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-Oh! Fill your lungs, mate - that is the smell of British summertime. -Mm. | 0:00:02 | 0:00:05 | |
Cut grass, blossom on the trees... | 0:00:05 | 0:00:08 | |
THEY SNIFF | 0:00:08 | 0:00:10 | |
Oh - I'm getting adrenaline, and caramelised butter and sugar and... | 0:00:10 | 0:00:16 | |
-I... I think that's your armpits I'm getting. -I do apologise. -Oh, dear. | 0:00:16 | 0:00:20 | |
-Welcome... BOTH: -..to The Great British Bake Off. | 0:00:20 | 0:00:22 | |
'Last time, the bakers had to bake without gluten, dairy and sugar.' | 0:00:24 | 0:00:28 | |
Icing gusset... THEY LAUGH | 0:00:29 | 0:00:31 | |
I mean, can you knead a liquid? | 0:00:31 | 0:00:33 | |
One ugly-looking cake. | 0:00:33 | 0:00:35 | |
'Ugne had a double disaster, and went home. | 0:00:35 | 0:00:38 | |
-'Nadiya won Star Baker...' -It looks really most exciting. | 0:00:39 | 0:00:43 | |
'..and broke Ian's run at the top. | 0:00:43 | 0:00:45 | |
'This week, the seven remaining bakers tackle pastry...' | 0:00:46 | 0:00:49 | |
It's so difficult to roll, I don't know why. | 0:00:49 | 0:00:52 | |
-It's burning. -Oh, it's burning. | 0:00:52 | 0:00:53 | |
The frangipane is baked to perfection. | 0:00:53 | 0:00:55 | |
'..suffer the most pungent Technical Challenge so far...' | 0:00:55 | 0:00:58 | |
It's like sweaty old socks. | 0:00:58 | 0:00:59 | |
'..and batch-bake a retro Showstopper.' | 0:00:59 | 0:01:01 | |
This is SO fiddly! | 0:01:01 | 0:01:03 | |
-I cannot do 48 in five minutes. -OK. Do as many as you can. | 0:01:06 | 0:01:08 | |
This is ridiculous! | 0:01:10 | 0:01:11 | |
Just realised it's pastry week. | 0:01:11 | 0:01:13 | |
'I did it! I got Star Baker.' | 0:01:38 | 0:01:41 | |
But last week's over. It's a new week this week. | 0:01:41 | 0:01:44 | |
Last week - oh, dear, dear, dear. | 0:01:46 | 0:01:49 | |
I would quite like to get Star Baker. I'm going to say the words. | 0:01:50 | 0:01:53 | |
Oh, God, I've jinxed it. Why did I say it? | 0:01:53 | 0:01:55 | |
Good morning, bakers. | 0:01:57 | 0:01:59 | |
For this morning's Signature Challenge, | 0:01:59 | 0:02:01 | |
-Paul and Mary would very much like you to make a frangipane tart. -Oh. | 0:02:01 | 0:02:04 | |
Now, frangipane cream, for your information, | 0:02:04 | 0:02:07 | |
was named after the 16th-century Italian noblewoman | 0:02:07 | 0:02:09 | |
Muzio Frangipani... | 0:02:09 | 0:02:12 | |
-Nice. -..and pastry cases after the 16th-century Italian nobleman | 0:02:12 | 0:02:16 | |
Giovanni Shortcrust. | 0:02:16 | 0:02:18 | |
Now - your tart must be open-top, | 0:02:18 | 0:02:21 | |
it must be made of shortcrust pastry, | 0:02:21 | 0:02:24 | |
and most important of all, you've got two hours on this, bakers. | 0:02:24 | 0:02:27 | |
-On your marks... -Get set... -BOTH: -..bake. | 0:02:27 | 0:02:29 | |
I wouldn't say I'm king of pastry, no! | 0:02:34 | 0:02:36 | |
So nervous this week. | 0:02:36 | 0:02:38 | |
I just feel like I need to... | 0:02:38 | 0:02:41 | |
get better. | 0:02:41 | 0:02:43 | |
'I'm not feeling massively confident, really.' | 0:02:43 | 0:02:45 | |
Underprepared, I think. | 0:02:45 | 0:02:46 | |
To make a good short pastry you need to just bring it together, | 0:02:48 | 0:02:51 | |
but not overwork it - | 0:02:51 | 0:02:52 | |
then it's too rubbery cos you build up the gluten. | 0:02:52 | 0:02:54 | |
You want it to break and almost melt in the mouth, | 0:02:54 | 0:02:57 | |
but strong enough to hold the frangipane. It's a tricky one. | 0:02:57 | 0:02:59 | |
They all SHOULD be able to make a good sweet shortcrust pastry, | 0:02:59 | 0:03:03 | |
but it's a real test for them NOT to get a soggy bottom. | 0:03:03 | 0:03:07 | |
The bakers all start by making their shortcrust. | 0:03:07 | 0:03:10 | |
I want all the butter evenly mixed in so you don't get big lumps, | 0:03:11 | 0:03:14 | |
but it should look a bit like breadcrumbs at the end. | 0:03:14 | 0:03:16 | |
Like when you're making an apple crumble. | 0:03:16 | 0:03:18 | |
-Are you using the machine to make your pastry? -Yeah. So much quicker. | 0:03:19 | 0:03:23 | |
I don't know about that. | 0:03:23 | 0:03:25 | |
Everyone's doing it! Oh, Gawd. | 0:03:25 | 0:03:27 | |
A small amount of water should be added, to bring the dough together. | 0:03:30 | 0:03:33 | |
Yeah, you want to be careful with your water. | 0:03:33 | 0:03:36 | |
Obviously you don't want a sticky dough at the end of the day. | 0:03:36 | 0:03:39 | |
To get the pastry's characteristic shortness, | 0:03:41 | 0:03:44 | |
the butter and flour must be carefully rubbed in, not overworked. | 0:03:44 | 0:03:47 | |
And once it comes together as a dough, | 0:03:49 | 0:03:52 | |
it should be rested in the fridge to prevent the fat melting. | 0:03:52 | 0:03:56 | |
Chilling this dough right now is the most important thing, | 0:03:57 | 0:04:01 | |
because the last thing you want is a sticky dough | 0:04:01 | 0:04:03 | |
that just goes everywhere. | 0:04:03 | 0:04:05 | |
Hello, Alvin. Good morning. | 0:04:09 | 0:04:11 | |
Tell us all about your frangipane tart. | 0:04:11 | 0:04:13 | |
It's a simple plum frangipane tart. | 0:04:13 | 0:04:16 | |
I'm making a rich sweet shortcrust pastry, | 0:04:16 | 0:04:18 | |
and I'm going to put some jam on it, just a thin layer of jam, | 0:04:18 | 0:04:21 | |
and then I'm going to put the frangipane on top. | 0:04:21 | 0:04:23 | |
Alvin's home-made plum jam will line his pastry case, | 0:04:23 | 0:04:26 | |
and he'll top it with fresh plums. | 0:04:26 | 0:04:29 | |
So you haven't poached your plums, | 0:04:29 | 0:04:31 | |
-you've just cut your plums and then fanned them on the top. -Yes. | 0:04:31 | 0:04:34 | |
How do you fan your plums, Alvin? | 0:04:34 | 0:04:36 | |
Oh, it's just arranging them on top. | 0:04:36 | 0:04:39 | |
Nice. | 0:04:39 | 0:04:40 | |
-Morning, Paul. -Morning, Paul. Morning, Mary. -What are you up to? | 0:04:44 | 0:04:47 | |
I'm making my version of a Christmas frangipane. | 0:04:47 | 0:04:50 | |
The pears are poached in orange, cinnamon, cloves, mixed spice. | 0:04:50 | 0:04:56 | |
-Do you make this every Christmas, then? -I do, actually, yes. | 0:04:56 | 0:04:59 | |
Paul's pears will rest within his traditional frangipane, | 0:04:59 | 0:05:02 | |
glazed with apricot jam and sprinkled with sliced almonds. | 0:05:02 | 0:05:06 | |
So how's it going to look when you finish the whole thing? | 0:05:06 | 0:05:09 | |
You'll have the pears going round in a circular motion, | 0:05:09 | 0:05:12 | |
and then I'll decorate with some icing Christmas trees in between. | 0:05:12 | 0:05:15 | |
Icing Christmas trees? | 0:05:15 | 0:05:17 | |
-Well, good luck. -MEL: Yeah. Can't wait to taste it. | 0:05:17 | 0:05:20 | |
'Like Paul, Tamal is filling his frangipane tart | 0:05:20 | 0:05:22 | |
'with festive flavours.' | 0:05:22 | 0:05:24 | |
-Morning, Tamal. -Morning. | 0:05:24 | 0:05:25 | |
MARY: Tamal, tell us all about your frangipane tart. | 0:05:25 | 0:05:28 | |
So, I'm doing mulled wine, poached pear frangipane tart. | 0:05:28 | 0:05:32 | |
So this is the wine mixture on there, so it's got red wine, | 0:05:32 | 0:05:36 | |
pomegranate juice and raspberry puree in there. | 0:05:36 | 0:05:40 | |
Tamal will use his reduced poaching syrup | 0:05:40 | 0:05:42 | |
to glaze his frangipane, | 0:05:42 | 0:05:43 | |
and he'll dot the surface with blackberries. | 0:05:43 | 0:05:46 | |
I'm sort of thinking how I'm going to do it, | 0:05:46 | 0:05:48 | |
cos when I've done it at home it's a really tasty syrup | 0:05:48 | 0:05:50 | |
but to put on enough that you actually get the flavour, | 0:05:50 | 0:05:53 | |
you ruin the effect of the tart cos you can't see the pears any more. | 0:05:53 | 0:05:56 | |
And do you find this fresh fruit bleeds into the frangipane? | 0:05:56 | 0:05:58 | |
Erm... | 0:05:58 | 0:06:00 | |
not too much cos I only put a few of the blackberries in, | 0:06:00 | 0:06:02 | |
they're just of scattered around. | 0:06:02 | 0:06:04 | |
-Good luck, Tamal. -Thank you. | 0:06:04 | 0:06:06 | |
-MEL: Yeah, good luck. That smells really nice. -Thank you. | 0:06:06 | 0:06:09 | |
So I'm making my frangipane mix now. | 0:06:11 | 0:06:16 | |
Frangipane's quite a liquid cake batter. | 0:06:16 | 0:06:18 | |
MEL: Frangipane is an almond-flavoured pastry cream. | 0:06:18 | 0:06:21 | |
What I've creamed together there is the butter and the sugar, | 0:06:21 | 0:06:24 | |
and then it's a case of the eggs and the ground almonds there, | 0:06:24 | 0:06:27 | |
and that's frangipane. | 0:06:27 | 0:06:28 | |
Quite pleased. One of my guinea fowl started laying eggs. | 0:06:33 | 0:06:37 | |
I haven't baked with guinea fowl eggs for many, many years. | 0:06:37 | 0:06:41 | |
So I hope they're OK. Nothing like now to find out. | 0:06:41 | 0:06:44 | |
Hello, Ian. What are you up to this morning? | 0:06:48 | 0:06:51 | |
I'm making a pear and raspberry frangipane. | 0:06:51 | 0:06:54 | |
-OK. -So fairly...you know, fairly conventional, I think. | 0:06:54 | 0:06:57 | |
When I go on holiday to France, that's what I love to get. | 0:06:57 | 0:07:01 | |
Ian's adding Calvados to his Francophile frangipane, | 0:07:01 | 0:07:04 | |
and he'll glaze it with a reduced pear, star anise and lemon syrup. | 0:07:04 | 0:07:08 | |
I suppose my little twist of the day is I'm using my guinea fowl eggs. | 0:07:08 | 0:07:12 | |
MEL: Oh, these are guinea fowl! | 0:07:12 | 0:07:14 | |
MARY: I was looking at these, they look like pheasant eggs. | 0:07:14 | 0:07:18 | |
How many guinea fowl have you got, Ian? | 0:07:18 | 0:07:20 | |
Three adults now... | 0:07:20 | 0:07:21 | |
and one little chick that's about two weeks old. | 0:07:21 | 0:07:24 | |
What's her name? | 0:07:24 | 0:07:25 | |
We haven't named them yet. The kids have named the chick... | 0:07:25 | 0:07:28 | |
(Mary!) | 0:07:28 | 0:07:29 | |
HE LAUGHS Could be Mary? | 0:07:29 | 0:07:32 | |
I'm just toasting the almonds, just to give them a bit of flavour. | 0:07:34 | 0:07:37 | |
Otherwise they don't taste of anything in there. | 0:07:37 | 0:07:39 | |
And mine is quite a subtle... | 0:07:39 | 0:07:41 | |
There's no strong flavours in mine. | 0:07:41 | 0:07:43 | |
-Good morning, Nadiya. -Morning. | 0:07:44 | 0:07:46 | |
Nadiya, tell us all about your frangipane tart. | 0:07:46 | 0:07:49 | |
So I'm making a bay-leaf Rong tea and pear tart. | 0:07:49 | 0:07:52 | |
MEL: What's wrong with the tea? | 0:07:52 | 0:07:53 | |
-Everything's RIGHT with the tea. -"Wrong tea"? | 0:07:53 | 0:07:55 | |
-Rong means colour. -Ah... | 0:07:55 | 0:07:58 | |
Nadiya will thicken her Bengali bay-leaf-infused Rong tea | 0:07:58 | 0:08:02 | |
with arrowroot, and use it as a glaze. | 0:08:02 | 0:08:05 | |
I can't wait to see what this tastes like. | 0:08:05 | 0:08:07 | |
-It's very subtle. -Right. | 0:08:07 | 0:08:09 | |
-Thank you. -Thank you. | 0:08:09 | 0:08:10 | |
It's definitely a gamble doing subtle flavours. | 0:08:12 | 0:08:14 | |
Unlike Nadiya's flavours, Mat's tart is far from subtle. | 0:08:14 | 0:08:18 | |
-Hello, Mat. -Good morning! -Right - pineapple, | 0:08:18 | 0:08:21 | |
-this is interesting. Tell us all about your frangipane tart. -OK. | 0:08:21 | 0:08:24 | |
-So today I'm making a pina colada frangipane tart. -Of course you are. | 0:08:24 | 0:08:28 | |
To create the cocktail's tropical tang, | 0:08:28 | 0:08:30 | |
Mat's mixing his frangipane with | 0:08:30 | 0:08:32 | |
pineapple, coconut and one other essential ingredient. | 0:08:32 | 0:08:35 | |
So this is the rum. Are you using just a little bit of this? | 0:08:35 | 0:08:39 | |
Yeah, not all of that. It depends how badly it goes. | 0:08:39 | 0:08:42 | |
Might resort to it at the end, but, yeah, not all of that. | 0:08:42 | 0:08:44 | |
Will it put us in a bit of a...mood? | 0:08:44 | 0:08:46 | |
Well, the sun's out, you have your rum and pineapple - that's the idea. | 0:08:46 | 0:08:50 | |
Fingers crossed! | 0:08:50 | 0:08:51 | |
Start rolling it out... | 0:08:55 | 0:08:58 | |
It's got to have a nice sort of pliable consistency to it - | 0:08:58 | 0:09:01 | |
not too brittle but not too loose. | 0:09:01 | 0:09:04 | |
It's a forgiving pastry, in that it doesn't tear. | 0:09:04 | 0:09:07 | |
I'm having a problem with rolling it, actually. It's sticking on the bench. | 0:09:10 | 0:09:14 | |
So I thought I'd put something underneath it. | 0:09:16 | 0:09:18 | |
I'm going to try this... | 0:09:27 | 0:09:29 | |
Flora, Alvin, Mat and Tamal are all blind-baking their pastry. | 0:09:32 | 0:09:36 | |
If you blind-bake it first, it means that | 0:09:38 | 0:09:41 | |
the pastry's less likely to get soggy with the filling. | 0:09:41 | 0:09:44 | |
I read once that you should blind-bake things, | 0:09:45 | 0:09:47 | |
that's why I'm doing it. | 0:09:47 | 0:09:48 | |
I don't think it's like a baker's instinct kicking in, I think it's | 0:09:48 | 0:09:51 | |
just a fear of wanting to change something that you vaguely know. | 0:09:51 | 0:09:55 | |
Paul, Nadiya and Ian have chosen NOT to blind-bake. | 0:09:59 | 0:10:03 | |
For a frangipane tart, I don't think you do blind-bake. | 0:10:05 | 0:10:08 | |
But, erm...we shall find out. | 0:10:08 | 0:10:11 | |
If I blind-bake, any pastry that's above the frangipane, | 0:10:11 | 0:10:14 | |
it looks burnt, it doesn't look very nice. | 0:10:14 | 0:10:16 | |
And I've done it without it, and it doesn't need it. | 0:10:16 | 0:10:18 | |
Mine's really dark in colour... | 0:10:21 | 0:10:24 | |
-Hello, Flora. -Morning. | 0:10:24 | 0:10:26 | |
-Flora, that was quick! -Speedy. | 0:10:26 | 0:10:28 | |
MARY: So you've baked this blind... | 0:10:28 | 0:10:30 | |
Yeah. I'm just doing egg white on top, just to seal it completely. | 0:10:30 | 0:10:34 | |
Flora's tart will be topped with an apricot jam glaze | 0:10:35 | 0:10:38 | |
and rosemary icing. | 0:10:38 | 0:10:39 | |
Amaretti biscuits will adorn the outside. | 0:10:39 | 0:10:42 | |
You've had a bit of a shrink back there, haven't you? | 0:10:42 | 0:10:45 | |
When did you trim that? | 0:10:45 | 0:10:46 | |
-Er, I trimmed it before it went in. -Why? | 0:10:46 | 0:10:49 | |
I'm always a bit scared of waste. | 0:10:49 | 0:10:51 | |
Doesn't it waste a lot of pastry when you have it hanging over? | 0:10:51 | 0:10:54 | |
Yeah, but we want it to be as neat and as squared-off as possible. | 0:10:54 | 0:10:58 | |
It's only shrunk inwards, it hasn't shrunk down. | 0:10:58 | 0:11:01 | |
MEL: You're not going to serve it in the tin, | 0:11:01 | 0:11:03 | |
-so you won't know there's been a shrink back. -No. -What's the problem? | 0:11:03 | 0:11:07 | |
-Thank you very much. -FLORA LAUGHS | 0:11:07 | 0:11:09 | |
So I'm just egg-washing the base... | 0:11:16 | 0:11:19 | |
It makes a sort of glaze, which then when you pop it back in the oven | 0:11:19 | 0:11:22 | |
it's basically another line of defence | 0:11:22 | 0:11:25 | |
against having a soggy bottom. | 0:11:25 | 0:11:27 | |
MEL: While Mat and Tamal are giving their pastry the second part | 0:11:27 | 0:11:30 | |
of its bake before filling, Alvin's only just getting his in the oven. | 0:11:30 | 0:11:33 | |
I've wasted about seven minutes there rolling the pastry. | 0:11:38 | 0:11:41 | |
There was no leeway for me. | 0:11:41 | 0:11:43 | |
So...I'm worried. | 0:11:43 | 0:11:45 | |
I'm worried. But, erm... I'm just going to carry on. | 0:11:45 | 0:11:48 | |
One hour to go. The bakers need to get their tarts filled | 0:11:49 | 0:11:53 | |
and allow enough time for the final bake. | 0:11:53 | 0:11:55 | |
I've put almonds on the bottom just to help with some of the moisture | 0:11:55 | 0:11:58 | |
on the bottom of the pastry, because it's not blind-baked. | 0:11:58 | 0:12:01 | |
Look how much it's shrunk! | 0:12:01 | 0:12:03 | |
It's about half the size it went in. | 0:12:03 | 0:12:05 | |
Oh, no. The pineapple takes up most of that. | 0:12:05 | 0:12:07 | |
Design is a bit of a generous word to be using for this. | 0:12:14 | 0:12:17 | |
This is...modern splodging! HE LAUGHS | 0:12:17 | 0:12:20 | |
It has to be pretty, because I'd like it to be pretty. | 0:12:22 | 0:12:25 | |
Yeah, I probably am a bit concerned with the aesthetic. | 0:12:25 | 0:12:29 | |
And I probably should concentrate on baking, but... Oh, well. | 0:12:29 | 0:12:32 | |
Right. Going in. | 0:12:39 | 0:12:41 | |
Bakers, half an hour | 0:12:45 | 0:12:47 | |
before I huff and I ruff-puff your pastry concoctions down. | 0:12:47 | 0:12:51 | |
I'm thinking... | 0:12:54 | 0:12:55 | |
if I have less than half an hour, I'm going to put less frangipane. | 0:12:55 | 0:12:59 | |
That will mean I will actually serve them something that's cooked. | 0:12:59 | 0:13:02 | |
It's not going to be full - but it's cooked. So hopefully it'll work. | 0:13:02 | 0:13:05 | |
(Come on.) | 0:13:06 | 0:13:07 | |
These are my amaretti biscuits | 0:13:09 | 0:13:12 | |
that I'm maybe going to put on the outside of the tart, | 0:13:12 | 0:13:15 | |
I'm not convinced if I should or shouldn't yet. | 0:13:15 | 0:13:18 | |
Come on. Come on. | 0:13:22 | 0:13:23 | |
(What's the temperature...?) | 0:13:30 | 0:13:32 | |
(Ridiculous...) | 0:13:33 | 0:13:35 | |
OK, bakers, you've got ten mins on your frange. | 0:13:38 | 0:13:41 | |
Ten, frange, obvs. | 0:13:41 | 0:13:44 | |
Oh, no... | 0:13:46 | 0:13:47 | |
Oh, it's like, two minutes... | 0:13:49 | 0:13:51 | |
-I'm going to take it out. -Are you? -Yeah. | 0:13:55 | 0:13:57 | |
-Bottling it, are you? -Going for underdone rather than overdone | 0:13:57 | 0:14:00 | |
this time. Mix it about a bit. | 0:14:00 | 0:14:02 | |
Dark on a couple of edges, but it's all right. | 0:14:07 | 0:14:10 | |
-Well, hello there. -No! | 0:14:10 | 0:14:12 | |
Oh, it's burning. Slightly burnt on the side... | 0:14:12 | 0:14:14 | |
FLORA GASPS | 0:14:14 | 0:14:15 | |
Oh, my God. I did not see that happening. | 0:14:15 | 0:14:18 | |
Maybe a little trim... | 0:14:18 | 0:14:20 | |
Yes, Paul! | 0:14:24 | 0:14:25 | |
HE WHISTLES | 0:14:25 | 0:14:26 | |
I really don't know if I should put my amaretti on or not. | 0:14:34 | 0:14:36 | |
I think they're going to think my pastry's a bit dark. | 0:14:36 | 0:14:39 | |
I might put it on to cover it up. | 0:14:39 | 0:14:41 | |
Bakers, you've got one minute | 0:14:50 | 0:14:52 | |
before you know if you've gone down the frangi-pan. | 0:14:52 | 0:14:55 | |
I'm going to take it out. | 0:14:56 | 0:14:57 | |
OK, bakers, that's time up. | 0:15:09 | 0:15:11 | |
Move your tarts, please, to the end of your benches. | 0:15:11 | 0:15:14 | |
'Paul and Mary will be expecting tempting tarts | 0:15:21 | 0:15:23 | |
'of crisp golden shortcrust, filled with mouthwatering frangipane | 0:15:23 | 0:15:27 | |
'and full-flavoured fruit.' | 0:15:27 | 0:15:29 | |
For me, it's lacking a glaze. | 0:15:32 | 0:15:35 | |
The reason why you put a glaze on is to cover up essentially | 0:15:35 | 0:15:37 | |
the dried pears, because they look so bad sitting on the top. | 0:15:37 | 0:15:40 | |
I tried to put it on, but it kind of disappeared in. | 0:15:40 | 0:15:43 | |
That's not a crispy base. | 0:15:46 | 0:15:48 | |
-When you don't blind-bake, it tends to be a lot more delicate. -Yes. | 0:15:48 | 0:15:51 | |
Crumbly. You want that rigidity from the base to crack through | 0:15:51 | 0:15:54 | |
-before you hit the frangipane. -The filling is just right, the balance. | 0:15:54 | 0:15:58 | |
You're getting a nice jam at the bottom, and the pears are done. | 0:15:58 | 0:16:01 | |
Overall, I think it looks unfinished. | 0:16:01 | 0:16:04 | |
The appearance is really, really lovely. | 0:16:10 | 0:16:13 | |
It's very professional, you sliced those pears perfectly evenly. | 0:16:13 | 0:16:17 | |
-Oh, bit of a soggy bottom there. -No! | 0:16:19 | 0:16:21 | |
It is quite an aromatic flavour. | 0:16:23 | 0:16:25 | |
But the baking of the frangipane is perfect. | 0:16:25 | 0:16:27 | |
It's perfumed, it's subtle and I like it. | 0:16:27 | 0:16:30 | |
But the pastry definitely is not done underneath. | 0:16:30 | 0:16:34 | |
It does look good, it's quite effective. | 0:16:40 | 0:16:42 | |
The pastry is a little bit doughy. | 0:16:45 | 0:16:47 | |
It's a nice flavour, I would say it's pineapple frangipane. | 0:16:47 | 0:16:51 | |
-SUE: -You're not getting the rum? -No. | 0:16:51 | 0:16:53 | |
It's quite bland. | 0:16:53 | 0:16:54 | |
They look a bit of a mess. | 0:17:01 | 0:17:03 | |
Just forget about the amaretti, doesn't add anything to it. | 0:17:03 | 0:17:07 | |
Absolutely delicious. | 0:17:11 | 0:17:13 | |
Because it's fresh apricots, it's quite sharp, which I like. | 0:17:13 | 0:17:17 | |
Don't think the rosemary adds to it at all. | 0:17:17 | 0:17:19 | |
I think it's overbaked. | 0:17:19 | 0:17:21 | |
-I think you blind-baked it slightly too long. -OK. | 0:17:21 | 0:17:23 | |
It is overbaked, but it isn't bitter and it isn't burnt. | 0:17:23 | 0:17:26 | |
It IS burnt and it IS bitter. | 0:17:26 | 0:17:28 | |
Thank you very much indeed. | 0:17:28 | 0:17:30 | |
I tell you who's bitter... | 0:17:30 | 0:17:32 | |
That looks stunning. | 0:17:36 | 0:17:38 | |
Oh, it's done, but it could have done with a little bit longer, | 0:17:43 | 0:17:46 | |
just to put a bit of colour on there. | 0:17:46 | 0:17:49 | |
The inside is a lovely texture. | 0:17:49 | 0:17:51 | |
It looks the part. I like it as a tart. | 0:17:51 | 0:17:54 | |
OK, thank you. | 0:17:54 | 0:17:55 | |
You have made a beautiful pattern of your plums on the top. | 0:18:02 | 0:18:06 | |
The pastry looks a little overbaked. | 0:18:06 | 0:18:09 | |
-You probably overbaked on the blind-bake. -Right. | 0:18:09 | 0:18:11 | |
Or overbaked on the end one, but the chances are, if you'd overbaked | 0:18:11 | 0:18:14 | |
on the end one, your frangipane would be baked, but it isn't. | 0:18:14 | 0:18:17 | |
Sorry. | 0:18:17 | 0:18:19 | |
(It's wrong...) | 0:18:19 | 0:18:21 | |
Hmm. | 0:18:21 | 0:18:22 | |
Your base is far too thick. | 0:18:22 | 0:18:24 | |
I'm so sorry. | 0:18:24 | 0:18:26 | |
Your plums aren't cooked, either. | 0:18:26 | 0:18:28 | |
Timing is your nemesis, Alvin. | 0:18:28 | 0:18:31 | |
Timing issues, timing issues. | 0:18:31 | 0:18:33 | |
It is a bit chaotic on the top. | 0:18:39 | 0:18:40 | |
It should be all fanning out beautifully, symmetrical, | 0:18:40 | 0:18:43 | |
but it's not. | 0:18:43 | 0:18:44 | |
Nicely baked. It's solid, it's perfect. | 0:18:47 | 0:18:50 | |
That tastes beautiful. | 0:18:51 | 0:18:54 | |
The pastry is thin, it's crisp. | 0:18:54 | 0:18:56 | |
Frangipane is baked, as well, to perfection. | 0:18:56 | 0:19:00 | |
I think the whole thing is a classic frangipane. Spot on. | 0:19:00 | 0:19:03 | |
Messy top, tidy bottom! | 0:19:03 | 0:19:05 | |
Thank you. | 0:19:05 | 0:19:06 | |
Yeah, I'm really, really pleased with that. | 0:19:08 | 0:19:11 | |
They liked the flavours, said it was a bit of a mess on top, | 0:19:11 | 0:19:14 | |
which it was, but it's me, | 0:19:14 | 0:19:16 | |
so it is always going to be a bit of a mess. | 0:19:16 | 0:19:19 | |
Amaretti disaster. | 0:19:19 | 0:19:22 | |
Again, just trying to do something different and it didn't pay off. | 0:19:22 | 0:19:25 | |
I've been raised to always move forward, move on. | 0:19:25 | 0:19:28 | |
My dad is a retired general in the Army, and... | 0:19:28 | 0:19:31 | |
..failure is not an option. You need to carry on. | 0:19:33 | 0:19:35 | |
You'll never see me throwing the towel in and calling it a day | 0:19:35 | 0:19:38 | |
and walking away from it. | 0:19:38 | 0:19:39 | |
-SUE: -Pastry triumphs and tribulations | 0:19:41 | 0:19:43 | |
are not the sole preserve of the Bake Off tent. | 0:19:43 | 0:19:45 | |
Let me introduce you to the good people of Denby Dale, | 0:19:45 | 0:19:48 | |
who've taken pastry, pies in particular, | 0:19:48 | 0:19:51 | |
to a whole new dimension. | 0:19:51 | 0:19:53 | |
Since the 18th century, this northern town has been celebrating | 0:19:54 | 0:19:58 | |
as only a Yorkshireman knows how - with behemoth baking. | 0:19:58 | 0:20:02 | |
In 1846, the oppressive Corn Laws, which kept the price of grain high | 0:20:02 | 0:20:06 | |
and left the poor struggling to pay for bread, were finally axed. | 0:20:06 | 0:20:10 | |
So how did they celebrate the repeal of the Corn Laws? | 0:20:10 | 0:20:13 | |
By making a ginormous pie, of course. | 0:20:13 | 0:20:16 | |
I'd have had a disco, I'm telling you. A pie?! Who has a pie? | 0:20:16 | 0:20:20 | |
Sadly, the celebration with the eight-foot-wide pie was cut short | 0:20:20 | 0:20:23 | |
when Joseph Pease, the master of ceremonies, fell into it | 0:20:23 | 0:20:26 | |
and nearly drowned. | 0:20:26 | 0:20:29 | |
Following the tragedy, it took Queen Victoria's Golden Jubilee | 0:20:29 | 0:20:32 | |
to inspired Denby Dalers to once again take up their spoons. | 0:20:32 | 0:20:36 | |
Now, Chris, I have to say, you've brought me here | 0:20:36 | 0:20:38 | |
under false promises. I was expecting an enormous pie | 0:20:38 | 0:20:41 | |
and all I've got is a rather lovely barren field. | 0:20:41 | 0:20:43 | |
Well, there is pie here. Sadly for you, it's buried without a marker. | 0:20:43 | 0:20:46 | |
-Why did they bury it? -They buried it because it was off. | 0:20:46 | 0:20:50 | |
So presumably, this is an absolute disaster. | 0:20:50 | 0:20:52 | |
They're never going to make any more pies again. | 0:20:52 | 0:20:54 | |
Absolutely not, no. They had a very good run. | 0:20:54 | 0:20:57 | |
There were two or three more, at least until we got to 1928. | 0:20:57 | 0:20:59 | |
-What happened in 1928? -It got stuck in the oven. | 0:20:59 | 0:21:02 | |
Chris, surely now people are saying, "Stop making pies!" | 0:21:02 | 0:21:06 | |
No, in 1964, we were baking again. | 0:21:06 | 0:21:09 | |
Large enough to feed 30,000 people, | 0:21:09 | 0:21:12 | |
this was Denby Dale's biggest pie yet. | 0:21:12 | 0:21:14 | |
The pressure was on to get this bake right. | 0:21:14 | 0:21:17 | |
-REPORTER: -How does it feel to be key man | 0:21:17 | 0:21:19 | |
for the biggest pie in the world? | 0:21:19 | 0:21:21 | |
Well, I think it's a big responsibility | 0:21:21 | 0:21:23 | |
and it's such delicate stuff to deal with, to keep fresh. | 0:21:23 | 0:21:26 | |
It can soon go sour, can gravy. | 0:21:26 | 0:21:29 | |
At last, they met with success and spurred on. | 0:21:29 | 0:21:32 | |
In 1988, Denby Dalers decided to celebrate 200 years | 0:21:32 | 0:21:36 | |
of giant pie-making by attempting to bake a world-record-breaking pie. | 0:21:36 | 0:21:41 | |
The 1988 effort did indeed break the world record | 0:21:41 | 0:21:44 | |
for the biggest meat and potato pie, and the villagers finally received | 0:21:44 | 0:21:48 | |
the recognition they so richly deserved. | 0:21:48 | 0:21:50 | |
'Baking a record-breaking pie is no mean feat. | 0:21:53 | 0:21:56 | |
'But at least the bakers of Denby Dale knew what they were making.' | 0:21:56 | 0:22:00 | |
Bakers, welcome to your Technical Challenge. | 0:22:04 | 0:22:06 | |
Now, this is a recipe close to Paul's heart... | 0:22:06 | 0:22:10 | |
just nestling underneath the chest hair. | 0:22:10 | 0:22:13 | |
Now, Paul and Mary, of course, with all due respect, | 0:22:13 | 0:22:16 | |
-you're not needed for this bit, so... -Goodbye. | 0:22:16 | 0:22:18 | |
...off you pop. | 0:22:18 | 0:22:19 | |
Paul and Mary would very much like you to make...flaounes. | 0:22:19 | 0:22:24 | |
It's a cheese-filled pastry made in Cyprus | 0:22:24 | 0:22:27 | |
to celebrate the end of Lent. | 0:22:27 | 0:22:29 | |
You've got two hours on the flaounes clock. | 0:22:29 | 0:22:32 | |
-On your marks... -Get set, flaouna! | 0:22:32 | 0:22:34 | |
-TAMAL: -What is this? | 0:22:34 | 0:22:36 | |
Not in a million years have I heard of this recipe at all. | 0:22:38 | 0:22:42 | |
Never heard of them, never heard of them! | 0:22:42 | 0:22:44 | |
-It sounds like an airline. -It sounds like... -"Fly flaounes!" | 0:22:44 | 0:22:48 | |
-It's the way you say it, it sounds like an insult. Flaounes. -Flaounes! | 0:22:48 | 0:22:51 | |
I've made these a few times... | 0:22:51 | 0:22:54 | |
No, not really! Never heard of it. | 0:22:54 | 0:22:56 | |
I don't think they would've heard of these before. | 0:22:58 | 0:23:01 | |
They wouldn't have heard of them. I haven't heard of them. | 0:23:01 | 0:23:03 | |
They look absolutely delicious, | 0:23:03 | 0:23:05 | |
but why did you choose them as a challenge? | 0:23:05 | 0:23:07 | |
What I'm trying to do is test them on different levels. | 0:23:07 | 0:23:10 | |
One is the cheese filling inside and two is the dough on the outside. | 0:23:10 | 0:23:15 | |
It's got two flavourings in there as well. | 0:23:15 | 0:23:18 | |
One is mastica and one is mahlepi. | 0:23:18 | 0:23:21 | |
-Have you explained to them what to do with those? -No. | 0:23:21 | 0:23:26 | |
I think that's totally unfair. It is the toughest challenge yet. | 0:23:26 | 0:23:29 | |
Great, isn't it? | 0:23:29 | 0:23:31 | |
The filling has got the cheeses in it, the semolina, | 0:23:35 | 0:23:38 | |
it's got yeast in it. | 0:23:38 | 0:23:39 | |
The instructions for the ingredients are... | 0:23:39 | 0:23:42 | |
"Make the filling with all of the ingredients, | 0:23:42 | 0:23:44 | |
"apart from the baking powder, and then rest." | 0:23:44 | 0:23:47 | |
'Before tackling the pastry element, | 0:23:47 | 0:23:49 | |
'the bakers must first prepare the filling.' | 0:23:49 | 0:23:51 | |
There's a lot of cheese going in this. | 0:23:51 | 0:23:53 | |
It'll do nothing for my figure! | 0:23:53 | 0:23:55 | |
It's got sultanas in it, | 0:23:55 | 0:23:56 | |
a bit of cheesy sweetness going on there. | 0:23:56 | 0:23:58 | |
I mean, sultanas with cheese, you know, it's pretty odd. | 0:23:58 | 0:24:01 | |
FLORA: It just feels wrong, the whole thing feels wrong. | 0:24:03 | 0:24:07 | |
So I'm just going to mix it together with my hands. | 0:24:07 | 0:24:10 | |
"Cover it and rest it," it says. | 0:24:10 | 0:24:12 | |
Rest it down there in the proving drawer. | 0:24:12 | 0:24:15 | |
Pastry next. Right, that's what we're here for. | 0:24:15 | 0:24:17 | |
So it doesn't give any instructions about how to make the pastry. | 0:24:20 | 0:24:24 | |
This is not like any pastry I've heard of. | 0:24:24 | 0:24:26 | |
'The pastry has two very unusual ingredients.' | 0:24:26 | 0:24:29 | |
-Urgh! -Mahlepi... | 0:24:29 | 0:24:31 | |
Mahlepi, if that's how you pronounce it. | 0:24:31 | 0:24:33 | |
Mahlepi is ground pits of the sour cherry. | 0:24:33 | 0:24:37 | |
-NADIYA: -Mastic, I've never heard of that, | 0:24:37 | 0:24:39 | |
I don't even know what that is used for. | 0:24:39 | 0:24:42 | |
I've used that in a bathroom a few times, like, putting things together. | 0:24:42 | 0:24:45 | |
I've never used it in baking. | 0:24:45 | 0:24:47 | |
I have no idea what this is. No idea. | 0:24:48 | 0:24:51 | |
'A popular spice in Greek and Cypriot cuisine,' | 0:24:51 | 0:24:54 | |
'mastic is a crystallised tree resin with an unmistakable...' | 0:24:54 | 0:24:57 | |
Ugh! | 0:24:57 | 0:24:59 | |
'..pine aroma.' | 0:24:59 | 0:25:00 | |
It's nasty! | 0:25:00 | 0:25:02 | |
Oh! Oh... | 0:25:02 | 0:25:04 | |
That's like some industrial-strength cleaner. | 0:25:04 | 0:25:08 | |
It's like eating sand! | 0:25:08 | 0:25:10 | |
'And there's something else which makes this pastry special.' | 0:25:10 | 0:25:13 | |
I've never made a pastry with yeast in it... | 0:25:13 | 0:25:16 | |
which makes it feel so much more like bread than it does pastry. | 0:25:16 | 0:25:20 | |
I assume they want it to be a bit biscuit-like in texture. | 0:25:20 | 0:25:24 | |
Don't know, maybe it's like filo. Is it like filo? I don't know. | 0:25:24 | 0:25:29 | |
They haven't told you whether to knead or not. | 0:25:33 | 0:25:35 | |
Says, "Make the pastry, then rest." | 0:25:35 | 0:25:37 | |
Pastry's not something you normally knead, | 0:25:37 | 0:25:39 | |
but it's something that you've got to make sure everything is combined. | 0:25:39 | 0:25:42 | |
'If the pastry is overworked, | 0:25:42 | 0:25:43 | |
'it will become tough and brittle and could break.' | 0:25:43 | 0:25:46 | |
Can't make up my mind. | 0:25:46 | 0:25:48 | |
My instincts say to knead it a little bit. | 0:25:48 | 0:25:50 | |
It's a good little workout, actually. | 0:25:50 | 0:25:52 | |
Just realised it's pastry week and not bread week. | 0:25:54 | 0:25:57 | |
'The bakers have just one hour remaining.' | 0:26:01 | 0:26:04 | |
"Add the baking powder to the filling, divide into 12." | 0:26:04 | 0:26:07 | |
Baking powder... | 0:26:07 | 0:26:09 | |
"Divide pastry into 12 and roll into squares." | 0:26:09 | 0:26:11 | |
How big these babies are meant to be, I'm not too sure. | 0:26:12 | 0:26:15 | |
They're not exactly square. | 0:26:20 | 0:26:22 | |
I've been looking around constantly. | 0:26:22 | 0:26:24 | |
Help me cheat! | 0:26:24 | 0:26:25 | |
After last week's thick pittas I did, | 0:26:25 | 0:26:28 | |
I'm going to try and roll them a bit thinner. | 0:26:28 | 0:26:31 | |
Not getting any clues from this lot. | 0:26:31 | 0:26:34 | |
Oh...stupid Technical. | 0:26:39 | 0:26:41 | |
So we've got to coat one side of the pastry with the sesame seeds. | 0:26:42 | 0:26:46 | |
The question is - which side? | 0:26:50 | 0:26:51 | |
Sesame is on the inside, just because I thought there's no way | 0:26:51 | 0:26:55 | |
it's going to stick to the outside. | 0:26:55 | 0:26:57 | |
I'm going to go for the other side. Yeah. | 0:26:57 | 0:26:59 | |
"Then you put the filling in the centre of each square | 0:26:59 | 0:27:03 | |
"and fold over the edges..." | 0:27:03 | 0:27:04 | |
"Leaving the centres exposed." | 0:27:04 | 0:27:06 | |
But then you get a really thick layer of pastry. | 0:27:08 | 0:27:10 | |
That doesn't seem very pleasant. | 0:27:10 | 0:27:12 | |
Really? | 0:27:15 | 0:27:17 | |
You've just got to guess. | 0:27:17 | 0:27:19 | |
No, it can't be. | 0:27:19 | 0:27:21 | |
That looks quite nice. | 0:27:21 | 0:27:23 | |
Sorry to all of Cyprus if I'm ruining a lovely national dish. | 0:27:23 | 0:27:28 | |
Decisions, decisions - all of them wrong. | 0:27:28 | 0:27:31 | |
'Paul's recipe doesn't state how long to bake for.' | 0:27:32 | 0:27:35 | |
I guess these should bake for sort of...I don't know... | 0:27:35 | 0:27:38 | |
half an hour or something like that? | 0:27:38 | 0:27:41 | |
Come on! | 0:27:44 | 0:27:46 | |
I hope it's right. I hope I interpreted it right. | 0:27:48 | 0:27:51 | |
It's all in the hands of the oven now. | 0:27:51 | 0:27:53 | |
Well, they're in. | 0:28:00 | 0:28:02 | |
That's pretty relaxing, all in all. | 0:28:02 | 0:28:03 | |
Has everyone got theirs in the oven? | 0:28:05 | 0:28:06 | |
Yeah. | 0:28:06 | 0:28:07 | |
I hate you. I hate all of you. | 0:28:09 | 0:28:11 | |
I mean, I love my fellow bakers. | 0:28:11 | 0:28:13 | |
Bakers, that's ten minutes and this little bird will have FLAOUNES. | 0:28:18 | 0:28:22 | |
"During cooking, reduce the temperature... | 0:28:28 | 0:28:30 | |
"to make them golden brown." | 0:28:30 | 0:28:32 | |
I might have turned the temperature up and not down. | 0:28:32 | 0:28:35 | |
They don't need to know that. | 0:28:37 | 0:28:38 | |
Mine is so like pizza! | 0:28:45 | 0:28:47 | |
Cypriot pizza. | 0:28:47 | 0:28:48 | |
Top one is going to be raw. | 0:28:50 | 0:28:52 | |
I underestimated how long it was going to take to shape them. | 0:28:52 | 0:28:55 | |
They do look like they're going to be very neat ones, though. | 0:28:55 | 0:28:57 | |
-Yeah, they look really neat. -That's what they want, neat and raw. | 0:28:57 | 0:29:01 | |
Bakers, you have flao-una minutes. | 0:29:04 | 0:29:07 | |
-One? -That's it. -That's that, then. | 0:29:07 | 0:29:10 | |
Please bake. | 0:29:16 | 0:29:17 | |
OK, bakers, time's up for the cheesy Cypriot parcels. | 0:29:31 | 0:29:33 | |
Please bring them up | 0:29:33 | 0:29:36 | |
and leave them on the gingham table. | 0:29:36 | 0:29:38 | |
Paul and Mary are looking for 12 identical flaounes | 0:29:40 | 0:29:44 | |
with a thin crust and a high dome shape. | 0:29:44 | 0:29:46 | |
Right, shall we start over here, Mary? | 0:29:58 | 0:30:01 | |
Now, straight away, what we're looking for | 0:30:02 | 0:30:05 | |
is sesame seed on the outside. | 0:30:05 | 0:30:07 | |
You have the square, you have the cheese filling, | 0:30:07 | 0:30:10 | |
but there's no sesame seeds and it's too flat. | 0:30:10 | 0:30:13 | |
Actually, the interior doesn't look too bad. | 0:30:13 | 0:30:16 | |
It smells like a flaouna. | 0:30:16 | 0:30:17 | |
-Tastes like a flaouna, too. -Mm. | 0:30:19 | 0:30:22 | |
Problem is, they don't look like flaounes. | 0:30:22 | 0:30:26 | |
Right, move onto the next one. This looks more like a flaouna. | 0:30:26 | 0:30:29 | |
It's got a good colour. | 0:30:30 | 0:30:32 | |
It's just too flat. | 0:30:32 | 0:30:35 | |
Tastes very nice. | 0:30:35 | 0:30:36 | |
Mm. It does taste good. | 0:30:38 | 0:30:41 | |
Right, let's move onto these pizzas. | 0:30:41 | 0:30:43 | |
Oh, dear. It's not encased at all. | 0:30:46 | 0:30:48 | |
It's a deconstructed flaouna. | 0:30:48 | 0:30:50 | |
-Lots of sesame seeds, though. -Yes. Underneath. | 0:30:50 | 0:30:54 | |
It tastes fine. | 0:30:58 | 0:30:59 | |
It's just that the pastry hasn't come over the top | 0:30:59 | 0:31:02 | |
and got that fold in. | 0:31:02 | 0:31:04 | |
Now, these are a bit more like it, if I'm honest. | 0:31:04 | 0:31:06 | |
There's sesame seed on the outside. It's folded correctly, too. | 0:31:06 | 0:31:10 | |
And a lovely shine from the glaze. | 0:31:10 | 0:31:12 | |
They're not bad. Not bad at all. | 0:31:12 | 0:31:15 | |
Right, moving on. | 0:31:15 | 0:31:17 | |
There is sesame seed on the outside, sesame seed on the bottom. | 0:31:17 | 0:31:21 | |
-And it's very thick there. -It needs to be rolled out much thinner. | 0:31:22 | 0:31:26 | |
-Tastes all right. -Tastes like a flaouna. | 0:31:28 | 0:31:31 | |
Right, these are almost like crowns. | 0:31:31 | 0:31:34 | |
And they're a little bit haphazard shape. | 0:31:34 | 0:31:36 | |
Because it's a yeasted dough, I think they've pulled it. | 0:31:36 | 0:31:39 | |
It's a little bit undercooked, this one, I think. | 0:31:39 | 0:31:42 | |
And the glaze is a bit patchy. | 0:31:42 | 0:31:44 | |
It does need a little bit longer in the oven. Right, moving on. | 0:31:46 | 0:31:49 | |
-Interesting. -Cornish flaounes. -It is a Cornish flaouna. | 0:31:51 | 0:31:54 | |
You've got the height there. You've got the bubble coming out the top, | 0:31:54 | 0:31:57 | |
-which is good, but the shape's all wrong. -They've got it all even. | 0:31:57 | 0:32:01 | |
And that lovely colour underneath. | 0:32:01 | 0:32:03 | |
'Mary and Paul will now rate the flaounes from seven to one.' | 0:32:03 | 0:32:07 | |
In seventh place is...this one. Whose is this? | 0:32:07 | 0:32:11 | |
The sesame seeds weren't there. | 0:32:12 | 0:32:14 | |
Did you put the baking powder in all together as well? | 0:32:14 | 0:32:16 | |
-I did but I flattened out the cheese. -You need it to be high. | 0:32:16 | 0:32:20 | |
And in sixth place, these were just open and flat. | 0:32:21 | 0:32:25 | |
'In fifth place is Paul, and in fourth, Nadiya.' | 0:32:25 | 0:32:29 | |
And in third place is...this one. | 0:32:29 | 0:32:32 | |
Whose is this? Pretty good. | 0:32:32 | 0:32:34 | |
-You got the nice height, you just got the fold all wrong. -Yeah. | 0:32:34 | 0:32:38 | |
In second place... | 0:32:38 | 0:32:40 | |
You've got the fold right here and a little bit flat. | 0:32:42 | 0:32:45 | |
A beautiful colour and plenty of sesame seeds. | 0:32:45 | 0:32:48 | |
And in first place is this one. Whose is this? | 0:32:48 | 0:32:53 | |
The overall look of that could just about pass as a flaouna. | 0:32:53 | 0:32:57 | |
-Well done, Mat. -OK, Cheers. -MEL: Well done, Mat. | 0:32:57 | 0:33:00 | |
APPLAUSE | 0:33:00 | 0:33:03 | |
That was a turn up for the books, wasn't it? | 0:33:03 | 0:33:05 | |
Bad morning, better afternoon, | 0:33:05 | 0:33:07 | |
so...yeah, one balances out the other a little bit. | 0:33:07 | 0:33:09 | |
I said the words, didn't I? I said I wanted it. | 0:33:09 | 0:33:12 | |
Sounded cocky and the universe beat me back down. | 0:33:12 | 0:33:15 | |
Get in your place! | 0:33:15 | 0:33:18 | |
It's a disappointing day. It's a really disappointing day. | 0:33:18 | 0:33:21 | |
What impression do you get overall as to who's doing well this weekend? | 0:33:34 | 0:33:38 | |
What's really difficult, and more so this year than any other year, | 0:33:38 | 0:33:41 | |
they go from the top down to the bottom and vice versa on every | 0:33:41 | 0:33:44 | |
challenge, so to actually judge it is getting harder and harder. | 0:33:44 | 0:33:47 | |
I mean, Mat, his frangipane tart was very bland, | 0:33:47 | 0:33:49 | |
and then come the Technical, there he is right at the top. | 0:33:49 | 0:33:52 | |
Someone like Flora, the ideas are there. | 0:33:52 | 0:33:55 | |
But she's got to do what we ask her to do and forget all the extras. | 0:33:55 | 0:33:59 | |
Who do you think's in trouble? | 0:33:59 | 0:34:01 | |
It's Alvin, because he was down there in the Signature | 0:34:01 | 0:34:03 | |
because it just wasn't baked, and in the Technical, he was sixth. | 0:34:03 | 0:34:06 | |
Alvin has really got to pull up his socks. | 0:34:06 | 0:34:08 | |
So, Alvin is in trouble. | 0:34:08 | 0:34:10 | |
-What needs to happen for him to be saved? -A miracle. | 0:34:10 | 0:34:14 | |
If Alvin has a great day today, | 0:34:14 | 0:34:15 | |
I mean an unbelievable day today, you never know. | 0:34:15 | 0:34:18 | |
-Anything could happen. -Anything could happen in the tent. | 0:34:18 | 0:34:21 | |
-I'm excited, are you? -I'm on tenters. | 0:34:21 | 0:34:23 | |
I won't sleep for the rest of the day, which is unlike me. | 0:34:23 | 0:34:26 | |
Good morning, Magnificent Seven. Now, Showstopper day. | 0:34:29 | 0:34:33 | |
Paul and Mary, please, would love you to tackle | 0:34:33 | 0:34:37 | |
that classic of the 1970s, | 0:34:37 | 0:34:40 | |
the star of thousands of drinks parties. | 0:34:40 | 0:34:43 | |
They would like you, please, to make vol-au-vents. | 0:34:43 | 0:34:45 | |
They'd like you to make your own puff pastry from scratch | 0:34:45 | 0:34:49 | |
and two different types of vol-au-vents. | 0:34:49 | 0:34:51 | |
24 of each, which makes, by my mathematics, 48. | 0:34:51 | 0:34:55 | |
Now, I'm off to get into my Bri-nylon boob tube | 0:34:55 | 0:34:59 | |
-and my terry towelling hot pants. -Hello, sailor. | 0:34:59 | 0:35:01 | |
In the meantime, you've got three hours and 45 minutes | 0:35:01 | 0:35:04 | |
while I get the white wine warming nicely. | 0:35:04 | 0:35:07 | |
-On your marks. -Get set. -Bake! | 0:35:07 | 0:35:09 | |
I don't think we ever had any dinner parties when I was young. | 0:35:14 | 0:35:16 | |
I don't know if my mum would have ever made vol-au-vents. | 0:35:16 | 0:35:19 | |
It wasn't the sort of thing done in my house! | 0:35:19 | 0:35:23 | |
I'm old enough, unlike some of the rest in the tent, | 0:35:23 | 0:35:25 | |
to remember vol-au-vents! | 0:35:25 | 0:35:27 | |
Of the '70s, the late '70s, '80s. | 0:35:27 | 0:35:30 | |
And normally, in them days, it was egg mayonnaise. | 0:35:30 | 0:35:32 | |
At the moment, I'm just going to mix the dough. | 0:35:32 | 0:35:34 | |
I'm doing the dough for the pastry itself. | 0:35:34 | 0:35:36 | |
Brand-new day, brand-new challenge, so going to give it a good go. | 0:35:36 | 0:35:39 | |
We've given them plenty of time to do it, | 0:35:41 | 0:35:43 | |
but the trickiest part is making the puff pastry. | 0:35:43 | 0:35:45 | |
We want a good rise, we want it nice and straight, with all equal colour. | 0:35:45 | 0:35:49 | |
I love vol-au-vents, | 0:35:49 | 0:35:51 | |
providing they're beautifully cooked, lovely light pastry, | 0:35:51 | 0:35:54 | |
beautiful layers and well-filled. | 0:35:54 | 0:35:57 | |
Lots of filling. | 0:35:57 | 0:35:59 | |
'Puff pastry's light and flaky texture is made by creating | 0:36:00 | 0:36:04 | |
'layers of butter and pastry in a series of folds.' | 0:36:04 | 0:36:08 | |
So, this is my pastry mix. | 0:36:08 | 0:36:11 | |
At the moment, just flour and water. | 0:36:11 | 0:36:14 | |
I'm going to get that sort of fully combined and get it to chill down | 0:36:14 | 0:36:17 | |
in the fridge before I add the butter as another layer, | 0:36:17 | 0:36:19 | |
and then start the process of folding my puff pastry. | 0:36:19 | 0:36:24 | |
'Once the pastry's chilling, | 0:36:24 | 0:36:25 | |
'the bakers can concentrate on the butter layer.' | 0:36:25 | 0:36:28 | |
I need to break the butter down - there's two blocks. | 0:36:28 | 0:36:30 | |
Got to fold them together, break them down, get them to the shape | 0:36:30 | 0:36:33 | |
that I need, ready to go into parts of pastry. | 0:36:33 | 0:36:35 | |
The main thing with puff pastry is that the butter stays really cold, | 0:36:37 | 0:36:41 | |
so the pastry and the butter are both the same temperature, | 0:36:41 | 0:36:45 | |
so that when they meet they don't melt. | 0:36:45 | 0:36:47 | |
If the butter all melts, there's no rise in the dough at all | 0:36:47 | 0:36:50 | |
and you just get a kind of fairly nice circle of stodge. | 0:36:50 | 0:36:55 | |
'When the butter has reached the desired shape and depth, | 0:36:55 | 0:36:58 | |
'it's then encased in the pastry.' | 0:36:58 | 0:36:59 | |
It's important you seal everything | 0:36:59 | 0:37:01 | |
so there is no butter sort of exposed. | 0:37:01 | 0:37:04 | |
'Then it's rolled and folded.' | 0:37:04 | 0:37:07 | |
The secret to this was to keep everything really neat and form edges | 0:37:07 | 0:37:11 | |
to be straight so everything's sort of folded together nicely. | 0:37:11 | 0:37:14 | |
'The pastry then needs to be chilled. | 0:37:14 | 0:37:16 | |
'This process should be repeated several times. | 0:37:16 | 0:37:19 | |
'More folds means more layers and better puff.' | 0:37:19 | 0:37:23 | |
You want the dough to roll easily so you don't need to use too | 0:37:23 | 0:37:25 | |
much pressure, because the more pressure you use, the more | 0:37:25 | 0:37:28 | |
you're pushing the butter into the dough, | 0:37:28 | 0:37:31 | |
which, again, messes up the layering. | 0:37:31 | 0:37:33 | |
I need to get the lamination of the pastry right. | 0:37:33 | 0:37:35 | |
If I'm going to perform well today, it's got to be that. | 0:37:35 | 0:37:38 | |
The rest is just a bonus but the lamination needs to be perfect. | 0:37:38 | 0:37:42 | |
-Hello, Ian. -Good morning, good morning. | 0:37:44 | 0:37:46 | |
I am very impressed with the way you've kept your ends straight. | 0:37:46 | 0:37:50 | |
-Very neat, very Ian. -Yeah. Mm-hmm! | 0:37:50 | 0:37:53 | |
-You should get a wonderful rise from it. -I really hope so. | 0:37:53 | 0:37:57 | |
These have been my nemesis. | 0:37:57 | 0:37:58 | |
They've been the thing I've been dreading the most. | 0:37:58 | 0:38:01 | |
What kind of vol-au-vents are you making? | 0:38:01 | 0:38:03 | |
So, I'm making a mushroom vol-au-vent, | 0:38:03 | 0:38:05 | |
three mushroom vol-au-vents, | 0:38:05 | 0:38:07 | |
with just regular horse chestnuts and porcini, | 0:38:07 | 0:38:09 | |
-and then some truffle oil on top. -Ooh! | 0:38:09 | 0:38:11 | |
-How delicious. -With some lemon and thyme in there as well. -Yes. | 0:38:11 | 0:38:13 | |
-And the other one? -And the other one, this is my risk for the week. | 0:38:13 | 0:38:17 | |
This is my scallop one, with some squid ink in there. | 0:38:17 | 0:38:21 | |
'Ian will add bacon and vermouth | 0:38:21 | 0:38:23 | |
'to his black scallop and squid ink vol-au-vents.' | 0:38:23 | 0:38:26 | |
-Is there anything that's worrying you? -I spoke to my wife | 0:38:26 | 0:38:29 | |
the night before last. I left her some of this filling. | 0:38:29 | 0:38:31 | |
She said, "Ian, I don't like it." | 0:38:31 | 0:38:33 | |
-You can't tell me that now! -I mean, it is daring. -Yeah, I mean, | 0:38:33 | 0:38:36 | |
jet-black food is a little bit risque. | 0:38:36 | 0:38:38 | |
I don't want to sort of manipulate it too much. | 0:38:40 | 0:38:42 | |
You know, you don't want the butter to get too warm. | 0:38:42 | 0:38:45 | |
I'm going to wrap these up and I'll put them in the freezer. | 0:38:45 | 0:38:49 | |
Just for 10, 15 minutes. | 0:38:49 | 0:38:50 | |
Just get that in the freezer. | 0:38:55 | 0:38:57 | |
My vol-au-vents are...just remind myself. | 0:38:57 | 0:39:00 | |
I'm doing a garlic and chilli prawn | 0:39:00 | 0:39:02 | |
marinated on risotto, with a pea puree underneath, | 0:39:02 | 0:39:06 | |
and then I'm doing a sweet one, | 0:39:06 | 0:39:08 | |
which is my take on the '70s, '80s trifle. | 0:39:08 | 0:39:12 | |
'Paul's trifle-inspired vol-au-vents will be layered with creme pat, | 0:39:12 | 0:39:15 | |
'raspberry coulis and cream, with a fresh raspberry sitting on top.' | 0:39:15 | 0:39:19 | |
This is unreal, innit? | 0:39:22 | 0:39:24 | |
THUNDER RUMBLES | 0:39:24 | 0:39:25 | |
That's horrendous. | 0:39:25 | 0:39:27 | |
It's jolly cold, so it's a perfect day for making pastry. | 0:39:27 | 0:39:31 | |
Just adds some drama to the occasion, doesn't it? | 0:39:33 | 0:39:36 | |
Biblical pastry. | 0:39:36 | 0:39:38 | |
'Creating perfect puff is a tricky enough challenge for the bakers. | 0:39:41 | 0:39:44 | |
'But, true to form, Flora is pushing herself | 0:39:44 | 0:39:47 | |
'by adding another element to her pastry.' | 0:39:47 | 0:39:49 | |
I am just doing my second dough, which will be the chocolate one. | 0:39:49 | 0:39:53 | |
-A chocolate one? -Ooh! -How are you incorporating the chocolate? | 0:39:53 | 0:39:56 | |
-I've never seen her so excited! -Well, it is quite different. | 0:39:56 | 0:39:59 | |
It is quite different. | 0:39:59 | 0:40:00 | |
'Flora's chocolate puff pastry will be filled with chocolate ganache | 0:40:00 | 0:40:04 | |
'and topped with hazelnut and praline. | 0:40:04 | 0:40:06 | |
'Her savoury canapes will be filled with asparagus and Parma ham.' | 0:40:06 | 0:40:10 | |
How does the chocolate react with the puff pastry | 0:40:10 | 0:40:12 | |
-when you're baking it? -The cocoa powder can affect | 0:40:12 | 0:40:16 | |
the actual puff but I've managed to get it to work twice, | 0:40:16 | 0:40:19 | |
so I hope that it happens for me today. | 0:40:19 | 0:40:23 | |
'Not only do Paul and Mary want to see light, layered pastry, | 0:40:29 | 0:40:33 | |
'they also want fillings that are flavoursome | 0:40:33 | 0:40:35 | |
'and transform the vol-au-vents into the perfect canape.' | 0:40:35 | 0:40:38 | |
I'm sort of doing a his'n'hers vol-au-vent. | 0:40:40 | 0:40:43 | |
So, one for my wife. | 0:40:43 | 0:40:44 | |
I asked what she'd like in the vol-au-vent | 0:40:44 | 0:40:47 | |
and she wanted smoked trout and horseradish, | 0:40:47 | 0:40:49 | |
and then I worked out what I was going to have, | 0:40:49 | 0:40:51 | |
and I was going to have...almost like a full English breakfast vol-au-vent. | 0:40:51 | 0:40:55 | |
'Mat's full English vol-au-vents will contain sausage and bacon, | 0:40:55 | 0:40:58 | |
'and be topped with a quail's egg.' | 0:40:58 | 0:41:00 | |
It's a fancy sort of dinner party vol-au-vent, | 0:41:00 | 0:41:03 | |
and then one just from a caff. That's the look I'm going for. | 0:41:03 | 0:41:06 | |
'While Mat opts for traditional British flavours, | 0:41:06 | 0:41:09 | |
'Nadiya is drawing on her Bengali roots to impress.' | 0:41:09 | 0:41:12 | |
So, I am doing a Bengali korma vol-au-vent | 0:41:12 | 0:41:16 | |
with a poached quail's egg on top, | 0:41:16 | 0:41:18 | |
and I'm doing a cod and clementine vol-au-vent. | 0:41:18 | 0:41:21 | |
-Cod and clementine? -Yeah. | 0:41:21 | 0:41:23 | |
'Nadiya's cod recipe will use the peel of two small clementines, | 0:41:25 | 0:41:28 | |
'while her Bengali chicken korma is spiced with cardamom, cinnamon, | 0:41:28 | 0:41:31 | |
'star anise and cloves.' | 0:41:31 | 0:41:33 | |
What made you choose these? | 0:41:33 | 0:41:35 | |
These are my mum and my grandma's recipes. | 0:41:35 | 0:41:38 | |
When my mum was little, | 0:41:38 | 0:41:39 | |
my mum would eat the clementines and my grandma would keep the peel, | 0:41:39 | 0:41:43 | |
wondering what she could possibly do with it, | 0:41:43 | 0:41:45 | |
and that is what she came up with. | 0:41:45 | 0:41:47 | |
And that is an unbelievably - for me, anyway, | 0:41:47 | 0:41:49 | |
and I hope you guys like it - but it is such an amazing combination. | 0:41:49 | 0:41:53 | |
'Like Nadiya, Alvin's also using his childhood memories | 0:41:53 | 0:41:56 | |
'as inspiration for one of his vol-au-vents' fillings.' | 0:41:56 | 0:41:59 | |
Chicken a la king is obviously an American dish, | 0:41:59 | 0:42:02 | |
and being in the Philippines, | 0:42:02 | 0:42:03 | |
we sort of get this recipe from them, so I grew up with it. | 0:42:03 | 0:42:07 | |
It brings back memories - Mum making it in a big case and stuff, | 0:42:07 | 0:42:10 | |
so it's quite good. | 0:42:10 | 0:42:12 | |
'Alvin's other vol-au-vents will be his version of salmon en croute, | 0:42:12 | 0:42:15 | |
'using smoked salmon, creme fraiche and dill.' | 0:42:15 | 0:42:18 | |
There's a lot going on in there to get into that small vol-au-vent, | 0:42:19 | 0:42:22 | |
-isn't it? -Yes, I'm not going to put everything in, | 0:42:22 | 0:42:25 | |
but I made some for me later. | 0:42:25 | 0:42:26 | |
I'm going to be standing very close to you | 0:42:26 | 0:42:28 | |
because I know there's going to be an awful lot left over. | 0:42:28 | 0:42:31 | |
-Thank you, Alvin. -Thank you. | 0:42:31 | 0:42:34 | |
'The fillings are a key part of this challenge, | 0:42:34 | 0:42:36 | |
'so Tamal's chosen a recipe that has been close to his heart for years.' | 0:42:36 | 0:42:40 | |
This is basically inspired by a sandwich that I had | 0:42:40 | 0:42:42 | |
a few years ago. It was top two sandwiches of my life. | 0:42:42 | 0:42:45 | |
It was a pork sandwich and they fried the meat with the fennel | 0:42:45 | 0:42:47 | |
and the rosemary, and I think about that sandwich quite a lot. | 0:42:47 | 0:42:50 | |
'Tamal's pulled pork vol-au-vents | 0:42:50 | 0:42:52 | |
'will be matched in flavour by his second filling, | 0:42:52 | 0:42:54 | |
'which will be spicy chicken and coriander.' | 0:42:54 | 0:42:57 | |
It's definitely got chilli in it! | 0:43:01 | 0:43:03 | |
OK, bakers, you're halfway through | 0:43:05 | 0:43:06 | |
your three-and-three-quarter-hour challenge, | 0:43:06 | 0:43:08 | |
which means you've got one hour, 52 and a half minutes remaining. | 0:43:08 | 0:43:14 | |
It's looking good. I can see the butter lamination inside, so... | 0:43:14 | 0:43:18 | |
What you don't want to see is butter being in there, | 0:43:18 | 0:43:20 | |
because it means it hasn't amalgamated with the dough. | 0:43:20 | 0:43:24 | |
That's not a good thing for puff. | 0:43:24 | 0:43:27 | |
Look at my butter. Why is it so lumpy? | 0:43:27 | 0:43:29 | |
-My butter looks a bit mottled, like it's chunks. -Yeah, so's mine. | 0:43:32 | 0:43:36 | |
Because I've tried to get it to cool quickly, | 0:43:36 | 0:43:38 | |
the butter's just frozen so fast, | 0:43:38 | 0:43:40 | |
when I've gone to roll it, it's just broken up into pieces. | 0:43:40 | 0:43:43 | |
-There's quite a lot of, um... -Lumps? | 0:43:45 | 0:43:49 | |
-It's a bit like a cellulite-y thigh. -It is. | 0:43:49 | 0:43:51 | |
Nadiya's has gone the same. | 0:43:51 | 0:43:53 | |
Um...I don't know, it's all right. | 0:43:53 | 0:43:55 | |
Are you feeling the presh with the puff? | 0:43:55 | 0:43:57 | |
This isn't ideal but, yeah, I think I'll be all right. | 0:43:57 | 0:44:00 | |
That's what they're getting now, anyway. | 0:44:00 | 0:44:02 | |
I haven't got time to start again. | 0:44:02 | 0:44:03 | |
I'm making a second batch. I just need it to work. | 0:44:05 | 0:44:08 | |
There's time, there's always time. | 0:44:09 | 0:44:12 | |
'Once the bakers have got their hard-earned layers, | 0:44:12 | 0:44:14 | |
'they need to keep them.' | 0:44:14 | 0:44:16 | |
So, this cutting is very important. | 0:44:16 | 0:44:18 | |
The crucial bit to it, I think, really. | 0:44:18 | 0:44:20 | |
If I sort of cut like that, then grease it, | 0:44:20 | 0:44:22 | |
the butter will lock the sides | 0:44:22 | 0:44:23 | |
and then it will not rise above me. | 0:44:23 | 0:44:25 | |
It's those little things, I think, that if you focus on it, | 0:44:25 | 0:44:28 | |
you'll be rewarded in the end. | 0:44:28 | 0:44:30 | |
14, 15. | 0:44:30 | 0:44:33 | |
I'm under pressure because we're running out of time | 0:44:33 | 0:44:36 | |
and they're not even in the oven yet, let alone filled. | 0:44:36 | 0:44:38 | |
OK, bakers, you've got an hour to go | 0:44:40 | 0:44:42 | |
before the vol-au-vents buffet will be served. | 0:44:42 | 0:44:45 | |
One hour before the vol-au-vents buffet will be served. | 0:44:45 | 0:44:48 | |
Thanking you. | 0:44:48 | 0:44:50 | |
I am rushing, so I need to just stop and just calm down | 0:44:50 | 0:44:55 | |
and just do this, because I will just mess it up otherwise. | 0:44:55 | 0:44:59 | |
Ah, this is so fiddly. | 0:45:01 | 0:45:02 | |
I'm all right at the moment, yeah. | 0:45:10 | 0:45:12 | |
I'm just sort of trucking on, you know what I mean? It's, um... | 0:45:12 | 0:45:14 | |
I'd prefer they came out of this - the cutter - a little bit easier. | 0:45:14 | 0:45:17 | |
I'm putting a sheet of silicone on top of all the vol-au-vents. | 0:45:21 | 0:45:24 | |
This just helps them to rise evenly. | 0:45:24 | 0:45:28 | |
These are going in. | 0:45:29 | 0:45:30 | |
I'll just put the wire rack on top. | 0:45:40 | 0:45:42 | |
The idea is to stop them rising too far. | 0:45:42 | 0:45:44 | |
If they rise that far, I'll be jolly happy. | 0:45:45 | 0:45:47 | |
Anyway, that's 20 in, so that's good. I'm on the way. | 0:45:47 | 0:45:51 | |
NADIYA GROANS | 0:45:51 | 0:45:53 | |
'Mary and Paul will want to see a perfect batch of vol-au-vents | 0:45:56 | 0:45:59 | |
'from each baker - well-risen, uniform and vertical.' | 0:45:59 | 0:46:03 | |
They're not going straight, which I knew they would | 0:46:03 | 0:46:05 | |
because I've had to rush it. Which is not good. | 0:46:05 | 0:46:08 | |
Melting. | 0:46:08 | 0:46:09 | |
I didn't chill them before I put them in | 0:46:11 | 0:46:13 | |
because I'm running out of time. | 0:46:13 | 0:46:15 | |
Well, there's some vol-au-vents. | 0:46:29 | 0:46:31 | |
Oh, my God. | 0:46:31 | 0:46:33 | |
-They look all right? -They're perfect. | 0:46:33 | 0:46:35 | |
This is disaster. This is not good. | 0:46:45 | 0:46:48 | |
Look at Mat's. Like straight soldiers. | 0:46:48 | 0:46:51 | |
Mine look like they've been drinking. | 0:46:51 | 0:46:54 | |
I've now got to take out 48 middles, though. | 0:46:54 | 0:46:56 | |
One. | 0:46:56 | 0:46:58 | |
Two. | 0:46:58 | 0:47:00 | |
I'll keep you up to date, yeah? | 0:47:00 | 0:47:01 | |
My pastry's just melting away in the oven. It's not rising very much. | 0:47:01 | 0:47:06 | |
Oh, it's not looking very good. | 0:47:06 | 0:47:08 | |
OK, bakers, 15 minutes left | 0:47:11 | 0:47:14 | |
before Puff Daddy comes to judge. | 0:47:14 | 0:47:17 | |
I've still got to rebake the breakfast ones. Oh, that's not good. | 0:47:17 | 0:47:21 | |
-I've still got lots to do. -They're not straight but I'd rather have | 0:47:21 | 0:47:24 | |
something on there, filled, than nothing at all. | 0:47:24 | 0:47:26 | |
I've got so many piping bags on the go. | 0:47:26 | 0:47:28 | |
I need to make sure I'm putting the right one in. | 0:47:28 | 0:47:31 | |
-Nadiya, my love? -Yes? -Just a thought. -Yeah? | 0:47:34 | 0:47:38 | |
Worth trying to put some filling, even if it's just on there, | 0:47:38 | 0:47:43 | |
-just so you've got something to show. -I cannot do 48 in five minutes. | 0:47:43 | 0:47:47 | |
OK, well, do as many as you can in five minutes. | 0:47:47 | 0:47:49 | |
Right, going in with a finger. This is ridiculous! | 0:47:49 | 0:47:53 | |
It's a bit black, isn't it? | 0:48:00 | 0:48:01 | |
Terrible. That's how they're looking. | 0:48:03 | 0:48:06 | |
It's hard to pick, they're all so hideously deformed. | 0:48:06 | 0:48:08 | |
Come on, come on, come on. | 0:48:10 | 0:48:11 | |
Better hide the ugly one, eh? | 0:48:13 | 0:48:15 | |
I'm going to give them everything I said I would, just deconstructed. | 0:48:15 | 0:48:18 | |
OK, bakers, the Showstopper has been stoppered. | 0:48:36 | 0:48:39 | |
Vol-au-vents at the end of the bench. | 0:48:40 | 0:48:42 | |
They look amazing. | 0:49:05 | 0:49:07 | |
The puff, the height that you've got from it, the lamination, | 0:49:07 | 0:49:10 | |
the shape, the bake. | 0:49:10 | 0:49:12 | |
It all looks fantastic and great size as well. | 0:49:13 | 0:49:16 | |
-Flavours are gorgeous. -Good. | 0:49:21 | 0:49:22 | |
Well thought out, actually, and well baked. | 0:49:22 | 0:49:24 | |
And I promise you, the egg yolk is beautifully runny, | 0:49:24 | 0:49:27 | |
it's dripping down my hand. | 0:49:27 | 0:49:30 | |
Delicious. | 0:49:30 | 0:49:31 | |
The horseradish with the smoked trout, the blend is beautiful. | 0:49:31 | 0:49:35 | |
They're delicate, they're really good, strong flavours. | 0:49:35 | 0:49:39 | |
You've done two excellent vol-au-vents. | 0:49:39 | 0:49:41 | |
-Well done. -Thank you very much. -Thank you. | 0:49:41 | 0:49:44 | |
-They look a little bit under-baked. -It looks anaemic. -Mm-hm. | 0:49:48 | 0:49:51 | |
-You've got the layers there, but they're a bit tilted. -Yes. | 0:49:51 | 0:49:55 | |
You can see right down the bottom, it's raw. | 0:49:56 | 0:49:59 | |
Right, let's check the sweet one. | 0:50:01 | 0:50:03 | |
-The flavours are coming through. -It's a lovely creme pat. | 0:50:05 | 0:50:08 | |
-They just look hideous. -Yes, I agree there, yeah. | 0:50:08 | 0:50:11 | |
Your savoury ones look a picture. | 0:50:17 | 0:50:20 | |
Those are very delicious. | 0:50:24 | 0:50:26 | |
I don't think you've got the rise of your pastry. | 0:50:26 | 0:50:30 | |
-They're little bit heavy. -But it's neat and the filling is beautiful. | 0:50:30 | 0:50:35 | |
-Right. -The chocolate ones, they've risen in the beautiful flakes. | 0:50:35 | 0:50:39 | |
Quite dense again for a puff pastry, the chocolate, | 0:50:44 | 0:50:46 | |
but the flavour is stunning. It's even better than the savoury. | 0:50:46 | 0:50:50 | |
I think they're brilliant. You were exceptionally brave to do it. | 0:50:50 | 0:50:54 | |
-Thank you. -And we haven't got any extra things stuck on the side. | 0:50:54 | 0:50:57 | |
Well done. | 0:50:57 | 0:50:58 | |
They are a bit of a mess, aren't they? | 0:51:06 | 0:51:08 | |
They do look a little bit pale, bit topsy-turvy, but well filled. | 0:51:08 | 0:51:11 | |
Let's have a look at this one. | 0:51:11 | 0:51:14 | |
Quite a good bake underneath, look. It's a lovely flavour. | 0:51:17 | 0:51:21 | |
As a canape, I think it really works. | 0:51:21 | 0:51:23 | |
That coriander chicken is delicious. | 0:51:23 | 0:51:25 | |
Next one is pulled pork. | 0:51:25 | 0:51:27 | |
The filling is delicious. | 0:51:27 | 0:51:29 | |
-I thought it was going to be dry, it wasn't dry. -Two fantastic flavours. | 0:51:29 | 0:51:33 | |
They taste good, they don't look too good. | 0:51:33 | 0:51:36 | |
They are a bit irregular. I didn't expect that. | 0:51:45 | 0:51:48 | |
Most of them have risen fairly straight. | 0:51:48 | 0:51:50 | |
They're a little squat in size. | 0:51:50 | 0:51:53 | |
The mushroom ones look a little bit over-baked. | 0:51:53 | 0:51:56 | |
Truffle oil with the mushrooms, though, is delicious. | 0:51:56 | 0:51:58 | |
The filling is very good. | 0:51:58 | 0:52:00 | |
But the scallop and the ink look interesting. | 0:52:00 | 0:52:02 | |
I ran out of time, so didn't get a chance to garnish them, | 0:52:02 | 0:52:06 | |
-so they look a little, um... -Look plain. -Look a bit black. Mmm. | 0:52:06 | 0:52:09 | |
-I think the black ink with that is... It's not good. -No, OK. | 0:52:09 | 0:52:14 | |
They're all very neat, but that's not Ian, really. | 0:52:14 | 0:52:17 | |
We haven't got your style. | 0:52:17 | 0:52:19 | |
-Oh, dear. -Yeah. | 0:52:29 | 0:52:31 | |
I'm sorry, they weren't obviously supposed to be presented like that. | 0:52:31 | 0:52:34 | |
Is this the pastry you made initially or is it the second lot? | 0:52:34 | 0:52:37 | |
-It was my second lot. -This is why you ran out of time. -Yeah. | 0:52:37 | 0:52:40 | |
And once you run out of time, to try | 0:52:40 | 0:52:43 | |
and laminate a dough when the butter is trying to melt | 0:52:43 | 0:52:45 | |
and you try to rush it and bring it out and then the butter just leaves | 0:52:45 | 0:52:49 | |
the pastry, which is why you end up with these massive gaps. | 0:52:49 | 0:52:52 | |
It's very sad that it has all toppled over and so forth. | 0:52:52 | 0:52:55 | |
You've got wonderful layers there. | 0:52:55 | 0:52:57 | |
-The pastry was properly made, but you needed to chill it. -But... | 0:52:57 | 0:53:02 | |
..the fillings look fascinating. | 0:53:03 | 0:53:05 | |
It's so annoying. | 0:53:09 | 0:53:11 | |
The cod and the clementine together, that is stunning. | 0:53:11 | 0:53:15 | |
-The korma... -I'm not, as you know, a very spicy person | 0:53:15 | 0:53:19 | |
-and it really is absolutely scrumptious. -It tastes amazing. | 0:53:19 | 0:53:23 | |
And I was a bit worried, thinking, "Would you have that cold | 0:53:23 | 0:53:26 | |
-"in a canape?" But, actually, yeah, you would. -It's lovely. | 0:53:26 | 0:53:29 | |
And we can see that you can make the puff pastry, | 0:53:29 | 0:53:32 | |
because the layers are there. | 0:53:32 | 0:53:33 | |
-It just... It didn't get chilled in time. -Thank you very much. | 0:53:33 | 0:53:37 | |
Overall, they don't look too bad. | 0:53:44 | 0:53:47 | |
They look lovely and colourful, those. And these are well garnished. | 0:53:47 | 0:53:51 | |
But they look quite raw here in the middle. | 0:53:51 | 0:53:53 | |
Did you notice that on a few of them when they were coming out? | 0:53:53 | 0:53:56 | |
Er, to be honest, no, I did not. | 0:53:56 | 0:53:58 | |
-Goes back to dough when I push it. -Yeah. Oh, sorry. | 0:54:01 | 0:54:05 | |
That is a shame. | 0:54:06 | 0:54:08 | |
I like that filling. I've tried that filling before. | 0:54:09 | 0:54:12 | |
-The flavour's good. -The filling is delicious. | 0:54:12 | 0:54:14 | |
I think your pastry is better baked on this one. | 0:54:14 | 0:54:17 | |
-I'm not getting much flavour throughout that. -Sorry. | 0:54:17 | 0:54:20 | |
But I'd say the flavour on that is delicious. | 0:54:20 | 0:54:23 | |
Thank you. Thank you. Sorry about that. | 0:54:23 | 0:54:25 | |
BIRDSONG | 0:54:35 | 0:54:37 | |
I actually think one of the stars of today was Mat. | 0:54:40 | 0:54:43 | |
I mean, look at them, they're perfect | 0:54:43 | 0:54:45 | |
and the flavours were stunning | 0:54:45 | 0:54:47 | |
and he even got his yolk runny too. | 0:54:47 | 0:54:49 | |
What a relief that Flora just made what she was asked to make. | 0:54:49 | 0:54:53 | |
Who's had chocolate puff pastry before? | 0:54:53 | 0:54:56 | |
But she had confidence in it and it worked. | 0:54:56 | 0:54:58 | |
Mary and I have got a few ideas for Star Baker, | 0:54:58 | 0:55:01 | |
but I think when it comes to the person who has to go, | 0:55:01 | 0:55:04 | |
I think it is between two. | 0:55:04 | 0:55:05 | |
And I think we have to sit down and try and figure out | 0:55:05 | 0:55:08 | |
over the three challenges, who has baked the better. | 0:55:08 | 0:55:13 | |
Did Alvin do enough to save himself? | 0:55:13 | 0:55:17 | |
Well done, bakers. Who knew that puff could be so tough? | 0:55:25 | 0:55:29 | |
So, I've got the very nice job this week - | 0:55:29 | 0:55:32 | |
Star Baker goes to somebody whose vol-au-vents today | 0:55:32 | 0:55:37 | |
are as tall and proud as the baker himself. | 0:55:37 | 0:55:41 | |
Mat, you are this week's Star Baker. Well done. | 0:55:41 | 0:55:44 | |
Thank you. | 0:55:46 | 0:55:47 | |
I've drawn the short cheese straw. | 0:55:51 | 0:55:54 | |
With great regret, the person who is leaving us this week... | 0:55:56 | 0:56:00 | |
..is Alvin. | 0:56:03 | 0:56:04 | |
Alvin, you cherub. | 0:56:06 | 0:56:07 | |
Being in the tent, it taught me how to be resilient. | 0:56:10 | 0:56:13 | |
I feel like I'm leaving the tent a better man, a different man. | 0:56:13 | 0:56:17 | |
-Well done, mate. -Thank you, sir. | 0:56:17 | 0:56:18 | |
'It was unfortunate that Alvin had to go,' | 0:56:18 | 0:56:21 | |
but the Showstopper to save him really had to be fantastic | 0:56:21 | 0:56:23 | |
and it just wasn't good enough. | 0:56:23 | 0:56:25 | |
Nadiya, who's also in the drop zone, | 0:56:25 | 0:56:28 | |
but the flavours were honestly some of the best stuff I've ever had. | 0:56:28 | 0:56:32 | |
I can't believe I made it through. | 0:56:32 | 0:56:34 | |
I thought I was going home. | 0:56:34 | 0:56:35 | |
I am so grateful that I'm here. I'm so grateful. | 0:56:35 | 0:56:39 | |
Yes! | 0:56:40 | 0:56:41 | |
'Mat has improved beyond belief.' | 0:56:41 | 0:56:43 | |
His Showstopper was really stunning. | 0:56:43 | 0:56:47 | |
It's great, innit? | 0:56:47 | 0:56:48 | |
The biggest surprise is Mary Berry double-punched me | 0:56:48 | 0:56:51 | |
in the stomach when she congratulated me! | 0:56:51 | 0:56:53 | |
That's a surprise. | 0:56:53 | 0:56:54 | |
Little bit winded. | 0:56:55 | 0:56:56 | |
Next time - the tent turns Victorian... | 0:56:58 | 0:57:02 | |
Oh, my God. | 0:57:02 | 0:57:04 | |
..as the remaining six bake recipes from the past... | 0:57:04 | 0:57:07 | |
I've filled it too much. | 0:57:07 | 0:57:09 | |
..go overboard with decoration... | 0:57:09 | 0:57:11 | |
Queen Victoria would be proud. | 0:57:11 | 0:57:13 | |
Agh! | 0:57:13 | 0:57:14 | |
..and get to grips with old-fashioned techniques... | 0:57:14 | 0:57:16 | |
I mean, it can't be that hard, right? It's a cake. | 0:57:16 | 0:57:18 | |
'..which turn even the tent's toughest to jelly.' | 0:57:18 | 0:57:21 | |
Don't let a fondant tennis court be the end of you. | 0:57:21 | 0:57:25 | |
HE EXHALES | 0:57:25 | 0:57:27 |