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Welcome back to the Bake Off tent - | 0:00:02 | 0:00:03 | |
the bakers are past the halfway point. | 0:00:03 | 0:00:05 | |
They've had their orange segments | 0:00:05 | 0:00:06 | |
and a thorough sponge-down from Mary Berry. | 0:00:06 | 0:00:08 | |
-Was it a Genoise sponge? -I think we've extended this analogy too far. | 0:00:08 | 0:00:11 | |
BOTH: Welcome to the Great British Bake Off. | 0:00:11 | 0:00:13 | |
'Last time, the bakers took on pies and tarts.' | 0:00:13 | 0:00:17 | |
Are you a pie or a tart? | 0:00:17 | 0:00:18 | |
Oh, a tart. | 0:00:18 | 0:00:20 | |
Yeah, I'm a tart as well. | 0:00:20 | 0:00:21 | |
'Kate's pork pies won over the judges...' | 0:00:21 | 0:00:24 | |
It's a great-looking pie, that. | 0:00:24 | 0:00:25 | |
And the pastry, really lovely. | 0:00:25 | 0:00:27 | |
'..finally winning her Star Baker. | 0:00:27 | 0:00:29 | |
'For others, it wasn't such a good week...' | 0:00:29 | 0:00:32 | |
Come on, there is a plumbing issue here. | 0:00:32 | 0:00:34 | |
-What's in that egg white? -Lavender. | 0:00:34 | 0:00:36 | |
Lavender? | 0:00:36 | 0:00:38 | |
'..and it was Norman who left the Bake Off tent. | 0:00:38 | 0:00:41 | |
'So which of the remaining six...' | 0:00:42 | 0:00:44 | |
-Is it Alien Autopsy week? -It does feel a bit like that. | 0:00:44 | 0:00:47 | |
'..will get a rise out of yeast-leavened cakes...' | 0:00:47 | 0:00:50 | |
It's dipped slightly. | 0:00:50 | 0:00:52 | |
I think it's going to be sad. | 0:00:52 | 0:00:54 | |
'..make cakes fit for Swedish royalty...' | 0:00:54 | 0:00:57 | |
This is the classic Swedish princess cake. | 0:00:57 | 0:01:01 | |
'..and produce monumental Dobos tortes?' | 0:01:01 | 0:01:04 | |
It's what I call a Showstopper. | 0:01:04 | 0:01:06 | |
'And whose Bake Off will come to a sweet but sticky end?' | 0:01:06 | 0:01:11 | |
Done. | 0:01:11 | 0:01:12 | |
EUROPEAN DANCE MUSIC PLAYS | 0:01:33 | 0:01:35 | |
"SCANDINAVIAN" ACCENT: Welcome to the 2014 Euro Bake Off. | 0:01:35 | 0:01:40 | |
Amsterdam, can we have your points, please? | 0:01:40 | 0:01:43 | |
-"DUTCH" ACCENT: -Hello, Melly, this is the Amsterdam jury | 0:01:46 | 0:01:48 | |
and want to say thank you for having such a groovy show | 0:01:48 | 0:01:51 | |
and everybody in the Netherlands really enjoying themselves tonight. | 0:01:51 | 0:01:54 | |
So, the votes from the jury, | 0:01:54 | 0:01:56 | |
we have British bakers with the 12 points. | 0:01:56 | 0:02:00 | |
BOTH: This is European cake week. | 0:02:00 | 0:02:03 | |
I've had lots of European holidays | 0:02:05 | 0:02:07 | |
and I've probably eaten lots of cake. | 0:02:07 | 0:02:09 | |
But not thought about what they're called and how they're made. | 0:02:09 | 0:02:13 | |
There's definitely an element of winging it this week | 0:02:15 | 0:02:17 | |
because I haven't had a whole great amount of time to practise. | 0:02:17 | 0:02:21 | |
It's half term at the moment | 0:02:21 | 0:02:22 | |
but I've got two exams next week which are also suffering. | 0:02:22 | 0:02:25 | |
I'm looking forward to a good or average week now, I just don't | 0:02:25 | 0:02:29 | |
want to have another one where I get told off in the middle of the tent. | 0:02:29 | 0:02:33 | |
Bakers, good morning. Great to see you all here. | 0:02:41 | 0:02:44 | |
For your Signature Challenge this morning, | 0:02:44 | 0:02:46 | |
Mary and Paul would like you to bake, please, | 0:02:46 | 0:02:49 | |
a cake inspired by those great cakes of Europe. | 0:02:49 | 0:02:53 | |
Think Germany, France or possibly be a little bit more adventurous. | 0:02:53 | 0:02:58 | |
Romania, Estonia, Lithuania or the famous... | 0:02:58 | 0:03:01 | |
IMPERSONATES DUTCH | 0:03:01 | 0:03:03 | |
..cake from Holland. | 0:03:03 | 0:03:05 | |
Your cakes must be leavened with yeast. | 0:03:05 | 0:03:07 | |
None of this GB baking powder nonsense. | 0:03:07 | 0:03:09 | |
The choice of filling and decoration is entirely up to you. | 0:03:09 | 0:03:12 | |
I'm merely here to say you have three hours to complete your bake. | 0:03:12 | 0:03:16 | |
So as the Spanish, our beloved European brethren, would say... | 0:03:16 | 0:03:20 | |
-En sus marcas. -Listos. | 0:03:20 | 0:03:22 | |
Bake! | 0:03:22 | 0:03:23 | |
-PAUL: -Leavened cakes are the oldest cakes in the world! | 0:03:27 | 0:03:30 | |
Baking powder was only invented in the 1850s, | 0:03:30 | 0:03:33 | |
and so the only way to rise a cake before was with yeast. | 0:03:33 | 0:03:36 | |
So, these cakes have been around an awfully long time, | 0:03:36 | 0:03:39 | |
and they're all embedded right the way throughout Europe. | 0:03:39 | 0:03:42 | |
-MARY: -A leavened cake is made in a similar way | 0:03:42 | 0:03:45 | |
that you would make a loaf of bread | 0:03:45 | 0:03:47 | |
and it can't really be hurried too much. | 0:03:47 | 0:03:49 | |
Get it too hot and it will rise too quickly | 0:03:49 | 0:03:52 | |
and you won't get the right texture. | 0:03:52 | 0:03:54 | |
Too slow - they won't have had time. | 0:03:54 | 0:03:57 | |
It's all to do with timing. | 0:03:57 | 0:03:59 | |
Austrians have been baking the kugelhopf for years. | 0:04:01 | 0:04:04 | |
Luis has been practising his for the last week. | 0:04:04 | 0:04:07 | |
-Hello, Luis. -You all right? -Yes, I'm good. -Good, thank you. | 0:04:07 | 0:04:11 | |
So, what's this bake you're going to be doing for us today? | 0:04:11 | 0:04:14 | |
Apple and cinnamon kugelhopf with honeyed apples on top. | 0:04:14 | 0:04:19 | |
Luis will be topping his apple kugelhopf with roasted almonds | 0:04:19 | 0:04:23 | |
and spooning calvados syrup on top. | 0:04:23 | 0:04:25 | |
Are you going to be able to do it in the time? | 0:04:25 | 0:04:28 | |
Yeah, I should be able to because it's pretty much an all-in-one, | 0:04:28 | 0:04:32 | |
it proves for about an hour and 15 minutes or so, | 0:04:32 | 0:04:35 | |
and it bakes quite quick, it's only about 40 minutes. | 0:04:35 | 0:04:38 | |
-CHETNA: -I'm making a savarin. | 0:04:42 | 0:04:44 | |
It's mainly orange-flavoured. | 0:04:44 | 0:04:46 | |
Once it's done, then I'm going to give it a bath | 0:04:46 | 0:04:49 | |
in this lovely orange syrup. | 0:04:49 | 0:04:52 | |
Once she's soaked the savarin in syrup, | 0:04:52 | 0:04:55 | |
Chetna will be filling it with pistachio and cinnamon cream. | 0:04:55 | 0:04:58 | |
It needs that cream to cut through the orange | 0:04:58 | 0:05:01 | |
so it just gives a balance. | 0:05:01 | 0:05:02 | |
-Does the savarin end up looking like that then? -Yes. | 0:05:02 | 0:05:07 | |
It's a bit like a piles cushion, isn't it? | 0:05:07 | 0:05:09 | |
Let's just put that back there. | 0:05:11 | 0:05:14 | |
Everything that enriches and flavours a dough | 0:05:17 | 0:05:19 | |
has the potential to retard the yeast and inhibit the cake's rise... | 0:05:19 | 0:05:23 | |
There's so many other things here that could slow the yeast down, | 0:05:23 | 0:05:26 | |
you just need to get it going. | 0:05:26 | 0:05:28 | |
..something that Richard and Nancy are taking an extra step to avoid. | 0:05:28 | 0:05:31 | |
The first thing I've had to do is make what's called a sponge. | 0:05:31 | 0:05:35 | |
So, I've put the yeast, and some warm milk and the sugar | 0:05:35 | 0:05:39 | |
and half the flour, all the things the yeast likes. | 0:05:39 | 0:05:43 | |
So, I've put that to work for 20 minutes, | 0:05:43 | 0:05:45 | |
and then I'll know that the yeast is working. | 0:05:45 | 0:05:48 | |
That certainly looks like a sponge, doesn't it? | 0:05:48 | 0:05:50 | |
Richard's making a cake similar to Luis' Austrian kugelhopf, | 0:05:50 | 0:05:54 | |
but Richard's hails from Germany. | 0:05:54 | 0:05:56 | |
My brother-in-law is German and he often makes them, | 0:05:56 | 0:05:59 | |
so it's something I think I know what it's meant to taste like. | 0:05:59 | 0:06:02 | |
It's got cranberries, apricots, raisins, mixed peel, | 0:06:02 | 0:06:06 | |
rum and orange zest in it as well. | 0:06:06 | 0:06:08 | |
Once baked, Richard's guglhupf will be encrusted with flaked almonds. | 0:06:08 | 0:06:14 | |
-MARY: -Is it staying as it is or is it having a syrup? | 0:06:14 | 0:06:16 | |
How are you finishing it? | 0:06:16 | 0:06:17 | |
I'm going to wing it again this week. | 0:06:17 | 0:06:19 | |
You're going to wing it? | 0:06:19 | 0:06:21 | |
I'll either do a syrup or I'll icing-sugar it. | 0:06:21 | 0:06:23 | |
Dangerous thing, week six, winging it. | 0:06:23 | 0:06:25 | |
You've got to go with your heart, haven't you, really? | 0:06:25 | 0:06:28 | |
Is your heart there, Richard? | 0:06:28 | 0:06:29 | |
Slightly worried if your heart's there. | 0:06:29 | 0:06:31 | |
My heart is in my stomach a lot of the time while I'm here. | 0:06:31 | 0:06:34 | |
My sponge is sponged, you can just see it's got some holes in it, | 0:06:34 | 0:06:37 | |
so that's good. | 0:06:37 | 0:06:39 | |
Renegade baker Nancy's already opted out of Europe. | 0:06:41 | 0:06:44 | |
My European cake isn't 1% European. | 0:06:44 | 0:06:49 | |
Probably Caribbean. I suppose it's European in design. | 0:06:50 | 0:06:54 | |
Nancy's hybrid savarin will be | 0:06:54 | 0:06:56 | |
soaked in an orange and passion fruit syrup | 0:06:56 | 0:06:59 | |
and flavoured with banana. | 0:06:59 | 0:07:00 | |
Savarin's quite light. | 0:07:00 | 0:07:02 | |
You've added banana, which sits on the dough. | 0:07:02 | 0:07:04 | |
It's dangerous putting not only a banana in but a fresh banana. | 0:07:04 | 0:07:09 | |
Do you feel the danger of the banana? | 0:07:09 | 0:07:12 | |
I'm feeling it, yeah, but I didn't let it get me. | 0:07:12 | 0:07:15 | |
Nancy and Luis are hoping to get enough rise from one long prove. | 0:07:17 | 0:07:22 | |
It's just a patience game now really, just waiting for it. | 0:07:22 | 0:07:26 | |
'For everyone else...' | 0:07:27 | 0:07:29 | |
So sticky. Love it though. | 0:07:29 | 0:07:32 | |
'..timing the rise is twice as complicated.' | 0:07:32 | 0:07:35 | |
Why are you proving it twice then? | 0:07:35 | 0:07:37 | |
I've put it in the first time to rise it. | 0:07:37 | 0:07:41 | |
I've put the butter in and the chocolate chips in after. | 0:07:41 | 0:07:44 | |
Hang on, you're adding butter to the dough after? How much? | 0:07:44 | 0:07:47 | |
Four tablespoons? | 0:07:47 | 0:07:49 | |
Four tablespoons?! | 0:07:49 | 0:07:50 | |
The first couple of times I made it, it tasted like a bread, | 0:07:50 | 0:07:53 | |
so I added a bit more cake-y ingredients to make it more cake-y. | 0:07:53 | 0:07:57 | |
If it rises, Martha's cake will be decorated with melted white | 0:07:57 | 0:08:01 | |
and dark chocolate, with crushed almond brittle sprinkled on the top. | 0:08:01 | 0:08:05 | |
Tell us about what the dough is, then. | 0:08:05 | 0:08:07 | |
It's got cocoa powder and melted chocolate in the dough | 0:08:07 | 0:08:09 | |
-and a bit of almond essence. -OK. | 0:08:09 | 0:08:11 | |
When it's baked, I'm going to soak it in an almond liqueur. | 0:08:11 | 0:08:14 | |
-Good luck. -Thank you. | 0:08:14 | 0:08:16 | |
I don't know what a savarin is. | 0:08:19 | 0:08:21 | |
I don't know what it should... I've never tasted one... | 0:08:21 | 0:08:23 | |
I'm nervous because mine actually is inspired by a babka, | 0:08:23 | 0:08:26 | |
-which isn't even European! -What is it then? -Israeli. | 0:08:26 | 0:08:29 | |
But it's exactly the same as all the other yeast-leavened cakes. | 0:08:29 | 0:08:33 | |
Oh, come on, that is European. Almost, isn't it? | 0:08:33 | 0:08:36 | |
It's in the Eurovision Song Contest. | 0:08:36 | 0:08:38 | |
Yeah! Oh, that counts, that does count. | 0:08:38 | 0:08:40 | |
Kate's Israeli babka will be flavoured with dark chocolate, | 0:08:40 | 0:08:43 | |
sour cherries and pecans. | 0:08:43 | 0:08:46 | |
I spent some time in Israel as a teenager. | 0:08:46 | 0:08:49 | |
Had a wonderful time there | 0:08:49 | 0:08:50 | |
but didn't really like their cakes very much, | 0:08:50 | 0:08:53 | |
so I've had to really change the way I've thought about it and put | 0:08:53 | 0:08:57 | |
lots more flavour into it than perhaps they would traditionally. | 0:08:57 | 0:09:00 | |
Kate's non-traditional cake will be topped with melted white | 0:09:00 | 0:09:03 | |
and dark chocolate and chocolate-dipped cherries to decorate. | 0:09:03 | 0:09:07 | |
What I want to do is make sure that the filling is incorporated | 0:09:07 | 0:09:11 | |
all the way through. | 0:09:11 | 0:09:13 | |
Is it Alien Autopsy week? | 0:09:13 | 0:09:15 | |
-It does feel a bit like that. -Just checking. | 0:09:15 | 0:09:17 | |
I'm just adding the butter to my risen dough | 0:09:17 | 0:09:19 | |
and then chocolate chips as well. | 0:09:19 | 0:09:21 | |
I'm cutting it in two and then I'm just twisting them together. | 0:09:28 | 0:09:32 | |
It's such a soft dough, it's actually quite hard to do. | 0:09:32 | 0:09:36 | |
Plenty of egg-wash for sticking. | 0:09:36 | 0:09:39 | |
So, now, what I'm going to do is I'm going to cover it | 0:09:39 | 0:09:42 | |
for the second prove. | 0:09:42 | 0:09:43 | |
Back in the proving drawer. | 0:09:43 | 0:09:45 | |
Bakers, you have one hour left on your European cakes, | 0:09:45 | 0:09:48 | |
one hour left. | 0:09:48 | 0:09:49 | |
Thank you. | 0:09:49 | 0:09:50 | |
Ooh! | 0:09:50 | 0:09:52 | |
Deciding when to stop proving | 0:09:52 | 0:09:54 | |
and when to start baking is the key to this yeast-leavened challenge. | 0:09:54 | 0:09:58 | |
Let's have a look at her. | 0:09:58 | 0:09:59 | |
Oh, that's great! | 0:09:59 | 0:10:01 | |
Yeah, that's looking good. | 0:10:01 | 0:10:02 | |
Don't over-prove cos it'll sink again. | 0:10:02 | 0:10:05 | |
It goes up and down if you over-prove. | 0:10:05 | 0:10:08 | |
-KATE SIGHS -I hate this bit. | 0:10:08 | 0:10:10 | |
I think it's ready now | 0:10:10 | 0:10:12 | |
because there's enough space for it to grow a little bit in the oven | 0:10:12 | 0:10:15 | |
but it's come up enough that I know it's got the air bubbles inside it. | 0:10:15 | 0:10:19 | |
It's risen so I'm going to get it in the oven now and start it baking. | 0:10:19 | 0:10:22 | |
I hope it has risen enough. | 0:10:25 | 0:10:26 | |
Can't do anything about it now. | 0:10:26 | 0:10:28 | |
Trying to be as careful as possible | 0:10:28 | 0:10:30 | |
because I don't want to knock any air out. | 0:10:30 | 0:10:33 | |
No. | 0:10:39 | 0:10:41 | |
It's got a little bit further to go, it's about that far off the top. | 0:10:41 | 0:10:45 | |
I'm just preparing the syrup that I'm going to cook my apples in. | 0:10:45 | 0:10:48 | |
It's got cinnamon and honey and butter in. | 0:10:48 | 0:10:50 | |
You just drizzle it over the cake as well. | 0:10:50 | 0:10:53 | |
A classic yeast-leavened cake has the simple syrup added | 0:10:56 | 0:11:00 | |
after it's baked. | 0:11:00 | 0:11:02 | |
In here, there's orange and passion fruit juice, | 0:11:02 | 0:11:05 | |
some sugar and 100mls of rum. | 0:11:05 | 0:11:10 | |
But all six bakers are aiming to improve on hundreds of years | 0:11:10 | 0:11:14 | |
of European baking tradition. | 0:11:14 | 0:11:16 | |
I'm just preparing the cream to go in the centre of the cake. | 0:11:16 | 0:11:21 | |
This is just a bit of frippery. | 0:11:21 | 0:11:24 | |
This is the almond brittle, and I'm going to crumble it up | 0:11:24 | 0:11:27 | |
and then sprinkle it on the top. | 0:11:27 | 0:11:29 | |
Richard has gone with a traditional syrup glaze. | 0:11:29 | 0:11:31 | |
It's meant to taste orangey so that's a touch. | 0:11:31 | 0:11:34 | |
But also has a backup plan. | 0:11:34 | 0:11:36 | |
I'm making up some orange liqueur icing. | 0:11:36 | 0:11:38 | |
I know Paul told me that maybe winging it is a bad idea | 0:11:38 | 0:11:42 | |
but I've tried several decorating techniques on it, | 0:11:42 | 0:11:45 | |
and I'm not hugely happy with any of them, | 0:11:45 | 0:11:47 | |
so I'm just going to see where my heart takes me | 0:11:47 | 0:11:50 | |
when it comes out the oven. | 0:11:50 | 0:11:51 | |
-"DUTCH" ACCENT: -So, bakers, don't be alarmed. | 0:11:54 | 0:11:56 | |
Let's take it really mellow | 0:11:56 | 0:11:58 | |
but you've got half an hour for your kugelhopfs and your guglhopfs. | 0:11:58 | 0:12:01 | |
15 more minutes. | 0:12:05 | 0:12:06 | |
The cakes need to be baked long enough to complete the rise. | 0:12:06 | 0:12:09 | |
It will rise a little bit more but what also happens is the heat | 0:12:09 | 0:12:13 | |
kills the yeast so it actually will set like a loaf of bread. | 0:12:13 | 0:12:17 | |
But there needs to be enough time left for them | 0:12:17 | 0:12:19 | |
to cool down so that they can be decorated. | 0:12:19 | 0:12:21 | |
It's just hard not knowing what it should be like. | 0:12:21 | 0:12:24 | |
I feel like I feel like in technicals even though | 0:12:24 | 0:12:26 | |
this is a bake that I could have practised, | 0:12:26 | 0:12:28 | |
which isn't very good cos I could have practised it. | 0:12:28 | 0:12:30 | |
You can start smelling it now. | 0:12:30 | 0:12:32 | |
-Is that your one? -It's the cherries. | 0:12:32 | 0:12:35 | |
God, I need to check it. One sec. | 0:12:37 | 0:12:39 | |
Yeah, check the hopf, man. | 0:12:39 | 0:12:41 | |
-Ooh, he's risen. -He has. | 0:12:41 | 0:12:43 | |
I think that's ready to come out. | 0:12:43 | 0:12:46 | |
Who do you think's going to win this, Luis? | 0:12:46 | 0:12:48 | |
Can I just ask you boldly and baldly? | 0:12:48 | 0:12:50 | |
Can you tell yet, out of the six of you? | 0:12:50 | 0:12:52 | |
-Money's on Nancy. -Money's on Nancy? | 0:12:52 | 0:12:54 | |
Deffo. | 0:12:55 | 0:12:57 | |
It's dipped, slightly. | 0:12:57 | 0:12:59 | |
I think it's going to be sad. | 0:12:59 | 0:13:01 | |
The moment of truth. | 0:13:02 | 0:13:04 | |
Brilliant. | 0:13:05 | 0:13:06 | |
Looks how it should look. | 0:13:06 | 0:13:08 | |
It's a bit of a scary moment in a bake. | 0:13:10 | 0:13:12 | |
Love it, looks great, looks so tasty. | 0:13:15 | 0:13:18 | |
Let's hope it comes. | 0:13:18 | 0:13:20 | |
More rather than less is good, I think, for this one. | 0:13:20 | 0:13:24 | |
Hey! | 0:13:24 | 0:13:26 | |
Looks more like a Yorkshire pudding. | 0:13:26 | 0:13:28 | |
I'd probably do it a favour if I dropped it on the floor. | 0:13:28 | 0:13:31 | |
All we need now is for it not to come out the tin. | 0:13:33 | 0:13:36 | |
See, that actually looks all right. | 0:13:40 | 0:13:42 | |
"LITHUANIAN" ACCENT: Bakers for Euro challenge, | 0:13:42 | 0:13:46 | |
ten minutes left on clock. | 0:13:46 | 0:13:47 | |
NORMAL ACCENT: I apologise to all Lithuanians. | 0:13:47 | 0:13:50 | |
All of this needs to go into this. | 0:13:50 | 0:13:51 | |
I think the best way to soak it in the syrup really is to put it | 0:13:51 | 0:13:54 | |
back in there and then to put that back in, then I pour it over | 0:13:54 | 0:13:58 | |
the top as well and it should kind of meet in the middle somewhere. | 0:13:58 | 0:14:00 | |
I'm putting the fruit on next. | 0:14:00 | 0:14:02 | |
After having stuck my finger in all of my various different options, | 0:14:02 | 0:14:06 | |
this was the one that tasted the nicest, so on it went. | 0:14:06 | 0:14:08 | |
It's almost soaked up because now | 0:14:08 | 0:14:10 | |
when I put the syrup in, it's not going inside any more. | 0:14:10 | 0:14:14 | |
I'm just putting the honeyed apples on top. | 0:14:14 | 0:14:16 | |
The weight of the syrup is making it bend over in the middle. | 0:14:16 | 0:14:20 | |
How much longer have we got? | 0:14:20 | 0:14:21 | |
"SCANDINAVIAN" ACCENT: Bakers, one minute left on the clock. | 0:14:21 | 0:14:25 | |
I'm running out of chocolate. | 0:14:25 | 0:14:26 | |
There's been a slight European collapse on the west wing there. | 0:14:26 | 0:14:29 | |
Thanks. | 0:14:29 | 0:14:30 | |
I just need to drizzle some syrup on. | 0:14:30 | 0:14:32 | |
-"DUTCH" ACCENT: -Bakers, it is very, very important for you | 0:14:38 | 0:14:40 | |
to realise that the bake is now over. | 0:14:40 | 0:14:42 | |
Done. I love it! | 0:14:42 | 0:14:44 | |
LUIS CHUCKLES | 0:14:44 | 0:14:46 | |
I don't know what they'll make of mine, Chetna, I really don't. | 0:14:46 | 0:14:49 | |
The appearance is most attractive | 0:15:05 | 0:15:08 | |
and you've got a good height to it. | 0:15:08 | 0:15:10 | |
But it's all to do with the texture. | 0:15:10 | 0:15:12 | |
Let's start hassling the hopf. | 0:15:12 | 0:15:14 | |
Oh, sehr gut! | 0:15:14 | 0:15:16 | |
I think the texture's very good. | 0:15:16 | 0:15:18 | |
It's short, so when you chew it, there's no chew to it at all. | 0:15:18 | 0:15:22 | |
It breaks really quickly. | 0:15:22 | 0:15:23 | |
And I like very much the apple that you've put on the top | 0:15:23 | 0:15:26 | |
because it needs the moisture from the top. | 0:15:26 | 0:15:28 | |
Well done. | 0:15:28 | 0:15:30 | |
You've got good height there. | 0:15:36 | 0:15:38 | |
I like what you've done with the chocolate. | 0:15:38 | 0:15:40 | |
It'll be fascinating to see what the structure's like inside. | 0:15:40 | 0:15:43 | |
I love the flavour of that. | 0:15:43 | 0:15:45 | |
The cherries, the chocolate... goes well together. | 0:15:45 | 0:15:49 | |
Thank you, Mary. | 0:15:49 | 0:15:51 | |
He's something up his sleeve to say to you. | 0:15:51 | 0:15:53 | |
Your choice of flavours for the inside, I think, are wrong. | 0:15:53 | 0:15:57 | |
-Oh. -Because it's quite dry inside. | 0:15:57 | 0:15:59 | |
The fact that it was dry chocolate with dried cherries | 0:15:59 | 0:16:03 | |
-and dried pecans... -Well, it had a lot of butter in it. | 0:16:03 | 0:16:05 | |
It's not enough. | 0:16:05 | 0:16:07 | |
KATE SIGHS | 0:16:07 | 0:16:09 | |
It's a beautiful colour, that lovely rich golden colour. | 0:16:14 | 0:16:18 | |
-We've got a bit of a sort of waist to it. -Yes. | 0:16:18 | 0:16:21 | |
I think you've put too much liquid in there. | 0:16:21 | 0:16:23 | |
It shouldn't get like that. | 0:16:23 | 0:16:25 | |
It normally comes out and it stabilises and when it's stable, | 0:16:25 | 0:16:27 | |
then you add the syrup, and it soaks in and remains the same. | 0:16:27 | 0:16:30 | |
You've probably put it on when it's too warm. | 0:16:30 | 0:16:33 | |
Well, the orange is coming through. | 0:16:33 | 0:16:35 | |
It's short, it's moist. | 0:16:35 | 0:16:37 | |
The cream goes really well with it. | 0:16:37 | 0:16:39 | |
The flavour and the texture and the moisture is very, very good. | 0:16:39 | 0:16:42 | |
I think it's a great pity that the top has crystallised | 0:16:48 | 0:16:51 | |
because it doesn't look very inviting. | 0:16:51 | 0:16:54 | |
I feel it ought to have a beautiful shine all over it. | 0:16:54 | 0:16:56 | |
For me, the flavour is good, | 0:16:59 | 0:17:01 | |
but the texture, it looks as though it hasn't been mixed smoothly. | 0:17:01 | 0:17:05 | |
If you look down at the bottom, there's a little split. | 0:17:05 | 0:17:08 | |
That is an indication that the yeast hasn't reached its full potential | 0:17:08 | 0:17:11 | |
before you put it in the oven. | 0:17:11 | 0:17:12 | |
I like the look of it but it needed more of a rise | 0:17:12 | 0:17:15 | |
and that would have given you a lighter structure. It's too dense. | 0:17:15 | 0:17:18 | |
-Thank you, Richard. -Thank you. | 0:17:18 | 0:17:20 | |
I think the actual savarin itself is a beautiful colour. | 0:17:23 | 0:17:26 | |
I think the decoration doesn't add an awful lot to the savarin. | 0:17:26 | 0:17:30 | |
Bit '70s? | 0:17:30 | 0:17:32 | |
Ah. You've over-proved it. | 0:17:34 | 0:17:36 | |
-Have I? -Yep. | 0:17:36 | 0:17:38 | |
You can tell by the structure inside, it's so irregular and open. | 0:17:38 | 0:17:42 | |
And then you've got the crease. | 0:17:42 | 0:17:43 | |
-The flavour's fantastic by the way. -God, yeah. Amazing. | 0:17:43 | 0:17:45 | |
Well, that's something, anyway. | 0:17:45 | 0:17:47 | |
Not getting the banana, as I thought. | 0:17:47 | 0:17:48 | |
There's a little hint at the end. | 0:17:48 | 0:17:50 | |
-Tastes good, remember that. -That's fine! | 0:17:50 | 0:17:52 | |
Thank you. | 0:17:52 | 0:17:54 | |
It does look fantastic, sits well. | 0:18:01 | 0:18:03 | |
Can't see any cracks in there at all. | 0:18:03 | 0:18:05 | |
That looks, to me, a nice texture. | 0:18:05 | 0:18:08 | |
It's a good thing you've got the brittle on the top, | 0:18:08 | 0:18:11 | |
because the chocolate is fairly bitter, but adding the sweetness | 0:18:11 | 0:18:14 | |
of the icing, the white chocolate and the brittle gives it a lift. | 0:18:14 | 0:18:18 | |
The blend of the alcohol, which Mary would love, | 0:18:18 | 0:18:22 | |
with the chocolate, is beautiful. | 0:18:22 | 0:18:24 | |
-Well done, Martha. -Thanks. | 0:18:25 | 0:18:27 | |
Really well done. | 0:18:27 | 0:18:28 | |
I didn't know what it should taste like or what it should look like | 0:18:30 | 0:18:33 | |
or what the texture should be like but, apparently, | 0:18:33 | 0:18:35 | |
I nailed it, so that's really good. | 0:18:35 | 0:18:37 | |
Really relieved and quite happy that they enjoyed it. | 0:18:37 | 0:18:40 | |
It's still that eternity of waiting when they take a bite of it | 0:18:40 | 0:18:44 | |
and you're waiting for the verdict. | 0:18:44 | 0:18:46 | |
That seems to last for like half an hour | 0:18:46 | 0:18:48 | |
even through it's only seconds, you know. | 0:18:48 | 0:18:51 | |
I'm kind of happy when they give you constructive criticism | 0:18:51 | 0:18:54 | |
because it helps you as you go along, you know, | 0:18:54 | 0:18:56 | |
I'm not... I'm an amateur hobby baker. | 0:18:56 | 0:19:00 | |
I think my decoration was... I mean, even as I was doing it, | 0:19:00 | 0:19:02 | |
I thought this looks a bit naff, really. | 0:19:02 | 0:19:05 | |
You can't move forward while you're looking behind you | 0:19:05 | 0:19:07 | |
so that's what I'll do. | 0:19:07 | 0:19:08 | |
I wouldn't want to put myself at top, I wouldn't want to put | 0:19:08 | 0:19:11 | |
myself right at the very bottom, | 0:19:11 | 0:19:12 | |
but, yeah, I'd be happy with middling. | 0:19:12 | 0:19:14 | |
In Southern Jutland, the area where mainland Denmark meets Germany, | 0:19:21 | 0:19:25 | |
cakes were vital, | 0:19:25 | 0:19:27 | |
they helped preserve national identity in a time of war. | 0:19:27 | 0:19:30 | |
In 1864, Jutland was invaded and occupied by Germany. | 0:19:32 | 0:19:36 | |
In this area, you weren't allowed to speak Danish or be Danish. | 0:19:36 | 0:19:39 | |
So, what way did they find to express their national identity? | 0:19:39 | 0:19:43 | |
Formed unions and met in community houses. | 0:19:43 | 0:19:47 | |
Alcohol was banned so they needed something else to serve | 0:19:47 | 0:19:51 | |
while having these meetings, so that would be cakes. | 0:19:51 | 0:19:55 | |
The second drug of choice. | 0:19:55 | 0:19:56 | |
THEY CHUCKLE | 0:19:56 | 0:19:58 | |
It was all about who could bring the most delicious and creative | 0:19:58 | 0:20:01 | |
and beautiful-looking cakes. | 0:20:01 | 0:20:02 | |
So, deeply competitive, it was sort of Bake Off, wasn't it? | 0:20:02 | 0:20:05 | |
There was a Bake Off competition every week, | 0:20:05 | 0:20:08 | |
but with political songs. | 0:20:08 | 0:20:10 | |
These gatherings were called cake tables | 0:20:10 | 0:20:13 | |
and modern-day Danes continue this tradition. | 0:20:13 | 0:20:16 | |
What would the Danes call this spread? | 0:20:16 | 0:20:18 | |
Sonderjysk Kaffebord. | 0:20:18 | 0:20:20 | |
Eating cake from start to finish. | 0:20:20 | 0:20:22 | |
-For three to four hours? -Yeah. | 0:20:22 | 0:20:25 | |
There's a way of doing this. If you think of an athlete training, | 0:20:25 | 0:20:28 | |
this is what we're doing essentially. | 0:20:28 | 0:20:31 | |
You have to have the yeast part, the dry part, | 0:20:31 | 0:20:33 | |
the part with the cream and then you stop. | 0:20:33 | 0:20:36 | |
What would happen if I hadn't eaten all the cakes? | 0:20:36 | 0:20:39 | |
It wouldn't be an option. | 0:20:39 | 0:20:40 | |
It's the host making sure. Eat some more, come on, you can do it. | 0:20:40 | 0:20:43 | |
-You haven't tasted this one, have you? -Right. | 0:20:43 | 0:20:46 | |
Do you want some coffee? | 0:20:46 | 0:20:47 | |
Yeah, you drink about five to seven cups of coffee. | 0:20:47 | 0:20:50 | |
-So, essentially, by the end of this, you will require a paramedic. -Yeah. | 0:20:50 | 0:20:54 | |
And the sugar is like whoo, whoo, whoo. | 0:20:59 | 0:21:01 | |
Yeah, never felt so alive. Let's have another coffee to celebrate. | 0:21:01 | 0:21:05 | |
That is utterly superb. | 0:21:05 | 0:21:07 | |
What are these ones here? | 0:21:07 | 0:21:08 | |
-Knippkea. -Knippkea, what does that mean? | 0:21:08 | 0:21:11 | |
That they have a snap. | 0:21:11 | 0:21:13 | |
Oh, that's really good. Sort of chewy. | 0:21:13 | 0:21:16 | |
I've never been drunk on cake before. | 0:21:18 | 0:21:21 | |
There were times when I didn't think I could do it | 0:21:21 | 0:21:24 | |
but you were always there by my side, so thank you. | 0:21:24 | 0:21:28 | |
Oh, you're so welcome. | 0:21:28 | 0:21:30 | |
-All the best, guys. -And to you, Chetna, all the best. | 0:21:34 | 0:21:36 | |
Good luck. | 0:21:36 | 0:21:38 | |
The bakers are about to face a technical challenge | 0:21:38 | 0:21:41 | |
that explores a part of Europe rarely visited in the Bake Off. | 0:21:41 | 0:21:45 | |
I feel sick. | 0:21:45 | 0:21:47 | |
Good afternoon, bakers, and welcome to your technical challenge. | 0:21:50 | 0:21:53 | |
Now, Mary, this is one of your recipes, | 0:21:53 | 0:21:55 | |
so have you got any little pearls of wisdom? | 0:21:55 | 0:21:58 | |
I suggest that you read the recipe at least twice before you start, | 0:21:58 | 0:22:02 | |
so you know exactly what you're up to. | 0:22:02 | 0:22:05 | |
-Good advice, Bez. -Now leave. -Off you go. -Right, off we go. | 0:22:05 | 0:22:09 | |
There they go. | 0:22:09 | 0:22:11 | |
Now, Scandinavia is very popular at the moment - | 0:22:11 | 0:22:14 | |
-with ABBA and The Killing. -ABBA was in the 1970s. -It was, yeah. | 0:22:14 | 0:22:18 | |
So, Mary and Paul would like you, please, to make | 0:22:18 | 0:22:22 | |
a Swedish traditional cake called Princess Torte, | 0:22:22 | 0:22:26 | |
which means "Princess Cake." | 0:22:26 | 0:22:28 | |
It's three layers of sponge, it's filled with creme pat and jam. | 0:22:28 | 0:22:32 | |
It's got a dome of whipped cream on top. On top of that it's got some | 0:22:32 | 0:22:36 | |
green marzipan, and don't forget, a little rose plonked on the top. | 0:22:36 | 0:22:41 | |
I do believe we have two and a quarter hours for you | 0:22:41 | 0:22:44 | |
to assemble this Princess Torte. | 0:22:44 | 0:22:47 | |
-On your marks... -Get set... -And ba-a-a-ake! | 0:22:47 | 0:22:50 | |
My heart is beating. | 0:22:55 | 0:22:57 | |
Mary's recipe requires 26 separate ingredients... | 0:22:57 | 0:23:01 | |
I've never done a Scandinavian recipe in my life. | 0:23:01 | 0:23:05 | |
..and has 14 stages, making it one of the Bake Off's | 0:23:05 | 0:23:08 | |
most complicated technical challenges yet. | 0:23:08 | 0:23:11 | |
I've never heard of it. I've never seen it. Never eaten it. | 0:23:11 | 0:23:14 | |
Not a clue. Not a Scooby-Doo. | 0:23:14 | 0:23:17 | |
Mary, why did you choose this Princess Cake? | 0:23:21 | 0:23:24 | |
It's a delicious cake. | 0:23:24 | 0:23:26 | |
In Sweden they have it for all sorts of celebrations. | 0:23:26 | 0:23:31 | |
As you cut through, you will see first of all the bottom layer | 0:23:31 | 0:23:35 | |
will be Genoise - a tricky sponge to make. | 0:23:35 | 0:23:38 | |
On top of that will be jam with a ridge of piped creme patissiere | 0:23:38 | 0:23:42 | |
round the outside, then a layer of sponge. | 0:23:42 | 0:23:45 | |
On top of that, a mixture of creme patissiere and cream, | 0:23:45 | 0:23:49 | |
then a layer of sponge, and a dome of cream on the top. | 0:23:49 | 0:23:53 | |
Lastly, that blanket of green marzipan. | 0:23:53 | 0:23:57 | |
I think you're cruel, Mary, I really do. | 0:23:57 | 0:23:59 | |
This is a particularly difficult challenge. | 0:23:59 | 0:24:02 | |
HE LAUGHS | 0:24:02 | 0:24:04 | |
That's everything I like in a cake, that. | 0:24:04 | 0:24:06 | |
Don't count the calories. But, oh, so good! | 0:24:06 | 0:24:09 | |
SHE EXHALES | 0:24:12 | 0:24:14 | |
That is quite something. | 0:24:14 | 0:24:15 | |
If it's what I'm thinking of, there was a baker's in Stockport | 0:24:15 | 0:24:19 | |
that used to sell them when I was a child, | 0:24:19 | 0:24:21 | |
and I remember my mum buying them, which is really weird. | 0:24:21 | 0:24:23 | |
And a line on the recipe sheet simply says... | 0:24:23 | 0:24:26 | |
"Make a creme patisserie and chill." | 0:24:26 | 0:24:29 | |
They're relying on your knowledge. | 0:24:31 | 0:24:33 | |
The recipe's so vague. | 0:24:33 | 0:24:35 | |
Get that milk up, add it to the yolk, then add the flour | 0:24:35 | 0:24:39 | |
and then put it back on the heat to cook the flour out. | 0:24:39 | 0:24:42 | |
That's what I'm thinking. | 0:24:42 | 0:24:45 | |
And then the whole lot goes back into the pan. | 0:24:53 | 0:24:55 | |
You can make it too thick and it will taste horrible and curdled, | 0:24:55 | 0:24:58 | |
but you can get it too thin and it won't hold any shape | 0:24:58 | 0:25:01 | |
and it won't hold in the middle of the cake. | 0:25:01 | 0:25:03 | |
I think I'm almost there, actually. | 0:25:03 | 0:25:04 | |
I think I'm going to have to try and do two things at once | 0:25:04 | 0:25:07 | |
because there's hardly any time for this bake, | 0:25:07 | 0:25:09 | |
so I'm going to make the jam as well. | 0:25:09 | 0:25:12 | |
I'm used to having two pans bubbling. I make tonnes of jam. | 0:25:12 | 0:25:15 | |
This is a whisked sponge, which I do quite a lot, | 0:25:17 | 0:25:20 | |
so I'm hoping that it should go OK. | 0:25:20 | 0:25:23 | |
Basically trying to make it as light and airy as I possibly can. | 0:25:23 | 0:25:27 | |
You're looking for, when you pull the whisk out, | 0:25:27 | 0:25:29 | |
to leave a trail that lasts for about three seconds. | 0:25:29 | 0:25:31 | |
Which means that it's got enough air in it to inflate a sponge. | 0:25:31 | 0:25:34 | |
It's just under that now so I'm just going to leave it going | 0:25:34 | 0:25:37 | |
-for a couple more minutes. -That's nearly there... | 0:25:37 | 0:25:40 | |
I would say that's about right. | 0:25:40 | 0:25:43 | |
Yep, it's about three seconds, so now I'm going to sieve over the flour. | 0:25:43 | 0:25:47 | |
The recipe says cornflour, plain flour and baking powder, | 0:25:47 | 0:25:51 | |
so I'm just giving them a sort of a mix. | 0:25:51 | 0:25:54 | |
You have to fold it, which is bit by bit circular, | 0:25:54 | 0:25:57 | |
just so you don't knock the air out. | 0:25:57 | 0:25:59 | |
That's what Mary does, so it must be right. | 0:25:59 | 0:26:02 | |
Everyone's just moving so fast. | 0:26:07 | 0:26:10 | |
It doesn't say to bake it for any amount of time at all, | 0:26:10 | 0:26:13 | |
so it's all guesswork. | 0:26:13 | 0:26:14 | |
Right. "Create a rose with individual petals." | 0:26:17 | 0:26:20 | |
I think what you have to do is roll out little pieces | 0:26:20 | 0:26:23 | |
and then flatten them and stick it together. | 0:26:23 | 0:26:28 | |
Ooh, nice. | 0:26:28 | 0:26:29 | |
Oh, no. No, no, it's definitely not done yet. | 0:26:35 | 0:26:38 | |
It's still a bit wobbly, so I'm just going to give it a few more minutes. | 0:26:38 | 0:26:41 | |
My sponge isn't rising and I don't understand that, | 0:26:41 | 0:26:44 | |
and I think I'd like to make another one. | 0:26:44 | 0:26:47 | |
OK, bakers, one hour to present your princess cake, one hour! | 0:26:48 | 0:26:51 | |
Let's go! | 0:26:51 | 0:26:52 | |
For the marzipan, it's 400g of ground almonds, 150g of caster sugar, | 0:26:52 | 0:26:56 | |
250 grams of icing sugar, which are all in the bowl. | 0:26:56 | 0:26:58 | |
I'm just kneading it together, getting everything combined. | 0:26:58 | 0:27:02 | |
I don't normally make marzipan. I usually buy it. | 0:27:02 | 0:27:05 | |
I can do this. | 0:27:05 | 0:27:07 | |
Oh, good(!) | 0:27:07 | 0:27:09 | |
I made my grandson a football cake. | 0:27:09 | 0:27:11 | |
I had to get it a really sort of grass green colour, which I didn't | 0:27:11 | 0:27:14 | |
think looked very appetising, but he thought it was great! | 0:27:14 | 0:27:17 | |
I've made a rainbow cake for my daughter that did have green in it. | 0:27:17 | 0:27:20 | |
I was looking for lighter green | 0:27:20 | 0:27:22 | |
but it doesn't look like I'll be getting that! | 0:27:22 | 0:27:25 | |
If I put more colour in now it might end up being too much. | 0:27:26 | 0:27:30 | |
Here's hoping! | 0:27:34 | 0:27:35 | |
That looks pretty done. Yep, cake's coming out. | 0:27:48 | 0:27:51 | |
How are you? | 0:27:56 | 0:27:57 | |
I've got to be able to cut that into three slices. | 0:27:57 | 0:28:00 | |
-How's your sponge coming up? -Yeah, it's better. -That's better! | 0:28:00 | 0:28:04 | |
-Not risen that much. -So, listen, read out... | 0:28:04 | 0:28:07 | |
"Cut the sponge into three layers." I am aware of that. | 0:28:07 | 0:28:10 | |
-Right. We're going to need an electron microscope! -Yeah. | 0:28:10 | 0:28:13 | |
So, are you going to do it again? You've got time. I say go for it, | 0:28:13 | 0:28:16 | |
-just in case, while you've got everything else chilling. -Right. | 0:28:16 | 0:28:20 | |
Five centimetres divided by three is... | 0:28:20 | 0:28:23 | |
..about one and a bit. | 0:28:25 | 0:28:28 | |
The best way of doing this is much colder than I'm currently doing it. | 0:28:29 | 0:28:33 | |
I suspect once again I'm going to be up against time. | 0:28:33 | 0:28:37 | |
-Now, that looks a little more buoyant and princess-y. -Doesn't it? | 0:28:38 | 0:28:44 | |
Normally I would never attempt to cut a sponge | 0:28:49 | 0:28:52 | |
until it was completely cool. | 0:28:52 | 0:28:55 | |
Bakers, you've got half an hour | 0:29:01 | 0:29:03 | |
to get your princesses to the marzipan ball. | 0:29:03 | 0:29:06 | |
I won't have time to finish it, to be honest. | 0:29:06 | 0:29:09 | |
"Spread a thin layer of creme pat..." | 0:29:09 | 0:29:11 | |
"Over the base of the first sponge." | 0:29:11 | 0:29:13 | |
It's got to be cool, because if not it will just melt. | 0:29:13 | 0:29:16 | |
It's just not going to happen, is it? | 0:29:16 | 0:29:19 | |
-Apparently you pipe a border round it. -The border looks good! | 0:29:19 | 0:29:22 | |
It feels fairly stiff. | 0:29:22 | 0:29:25 | |
Looks like a circular border. | 0:29:25 | 0:29:27 | |
"Spread the jam evenly within the border." | 0:29:27 | 0:29:30 | |
-Any enjoyment in this? -No, not really. -OK. | 0:29:30 | 0:29:33 | |
I'm quite far behind. But I'm catching up fast. | 0:29:33 | 0:29:36 | |
"Fold half of this into that." | 0:29:36 | 0:29:39 | |
Certainly haven't got time to measure, that'll do. | 0:29:39 | 0:29:42 | |
-That's got a really good consistency. -It needs to be thick, doesn't it? | 0:29:42 | 0:29:45 | |
"Spread a third of this mixture over the jam." | 0:29:45 | 0:29:48 | |
This is such a complicated recipe! Eurgh! | 0:29:48 | 0:29:51 | |
Yep, speed is of the essence, my love, you're doing well. | 0:29:51 | 0:29:54 | |
Some people are getting quite stressed. Are you quite stressed? | 0:29:54 | 0:29:57 | |
-I was at the beginning. -Were you? Why? -Yeah, really. | 0:29:57 | 0:30:00 | |
I didn't know if I was Arthur or Martha first thing. | 0:30:00 | 0:30:03 | |
"Place the second sponge on top." | 0:30:03 | 0:30:05 | |
"Spreading out the cream and creme pat mixture." | 0:30:05 | 0:30:08 | |
Oh, no! It's just slipping off! | 0:30:08 | 0:30:11 | |
It says "put the third sponge on top, cover the sides with cream." | 0:30:11 | 0:30:15 | |
"And smooth into a dome top." | 0:30:15 | 0:30:18 | |
Nice princess-y curve there. | 0:30:18 | 0:30:20 | |
-What did the male judge say? -Did you just say the male judge? -Yes. | 0:30:20 | 0:30:23 | |
You're not even calling him Paul now? | 0:30:23 | 0:30:26 | |
You know when the male judge said - I'd forgotten it! | 0:30:26 | 0:30:29 | |
I'm going to put that in the freezer right now. | 0:30:29 | 0:30:32 | |
I'm going to use half this cake and half the cake in the oven. | 0:30:34 | 0:30:37 | |
I'm going to make a dome and freeze the top layer. | 0:30:37 | 0:30:41 | |
-Ooh, it's slipping! -In it goes. -Wow, it's really slippy. -Yeah. | 0:30:41 | 0:30:45 | |
I won't have time to freeze that, for sure. | 0:30:48 | 0:30:51 | |
Ten minutes until your Swedish bakes face their Waterloo. Ten minutes. | 0:30:52 | 0:30:57 | |
Am I showing a bit? | 0:30:57 | 0:30:58 | |
-This is hilarious. -I know, it's ridiculous. | 0:30:59 | 0:31:02 | |
Thin layer of jam. | 0:31:11 | 0:31:13 | |
I think if I try and cover it all in one go it will just squidge, | 0:31:13 | 0:31:17 | |
so I'm going to wrap this round the side. | 0:31:17 | 0:31:21 | |
I wish I'd put it on this thing to begin with. | 0:31:21 | 0:31:23 | |
This is a shame. | 0:31:38 | 0:31:40 | |
Couldn't think of another way of doing it. | 0:31:40 | 0:31:42 | |
One minute! Until the winner takes it all. | 0:31:47 | 0:31:50 | |
Where's my chocolate? Where's my chocolate? | 0:31:50 | 0:31:53 | |
Hideous. | 0:31:57 | 0:31:59 | |
Bakers, that's it, stop nozzling the princesses. | 0:31:59 | 0:32:02 | |
Bring your bakes up, | 0:32:02 | 0:32:04 | |
pop them behind the photos of yourself on the gingham altar. | 0:32:04 | 0:32:07 | |
-Marvellous. -What a lovely bunch of princesses. -Beautiful. | 0:32:07 | 0:32:10 | |
And the cakes aren't bad, either. | 0:32:10 | 0:32:12 | |
Paul, Mary, a whole shed-load of princesses await. | 0:32:22 | 0:32:25 | |
We really were looking for a domed top and then clear layers | 0:32:28 | 0:32:33 | |
and a good chocolate decoration, | 0:32:33 | 0:32:36 | |
with good piping and a flower on top. | 0:32:36 | 0:32:39 | |
It's a good rose. It's a bit wavy, the chocolate decoration, | 0:32:41 | 0:32:44 | |
a bit over-chocolated. It's not a very even top, | 0:32:44 | 0:32:47 | |
and we've still got some dusting of icing sugar on the top. | 0:32:47 | 0:32:50 | |
-And the creaming looks terrible. -Let's have a look inside. | 0:32:50 | 0:32:53 | |
There's a little bit of collapse there. I think. | 0:32:53 | 0:32:56 | |
You can't see distinctive layers there. | 0:32:56 | 0:32:59 | |
Sponge looks good, creme pat's holding. | 0:32:59 | 0:33:02 | |
Mm-hm. Nice jam. | 0:33:02 | 0:33:04 | |
The thickness of those layers are really very thick, aren't they? | 0:33:04 | 0:33:07 | |
Bit neater, isn't it? The dome's sort of there. | 0:33:10 | 0:33:13 | |
It's certainly got the layers there. | 0:33:17 | 0:33:21 | |
The flavour's good, the jam's good. | 0:33:21 | 0:33:23 | |
This one's more square, isn't it? | 0:33:23 | 0:33:25 | |
The marzipan has been put over not a very smooth top. | 0:33:25 | 0:33:29 | |
-The lid actually comes away from the base, look. -Ah, you've spied. | 0:33:29 | 0:33:33 | |
Please come on, please. | 0:33:33 | 0:33:36 | |
-Interesting. -And it is collapsing. | 0:33:36 | 0:33:39 | |
And the creme pat's not set. | 0:33:39 | 0:33:40 | |
-And once you cut the cake it is not holding up. -Yeah. | 0:33:40 | 0:33:43 | |
-This is more elegant. -It's a pretty decoration. | 0:33:43 | 0:33:46 | |
We've got a few folds in the sides of the marzipan. | 0:33:46 | 0:33:50 | |
-Well, that's quite neat. -Generous with the jam at the bottom. | 0:33:52 | 0:33:55 | |
-It's stable, it's holding. -Good layers, too. | 0:33:55 | 0:33:59 | |
Not much cream in there, though, is there? | 0:33:59 | 0:34:02 | |
This is a lovely colour, this one. | 0:34:02 | 0:34:03 | |
Not such good piping of the cream at the bottom. | 0:34:03 | 0:34:07 | |
Good rose on the top. | 0:34:07 | 0:34:09 | |
-Nice layers here. -Good amount of cream on the top. | 0:34:09 | 0:34:13 | |
Really, they can't go wrong with the flavours. | 0:34:13 | 0:34:16 | |
This one is so simple and so perfect, | 0:34:16 | 0:34:19 | |
the chocolate decoration on the top, and a lovely dome. | 0:34:19 | 0:34:23 | |
This is the classic Swedish Princess cake when it has that dome on top. | 0:34:23 | 0:34:28 | |
I'd like it a little bit greener. | 0:34:28 | 0:34:31 | |
Good layers of sponge, that is beautifully done. | 0:34:31 | 0:34:35 | |
Very elegant looking, I think. Nice and neat - I like that. | 0:34:35 | 0:34:39 | |
Beautiful. | 0:34:39 | 0:34:40 | |
But which Swedish Princess was technically perfect? | 0:34:41 | 0:34:46 | |
In sixth place is this one. | 0:34:46 | 0:34:48 | |
Kate, right. You know why. | 0:34:49 | 0:34:52 | |
And in fifth place...a little bit higgledy-piggledy all the way round. | 0:34:52 | 0:34:56 | |
In fourth place is this one. Martha, it's not bad at all. | 0:34:56 | 0:34:59 | |
But the whole decoration thing didn't work. | 0:34:59 | 0:35:02 | |
In third place, we loved your chocolate decoration and the flower. | 0:35:02 | 0:35:06 | |
Second place is this one. Well done, Chetna. | 0:35:06 | 0:35:09 | |
And who have we here? | 0:35:09 | 0:35:11 | |
-Congratulations! -Thank you. | 0:35:11 | 0:35:14 | |
APPLAUSE | 0:35:14 | 0:35:15 | |
Lovely dome, simple decoration, beautiful flower, a lovely cake. | 0:35:15 | 0:35:21 | |
Well done, everybody. | 0:35:21 | 0:35:22 | |
It's all about tricks of the trade | 0:35:22 | 0:35:24 | |
and if you've got them it's not too bad. | 0:35:24 | 0:35:27 | |
It's when you haven't got them. I didn't have them this morning! | 0:35:27 | 0:35:30 | |
They loved it! That is unreal. | 0:35:30 | 0:35:33 | |
Another half an hour would have been brilliant for me. | 0:35:33 | 0:35:37 | |
Hm... | 0:35:37 | 0:35:39 | |
So, once again the question of Europe has divided the pack, | 0:35:49 | 0:35:51 | |
it seems. Mary, who do you think's done well? | 0:35:51 | 0:35:54 | |
I think safe are Chetna and Luis. | 0:35:54 | 0:35:57 | |
I think what we've got is a natural split between three sets of two. | 0:35:57 | 0:36:01 | |
We have Nancy and Martha who, having an exceptional day today, | 0:36:01 | 0:36:04 | |
could be pushed right up to the top. | 0:36:04 | 0:36:06 | |
And then on the other side of the fence we have Kate, | 0:36:06 | 0:36:10 | |
who was Star Baker last week, and Richard down at the slippery end. | 0:36:10 | 0:36:15 | |
Do you think there's a curse of Star Baker? It seems that the Star Baker, | 0:36:15 | 0:36:19 | |
the following week, really suffers. | 0:36:19 | 0:36:21 | |
It happened to Richard, and it's happened to Kate. | 0:36:21 | 0:36:24 | |
Do you think it's because the tent | 0:36:24 | 0:36:26 | |
-is built on an ancient Indian burial site? -Could be. -Mm. | 0:36:26 | 0:36:30 | |
Morning, bakers and welcome to Showstopper day. | 0:36:36 | 0:36:40 | |
Now, I have to say, today is pretty epic. | 0:36:40 | 0:36:44 | |
Mary and Paul would like you, please, to create a contemporary version | 0:36:44 | 0:36:49 | |
of the Hungarian Dobos torte, | 0:36:49 | 0:36:51 | |
which is traditionally a multi-layered sponge cake | 0:36:51 | 0:36:56 | |
topped with caramel slices. | 0:36:56 | 0:36:58 | |
We'd like you to make a cake of at least two tiers | 0:36:58 | 0:37:01 | |
with the emphasis on sugar work and all things caramel. | 0:37:01 | 0:37:06 | |
You can have spun sugar, pralines, | 0:37:06 | 0:37:08 | |
caramel-flavoured Italian meringue buttercreams, | 0:37:08 | 0:37:11 | |
caramel sculptures, butter caramel, bitter caramel, | 0:37:11 | 0:37:14 | |
caramel sauces, butter-bitter caramel sauces, towers of praline, | 0:37:14 | 0:37:17 | |
a praline stack, a praline villa, a huge massive tower of sugar. | 0:37:17 | 0:37:20 | |
-Are you all right? -I'm not all right, could you take me to the sunroom? | 0:37:20 | 0:37:23 | |
-You've got five hours. -On your marks... -Get set... -Bake! | 0:37:23 | 0:37:27 | |
The Hungarian Dobos torte is traditionally constructed | 0:37:29 | 0:37:32 | |
from thin layers of sponge topped with caramel decoration. | 0:37:32 | 0:37:36 | |
Mary and Paul want the bakers to pull out all the stops | 0:37:37 | 0:37:40 | |
with their sugar work. | 0:37:40 | 0:37:42 | |
Traditionally, on the top of the torte, | 0:37:42 | 0:37:44 | |
they normally have triangles of caramel, | 0:37:44 | 0:37:46 | |
but to be honest they can do anything they want with the caramel. | 0:37:46 | 0:37:49 | |
They've got five hours to complete this challenge. | 0:37:49 | 0:37:51 | |
I expect some serious caramel work. | 0:37:51 | 0:37:53 | |
It's got to have that look about it that my eyes won't leave it. | 0:37:53 | 0:37:58 | |
It's got to be stunning. | 0:37:58 | 0:38:00 | |
I am making a two-tiered Dobos torte, | 0:38:00 | 0:38:04 | |
in the shape of a local monument from home | 0:38:04 | 0:38:06 | |
that you can see from where we live, | 0:38:06 | 0:38:08 | |
and it's my wife's favourite place to visit. It's like a tower | 0:38:08 | 0:38:11 | |
and it's on a hill, so I've called it The Cage On The Rocky Hill. | 0:38:11 | 0:38:14 | |
Luis' torte will be filled with hazelnut, vanilla, | 0:38:14 | 0:38:17 | |
salted caramel and coffee buttercream. | 0:38:17 | 0:38:19 | |
But it's his sugar work that he hopes will be "monumental." | 0:38:19 | 0:38:22 | |
It's going to sound a bit bonkers actually, the caramel is stuck | 0:38:22 | 0:38:25 | |
on the outside of the cube to give you the tower effect. | 0:38:25 | 0:38:28 | |
I'm going to do that shape in sugar work on all four sides, | 0:38:28 | 0:38:31 | |
and then there's a flag on the top, which means it's always open | 0:38:31 | 0:38:34 | |
-when the flag's up. -I think it might need planning permission. | 0:38:34 | 0:38:37 | |
I hope you have your papers in order. | 0:38:37 | 0:38:40 | |
I'm doing a two-tiered Dobos torte with ten layers in each. | 0:38:40 | 0:38:44 | |
The bottom tier will be like a thick raspberry puree | 0:38:44 | 0:38:49 | |
and a chocolate cream caramel covering. | 0:38:49 | 0:38:53 | |
The top layer will be a peach and white chocolate one as well. | 0:38:53 | 0:38:57 | |
Richard's two-tiered cake will be topped with white | 0:38:57 | 0:39:00 | |
and dark chocolate buttercream and ambitious sugar work. | 0:39:00 | 0:39:04 | |
I'm going to make myself a sugar bird in a spun sugar nest | 0:39:06 | 0:39:10 | |
with some trees. So, yeah, I've got lots of sugar to play with as well. | 0:39:10 | 0:39:14 | |
-So, you're baking these off individually, your sponges? -Yeah. | 0:39:14 | 0:39:17 | |
-OK. -I just think I can get them thinner. | 0:39:17 | 0:39:19 | |
You seem to be organised, and you've done it completely at home? | 0:39:19 | 0:39:22 | |
I've done it completely at home and within the time, so... | 0:39:22 | 0:39:26 | |
I'm not going to say confident, I would say cautiously optimistic! | 0:39:26 | 0:39:30 | |
I am making a two-slash-three-tiered chess-inspired Dobos torte. | 0:39:32 | 0:39:38 | |
I'm hoping to cut out the middle of my second tier | 0:39:38 | 0:39:41 | |
and put, like, a chess board design inside, like a hidden design. | 0:39:41 | 0:39:45 | |
And then if the sponge that I cut out of the middle comes out | 0:39:45 | 0:39:49 | |
in one piece, I'll just put that on the top as the third tier. | 0:39:49 | 0:39:51 | |
Martha's Dobos torte will be covered with chocolate ganache, | 0:39:51 | 0:39:54 | |
with chocolate and caramel chess pieces topping the cake. | 0:39:54 | 0:39:57 | |
Your flavours in-between the layers of sponge are going to be what? | 0:39:57 | 0:40:01 | |
I'm making a salted caramel Swiss meringue buttercream. | 0:40:01 | 0:40:05 | |
-It's a bit of a mouthful. -You had me at salted caramel. | 0:40:05 | 0:40:08 | |
Martha, Richard, Kate and Luis are making their European Dobos tortes | 0:40:08 | 0:40:12 | |
from individual layers of a whisked fatless sponge. | 0:40:12 | 0:40:17 | |
So you have to get a bit of a production line going of a layer in, | 0:40:17 | 0:40:20 | |
a batch out, cut them, get the next ones in. | 0:40:20 | 0:40:24 | |
But Chetna's building her European Showstopper with layers of sponge | 0:40:27 | 0:40:30 | |
that are a little more British. | 0:40:30 | 0:40:32 | |
I can see it's a Victoria sandwich-type sponge. | 0:40:32 | 0:40:35 | |
Yes, for me it's my favourite sponge so I just try | 0:40:35 | 0:40:38 | |
-and use it wherever I can. -Will you be trimming those? | 0:40:38 | 0:40:41 | |
No, what I'm doing is I'm cooking all my sponges in the tins | 0:40:41 | 0:40:44 | |
because I tried on paper and what happens is once it's cooked | 0:40:44 | 0:40:48 | |
it goes thin on the sides, it doesn't have that height. | 0:40:48 | 0:40:51 | |
Chetna will be filling her 14 sponges with chocolate caramel | 0:40:51 | 0:40:54 | |
buttercream, and she's invented some unique caramel decorations. | 0:40:54 | 0:40:59 | |
I want you to describe to me how you're going to... | 0:40:59 | 0:41:02 | |
I'm going to oil it and then put a toothpick, dip it in the caramel | 0:41:02 | 0:41:06 | |
and then once it's cold, just lift that caramel circle off. | 0:41:06 | 0:41:11 | |
It's a clever idea. | 0:41:11 | 0:41:12 | |
-How many of those are you doing? -Covering the whole of the top tier. | 0:41:12 | 0:41:16 | |
-Good luck. Thank you very much indeed. -Thank you. | 0:41:16 | 0:41:18 | |
Two left to do. | 0:41:23 | 0:41:25 | |
-This is like your in-tray of sponge, isn't it? -It is. -In-tray, out-tray. | 0:41:25 | 0:41:28 | |
-You like all this, the organisation bit, don't you? -I do. | 0:41:28 | 0:41:31 | |
You do, I know you do! | 0:41:31 | 0:41:33 | |
I am just releasing my sponges. | 0:41:33 | 0:41:35 | |
That's the bottom tier, and it's all the layers are done - seven of them. | 0:41:35 | 0:41:39 | |
You need obviously a lot of layers to make a cake. | 0:41:39 | 0:41:42 | |
I've done 12, I've got another eight to go. | 0:41:42 | 0:41:45 | |
I think there should be about 24 layers in total. | 0:41:45 | 0:41:51 | |
One, two, three, four, five, six, seven. | 0:41:51 | 0:41:54 | |
Which is a lot of layers, actually. | 0:41:54 | 0:41:56 | |
I'm going to make a two-tiered torte. | 0:41:56 | 0:41:58 | |
I'm doing Italian meringue chocolate buttercream, | 0:41:58 | 0:42:01 | |
but then I'm putting a layer of praline in as well. | 0:42:01 | 0:42:04 | |
Nancy will be topping her tiers with chocolate ganache and caramel, | 0:42:04 | 0:42:08 | |
and decorating with caramelised hazelnuts and caramel shards. | 0:42:08 | 0:42:12 | |
I'm building up my cakes now and then I'm going to put them | 0:42:12 | 0:42:15 | |
in the freezer, just for 15 minutes cos I want everything to firm up. | 0:42:15 | 0:42:19 | |
If I took these out of the tin now they'd just be a mess. | 0:42:19 | 0:42:22 | |
In the Venn diagram of baking and building, | 0:42:22 | 0:42:24 | |
how many points of intersection are there? | 0:42:24 | 0:42:27 | |
-This is slap bang in the middle. -It really is, isn't it? | 0:42:27 | 0:42:29 | |
This is an absurd amount of sponges, isn't it? | 0:42:32 | 0:42:35 | |
Well, it's my own fault, I did do an extra tier, | 0:42:35 | 0:42:38 | |
I can't blame anyone but myself for that. | 0:42:38 | 0:42:40 | |
So you're going for the old three tier-er? | 0:42:40 | 0:42:42 | |
I am because I think that two-tier cakes look like hats! | 0:42:42 | 0:42:45 | |
Kate's ambitious three tiers will be flavoured with raspberry, | 0:42:45 | 0:42:49 | |
chocolate and orange, and decorated with caramelised pistachios. | 0:42:49 | 0:42:53 | |
-Time is so tight now. -What are your worries within the time? | 0:42:53 | 0:42:56 | |
Well, I want to be able to do a good job with my caramel. | 0:42:56 | 0:42:59 | |
I'm hoping for two hours, but it's not going to happen. | 0:42:59 | 0:43:02 | |
-Just on caramel? -Just on caramel. | 0:43:02 | 0:43:04 | |
As the Dobos tortes are constructed, | 0:43:04 | 0:43:06 | |
the proportion of sponge to filling should be even... | 0:43:06 | 0:43:09 | |
Scrap that layer, let's go for this one. | 0:43:09 | 0:43:13 | |
..so that when the cake is cut, | 0:43:13 | 0:43:15 | |
clearly defined layers are revealed. | 0:43:15 | 0:43:18 | |
It's a shame because I really wanted this cake to look really good | 0:43:18 | 0:43:21 | |
and I think it's going to look a little bit slapdash. | 0:43:21 | 0:43:23 | |
One positive thing is that the ganache looks nice and shiny. | 0:43:23 | 0:43:27 | |
OK, bakers, GST time - Greenwich Sponge Time - | 0:43:32 | 0:43:37 | |
you're about 12 layers in. | 0:43:37 | 0:43:39 | |
Nothing like cutting it fine, is there? | 0:43:39 | 0:43:41 | |
In GMT, that's halfway through the bake! | 0:43:41 | 0:43:44 | |
I've used modelling clay to make a template to pour some sugar in, | 0:43:44 | 0:43:47 | |
although looking at that, it's a little bit mottled, | 0:43:47 | 0:43:50 | |
so I might have another go. | 0:43:50 | 0:43:52 | |
My chocolate has gone sort of grainy and a bit funny, | 0:43:52 | 0:43:55 | |
but it's not the end of the world cos I've scraped it off | 0:43:55 | 0:43:58 | |
and I'm going to put another coat over the top, make some more. | 0:43:58 | 0:44:01 | |
I'm not the world's best chocolate person, | 0:44:01 | 0:44:03 | |
so my plan with this ganache is I shall keep my eye on it. | 0:44:03 | 0:44:07 | |
It just seems, like, gloopy and separating, | 0:44:19 | 0:44:23 | |
so I think I might just start again - again! | 0:44:23 | 0:44:27 | |
I am having another crack at making a bird, | 0:44:27 | 0:44:30 | |
which may or may not go well. | 0:44:30 | 0:44:32 | |
Sugar work is a tricky art. Too much heat, too little heat, | 0:44:40 | 0:44:44 | |
or even stirring, can all have disastrous consequences. | 0:44:44 | 0:44:47 | |
I just put the cream in too quick into my caramel, so I took it off | 0:44:47 | 0:44:51 | |
before it could incorporate, so I'm going to do it again! | 0:44:51 | 0:44:54 | |
I'm dipping pistachios into caramel. | 0:44:54 | 0:44:57 | |
Yeah, it's working now. | 0:44:57 | 0:44:59 | |
You have to wait till it gets to exactly the right temperature | 0:44:59 | 0:45:03 | |
in order to get the spike. | 0:45:03 | 0:45:04 | |
How long a spike are you looking for? | 0:45:04 | 0:45:07 | |
Not that long. What I do is I chop them off. | 0:45:07 | 0:45:09 | |
-Right, I'm going to try and make... -It'll be a bit hard at the moment. | 0:45:09 | 0:45:12 | |
Ooh, it's completely gone. | 0:45:12 | 0:45:13 | |
Aggh! | 0:45:17 | 0:45:19 | |
It's totally gone. | 0:45:19 | 0:45:21 | |
OK, I need another saucepan. Thank you. | 0:45:21 | 0:45:24 | |
OK, bakers, 30 minutes remaining, | 0:45:24 | 0:45:27 | |
until I get to see more tiers than an England penalty shoot-out. | 0:45:27 | 0:45:31 | |
This is spun sugar, with blobs in it. | 0:45:34 | 0:45:37 | |
Hopefully, what it will end up being is the nest for my bird to sit in. | 0:45:37 | 0:45:42 | |
I wouldn't say caramel work is a strength for me - | 0:45:42 | 0:45:45 | |
my pulled nuts are rubbish. | 0:45:45 | 0:45:49 | |
I'm running out of time severely now, | 0:45:49 | 0:45:51 | |
because I haven't done enough of my nuts! | 0:45:51 | 0:45:54 | |
They're supposed to surround the cake. | 0:45:54 | 0:45:56 | |
It's supposed to be a crazy amount of caramel | 0:45:56 | 0:45:58 | |
but I'm just going to do as many as I possibly can. | 0:45:58 | 0:46:00 | |
Look at that bending. | 0:46:03 | 0:46:04 | |
I'm having to put on curly ones that have died in the heat. | 0:46:04 | 0:46:08 | |
Once something goes wrong, like my ganache went wrong, | 0:46:18 | 0:46:22 | |
it's all about keeping your head on. | 0:46:22 | 0:46:24 | |
That's it. | 0:46:30 | 0:46:31 | |
I'm just hoping I've got, like, ten minutes. | 0:46:31 | 0:46:34 | |
OK, five minutes on your Hungarian cakes. | 0:46:34 | 0:46:37 | |
Damn! What am I doing? | 0:46:37 | 0:46:40 | |
The last-five-minute panic has kicked in! | 0:46:40 | 0:46:43 | |
Ah-ha-ha-ha-ha! | 0:46:44 | 0:46:46 | |
I think I'll have it done just about in time, which is good. | 0:46:46 | 0:46:49 | |
Bakers, one minute left on your Hungarian creations. | 0:46:53 | 0:46:56 | |
It's tricky knowing when to stop! | 0:46:56 | 0:46:58 | |
At least it looks a bit like a chessboard, if nothing else. | 0:46:58 | 0:47:01 | |
OK, bakers, it's over. Finished. No more tiers. | 0:47:08 | 0:47:12 | |
Step away from the bakes, thank you. | 0:47:12 | 0:47:16 | |
Nancy, if you'd like to come and present | 0:47:29 | 0:47:31 | |
to Mary and the male judge... | 0:47:31 | 0:47:33 | |
You've got beautiful cut edges there, | 0:47:40 | 0:47:42 | |
even layers of the filling, which I like. | 0:47:42 | 0:47:45 | |
I like the taste of that, it's rich. | 0:47:51 | 0:47:54 | |
Wouldn't want a big slice of it | 0:47:54 | 0:47:57 | |
but I can taste the caramel coming through. | 0:47:57 | 0:47:59 | |
The nuts you're getting through there are lovely. | 0:47:59 | 0:48:01 | |
They really add a nice touch to it - the praline coming through it. | 0:48:01 | 0:48:04 | |
The whole torte itself is very well-made and well-executed. | 0:48:04 | 0:48:08 | |
-Congratulations! -Thank you. -Well done, Nancy. | 0:48:08 | 0:48:10 | |
-Can you now call him Paul again now he's said something nice? -Yeah. | 0:48:10 | 0:48:13 | |
-He's wonderful, he's lovely. -Aw-w! Creep! Women! | 0:48:13 | 0:48:16 | |
The cakes look a bit sad, a lot sad. | 0:48:25 | 0:48:28 | |
-They've drooped. -It looks a bit of a mess, yeah. | 0:48:28 | 0:48:30 | |
You've incorporated quite a lot of caramel in it. | 0:48:33 | 0:48:36 | |
I've done pistachio-praline blitzed on the bottom, | 0:48:36 | 0:48:41 | |
I've made a spun-sugar nest for my sugar bird | 0:48:41 | 0:48:44 | |
and I've attempted to make some trees for the front. | 0:48:44 | 0:48:48 | |
Have you got caramel in it or just on it here? | 0:48:48 | 0:48:50 | |
The chocolate has got caramel whipped into it as well. | 0:48:50 | 0:48:53 | |
The sponge is a little dry, a lot drier than the top. | 0:48:53 | 0:48:57 | |
I just think you could have presented the cake | 0:48:57 | 0:48:59 | |
-a little bit nicer with the icing... -I entirely agree! | 0:48:59 | 0:49:02 | |
-..which I thought would have been your thing, to be honest. -I know. | 0:49:02 | 0:49:06 | |
What can I say? | 0:49:13 | 0:49:14 | |
It is a monumental effort. | 0:49:14 | 0:49:18 | |
It is spectacular. | 0:49:18 | 0:49:20 | |
It's what I call a Showstopper. | 0:49:20 | 0:49:22 | |
Thank you very much. | 0:49:22 | 0:49:24 | |
-Sorry for destroying it! -That's all right, go for it. | 0:49:24 | 0:49:26 | |
It's quite washy with the flavour. | 0:49:31 | 0:49:32 | |
It needs an identity, if you know what I mean. | 0:49:32 | 0:49:35 | |
For me, it's far too sweet and if you took a decent slice of that, | 0:49:35 | 0:49:39 | |
it would be too much, but how beautiful is that? | 0:49:39 | 0:49:41 | |
-You missed slightly on the flavour. -OK. | 0:49:41 | 0:49:44 | |
Kate, please bring your torte up. | 0:49:49 | 0:49:53 | |
The top layer has a raspberry ganache filling, | 0:49:57 | 0:50:00 | |
the middle layer has a milk chocolate filling | 0:50:00 | 0:50:03 | |
with a chocolate sponge | 0:50:03 | 0:50:04 | |
and the bottom layer | 0:50:04 | 0:50:06 | |
has a hint of dark chocolate orange. | 0:50:06 | 0:50:09 | |
The only caramel you've got on there is what we've got on the side? | 0:50:09 | 0:50:12 | |
Yes, pistachio caramel. | 0:50:12 | 0:50:14 | |
The bottom layer is my least favourite, | 0:50:14 | 0:50:17 | |
-because the actual sponge hasn't softened. -OK. | 0:50:17 | 0:50:22 | |
I'm getting the orange, but it is the drier one. | 0:50:22 | 0:50:25 | |
I think you've got two winners with the two top layers | 0:50:25 | 0:50:28 | |
but I'm not so fond of the bottom layer. | 0:50:28 | 0:50:30 | |
I would have liked to have seen more caramel, however. | 0:50:30 | 0:50:33 | |
I admire the sheer volume of caramel on there. Well done. | 0:50:41 | 0:50:46 | |
Clever idea with the grapes - everybody will be copying that. | 0:50:46 | 0:50:49 | |
I must say at the beginning when you were doing Victoria sandwich, | 0:50:53 | 0:50:57 | |
I was all ready for it not to work and, of course, it has worked. | 0:50:57 | 0:51:00 | |
I'm really impressed with the definition | 0:51:00 | 0:51:02 | |
on the lines that you've got. | 0:51:02 | 0:51:04 | |
The flavours are good and I think you've done a really good job. | 0:51:04 | 0:51:07 | |
Thank you. | 0:51:07 | 0:51:08 | |
It looks a bit, um, uneven. | 0:51:17 | 0:51:20 | |
Yes. | 0:51:20 | 0:51:21 | |
It's got a great flavour, going towards the top. | 0:51:22 | 0:51:26 | |
It's beautiful, moist. It reminds me of an opera cake. | 0:51:26 | 0:51:29 | |
There's nothing wrong with an opera cake. | 0:51:29 | 0:51:31 | |
The flavours are very good. I like the sort of brittle in it, | 0:51:31 | 0:51:34 | |
but the chess pieces, in fact, don't show too much skill | 0:51:34 | 0:51:38 | |
because you used a bought mould that you just pour the caramel into, | 0:51:38 | 0:51:41 | |
but the whole effect is very good. | 0:51:41 | 0:51:43 | |
-Well done, Martha. -Thank you. | 0:51:43 | 0:51:45 | |
Let's move the queen and checkmate! | 0:51:45 | 0:51:47 | |
-I love a queen. -I love a queen. | 0:51:47 | 0:51:49 | |
So who do you think might have come through on the Showstopper for you? | 0:51:56 | 0:52:00 | |
Luis' was as nigh-on perfect as you can get | 0:52:00 | 0:52:03 | |
and he just needed a bit more flavour. | 0:52:03 | 0:52:05 | |
Now Chetna - she had very good layers. | 0:52:05 | 0:52:08 | |
I was really surprised that she got success with a Victoria sandwich. | 0:52:08 | 0:52:12 | |
I think Nancy has to be in there as well. | 0:52:12 | 0:52:14 | |
The chocolate looks good, the layers are strong, | 0:52:14 | 0:52:17 | |
great flavour, great textures all the way through. | 0:52:17 | 0:52:19 | |
Let's look at the bottom two. I think we're in a difficult position. | 0:52:19 | 0:52:23 | |
The brief was multiple layers | 0:52:23 | 0:52:27 | |
and caramel in all sorts of shapes and forms. | 0:52:27 | 0:52:31 | |
In Richard's, we have got the layers. | 0:52:31 | 0:52:34 | |
They are not distinctive but he has done quite a lot of sugar work, | 0:52:34 | 0:52:39 | |
so he has followed the brief. | 0:52:39 | 0:52:41 | |
Whereas Kate did three tiers, | 0:52:41 | 0:52:42 | |
which looked, and actually tasted to me, beautiful. | 0:52:42 | 0:52:45 | |
But she only did one skill with her caramel. | 0:52:45 | 0:52:48 | |
It's really tricky, we go round in circles all the time. | 0:52:48 | 0:52:51 | |
There's so many factors to take on board. As you say, | 0:52:51 | 0:52:53 | |
it's not just this round. They have jostled. It's a photo-finish. | 0:52:53 | 0:52:56 | |
We've got a really difficult decision between the two. | 0:52:56 | 0:52:59 | |
For Mary and Paul, it has never been such a close call on the Bake Off. | 0:52:59 | 0:53:03 | |
Bakers, can I just start by saying thank you, merci, grazie, | 0:53:10 | 0:53:16 | |
-gracias, and the Swedish one. -Tak! | 0:53:16 | 0:53:20 | |
Tak for some amazing Euro baking this weekend. | 0:53:20 | 0:53:24 | |
So I have the great joy and pleasure of announcing | 0:53:24 | 0:53:28 | |
who this week's Star Baker is going to be. | 0:53:28 | 0:53:31 | |
Now this person has sort of risen through the ranks this week | 0:53:31 | 0:53:36 | |
and presented a very pert little Swedish green princess to us, | 0:53:36 | 0:53:41 | |
and has provided today | 0:53:41 | 0:53:42 | |
the most caramel-filled amazing amount of layers of spongedom | 0:53:42 | 0:53:47 | |
I have ever had the pleasure of putting into my mouth. | 0:53:47 | 0:53:50 | |
This week's Star Baker is Chetna! | 0:53:50 | 0:53:52 | |
And, as you know, Mel and I alternate this job | 0:53:59 | 0:54:02 | |
because, quite frankly, it's horrible. | 0:54:02 | 0:54:05 | |
This was a particularly tough one, | 0:54:05 | 0:54:07 | |
and there was an awful lot of argy-bargy | 0:54:07 | 0:54:10 | |
between our esteemed judges. | 0:54:10 | 0:54:12 | |
Um, we don't agree. | 0:54:12 | 0:54:15 | |
The reason why we came to this impasse | 0:54:15 | 0:54:17 | |
is because it came down to two people. | 0:54:17 | 0:54:20 | |
Kate, Richard, coming into the final, you were both neck and neck. | 0:54:20 | 0:54:24 | |
When it came to your Signature, Richard, yours was under-proved, | 0:54:24 | 0:54:28 | |
Kate, I thought with the moisture, I think you needed more to it. | 0:54:28 | 0:54:31 | |
When it came to the Technical, again it was five and six respectively. | 0:54:31 | 0:54:36 | |
And then when it came into the Showstopper, | 0:54:36 | 0:54:38 | |
it came down to the caramel. | 0:54:38 | 0:54:40 | |
Kate, you never did enough caramel. | 0:54:40 | 0:54:42 | |
All we got was your nut with a sort of lovely shard at the top. | 0:54:42 | 0:54:48 | |
We didn't get anything in the layers. | 0:54:48 | 0:54:50 | |
It was beautifully proportioned. | 0:54:50 | 0:54:52 | |
You had very good flavours in the top two layers, | 0:54:52 | 0:54:54 | |
not so good on the bottom. | 0:54:54 | 0:54:56 | |
Richard, on the other hand, you did a lot of caramel work on it | 0:54:56 | 0:54:59 | |
but it just looked a bit amateurish, that was part of the problem we had. | 0:54:59 | 0:55:03 | |
I do agree that it did look a bit messy, | 0:55:03 | 0:55:06 | |
and when it came to the caramel, we had spun sugar, | 0:55:06 | 0:55:09 | |
we had praline, we had crushed praline at the bottom, | 0:55:09 | 0:55:13 | |
so, as you can see, we were at loggerheads. | 0:55:13 | 0:55:16 | |
But a decision had to be made and so the person leaving us today is... | 0:55:16 | 0:55:22 | |
It's nobody, lads, | 0:55:25 | 0:55:27 | |
cos they were really rowing and it was really awful. | 0:55:27 | 0:55:30 | |
-Come on, come on! -See you all next week. | 0:55:33 | 0:55:35 | |
See you all next week. | 0:55:35 | 0:55:37 | |
Oh, that was really tough, that was really tough. | 0:55:40 | 0:55:44 | |
I think I completely dodged a bullet just now, erm, yeah. | 0:55:44 | 0:55:47 | |
Over the moon, getting ready to come back and redeem myself. | 0:55:47 | 0:55:52 | |
Next week, mate. Next week, remember... | 0:55:52 | 0:55:54 | |
I think that was the toughest week on Bake Off I can remember. | 0:55:54 | 0:55:59 | |
We had a little bit of a tiff. | 0:55:59 | 0:56:01 | |
On the whole, Paul and I agree because we have the same standards, | 0:56:01 | 0:56:05 | |
but, on this particular occasion, we definitely disagreed. | 0:56:05 | 0:56:09 | |
It was so close. First it was Richard, then it was Kate. | 0:56:09 | 0:56:11 | |
Then it was Kate. Then it was Richard. Then it was Richard | 0:56:11 | 0:56:14 | |
and Kate together. It was as simple as that. It was a draw. | 0:56:14 | 0:56:16 | |
Listen, I'll see you next week. | 0:56:16 | 0:56:18 | |
I don't feel relieved yet. I will. | 0:56:18 | 0:56:21 | |
At the moment, I'm just... | 0:56:21 | 0:56:23 | |
I'm not very good at coming last. | 0:56:23 | 0:56:25 | |
Finally, finally! | 0:56:28 | 0:56:30 | |
God, I'm still in shock! | 0:56:30 | 0:56:33 | |
'It feels amazing.' | 0:56:33 | 0:56:35 | |
It feels like all that planning | 0:56:35 | 0:56:37 | |
and hard work has paid off. | 0:56:37 | 0:56:39 | |
I'm just happy to have survived another week, so job's a good 'un. | 0:56:39 | 0:56:43 | |
My family will be thrilled that I'm through another week. | 0:56:43 | 0:56:46 | |
I mean, we still take every week as, like, a triumph. | 0:56:46 | 0:56:49 | |
It's like, "Oh, my goodness, another week!" | 0:56:49 | 0:56:51 | |
-Well done, my dear. -Thank you. -Well done. | 0:56:51 | 0:56:53 | |
Though it seems stressful, | 0:56:53 | 0:56:54 | |
and you don't know what you're doing at times, but... | 0:56:54 | 0:56:57 | |
At the end of the day, it's such fun. | 0:56:57 | 0:56:59 | |
Next time... | 0:57:01 | 0:57:02 | |
Oh! | 0:57:02 | 0:57:03 | |
..the bakers face complex pastries... | 0:57:03 | 0:57:05 | |
No excuses, it must be done in the time. | 0:57:05 | 0:57:08 | |
Come on, pasties! | 0:57:08 | 0:57:10 | |
..with a completely unknown Technical... | 0:57:10 | 0:57:12 | |
I don't think I've ever even seen one of these. | 0:57:12 | 0:57:15 | |
..a choux pastry Showstopper which has them reaching new heights. | 0:57:15 | 0:57:19 | |
I was a bit bored so I thought I'd put a set of stairs. | 0:57:19 | 0:57:21 | |
So this is your first eclair stair? | 0:57:21 | 0:57:23 | |
'And the remaining six bakers... | 0:57:23 | 0:57:25 | |
This is Paul Hollywood if I come last! | 0:57:25 | 0:57:28 | |
'..battle it out for a place in the quarterfinals.' | 0:57:28 | 0:57:31 |