
I felt bad that Danny got kicked out. | 0:48:16 | 0:48:18 | |
I was glad I got through and she didn't, but I felt bad for her. | 0:48:18 | 0:48:22 | |
-'Hello?' -Hi, Mum, it's only me. | 0:48:22 | 0:48:25 | |
'Hi, darling.' | 0:48:25 | 0:48:26 | |
-You've got a little big boy who's in the final. -'Oh, my God!' | 0:48:26 | 0:48:29 | |
And for the first time, it was an all-male final. | 0:48:31 | 0:48:34 | |
It's such an amazing thing that it was an all-male final. | 0:48:37 | 0:48:40 | |
It was baking. I think that's brilliant, | 0:48:40 | 0:48:42 | |
to hopefully inspire more men to take up the craft. | 0:48:42 | 0:48:46 | |
I think the fact that it was an all-male final made it | 0:48:47 | 0:48:50 | |
that bit more competitive. There was testosterone involved, | 0:48:50 | 0:48:53 | |
Testosterone to a certain extent, with me and Brendan and James - | 0:48:53 | 0:48:56 | |
we're not the most butch of lads, are we? | 0:48:56 | 0:48:59 | |
I was delighted to get through, | 0:48:59 | 0:49:00 | |
because that's what I'd set my objective from, | 0:49:00 | 0:49:04 | |
from the early stages, | 0:49:04 | 0:49:05 | |
because you've got no chance of winning unless you're in the final. | 0:49:05 | 0:49:09 | |
I don't remember the final last year cos I was very heavily medicated. | 0:49:11 | 0:49:14 | |
Perhaps you can shed some light on that? | 0:49:14 | 0:49:16 | |
-There were three boys. -Yes. | 0:49:16 | 0:49:18 | |
Um...they did... They did a cake, | 0:49:18 | 0:49:21 | |
-a big cake at the end. -They had a party, | 0:49:21 | 0:49:24 | |
and I remember the police came. | 0:49:24 | 0:49:25 | |
-That's right, yes. -Do you remember? The police came. | 0:49:25 | 0:49:28 | |
After a close final, | 0:49:29 | 0:49:31 | |
who would be crowned champion of Bake Off Series 3 | 0:49:31 | 0:49:34 | |
all came down to the very last Showstopper Challenge. | 0:49:34 | 0:49:38 | |
It is absolutely delicious, and I love the fresh raspberry topping. | 0:49:40 | 0:49:45 | |
-Well done. -Thank you very much. -Well done, Brendan. | 0:49:45 | 0:49:48 | |
Congrats, Brendan. | 0:49:48 | 0:49:49 | |
I don't know what to say, really. | 0:49:50 | 0:49:53 | |
I just had disaster after disaster after disaster in the final. | 0:49:53 | 0:49:55 | |
-It's far too dry. -Oh, no! | 0:49:55 | 0:49:58 | |
That last bake, what I came out with was rubbish. | 0:49:58 | 0:50:01 | |
But I had great fun making it. | 0:50:01 | 0:50:03 | |
But it was John's heaven and hell chiffon cake | 0:50:03 | 0:50:06 | |
that astounded the judges. | 0:50:06 | 0:50:08 | |
It's rich. | 0:50:12 | 0:50:14 | |
It's absolutely lovely. | 0:50:15 | 0:50:17 | |
Mmm! | 0:50:17 | 0:50:18 | |
That really works, you've got a beautiful blend of the chocolate. | 0:50:19 | 0:50:23 | |
Paul and Mary have made their decision, | 0:50:30 | 0:50:32 | |
and we're very, very pleased to announce that the winner | 0:50:32 | 0:50:37 | |
of the Great British Bake Off 2012 is... | 0:50:37 | 0:50:41 | |
..John. | 0:50:47 | 0:50:49 | |
CHEERING AND APPLAUSE | 0:50:49 | 0:50:52 | |
Being in the final was one thing, winning was another thing, | 0:50:55 | 0:50:58 | |
I just can't describe it. I mean, I almost... | 0:50:58 | 0:51:02 | |
My legs buckled, and I'm six foot two, | 0:51:02 | 0:51:04 | |
I'm quite stocky, I'm not very dainty, | 0:51:04 | 0:51:07 | |
but I almost keeled over, | 0:51:07 | 0:51:08 | |
and my legs almost snapped beneath my weight. | 0:51:08 | 0:51:11 | |
It was the strangest thing. | 0:51:11 | 0:51:13 | |
I've never felt that sort of shock, | 0:51:13 | 0:51:16 | |
that sensation of dread, excitement, | 0:51:16 | 0:51:19 | |
all these indescribable emotions, I have never felt that before, | 0:51:19 | 0:51:22 | |
and I don't think I'll ever experience that again. | 0:51:22 | 0:51:24 | |
I'm not going to be a banker. | 0:51:25 | 0:51:27 | |
My mum's so proud. That's the biggest prize I've got out of this, | 0:51:27 | 0:51:30 | |
is my mum being happy with me, and... | 0:51:30 | 0:51:32 | |
I just feel like I've finally done something that I've wanted to do | 0:51:35 | 0:51:38 | |
to please her, do you know what I mean? | 0:51:38 | 0:51:41 | |
So it means the absolute world to me. | 0:51:41 | 0:51:43 | |
Oh, God! | 0:51:44 | 0:51:46 | |
When it was announced, I thought, yes, there's a passion about John | 0:51:46 | 0:51:50 | |
and there's no doubt he will... we'll be hearing more of him. | 0:51:50 | 0:51:53 | |
And I just wanted to... The first thing I did was | 0:51:53 | 0:51:57 | |
to stop at a shop and buy two big packets of crisps, | 0:51:57 | 0:52:00 | |
because I was sick of the sugar and the buttercreams | 0:52:00 | 0:52:04 | |
and I wanted something salty, and I ate the two of them, | 0:52:04 | 0:52:06 | |
which was absolute heaven, really. | 0:52:06 | 0:52:08 | |
When John appeared on the Bake Off, | 0:52:14 | 0:52:16 | |
he was studying for the finals of a law degree. | 0:52:16 | 0:52:18 | |
Despite gaining a first, he has left his books behind | 0:52:18 | 0:52:21 | |
to fulfil his dream of studying French patisserie. | 0:52:21 | 0:52:25 | |
Winning the Bake Off was the best thing, | 0:52:25 | 0:52:27 | |
not only because it was winning in itself, | 0:52:27 | 0:52:30 | |
but because it led to the Cordon Bleu, which is amazing. | 0:52:30 | 0:52:33 | |
Being here makes the Great British Bake Off feel like | 0:52:33 | 0:52:37 | |
a walk in the park. | 0:52:37 | 0:52:38 | |
OK, so in this technical, we're going to look at chocolate techniques. | 0:52:38 | 0:52:42 | |
It's not easy, | 0:52:43 | 0:52:44 | |
but it doesn't have the sort of sweetness that the Bake Off had. | 0:52:44 | 0:52:48 | |
I've not got Cathryn there with me. | 0:52:48 | 0:52:49 | |
If Cathryn was here, it'd be a lot easier. | 0:52:49 | 0:52:51 | |
Will that do? Is it level in your...? | 0:52:53 | 0:52:55 | |
No, actually, that's dropping. Will you level that out a bit? | 0:52:55 | 0:53:00 | |
All right. Bossy. | 0:53:02 | 0:53:04 | |
I've learnt so much already, | 0:53:04 | 0:53:06 | |
and I've only been here for a few months so far. | 0:53:06 | 0:53:09 | |
My swan's got a bit of a limp neck. | 0:53:09 | 0:53:12 | |
It's a very classical French institution, so you have to learn | 0:53:12 | 0:53:15 | |
the classic and hard way, but the things you learn, | 0:53:15 | 0:53:18 | |
you can really easily translate them into modern cuisine, which is great. | 0:53:18 | 0:53:23 | |
He has also presented live baking demonstrations | 0:53:23 | 0:53:27 | |
alongside Mary Berry herself... | 0:53:27 | 0:53:29 | |
..as well as working on his own baking recipe book. | 0:53:31 | 0:53:34 | |
To see my recipes being created, to such a high standard as well, | 0:53:34 | 0:53:38 | |
it's just overwhelming, it really is. | 0:53:38 | 0:53:41 | |
-Comme ca? -Comme ca. -Bon. -C'est absolument parfait. | 0:53:41 | 0:53:47 | |
It's like the fondant fancies all over again on Bake Off. | 0:53:47 | 0:53:50 | |
Almost finished me off, that. | 0:53:50 | 0:53:54 | |
I'd like to think Mary and Paul would be happy for me, | 0:53:54 | 0:53:57 | |
being here today, doing this photo shoot, | 0:53:57 | 0:53:59 | |
because that's the one thing you want out of baking, | 0:53:59 | 0:54:01 | |
to make people proud of you | 0:54:01 | 0:54:02 | |
through what you create, and also make people happy. | 0:54:02 | 0:54:05 | |
I'm still in touch with Paul, and he's been a great mentor, | 0:54:05 | 0:54:08 | |
he's been absolutely fantastic, and a really good guy. | 0:54:08 | 0:54:11 | |
So I've made a good friend in Paul Hollywood, | 0:54:11 | 0:54:13 | |
which I never thought I would. I was always scared of him, | 0:54:13 | 0:54:16 | |
but he's actually a lovely, lovely guy. | 0:54:16 | 0:54:18 | |
The blueberries look shiny, don't they? | 0:54:18 | 0:54:21 | |
The year since we were in Bake Off has been | 0:54:21 | 0:54:23 | |
the best year of my life so far, and I just hope it's not the best - | 0:54:23 | 0:54:26 | |
I hope it gets even better, touch wood. | 0:54:26 | 0:54:29 | |
But today, alongside Cathryn, James and Sarah-Jane, | 0:54:33 | 0:54:37 | |
John has returned to the Bake Off tent. | 0:54:37 | 0:54:40 | |
It's the most amazing thing, coming back. | 0:54:40 | 0:54:43 | |
When I was driving up the road, | 0:54:43 | 0:54:45 | |
honestly, truly, I had the same butterflies in my stomach | 0:54:45 | 0:54:50 | |
and the same sick feeling, and I just had to remind myself, | 0:54:50 | 0:54:52 | |
"No, you're not actually going to bake anything, | 0:54:52 | 0:54:54 | |
"you're just going for a nice chat." | 0:54:54 | 0:54:57 | |
It feels like I'm back in Bake Off land. | 0:54:57 | 0:55:00 | |
-Oh, my goodness! -It looks bigger. | 0:55:00 | 0:55:02 | |
It looks so much bigger, look at all the space! | 0:55:02 | 0:55:05 | |
-There aren't as many benches, look. -That's true. | 0:55:05 | 0:55:08 | |
It's still pastels, we're all right. James, fraisier. | 0:55:08 | 0:55:11 | |
-That was your one. -Look! Those pies! | 0:55:11 | 0:55:16 | |
I'd give anything to come back here and start again, would you? | 0:55:18 | 0:55:20 | |
-Me too. -I'm not sure I could take it. | 0:55:20 | 0:55:24 | |
It's amazing, being back, to be honest, it's really, really nice. | 0:55:24 | 0:55:28 | |
It's exactly the same time of year as when we were doing it, | 0:55:28 | 0:55:31 | |
so it seems very familiar. | 0:55:31 | 0:55:33 | |
Look at all this stuff! | 0:55:34 | 0:55:35 | |
Ooh, blowtorch, what have they been doing with that? | 0:55:35 | 0:55:38 | |
-It's exactly the same. -My baking beans! | 0:55:38 | 0:55:42 | |
- Shall we put the timer on? - Yes! | 0:55:42 | 0:55:44 | |
-Oh, my God, there's a recipe, I found a recipe! -Shut up. -Divulge. | 0:55:44 | 0:55:48 | |
Puff pastry selection. | 0:55:48 | 0:55:50 | |
Filming the Bake Off was a massive part of our life, | 0:55:50 | 0:55:53 | |
and it's like trying to rekindle a relationship that was fantastic | 0:55:53 | 0:55:57 | |
but can't exist any more. It's really sad to be back here. | 0:55:57 | 0:56:00 | |
It's a massive mix of emotions. | 0:56:00 | 0:56:03 | |
It was amazing, baking in there. I did cry a lot. | 0:56:03 | 0:56:06 | |
It was, you know... I can only remember the happy things about it. | 0:56:06 | 0:56:10 | |
For those who enter the tent, the experience is unique | 0:56:10 | 0:56:14 | |
and has a lasting impression. | 0:56:14 | 0:56:16 | |
There's something very special about baking in the Bake Off marquee. | 0:56:16 | 0:56:20 | |
That is, you know, every baker's dream, almost, isn't it, | 0:56:20 | 0:56:24 | |
to bake in the Bake Off marquee? | 0:56:24 | 0:56:26 | |
And I'm really lucky I got to do it, and I loved it. | 0:56:26 | 0:56:29 | |
I don't think anybody can go through the Bake Off process | 0:56:29 | 0:56:32 | |
and not describe it as life-changing. | 0:56:32 | 0:56:34 | |
Even me, who went first. | 0:56:34 | 0:56:36 | |
Psyching myself up. | 0:56:36 | 0:56:38 | |
The Bake Off is actually an experience beyond baking. | 0:56:38 | 0:56:41 | |
You discover more about yourself, your flaws and your strengths, | 0:56:41 | 0:56:45 | |
previously you weren't aware of. | 0:56:45 | 0:56:47 | |
Fingers crossed, everybody. | 0:56:47 | 0:56:49 | |
Being part of the Bake Off was probably the one biggest experience | 0:56:49 | 0:56:53 | |
of my life, you know? I'm really happy that I chose to do it | 0:56:53 | 0:56:57 | |
and picked up the courage. | 0:56:57 | 0:56:59 | |
Just go for it, what's the worst that can happen? | 0:56:59 | 0:57:01 | |
I think everything I've done so far in my life, | 0:57:02 | 0:57:05 | |
this has got to be one of the most unforgettable experiences. | 0:57:05 | 0:57:08 | |
It's a fantastic opportunity, I'll never, ever get to do that again. | 0:57:08 | 0:57:12 | |
Good luck to anyone who steps in that tent from now. | 0:57:12 | 0:57:15 | |
The Bake Off has kind of changed everything, | 0:57:15 | 0:57:18 | |
I'm so lucky to have been part of it. | 0:57:18 | 0:57:23 | |
It's the most... Other than having my children, by far the best thing | 0:57:23 | 0:57:28 | |
that's ever happened, I love it so much. | 0:57:28 | 0:57:30 | |
I wake up to the Bake Off theme tune, it's my alarm clock in the morning. | 0:57:30 | 0:57:36 | |
So, every day, I wake up... | 0:57:36 | 0:57:38 | |
# Da-da-da-da... # | 0:57:38 | 0:57:39 | |
..and I'm ready to go for the day. | 0:57:39 | 0:57:41 | |
It was just the most wonderful, surreal experience. | 0:57:42 | 0:57:47 | |
It's an amazing setting, an amazing place, with amazing people, | 0:57:47 | 0:57:51 | |
just an amazing experience. | 0:57:51 | 0:57:54 | |
Definitely do it again, but I don't think they'd have me back. | 0:57:54 | 0:57:57 | |
Where am I? Right... | 0:57:57 | 0:57:59 | |
Yes, I'd be very happy to do it again, | 0:57:59 | 0:58:02 | |
and this time, even better, as a consequence. | 0:58:02 | 0:58:06 | |
The Bake Off has been the best thing I've ever done, | 0:58:06 | 0:58:09 | |
and if you said to me now, | 0:58:09 | 0:58:11 | |
"Get back in that tent and start again," I'd do it. | 0:58:11 | 0:58:13 | |
Bake Off, it's made me more confident in my baking, | 0:58:13 | 0:58:16 | |
I can talk more about food and stuff, and it's made me | 0:58:16 | 0:58:19 | |
more obsessed with food. I didn't think it was possible, but it is. | 0:58:19 | 0:58:22 | |
But as a person, I go home every night | 0:58:22 | 0:58:24 | |
and I cook my partner's tea for him, | 0:58:24 | 0:58:25 | |
and it won't change who I am, I don't think. | 0:58:25 | 0:58:29 | |
I've not started walking down red carpets | 0:58:29 | 0:58:32 | |
and demanding candles and Chihuahuas just yet. | 0:58:32 | 0:58:35 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 |