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Welcome to week two in the Bake Off tent. | 0:00:03 | 0:00:05 | |
One baker's gone, they're not coming back, | 0:00:05 | 0:00:07 | |
Sue's also gone, but she will be back. | 0:00:07 | 0:00:08 | |
Last week was a piece of cake, now it's crunch time, | 0:00:08 | 0:00:11 | |
but who is going to...snap first? | 0:00:11 | 0:00:14 | |
Welcome to The Great British Bake Off. | 0:00:14 | 0:00:16 | |
Last time... The Bake Off began with cakes. | 0:00:17 | 0:00:20 | |
Coming to a bit of a clump at the moment. | 0:00:20 | 0:00:22 | |
What do you do when you need to relieve stress? I usually bake. | 0:00:22 | 0:00:25 | |
I love that design and it's a joy to eat. | 0:00:25 | 0:00:28 | |
Despite Selasi and Andrew's best efforts... | 0:00:28 | 0:00:30 | |
Absolutely stunning. | 0:00:30 | 0:00:32 | |
..it was Jane... No! ..who excelled, clinching Star Baker. | 0:00:32 | 0:00:37 | |
Thank you. And although Candice faltered... | 0:00:37 | 0:00:40 | |
It's very rubbery. | 0:00:40 | 0:00:42 | |
..it was Reverend Lee... | 0:00:42 | 0:00:43 | |
Texture's awful. ..who became the first baker to leave the tent. | 0:00:43 | 0:00:46 | |
'This week, it's biscuits.' | 0:00:48 | 0:00:51 | |
Everybody else is ready and I'm not. | 0:00:51 | 0:00:54 | |
They've got to look uniform. | 0:00:54 | 0:00:57 | |
But who can create the crunch... | 0:00:57 | 0:00:58 | |
Now that's crispy. | 0:00:58 | 0:01:00 | |
..and keep their cool... | 0:01:00 | 0:01:01 | |
God, I hate gingerbread. ..when everything around them... | 0:01:01 | 0:01:04 | |
SHE GASPS ..is falling apart. | 0:01:04 | 0:01:07 | |
CONTESTANTS GASP AND GROAN | 0:01:09 | 0:01:11 | |
Who wants to eat some carpet? I'll eat a bit of carpet. | 0:01:11 | 0:01:13 | |
Over the next two days, the bakers will face three challenges | 0:01:36 | 0:01:39 | |
to test their biscuit-making credentials. | 0:01:39 | 0:01:41 | |
Three chances to claim Star Baker and to avoid leaving the Bake Off. | 0:01:41 | 0:01:46 | |
Morning, bakers. Welcome back to the tent of dreams. | 0:01:48 | 0:01:51 | |
For your Signature Challenge this morning, | 0:01:51 | 0:01:53 | |
Paul and Mary would like you to make 24 iced biscuits. | 0:01:53 | 0:01:58 | |
They should be identical and the biscuits should be as crisp | 0:01:58 | 0:02:03 | |
as Paul Hollywood's hair. | 0:02:03 | 0:02:05 | |
You've got two and a half hours. | 0:02:05 | 0:02:07 | |
On your marks, get set, BAKE! | 0:02:07 | 0:02:09 | |
Being Star Baker last week does put a little bit of pressure on. | 0:02:14 | 0:02:17 | |
I've made loads and loads of the biscuits, | 0:02:17 | 0:02:20 | |
but I haven't iced that many, to be honest. I feel good today. | 0:02:20 | 0:02:23 | |
Just have to take each day as it comes and then just bake | 0:02:23 | 0:02:26 | |
and produce whatever is required. | 0:02:26 | 0:02:28 | |
The trickiest part is not being too ambitious. | 0:02:30 | 0:02:34 | |
24 biscuits, absolutely perfect, all the same thickness, | 0:02:34 | 0:02:39 | |
same crunchy texture - it's a really difficult challenge. | 0:02:39 | 0:02:43 | |
You've got to decide whether you want it to snap | 0:02:43 | 0:02:45 | |
or be a bit like shortbread. | 0:02:45 | 0:02:47 | |
But biscuits is one of my firm favourites. | 0:02:47 | 0:02:49 | |
I just hope and pray that they give me a mug of tea big enough | 0:02:49 | 0:02:53 | |
so I can dunk all the biscuits in. | 0:02:53 | 0:02:54 | |
Look at the colour of my tea. | 0:02:54 | 0:02:56 | |
Wow. That is seriously strong tea. | 0:02:56 | 0:02:58 | |
Why is it that colour? | 0:02:58 | 0:02:59 | |
Because I used about, I don't know... 500 teabags? | 0:02:59 | 0:03:02 | |
Yeah. Good morning, Louise. | 0:03:02 | 0:03:04 | |
Hi. Right, can you tell us about your biscuits, please? | 0:03:04 | 0:03:07 | |
Today, I'm making rich tea biscuits with a flavour of bara brith. | 0:03:07 | 0:03:11 | |
Can you remind me what is bara brith, Louise? | 0:03:11 | 0:03:13 | |
It's a Welsh fruitcake. | 0:03:13 | 0:03:15 | |
It's a very moist loaf and you put lots of butter on it. | 0:03:15 | 0:03:20 | |
When she's not practising for the Bake Off, | 0:03:20 | 0:03:22 | |
Louise is climbing in the Welsh hills with fiance Simon. | 0:03:22 | 0:03:25 | |
Her flock of sheep-shaped biscuits | 0:03:25 | 0:03:27 | |
will contain fruit soaked in tea, | 0:03:27 | 0:03:29 | |
bara brith style. | 0:03:29 | 0:03:30 | |
When we bite into it, is it going to break, is it going to crumble, | 0:03:30 | 0:03:33 | |
is it going to bend? It's not... | 0:03:33 | 0:03:36 | |
It's a softer biscuit, it's not too crunchy. | 0:03:36 | 0:03:39 | |
Well, good luck anyway. Thank you. See you in a bit. | 0:03:41 | 0:03:43 | |
My biggest challenge today is making sure that I'm not messy | 0:03:48 | 0:03:53 | |
and that I really work hard on my presentation. | 0:03:53 | 0:03:56 | |
Up until now, Val's harshest critic was one-year-old grandson Arthur. | 0:03:56 | 0:04:00 | |
Too big! | 0:04:00 | 0:04:01 | |
But it's from her own childhood that Val's drawn inspiration | 0:04:01 | 0:04:04 | |
for her shortbreads, | 0:04:04 | 0:04:05 | |
resembling Neapolitan ice creams. | 0:04:05 | 0:04:07 | |
When we were kids, we were quite poor. | 0:04:07 | 0:04:10 | |
Things like cornets, | 0:04:10 | 0:04:11 | |
we only ever had them as treats if we went to the seaside. | 0:04:11 | 0:04:14 | |
And for years we continued to go on the family holiday | 0:04:14 | 0:04:18 | |
and Dad always bought us ice creams to make up for the ones | 0:04:18 | 0:04:21 | |
he couldn't buy us when we were kids. | 0:04:21 | 0:04:24 | |
Most of the bakers are making biscuit dough by creaming together | 0:04:24 | 0:04:27 | |
the butter and sugar first... | 0:04:27 | 0:04:29 | |
So, I'm looking for a nice crunch | 0:04:29 | 0:04:31 | |
in the biscuit, | 0:04:31 | 0:04:32 | |
that's how I'm going to gauge it ultimately, the biscuit, | 0:04:32 | 0:04:35 | |
if you get that snap. | 0:04:35 | 0:04:36 | |
..but Kate, Val and Andrew are relying on rubbing in | 0:04:36 | 0:04:39 | |
to make their shortbread dough. | 0:04:39 | 0:04:41 | |
My Dad's got legendary shortbread. | 0:04:41 | 0:04:43 | |
He won a women's shortbread | 0:04:43 | 0:04:44 | |
competition in the '70s, | 0:04:44 | 0:04:46 | |
which is one of his proudest achievements. | 0:04:46 | 0:04:48 | |
When he's not engineering, | 0:04:49 | 0:04:50 | |
Andrew performs with the local musical theatre group. | 0:04:50 | 0:04:53 | |
He's creating a hive of | 0:04:54 | 0:04:55 | |
honey-flavoured shortbread biscuits, | 0:04:55 | 0:04:57 | |
adorned with iced bees. | 0:04:57 | 0:04:59 | |
It's not as snappy a biscuit as some other iced biscuits, | 0:04:59 | 0:05:02 | |
it should be like a kind of like an almond shortbread. | 0:05:02 | 0:05:05 | |
Kate's shortbread is a little more fragrant. | 0:05:05 | 0:05:08 | |
I've chosen to make a lavender | 0:05:08 | 0:05:09 | |
and bergamot biscuit. | 0:05:09 | 0:05:11 | |
You're using two flavours I'm not particularly fond of. | 0:05:11 | 0:05:13 | |
Smells a bit medicinal to me. Thanks, Bez. | 0:05:13 | 0:05:17 | |
Slightly skincare. | 0:05:17 | 0:05:18 | |
Back home in Norfolk... | 0:05:18 | 0:05:20 | |
Put your woggle on. ..Kate's a Brownie leader. | 0:05:20 | 0:05:22 | |
She's making shortbreads in the image of swallowtail butterflies | 0:05:22 | 0:05:26 | |
and she has her own secret | 0:05:26 | 0:05:27 | |
ingredient for biscuit success. | 0:05:27 | 0:05:29 | |
I want to be a happy baker, cos then I'll have happy biscuits. | 0:05:29 | 0:05:33 | |
I'm making my spiced Chai Frappelattecino Biscuits. | 0:05:33 | 0:05:38 | |
I'm putting quite a lot of spice into these biscuits | 0:05:38 | 0:05:41 | |
and coffee as well. | 0:05:41 | 0:05:42 | |
Tom loves experimenting with novel ingredients and intense flavours. | 0:05:44 | 0:05:48 | |
He's made 300 practice biscuits | 0:05:48 | 0:05:50 | |
to master his blend of four spices | 0:05:50 | 0:05:52 | |
and ground coffee | 0:05:52 | 0:05:53 | |
for a biscuit with a kick. | 0:05:53 | 0:05:54 | |
I'm not worried that it's going to be too much flavour. | 0:05:54 | 0:05:57 | |
If anything, I'm worried that I'll lose flavour. | 0:05:57 | 0:05:59 | |
Selasi is also hoping his flavours leave a lasting impression. | 0:05:59 | 0:06:03 | |
I've blended some Scotch bonnets. Wow. Sorry. | 0:06:06 | 0:06:10 | |
So, how is this being flavoured? | 0:06:10 | 0:06:11 | |
To your tolerance level or to mine and Mary's? | 0:06:11 | 0:06:14 | |
To yours. | 0:06:14 | 0:06:15 | |
Selasi has three hobbies - baking, | 0:06:15 | 0:06:18 | |
basketball, and his signature biscuits are in the shape | 0:06:18 | 0:06:21 | |
of his third - motorbiking. | 0:06:21 | 0:06:22 | |
I've tried it at home | 0:06:22 | 0:06:23 | |
and the feedback has been good. | 0:06:23 | 0:06:25 | |
Just saying it's the right amount of kick, so hopefully... | 0:06:25 | 0:06:28 | |
..I haven't added too much today. | 0:06:29 | 0:06:32 | |
Just a little bit...wet. | 0:06:32 | 0:06:34 | |
But I can always just roll in a bit more sugar. | 0:06:34 | 0:06:38 | |
How's it going? | 0:06:38 | 0:06:39 | |
Yeah, it's going all right. On time-ish. | 0:06:39 | 0:06:42 | |
I'm going to be a bit like your mum now, Michael, and say I need, | 0:06:42 | 0:06:45 | |
I'm sorry, but there's loads of flour in your ear. | 0:06:45 | 0:06:47 | |
Have you cleaned your ears, Michael? I have cleaned my ears, don't worry. | 0:06:47 | 0:06:50 | |
OK, good. My mum made me clean them before I came. Yeah, good. | 0:06:50 | 0:06:54 | |
Our youngest baker, Michael, captains his university hockey team, | 0:06:54 | 0:06:58 | |
but it's his other favourite | 0:06:58 | 0:06:59 | |
student pastime that's inspired | 0:06:59 | 0:07:01 | |
his pint-shaped biscuits. | 0:07:01 | 0:07:03 | |
I'm trying to ensure that all of the biscuits | 0:07:03 | 0:07:06 | |
are the same sort of height. | 0:07:06 | 0:07:07 | |
This challenge could be won or lost over the next few minutes. | 0:07:08 | 0:07:13 | |
I don't know how people get them all the same thickness. | 0:07:13 | 0:07:15 | |
Guided rolling pin, gives me a uniform kind of thickness of dough. | 0:07:15 | 0:07:18 | |
Their dough needs to be rolled thin enough | 0:07:18 | 0:07:21 | |
to create a good biscuit snap, | 0:07:21 | 0:07:23 | |
but thick enough to hold their shape. | 0:07:23 | 0:07:25 | |
I'm using a school ruler as my guide. | 0:07:25 | 0:07:28 | |
I'm trying to get to the thickness of a pound coin | 0:07:28 | 0:07:30 | |
and then we should get a nice snap on it. | 0:07:30 | 0:07:32 | |
I think I could make them a bit thinner. | 0:07:32 | 0:07:34 | |
There. I don't want them too thin, | 0:07:35 | 0:07:37 | |
because there's going to be so much icing on them, | 0:07:37 | 0:07:39 | |
you do need a good ratio of biscuit to icing. | 0:07:39 | 0:07:41 | |
If not, it's just all sugar. | 0:07:41 | 0:07:43 | |
Teaching Assistant Benjamina likes to be on trend | 0:07:43 | 0:07:46 | |
with her baking style. | 0:07:46 | 0:07:48 | |
She's icing a delicate bouquet of flowers | 0:07:48 | 0:07:50 | |
onto her chocolate | 0:07:50 | 0:07:51 | |
and orange biscuits. | 0:07:51 | 0:07:52 | |
They look like chicken drumsticks, but when they're iced, | 0:07:52 | 0:07:55 | |
they do actually look like flowers. | 0:07:55 | 0:07:58 | |
Doing some little flowerpot biscuits. | 0:07:58 | 0:08:01 | |
I work in the garden, so it kind of seemed like the thing to do. | 0:08:01 | 0:08:04 | |
Jane is hoping her artistic skills as a garden designer | 0:08:04 | 0:08:08 | |
will give her the edge when icing | 0:08:08 | 0:08:10 | |
her almond-flavour flowerpot biscuits. | 0:08:10 | 0:08:13 | |
These are going to be iced. How are you going to do that? | 0:08:13 | 0:08:15 | |
Yes, I'm going to do all the outlining in purple. Mm. | 0:08:15 | 0:08:18 | |
And then flood the different sections. | 0:08:18 | 0:08:20 | |
There's a lot of work for the time that you've got, | 0:08:20 | 0:08:22 | |
I hope you get it all finished. | 0:08:22 | 0:08:24 | |
Stop talking to her then! Fingers crossed. Good luck. | 0:08:24 | 0:08:26 | |
We need to stop talking to you. Thank you! Thank you, Jane. | 0:08:26 | 0:08:29 | |
So I've gone for little hexagons, | 0:08:29 | 0:08:31 | |
which will hopefully tessellate together quite nicely. | 0:08:31 | 0:08:34 | |
It just means any kind of shapes or patterns that fit together, | 0:08:34 | 0:08:37 | |
without any gaps. You want them all to look fairly consistent. | 0:08:37 | 0:08:41 | |
My shape is very intricate. It's taken me a long while to cut out. | 0:08:43 | 0:08:46 | |
Show me your home-made cutter, please, Rav. Um... | 0:08:46 | 0:08:49 | |
Show it to me. | 0:08:49 | 0:08:50 | |
That's very, very... It's effective. | 0:08:52 | 0:08:55 | |
Rav's travelled all over the world, | 0:08:55 | 0:08:57 | |
but it was his recent trip to Goa | 0:08:57 | 0:08:59 | |
that's inspired his coconut and lime flavoured bunting biscuits. | 0:08:59 | 0:09:02 | |
I'm now putting my biscuits into the oven. | 0:09:04 | 0:09:08 | |
With only one oven and 24 biscuits to bake, time is of the essence. | 0:09:08 | 0:09:13 | |
Six minutes, then twist. I'll bake them for about 15 minutes. | 0:09:14 | 0:09:18 | |
I think I'm a little bit concerned, there's quite a lot to get done. | 0:09:18 | 0:09:21 | |
It's the decorating that takes the time. | 0:09:21 | 0:09:23 | |
I've only got eight done so far. | 0:09:29 | 0:09:31 | |
First batch in. | 0:09:35 | 0:09:37 | |
SHE GASPS | 0:09:38 | 0:09:40 | |
Right. | 0:09:41 | 0:09:43 | |
Oh, Louise, are you all right? Yeah. | 0:09:43 | 0:09:47 | |
Sure? Yes. | 0:09:47 | 0:09:48 | |
Take a big, deep breath. Thank you, darling. | 0:09:50 | 0:09:53 | |
So I'll just start again. | 0:09:57 | 0:09:59 | |
Hopefully, I've got enough mixture. | 0:09:59 | 0:10:01 | |
I just need to crack on now. | 0:10:01 | 0:10:02 | |
OK, bakers, an hour has gone. | 0:10:06 | 0:10:08 | |
Oh, my goodness. | 0:10:08 | 0:10:09 | |
You have an hour and a half left. | 0:10:09 | 0:10:12 | |
Going in. To achieve biscuit perfection... | 0:10:14 | 0:10:17 | |
Come on, bake, bake, bake. | 0:10:18 | 0:10:20 | |
..the bakers must have an even bake across all their biscuits... | 0:10:20 | 0:10:23 | |
..with a consistent texture and colour. | 0:10:25 | 0:10:27 | |
They're nice, crumbly biscuits, so I don't want to break them. | 0:10:30 | 0:10:35 | |
I'm happy with these, they look like they're baked well. | 0:10:35 | 0:10:37 | |
Slightly brown on the edges... | 0:10:39 | 0:10:40 | |
I did actually make one extra, so I can get rid of that. | 0:10:40 | 0:10:42 | |
Is that allowed? | 0:10:42 | 0:10:44 | |
Well, I did it anyway. OK, I won't tell. | 0:10:44 | 0:10:47 | |
Please don't. Please don't. Paul and Mary, sorry... | 0:10:47 | 0:10:49 | |
No, no, no, come back! | 0:10:49 | 0:10:51 | |
Creating 24 identical biscuits is a mission, | 0:10:51 | 0:10:54 | |
but Candice has doubled her workload. | 0:10:54 | 0:10:56 | |
I've got to make 48, | 0:10:56 | 0:10:58 | |
24 bases and 24 tops. | 0:10:58 | 0:11:04 | |
It wouldn't be me if I hadn't made things just slightly difficult. | 0:11:04 | 0:11:08 | |
Candice has two major loves in her life - baking and her pug Dennis, | 0:11:08 | 0:11:12 | |
but he's not allowed anywhere near | 0:11:12 | 0:11:13 | |
her double-layered heart biscuits, filled with salted caramel. | 0:11:13 | 0:11:16 | |
Now, I need to ask you something. Yes? For each Bake Off you are in, | 0:11:16 | 0:11:20 | |
are you going to have a different shade of lipstick? | 0:11:20 | 0:11:22 | |
Do you know what, Mel, for you, I am. I am. Come on. | 0:11:22 | 0:11:25 | |
I'm loving the pink this week. | 0:11:25 | 0:11:26 | |
Thank you, I quite like this one as well. | 0:11:26 | 0:11:28 | |
So if you get through to Bread Week, what colour can we expect? | 0:11:28 | 0:11:31 | |
I might go red. Nice. | 0:11:31 | 0:11:32 | |
Red for bread. Red for bread. Yes! | 0:11:32 | 0:11:34 | |
Boom. Got it. | 0:11:36 | 0:11:38 | |
As well as ensuring an even bake on their next batch... | 0:11:38 | 0:11:41 | |
Timing is going to be tight on these. | 0:11:41 | 0:11:44 | |
..the bakers must start icing their first. | 0:11:44 | 0:11:46 | |
It's not tricky to do, it's just a bit time-consuming. | 0:11:46 | 0:11:50 | |
And I've got, I think, 40 done now, | 0:11:50 | 0:11:52 | |
so I'm just going to do another tray. Here we go. | 0:11:52 | 0:11:55 | |
Everybody else is ready and I'm not. | 0:11:55 | 0:11:59 | |
I've broken a couple trying to push them out. | 0:12:07 | 0:12:10 | |
I didn't really do a timed batch at home, which... | 0:12:10 | 0:12:14 | |
..in hindsight, was a real error. | 0:12:15 | 0:12:17 | |
Disaster. Uh-uh-uh-uh-oh. | 0:12:26 | 0:12:29 | |
Whether I can serve these, I'm not sure. | 0:12:30 | 0:12:33 | |
Have you iced any of them, Val? No! | 0:12:35 | 0:12:37 | |
I haven't. OK, so you've got | 0:12:37 | 0:12:39 | |
under half an hour to go. | 0:12:39 | 0:12:41 | |
Oh, what a nightmare. | 0:12:41 | 0:12:43 | |
Not enough time, not enough time. | 0:12:43 | 0:12:45 | |
Is it better to get some of them done fully | 0:12:45 | 0:12:47 | |
and then some of them empty | 0:12:47 | 0:12:49 | |
or is it better to get all of them done partly? | 0:12:49 | 0:12:52 | |
I don't know. What do you think? | 0:12:52 | 0:12:55 | |
They've got to look uniform. | 0:12:55 | 0:12:56 | |
Three, four, five, six, seven, eight, nine, ten, 11, 12. | 0:12:58 | 0:13:01 | |
13, 14, 15, 16. One, two, three, four. | 0:13:01 | 0:13:02 | |
I don't know how many I've done. | 0:13:02 | 0:13:05 | |
13, 14, 15, 16, 17, | 0:13:05 | 0:13:08 | |
18, 19. | 0:13:08 | 0:13:09 | |
SHE GASPS | 0:13:09 | 0:13:11 | |
Not going to do it. | 0:13:11 | 0:13:13 | |
OK, bakers. We sing, you sing, icing... | 0:13:14 | 0:13:17 | |
# Ten minutes to go! # | 0:13:17 | 0:13:19 | |
Louise, breathe. Sorry? Breathe. | 0:13:21 | 0:13:23 | |
SHE EXHALES | 0:13:23 | 0:13:26 | |
My hands are shaking. | 0:13:26 | 0:13:27 | |
I've just got to finish flooding these. | 0:13:30 | 0:13:32 | |
As long as you sandwich them together and get them on a plate. | 0:13:32 | 0:13:34 | |
Yeah, that's what I want. | 0:13:34 | 0:13:36 | |
I think it's fair to say that this is going to be a messy batch. | 0:13:36 | 0:13:38 | |
(You can do this.) | 0:13:39 | 0:13:41 | |
SHE GASPS | 0:13:43 | 0:13:45 | |
Oh, it's hurting my back. | 0:13:47 | 0:13:49 | |
Hopefully, they all look as near to identical as I can. | 0:13:52 | 0:13:55 | |
Ice creams are meant to be identical anyway. | 0:13:55 | 0:13:57 | |
So that's two minutes left on your icing. Two minutes left! | 0:13:57 | 0:14:00 | |
Is that to get them on your plate as well? | 0:14:00 | 0:14:01 | |
These are not high-end of the market. | 0:14:06 | 0:14:07 | |
Can you move that for me, please, love? Just fit this in. | 0:14:11 | 0:14:14 | |
Just hold it for me a second. | 0:14:14 | 0:14:16 | |
Chaos. | 0:14:18 | 0:14:20 | |
Don't stress, don't stress, don't stress, don't stress, | 0:14:20 | 0:14:23 | |
don't stress, don't stress, don't stress. | 0:14:23 | 0:14:25 | |
Oh, mine are horrendous. | 0:14:25 | 0:14:27 | |
We're going to have 24 iced biscuits. | 0:14:29 | 0:14:31 | |
This is an embarrassment. | 0:14:33 | 0:14:35 | |
Never mind. Just ran out of time. | 0:14:35 | 0:14:38 | |
OK, bakers. The bake is now finished. | 0:14:40 | 0:14:42 | |
Please put your biscuits at the end of your benches. | 0:14:42 | 0:14:45 | |
Everyone stop now, please. | 0:14:45 | 0:14:46 | |
Mary and Paul are looking for 24 identical biscuits, | 0:14:52 | 0:14:56 | |
beautifully iced with well-balanced flavours. | 0:14:56 | 0:14:59 | |
Hello, Michael. Hi there. | 0:15:05 | 0:15:06 | |
Right. They're uniform. | 0:15:06 | 0:15:08 | |
And you seem to have a decent bake all the way through. | 0:15:08 | 0:15:10 | |
They look very good. We need to taste them. | 0:15:10 | 0:15:13 | |
Now, that's crispy. You get the chocolate in there as well. | 0:15:18 | 0:15:21 | |
And you can see the consistency inside, | 0:15:21 | 0:15:23 | |
you can hear it, it's solid. | 0:15:23 | 0:15:24 | |
Well done. Thank you very much. Well done. Thank you. | 0:15:24 | 0:15:27 | |
Hang on, I haven't finished yet. HE CHUCKLES | 0:15:27 | 0:15:30 | |
The icing's lovely, but when you get into the actual biscuit, it's soft. | 0:15:37 | 0:15:42 | |
OK. What we're actually eating there is like a stale biscuit. | 0:15:42 | 0:15:45 | |
You've got massive consistency issues. | 0:15:48 | 0:15:51 | |
This one looks more like a scone than it does a biscuit. Yeah. | 0:15:51 | 0:15:54 | |
If you're going for soft, then it's really soft. | 0:15:57 | 0:15:59 | |
If you're going for biscuit, then you've failed. | 0:15:59 | 0:16:02 | |
I like the chocolate, like the orange. | 0:16:05 | 0:16:07 | |
I like the fact that you've got just the right proportion | 0:16:07 | 0:16:10 | |
of biscuit to icing. I think you've done really well. | 0:16:10 | 0:16:12 | |
My flowerpots and flour biscuits, they are half iced. | 0:16:14 | 0:16:19 | |
I'm sorry. But, Jane, they're a very similar thickness, | 0:16:19 | 0:16:22 | |
which is difficult to get. | 0:16:22 | 0:16:23 | |
Come on, Bill and Ben, try the biscuits. | 0:16:23 | 0:16:26 | |
Altogether a very nice biscuit. Oh, thank you. | 0:16:28 | 0:16:31 | |
You've made a very good shortbread biscuit. | 0:16:35 | 0:16:38 | |
It's just, when we ask for 24, | 0:16:38 | 0:16:40 | |
it's very important to have 24, and I'm sure you can pipe well, | 0:16:40 | 0:16:44 | |
but none of it's finished well. | 0:16:44 | 0:16:46 | |
I really do apologise that | 0:16:49 | 0:16:50 | |
some of them I only got the holes out of the middle. | 0:16:50 | 0:16:52 | |
They're a little bit of a mess... OK. | 0:16:52 | 0:16:54 | |
..but I admire the fact that you tried to make 48 biscuits | 0:16:54 | 0:16:56 | |
rather than 24. | 0:16:56 | 0:16:57 | |
The flavour of the salted caramel is coming through. | 0:16:59 | 0:17:02 | |
It's a nice biscuit. | 0:17:02 | 0:17:03 | |
They look hideous... Oh, OK! ..but they taste amazing. | 0:17:03 | 0:17:05 | |
SHE CHUCKLES | 0:17:05 | 0:17:07 | |
Now, this is the chilli. Chilli and lime, yeah. | 0:17:10 | 0:17:12 | |
Is that revving up your taste buds, Bezza? | 0:17:15 | 0:17:17 | |
They're quite different. Great fun. | 0:17:17 | 0:17:19 | |
I love the flavour - that cool lime hits you, | 0:17:19 | 0:17:21 | |
and then after a couple of bites, the heat just sits on your tongue. | 0:17:21 | 0:17:24 | |
I think they're wheely good. | 0:17:24 | 0:17:26 | |
The finish of them is a little bit clumsy. | 0:17:29 | 0:17:32 | |
Very nice coconut biscuit. | 0:17:37 | 0:17:38 | |
It reminds me of a Thai green curry. | 0:17:38 | 0:17:40 | |
That was not what I was going for. | 0:17:40 | 0:17:42 | |
We're looking for bergamot and... Lavender. | 0:17:45 | 0:17:48 | |
And there's a little citrus. | 0:17:48 | 0:17:49 | |
Two difficult flavours. | 0:17:49 | 0:17:51 | |
And you don't like lavender or bergamot, so... | 0:17:51 | 0:17:53 | |
I love the flavour. I think the flavour is delicate. | 0:17:58 | 0:18:00 | |
Right at the end, you've got that orange and lavender. | 0:18:00 | 0:18:02 | |
The actual icing's a little bit informal, | 0:18:02 | 0:18:06 | |
but the biscuit itself is a winner. | 0:18:06 | 0:18:09 | |
Lovely. Thank you. Thank you. | 0:18:09 | 0:18:10 | |
You're all about the flavours and you've failed in the past | 0:18:13 | 0:18:16 | |
with going overcomplicated. | 0:18:16 | 0:18:18 | |
I love your feather icing. | 0:18:18 | 0:18:20 | |
Oh, nice smell. | 0:18:20 | 0:18:22 | |
Nice sound when it hits the plate, too. | 0:18:22 | 0:18:23 | |
Good texture, not oversweet. | 0:18:27 | 0:18:29 | |
Great spices in there. | 0:18:29 | 0:18:31 | |
Coffee comes through at just the right level and a great crunch. | 0:18:31 | 0:18:34 | |
Thank you. Nice one, Tom, you nailed it. I think he likes it, Tom. | 0:18:34 | 0:18:37 | |
You nailed it. Oh, hello. Thank you. That's a worry. Well done. | 0:18:37 | 0:18:40 | |
I got a handshake! Yeah. | 0:18:40 | 0:18:44 | |
Uniformly...rubbish looking. | 0:18:44 | 0:18:46 | |
But good tasting, I'll have that. | 0:18:49 | 0:18:51 | |
I'll have that every day of the week. | 0:18:51 | 0:18:52 | |
I mean, I do think the stale biscuit comment was a bit harsh. | 0:18:52 | 0:18:55 | |
Oh, dear, I think I'm really in the bad books. | 0:18:55 | 0:18:58 | |
Every one should have been 3mm, | 0:18:58 | 0:19:00 | |
but then we all come in shapes and sizes, don't we? | 0:19:00 | 0:19:03 | |
We'd all want to be thinner. | 0:19:04 | 0:19:06 | |
Biscuits - to dunk or not to dunk? | 0:19:08 | 0:19:11 | |
That is the question. | 0:19:11 | 0:19:13 | |
Now, I love dunking almost as much as a 14th-century witch finder. | 0:19:13 | 0:19:17 | |
So I've come to this swanky hotel... | 0:19:17 | 0:19:20 | |
Good afternoon, my lovely. Thank you. | 0:19:20 | 0:19:23 | |
..to meet up with food writer Anastasia Edwards | 0:19:23 | 0:19:25 | |
and uncover the history of biscuit dipping. | 0:19:25 | 0:19:28 | |
I'm sat at a table full of brown, sweet food. Mm-hm. | 0:19:28 | 0:19:31 | |
I'm in heaven. So where do we start? | 0:19:31 | 0:19:33 | |
We're going to start at the beginning with the ancient Greeks. | 0:19:33 | 0:19:35 | |
These beauties are known as paximadia. See what you think. | 0:19:35 | 0:19:40 | |
Yeah. Austerity. | 0:19:42 | 0:19:43 | |
They were used by warring armies. To throw at each other? | 0:19:43 | 0:19:48 | |
Probably upon occasion. That could do some damage. | 0:19:48 | 0:19:52 | |
However, you've got some soup here. Give it a dip. | 0:19:52 | 0:19:54 | |
Much better. Better? Mmm. See, there you go. | 0:19:57 | 0:20:00 | |
Meanwhile, over in the Roman Empire, | 0:20:00 | 0:20:02 | |
biscotti were originally baked for army rations... | 0:20:02 | 0:20:05 | |
Hm, yes. Dentistry. Have a dunk. | 0:20:05 | 0:20:07 | |
..before becoming, in the Renaissance, | 0:20:07 | 0:20:09 | |
a fashionable way to end a meal when dipped in Vin Santo. | 0:20:09 | 0:20:13 | |
Mmm! | 0:20:13 | 0:20:14 | |
Yes, it's like a boulder soaked in Blue Nun. Right. | 0:20:14 | 0:20:16 | |
I mean, but it works for me. Mm-hm. | 0:20:16 | 0:20:19 | |
For centuries, biscuits were made for dunking into booze, | 0:20:19 | 0:20:22 | |
including the langue de chat... | 0:20:22 | 0:20:24 | |
Which means cat's tongue in French, exactly. | 0:20:24 | 0:20:27 | |
..which is just the right shape for a wine glass. | 0:20:27 | 0:20:29 | |
Because, obviously, cats often will drink wine. Indeed. | 0:20:29 | 0:20:32 | |
So that's where it came from. | 0:20:32 | 0:20:33 | |
Especially French cats. Oh, you can't keep them... | 0:20:33 | 0:20:35 | |
So sophistique. | 0:20:35 | 0:20:37 | |
You can't keep them away from a good Languedoc-Roussillon. | 0:20:37 | 0:20:40 | |
It's thought the Victorians first paired tea with biscuits, | 0:20:40 | 0:20:43 | |
but if you were posh, there was no dunking at the tea table. | 0:20:43 | 0:20:46 | |
But it wasn't until the arrival of mass-produced dry biscuits | 0:20:47 | 0:20:50 | |
in the mid-19th century that dunking became as British | 0:20:50 | 0:20:53 | |
as a nice cup of Rosie Lee. | 0:20:53 | 0:20:56 | |
Have you ever done this before? I come from a family of dunkers. | 0:20:56 | 0:20:59 | |
Boom, two, three. | 0:20:59 | 0:21:01 | |
Ah-ha. | 0:21:02 | 0:21:04 | |
One of the many pure joys of being a Brit. | 0:21:04 | 0:21:06 | |
Absolutely, in the culmination of a tradition that goes back | 0:21:06 | 0:21:09 | |
to the ancient Greeks. | 0:21:09 | 0:21:11 | |
For their first challenge, the bakers could practice, | 0:21:13 | 0:21:17 | |
but the Technical Challenge is a complete surprise. | 0:21:17 | 0:21:19 | |
Bakers, welcome back to an afternoon of misery and stress, | 0:21:22 | 0:21:27 | |
otherwise known as the Technical Challenge. | 0:21:27 | 0:21:29 | |
This is one of Mary's recipes. | 0:21:29 | 0:21:31 | |
Now, you judge this blind, Paul and Mary, so off you go. | 0:21:31 | 0:21:34 | |
There is a baking workshop happening, I think. Paul, | 0:21:34 | 0:21:37 | |
maybe your bread needs a bit of attention, so off you go. | 0:21:37 | 0:21:41 | |
So, Mary and Paul would like you to make 12... | 0:21:41 | 0:21:44 | |
..Viennese whirls. I'm slightly dizzy. | 0:21:46 | 0:21:49 | |
They should be filled with buttercream and jam | 0:21:49 | 0:21:52 | |
and you've got one and a half hours. | 0:21:52 | 0:21:54 | |
On your marks, get set, bake. | 0:21:54 | 0:21:57 | |
The bakers all have the same ingredients... | 0:21:59 | 0:22:03 | |
and a very basic version... | 0:22:03 | 0:22:04 | |
THEY MUMBLE TO THEMSELVES | 0:22:04 | 0:22:07 | |
..of Mary's recipe. | 0:22:07 | 0:22:08 | |
I'm probably going to shoot myself in the foot now | 0:22:08 | 0:22:10 | |
by saying I've made it before. I have made it before. | 0:22:10 | 0:22:13 | |
I had a guess, actually, it was going to be Viennese whirls. | 0:22:13 | 0:22:15 | |
I just wish I'd studied the recipe. | 0:22:15 | 0:22:17 | |
Viennese whirls, Mary. | 0:22:21 | 0:22:23 | |
Where do you think they can go wrong? | 0:22:23 | 0:22:24 | |
The actual biscuit itself has very simple ingredients, | 0:22:24 | 0:22:28 | |
but they've got to get that butter really soft | 0:22:28 | 0:22:32 | |
when they beat it with the sugar. | 0:22:32 | 0:22:33 | |
If they don't, it'll be far too stiff, | 0:22:33 | 0:22:36 | |
they'll get it in the piping bag and they won't get it out. | 0:22:36 | 0:22:38 | |
You do want to see that swirl in the top. | 0:22:38 | 0:22:41 | |
If the mixture is particularly soft, | 0:22:41 | 0:22:44 | |
they might have to fridge them before they actually bake them. | 0:22:44 | 0:22:47 | |
They're very, very short and crumbly, | 0:22:47 | 0:22:50 | |
with a nice proportion of jam, | 0:22:50 | 0:22:53 | |
then you have the buttercream. | 0:22:53 | 0:22:54 | |
It's buttery, it's crumbly, it almost dissolves in the mouth, | 0:22:54 | 0:22:57 | |
absolutely delicious. | 0:22:57 | 0:22:59 | |
I think it's a great challenge, Mary, | 0:22:59 | 0:23:01 | |
and you've only given them an hour and a half, too. | 0:23:01 | 0:23:03 | |
I think they should do well. | 0:23:03 | 0:23:05 | |
Just says make A jam. | 0:23:05 | 0:23:08 | |
I made raspberry jam a couple of weeks ago. | 0:23:08 | 0:23:10 | |
The reason I know about the temperature | 0:23:10 | 0:23:12 | |
is on the thermometer it just says jam. | 0:23:12 | 0:23:14 | |
I think I've got to have it pretty stiff, because if I don't, | 0:23:14 | 0:23:18 | |
it's going to squidge out of the sandwich. | 0:23:18 | 0:23:21 | |
Mmm! | 0:23:21 | 0:23:22 | |
So, make the biscuits, cream together butter and icing sugar. | 0:23:25 | 0:23:28 | |
Icing sugar. | 0:23:28 | 0:23:30 | |
They've got this kind of really light consistency, | 0:23:30 | 0:23:32 | |
so I think this is probably a very important step. | 0:23:32 | 0:23:35 | |
I'll be creaming it until it's really, really pale and fluffy. | 0:23:36 | 0:23:40 | |
Fingers crossed. | 0:23:40 | 0:23:42 | |
Nice, soft butter. | 0:23:42 | 0:23:44 | |
It's almost kind of white. | 0:23:44 | 0:23:45 | |
"Cream together butter and the icing sugar and then add the flour." | 0:23:49 | 0:23:53 | |
We've not got any baking powder, so we want quite a lot of air in there. | 0:23:53 | 0:23:56 | |
Not knowing exactly... It feels quite light and fluffy, | 0:23:59 | 0:24:02 | |
so I'm going to go with that. | 0:24:02 | 0:24:04 | |
It has to be a sort of consistency that you're able to pipe. | 0:24:04 | 0:24:08 | |
At the moment, it's still kind of quite hard and dry. | 0:24:08 | 0:24:11 | |
They want 24 whirls that are 5cm in diameter, | 0:24:11 | 0:24:14 | |
and they're a sandwich biscuit, so I want biscuits to be the same. | 0:24:14 | 0:24:17 | |
I've got to make sure I get the right number today. | 0:24:17 | 0:24:21 | |
"Pipe 24 whirls onto the baking trays." | 0:24:21 | 0:24:24 | |
It looks the right consistency, there are no lumps in it. | 0:24:26 | 0:24:30 | |
It's a very stiff mixture, | 0:24:30 | 0:24:32 | |
it's quite hard to get a nice, even whirl. | 0:24:32 | 0:24:35 | |
I think it's all right. | 0:24:40 | 0:24:41 | |
Looks quite big. | 0:24:43 | 0:24:44 | |
It's quite a thick consistency. | 0:24:46 | 0:24:48 | |
You need muscles like Selasi to pipe these. | 0:24:48 | 0:24:51 | |
I just need to give it a bit of a beat just to soften it up a bit. | 0:24:53 | 0:24:57 | |
The mixture's slightly too hard at the moment. | 0:24:57 | 0:25:00 | |
I'm going to try and put it in the microwave | 0:25:00 | 0:25:02 | |
and see if it loosens up slightly. | 0:25:02 | 0:25:04 | |
It's not working out. Mel. | 0:25:06 | 0:25:08 | |
My mixture is stiff. Right. | 0:25:10 | 0:25:12 | |
So I'm struggling to get it out of the piping bag. | 0:25:12 | 0:25:14 | |
Do you need a pair of warm hands... | 0:25:14 | 0:25:16 | |
Do you have warm hands? ..either on your bag or on you? Um... | 0:25:16 | 0:25:19 | |
The bag, please. | 0:25:21 | 0:25:22 | |
Why is it so stiff? I don't know. | 0:25:25 | 0:25:27 | |
45 minutes remain to finish their 12 Viennese whirls. | 0:25:27 | 0:25:31 | |
Three, six, nine, 12. | 0:25:31 | 0:25:33 | |
Two, four, six, eight. | 0:25:33 | 0:25:34 | |
It's nice and easy. Second piping attempt. | 0:25:34 | 0:25:38 | |
Softer than it was previously. | 0:25:38 | 0:25:41 | |
I've had the bag in my hand for some time now. | 0:25:41 | 0:25:43 | |
It's definitely coming out of the pipe a lot smoother. | 0:25:43 | 0:25:46 | |
I think I'm going to stick them in the fridge for a little bit. | 0:25:46 | 0:25:48 | |
I think I'm going to put these ones in the fridge so they gel | 0:25:48 | 0:25:51 | |
and hold their shape a bit better. Don't step back, Rav. | 0:25:51 | 0:25:53 | |
It just says bake. | 0:25:55 | 0:25:56 | |
It doesn't say chill. So I'm just going to bake. | 0:25:56 | 0:25:59 | |
I'm going in. | 0:25:59 | 0:26:00 | |
Gives us an oven temperature, | 0:26:01 | 0:26:02 | |
but doesn't tell us how long to cook it for. | 0:26:02 | 0:26:04 | |
I'm going to start them off at nine minutes. | 0:26:07 | 0:26:09 | |
It says bake until pale golden brown. | 0:26:18 | 0:26:22 | |
Just keeping an eye on them. | 0:26:24 | 0:26:25 | |
I don't know how long I have to cook them for. | 0:26:25 | 0:26:28 | |
I've been running out of time lately, | 0:26:28 | 0:26:29 | |
so I don't want to run out of time again. | 0:26:29 | 0:26:31 | |
AUSTRIAN ACCENT: All right, bakers? Half an hour on the Viennese whirls. | 0:26:32 | 0:26:36 | |
Half an hour on the Viennese whirls. | 0:26:36 | 0:26:40 | |
Let me start making the buttercream, actually. Soft and salted butter. | 0:26:41 | 0:26:45 | |
"200g of icing sugar... | 0:26:45 | 0:26:46 | |
"..and half a teaspoon of vanilla extract." | 0:26:47 | 0:26:50 | |
I'll deal with that in a bit, | 0:26:51 | 0:26:53 | |
otherwise I'll forget about the oven. | 0:26:53 | 0:26:55 | |
They're not looking too bad. | 0:26:56 | 0:26:58 | |
I'm going to take them out. | 0:27:02 | 0:27:04 | |
Give them another minute. | 0:27:04 | 0:27:06 | |
Viennese whirls are pale. | 0:27:08 | 0:27:10 | |
Must try not to drop them. | 0:27:10 | 0:27:12 | |
I'm happy with those. | 0:27:15 | 0:27:17 | |
They look all right, they kept their whirl. | 0:27:17 | 0:27:19 | |
Oh, God, are these even cooked? | 0:27:21 | 0:27:22 | |
Slightly flat. To be honest, most of them are. | 0:27:22 | 0:27:25 | |
They've collapsed. And very crumbly. | 0:27:26 | 0:27:28 | |
Flat. | 0:27:30 | 0:27:32 | |
Sandwich with jam and piped buttercream. | 0:27:32 | 0:27:34 | |
It's going to be messy. Oh, there's another one gone. | 0:27:34 | 0:27:38 | |
Not good, not good at all. | 0:27:38 | 0:27:40 | |
This has just crumbled. | 0:27:41 | 0:27:44 | |
Bakers, one minute. | 0:27:44 | 0:27:45 | |
OK, bakers. It's time, please, | 0:27:54 | 0:27:57 | |
to bring your Viennese whirls and place them behind the photograph | 0:27:57 | 0:28:00 | |
of yourself on the game altar. | 0:28:00 | 0:28:03 | |
Mary and Paul are looking for 12 perfectly-piped, | 0:28:03 | 0:28:06 | |
melt-in-the-mouth Viennese whirls, | 0:28:06 | 0:28:09 | |
filled with raspberry jam and buttercream. | 0:28:09 | 0:28:12 | |
They have no idea whose are whose. | 0:28:12 | 0:28:14 | |
We've got a few... I know what you're going to say - issues. | 0:28:16 | 0:28:19 | |
Yeah, there are a few issues, a few problems. | 0:28:19 | 0:28:21 | |
First one. | 0:28:21 | 0:28:22 | |
Now, there is no definition in the biscuit at all. | 0:28:22 | 0:28:25 | |
Beautifully delicate, melts in the mouth. | 0:28:26 | 0:28:29 | |
It tastes good, we don't have the definition. | 0:28:29 | 0:28:31 | |
Right, it almost looks raw, doesn't it? | 0:28:31 | 0:28:34 | |
Could have done with a longer bake. Literally minutes. | 0:28:36 | 0:28:39 | |
Moving on to number three. | 0:28:39 | 0:28:40 | |
Very flat, broken. | 0:28:40 | 0:28:42 | |
Little bit too long a bake. | 0:28:42 | 0:28:44 | |
We've got the jam beautifully to the edges. | 0:28:44 | 0:28:47 | |
There's a bit of definition in this one, Mary, and it's a good size | 0:28:47 | 0:28:50 | |
as well, aren't they? Total agreement. | 0:28:50 | 0:28:52 | |
There is definition on the top. | 0:28:52 | 0:28:54 | |
And you can see the cream there. | 0:28:54 | 0:28:56 | |
They look good. | 0:28:56 | 0:28:57 | |
It's baked well and it's delicate, | 0:28:59 | 0:29:00 | |
cos it crumbles in the mouth and melts, which is how it should. | 0:29:00 | 0:29:03 | |
We've got really good definition on these, | 0:29:03 | 0:29:05 | |
we can see a swirl of the pipe. | 0:29:05 | 0:29:08 | |
You can see the buttercream inside it as well. | 0:29:08 | 0:29:11 | |
They're very good. You can see | 0:29:14 | 0:29:16 | |
on this one how thin that is. | 0:29:16 | 0:29:19 | |
Lost all the definition. | 0:29:19 | 0:29:20 | |
This one's got nice definition. | 0:29:21 | 0:29:23 | |
Bold buttercream. | 0:29:23 | 0:29:24 | |
Everything is right there. | 0:29:25 | 0:29:28 | |
Now, this one's gone very slack. | 0:29:28 | 0:29:30 | |
This whole thing's collapsed. | 0:29:30 | 0:29:31 | |
And also, it affects the flavour, it's a little bit oily, isn't it? | 0:29:31 | 0:29:34 | |
It is. | 0:29:34 | 0:29:35 | |
We've got a little bit of definition on there. | 0:29:35 | 0:29:37 | |
Good whirls, as we say. | 0:29:37 | 0:29:39 | |
Could've done with a little bit longer in the oven, I think. | 0:29:41 | 0:29:44 | |
Moving on to the last one. | 0:29:44 | 0:29:45 | |
Very small, where did the rest of the mix go? Dinky. | 0:29:45 | 0:29:48 | |
They're lovely and short. | 0:29:51 | 0:29:52 | |
The only thing that's wrong is the size. The size. | 0:29:52 | 0:29:54 | |
Mary and Paul will now reveal | 0:29:57 | 0:29:58 | |
whose Viennese whirls were technically perfect. | 0:29:58 | 0:30:02 | |
In 11th place, who is this? | 0:30:02 | 0:30:04 | |
We've lost definition, it was a bit crumbly. | 0:30:04 | 0:30:07 | |
Tenth spot is this one. | 0:30:07 | 0:30:09 | |
It's gone really flat. | 0:30:09 | 0:30:10 | |
Michael is ninth. Candice, eighth. Tom is seventh. | 0:30:10 | 0:30:14 | |
Rav, sixth. Val is fifth. And Andrew is fourth. | 0:30:14 | 0:30:18 | |
And in third place here, we've got a good definition. | 0:30:18 | 0:30:22 | |
In second spot... | 0:30:22 | 0:30:23 | |
..is this one. Who's is this? | 0:30:26 | 0:30:28 | |
That's a nice Viennese whirl, well done. | 0:30:28 | 0:30:30 | |
And so in first place. | 0:30:30 | 0:30:32 | |
Absolutely beautiful. | 0:30:32 | 0:30:34 | |
Well piped, we've got a lovely definition. | 0:30:34 | 0:30:37 | |
Just the right amount of jam and cream. | 0:30:37 | 0:30:40 | |
Well done. | 0:30:40 | 0:30:41 | |
I'm thrilled to bits. I hoped I would be in the top half, | 0:30:43 | 0:30:45 | |
so once we got into the top half and they still hadn't said my name | 0:30:45 | 0:30:49 | |
I kept thinking, "Oh, maybe I've done better than I thought I had." | 0:30:49 | 0:30:51 | |
I'll happily take fourth this week, there were a lot of good whirls. | 0:30:51 | 0:30:54 | |
Tomorrow has to go better, otherwise... | 0:30:54 | 0:30:57 | |
Yeah. Um... | 0:31:00 | 0:31:01 | |
I don't know what to say. Just very embarrassing in there. | 0:31:03 | 0:31:06 | |
When you look at the whole pack coming into the Showstopper, | 0:31:13 | 0:31:16 | |
it's quite close. Good luck. | 0:31:16 | 0:31:17 | |
Good luck, good luck! | 0:31:17 | 0:31:19 | |
Now, Selasi, what happened in the technical? | 0:31:19 | 0:31:21 | |
He's suddenly last. | 0:31:21 | 0:31:22 | |
He's in a little bit of trouble | 0:31:22 | 0:31:23 | |
and I would put Louise down there as well. | 0:31:23 | 0:31:25 | |
I shall not forget those sheep. | 0:31:25 | 0:31:27 | |
They were different thicknesses. | 0:31:27 | 0:31:29 | |
And, dare I say it, Val? | 0:31:29 | 0:31:31 | |
I wasn't impressed with the ice cream biscuits. | 0:31:31 | 0:31:34 | |
It's really difficult to see who's going to go at the moment. | 0:31:34 | 0:31:37 | |
Likewise for Star Baker, I think Kate has to go up there, | 0:31:37 | 0:31:39 | |
I think she won the Technical. | 0:31:39 | 0:31:41 | |
Engineer Andrew did those precision bee biscuits. | 0:31:41 | 0:31:44 | |
They looked absolutely perfect. | 0:31:44 | 0:31:47 | |
It was such a sadness when you got into the biscuit - it was soft. | 0:31:47 | 0:31:50 | |
But he did come fourth in the technical. | 0:31:50 | 0:31:52 | |
He could have a blinding day today. | 0:31:52 | 0:31:54 | |
And Candice, actually, her biscuits tasted good. | 0:31:54 | 0:31:56 | |
She did make 48 biscuits rather than 24. | 0:31:56 | 0:31:58 | |
We'll just have to see how they do in the Showstopper. | 0:31:58 | 0:32:01 | |
SHE EXHALES | 0:32:01 | 0:32:04 | |
Bakers, welcome to your Showstopper day. | 0:32:08 | 0:32:11 | |
Now, Paul and Mary would love you | 0:32:11 | 0:32:14 | |
to make a 3-D gingerbread story. | 0:32:14 | 0:32:17 | |
Now, this gingerbread story should say something about you. | 0:32:17 | 0:32:21 | |
It should be at least 30cm high, | 0:32:21 | 0:32:24 | |
there should also be eight characters or objects, | 0:32:24 | 0:32:28 | |
but don't do you and Paul on a big night out with all his friends, | 0:32:28 | 0:32:32 | |
because that's only two characters. THEY LAUGH | 0:32:32 | 0:32:35 | |
You've got four hours on the clock. | 0:32:35 | 0:32:38 | |
On your marks, get set, bake. | 0:32:38 | 0:32:40 | |
I want to prove that I deserve my place here. | 0:32:45 | 0:32:48 | |
Everybody wants to do their best, and I'm going to do my best as well. | 0:32:48 | 0:32:53 | |
I think it is pretty wide open, so | 0:32:53 | 0:32:55 | |
I want to try and get this really, really right. | 0:32:55 | 0:32:59 | |
Creating a scene out of gingerbread, | 0:33:01 | 0:33:04 | |
it's got to be strong enough to stand up and we've got to enjoy | 0:33:04 | 0:33:07 | |
eating it, that's the main thing. | 0:33:07 | 0:33:09 | |
I've made gingerbread before at Christmas time - houses. | 0:33:10 | 0:33:12 | |
Now, to be honest, they're probably still there in February. | 0:33:12 | 0:33:15 | |
So if they start collapsing, they've got the recipe wrong. | 0:33:15 | 0:33:18 | |
I'm doing a traditional gingerbread. | 0:33:20 | 0:33:22 | |
I've been making it for more than 40 years, | 0:33:22 | 0:33:24 | |
but it's the one my children always loved and I still make it. | 0:33:24 | 0:33:28 | |
Val's trusted gingerbread recipe will celebrate her family's roots. | 0:33:28 | 0:33:32 | |
A pit for Yorkshire, | 0:33:32 | 0:33:33 | |
windmill for Holland and the | 0:33:33 | 0:33:34 | |
Empire State Building for New York, | 0:33:34 | 0:33:36 | |
plus a biscuit version | 0:33:36 | 0:33:38 | |
of her sister Susan. | 0:33:38 | 0:33:39 | |
You had a bit of a problem with those cones and you didn't finish. | 0:33:39 | 0:33:42 | |
Yes. So, you really got to finish this time. | 0:33:42 | 0:33:45 | |
I really want you to nail this one for us. | 0:33:45 | 0:33:47 | |
Let's stop talking then. She's only got four hours. | 0:33:47 | 0:33:50 | |
Thank you. Thank you. | 0:33:50 | 0:33:52 | |
Four hours sounds like a lot, but it goes by in a flash in the tent. | 0:33:52 | 0:33:55 | |
Louise, tell us all about your story. | 0:33:58 | 0:34:01 | |
Today, I'm making a gingerbread wedding. | 0:34:01 | 0:34:03 | |
I'm going to get married next year, | 0:34:03 | 0:34:05 | |
so I've chosen a church in West Wales which is very simple, | 0:34:05 | 0:34:09 | |
but very old and beautiful. | 0:34:09 | 0:34:11 | |
So I'm going to try and put that together today | 0:34:11 | 0:34:14 | |
with a bride and groom and five gravestones. Hang on... | 0:34:14 | 0:34:18 | |
Gravestones? Well, they're outside the church. | 0:34:18 | 0:34:21 | |
I'm having a couple of zombies as my bridesmaids. Brilliant. | 0:34:21 | 0:34:24 | |
Bride-to-be Louise will make gingerbread flavoured | 0:34:24 | 0:34:27 | |
with orange and spices. | 0:34:27 | 0:34:28 | |
Her church will be rendered with white icing | 0:34:28 | 0:34:30 | |
and have a liquorice roof, | 0:34:30 | 0:34:31 | |
a perfect place for her to get married. | 0:34:31 | 0:34:33 | |
It's my wedding day, | 0:34:33 | 0:34:35 | |
so it's got to come out, hasn't it? It's got to be right. | 0:34:35 | 0:34:40 | |
In a bid to stay in the tent, Louise isn't the only one going to church. | 0:34:41 | 0:34:45 | |
Growing up back in Ghana, | 0:34:46 | 0:34:47 | |
this is similar to the church I used to go to when I was a kid. | 0:34:47 | 0:34:51 | |
My mum would be proud. | 0:34:51 | 0:34:53 | |
Selasi's boyhood church will have stained-glass windows | 0:34:54 | 0:34:57 | |
made with melted boiled sweets. | 0:34:57 | 0:34:59 | |
He's the only baker not using | 0:34:59 | 0:35:00 | |
treacle or golden syrup | 0:35:00 | 0:35:02 | |
to make his gingerbread. | 0:35:02 | 0:35:03 | |
My recipe is honey, so it's very different from the rest. | 0:35:03 | 0:35:08 | |
Everyone else is making a more traditional gingerbread. | 0:35:08 | 0:35:11 | |
It's one of the oldest biscuits, | 0:35:11 | 0:35:13 | |
dating back hundreds of years with a basis of liquid and dry sugars, | 0:35:13 | 0:35:17 | |
butter, flour and ground ginger. | 0:35:17 | 0:35:20 | |
The key to my gingerbread is probably getting a good structure | 0:35:20 | 0:35:23 | |
to it, so it doesn't have any eggs in it. | 0:35:23 | 0:35:25 | |
Well, I'm not using eggs in this, | 0:35:25 | 0:35:26 | |
cos I just find when you're constructing gingerbread, | 0:35:26 | 0:35:28 | |
it doesn't hold as well. | 0:35:28 | 0:35:30 | |
I'm going to add eggs. | 0:35:30 | 0:35:31 | |
I just find that this works better for me, so... | 0:35:31 | 0:35:34 | |
Jane is building...Hastings - | 0:35:34 | 0:35:36 | |
where she was born | 0:35:36 | 0:35:37 | |
and her grandad owned a bakery. | 0:35:37 | 0:35:38 | |
To recreate the seaside town, | 0:35:38 | 0:35:40 | |
she'll make a boat, net sheds, | 0:35:40 | 0:35:41 | |
fishing towers and a beach. | 0:35:41 | 0:35:43 | |
It's a damp day, who knows, we could have the Leaning Tower of Hastings. | 0:35:43 | 0:35:47 | |
Do you know that somebody else in the room is also doing a church? | 0:35:50 | 0:35:53 | |
Oh, they are, are they? Yes. What church are they doing? OK, so, | 0:35:53 | 0:35:56 | |
eyes left. | 0:35:56 | 0:35:58 | |
He's doing a church as well? He's doing a church as well. | 0:35:59 | 0:36:01 | |
Does that worry you? No. Good girl. | 0:36:01 | 0:36:04 | |
While some of the bakers are off to church... | 0:36:06 | 0:36:09 | |
I am making a gingerbread pub. | 0:36:09 | 0:36:12 | |
It is because I was brought up in a pub. | 0:36:12 | 0:36:14 | |
This is going to be my sticky ginger cake for my sticky ginger carpet. | 0:36:14 | 0:36:18 | |
Excellent. Because the carpet was always sticky in the pub. Always. | 0:36:18 | 0:36:22 | |
Candice will use three types of gingerbread to build | 0:36:22 | 0:36:25 | |
her replica King William pub. | 0:36:25 | 0:36:27 | |
A traditional biscuit | 0:36:27 | 0:36:28 | |
for the walls and roof, | 0:36:28 | 0:36:29 | |
sticky ginger for the carpet | 0:36:29 | 0:36:31 | |
and ginger thins to make her bar, | 0:36:31 | 0:36:32 | |
dartboard and locals. | 0:36:32 | 0:36:34 | |
I'm going to do a pool table... | 0:36:34 | 0:36:36 | |
Are you going to have an old guy sitting at the bar? | 0:36:36 | 0:36:39 | |
Yeah, well... Propping. ..potentially, potentially. Got to. | 0:36:39 | 0:36:43 | |
Dog? Pub dog? Our dog, yeah, he's going to be in the pub as well. | 0:36:43 | 0:36:46 | |
Pork scratchings? You're being very ambitious again. I know. | 0:36:46 | 0:36:49 | |
Just try and get it all finished. | 0:36:49 | 0:36:51 | |
I will do. I'm on it. | 0:36:51 | 0:36:52 | |
I've got this. I've got this today. | 0:36:52 | 0:36:54 | |
So, I've got 11 pieces on the house, two reindeers, | 0:36:54 | 0:36:58 | |
a sleigh which has two parts and two parts in the middle, | 0:36:58 | 0:37:00 | |
two trees, Santa. | 0:37:00 | 0:37:03 | |
Now I am thinking about it, it sounds quite a bit, actually. | 0:37:03 | 0:37:05 | |
Through the medium of traditional gingerbread, | 0:37:05 | 0:37:07 | |
Michael is aiming to relive | 0:37:07 | 0:37:09 | |
a childhood dream that came true - | 0:37:09 | 0:37:11 | |
the day he met Santa in Lapland. | 0:37:11 | 0:37:13 | |
Oh, Michael, look, and you saw a real reindeer. | 0:37:13 | 0:37:16 | |
Yeah. That's me making gingerbread. | 0:37:16 | 0:37:18 | |
Little were you to know, Michael... Exactly. | 0:37:18 | 0:37:21 | |
..as you made gingerbread there... | 0:37:21 | 0:37:23 | |
How old were you, nine? Nine. | 0:37:23 | 0:37:25 | |
..that you'd be here, 19... Making gingerbread. | 0:37:25 | 0:37:29 | |
..making gingerbread. Do you still believe in Santa Claus? | 0:37:29 | 0:37:32 | |
Of course. Who doesn't? | 0:37:32 | 0:37:33 | |
Most of the bakers have opted for a single flavour of gingerbread, | 0:37:35 | 0:37:39 | |
but not Kate. | 0:37:39 | 0:37:40 | |
This one's made with dark muscovado sugar and cloves. | 0:37:40 | 0:37:44 | |
This one's just ginger and this one's got some cardamom | 0:37:44 | 0:37:46 | |
and lemon in it. Sounds fun. | 0:37:46 | 0:37:48 | |
Kate will use her three gingerbreads to build a Brownie camp, | 0:37:48 | 0:37:52 | |
featuring her daughters Rebecca | 0:37:52 | 0:37:53 | |
and Lucy and their troop, watched | 0:37:53 | 0:37:55 | |
over by a swooping brown owl. | 0:37:55 | 0:37:57 | |
What is the promise badge? | 0:37:57 | 0:37:59 | |
Oh, I promise... Hang on. | 0:37:59 | 0:38:00 | |
BOTH: I promise on my honour to do my best... | 0:38:00 | 0:38:02 | |
To do my duty to God and the Queen. | 0:38:02 | 0:38:05 | |
And to make a really good gingerbread construction | 0:38:05 | 0:38:08 | |
in the Bake Off. Absolutely! THEY LAUGH | 0:38:08 | 0:38:10 | |
Were you a Brownie, Paul? No. | 0:38:10 | 0:38:12 | |
Were you ever a Beaver, Paul? No. | 0:38:12 | 0:38:14 | |
I think you'll be awarded the baker's badge for this. | 0:38:14 | 0:38:17 | |
The baker's badge, absolutely. I've got a good feeling. | 0:38:17 | 0:38:20 | |
The bakers face an epic task... | 0:38:20 | 0:38:22 | |
..creating a multifaceted gingerbread flat pack. | 0:38:23 | 0:38:27 | |
Got all the tools. They need to work efficiently... | 0:38:27 | 0:38:30 | |
Oops! Short. | 0:38:31 | 0:38:33 | |
..otherwise they won't have enough time to bake, cool, | 0:38:33 | 0:38:36 | |
assemble and ice their stories. | 0:38:36 | 0:38:39 | |
My main concern is getting all the large bits done. | 0:38:39 | 0:38:42 | |
Candice has a few added extras to finish | 0:38:42 | 0:38:45 | |
before opening time at the pub. | 0:38:45 | 0:38:46 | |
I'm making a lime green jelly to go on top of my pool table. | 0:38:48 | 0:38:53 | |
My little brother used to play pool all the time and, like, | 0:38:53 | 0:38:58 | |
even when he could barely see over the top. | 0:38:58 | 0:39:00 | |
I'm doing quite a high structure and I think it needs, therefore, | 0:39:00 | 0:39:04 | |
to be able to hold a lot of weight. | 0:39:04 | 0:39:06 | |
Tom's peak of gingerbread tells a tale of him | 0:39:06 | 0:39:09 | |
and his best mate, Pod, getting | 0:39:09 | 0:39:10 | |
dangerously lost up a mountain. | 0:39:10 | 0:39:12 | |
He's hoping his maths | 0:39:12 | 0:39:13 | |
is better than his geography. | 0:39:13 | 0:39:15 | |
If it falls over, you can blame my Year Nine maths teacher... | 0:39:15 | 0:39:18 | |
..cos I've worked out the angles and they should stand up | 0:39:19 | 0:39:22 | |
as a perfect pyramid. | 0:39:22 | 0:39:23 | |
Hello, Andrew. Morning! | 0:39:23 | 0:39:25 | |
Right, can you tell us all about your gingerbread, please? | 0:39:25 | 0:39:28 | |
Yes. The structural bit of it, hopefully, plays to my strengths. | 0:39:28 | 0:39:31 | |
Yeah. Where are your schematics then for this? | 0:39:31 | 0:39:33 | |
So, this was an original... I was only joking. | 0:39:33 | 0:39:36 | |
I've had to simplify it to just 37 elements. 37? | 0:39:36 | 0:39:39 | |
37 elements? For the scene, yeah. | 0:39:39 | 0:39:42 | |
Andrew's student days punting on the river at Cambridge University | 0:39:42 | 0:39:45 | |
are brought to live in biscuit form. | 0:39:45 | 0:39:47 | |
He'll build a boat, bike, swans | 0:39:47 | 0:39:49 | |
and biscuit bridge which will be | 0:39:49 | 0:39:51 | |
a feat of gingerbread engineering. | 0:39:51 | 0:39:53 | |
Can I just ask, how is the platypus going to feature? | 0:39:54 | 0:39:56 | |
Well, you say that, | 0:39:56 | 0:39:58 | |
but that's the outline which is then going to have the bike piped on. | 0:39:58 | 0:40:01 | |
Oh, it's a bicycle. I'm sorry. | 0:40:01 | 0:40:03 | |
I did get attacked once... We'll leave you to it. | 0:40:03 | 0:40:05 | |
Good luck, mate. OK, cheers, yeah, lots to do. 37 pieces! | 0:40:05 | 0:40:08 | |
I'm fine with the flavours and the way it tastes, | 0:40:08 | 0:40:10 | |
it's just the look that I'm really concerned about. | 0:40:10 | 0:40:12 | |
Is it going to stand up, is it going to fall down? | 0:40:12 | 0:40:14 | |
Remembering a family holiday in the Big Apple, | 0:40:14 | 0:40:17 | |
Benjamina is going downtown. | 0:40:17 | 0:40:18 | |
Heated with stem ginger, | 0:40:18 | 0:40:20 | |
her centrepiece will be the world-famous Chrysler Building. | 0:40:20 | 0:40:23 | |
There's more than three stages on the actual building, | 0:40:23 | 0:40:25 | |
but I couldn't do that many, so I've scaled it down a bit. | 0:40:25 | 0:40:29 | |
I'm making the Empire State. | 0:40:29 | 0:40:31 | |
This is an insane thing to do, | 0:40:32 | 0:40:34 | |
to try and get the right number of windows and floors. | 0:40:34 | 0:40:36 | |
Three bakers have taken to a spot of window glazing. | 0:40:39 | 0:40:42 | |
I'm using boiled sweets, cos I'm going for a stained-glass effect. | 0:40:42 | 0:40:47 | |
I'm just filling in my windows. | 0:40:47 | 0:40:50 | |
I want a nice effect on the windows to give it a bit extra. | 0:40:52 | 0:40:57 | |
Each individual gingerbread piece must now be baked to perfection. | 0:40:57 | 0:41:00 | |
This is it. | 0:41:00 | 0:41:02 | |
And with so many pieces to go in and out of the oven, | 0:41:02 | 0:41:06 | |
the bakers have to get a move-on. | 0:41:06 | 0:41:08 | |
I'm going to start with nine minutes. | 0:41:11 | 0:41:12 | |
So I've baked them for about 12 minutes | 0:41:12 | 0:41:14 | |
and I want them to be quite crisp, | 0:41:14 | 0:41:16 | |
not too soft. If not, when I'm putting it together, | 0:41:16 | 0:41:18 | |
it'll all just fall apart. | 0:41:18 | 0:41:20 | |
I don't want to overdo it. | 0:41:20 | 0:41:22 | |
There we go. My first building. | 0:41:22 | 0:41:25 | |
So, the inspiration is a time when my grandad took me | 0:41:25 | 0:41:28 | |
to a Christmas fairground. | 0:41:28 | 0:41:31 | |
Rav's made a dark gingerbread with a base of molasses, and | 0:41:31 | 0:41:34 | |
nestled amid his gingerbread forest will be the star attraction. | 0:41:34 | 0:41:38 | |
This Ferris wheel, I've practised twice. | 0:41:38 | 0:41:40 | |
The first time, it just kind of all collapsed, | 0:41:40 | 0:41:42 | |
which is not what I want to happen today. | 0:41:42 | 0:41:44 | |
I need to have a look in the oven. | 0:41:44 | 0:41:46 | |
Timing the bake for structural gingerbread | 0:41:46 | 0:41:49 | |
couldn't be more crucial. | 0:41:49 | 0:41:50 | |
Another minute. | 0:41:53 | 0:41:54 | |
If it's removed too soon, | 0:41:54 | 0:41:55 | |
the biscuit will not hold its shape. | 0:41:55 | 0:41:58 | |
And no-one wants a gingerbread story with an unhappy ending. | 0:41:58 | 0:42:01 | |
HE SIGHS | 0:42:01 | 0:42:03 | |
Another minute. It's coming out in 17 seconds. | 0:42:09 | 0:42:13 | |
It is an old church so the render's not completely smooth on it. | 0:42:17 | 0:42:22 | |
I'm happy with this piece. | 0:42:22 | 0:42:23 | |
It's good so far. I need it to come out the oven. | 0:42:25 | 0:42:28 | |
It's quite difficult, cos you've got lots of different batches | 0:42:28 | 0:42:31 | |
and you're trying to keep track of them all, | 0:42:31 | 0:42:33 | |
"Has it been in for five minutes or four minutes or three minutes?" | 0:42:33 | 0:42:36 | |
You've got to use your eye. | 0:42:36 | 0:42:37 | |
That's my pool table top. | 0:42:37 | 0:42:38 | |
My fixtures and my people are just about done. | 0:42:38 | 0:42:43 | |
I need to do... | 0:42:43 | 0:42:44 | |
..two more big trees. | 0:42:45 | 0:42:47 | |
There is going to be a tourist with a camera on the bridge | 0:42:48 | 0:42:51 | |
and then there's going to be three swans. | 0:42:51 | 0:42:53 | |
I think I can smell burning. | 0:42:55 | 0:42:57 | |
Can you smell burning? | 0:42:58 | 0:42:59 | |
Look how burnt it is. All looks a mess. | 0:43:06 | 0:43:08 | |
I'm actually going to dust it with icing sugar | 0:43:08 | 0:43:10 | |
to cover some of the sins. | 0:43:10 | 0:43:12 | |
Bakers, you've got two hours until we feast | 0:43:13 | 0:43:16 | |
on your gingerbread structures. | 0:43:16 | 0:43:18 | |
I've never seen so much gingerbread in my life. In my life. | 0:43:18 | 0:43:22 | |
Having found out what the bakers are doing... | 0:43:22 | 0:43:24 | |
I mean, they're out there, aren't they? | 0:43:24 | 0:43:26 | |
From Andrew with his bridge to Louise with her church... | 0:43:26 | 0:43:30 | |
Every one is different. | 0:43:30 | 0:43:32 | |
The children are cooked now. | 0:43:32 | 0:43:33 | |
And some of them are doing a little bit too much. Yeah, I agree. | 0:43:33 | 0:43:37 | |
I mean, Candice, she's done the carpet, the pool table, | 0:43:37 | 0:43:40 | |
there's so many elements in that. | 0:43:40 | 0:43:42 | |
The one I'm a little bit worried about is Val. | 0:43:42 | 0:43:44 | |
A little bit? I'm extremely worried about Val. | 0:43:44 | 0:43:46 | |
She's been so ambitious. | 0:43:46 | 0:43:48 | |
I don't think she'll get completed. | 0:43:48 | 0:43:50 | |
I hope so. I hope so, it would be nice. | 0:43:50 | 0:43:53 | |
I'm really up against time at the moment. | 0:43:53 | 0:43:56 | |
You can see what this scenario is going to be, can't you? | 0:43:56 | 0:43:59 | |
Large arch - tick. Mini arch - double tick. | 0:43:59 | 0:44:01 | |
Walkway - no tick. | 0:44:01 | 0:44:02 | |
Handrail... Oh, no, there should be a tick on the walkway. | 0:44:02 | 0:44:05 | |
Give me the pencil. Am I allowed to? On the walkway? Yeah, the walkway's | 0:44:05 | 0:44:08 | |
just come out, actually. Oh, that feels good. | 0:44:08 | 0:44:10 | |
That's all the ticks done. So now it's the construction. | 0:44:10 | 0:44:12 | |
Yeah, now the construction. | 0:44:12 | 0:44:14 | |
Just one hour to go. | 0:44:15 | 0:44:18 | |
I'm making caramel to make glue. I'm using royal icing for my glue. | 0:44:18 | 0:44:21 | |
It's not actually holding any weight, it's more just there | 0:44:21 | 0:44:23 | |
to prevent the bits falling away from each other. | 0:44:23 | 0:44:26 | |
Now, Val, I don't in any way want to put the wind up you... | 0:44:26 | 0:44:29 | |
I know. ..but you've got considerably less than an hour... | 0:44:29 | 0:44:33 | |
Yeah. ..and quite a lot to do, I'm thinking. Yeah. | 0:44:33 | 0:44:36 | |
OK, tell me what you've got to do. She's gone. | 0:44:36 | 0:44:38 | |
I've got to make some icing... OK, good. Icing, yeah. | 0:44:38 | 0:44:42 | |
..which is to glue the house together. | 0:44:42 | 0:44:44 | |
Shepherding you, Val, shepherding you. Thank you. | 0:44:44 | 0:44:46 | |
And then I have got to pipe on here. | 0:44:46 | 0:44:50 | |
Remember, time waits for no lady or man. No. | 0:44:50 | 0:44:53 | |
ALARM BEEPS Exactly. Yeah. | 0:44:53 | 0:44:56 | |
Fear is the mind killer. | 0:44:56 | 0:44:58 | |
You've just got to go for it and trust. | 0:44:58 | 0:45:00 | |
You can practice as much as you like, but one little slip can, | 0:45:00 | 0:45:04 | |
like, your structure can just collapse. | 0:45:04 | 0:45:06 | |
I could do with a few more things to prop it up with, really. | 0:45:18 | 0:45:21 | |
SHE GASPS | 0:45:25 | 0:45:27 | |
Just don't want to touch that now. | 0:45:32 | 0:45:34 | |
It normally works first time in practice, | 0:45:34 | 0:45:36 | |
but this hasn't worked at all here, which I'm really annoyed about. | 0:45:36 | 0:45:41 | |
VAL GASPS She's broken. No! | 0:45:43 | 0:45:47 | |
She's kind of holding. | 0:45:53 | 0:45:55 | |
But she's not. | 0:45:55 | 0:45:56 | |
I can't believe this has happened to me. | 0:46:15 | 0:46:18 | |
I've had a complete and utter disaster. | 0:46:18 | 0:46:20 | |
OK, builders, bakers, candlestick makers, | 0:46:23 | 0:46:26 | |
you've got ten minutes left on this Showstopper. | 0:46:26 | 0:46:29 | |
Ten minutes to go. I'm just trying to get stuff out. | 0:46:29 | 0:46:32 | |
I don't care what they look like. | 0:46:32 | 0:46:34 | |
I am not giving in. | 0:46:36 | 0:46:37 | |
Santa hasn't gone as well as I wanted. | 0:46:40 | 0:46:42 | |
Oh, bother it. | 0:46:47 | 0:46:49 | |
Oops. | 0:46:49 | 0:46:50 | |
My pool table top. | 0:46:53 | 0:46:55 | |
This is me. | 0:46:58 | 0:46:59 | |
Oh, you're kidding me! | 0:47:04 | 0:47:06 | |
At least the bikes are all right. | 0:47:06 | 0:47:08 | |
Gosh, I hate gingerbread. | 0:47:11 | 0:47:12 | |
So not happy. | 0:47:14 | 0:47:16 | |
It's actually quite shameful, what I've done. | 0:47:19 | 0:47:21 | |
Bakers, time is very much up. | 0:47:27 | 0:47:31 | |
Please stop whatever you're doing. | 0:47:31 | 0:47:34 | |
Step away from your creations. | 0:47:34 | 0:47:36 | |
CANDICE: Louise, I'm so sorry. | 0:47:37 | 0:47:39 | |
I can't believe that's just happened to me. That's amazing. | 0:47:39 | 0:47:42 | |
Any supports that you're using, please take them away. | 0:47:42 | 0:47:44 | |
I'm so sorry to have... It's going to fall. | 0:47:44 | 0:47:46 | |
SHE GASPS ..to tell you that, bakers. | 0:47:46 | 0:47:48 | |
It's collapsed, it's just collapsed this minute. | 0:47:48 | 0:47:51 | |
Have I got to leave it? I'm afraid you have to leave it, Val. | 0:47:51 | 0:47:54 | |
It's not as bad as mine, Val. Damn it. | 0:47:56 | 0:47:58 | |
OK, bakers, if you'd like to leave the tent. | 0:47:58 | 0:48:01 | |
Andrew, can you bring up your gingerbread story, please? | 0:48:13 | 0:48:16 | |
I'm just going to come up very slowly cos it's got | 0:48:16 | 0:48:18 | |
some wobbly bits on the top. | 0:48:18 | 0:48:20 | |
This is my Punting In Cambridge gingerbread story. | 0:48:29 | 0:48:31 | |
So quite often, especially after we finished exam season, | 0:48:31 | 0:48:35 | |
it was quite nice to go punting. | 0:48:35 | 0:48:36 | |
So that's me, asleep in the punt. | 0:48:36 | 0:48:38 | |
The overall effect is absolutely brilliant. | 0:48:38 | 0:48:41 | |
I love the detail. | 0:48:41 | 0:48:42 | |
You know, you've added colour, it's sharp, it's clean, it's neat. | 0:48:42 | 0:48:45 | |
Height-wise... | 0:48:45 | 0:48:47 | |
Yes, absolutely. | 0:48:49 | 0:48:50 | |
And it does crumble. | 0:48:54 | 0:48:55 | |
Hm. | 0:48:57 | 0:48:58 | |
(Flavour.) | 0:49:01 | 0:49:02 | |
It reminds me of my mum's ginger biscuits. | 0:49:03 | 0:49:06 | |
In a good way? That's a good thing. | 0:49:06 | 0:49:08 | |
Oh, great. Tastes lovely. Tastes really good. | 0:49:08 | 0:49:12 | |
I think you should be very proud of that. | 0:49:12 | 0:49:14 | |
It's all very enchanting and I think you've executed it very well. | 0:49:14 | 0:49:17 | |
Thank you very much. Well done, Andrew. | 0:49:17 | 0:49:19 | |
So is this your family? It's in a bit of a mess. Yes, it is. OK. | 0:49:29 | 0:49:32 | |
Oh, Is that the Statue of Liberty hanging out the side? Yes, yes. | 0:49:32 | 0:49:35 | |
Bless her, she gave up. I love it. BAKERS LAUGH | 0:49:35 | 0:49:38 | |
I can see that. | 0:49:38 | 0:49:40 | |
I love the relief work on the Empire State. | 0:49:40 | 0:49:43 | |
Thank you. I think that's very clever. | 0:49:43 | 0:49:45 | |
It would have been nice, a little bit of piping, | 0:49:45 | 0:49:48 | |
it just needs a bit more finish. | 0:49:48 | 0:49:50 | |
We've had a problem with finishing before, haven't we? | 0:49:50 | 0:49:53 | |
So, who's this? That's Susan, my sister. Susan. | 0:49:53 | 0:49:57 | |
The spice is coming through, | 0:50:02 | 0:50:03 | |
little warming effect from the ginger | 0:50:03 | 0:50:05 | |
and I think your sister tastes lovely. | 0:50:05 | 0:50:07 | |
Yeah, your sister's absolutely scrumptious. | 0:50:07 | 0:50:09 | |
She'll be very pleased to know that. | 0:50:09 | 0:50:11 | |
It's a bit messy, if I'm honest. | 0:50:15 | 0:50:17 | |
Quite messy. | 0:50:17 | 0:50:18 | |
It's a very nice gingerbread. | 0:50:22 | 0:50:23 | |
It's a shame about the decoration. Yeah, it is. | 0:50:23 | 0:50:25 | |
Yeah, it's quite artistic. | 0:50:34 | 0:50:37 | |
I'm fascinated to see what it's going to taste like. | 0:50:37 | 0:50:39 | |
It's a very nice gingerbread. It's nicely spiced. | 0:50:43 | 0:50:46 | |
It's a good biscuit, thank you. | 0:50:46 | 0:50:47 | |
You have done beautiful piping round | 0:50:53 | 0:50:56 | |
and you've done it exceedingly well. | 0:50:56 | 0:50:58 | |
I think it's absolutely lovely. Thank you. | 0:50:58 | 0:51:00 | |
It better taste good. Fingers crossed. | 0:51:00 | 0:51:03 | |
Right, you've got three types of gingerbread. | 0:51:03 | 0:51:05 | |
I'm struggling to find the ginger. | 0:51:11 | 0:51:13 | |
Yeah. And it's quite soft as well. | 0:51:13 | 0:51:15 | |
It doesn't have that snap that I would expect from a gingerbread. | 0:51:15 | 0:51:18 | |
It's spicy, the ginger's coming through, it's absolutely fine. | 0:51:29 | 0:51:32 | |
The problem is that it is a soft gingerbread. | 0:51:32 | 0:51:35 | |
Yeah, sorry. Thank you. | 0:51:35 | 0:51:36 | |
Did it go to plan? Absolutely not. | 0:51:40 | 0:51:43 | |
Clove, it's quite strong. OK. | 0:51:47 | 0:51:50 | |
What that does, it kids you into thinking it's burnt. | 0:51:50 | 0:51:53 | |
Is it burnt? It may be. | 0:51:53 | 0:51:54 | |
The story is my trip to Lapland | 0:52:01 | 0:52:04 | |
for Santa's workshop. | 0:52:04 | 0:52:05 | |
This is Father Christmas? Yeah. | 0:52:05 | 0:52:08 | |
Didn't really turn out as Santa's workshop, in the end. | 0:52:08 | 0:52:11 | |
Probably Santa's workshop from hell. | 0:52:11 | 0:52:13 | |
HE LAUGHS NERVOUSLY | 0:52:13 | 0:52:16 | |
I wouldn't give top marks to the actual piping. No. | 0:52:16 | 0:52:20 | |
CRUNCHING Crispy. | 0:52:20 | 0:52:22 | |
It's a very good flavour, it's nice and spicy, | 0:52:24 | 0:52:26 | |
the ginger's coming through. | 0:52:26 | 0:52:28 | |
That's the best gingerbread so far. | 0:52:28 | 0:52:31 | |
That is absolutely gorgeous. | 0:52:31 | 0:52:32 | |
Thank you. Fantastic flavours, | 0:52:32 | 0:52:34 | |
warmth coming through from the ginger. | 0:52:34 | 0:52:36 | |
I just think the overall effect is too simplistic for me. Yeah. | 0:52:36 | 0:52:39 | |
But the biscuit is beautiful. | 0:52:39 | 0:52:41 | |
It is quite crisp. | 0:52:48 | 0:52:49 | |
Not a lot of ginger coming through. | 0:52:50 | 0:52:53 | |
I think overall the design is excellent. | 0:52:53 | 0:52:55 | |
For me, being the Gingerbread Challenge, | 0:52:55 | 0:52:58 | |
I'd like to taste the ginger. Yeah. | 0:52:58 | 0:53:00 | |
Louise, please bring up your gingerbread story. | 0:53:01 | 0:53:03 | |
I'll give you a hand. | 0:53:03 | 0:53:04 | |
It was my gingerbread wedding, | 0:53:12 | 0:53:14 | |
but it's turned into an absolute disaster. | 0:53:14 | 0:53:17 | |
I didn't want to bring it up, but I have to. I'm so sorry for you | 0:53:17 | 0:53:19 | |
and your future husband. I know. It doesn't bode well, does it? | 0:53:19 | 0:53:22 | |
Maybe don't get married in that church, Louise, | 0:53:22 | 0:53:25 | |
just in case. No, no. | 0:53:25 | 0:53:26 | |
It's unfortunate, but I think we need to try the biscuit. | 0:53:26 | 0:53:29 | |
You certainly know it's ginger. | 0:53:34 | 0:53:35 | |
The balance is there, it's nice | 0:53:35 | 0:53:37 | |
and crispy in there as well which is good. | 0:53:37 | 0:53:39 | |
It's just unfortunate that we've had a bit of a turmoil. | 0:53:39 | 0:53:42 | |
Very unfortunate, Mary. Sorry. | 0:53:42 | 0:53:44 | |
Candice, will you bring up your gingerbread story, please? | 0:53:44 | 0:53:47 | |
Do you need a hand, love? Yeah, can you come and grab my jugs, please? | 0:53:47 | 0:53:50 | |
I think the overall effect is beautiful. | 0:54:03 | 0:54:05 | |
You've showed us so many skills, | 0:54:05 | 0:54:06 | |
good piping and I'm dying to know what's inside. OK. | 0:54:06 | 0:54:10 | |
Look! There's my brother at the pool table, | 0:54:12 | 0:54:15 | |
my mum and dad behind the bar. | 0:54:15 | 0:54:16 | |
Aw! | 0:54:16 | 0:54:18 | |
I think the idea is fantastic and | 0:54:18 | 0:54:19 | |
even down to the sticky ginger cake carpet. | 0:54:19 | 0:54:22 | |
Who wants to eat some carpet? | 0:54:22 | 0:54:23 | |
I'll eat a bit of carpet. | 0:54:23 | 0:54:25 | |
Oh, yeah. | 0:54:26 | 0:54:28 | |
Great ginger cake that one, actually. Great. | 0:54:29 | 0:54:31 | |
Very, very good. Thank you. | 0:54:31 | 0:54:33 | |
Now we're into the structure of the whole pub. | 0:54:33 | 0:54:35 | |
Got a little bit of crisp, a little bit of bite to it. | 0:54:37 | 0:54:39 | |
The spices are coming through and they're ginger. | 0:54:39 | 0:54:42 | |
I think it's superb. Thank you. | 0:54:42 | 0:54:44 | |
I think it's smashing. Thank you. Well done. | 0:54:44 | 0:54:47 | |
Now, we had some issues in this Showstopper. | 0:54:49 | 0:54:53 | |
Who's in trouble, do you think? | 0:54:53 | 0:54:55 | |
Well, I think Val, she struggled on the Signature | 0:54:55 | 0:54:57 | |
with her ice cream cone, she was fifth, however, | 0:54:57 | 0:54:59 | |
in the Technical, which lifted her up. Yeah. | 0:54:59 | 0:55:01 | |
But then in the Showstopper, it's all come home to roost again. | 0:55:01 | 0:55:04 | |
But the whole thing's collapsed and, likewise, talking about collapsing, | 0:55:04 | 0:55:08 | |
Louise. Struggled with her sheep in the Signature. Yeah. | 0:55:08 | 0:55:11 | |
She was tenth in the Technical. And then the Showstopper, | 0:55:11 | 0:55:14 | |
there was huge problems with. Everything went wrong for Louise. | 0:55:14 | 0:55:17 | |
So who do you think's in contention for Star Baker? | 0:55:17 | 0:55:20 | |
I think one of them is Candice. | 0:55:20 | 0:55:21 | |
I think she's done phenomenally well. | 0:55:21 | 0:55:23 | |
I really didn't think that she'd get anywhere near finished. | 0:55:23 | 0:55:25 | |
I think Andrew, the flavour that he got, how neat it was. | 0:55:25 | 0:55:29 | |
I thought he did really well. | 0:55:29 | 0:55:31 | |
So, decisions have to be made. Are you in agreement? | 0:55:31 | 0:55:34 | |
I've got my idea, but I need to talk to Paul about it. | 0:55:34 | 0:55:37 | |
Go to your tent, my loves, and see if you concur. | 0:55:37 | 0:55:40 | |
Now, this week, I've got to play good cop and bad cop. | 0:55:46 | 0:55:51 | |
Let's start with the positive side of things. | 0:55:51 | 0:55:53 | |
Now, Paul and Mary have decided that the award of Star Baker this week | 0:55:53 | 0:55:58 | |
goes to somebody who proved to us all that a tacky, | 0:55:58 | 0:56:02 | |
old pub carpet could taste simply divine. | 0:56:02 | 0:56:08 | |
Candice, you are this week's Star Baker, huge congratulations. | 0:56:08 | 0:56:12 | |
Well done. | 0:56:12 | 0:56:13 | |
Which leads me onto the difficult bit. | 0:56:15 | 0:56:18 | |
We're really, truly sad and sorry to say goodbye this week to... | 0:56:20 | 0:56:26 | |
..Louise. We'll be so sad not to have you with us next week, | 0:56:30 | 0:56:35 | |
but well done. Thank you. | 0:56:35 | 0:56:37 | |
MEL WHISPERS | 0:56:37 | 0:56:39 | |
'Biscuits aren't my thing.' | 0:56:39 | 0:56:41 | |
I came, I tried, I've had a disaster, | 0:56:41 | 0:56:43 | |
I'm accepting it, I'm going home. | 0:56:43 | 0:56:45 | |
Poor Louise, she had a disastrous day, | 0:56:48 | 0:56:51 | |
but full marks for carrying it off with a big smile. | 0:56:51 | 0:56:54 | |
I really did think I was heading for home. | 0:56:56 | 0:56:59 | |
In fact, I nearly went and said, "Are you sure?" | 0:56:59 | 0:57:01 | |
Well done! | 0:57:01 | 0:57:03 | |
I think Candice has done phenomenally well, | 0:57:03 | 0:57:05 | |
she stepped so far ahead of the pack in the Showstopper, | 0:57:05 | 0:57:08 | |
there was only one winner and when I spoke to Mary at the end, | 0:57:08 | 0:57:11 | |
we both said it at the same time - Candice. | 0:57:11 | 0:57:13 | |
Thank you so much. | 0:57:13 | 0:57:14 | |
That pub was brilliant. | 0:57:14 | 0:57:16 | |
We'll remember it forever. | 0:57:16 | 0:57:18 | |
Mum and Dad are going to be really proud because that was them, | 0:57:18 | 0:57:22 | |
that was my childhood and there it was in a little box that apparently | 0:57:22 | 0:57:27 | |
looked and tasted Star Baker-worthy. | 0:57:27 | 0:57:30 | |
Next time... SHE FAKE CRIES | 0:57:31 | 0:57:34 | |
..can anyone survive... | 0:57:34 | 0:57:36 | |
the toughest Bread Week Challenges... | 0:57:36 | 0:57:38 | |
I could really do with another oven. ..Paul has ever put together... | 0:57:38 | 0:57:41 | |
You're making a right pig's ear, though, aren't you? | 0:57:41 | 0:57:43 | |
..with a Signature... It's like wallpaper paste. | 0:57:43 | 0:57:45 | |
..that should be sweet... I'm not going to eat it. | 0:57:45 | 0:57:47 | |
..a steamy Technical... They've gone huge. | 0:57:47 | 0:57:49 | |
..and the closest Showstopper ever. | 0:57:49 | 0:57:51 | |
There's a lot riding on this for many people in this tent. | 0:57:51 | 0:57:54 | |
Disaster. | 0:57:57 | 0:57:58 |