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-Melly, I'm absolutely shattered -I'm absolutely pooped, Susie. | 0:00:02 | 0:00:04 | |
Do you think we could go and get some tea in the tent? | 0:00:04 | 0:00:07 | |
Absolutely, I'm hoping for oodles of scones and pastries. | 0:00:07 | 0:00:11 | |
Absolutely. | 0:00:11 | 0:00:12 | |
And I'm hoping for lashings of harsh judgment from Paul and Mary. | 0:00:12 | 0:00:16 | |
Will there be a life-size statue of the Taj Mahal | 0:00:16 | 0:00:19 | |
made out of cheese straws? | 0:00:19 | 0:00:20 | |
BOTH: Absolutely. | 0:00:20 | 0:00:22 | |
Welcome to the Great British Bake Off. | 0:00:22 | 0:00:24 | |
Last time... | 0:00:24 | 0:00:26 | |
I wish I'd made it a lot more simple now. | 0:00:26 | 0:00:28 | |
-Fireman Mat... -HE BLOWS | 0:00:28 | 0:00:29 | |
..and care worker Sandy's biscuits... | 0:00:29 | 0:00:31 | |
I do all the loving. | 0:00:31 | 0:00:33 | |
..were no match for stay-at-home Dad Ian's... | 0:00:33 | 0:00:36 | |
That is a fantastic biscotti. | 0:00:36 | 0:00:37 | |
..as he became this year's second Star Baker. | 0:00:37 | 0:00:40 | |
That was a good result. | 0:00:40 | 0:00:41 | |
And despite prison governor Paul... | 0:00:41 | 0:00:43 | |
It's starting to look a bit like a snail. | 0:00:43 | 0:00:45 | |
..and project accountant Dorret struggling... | 0:00:45 | 0:00:48 | |
I'm not getting much flavour there. | 0:00:48 | 0:00:49 | |
-..problems with biscotti... -(Oh, don't.) | 0:00:49 | 0:00:52 | |
..and disaster with arlettes... | 0:00:52 | 0:00:53 | |
-They're not cooked at all. -..meant that the first Star Baker, | 0:00:53 | 0:00:56 | |
Marie, had to leave the tent. | 0:00:56 | 0:00:58 | |
I'm a silly-silly. | 0:00:58 | 0:01:00 | |
Now, it's bread week. | 0:01:01 | 0:01:03 | |
It's got dough everywhere. Dough-verload. | 0:01:03 | 0:01:06 | |
Who'll meet Paul's high standards | 0:01:06 | 0:01:08 | |
with their quick bread? | 0:01:08 | 0:01:09 | |
Put me out of my misery. | 0:01:09 | 0:01:11 | |
Can anyone technically master a French classic? | 0:01:11 | 0:01:14 | |
I know what one looks like. | 0:01:14 | 0:01:15 | |
Question is, can I make one? | 0:01:15 | 0:01:17 | |
And who makes a Showstopper so monumental... | 0:01:17 | 0:01:21 | |
-No pressure. -None at all. | 0:01:21 | 0:01:23 | |
..it's worthy of a Bake Off first? | 0:01:23 | 0:01:26 | |
And we'll start with something we've actually never done before. | 0:01:26 | 0:01:29 | |
It makes me feel uneasy. | 0:01:29 | 0:01:30 | |
All right, it's television. | 0:01:57 | 0:02:00 | |
Oh, I don't know what that is. | 0:02:00 | 0:02:02 | |
Massaging a guinea pig? | 0:02:02 | 0:02:04 | |
Very bad '80s manoeuvres? | 0:02:04 | 0:02:06 | |
Bingo wings? | 0:02:06 | 0:02:07 | |
My waistline? | 0:02:07 | 0:02:09 | |
Look, I don't have time for this. It's bread week. | 0:02:09 | 0:02:12 | |
Morning, bakers. | 0:02:19 | 0:02:20 | |
Very exciting this morning, | 0:02:20 | 0:02:22 | |
we've got a new category of bread | 0:02:22 | 0:02:24 | |
never before seen on Bake Off. | 0:02:24 | 0:02:26 | |
Quick breads. | 0:02:26 | 0:02:28 | |
Quick breads, of course, are just very speedy breads | 0:02:28 | 0:02:30 | |
made without yeast. | 0:02:30 | 0:02:32 | |
Paul and Mary would like you to make two of these, | 0:02:32 | 0:02:35 | |
any flavour you like but they have to be free form, | 0:02:35 | 0:02:37 | |
ie not in a tin. | 0:02:37 | 0:02:39 | |
So, you've got one and a half hours, | 0:02:39 | 0:02:41 | |
very good luck. On your marks... | 0:02:41 | 0:02:42 | |
-Get set... -BOTH: Bake! | 0:02:42 | 0:02:44 | |
I am shaky as anything. | 0:02:47 | 0:02:50 | |
It turned out well at home. | 0:02:50 | 0:02:52 | |
Just has to turn out really well now. | 0:02:52 | 0:02:54 | |
A quick bread is a bread risen without yeast | 0:02:54 | 0:02:56 | |
so the only thing they're going to be able to use to rise | 0:02:56 | 0:02:59 | |
is bicarb or baking powder. | 0:02:59 | 0:03:00 | |
You throw your bicarb in, which is your alkaline, | 0:03:00 | 0:03:02 | |
and then you throw your buttermilk in, which is essentially acid. | 0:03:02 | 0:03:06 | |
The reaction between the two creates a gas and grows your bread. | 0:03:06 | 0:03:09 | |
If they use too much bicarb or baking powder, | 0:03:09 | 0:03:12 | |
it's very bitter, | 0:03:12 | 0:03:13 | |
and the moment you eat into it, you know it. | 0:03:13 | 0:03:15 | |
-Hello, Flora. -Morning. | 0:03:17 | 0:03:19 | |
Right, what are you up to? | 0:03:19 | 0:03:21 | |
I am making fig and hazelnut soda bread today. | 0:03:21 | 0:03:24 | |
Flora's using a blend of plain, wholemeal | 0:03:25 | 0:03:27 | |
and rye flours in her quick breads. | 0:03:27 | 0:03:30 | |
I quite like rye flour with figs. | 0:03:30 | 0:03:33 | |
Rye flour often gives a very close texture. | 0:03:33 | 0:03:36 | |
So, how much liquid to flour? | 0:03:36 | 0:03:38 | |
I use 600 mls of buttermilk. | 0:03:38 | 0:03:40 | |
-How much flour in total? -670 grams. | 0:03:40 | 0:03:43 | |
So, it's almost 100% liquid then? | 0:03:43 | 0:03:45 | |
Yeah, pretty much. | 0:03:45 | 0:03:46 | |
Interesting, this should be good. | 0:03:46 | 0:03:48 | |
It doesn't look promising, does it? | 0:03:48 | 0:03:51 | |
-Good morning. -Good morning. | 0:03:51 | 0:03:53 | |
Mat, tell us about your loaves. | 0:03:53 | 0:03:55 | |
OK, so I'm doing a smoked salt | 0:03:55 | 0:03:57 | |
and Mexican Cheddar soda bread. | 0:03:57 | 0:04:00 | |
Oh, "Andale, Andale." | 0:04:00 | 0:04:02 | |
As the Mexican carpet-fitter once said. | 0:04:02 | 0:04:04 | |
Mat's also adding jalapeno peppers to increase the heat. | 0:04:04 | 0:04:09 | |
And what shape are you doing these two? | 0:04:09 | 0:04:11 | |
Just round with a traditional... | 0:04:11 | 0:04:13 | |
-Cut or slash? -Slice. | 0:04:13 | 0:04:15 | |
-OK. Good luck, mate. -Thank you. | 0:04:15 | 0:04:17 | |
-What difference does it...? -I'm not going to tell him. | 0:04:17 | 0:04:20 | |
Mat's not the only baker hoping to add | 0:04:20 | 0:04:22 | |
a touch of Mexican heat to their quick bread. | 0:04:22 | 0:04:25 | |
So, I'm making a Mexican-style bread with cumin, coriander... | 0:04:25 | 0:04:29 | |
Quite similar to the kind of flavours | 0:04:29 | 0:04:31 | |
that I would use at home when I'm making a curry. | 0:04:31 | 0:04:35 | |
Nadiya's Mexican quick bread | 0:04:35 | 0:04:36 | |
will also be served | 0:04:36 | 0:04:38 | |
with a warm tomato salsa. | 0:04:38 | 0:04:40 | |
Now, old Mat is also doing a, sort of, Mexican thing... | 0:04:40 | 0:04:44 | |
He copied me. Look into my eyes. | 0:04:44 | 0:04:46 | |
-He knew... -There's a bit of a Mexican face-off. | 0:04:46 | 0:04:49 | |
Have you got a lot of the same ingredients? | 0:04:49 | 0:04:50 | |
Pretty much the same ingredients. | 0:04:50 | 0:04:52 | |
-Yeah, but he's totally copying me. -Yeah. | 0:04:52 | 0:04:55 | |
-Good morning, Dorret. -Morning. | 0:04:55 | 0:04:56 | |
Tell us all about your quick bread. | 0:04:56 | 0:04:58 | |
OK, I've chosen Waldorf-inspired flavours. | 0:04:58 | 0:05:02 | |
Dorret's bready version of the classic Waldorf salad | 0:05:02 | 0:05:04 | |
will include walnuts, sultanas and blue cheese. | 0:05:04 | 0:05:08 | |
Just making sure that the cheese is evenly dispersed. | 0:05:08 | 0:05:12 | |
-And that gives you the texture that you're looking for. -Yeah. | 0:05:12 | 0:05:14 | |
I love Stilton in a loaf. | 0:05:14 | 0:05:16 | |
Yes, me too. That slightly melty, delicious tang. | 0:05:16 | 0:05:18 | |
A lot of butter on it. | 0:05:18 | 0:05:19 | |
And then a trip to the coronary heart. | 0:05:19 | 0:05:22 | |
-Thank you. -Thank you. | 0:05:22 | 0:05:23 | |
Tamal is also using cheese - | 0:05:24 | 0:05:26 | |
but he's less concerned about its dispersal. | 0:05:26 | 0:05:29 | |
I want there to be big chunks of cheese. | 0:05:29 | 0:05:31 | |
It's really nice, like goat's cheese, | 0:05:31 | 0:05:33 | |
so when I been practising at home, I've just been like... | 0:05:33 | 0:05:35 | |
the whole time, yeah. | 0:05:35 | 0:05:36 | |
Buying a little bit extra...for "research." | 0:05:36 | 0:05:39 | |
Tamal is using figs, ground oats and walnuts | 0:05:39 | 0:05:42 | |
to complement his goat's cheese. | 0:05:42 | 0:05:44 | |
The final bread is quite a nice, sort of, rustic, hearty loaf. | 0:05:44 | 0:05:49 | |
The sort of thing you'd want with soup. | 0:05:49 | 0:05:52 | |
Good morning, Alvin. Can you tell us about your quick breads, please? | 0:05:52 | 0:05:55 | |
It's going to be packed full of flavours | 0:05:55 | 0:05:57 | |
from prosciutto, Manchego cheese, basil and some balsamic onion. | 0:05:57 | 0:06:02 | |
Alvin's using Spanish cheese, Italian prosciutto | 0:06:02 | 0:06:05 | |
and basil to create loaves with a European flavour. | 0:06:05 | 0:06:09 | |
Quite a strong flavour, Manchego. | 0:06:09 | 0:06:10 | |
So, I make sure I mix it and distribute it into the flour... | 0:06:10 | 0:06:14 | |
-Right... -Equal pieces, hopefully. | 0:06:14 | 0:06:15 | |
What shape are they when in the oven? | 0:06:15 | 0:06:17 | |
They're going to be circular. | 0:06:17 | 0:06:19 | |
Good luck. | 0:06:19 | 0:06:20 | |
Achieving the correct crumbly texture in a soda bread | 0:06:23 | 0:06:25 | |
depends on getting the ratio of bicarb to buttermilk spot on. | 0:06:25 | 0:06:29 | |
If there's not enough liquid, the loaf will be too dense. | 0:06:34 | 0:06:37 | |
Too much and it won't hold its shape. | 0:06:37 | 0:06:40 | |
How much flour are you using in this? | 0:06:40 | 0:06:42 | |
-800 grams of flour. -800 grams. How much liquid? | 0:06:42 | 0:06:45 | |
300 to 350 of buttermilk. | 0:06:45 | 0:06:47 | |
Not a lot of liquid. | 0:06:47 | 0:06:49 | |
-So, it's quite a tight structure inside? -Yeah. | 0:06:50 | 0:06:52 | |
It is. | 0:06:53 | 0:06:54 | |
Paul's close-textured quick bread is a break with tradition | 0:06:56 | 0:06:59 | |
as it's sweetened with orange and cranberry. | 0:06:59 | 0:07:02 | |
Why did you choose sweet? | 0:07:02 | 0:07:04 | |
I just like the texture, like the taste, like the flavours. | 0:07:04 | 0:07:07 | |
So, how long are you baking this for? | 0:07:07 | 0:07:09 | |
This is for 50 to 55 minutes. | 0:07:09 | 0:07:11 | |
OK, that's quite a long time. | 0:07:11 | 0:07:13 | |
Good luck, mate. | 0:07:13 | 0:07:15 | |
Thank you. | 0:07:15 | 0:07:16 | |
One baker is going even sweeter. | 0:07:17 | 0:07:20 | |
I am making chocolate quick bread | 0:07:20 | 0:07:23 | |
with salted caramel sauce. | 0:07:23 | 0:07:25 | |
I'm loving chocolate all the way, | 0:07:25 | 0:07:27 | |
so it's a little bit untraditional, I would say. | 0:07:27 | 0:07:30 | |
Ugne will top her quick bread with caramelised pecans | 0:07:30 | 0:07:33 | |
and she's doing everything she can to ensure it will rise. | 0:07:33 | 0:07:37 | |
I'm using both baking powder and bicarbonate of soda. | 0:07:37 | 0:07:41 | |
It tends to work when I use both. | 0:07:42 | 0:07:45 | |
It looks a lot more neater when I have done it at home. | 0:07:45 | 0:07:48 | |
It's such a mess. | 0:07:48 | 0:07:49 | |
Quick bread shouldn't be kneaded. | 0:07:49 | 0:07:52 | |
The more the dough is worked, the closer the texture becomes... | 0:07:52 | 0:07:56 | |
I just don't want it to fall apart, really. | 0:07:56 | 0:07:58 | |
..and overworked dough makes for a tough, chewy loaf. | 0:07:58 | 0:08:02 | |
I'm using Tipo 00, a very fine flour, | 0:08:02 | 0:08:05 | |
to try and make it a nice light soda bread. | 0:08:05 | 0:08:08 | |
Does that work? | 0:08:08 | 0:08:09 | |
It does, yeah. | 0:08:09 | 0:08:12 | |
Once again, Ian's brought a little bit of Cambridgeshire to the tent | 0:08:12 | 0:08:15 | |
and added it to the dough for his pesto soda bread. | 0:08:15 | 0:08:18 | |
Did you pick your wild garlic? | 0:08:18 | 0:08:20 | |
I did, yes. Yeah, went out to the woods a couple of days ago. | 0:08:20 | 0:08:23 | |
Very relieved to see it was still there. | 0:08:23 | 0:08:25 | |
There's only a certain time of year that you can find it and use it. | 0:08:25 | 0:08:29 | |
Do you find that it goes quite a dark colour when you bake it? | 0:08:29 | 0:08:32 | |
It's got a lot of green in there, but it's... | 0:08:32 | 0:08:34 | |
-So, it's quite Martian in its... -Yes, exactly. | 0:08:34 | 0:08:36 | |
-Its look. -Yeah. | 0:08:36 | 0:08:37 | |
The bakers are at the halfway point | 0:08:39 | 0:08:42 | |
and their next move could make or break their soda bread. | 0:08:42 | 0:08:46 | |
What I'm doing now is just crossing the soda bread. | 0:08:46 | 0:08:49 | |
Cutting straight through. | 0:08:49 | 0:08:51 | |
The idea is to try and help get the heat into the middle... | 0:08:51 | 0:08:55 | |
..otherwise it can quite easily end up being quite doughy inside. | 0:08:59 | 0:09:04 | |
I've been told already by Paul that I'm cutting it in the wrong way. | 0:09:04 | 0:09:08 | |
It does need to go a fair way down, much more than a normal bread. | 0:09:10 | 0:09:13 | |
A lot of people slice the edges, with a sort of... | 0:09:20 | 0:09:23 | |
How bad's that cutting? | 0:09:28 | 0:09:29 | |
Bad. | 0:09:32 | 0:09:33 | |
It's going to look great. | 0:09:34 | 0:09:35 | |
Don't you find, the further you get in, the more competitive you get? | 0:09:35 | 0:09:38 | |
-Maybe so. -You just have to. | 0:09:38 | 0:09:40 | |
It's the nature of the beast, isn't it? | 0:09:40 | 0:09:42 | |
Yeah, except I did run the 800 metres once at school | 0:09:42 | 0:09:45 | |
but waited for the last lap and waited for a friend. | 0:09:45 | 0:09:47 | |
-Oh, San... Oh, Sandy -So, that's how competitive I'm not. | 0:09:47 | 0:09:50 | |
-No, Sandy, no. -I've got to change that thinking, haven't I? | 0:09:50 | 0:09:53 | |
Wait for nobody in this tent. | 0:09:53 | 0:09:55 | |
It's about you. | 0:09:55 | 0:09:57 | |
Sandy's aiming to get the better of everyone | 0:09:57 | 0:09:59 | |
with a bacon-and-onion soda bread | 0:09:59 | 0:10:01 | |
that's straight from the family recipe book. | 0:10:01 | 0:10:04 | |
It's part of my Irish ancestry. | 0:10:04 | 0:10:07 | |
I go to Ireland a lot and I make it on a range in Ireland. | 0:10:07 | 0:10:10 | |
In we go. | 0:10:10 | 0:10:11 | |
I'm hoping that they rise the way they're supposed to. | 0:10:15 | 0:10:19 | |
With a quick bread, there's no proving. | 0:10:20 | 0:10:23 | |
The dough will only rise when it's in the oven. | 0:10:23 | 0:10:25 | |
They have a mind of their own | 0:10:28 | 0:10:30 | |
and they just, kind of, | 0:10:30 | 0:10:31 | |
puff up wherever they feel like puffing up. | 0:10:31 | 0:10:34 | |
There's an element of faith here. | 0:10:40 | 0:10:43 | |
He said to me, "How long for?" | 0:10:43 | 0:10:44 | |
I says, "55 minutes," I said "180." "That long?" | 0:10:44 | 0:10:47 | |
THEY LAUGH | 0:10:47 | 0:10:48 | |
They're looking like monsters. | 0:11:02 | 0:11:04 | |
They've grown. | 0:11:04 | 0:11:06 | |
Ten minutes early. | 0:11:08 | 0:11:10 | |
Happy. | 0:11:13 | 0:11:14 | |
Properly done? Done? | 0:11:18 | 0:11:20 | |
-SHE GASPS -So... | 0:11:20 | 0:11:22 | |
I love the way you divvy it up into four, | 0:11:22 | 0:11:24 | |
-so you can just break it. -That locks the devil out. | 0:11:24 | 0:11:26 | |
-Oh, does it? -Yeah. | 0:11:26 | 0:11:27 | |
-So, there's no devil in that bread? -There's no devil in there. | 0:11:27 | 0:11:30 | |
Good. Good to know. | 0:11:30 | 0:11:31 | |
Yeah, I think that's going to be all right. | 0:11:32 | 0:11:35 | |
Just a couple of minutes more | 0:11:35 | 0:11:37 | |
and then it's going to come out. | 0:11:37 | 0:11:39 | |
Bakers, panic, you've got one minute left. | 0:11:41 | 0:11:44 | |
Yeah, holding my nerve at the moment, it's all right. | 0:11:44 | 0:11:47 | |
I hope they're done in the middle. | 0:11:50 | 0:11:52 | |
I just hope that they're cooked. | 0:11:52 | 0:11:54 | |
Is that hollow? | 0:11:54 | 0:11:56 | |
So...da quick bread-making challenge is over. | 0:12:03 | 0:12:07 | |
Bring your breads to the end of the... | 0:12:07 | 0:12:10 | |
You've done it. Drama. Exciting. | 0:12:10 | 0:12:13 | |
They look so tempting, | 0:12:22 | 0:12:23 | |
I can hardly keep my hands off them. | 0:12:23 | 0:12:25 | |
-I'm sure you put slashes across it. -I have, but they disappeared. | 0:12:25 | 0:12:28 | |
But of course, with all those exciting toppings, they've all... | 0:12:28 | 0:12:31 | |
-Disappeared. -..gone together. | 0:12:31 | 0:12:32 | |
Manchego's... It's such a pungent cheese. | 0:12:37 | 0:12:40 | |
But the fact that you got all those layers in there | 0:12:40 | 0:12:42 | |
with the balsamic onion as well - | 0:12:42 | 0:12:44 | |
it's a thing of beauty, my friend. | 0:12:44 | 0:12:46 | |
I told you it looked terribly tempting | 0:12:46 | 0:12:49 | |
and I couldn't wait to get into it, well, now I'm into it, I want more. | 0:12:49 | 0:12:52 | |
How nice and bright, and green. The wild garlic has stayed. | 0:12:57 | 0:13:03 | |
MEL: Wow. | 0:13:03 | 0:13:04 | |
It's a nice light texture. | 0:13:06 | 0:13:08 | |
-Mm-hmm. -The garlic comes through. | 0:13:08 | 0:13:11 | |
MEL: It's delish. | 0:13:11 | 0:13:12 | |
The intensity of the flavours is about right. | 0:13:12 | 0:13:14 | |
The bake is beautifully done too. | 0:13:14 | 0:13:16 | |
-Nice little work of magic there. -Cool. | 0:13:16 | 0:13:19 | |
They look, sort of, homely. | 0:13:23 | 0:13:25 | |
The overall texture of it is quite tight | 0:13:27 | 0:13:29 | |
and that's because of the cheese. | 0:13:29 | 0:13:30 | |
Could have done with, probably, | 0:13:30 | 0:13:33 | |
LUMPS of Stilton in there. | 0:13:33 | 0:13:35 | |
-I am getting the flavour... -Yep. | 0:13:35 | 0:13:36 | |
..but I think it could be more intense. | 0:13:36 | 0:13:38 | |
Looks more like a conventionally-yeasted bread | 0:13:41 | 0:13:43 | |
than it does a soda bread. | 0:13:43 | 0:13:45 | |
It's split there because it's trying to find a place to grow. | 0:13:45 | 0:13:48 | |
I like the nice, original shape. | 0:13:48 | 0:13:50 | |
A little bit of heat in there. | 0:13:58 | 0:14:00 | |
The coriander comes through. | 0:14:01 | 0:14:03 | |
I think you've done well with the flavour and the shape and the bake. | 0:14:03 | 0:14:06 | |
Which, to be honest, I was really concerned about - | 0:14:06 | 0:14:08 | |
but, actually, you've got away with it. | 0:14:08 | 0:14:10 | |
-You did do a cut through the... -I did. | 0:14:14 | 0:14:15 | |
-We've lost that a bit. -Yeah. | 0:14:15 | 0:14:17 | |
Let's have a look inside. | 0:14:17 | 0:14:19 | |
Lovely crust. | 0:14:23 | 0:14:25 | |
One of my concerns is, | 0:14:29 | 0:14:30 | |
it's just more, you see, | 0:14:30 | 0:14:32 | |
bread-like than soda bread-like. | 0:14:32 | 0:14:34 | |
It doesn't crumble at all, it holds together. | 0:14:34 | 0:14:36 | |
I think you've just worked that dough a little bit too much. | 0:14:36 | 0:14:39 | |
-Yeah, sure. -Is it overworked? | 0:14:39 | 0:14:41 | |
-It's overworked. -Overworked. | 0:14:41 | 0:14:42 | |
I like to be able to see the filling pouring out. | 0:14:47 | 0:14:50 | |
I like that. | 0:14:54 | 0:14:55 | |
The figs come through strongly. | 0:14:55 | 0:14:57 | |
Put me out of my misery. | 0:15:04 | 0:15:06 | |
It's baked OK. | 0:15:07 | 0:15:08 | |
The blend between the goat's cheese and the nuts as well, particularly, | 0:15:08 | 0:15:12 | |
-is gorgeous. -Thank you, thank you. | 0:15:12 | 0:15:15 | |
-It looks as though it was quite a wet dough... -Yes. | 0:15:19 | 0:15:22 | |
..and, of course, it will change the texture | 0:15:22 | 0:15:25 | |
because you've added extra fat from the bacon. | 0:15:25 | 0:15:27 | |
I like the flavour very much. | 0:15:33 | 0:15:35 | |
But it just crumbles when you touch it. I like it. | 0:15:35 | 0:15:38 | |
-Thank you. -SUE: It's delish. | 0:15:38 | 0:15:40 | |
The hazelnuts work exceptionally well in - | 0:15:51 | 0:15:53 | |
but the one that really works is the blend of flours together. | 0:15:53 | 0:15:56 | |
I think you've got that bang on. | 0:15:56 | 0:15:59 | |
Excellent. | 0:15:59 | 0:16:00 | |
I can smell a lot of baking powder. | 0:16:07 | 0:16:10 | |
Here we go. | 0:16:13 | 0:16:14 | |
-It's baked beautifully and it tastes fantastic. -Oh, yes. | 0:16:15 | 0:16:18 | |
One of the things is, it's not overly sweet either. | 0:16:18 | 0:16:21 | |
It's about right. | 0:16:21 | 0:16:22 | |
I was expecting it to be bitter | 0:16:22 | 0:16:25 | |
having both those raising agents. | 0:16:25 | 0:16:27 | |
-You've obviously done it lightly - it works and it's right. -Yes. | 0:16:27 | 0:16:30 | |
I can smell the orange, it's coming up and hitting me, | 0:16:36 | 0:16:39 | |
which I like in a bread. | 0:16:39 | 0:16:41 | |
-Well, that's excellent. -Thank you. | 0:16:50 | 0:16:52 | |
The orange comes through, the texture's good, | 0:16:52 | 0:16:54 | |
the bake's pretty much perfect, | 0:16:54 | 0:16:55 | |
for a sweet soda bread... | 0:16:55 | 0:16:57 | |
-Yeah, I'll have another piece of that. -Thank you very much. | 0:16:57 | 0:17:00 | |
-Oh, the handshake. -Nice one, Paul. Thank you. -Well done. | 0:17:00 | 0:17:03 | |
Bread week is Paul's week - the king of the baking. | 0:17:03 | 0:17:05 | |
For him to give you a handshake at the end for your... | 0:17:05 | 0:17:08 | |
quick bread... I know it sounds a bit soppy but that was good. | 0:17:08 | 0:17:11 | |
That was a really good feeling. | 0:17:11 | 0:17:12 | |
I'm feeling dangerously happy. | 0:17:12 | 0:17:14 | |
What Paul said about my soda bread | 0:17:17 | 0:17:19 | |
is going to stay for the rest of my natural life. | 0:17:19 | 0:17:23 | |
Well, I think I'm struggling to please the judges. | 0:17:23 | 0:17:26 | |
Overworked, apparently. | 0:17:26 | 0:17:28 | |
So... | 0:17:28 | 0:17:29 | |
yeah, not a clean sweep. | 0:17:29 | 0:17:32 | |
For bread week's technical challenge, | 0:17:35 | 0:17:37 | |
Paul has asked for a classic | 0:17:37 | 0:17:39 | |
never seen before on the Bake Off. | 0:17:39 | 0:17:42 | |
Bakers, for today's technical, we're all going to France. | 0:17:42 | 0:17:46 | |
Not literally, we don't have the budget. | 0:17:46 | 0:17:48 | |
Paul and Mary - they're off to a Morris dancing class. | 0:17:48 | 0:17:51 | |
Paul, before you do, any words of wisdom for the bakers? | 0:17:51 | 0:17:54 | |
Good luck. | 0:17:54 | 0:17:55 | |
That really wasn't a word of wisdom. | 0:17:55 | 0:17:58 | |
That was just saying, "I hope it all goes well." | 0:17:58 | 0:18:00 | |
Au revoir, a bientot. | 0:18:00 | 0:18:01 | |
FRENCH ACCENT: See you later, my darlings. | 0:18:01 | 0:18:03 | |
Today's challenge - four identical crusty baguettes. | 0:18:03 | 0:18:07 | |
If you don't know what a baguette is, it's over, you should leave now. | 0:18:07 | 0:18:10 | |
You've got two-and-a-half hours. | 0:18:10 | 0:18:11 | |
-On your marks... -Get set... -BOTH: Bake! | 0:18:11 | 0:18:14 | |
I have made baguettes before... | 0:18:20 | 0:18:22 | |
I know what one looks like, I know what one tastes like. | 0:18:22 | 0:18:25 | |
The question is, can I make one? | 0:18:25 | 0:18:27 | |
I've tried them, they're not easy to make. | 0:18:27 | 0:18:29 | |
How hard can it be? | 0:18:29 | 0:18:31 | |
A baguette is all about having that crisp on the outside. | 0:18:33 | 0:18:37 | |
-This one here has got a nice... -HOLLOW TAPPING | 0:18:37 | 0:18:39 | |
-A good crust. -You get that by using steam in the oven. | 0:18:39 | 0:18:44 | |
See, the structure's very irregular, it's not like a tin bread, | 0:18:44 | 0:18:47 | |
it's not tight little air holes. | 0:18:47 | 0:18:48 | |
It's open, it's chewy, it's crispy. | 0:18:48 | 0:18:51 | |
Mmm. | 0:18:51 | 0:18:52 | |
-Have you suggested that they create steam in the oven? -No. | 0:18:52 | 0:18:56 | |
I expect them to know how to get a great crust on bread. | 0:18:56 | 0:18:59 | |
One of the other things I'll be looking for is | 0:18:59 | 0:19:01 | |
whether it's proved enough. | 0:19:01 | 0:19:02 | |
Take it too early and pop it in the oven, it'll split down the side. | 0:19:02 | 0:19:05 | |
I really think you have been... | 0:19:05 | 0:19:08 | |
THEY LAUGH | 0:19:08 | 0:19:09 | |
..particularly nasty on this one. | 0:19:09 | 0:19:11 | |
Mary, we're looking for the best amateur bakers in the country. | 0:19:11 | 0:19:14 | |
And I think this is a really tough challenge. | 0:19:14 | 0:19:17 | |
The recipe is, kind of, basic. | 0:19:20 | 0:19:22 | |
"Add three quarters of the water to the flour, salt and yeast." | 0:19:22 | 0:19:26 | |
That's it. | 0:19:26 | 0:19:27 | |
The bakers may not realise that a baguette dough | 0:19:29 | 0:19:32 | |
needs a high water content | 0:19:32 | 0:19:34 | |
in order to produce the open texture the judges require. | 0:19:34 | 0:19:37 | |
It's very sticky dough. | 0:19:39 | 0:19:41 | |
It's very hard to work with. | 0:19:41 | 0:19:42 | |
It's getting there, you can see it. | 0:19:42 | 0:19:45 | |
Potentially haven't put enough water in. | 0:19:46 | 0:19:48 | |
See, other peoples look more wet than mine. | 0:19:48 | 0:19:51 | |
It says 370 ml. | 0:19:51 | 0:19:53 | |
I think I put about 300 in, but is it the wrong thing to do to add it now? | 0:19:53 | 0:19:58 | |
Probably. | 0:19:58 | 0:19:59 | |
It doesn't say how long to knead it for | 0:20:03 | 0:20:05 | |
or how long to prove it for, | 0:20:05 | 0:20:06 | |
that's the fun bit. | 0:20:06 | 0:20:08 | |
-"Oil a plastic container." -"Oil a plastic container." | 0:20:08 | 0:20:11 | |
This is definitely a plastic container. | 0:20:11 | 0:20:12 | |
That bit, I'm going to get right. | 0:20:12 | 0:20:14 | |
"Cover and prove." It doesn't give you | 0:20:14 | 0:20:16 | |
-any timings or anything, does it? -No. | 0:20:16 | 0:20:17 | |
The first prove is critical, | 0:20:17 | 0:20:19 | |
as it's when the baguette's airy texture is created. | 0:20:19 | 0:20:22 | |
This is what I do at home. | 0:20:23 | 0:20:25 | |
I just noticed that, "Oil a plastic container." | 0:20:25 | 0:20:28 | |
I didn't realise what it's for. | 0:20:28 | 0:20:30 | |
I don't want to take it out because it's already in there. | 0:20:32 | 0:20:34 | |
So, I don't know how that would be any different from that. | 0:20:34 | 0:20:37 | |
I'm taking it out. Silly mistake, never mind. | 0:20:37 | 0:20:40 | |
-Hmmm. -I'm not sure where to prove it. | 0:20:45 | 0:20:47 | |
In the oven, on the proving setting - | 0:20:47 | 0:20:50 | |
or if I should leave it at room temperature. | 0:20:50 | 0:20:53 | |
I'm putting my faith in the oven proving setting. | 0:20:53 | 0:20:56 | |
Proving drawer, not in the oven, cos the oven's too hot. | 0:20:56 | 0:20:59 | |
In the oven. | 0:20:59 | 0:21:00 | |
I'm sticking to what I do at home, | 0:21:00 | 0:21:01 | |
I never put my bread into proving drawers or ovens. | 0:21:01 | 0:21:05 | |
It just says prove it, doesn't say how long. | 0:21:05 | 0:21:07 | |
It'll probably be about an hour. | 0:21:07 | 0:21:09 | |
Not confident in this at all. | 0:21:15 | 0:21:17 | |
Not rising. | 0:21:17 | 0:21:18 | |
I haven't put enough liquid in. | 0:21:18 | 0:21:20 | |
One hour and 15 minutes remaining. | 0:21:26 | 0:21:29 | |
I'm not going to leave it for an hour. | 0:21:29 | 0:21:31 | |
Got a little bit of rise. | 0:21:33 | 0:21:35 | |
-Massive. -I'm happy with that. | 0:21:41 | 0:21:43 | |
"Divide and shape the dough into four equal baguettes." So... | 0:21:47 | 0:21:50 | |
800 divided by four. | 0:21:51 | 0:21:54 | |
The shaping's really important. If you don't do it properly, | 0:21:54 | 0:21:57 | |
you just get bread that just slops out as it rises. | 0:21:57 | 0:22:00 | |
-I want to keep the air bubbles. -OK. | 0:22:02 | 0:22:04 | |
I want a good crumb which has got good... | 0:22:04 | 0:22:06 | |
Yeah, crisp. | 0:22:06 | 0:22:07 | |
Or am I thinking about ciabatta? I don't know. | 0:22:07 | 0:22:09 | |
Don't think about ciabatta, Alvin. This is baguettes, not ciabatta. | 0:22:09 | 0:22:12 | |
What's with the pinching? | 0:22:12 | 0:22:14 | |
I am pinching my bottom seam... | 0:22:14 | 0:22:16 | |
-Right. -..so, when you've got it on top, you should have no seams. | 0:22:16 | 0:22:20 | |
I wonder if I could roll it. | 0:22:21 | 0:22:23 | |
This is a lot trickier than I thought it would be. | 0:22:23 | 0:22:25 | |
Place it into the coachy or whatever it's called. | 0:22:29 | 0:22:32 | |
"Couche" - which is a bed, innit? So it's just a linen bed. | 0:22:32 | 0:22:36 | |
SHE CHUCKLES | 0:22:36 | 0:22:37 | |
I think. | 0:22:37 | 0:22:39 | |
The 100% linen couche is a traditional French cloth | 0:22:39 | 0:22:43 | |
that helps the baguette's shape stay intact during the second prove. | 0:22:43 | 0:22:47 | |
-FRENCH ACCENT: -You go to sleep, my babies, for a few minutes. | 0:22:47 | 0:22:51 | |
Well done, Sandy. | 0:22:51 | 0:22:52 | |
Come on. | 0:22:54 | 0:22:55 | |
40 minutes remaining. | 0:22:58 | 0:23:01 | |
You know, it's worked so hard to rise, | 0:23:01 | 0:23:03 | |
I don't want to upset it. | 0:23:03 | 0:23:05 | |
Oh, don't fall off. | 0:23:05 | 0:23:06 | |
My heart is just going boom, boom, boom, boom. | 0:23:08 | 0:23:10 | |
"Flash each baguette." | 0:23:13 | 0:23:14 | |
Do you have to score it... | 0:23:14 | 0:23:16 | |
for it to look like a baguette? | 0:23:16 | 0:23:17 | |
That's the tricky bit. | 0:23:17 | 0:23:19 | |
Have to be careful with this one. | 0:23:19 | 0:23:21 | |
Slash the bread and the whole thing will just collapse. | 0:23:21 | 0:23:24 | |
I'm just basing it on, kind of, | 0:23:40 | 0:23:42 | |
a traditional baguette in the diagonal slashes. | 0:23:42 | 0:23:44 | |
Trying to think, in my head, of a baguette. | 0:23:47 | 0:23:49 | |
A baguette doesn't have that, | 0:23:49 | 0:23:50 | |
a baguette has that. | 0:23:50 | 0:23:51 | |
Right or wrong, soon find out. | 0:23:58 | 0:24:00 | |
There's no mention of steam in Paul's instructions | 0:24:02 | 0:24:06 | |
and only some of the bakers have spotted this. | 0:24:06 | 0:24:09 | |
The water's just to give it a nice bit of steam in there, | 0:24:09 | 0:24:12 | |
which gives it a nice, good crust to it. | 0:24:12 | 0:24:15 | |
Professional bread ovens have steam injectors. | 0:24:18 | 0:24:21 | |
So, this is, like, how you can replicate it at home, apparently. | 0:24:21 | 0:24:25 | |
It's really good for your complexion. | 0:24:28 | 0:24:31 | |
Not all of the bakers have realised the secret | 0:24:31 | 0:24:34 | |
to Paul's perfectly crisp baguette. | 0:24:34 | 0:24:36 | |
Mais oui. | 0:24:37 | 0:24:39 | |
Right, I think I'll start with 15 minutes | 0:24:39 | 0:24:41 | |
and take it from there, really. | 0:24:41 | 0:24:43 | |
"Bake until golden brown." That's all it says. | 0:24:43 | 0:24:46 | |
Bear in mind what my wife says. | 0:24:46 | 0:24:47 | |
"Always leave it in for an extra 10 minutes." | 0:24:47 | 0:24:50 | |
I think baguettes are slightly under golden than over golden. | 0:24:50 | 0:24:54 | |
Can't do anything now, it's all in there, so have to wait. | 0:24:54 | 0:24:57 | |
I wished I baked a baguette before at home. | 0:25:00 | 0:25:02 | |
They have to be four mini baguettes, don't they? | 0:25:08 | 0:25:10 | |
-I don't know, actually. -What does it say? | 0:25:10 | 0:25:13 | |
So, I imagined it then. | 0:25:16 | 0:25:17 | |
You did. I was really happy when you said that. | 0:25:17 | 0:25:19 | |
I'm sure it said mini ones. | 0:25:19 | 0:25:21 | |
Ten minutes, bakers. | 0:25:26 | 0:25:27 | |
I'm using every minute there is. | 0:25:27 | 0:25:29 | |
I'm not rushing. | 0:25:29 | 0:25:31 | |
No, that's all right, bit longer. | 0:25:34 | 0:25:37 | |
Second guessing myself now. | 0:25:37 | 0:25:38 | |
I want to brown them a little bit more than they are. | 0:25:39 | 0:25:43 | |
Might have to stick it in another minute or so. | 0:25:43 | 0:25:46 | |
TIMER BEEPS | 0:25:46 | 0:25:48 | |
Time's up. | 0:25:48 | 0:25:49 | |
Let's look at these babies. | 0:25:52 | 0:25:54 | |
Golden. | 0:25:57 | 0:25:59 | |
I'm going to have a gander. | 0:25:59 | 0:26:01 | |
Yeah, let's go with those. | 0:26:04 | 0:26:06 | |
OK, bakers, just two minute before we release the man gorilla | 0:26:07 | 0:26:10 | |
that is Paul Hollywood. | 0:26:10 | 0:26:12 | |
Two minutes to go, that's OK. | 0:26:12 | 0:26:14 | |
Well, they look a little bit like baguettes. | 0:26:18 | 0:26:22 | |
That line, sort of, shows that it's under-proven. | 0:26:24 | 0:26:27 | |
I've got it on four of them, | 0:26:27 | 0:26:29 | |
so at least that's consistently under-proved. | 0:26:29 | 0:26:32 | |
They look all right, them. | 0:26:32 | 0:26:34 | |
Cutting it a little bit fine here. | 0:26:36 | 0:26:39 | |
Looks like I'm the last person to be taking something out the oven. | 0:26:49 | 0:26:52 | |
OK, bakers, baguette time is up. | 0:26:54 | 0:26:56 | |
HE WHISTLES | 0:26:56 | 0:26:58 | |
Please bring them up to the gingham altar in front of your photo. | 0:26:58 | 0:27:03 | |
What will Paul and Mary make of the Bake Off's first ever baguettes? | 0:27:06 | 0:27:10 | |
What we're looking for are four equal-sized baguettes - | 0:27:10 | 0:27:16 | |
crispy, cut on the top, good colour, | 0:27:16 | 0:27:19 | |
as opposed to ciabattas. | 0:27:19 | 0:27:21 | |
These look pretty good. | 0:27:21 | 0:27:23 | |
I can hear a nice crunch there. | 0:27:24 | 0:27:26 | |
It's crispy, good structure inside. | 0:27:27 | 0:27:30 | |
-Yeah, they're nice, they are. -You can't fault that. | 0:27:33 | 0:27:36 | |
Right. See underneath, the line, | 0:27:36 | 0:27:39 | |
normally means it's slightly under-proved, | 0:27:39 | 0:27:41 | |
but they're not bad. | 0:27:41 | 0:27:42 | |
-The flavour's good. -Just needed more crisping on the outside. | 0:27:44 | 0:27:46 | |
These look a bit more like ciabattas than they do baguettes. | 0:27:46 | 0:27:49 | |
The cuts are there. | 0:27:49 | 0:27:51 | |
Open structure. You can see. | 0:27:51 | 0:27:53 | |
Overall, they're not bad. | 0:27:53 | 0:27:54 | |
Soft. A million cuts down the middle, | 0:27:57 | 0:27:59 | |
variety of shapes, under-proved... | 0:27:59 | 0:28:02 | |
Flavour's there. | 0:28:05 | 0:28:07 | |
Moving on. Well, at least they're all the same size, Mary. | 0:28:07 | 0:28:10 | |
Split there, it's under-proved, see, both sides. | 0:28:10 | 0:28:13 | |
Soft... | 0:28:13 | 0:28:14 | |
and the colour's pretty bad too. | 0:28:14 | 0:28:17 | |
I think they look really good, the problem is, it's underbaked. | 0:28:17 | 0:28:20 | |
It needed another five, ten minutes in the oven. | 0:28:20 | 0:28:22 | |
You see how soft they are? | 0:28:22 | 0:28:24 | |
It's fine to eat. | 0:28:25 | 0:28:27 | |
Soft again, not long enough in the oven. | 0:28:28 | 0:28:31 | |
Fairly even shape. This side's fine. | 0:28:31 | 0:28:33 | |
Oh, dear. | 0:28:34 | 0:28:36 | |
Four soft...pieces of bread. | 0:28:36 | 0:28:39 | |
Which, actually, haven't been steamed in the oven. | 0:28:39 | 0:28:42 | |
Cuts are terrible. | 0:28:42 | 0:28:44 | |
I'm just feeling very sorry for whoever it is. | 0:28:44 | 0:28:46 | |
Right, this one has had steam. | 0:28:46 | 0:28:49 | |
The cuts are all wrong, the slashes should be on a diagonal. | 0:28:49 | 0:28:52 | |
They're too short. | 0:28:52 | 0:28:54 | |
-And they're not crisp, are they? -No. | 0:28:54 | 0:28:56 | |
Tastes OK. | 0:28:56 | 0:28:57 | |
We're back in Italy now making half-baked ciabattas. | 0:28:59 | 0:29:01 | |
Shape's all wrong, it's too fat. It needs to be long for a baguette. | 0:29:01 | 0:29:04 | |
It's got a nice colour underneath, come on. | 0:29:04 | 0:29:07 | |
It's barely baked. | 0:29:07 | 0:29:09 | |
Will anyone come out well from such a brutal judging? | 0:29:10 | 0:29:13 | |
So, in tenth place, whose is this? | 0:29:14 | 0:29:18 | |
It looks half-baked | 0:29:18 | 0:29:19 | |
and it's rather wide and short. | 0:29:19 | 0:29:21 | |
In ninth place is this one. | 0:29:21 | 0:29:23 | |
Nadiya, if you'd put steam in the oven, | 0:29:23 | 0:29:25 | |
it would have helped a little bit. | 0:29:25 | 0:29:27 | |
Mat is eighth, Sandy seventh, Dorret sixth, | 0:29:27 | 0:29:30 | |
Ugne is fifth and Alvin is fourth. | 0:29:30 | 0:29:33 | |
Number three is this one. | 0:29:33 | 0:29:35 | |
Good steam in the oven, | 0:29:36 | 0:29:38 | |
nice and equal baguette - | 0:29:38 | 0:29:40 | |
but you just brought them out far too early. | 0:29:40 | 0:29:42 | |
Who is two, here? | 0:29:42 | 0:29:44 | |
They've got good slashes, | 0:29:44 | 0:29:46 | |
they were a pretty good bake. | 0:29:46 | 0:29:48 | |
So, number one is this one. | 0:29:48 | 0:29:50 | |
-APPLAUSE -Well done, Ian. -Well done, Ian. | 0:29:50 | 0:29:54 | |
Don't get too cocky though. | 0:29:54 | 0:29:56 | |
Little bit longer would have been better, if I'm honest - | 0:29:56 | 0:29:59 | |
but they're a nice, equal, crispy, good texture. | 0:29:59 | 0:30:03 | |
Well done. | 0:30:03 | 0:30:04 | |
Might just have a little fizzy pop in the bar this evening. | 0:30:06 | 0:30:09 | |
Not too many though, just the one-off. | 0:30:09 | 0:30:11 | |
Maybe two. | 0:30:11 | 0:30:12 | |
I got second...again. | 0:30:12 | 0:30:14 | |
Paul Hollywood - he was punching bread | 0:30:14 | 0:30:16 | |
and shattering dreams in there. | 0:30:16 | 0:30:18 | |
It was nasty. | 0:30:18 | 0:30:20 | |
I think...I'm potentially in trouble. | 0:30:21 | 0:30:24 | |
That went badly, obviously. | 0:30:24 | 0:30:26 | |
I've done well in the signature, | 0:30:26 | 0:30:29 | |
I've done awful on the technical. | 0:30:29 | 0:30:31 | |
I seem to bring it back in the Showstopper. | 0:30:31 | 0:30:34 | |
It's a bit of a common theme with me at the moment. | 0:30:34 | 0:30:37 | |
Kristy Turlington, Linda Evangelista and Lily Cole... | 0:30:37 | 0:30:40 | |
That's great. When I said sculpt...roll models. | 0:30:40 | 0:30:44 | |
I didn't mean... | 0:30:44 | 0:30:46 | |
roll "models". | 0:30:46 | 0:30:48 | |
Roll models. | 0:30:48 | 0:30:49 | |
A lot of work went into those. | 0:30:49 | 0:30:51 | |
Here's how the Ukrainians do it. | 0:30:51 | 0:30:53 | |
The Ukrainians really love their bread. | 0:30:53 | 0:30:56 | |
So much so, that their flag represents a field of wheat | 0:30:56 | 0:30:59 | |
under a clear blue sky. | 0:30:59 | 0:31:01 | |
And a bread sculpture is the centrepiece | 0:31:01 | 0:31:03 | |
of any traditional wedding. | 0:31:03 | 0:31:05 | |
Ukrainian chef Olya Hercules | 0:31:05 | 0:31:08 | |
is trail-blazing a new wave of eastern European baking in Britain. | 0:31:08 | 0:31:12 | |
-Morning, all. -Morning. | 0:31:12 | 0:31:14 | |
Olya, good to see you. What's going on? | 0:31:14 | 0:31:16 | |
We're making a korovai, which is a traditional Ukrainian wedding bread. | 0:31:16 | 0:31:20 | |
So, instead of a cake, we normally make a massive, | 0:31:20 | 0:31:23 | |
lavishly-decorated bread. | 0:31:23 | 0:31:24 | |
And who's getting married? | 0:31:24 | 0:31:26 | |
Xenia's getting married. | 0:31:26 | 0:31:27 | |
Xenia, are you sure? | 0:31:27 | 0:31:28 | |
Yes, I'm very sure, yes. | 0:31:28 | 0:31:30 | |
Sure you want to do it? Go through with it? | 0:31:30 | 0:31:32 | |
-Do you always do this in a group? -Yes. | 0:31:32 | 0:31:34 | |
Traditionally, it's done by seven women | 0:31:34 | 0:31:36 | |
coming from seven different places. | 0:31:36 | 0:31:39 | |
It's all about transferring positive energy and vibes | 0:31:39 | 0:31:43 | |
into the bread for the bride and groom. | 0:31:43 | 0:31:46 | |
-Oh, really? Great, symbolically... -Yep. | 0:31:46 | 0:31:49 | |
..joining the main bread. Lovely. | 0:31:49 | 0:31:51 | |
So, is this the equivalent, then, of a Ukrainian hen do? | 0:31:51 | 0:31:54 | |
Kind of, yeah, just without the booze. | 0:31:54 | 0:31:56 | |
THEY CHUCKLE | 0:31:56 | 0:31:58 | |
We... Traditionally, women sing songs. | 0:31:58 | 0:32:00 | |
Could you start us off with something? | 0:32:00 | 0:32:03 | |
Not looking that keen over here. | 0:32:03 | 0:32:04 | |
LAUGHTER | 0:32:04 | 0:32:06 | |
SHE SINGS IN UKRAINIAN | 0:32:06 | 0:32:11 | |
And that, ladies, is the Eurovision entry for 2016. | 0:32:15 | 0:32:19 | |
What were you singing about? | 0:32:19 | 0:32:20 | |
About a girl dumping a guy. | 0:32:20 | 0:32:22 | |
Oh, not the best song. | 0:32:24 | 0:32:26 | |
A sweetened-enriched bread flavoured with vanilla, | 0:32:26 | 0:32:29 | |
korovai is decorated with dough figurines. | 0:32:29 | 0:32:32 | |
Pine cones represent fertility, | 0:32:32 | 0:32:34 | |
poppies for serenity | 0:32:34 | 0:32:35 | |
and birds are created in the likeness | 0:32:35 | 0:32:37 | |
of the guests at the wedding. | 0:32:37 | 0:32:39 | |
-Now, Slava, you're Xenia's aunt. -I am. | 0:32:39 | 0:32:42 | |
Have you been done already? | 0:32:42 | 0:32:44 | |
I actually haven't been done yet, Mel, | 0:32:44 | 0:32:46 | |
-so you've got an opportunity here to do... -I was hoping you say that. | 0:32:46 | 0:32:49 | |
-..a Slava dove. -You've got lovely hair, Slava. -Thank you. | 0:32:49 | 0:32:52 | |
The pressure is on to get the bake correct, | 0:32:52 | 0:32:54 | |
as folklore says, | 0:32:54 | 0:32:56 | |
"If the loaf cracks, the marriage will end in divorce." | 0:32:56 | 0:32:59 | |
Oh, it looks brilliant. | 0:32:59 | 0:33:01 | |
Do you want to do these ones? | 0:33:01 | 0:33:03 | |
Ukrainians aren't alone celebrating weddings with wheat. | 0:33:03 | 0:33:05 | |
On the island of Crete, breads shaped in floral wreathes | 0:33:05 | 0:33:08 | |
are presented as gifts to the wedding guests... | 0:33:08 | 0:33:11 | |
You're determined to get that Slava one in, aren't you? | 0:33:11 | 0:33:13 | |
..and in Poland, a loaf is sprinkled with salt, | 0:33:13 | 0:33:16 | |
said to represent tears, | 0:33:16 | 0:33:18 | |
hopefully, of joy. | 0:33:18 | 0:33:19 | |
Seven ladies. We rock. | 0:33:21 | 0:33:24 | |
The omens are good for Xenia's marriage. | 0:33:27 | 0:33:29 | |
I just feel sorry for whoever ends up eating the Slava dove. | 0:33:29 | 0:33:32 | |
Only one challenge left | 0:33:38 | 0:33:40 | |
before Paul and Mary decide who's excelled this week | 0:33:40 | 0:33:42 | |
and who will be going home. | 0:33:42 | 0:33:44 | |
Who's in line for Star Baker do you think, Mary? | 0:33:44 | 0:33:46 | |
It could be Alvin, he's done particularly well. | 0:33:46 | 0:33:50 | |
With the Manchego and the prosciutto, that was beautiful. | 0:33:50 | 0:33:52 | |
Flora did really well. | 0:33:52 | 0:33:54 | |
I think Ian's up there. | 0:33:54 | 0:33:55 | |
Absolutely. | 0:33:55 | 0:33:56 | |
So many different flavours. | 0:33:56 | 0:33:58 | |
Nadiya is having a nightmare in technical challenges - | 0:33:58 | 0:34:02 | |
right down the bottom in all three so far. | 0:34:02 | 0:34:04 | |
She's always better at things that she's practised at home. | 0:34:04 | 0:34:07 | |
For me, Dorret's in trouble. | 0:34:07 | 0:34:09 | |
I didn't particularly like her Signature Bake - | 0:34:09 | 0:34:11 | |
with the Stilton, I don't think it was good enough. | 0:34:11 | 0:34:13 | |
I think Mat has to be down there too | 0:34:13 | 0:34:15 | |
and anyone that comes in the bottom of a technical challenge, | 0:34:15 | 0:34:17 | |
such as Paul, automatically puts you in a very difficult position. | 0:34:17 | 0:34:21 | |
Morning, bakers. It's Showstopper day. | 0:34:23 | 0:34:26 | |
Paul and Mary are searching for the new Michelangel-dough. | 0:34:26 | 0:34:30 | |
We want you to make 3D bread sculptures. | 0:34:31 | 0:34:35 | |
So, you need to make up to three types of dough. | 0:34:35 | 0:34:38 | |
One of them needs to be filled and | 0:34:38 | 0:34:39 | |
you have five hours for your creations. | 0:34:39 | 0:34:42 | |
-So, on your marks... -Get set... -Bake! | 0:34:42 | 0:34:45 | |
I think I've definitely got to do well in this. | 0:34:49 | 0:34:52 | |
Yeah, I'm right down the bottom. | 0:34:52 | 0:34:53 | |
This is one of the trickiest challenges we've ever had. | 0:34:53 | 0:34:56 | |
They've really got to know their dough to create a sculpture. | 0:34:56 | 0:34:59 | |
As the dough grows, it can lose its definition. | 0:34:59 | 0:35:03 | |
We know our bakers can make one dough, | 0:35:03 | 0:35:06 | |
but can they manage three | 0:35:06 | 0:35:07 | |
AND a filling as well? | 0:35:07 | 0:35:09 | |
If they don't come prepared, | 0:35:09 | 0:35:11 | |
they're going to come unstuck. | 0:35:11 | 0:35:13 | |
-Morning. -Good morning. | 0:35:15 | 0:35:16 | |
MEL: Morning, Tamal. | 0:35:16 | 0:35:18 | |
MARY: Tell us about your sculpture. | 0:35:18 | 0:35:19 | |
I'm making a bread bicycle - or a bread-cycle. | 0:35:19 | 0:35:22 | |
So, the wheels are Chelsea buns | 0:35:23 | 0:35:25 | |
and the filling is marzipan and cranberries. | 0:35:25 | 0:35:28 | |
The frame of Tamal's two-wheeler | 0:35:28 | 0:35:30 | |
will be made from a woven fennel and lemon dough. | 0:35:30 | 0:35:33 | |
His third dough will make chai-spiced loaves | 0:35:33 | 0:35:36 | |
to go in the bike's basket. | 0:35:36 | 0:35:37 | |
So, the overall bike's going to be standing upright. | 0:35:37 | 0:35:39 | |
The weight on those Chelsea buns, | 0:35:39 | 0:35:41 | |
which are, essentially, a soft bread... | 0:35:41 | 0:35:44 | |
I'm trying to visualise how the whole things stands together. | 0:35:44 | 0:35:47 | |
So am I. | 0:35:47 | 0:35:49 | |
For my Showstopper, I'm making a cornucopia or a corn-of-plenty. | 0:35:49 | 0:35:54 | |
It's the first thing that came into my mind | 0:35:54 | 0:35:56 | |
when I heard a bread sculpture | 0:35:56 | 0:35:57 | |
because I've got relatives in the States - | 0:35:57 | 0:35:59 | |
and they have Thanksgiving, and they always have it there. | 0:35:59 | 0:36:02 | |
Alvin's planning an ambitious bake. | 0:36:02 | 0:36:04 | |
Inside his bread cornucopia will be five balsamic onion rolls, | 0:36:04 | 0:36:08 | |
three enriched dough plaits, | 0:36:08 | 0:36:10 | |
followed by pumpkins, a wheat sheath and pain de Provence. | 0:36:10 | 0:36:13 | |
So, this one is pain de Provence. | 0:36:13 | 0:36:15 | |
It's a fascination from growing in the Philippines. | 0:36:15 | 0:36:18 | |
It's a bread that you only get in patisseries | 0:36:18 | 0:36:20 | |
and French bakeries back home. | 0:36:20 | 0:36:23 | |
And, yeah, probably, it's that fixation from it. | 0:36:23 | 0:36:27 | |
Alvin's not the only highly ambitious baker. | 0:36:27 | 0:36:30 | |
Do better. | 0:36:30 | 0:36:31 | |
I know I can do it, I've just got to do it. | 0:36:32 | 0:36:34 | |
I'm making a lion sculpture | 0:36:34 | 0:36:37 | |
and it's called King Of The Jungle. | 0:36:37 | 0:36:38 | |
Paul's predator will have a white bread head, | 0:36:38 | 0:36:41 | |
a wholemeal tail and a body filled with figs and walnuts. | 0:36:41 | 0:36:44 | |
You've got to bring out those features of a lion - | 0:36:44 | 0:36:46 | |
which is the ears, it's the eyes, | 0:36:46 | 0:36:48 | |
it's the nose, it's the teeth, it's the claws. | 0:36:48 | 0:36:50 | |
If you say you're going to do a lion, it's got to look like a lion | 0:36:50 | 0:36:53 | |
and not like a dog or something like that. | 0:36:53 | 0:36:55 | |
Mat's sculpture also has to be accurate... | 0:36:55 | 0:36:58 | |
-Morning. -Morning. | 0:36:58 | 0:36:59 | |
..as it's one of Britain's most recognisable landmarks. | 0:36:59 | 0:37:02 | |
I'm making the Brighton Pavilion in bread. | 0:37:02 | 0:37:05 | |
Good gracious, me. | 0:37:05 | 0:37:06 | |
I know, they're all curry-inspired breads. | 0:37:06 | 0:37:09 | |
Mat's bready Brighton Pavilion | 0:37:09 | 0:37:11 | |
will have buildings stuffed with sag aloo, | 0:37:11 | 0:37:13 | |
curry-spiced domes | 0:37:13 | 0:37:14 | |
and lime pickle breadstick columns. | 0:37:14 | 0:37:17 | |
Sag aloo, which is going to be rolled in the dough | 0:37:17 | 0:37:19 | |
like a Chelsea bun. | 0:37:19 | 0:37:21 | |
Is there a danger that the building itself will "sag aloo." | 0:37:21 | 0:37:24 | |
I hope not, it hasn't so far. | 0:37:24 | 0:37:26 | |
How are you bonding them together? | 0:37:26 | 0:37:28 | |
-Gravity. -You... OK. | 0:37:28 | 0:37:29 | |
I'm pretty sure that's how they worked the actual pavilion, just... | 0:37:29 | 0:37:33 | |
Yeah, probably. | 0:37:33 | 0:37:34 | |
I'm making a snake charmer's basket with a snake and some flutes. | 0:37:34 | 0:37:38 | |
It was inspired by my travels to my grandad's village | 0:37:38 | 0:37:41 | |
in Bangladesh. | 0:37:41 | 0:37:43 | |
Like Mat, Nadiya's creating a spicy Showstopper. | 0:37:43 | 0:37:46 | |
Hers will include a woven basket | 0:37:46 | 0:37:48 | |
flavoured with za'atar, garlic and parsley flutes, | 0:37:48 | 0:37:51 | |
plus a snake packed with fried onions and chilli. | 0:37:51 | 0:37:53 | |
I've tried the snake loads of times | 0:37:53 | 0:37:55 | |
and he just does explode in the oven. He's enormous. | 0:37:55 | 0:37:58 | |
So, I think after doing him six times, | 0:37:58 | 0:38:01 | |
the trick is to just keep him small to begin with. | 0:38:01 | 0:38:04 | |
The challenges are once again | 0:38:09 | 0:38:11 | |
flavour, texture, design - | 0:38:11 | 0:38:13 | |
which is bottom of my list, actually. | 0:38:13 | 0:38:16 | |
Sandy's making a blue cheese and walnut basket | 0:38:16 | 0:38:18 | |
filled with wholemeal flours on pesto breadstick stalks. | 0:38:18 | 0:38:22 | |
My inspiration are the poppies from the Tower of London | 0:38:22 | 0:38:25 | |
to commemorate the war. | 0:38:25 | 0:38:27 | |
I thinks it's the simplicity of a poppy | 0:38:27 | 0:38:29 | |
that is so inspiring really. | 0:38:29 | 0:38:32 | |
Kind of waiting for stuff to rise | 0:38:35 | 0:38:37 | |
makes me feel uneasy. | 0:38:37 | 0:38:39 | |
So, I'm making three different herb breads | 0:38:44 | 0:38:48 | |
and then I'm doing courgette bread as well - so a green theme. | 0:38:48 | 0:38:52 | |
Flora's fashioning a three-tiered skirt | 0:38:52 | 0:38:54 | |
from white, wholemeal and courgette baguettes filled with pesto. | 0:38:54 | 0:38:58 | |
A corset, made from dough, completes the outfit. | 0:38:58 | 0:39:01 | |
In practises, I've broken the corset, I just dropped it. | 0:39:01 | 0:39:04 | |
It's very, very fragile. | 0:39:04 | 0:39:06 | |
This looks all very interesting. | 0:39:06 | 0:39:08 | |
Tell me what you're going to sculpt then. | 0:39:08 | 0:39:10 | |
It's basically a black olive and Parmesan plant. | 0:39:10 | 0:39:14 | |
The earth is going to be baked in a flowerpot, | 0:39:14 | 0:39:16 | |
so it's going to be my classic every-day seedy loaf | 0:39:16 | 0:39:20 | |
that I make at home for the family. | 0:39:20 | 0:39:22 | |
Ian's black olive and Parmesan plant | 0:39:22 | 0:39:24 | |
will feature brioche flowers | 0:39:24 | 0:39:26 | |
filled with a rose and raspberry marzipan. | 0:39:26 | 0:39:28 | |
And your flowerpot? They are quite tricky things to bake in. | 0:39:28 | 0:39:31 | |
-I've cooked in it several times but I'm still lining it as well. -OK. | 0:39:31 | 0:39:35 | |
Ian, you are Bake Off's first flowerpot man... | 0:39:35 | 0:39:38 | |
and for that, I commend you. | 0:39:38 | 0:39:40 | |
It's got dough everywhere. Dough-verload. | 0:39:41 | 0:39:43 | |
Don't want leave it too long because it will start going out of shape | 0:39:48 | 0:39:51 | |
and then your features are gone, so it's a bit of a time issue there. | 0:39:51 | 0:39:54 | |
I find you sculpting a lion's mouth. | 0:39:54 | 0:39:56 | |
-As you do. -As you do. | 0:39:56 | 0:39:58 | |
If Aslan ever needs facial reconstructive surgery, | 0:39:58 | 0:40:00 | |
you're the man. | 0:40:00 | 0:40:02 | |
I haven't actually practised this baked. | 0:40:02 | 0:40:04 | |
This is completely theoretical. | 0:40:04 | 0:40:07 | |
Dorret's taking inspiration from artist Tracey Emin's unmade bed. | 0:40:07 | 0:40:11 | |
Her sculpture will feature a raisin and fennel headboard, | 0:40:11 | 0:40:14 | |
a mattress stuffed with marzipan and glace cherries, | 0:40:14 | 0:40:17 | |
and an enriched dough duvet. | 0:40:17 | 0:40:19 | |
I'm making a stuffed dough with nuts | 0:40:19 | 0:40:22 | |
and fruit to look like that puffy mattress sort of effect. | 0:40:22 | 0:40:26 | |
Have you ever made this before? | 0:40:26 | 0:40:28 | |
I've made lots of beds. | 0:40:28 | 0:40:30 | |
None out of bread. | 0:40:30 | 0:40:32 | |
Have you made beds out of dough? | 0:40:32 | 0:40:34 | |
No. The doughs, I've made. | 0:40:34 | 0:40:35 | |
As you would say, you're winging it a bit today. | 0:40:35 | 0:40:38 | |
Yeah. | 0:40:38 | 0:40:39 | |
-Good luck. -Thank you. | 0:40:39 | 0:40:42 | |
Like Dorret, Ugne's making a sweet, enriched dough | 0:40:42 | 0:40:45 | |
which produces a softer bread that's harder to sculpt. | 0:40:45 | 0:40:49 | |
I'm making a Easter basket, | 0:40:49 | 0:40:51 | |
I'm going to fill it with truffle-infused brioche bunnies. | 0:40:51 | 0:40:55 | |
Cover them with a maple syrup frosting... | 0:40:55 | 0:40:57 | |
Truffle with maple frosting as well? | 0:40:57 | 0:40:59 | |
Yeah, and... | 0:40:59 | 0:41:01 | |
-crispy bacon bits on top. -PAUL SIGHS | 0:41:01 | 0:41:03 | |
It taste amazing. | 0:41:03 | 0:41:05 | |
Ugne's unique Easter bake will also include a coffee and cardamom | 0:41:05 | 0:41:09 | |
woven basket, plus brioche red roses filled with prunes. | 0:41:09 | 0:41:13 | |
It's one of those things that's wait and see. | 0:41:13 | 0:41:15 | |
-Thank you. -Thank you. | 0:41:15 | 0:41:17 | |
I love truffle oil in anything really. | 0:41:17 | 0:41:21 | |
I'm going to stick to my guns. | 0:41:21 | 0:41:22 | |
Stuffed breads can be tricky. | 0:41:27 | 0:41:29 | |
The more filling the bakers add, | 0:41:29 | 0:41:31 | |
the longer the loaves need in the oven. | 0:41:31 | 0:41:34 | |
These are my Chelsea buns. | 0:41:34 | 0:41:36 | |
This is definitely out of everyone's comfort zone. | 0:41:36 | 0:41:39 | |
If it's not encased properly in the centre, | 0:41:39 | 0:41:41 | |
I find that it just spills out everywhere - | 0:41:41 | 0:41:43 | |
so I'm trying to keep it, sort of, uniform. | 0:41:43 | 0:41:46 | |
So, I've done the filling, this is marzipan. | 0:41:46 | 0:41:49 | |
It's nutty, it's fruity, it's zesty. | 0:41:49 | 0:41:52 | |
It's a nice stuffed mattress, | 0:41:52 | 0:41:54 | |
just the kind you'd like to lie on. | 0:41:54 | 0:41:57 | |
In each of the pestles for the flowers, | 0:41:57 | 0:41:59 | |
I'm going to have freeze-dried raspberry marzipan. | 0:41:59 | 0:42:03 | |
It looks more like a snake and less like roadkill now. | 0:42:03 | 0:42:06 | |
Problem with dough is, it's got a life of its own. | 0:42:07 | 0:42:10 | |
It'll start to move around. | 0:42:10 | 0:42:11 | |
I have to support some areas with foil while it's baking. | 0:42:11 | 0:42:15 | |
Oh, let's do it. | 0:42:15 | 0:42:17 | |
The first bake is crucial. | 0:42:17 | 0:42:18 | |
Only when their bread is in the oven, | 0:42:18 | 0:42:20 | |
will the bakers know if it's held its shape | 0:42:20 | 0:42:22 | |
or if the fillings have spilled out. | 0:42:22 | 0:42:25 | |
And now the duvet. | 0:42:28 | 0:42:30 | |
This is where theory meets reality. | 0:42:30 | 0:42:32 | |
OK, bread-ren. It's halfway. Halfway gone. | 0:42:32 | 0:42:35 | |
It's a lovely calm countryside out here. In here, it's just... | 0:42:39 | 0:42:43 | |
My bunnies losing their eyes. | 0:42:48 | 0:42:50 | |
They will be blind bunnies. | 0:42:50 | 0:42:51 | |
To guard against any mishap with the next stage of his Showstopper, | 0:42:53 | 0:42:57 | |
yet again, Ian's brought something from home. | 0:42:57 | 0:43:01 | |
So, I've been out with my angle grinder again. | 0:43:01 | 0:43:04 | |
Carving out this sheet of steel into a mould. | 0:43:04 | 0:43:07 | |
Believe it or not, it's going to turn into a black olive | 0:43:07 | 0:43:09 | |
and Parmesan, sort of, plant. | 0:43:09 | 0:43:12 | |
But for her poppies, Sandy hasn't gone quite so hi-tech. | 0:43:12 | 0:43:17 | |
I'm going to just scrunch up some tinfoil a bit more. | 0:43:17 | 0:43:20 | |
Artisan. | 0:43:22 | 0:43:23 | |
I'm glad you got the brief that | 0:43:30 | 0:43:32 | |
-we wanted enough bread to feed the whole of the South West. -Yes. | 0:43:32 | 0:43:35 | |
One out... | 0:43:40 | 0:43:41 | |
..one in. | 0:43:43 | 0:43:44 | |
I think happy with the colour and bake. | 0:43:48 | 0:43:51 | |
The head's relatively small, so that's good. | 0:43:51 | 0:43:54 | |
I'm really pleased with that. | 0:43:55 | 0:43:57 | |
I think I'm up against it. | 0:44:01 | 0:44:02 | |
I just need a bigger oven. | 0:44:02 | 0:44:04 | |
Yeah, it needs to come off the mould. | 0:44:12 | 0:44:15 | |
That is always a nightmare | 0:44:19 | 0:44:21 | |
and I've broken them several times before doing this. | 0:44:21 | 0:44:24 | |
So, the first time, the first time I practise it, | 0:44:36 | 0:44:38 | |
when I pull the mould out, the whole thing just caved in. | 0:44:38 | 0:44:42 | |
Ta-da. | 0:45:10 | 0:45:12 | |
Yay. | 0:45:15 | 0:45:16 | |
Oh, blimey. Oh, don't look behind. | 0:45:18 | 0:45:21 | |
I'm working on that "less is more" kind of attitude. | 0:45:21 | 0:45:24 | |
I've never seen so much bread, | 0:45:28 | 0:45:30 | |
you can open your own bread shop right here, right now. | 0:45:30 | 0:45:33 | |
Split a bit. I didn't want that to happen. | 0:45:39 | 0:45:41 | |
Didn't need that. | 0:45:48 | 0:45:50 | |
Good catch. He took a dive for his roll. | 0:45:50 | 0:45:52 | |
This is a mattress. | 0:45:54 | 0:45:56 | |
It's fine. Just going to put it back in to make sure | 0:45:56 | 0:45:58 | |
it's baked all the way through. | 0:45:58 | 0:46:00 | |
I really don't like these bunnies. | 0:46:00 | 0:46:02 | |
Which bunnies? | 0:46:02 | 0:46:03 | |
Which ones? Thank you, it means you don't see them. | 0:46:03 | 0:46:05 | |
I like... They are... | 0:46:05 | 0:46:08 | |
I'm not doing very well, am I? | 0:46:08 | 0:46:09 | |
Bakers, time to scream like Bread-vard Munch, 15 minutes. | 0:46:12 | 0:46:16 | |
15? Argh. | 0:46:16 | 0:46:18 | |
I love this - high fashion and baking. | 0:46:20 | 0:46:22 | |
I'm going to start doing a bit of assembly stuff. | 0:46:24 | 0:46:27 | |
I just want to get it on there now. | 0:46:29 | 0:46:31 | |
Time to...spike my flowers. | 0:46:39 | 0:46:42 | |
It just feels simple compared to some others. | 0:46:49 | 0:46:52 | |
You know what, if it tastes good, you'll be fine. | 0:46:52 | 0:46:55 | |
Yeah, that's what I'm hoping. | 0:46:55 | 0:46:56 | |
Bakers, one minute left on your sculpting. | 0:47:06 | 0:47:08 | |
I'm not functioning any more. | 0:47:15 | 0:47:17 | |
Oh! | 0:47:19 | 0:47:21 | |
It just looks like a lot of man-handled bread. | 0:47:21 | 0:47:23 | |
OK, Bakers, that's it. Time's up. | 0:47:26 | 0:47:27 | |
Step away from your bakes, please. | 0:47:27 | 0:47:29 | |
I think that looks spectacular. | 0:47:53 | 0:47:55 | |
What impresses me about your three different breads is, | 0:47:55 | 0:47:57 | |
there's almost a different technique in each. | 0:47:57 | 0:47:59 | |
I would be very proud if I'd made that. | 0:47:59 | 0:48:01 | |
Let's have a look at the Chelsea bun. | 0:48:01 | 0:48:04 | |
Lovely and chewy. | 0:48:04 | 0:48:06 | |
As a bake, it doesn't get much better than a Chelsea bun. | 0:48:06 | 0:48:09 | |
Well done, Tamal. | 0:48:09 | 0:48:10 | |
MEL: Ride off into the sunset. | 0:48:10 | 0:48:12 | |
-The whole thing, to me, is just a little but clumsy. -OK. | 0:48:19 | 0:48:23 | |
-Right, the poppies - cardboard. -Bitter. | 0:48:23 | 0:48:26 | |
You could take each petal off like that | 0:48:28 | 0:48:31 | |
and put it in a dip, | 0:48:31 | 0:48:32 | |
-and that... -Yep. -..would be absolutely fine. | 0:48:32 | 0:48:35 | |
The star of the show, really. is your pesto grissinis - | 0:48:35 | 0:48:38 | |
they taste fantastic. | 0:48:38 | 0:48:39 | |
Alvin, would you like to bring your bakery up, please? | 0:48:43 | 0:48:47 | |
Do you need a hand, Alvin? | 0:48:47 | 0:48:48 | |
Yes, please. | 0:48:48 | 0:48:51 | |
-INDISTINCT CHAT -All right. | 0:48:51 | 0:48:53 | |
And guard it with your life. | 0:48:53 | 0:48:54 | |
-I'm very frightened right now. -Thank you. | 0:48:54 | 0:48:56 | |
Vehicle reversing. | 0:48:56 | 0:48:59 | |
MARY: You've achieved an awful lot in your five hours. | 0:48:59 | 0:49:02 | |
This is the pain de Provence. | 0:49:02 | 0:49:03 | |
The texture that you've got on that...is beautiful. | 0:49:05 | 0:49:09 | |
The craft on that is really perfect. | 0:49:09 | 0:49:12 | |
There's no questioning your bread-making skills. | 0:49:12 | 0:49:14 | |
Each individual piece is baked to perfection. | 0:49:14 | 0:49:17 | |
Just be aware of the brief in future. | 0:49:17 | 0:49:20 | |
If we ask you to make A sculpture, | 0:49:20 | 0:49:21 | |
try not to do too many. | 0:49:21 | 0:49:23 | |
The moment you lift it up, you smell the truffle oil. | 0:49:29 | 0:49:32 | |
Yeah. Got it. | 0:49:32 | 0:49:34 | |
I'm not sure about truffle oil with brioche. | 0:49:34 | 0:49:38 | |
PAUL SIGHS | 0:49:38 | 0:49:39 | |
It's too musty to go with something so sweet and so delicate. | 0:49:43 | 0:49:47 | |
Right. All the bakes are pretty good. | 0:49:47 | 0:49:50 | |
But just leave out the truffle oil. | 0:49:50 | 0:49:52 | |
That's a sculpture. That's one piece, it's uniform, it's simple. | 0:49:58 | 0:50:01 | |
It's truly magnificent. | 0:50:01 | 0:50:03 | |
I think what we need to do is, try one of the flowers. | 0:50:03 | 0:50:06 | |
It's lovely. | 0:50:07 | 0:50:08 | |
Flowerpots can be quite tricky things to bake in. | 0:50:11 | 0:50:13 | |
Lovely flavour. | 0:50:13 | 0:50:14 | |
I think you've got away with it. It is baked. But...just. | 0:50:18 | 0:50:22 | |
-I think your family are very lucky to have this every week. -OK. | 0:50:22 | 0:50:24 | |
-I think you've really thought it through. -Cool. | 0:50:24 | 0:50:27 | |
I love the way that you have made things so delicate, so perfect. | 0:50:35 | 0:50:39 | |
I think the pesto tastes amazing. | 0:50:44 | 0:50:46 | |
To get that much flavour in such a small amount of bread, | 0:50:46 | 0:50:50 | |
you've got it absolutely spot on. | 0:50:50 | 0:50:52 | |
-It's really good. -Thank you. | 0:50:52 | 0:50:54 | |
The colour of that snake is just unbelievable. | 0:50:59 | 0:51:02 | |
I think it's fantastic. | 0:51:02 | 0:51:03 | |
It certainly tastes smoky. | 0:51:09 | 0:51:11 | |
It's fiery. It's got a bit of heat in there. | 0:51:11 | 0:51:14 | |
The wholemeal basket with the za'atar, | 0:51:14 | 0:51:16 | |
it probably could have done with a little bit longer in the oven. | 0:51:16 | 0:51:19 | |
-It's a little bit too soft. -OK. | 0:51:19 | 0:51:21 | |
I think the whole thing together is good. | 0:51:21 | 0:51:24 | |
I think the problem is with the basket. | 0:51:24 | 0:51:26 | |
MEL ROARS | 0:51:32 | 0:51:33 | |
THAT is one of the best things I've seen in bread, ever. | 0:51:39 | 0:51:42 | |
-HE EXHALES -That is absolutely fantastic. | 0:51:42 | 0:51:45 | |
It's knowledge of dough, it's how you manipulate it, | 0:51:45 | 0:51:47 | |
it's got yeast in it, it's edible. | 0:51:47 | 0:51:49 | |
Just to do that with a salt dough is hard enough. | 0:51:49 | 0:51:52 | |
To do it with a risen dough... | 0:51:52 | 0:51:54 | |
I wouldn't have attempted anything like that. That is exceptional. | 0:51:54 | 0:51:58 | |
The detail that you've done, | 0:51:58 | 0:52:00 | |
the almonds in the claws... | 0:52:00 | 0:52:01 | |
Chunk off this. | 0:52:01 | 0:52:02 | |
That is packed with flavour. | 0:52:04 | 0:52:05 | |
Very, very good indeed. | 0:52:05 | 0:52:07 | |
-I'm pleased. -Thank you. | 0:52:07 | 0:52:08 | |
It is really effective because you just simplified everything | 0:52:15 | 0:52:18 | |
and I love that. | 0:52:18 | 0:52:20 | |
So, we've got one. | 0:52:20 | 0:52:22 | |
It's under-proved and it's underbaked. | 0:52:23 | 0:52:25 | |
It's a lovely flavour. | 0:52:28 | 0:52:30 | |
So you got a sag aloo inside the bread? | 0:52:30 | 0:52:32 | |
-Inside all four of those, yeah. -It's a clever idea. | 0:52:32 | 0:52:34 | |
The flavours are nice. | 0:52:34 | 0:52:36 | |
-It just came down to like ten minutes in an oven. -Yeah. | 0:52:36 | 0:52:39 | |
To choose something that's untidy to start with | 0:52:49 | 0:52:52 | |
doesn't give us a good impression when we actually first look at it. | 0:52:52 | 0:52:56 | |
Is that five hours work? | 0:52:58 | 0:53:00 | |
-No, it isn't. -OK. | 0:53:00 | 0:53:02 | |
I like the idea of this sitting on the top. | 0:53:02 | 0:53:04 | |
When you managed to get that shape out of it. | 0:53:04 | 0:53:06 | |
The bedhead - it's not defined enough. | 0:53:06 | 0:53:08 | |
Raisin and fennel works well. | 0:53:11 | 0:53:14 | |
It's a very good tasting bedhead. | 0:53:14 | 0:53:16 | |
OK. | 0:53:16 | 0:53:17 | |
Let's take the side off this. | 0:53:17 | 0:53:19 | |
It's just about baked. | 0:53:23 | 0:53:24 | |
As you move into the middle... | 0:53:24 | 0:53:27 | |
..it's raw. | 0:53:30 | 0:53:31 | |
Because you got layers of marzipan and apricots, | 0:53:31 | 0:53:33 | |
and all sorts of things going on, | 0:53:33 | 0:53:35 | |
the heat can't penetrate into the middle. | 0:53:35 | 0:53:38 | |
It needed more careful planning, I think, | 0:53:39 | 0:53:41 | |
-on the whole thing. -Sure. | 0:53:41 | 0:53:42 | |
I think it's fair to say that was a memorable Showstopper. | 0:53:51 | 0:53:55 | |
Paul's lion face was SO detailed. | 0:53:55 | 0:53:57 | |
Absolutely amazing. | 0:53:57 | 0:53:59 | |
Paul was in trouble before this, | 0:53:59 | 0:54:00 | |
which just seems a light-year away. | 0:54:00 | 0:54:02 | |
He failed in the technical challenge | 0:54:02 | 0:54:04 | |
but then he's bounced back in a massive way. | 0:54:04 | 0:54:06 | |
I think when you look at Nadiya, who was ninth in the technical, | 0:54:06 | 0:54:09 | |
today, the thing that saved her was the flavour of that snake. | 0:54:09 | 0:54:12 | |
-And the look of it. -MEL: Yeah. | 0:54:12 | 0:54:13 | |
I think the people who did best today, | 0:54:13 | 0:54:16 | |
did a sculpture... | 0:54:16 | 0:54:17 | |
Something simple, something complete. | 0:54:17 | 0:54:19 | |
I did actually like Ian's idea of the plant pot. | 0:54:19 | 0:54:22 | |
The flavours that he got through there so... | 0:54:22 | 0:54:24 | |
You know, Ian's had another strong week. | 0:54:24 | 0:54:26 | |
Could you mention Alvin? I mean, fourth in the technical. | 0:54:26 | 0:54:29 | |
Top, as far as I was concerned, in the signature. | 0:54:29 | 0:54:32 | |
Now, Mat and Dorret were both in trouble | 0:54:32 | 0:54:36 | |
as we went into the Showstopper, are they still there for you, Paul? | 0:54:36 | 0:54:39 | |
Well, they both needed to really pick their game up | 0:54:39 | 0:54:41 | |
and I don't think either of them did, really. | 0:54:41 | 0:54:43 | |
I think Dorret's just seemed a bit chucked together. | 0:54:43 | 0:54:46 | |
I know, when you add so much filling, | 0:54:46 | 0:54:48 | |
-you're never going to get it baked. -Yeah. | 0:54:48 | 0:54:50 | |
When you went in the middle, it was raw. | 0:54:50 | 0:54:52 | |
When you look at Mat, the flavours were good | 0:54:52 | 0:54:54 | |
and the design, I thought, was fantastic - | 0:54:54 | 0:54:57 | |
but Mat's bake it was OK. | 0:54:57 | 0:54:58 | |
-I think it was ten minutes away. -Hmm. | 0:54:58 | 0:55:01 | |
Do you think you might know who is going today? | 0:55:01 | 0:55:03 | |
I've sort of made up my mind but I would like to talk to Paul about it. | 0:55:03 | 0:55:06 | |
-Shall we allow that? -Let's allow it. -I think we might. -Yeah. | 0:55:06 | 0:55:10 | |
Bakers, I have the fun job this week. | 0:55:16 | 0:55:19 | |
I'm going to start with something we've actually never done before, | 0:55:19 | 0:55:22 | |
which is give out a special commendation... | 0:55:22 | 0:55:25 | |
..and this goes to Paul. | 0:55:26 | 0:55:28 | |
Because Paul has never, ever, in his life seen a bread sculpture... | 0:55:28 | 0:55:33 | |
a magnificent as that one - so round of applause and congratulations. | 0:55:33 | 0:55:36 | |
APPLAUSE | 0:55:36 | 0:55:39 | |
And now to Star Baker. | 0:55:39 | 0:55:41 | |
This week's Star Baker... | 0:55:41 | 0:55:43 | |
created a flower so delicious, | 0:55:43 | 0:55:46 | |
I want to eat the entire herbaceous border. | 0:55:46 | 0:55:49 | |
Once again, it's Ian. | 0:55:49 | 0:55:52 | |
APPLAUSE | 0:55:52 | 0:55:56 | |
I've got the sadder job this week. | 0:55:56 | 0:55:58 | |
We can't take everyone with us... | 0:56:00 | 0:56:02 | |
so I'm afraid that we will be saying goodbye this week... | 0:56:02 | 0:56:06 | |
..to Dorret. | 0:56:09 | 0:56:11 | |
We're very sad to see you go, Dorret. | 0:56:11 | 0:56:13 | |
It's been great. Thank you. | 0:56:14 | 0:56:16 | |
It would have been nice to stay a little bit longer. | 0:56:16 | 0:56:19 | |
I've got some recipes that I have actually practised. | 0:56:19 | 0:56:23 | |
But, yeah, it's been awesome. | 0:56:23 | 0:56:25 | |
Have you enjoyed it? | 0:56:25 | 0:56:26 | |
Oh, yeah, it's been fantastic. | 0:56:26 | 0:56:28 | |
To not test and try the Showstopper at home is a mistake - | 0:56:28 | 0:56:34 | |
and Dorret has found that out. | 0:56:34 | 0:56:37 | |
But I did have a word with Mat and said, | 0:56:37 | 0:56:39 | |
"You've got to raise your game, mate." | 0:56:39 | 0:56:41 | |
Well done. | 0:56:41 | 0:56:42 | |
Thank you very much. | 0:56:42 | 0:56:43 | |
This is getting weird now. | 0:56:43 | 0:56:44 | |
Star Baker again. | 0:56:44 | 0:56:46 | |
I feel like chucking myself in that river and... | 0:56:46 | 0:56:49 | |
You're learning, you're producing things, | 0:56:49 | 0:56:51 | |
you're meeting new friends, meeting new people - the whole process. | 0:56:51 | 0:56:54 | |
But to get, then, on top, a commendation from Paul | 0:56:54 | 0:56:57 | |
of how good it was, yeah... | 0:56:57 | 0:56:59 | |
Fantastic. | 0:56:59 | 0:57:00 | |
My wife told me before I came up for bread week that | 0:57:00 | 0:57:03 | |
I had to bake everything for at least 10 minutes longer | 0:57:03 | 0:57:06 | |
than I normally would and, yeah, she's right, so... | 0:57:06 | 0:57:10 | |
I'll be in trouble when this goes out. | 0:57:10 | 0:57:12 | |
Next time... | 0:57:12 | 0:57:13 | |
This always gets messy. | 0:57:13 | 0:57:15 | |
..it's desserts... | 0:57:15 | 0:57:16 | |
Burning flesh. | 0:57:16 | 0:57:17 | |
..with a Signature that sends the bakers into a wobble... | 0:57:18 | 0:57:21 | |
The right wobble would be...that. | 0:57:21 | 0:57:24 | |
They've just not set at all, damn. | 0:57:24 | 0:57:27 | |
..a technical challenge of crumbling construction... | 0:57:27 | 0:57:30 | |
It's the most feminine version of plastering you could imagine. | 0:57:30 | 0:57:33 | |
..and a monumental Showstopper... | 0:57:33 | 0:57:35 | |
Tell me, please that you don't use that on your patients. | 0:57:35 | 0:57:37 | |
..that might just push them... | 0:57:37 | 0:57:39 | |
The challenge is souffles, yeah? | 0:57:39 | 0:57:40 | |
..over the edge. | 0:57:40 | 0:57:42 | |
What have I done? | 0:57:42 | 0:57:43 | |
I feel like I'm sat here like David Attenborough. | 0:57:44 | 0:57:46 | |
"And if we just sit very quietly, here, | 0:57:46 | 0:57:49 | |
"we'll soon see the brulees coming out." | 0:57:49 | 0:57:52 |