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'The human voice stripped bare...' | 0:00:02 | 0:00:05 | |
# Ooo-oo-oooo... # | 0:00:05 | 0:00:08 | |
Hallelujah! | 0:00:08 | 0:00:09 | |
'..I think there's nothing more beautiful.' | 0:00:09 | 0:00:12 | |
# Standing in a crowded room and I can see your face... # | 0:00:12 | 0:00:16 | |
'With no instruments or backing, this is singing a cappella style.' | 0:00:16 | 0:00:20 | |
# Put your arms around me... # | 0:00:20 | 0:00:23 | |
Everything is done - the harmonies, the melodies, the baselines, | 0:00:23 | 0:00:26 | |
the drums - everything with the human voice. | 0:00:26 | 0:00:29 | |
I find that incredibly exciting. | 0:00:29 | 0:00:31 | |
'Up and down the country, | 0:00:31 | 0:00:33 | |
'ordinary people are making extraordinary music. | 0:00:33 | 0:00:38 | |
'with just their voices.' | 0:00:38 | 0:00:40 | |
'Now, in a brand-new contest, I'll be helping the most promising | 0:00:41 | 0:00:45 | |
'amateur singing groups become Britain's best.' | 0:00:45 | 0:00:48 | |
Great! | 0:00:48 | 0:00:49 | |
'Hundreds of gifted groups applied from across the UK, | 0:00:49 | 0:00:53 | |
'each with their own unique sound, and I picked eight.' | 0:00:53 | 0:00:58 | |
Yes, yes, yes. | 0:00:58 | 0:01:01 | |
'They're pushed to achieve a cappella excellence.' | 0:01:01 | 0:01:04 | |
Just be free! | 0:01:04 | 0:01:07 | |
Come on, let's go. | 0:01:07 | 0:01:08 | |
I worry that it's not setting the world on fire. | 0:01:08 | 0:01:10 | |
I think you've got your comfort zone and we're well out of it right now. | 0:01:10 | 0:01:14 | |
'Each week, these eight groups will compete to stay in the contest.' | 0:01:14 | 0:01:18 | |
'Performing live at top venues across the country...' | 0:01:20 | 0:01:23 | |
Nervous. | 0:01:24 | 0:01:26 | |
'..they'll need to sing to impress a specially selected jury | 0:01:26 | 0:01:30 | |
'of a cappella experts. | 0:01:30 | 0:01:32 | |
'Their votes decide who stays...' | 0:01:32 | 0:01:34 | |
I loved it. | 0:01:34 | 0:01:36 | |
Great rhythm, natural, freely produced singing... | 0:01:36 | 0:01:39 | |
'..who goes...' | 0:01:39 | 0:01:40 | |
I hated this. Absolutely hated it. | 0:01:40 | 0:01:44 | |
'..and, ultimately, who will be crowned my overall winner.' | 0:01:44 | 0:01:48 | |
One of the best things I've done in my life. | 0:01:48 | 0:01:50 | |
If we went through, I would be speechless. | 0:01:50 | 0:01:53 | |
That audience have been regally entertained. | 0:01:53 | 0:01:57 | |
You see groups like this, excited and ready to go, it makes my blood pump. | 0:01:57 | 0:02:02 | |
It's going to be so much fun. | 0:02:02 | 0:02:04 | |
Greenwich, London. | 0:02:09 | 0:02:10 | |
I'm kick-starting the contest | 0:02:10 | 0:02:13 | |
at the Trinity Laban Conservatoire of Music and Dance, | 0:02:13 | 0:02:16 | |
where the first four of my chosen groups are coming face-to-face. | 0:02:16 | 0:02:20 | |
These are the groups whose auditions impressed me most | 0:02:20 | 0:02:23 | |
from the southern half of the UK. | 0:02:23 | 0:02:26 | |
We've got wonderful groups here, | 0:02:26 | 0:02:29 | |
who are talented and hungry, | 0:02:29 | 0:02:32 | |
and eager to succeed. | 0:02:32 | 0:02:34 | |
It bodes well. | 0:02:34 | 0:02:35 | |
There's Restless Symphony, | 0:02:35 | 0:02:38 | |
pop music performance students from Southampton, | 0:02:38 | 0:02:41 | |
who dream of making it big. | 0:02:41 | 0:02:43 | |
I think this is the happiest moment of my life, | 0:02:43 | 0:02:46 | |
and I'm not even joking. | 0:02:46 | 0:02:47 | |
My heart is full of unicorns and sweets... | 0:02:47 | 0:02:50 | |
I know, I'm not even joking! | 0:02:50 | 0:02:53 | |
I am so happy. Oh, my gosh! | 0:02:53 | 0:02:54 | |
Community choir Stratford East Singers are determined to prove | 0:02:54 | 0:02:58 | |
that a group who welcomes all-comers can compete at the highest level. | 0:02:58 | 0:03:02 | |
We're always just like, "Come and join us, come and have fun." | 0:03:02 | 0:03:05 | |
One of the special things about us is that we're not all the same. | 0:03:05 | 0:03:08 | |
Another choir wouldn't have this variety of people. | 0:03:08 | 0:03:11 | |
Spinnaker Chorus are a tightknit sisterhood | 0:03:11 | 0:03:14 | |
from the world of traditional female barbershop. | 0:03:14 | 0:03:17 | |
What Spinnaker has got is friendliness within the chorus. | 0:03:17 | 0:03:21 | |
When people come in the room, they're greeted with a smile, | 0:03:21 | 0:03:24 | |
a piece of cake and a cup of tea, | 0:03:24 | 0:03:26 | |
a shoulder to cry on, a cuddle if they need it. | 0:03:26 | 0:03:29 | |
Gospel Essence are a group with family at its heart, | 0:03:29 | 0:03:33 | |
revolving around Rebecca and her younger siblings. | 0:03:33 | 0:03:36 | |
Rebecca's got a great voice, | 0:03:36 | 0:03:39 | |
so it compliments my voice nicely. | 0:03:39 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:43 | |
Four groups might be arriving today, | 0:03:43 | 0:03:45 | |
but only three will survive this heat. | 0:03:45 | 0:03:48 | |
I can see in each group there are weaknesses to be tackled. | 0:03:48 | 0:03:51 | |
I'm looking forward to getting my teeth into that | 0:03:51 | 0:03:53 | |
and telling them what's what. | 0:03:53 | 0:03:55 | |
Time to set them their first challenge. | 0:03:55 | 0:03:57 | |
CHEERING AND APPLAUSE | 0:03:57 | 0:04:01 | |
Oh, sit down! | 0:04:05 | 0:04:07 | |
Hello! | 0:04:08 | 0:04:09 | |
Hello! | 0:04:09 | 0:04:10 | |
Wow, you're high energy, aren't you? | 0:04:10 | 0:04:12 | |
Yes! | 0:04:12 | 0:04:13 | |
Good! You're going to need it! | 0:04:13 | 0:04:15 | |
You've done very well to earn your place in this contest. | 0:04:17 | 0:04:21 | |
But now, the battle to keep it begins. | 0:04:21 | 0:04:24 | |
I'm giving you just three weeks | 0:04:24 | 0:04:26 | |
to arrange and perfect a performance of a song of my choosing. | 0:04:26 | 0:04:31 | |
You will come back and stand on this stage, | 0:04:31 | 0:04:34 | |
where I am standing now, and perform to an audience of 300 people. | 0:04:34 | 0:04:38 | |
At this stage of the contest, I have selected songs | 0:04:40 | 0:04:43 | |
that will play to the groups' strengths, | 0:04:43 | 0:04:46 | |
giving them a chance to shine. | 0:04:46 | 0:04:47 | |
-Would you like to know what those songs are? -Yes! | 0:04:47 | 0:04:50 | |
-Spinnaker Chorus, hello. -Hello! | 0:04:50 | 0:04:53 | |
I've chosen a song for you that is a classic pop barnstormer. | 0:04:53 | 0:04:58 | |
It's got lots of possibilities for arranging parts, | 0:04:58 | 0:05:02 | |
so each of you will have something to do. | 0:05:02 | 0:05:05 | |
It's forceful and feisty, just like you. | 0:05:05 | 0:05:08 | |
MUSIC: Simply the Best by Tina Turner | 0:05:08 | 0:05:14 | |
-Have you done it before? -No. -Great! | 0:05:14 | 0:05:16 | |
Spinnaker Chorus are outgoing and confident performers, | 0:05:16 | 0:05:20 | |
and this powerful song by Tina Turner should suit them down to the ground. | 0:05:20 | 0:05:24 | |
The chorus are seasoned competitors on the amateur barbershop circuit. | 0:05:27 | 0:05:33 | |
Their annual conventions | 0:05:36 | 0:05:37 | |
require them to look, as well as sound, the part. | 0:05:37 | 0:05:40 | |
Well, we go for things that are bright and glitzy, | 0:05:40 | 0:05:43 | |
that are going to show up on the stage. | 0:05:43 | 0:05:46 | |
When you're a Spinnaker-ette | 0:05:46 | 0:05:48 | |
you find sequins and diamante in the most unexpected places. | 0:05:48 | 0:05:52 | |
# You're simply the best... # | 0:05:53 | 0:05:56 | |
You had a good reaction at the back there in the orange. | 0:05:56 | 0:05:59 | |
I love Tina Turner. I have done the odd Tina Turner impression. | 0:05:59 | 0:06:03 | |
Can I see your Tina Turner impression? | 0:06:03 | 0:06:05 | |
APPLAUSE | 0:06:05 | 0:06:08 | |
LAUGHTER | 0:06:08 | 0:06:10 | |
# You're simply the best! | 0:06:10 | 0:06:12 | |
# Better than all the rest | 0:06:14 | 0:06:17 | |
# Better than anyone... # | 0:06:19 | 0:06:21 | |
Oh, yeah! | 0:06:21 | 0:06:22 | |
# Anyone I've ever been... # | 0:06:22 | 0:06:25 | |
I think that's enough of that, thank you very much. Very good! | 0:06:25 | 0:06:28 | |
APPLAUSE AND CHEERING | 0:06:28 | 0:06:30 | |
So, Restless Symphony. | 0:06:32 | 0:06:35 | |
THEY CHEER | 0:06:35 | 0:06:37 | |
-Hello. -Hello! | 0:06:37 | 0:06:39 | |
I've chosen you a fantastic modern piece of bubble gum pop. | 0:06:39 | 0:06:44 | |
Let's have a listen to it. | 0:06:44 | 0:06:46 | |
MUSIC: What Makes You Beautiful by One Direction | 0:06:46 | 0:06:50 | |
# You're insecure | 0:06:50 | 0:06:52 | |
# Don't know what for... # | 0:06:52 | 0:06:53 | |
Restless Symphony are young, energetic, | 0:06:53 | 0:06:56 | |
and studying pop music performance, so they should have fun | 0:06:56 | 0:06:59 | |
with One Direction's lively hit, What Makes You Beautiful. | 0:06:59 | 0:07:02 | |
# You don't know | 0:07:02 | 0:07:04 | |
# You don't know you're beautiful. # | 0:07:04 | 0:07:06 | |
Very good! | 0:07:06 | 0:07:08 | |
Forgive me if I'm wrong, but I sense a mixed reaction there. | 0:07:08 | 0:07:11 | |
Taz, you must be a massive fan of One Direction. | 0:07:11 | 0:07:15 | |
I love One Direction! | 0:07:15 | 0:07:17 | |
I can't quite tell you how much I love One Direction. | 0:07:17 | 0:07:21 | |
I'd love to hear. | 0:07:21 | 0:07:23 | |
Really focus on making this performance | 0:07:23 | 0:07:25 | |
hugely entertaining, hugely fun. | 0:07:25 | 0:07:28 | |
Gospel Essence, I have chosen a song for you that I think | 0:07:28 | 0:07:31 | |
is one of the great classics of modern pop, | 0:07:31 | 0:07:34 | |
-and I should warn you, it's one of my all-time favourites. -No pressure! | 0:07:34 | 0:07:39 | |
Let's have a listen. | 0:07:39 | 0:07:41 | |
MUSIC: My Lovin' by En Vogue | 0:07:41 | 0:07:46 | |
# No, you're never gonna get it... # | 0:07:50 | 0:07:51 | |
A soulful track like My Lovin' by En Vogue | 0:07:51 | 0:07:55 | |
is a perfect fit for a group that has its roots in gospel music. | 0:07:55 | 0:07:59 | |
-So, is everybody ready? -Yes. | 0:08:01 | 0:08:03 | |
-Are you ready? -Yes. | 0:08:03 | 0:08:05 | |
-Are you ready? -Yes!! | 0:08:05 | 0:08:07 | |
Gospel Essence is a family affair. | 0:08:07 | 0:08:10 | |
Big sis Rebecca and siblings Louis and Paulina form its core, | 0:08:10 | 0:08:14 | |
and the clan is about to get bigger. | 0:08:14 | 0:08:16 | |
I'm 35 weeks pregnant | 0:08:16 | 0:08:18 | |
and I'll be having my baby in about five weeks, five or six weeks. | 0:08:18 | 0:08:21 | |
It could be earlier. | 0:08:21 | 0:08:23 | |
Depending on how far we get with the competition, it's like, | 0:08:23 | 0:08:26 | |
OK, she's going to have a baby during the show, so... | 0:08:26 | 0:08:29 | |
We hope that that is a problem we deal with, | 0:08:29 | 0:08:31 | |
that we do get that far, and then we deal with that problem. | 0:08:31 | 0:08:34 | |
How do you feel about it? | 0:08:35 | 0:08:37 | |
I was thinking to myself, how well does Gareth know us? | 0:08:37 | 0:08:40 | |
And then you proved it with your song choice. | 0:08:40 | 0:08:43 | |
Listen, flattery will get you nowhere! | 0:08:43 | 0:08:47 | |
Don't try that. | 0:08:47 | 0:08:48 | |
So, our final group, the Stratford East Singers. | 0:08:48 | 0:08:53 | |
CHEERING | 0:08:53 | 0:08:54 | |
This is a British soul track with a little bit of a swing to it. | 0:08:57 | 0:09:00 | |
It's also got a rap. | 0:09:00 | 0:09:02 | |
LAUGHTER | 0:09:02 | 0:09:06 | |
Shall we have a listen to it? Here it is. | 0:09:06 | 0:09:08 | |
MUSIC: She Said by Plan B | 0:09:09 | 0:09:12 | |
# She said I love you, baby, Oh-oh-oh oh oh... # | 0:09:12 | 0:09:17 | |
With their open-door policy, | 0:09:17 | 0:09:18 | |
this group has the widest range of singers. | 0:09:18 | 0:09:21 | |
She Said by Plan B has a musical variety | 0:09:21 | 0:09:24 | |
that should allow all of them to find a voice. | 0:09:24 | 0:09:26 | |
Double thumbs up? | 0:09:28 | 0:09:30 | |
I think it's a good reflection of us. It's fun, it's got soul, | 0:09:30 | 0:09:33 | |
it's British as well, which is really good. | 0:09:33 | 0:09:35 | |
-We're going to have a lot of fun with it. -Good, very good. | 0:09:35 | 0:09:38 | |
Ladies and gentlemen, there you have it. That is your challenge. | 0:09:38 | 0:09:41 | |
Those are your songs. | 0:09:41 | 0:09:43 | |
I will be round to give you all advice and mentor you, | 0:09:43 | 0:09:46 | |
so very good luck, and see you all soon. | 0:09:46 | 0:09:48 | |
CHEERING AND APPLAUSE | 0:09:48 | 0:09:53 | |
The groups now have just three weeks before they'll be back in Greenwich | 0:09:53 | 0:09:57 | |
to sing off against each other. | 0:09:57 | 0:09:58 | |
-Do you know what I mean? -Yeah. | 0:09:58 | 0:10:00 | |
That would be quite good. | 0:10:00 | 0:10:02 | |
The song that we've been given, I think it's just us. | 0:10:02 | 0:10:05 | |
How it's going to be arranged is another matter. | 0:10:05 | 0:10:09 | |
It's going to be heartbreaking for whoever goes home, | 0:10:09 | 0:10:12 | |
and we don't want it to be us. | 0:10:12 | 0:10:14 | |
How do you make a pop song with a full band | 0:10:14 | 0:10:17 | |
-an a cappella arrangement, it's a challenge. -Bring it on. | 0:10:17 | 0:10:20 | |
-Yes, exactly. -I think we need more than three weeks. | 0:10:20 | 0:10:24 | |
I thought today was very exciting. I am absolutely thrilled. | 0:10:27 | 0:10:31 | |
There's a kind of excitement and crackle about this bunch | 0:10:31 | 0:10:33 | |
that I'm just overwhelmed by. | 0:10:33 | 0:10:36 | |
I think everyone is going to take it very seriously, | 0:10:36 | 0:10:39 | |
but they're also going to have fun. | 0:10:39 | 0:10:41 | |
The countdown to show day has begun, | 0:10:44 | 0:10:46 | |
and all four groups are quick to get down to business. | 0:10:46 | 0:10:50 | |
The contestants must devise their own arrangement... | 0:10:51 | 0:10:54 | |
All right, girls. Let's get cracking. | 0:10:54 | 0:10:56 | |
Be inventive with their sound. | 0:10:56 | 0:10:58 | |
And incorporate crowd-pleasing choreography. | 0:11:00 | 0:11:03 | |
When you walk through the blah blah blah... | 0:11:03 | 0:11:06 | |
It's a far cry from the genre's roots in medieval choral music. | 0:11:06 | 0:11:10 | |
A cappella actually means "in the style of the chapel", | 0:11:10 | 0:11:14 | |
which referred to music sung in church without instruments. | 0:11:14 | 0:11:18 | |
# 100 times a day... # | 0:11:18 | 0:11:20 | |
By the 20th century, it had taken a giant leap forward, | 0:11:20 | 0:11:24 | |
emerging as the familiar barbershop style, | 0:11:24 | 0:11:27 | |
associated with bowties, blazers and four-part harmonies. | 0:11:27 | 0:11:31 | |
# Cos you make me feel like... # | 0:11:34 | 0:11:37 | |
Today, a cappella has been reinvented as a fresh, | 0:11:37 | 0:11:40 | |
exciting genre, still relying on nothing but the human voice. | 0:11:40 | 0:11:44 | |
With an appeal that fills stadiums around the world. | 0:11:46 | 0:11:51 | |
CHEERING | 0:11:51 | 0:11:54 | |
Of all the groups, | 0:11:56 | 0:11:57 | |
Spinnaker Chorus have a style closest to traditional barbershop. | 0:11:57 | 0:12:01 | |
Part of their challenge will be to use these three weeks | 0:12:01 | 0:12:05 | |
to bring their sound closer to contemporary a cappella. | 0:12:05 | 0:12:08 | |
You've got to go in for a contest with a winning spirit, haven't you? | 0:12:08 | 0:12:13 | |
That's hard when you see the competition. | 0:12:13 | 0:12:15 | |
They all look so trendy and cool and young and hip. | 0:12:15 | 0:12:18 | |
Smooth skin. | 0:12:18 | 0:12:19 | |
Oh, smooth skin! I'm sitting there thinking, I feel so old. | 0:12:19 | 0:12:24 | |
THEY LAUGH | 0:12:24 | 0:12:26 | |
For the last 10 years, | 0:12:26 | 0:12:28 | |
this Portsmouth sisterhood has bonded over cake and harmonies, | 0:12:28 | 0:12:32 | |
headed up by musical director Jenny. | 0:12:32 | 0:12:35 | |
It's not just a hobby now, it's a way of life. | 0:12:35 | 0:12:38 | |
My best friends, we are so tight now, the girls in the chorus. | 0:12:38 | 0:12:43 | |
We've been through so much together. | 0:12:43 | 0:12:45 | |
We've been on journeys, we've been in competitions. | 0:12:45 | 0:12:49 | |
You've got history, haven't you? Things to laugh about forever. | 0:12:49 | 0:12:52 | |
-Stop burping in her ear. -I wasn't! | 0:12:54 | 0:12:56 | |
-Yes, you were! -I wasn't! | 0:12:56 | 0:12:58 | |
I smelled it as well. | 0:12:58 | 0:13:00 | |
But saucy humour is not all the group has to offer. | 0:13:02 | 0:13:07 | |
I had breast cancer two years ago, | 0:13:07 | 0:13:09 | |
and I can't really put into words, they were just absolutely wonderful. | 0:13:09 | 0:13:14 | |
Every single one of them | 0:13:14 | 0:13:16 | |
were prepared to come and do whatever they could to help. | 0:13:16 | 0:13:20 | |
In my garden I've got the most beautiful rose | 0:13:20 | 0:13:24 | |
in a pot that they bought for me. | 0:13:24 | 0:13:27 | |
Every time this rose blossoms, it sounds corny, | 0:13:27 | 0:13:31 | |
but I just think of Spinnaker because it's just so beautiful. | 0:13:31 | 0:13:35 | |
This is what we do. They're just a wonderful bunch of ladies. | 0:13:35 | 0:13:39 | |
It's a weekend, and I'm looking forward to seeing | 0:13:42 | 0:13:44 | |
what they've done with the Tina Turner classic. | 0:13:44 | 0:13:48 | |
I think Spinnaker Chorus are warm, and they seem to be really close. | 0:13:48 | 0:13:53 | |
They've got a sense of fun. That's what I like. | 0:13:53 | 0:13:55 | |
If they can get that across on stage, | 0:13:55 | 0:13:58 | |
I think that will be how they'll win through. | 0:13:58 | 0:14:01 | |
Hello! | 0:14:05 | 0:14:06 | |
Hey! | 0:14:06 | 0:14:08 | |
-Hello. -Wow! | 0:14:08 | 0:14:10 | |
I've been up all night! | 0:14:10 | 0:14:11 | |
LAUGHTER | 0:14:11 | 0:14:13 | |
There we are. | 0:14:13 | 0:14:16 | |
Right, well, shall we crack on? I'd really like to hear it. | 0:14:17 | 0:14:20 | |
# Simply the best | 0:14:20 | 0:14:21 | |
# Dum dum dum dum | 0:14:21 | 0:14:24 | |
# Better than all the rest | 0:14:24 | 0:14:28 | |
# Better than anyone | 0:14:28 | 0:14:32 | |
# Anyone I've ever met | 0:14:32 | 0:14:35 | |
# Da na-na-na na | 0:14:35 | 0:14:36 | |
# Simply the best. # | 0:14:36 | 0:14:38 | |
Great! | 0:14:38 | 0:14:39 | |
You've obviously worked your socks off. Well done. | 0:14:41 | 0:14:44 | |
I worry that it's not setting the world on fire as yet. | 0:14:44 | 0:14:48 | |
I wondered if we might try getting people to come and stand out, | 0:14:48 | 0:14:52 | |
and only step in when you're adding something different, just as a game. | 0:14:52 | 0:14:55 | |
As traditional barber shoppers, this group are not used to | 0:14:55 | 0:14:59 | |
improvising, but innovation is an essential part of modern a cappella. | 0:14:59 | 0:15:04 | |
Let's just improvise, yeah? | 0:15:04 | 0:15:06 | |
# Simply the best... | 0:15:06 | 0:15:08 | |
# Do-do-do da da | 0:15:08 | 0:15:09 | |
# Do-do-do da da | 0:15:09 | 0:15:11 | |
# Do-do da da da | 0:15:11 | 0:15:13 | |
# Do-do-do da da... # | 0:15:13 | 0:15:15 | |
Just as an idea. | 0:15:15 | 0:15:16 | |
# Oh-oh oh-oh oh! # | 0:15:17 | 0:15:19 | |
-You know, some little improvisation type things. -Yeah. | 0:15:19 | 0:15:23 | |
# Do do-do do | 0:15:25 | 0:15:26 | |
# Do do da da da... # | 0:15:26 | 0:15:28 | |
Make it more playful. | 0:15:28 | 0:15:30 | |
# Oooo, you're the best! # | 0:15:30 | 0:15:34 | |
Whoa! OK, we've never done anything like that before! | 0:15:34 | 0:15:37 | |
-You've never done that? -No. | 0:15:37 | 0:15:39 | |
You're all like this, "Na-a-ah!" | 0:15:39 | 0:15:41 | |
I feel like there are no moments where someone goes, "Yeah"! | 0:15:41 | 0:15:44 | |
You know? Or "Wooo"! | 0:15:44 | 0:15:46 | |
Or "Schwppp"! | 0:15:46 | 0:15:48 | |
-It's a bit safe. -It's a bit safe, yeah. | 0:15:48 | 0:15:51 | |
You need to throw caution to the wind and be fun. | 0:15:51 | 0:15:53 | |
-If you just feel, add it. -Feel it. If you feel it, add it. | 0:15:53 | 0:15:57 | |
If you're not happy, there's nothing worse than someone going, | 0:15:57 | 0:16:00 | |
"Yeah!" | 0:16:00 | 0:16:02 | |
"Wooo!" | 0:16:02 | 0:16:03 | |
"Feeling it!" | 0:16:03 | 0:16:05 | |
If you feel like that's you, don't do it. | 0:16:05 | 0:16:08 | |
I think we held back probably because of embarrassment, | 0:16:09 | 0:16:12 | |
in case we made a fool of ourselves. | 0:16:12 | 0:16:15 | |
Boy, when someone's in front of you telling you to do it, you clam up! | 0:16:15 | 0:16:19 | |
You've got your comfort zone - we're well out of it right now. | 0:16:19 | 0:16:21 | |
Yeah. | 0:16:21 | 0:16:22 | |
There aren't any rules. You can kind of do anything in a cappella. | 0:16:22 | 0:16:26 | |
You can make noises, you can do beatboxing, you can... | 0:16:26 | 0:16:29 | |
You could sing like a bird, it doesn't matter. | 0:16:29 | 0:16:31 | |
You can do anything you like. They need to start feeling that. | 0:16:31 | 0:16:34 | |
The chorus have taken their first steps | 0:16:34 | 0:16:37 | |
towards breaking out of their barbershop straitjacket. | 0:16:37 | 0:16:40 | |
It's a strictly regulated world, | 0:16:40 | 0:16:42 | |
where even the wrong make-up can raise an eyebrow. | 0:16:42 | 0:16:46 | |
-Is this an important part of your singing? -Yes. | 0:16:46 | 0:16:48 | |
-We've got to wear all the same. -Do you get marked on that? -Yes. | 0:16:48 | 0:16:53 | |
This year at a convention we were pulled up on... | 0:16:53 | 0:16:56 | |
Not having enough eyebrows. | 0:16:56 | 0:16:58 | |
-In what sense? -There wasn't enough eyebrow showing, | 0:16:58 | 0:17:00 | |
so this is what they pulled us up on. | 0:17:00 | 0:17:02 | |
We have to do facial expressions big-time. | 0:17:02 | 0:17:04 | |
Bass singer Lesley doubles as the chorus make-up lady. | 0:17:04 | 0:17:08 | |
Now I'm going to give her some depth, you see. | 0:17:08 | 0:17:11 | |
-We take it into the back. -Oh, hang on a minute. | 0:17:11 | 0:17:14 | |
-We normally would... -Oh, God, she looks like a Dalek! | 0:17:14 | 0:17:17 | |
You look fine, you look great... | 0:17:17 | 0:17:19 | |
Oh! | 0:17:21 | 0:17:22 | |
It was supposed to be eye shadow! | 0:17:22 | 0:17:25 | |
I know. | 0:17:25 | 0:17:26 | |
# Baby, there ain't no mountain high enough | 0:17:26 | 0:17:30 | |
# Ain't no valley low enough | 0:17:30 | 0:17:33 | |
# To keep me from getting to you, babe... # | 0:17:33 | 0:17:36 | |
In Southampton, university group Restless Symphony | 0:17:36 | 0:17:40 | |
are attracting quite a crowd. | 0:17:40 | 0:17:42 | |
# Ain't no river wide enough | 0:17:42 | 0:17:45 | |
# To keep me from getting to you, babe... # | 0:17:45 | 0:17:48 | |
Hoping to become professional singers, most of the group | 0:17:48 | 0:17:52 | |
study pop music performance at Southampton Solent University. | 0:17:52 | 0:17:56 | |
under the watchful eye of their lecturer | 0:17:56 | 0:17:59 | |
and musical director Esther. | 0:17:59 | 0:18:01 | |
We teach them to be centre stage, | 0:18:01 | 0:18:03 | |
all of them be solo artists in their own right and own that stage. | 0:18:03 | 0:18:07 | |
At Esther's suggestion, | 0:18:07 | 0:18:09 | |
they came together as an a cappella group four months ago. | 0:18:09 | 0:18:14 | |
We're so used to performing on our own, | 0:18:14 | 0:18:17 | |
to go from being centre stage to having to share a stage | 0:18:17 | 0:18:20 | |
with five other people can be a challenge sometimes. | 0:18:20 | 0:18:22 | |
A week into the contest, and it's time for me to see | 0:18:26 | 0:18:29 | |
if the soloists are pulling in one direction. | 0:18:29 | 0:18:31 | |
I think Restless Symphony didn't have a great reaction to the song. | 0:18:32 | 0:18:36 | |
Not all of them loved it immediately, and One Direction... | 0:18:36 | 0:18:39 | |
I mean, it's not to everyone's taste. | 0:18:39 | 0:18:42 | |
It'll be interesting to see what they've done with it. | 0:18:42 | 0:18:45 | |
We can make the song big in our own right, | 0:18:45 | 0:18:47 | |
but I want it to be remembered as the group that have done | 0:18:47 | 0:18:50 | |
a One Direction song, and made the song better than the original song. | 0:18:50 | 0:18:54 | |
# Baby you, baby you... # | 0:18:54 | 0:18:56 | |
Morning! | 0:18:56 | 0:18:57 | |
Hi, Gareth. | 0:18:57 | 0:18:59 | |
How's it going? | 0:18:59 | 0:19:01 | |
-Yeah, good. -Really good. -Shall we have a listen? | 0:19:01 | 0:19:03 | |
# Bam bam-um, bam bam-um | 0:19:05 | 0:19:07 | |
# You're insecure | 0:19:07 | 0:19:09 | |
# Don't know what for | 0:19:09 | 0:19:12 | |
# You're turning heads when you walk through the door | 0:19:12 | 0:19:15 | |
# Baby you light up my world like nobody else | 0:19:15 | 0:19:19 | |
# The way that you flick your hair gets me overwhelmed | 0:19:19 | 0:19:22 | |
# The way you smile at the ground it ain't hard to tell | 0:19:22 | 0:19:26 | |
# You don't know, | 0:19:26 | 0:19:29 | |
# You don't know you're beautiful... # | 0:19:29 | 0:19:31 | |
-And then they are going to "wiki wiki wow" it there. -OK, good! | 0:19:31 | 0:19:34 | |
My immediate thought is I like that beginning, that's really good. | 0:19:34 | 0:19:38 | |
I feel like everyone's got a different idea of what the beat is. | 0:19:38 | 0:19:41 | |
I'm looking round and everyone is going like this... | 0:19:41 | 0:19:44 | |
Who is the solo in this? | 0:19:44 | 0:19:46 | |
-Georgie, is everyone staring at you? -Yes. | 0:19:46 | 0:19:49 | |
OK, then no-one else is allowed to move, and let's all follow Georgie. | 0:19:49 | 0:19:54 | |
# Lady, you light up my world... # | 0:19:54 | 0:19:59 | |
'It's obvious everyone here wants to be a lead singer. | 0:19:59 | 0:20:03 | |
'But to work as a group, they need to take their cues from each other.' | 0:20:03 | 0:20:08 | |
-Yes, that's good. -Lovely, yeah. -I mean it solves it and it's simpler. | 0:20:08 | 0:20:12 | |
You have to work out who your running mate is, who am I with? | 0:20:12 | 0:20:16 | |
You two should stand next to each other. | 0:20:16 | 0:20:19 | |
You should be like this # Do do do, yeah. # | 0:20:19 | 0:20:22 | |
Sorry. I invaded your personal space, I do apologise. | 0:20:22 | 0:20:25 | |
If you're together and you're tight like that, it'll be much better. | 0:20:25 | 0:20:28 | |
These are the things that are going to make you sound like a vocal | 0:20:28 | 0:20:31 | |
a cappella group, rather than just six people singing harmony. | 0:20:31 | 0:20:35 | |
It's a big challenge, it really is. | 0:20:35 | 0:20:36 | |
There's six of them, they've not been singing together for that long. | 0:20:36 | 0:20:39 | |
They don't know how each other's voices work at the moment. | 0:20:39 | 0:20:42 | |
When you're doing the same thing as someone else in a vocal | 0:20:42 | 0:20:44 | |
a cappella situation, you need to tune into them | 0:20:44 | 0:20:47 | |
and that means eyeballing them and having fun together. | 0:20:47 | 0:20:51 | |
We're doing this bit together - and that's totally lacking. | 0:20:51 | 0:20:55 | |
There are all focused totally on themselves. | 0:20:55 | 0:20:57 | |
Every now and again they look up as if to say, there's a group here. | 0:20:57 | 0:21:02 | |
They really need to be a unit and they don't feel like that. | 0:21:02 | 0:21:05 | |
Taking a break from their busy rehearsal schedule, | 0:21:06 | 0:21:09 | |
Anita has popped home to Kent. | 0:21:09 | 0:21:11 | |
She moved here from Nigeria | 0:21:11 | 0:21:13 | |
when she was 16 to join her mum, Doris, who's a care worker. | 0:21:13 | 0:21:17 | |
Hello, OK, my darling, baby, come on in. Mwah! Come on. | 0:21:20 | 0:21:25 | |
Come on in, come on in. Are you all right? | 0:21:25 | 0:21:28 | |
Your hair! I like it. | 0:21:28 | 0:21:30 | |
You look lovely. Come in. | 0:21:30 | 0:21:32 | |
-Mum, can you not do that? Are you going somewhere? -Somewhere? -Yeah. | 0:21:32 | 0:21:36 | |
I knew you were coming so I said I would look good for you. | 0:21:36 | 0:21:39 | |
'Doris doesn't share her daughter's passion for music, | 0:21:41 | 0:21:44 | |
'so when it came to choosing her university course, | 0:21:44 | 0:21:46 | |
'Anita was a touch economical with the truth.' | 0:21:46 | 0:21:49 | |
I just told her I was doing engineering, | 0:21:49 | 0:21:51 | |
something technical, you know, so I can build bridges and stuff. | 0:21:51 | 0:21:56 | |
But, no, she found out that it was music and she was like, | 0:21:56 | 0:22:01 | |
"Are you sure about that? Is music going to put food on the table?" | 0:22:01 | 0:22:06 | |
I had no choice really than to accept what she's happy with. | 0:22:06 | 0:22:11 | |
I did my little bit of talking to her, encouraged her to see if | 0:22:12 | 0:22:16 | |
she's going to do something else, but she chose what she wanted to do. | 0:22:16 | 0:22:19 | |
There's nothing I can do about it. She's got that lovely voice. | 0:22:19 | 0:22:23 | |
-Thank you. -You don't even know. | 0:22:23 | 0:22:25 | |
Wish I could say the same about you. | 0:22:25 | 0:22:28 | |
Wait till I tell you something about me, | 0:22:28 | 0:22:31 | |
where did you get it from?! | 0:22:31 | 0:22:32 | |
My mum is my number one fan. | 0:22:32 | 0:22:35 | |
She's my biggest fan when it comes to my music. She... | 0:22:35 | 0:22:39 | |
-You can't make the show, can you? -I'm working. | 0:22:39 | 0:22:41 | |
There's no-one to cover my shift. | 0:22:41 | 0:22:44 | |
I'll just say I'm very proud of her. | 0:22:44 | 0:22:47 | |
-To be honest. -Aw. Thank you. | 0:22:47 | 0:22:49 | |
-Do you want to watch a video? -Yeah. | 0:22:54 | 0:22:55 | |
In Cheltenham, Fizz is drumming up some support from her | 0:22:55 | 0:22:59 | |
number one fan, little sister Lexie. | 0:22:59 | 0:23:01 | |
SINGING | 0:23:01 | 0:23:04 | |
-Look. -Wow! | 0:23:04 | 0:23:06 | |
Whenever we have rehearsals, we often record ourselves singing | 0:23:06 | 0:23:11 | |
and I always send the little clips, the sound bites | 0:23:11 | 0:23:13 | |
and the small videos to Lexie. | 0:23:13 | 0:23:15 | |
LEXIE SINGS ALONG | 0:23:15 | 0:23:18 | |
They've always been an inseparable team and... | 0:23:22 | 0:23:26 | |
Fizz always wants to share a room with her | 0:23:27 | 0:23:29 | |
and I've said we've got room, do you want me to move her? | 0:23:29 | 0:23:32 | |
And she always says no, I always want to be with her. | 0:23:32 | 0:23:36 | |
-Would you like a kiss? -Would I like a kiss? | 0:23:36 | 0:23:40 | |
Yes. Go on, then. | 0:23:40 | 0:23:41 | |
Thank you. | 0:23:43 | 0:23:45 | |
# Shosholoza... # | 0:23:45 | 0:23:47 | |
2012 was a great year for Stratford in east London. | 0:23:47 | 0:23:50 | |
It was the year of the Olympics | 0:23:50 | 0:23:52 | |
and the formation of Stratford East Singers. | 0:23:52 | 0:23:55 | |
# Shoshaloza | 0:23:55 | 0:23:58 | |
# Kulezo ntaba... # | 0:23:58 | 0:24:00 | |
Anyone can join this community choir, | 0:24:00 | 0:24:03 | |
which makes it the most diverse group in the contest. | 0:24:03 | 0:24:06 | |
# Kulezo ntaba Stimela... # | 0:24:06 | 0:24:09 | |
Just everyone is smiling, that got on or off, | 0:24:09 | 0:24:11 | |
just like a big, big difference, | 0:24:11 | 0:24:13 | |
and they sang beautifully. | 0:24:13 | 0:24:14 | |
The singers have busy working lives | 0:24:14 | 0:24:18 | |
but manage to fit in rehearsing and the occasional trip to the pub. | 0:24:18 | 0:24:22 | |
-What do you want then? -Kronenburg, please. | 0:24:22 | 0:24:27 | |
Aged 19 to 68, they range from retirees to a teacher, | 0:24:27 | 0:24:31 | |
to hard-working single mums. | 0:24:31 | 0:24:33 | |
Our choir is not auditioned, everyone is literally welcome. | 0:24:36 | 0:24:40 | |
I think if it had been an audition choir... | 0:24:40 | 0:24:41 | |
I don't know if I'd've got in. | 0:24:41 | 0:24:43 | |
-Exactly. -Would you have got in? | 0:24:43 | 0:24:45 | |
So Abby is the baby and we've got mummy Antoinette. | 0:24:45 | 0:24:48 | |
Yeah. | 0:24:48 | 0:24:50 | |
-We're very enthusiastic and... -Ecclesiastic? | 0:24:50 | 0:24:54 | |
That's the word! | 0:24:54 | 0:24:55 | |
-You can get pills for that. -OK. | 0:24:55 | 0:24:57 | |
Knocking the group into shape is Byron's job. | 0:25:01 | 0:25:03 | |
THEY SING | 0:25:03 | 0:25:06 | |
When not leading the choir, he works as a community music teacher. | 0:25:06 | 0:25:10 | |
I think singing in general is just good for the soul. | 0:25:10 | 0:25:13 | |
I feel like I've found my calling, if that makes sense. | 0:25:13 | 0:25:16 | |
I grew up in south London. | 0:25:16 | 0:25:18 | |
We lived on an estate so sometimes it could get quite rough | 0:25:18 | 0:25:21 | |
and you were exposed to things at an early age that you wouldn't | 0:25:21 | 0:25:24 | |
necessarily expect a child to see. | 0:25:24 | 0:25:26 | |
# Everyone's got a price... # | 0:25:26 | 0:25:29 | |
My mum always encouraged me | 0:25:29 | 0:25:31 | |
and my brother would always encourage me to kind of continue | 0:25:31 | 0:25:34 | |
with music and that kept me focused and stayed me on a good path. | 0:25:34 | 0:25:37 | |
He can play instruments | 0:25:37 | 0:25:39 | |
and also he can use his favourite instrument which is his voice. | 0:25:39 | 0:25:44 | |
I don't know how he can hit the highest note, | 0:25:44 | 0:25:46 | |
even I can't even do that myself. | 0:25:46 | 0:25:49 | |
Stratford East are a community choir. They're a family. | 0:25:52 | 0:25:55 | |
I'm interested to see whether that's an advantage because they're | 0:25:55 | 0:25:58 | |
warm and lovely or whether it's a disadvantage | 0:25:58 | 0:26:00 | |
because they're not musically good enough. | 0:26:00 | 0:26:03 | |
THEY SING | 0:26:03 | 0:26:06 | |
-Hi! -Hello! | 0:26:06 | 0:26:09 | |
Hello! CHEERING | 0:26:09 | 0:26:12 | |
-How are you doing? -All right, how are you doing? | 0:26:12 | 0:26:14 | |
I'm all right, more to the point, how are you? | 0:26:14 | 0:26:16 | |
-How's the song coming along? -Good... | 0:26:16 | 0:26:18 | |
LAUGHTER | 0:26:18 | 0:26:20 | |
Ahhh! OK, let's go. | 0:26:20 | 0:26:22 | |
# She said I love you boy I love you so | 0:26:22 | 0:26:25 | |
# She said I love you boy, oh, oh, oh, oh, oh | 0:26:25 | 0:26:31 | |
# Oh... # | 0:26:31 | 0:26:33 | |
THEY RAP | 0:26:33 | 0:26:38 | |
# No, no-no-no, no-no-no | 0:26:40 | 0:26:43 | |
# No, no-no-no. # | 0:26:43 | 0:26:48 | |
Great! That's great, well done. | 0:26:48 | 0:26:50 | |
I was very excited by the rap. | 0:26:50 | 0:26:53 | |
-I think we got some balance issues, I couldn't hear a bloody word. -Yes. | 0:26:53 | 0:26:56 | |
If you can't hear the soloist, you're too loud. | 0:26:56 | 0:27:00 | |
Because at the moment it feels like you're all just kind of going, | 0:27:00 | 0:27:03 | |
# Oooooh, yeah. # | 0:27:03 | 0:27:06 | |
Great, I love my singing. I come here after work and I-I let it out. | 0:27:06 | 0:27:11 | |
There's a way to sing with energy and excitement that's quiet enough | 0:27:11 | 0:27:16 | |
we can hear even Byron singing in his falsetto. | 0:27:16 | 0:27:19 | |
-# She said I love you boy, I love you so -Ooooh | 0:27:19 | 0:27:22 | |
# She said I love you boy, oh oh oh | 0:27:22 | 0:27:28 | |
# Ooooh. # | 0:27:28 | 0:27:32 | |
Right. Immediately, when I went like that... | 0:27:32 | 0:27:34 | |
Something happened to your eyebrows. You all went... | 0:27:34 | 0:27:37 | |
That pretty much fixed it straightaway. | 0:27:39 | 0:27:41 | |
This is your area of weakness, if you can't hear him. | 0:27:41 | 0:27:44 | |
Either cut something or somebody is too loud. | 0:27:44 | 0:27:46 | |
I think you're capable of it, but it'll just take a bit of work. | 0:27:46 | 0:27:50 | |
There's something so honest and lovely and warm about hearing people | 0:27:50 | 0:27:54 | |
sing for the sheer joy of it, that's what a community choir is to me. | 0:27:54 | 0:27:58 | |
But here, there's a level of precision | 0:27:58 | 0:28:00 | |
that we need to compete with the other choirs. | 0:28:00 | 0:28:03 | |
Just over ten miles away, Romford, Essex, | 0:28:06 | 0:28:09 | |
is home to the soulful harmonies of Gospel Essence. | 0:28:09 | 0:28:13 | |
# Lights will guide you home... # | 0:28:13 | 0:28:19 | |
So I set the group up about five years ago to basically sing gospel | 0:28:19 | 0:28:24 | |
music at weddings. | 0:28:24 | 0:28:26 | |
I roped in the family, got Louis and Paulina involved. | 0:28:26 | 0:28:28 | |
-I can't sing that. -You can't sing at all. | 0:28:28 | 0:28:32 | |
'There are eight years between siblings Rebecca, Louis | 0:28:32 | 0:28:36 | |
and Paulina, who aren't without the occasional squabble.' | 0:28:36 | 0:28:39 | |
That was too funny. | 0:28:39 | 0:28:41 | |
What did you just do?! Did you just cut the cake for yourself? OK, cool. | 0:28:41 | 0:28:46 | |
-It's like a quarter of the cake! -It's a slice. | 0:28:46 | 0:28:48 | |
At the beginning it was hard to find a balance | 0:28:48 | 0:28:51 | |
because it's like, you can't tell me | 0:28:51 | 0:28:53 | |
what to do in public as well as at home. | 0:28:53 | 0:28:55 | |
# Let the madness in the music get to you... # | 0:28:55 | 0:28:58 | |
The thing is I'd actually class my sisters as friends, if I'm honest, | 0:28:58 | 0:29:02 | |
I genuinely do get along with them. | 0:29:02 | 0:29:04 | |
# Living off the wall Life ain't so bad at all | 0:29:04 | 0:29:06 | |
# Living off the wall Live your life off the wall | 0:29:06 | 0:29:10 | |
# Living off the wall. # | 0:29:10 | 0:29:11 | |
To fulfil her vision for Gospel Essence, | 0:29:12 | 0:29:15 | |
Rebecca needed to look beyond the family home. | 0:29:15 | 0:29:18 | |
I met Lowell at a karaoke party and thought he'd be good for the bass. | 0:29:18 | 0:29:22 | |
I count myself very lucky that I'm together with this group of people. | 0:29:22 | 0:29:25 | |
Only through music, you know! | 0:29:25 | 0:29:29 | |
Then I did some backing singing and met Michelle. | 0:29:29 | 0:29:33 | |
-That's how she got involved. -Are you confident in your part, young man? | 0:29:33 | 0:29:37 | |
-Yeah. -You got it locked down? You've got some dirty notes in there. | 0:29:37 | 0:29:41 | |
Quite a few dirty notes actually. | 0:29:41 | 0:29:43 | |
It's such an expression of who I am to sing. It's a joy. | 0:29:43 | 0:29:48 | |
Hello. We're in a competition! A little competition. | 0:29:48 | 0:29:53 | |
What I'd really like to see from Gospel Essence is something | 0:30:01 | 0:30:04 | |
energetic. They've got such a cracking song, a sassy song. | 0:30:04 | 0:30:08 | |
There's so much going on, # Do dah do dah - deep! # | 0:30:08 | 0:30:12 | |
It's just one of those that's all over the place. | 0:30:12 | 0:30:15 | |
OK, I'm excited. I'm looking forward to this. Hit me. | 0:30:16 | 0:30:20 | |
# What makes you think that you can walk back into her life | 0:30:20 | 0:30:25 | |
# Without a good fight | 0:30:25 | 0:30:30 | |
# I just sit back and watch you make a fool of yourself | 0:30:30 | 0:30:36 | |
# You're just wasting your time | 0:30:36 | 0:30:42 | |
# No, you're never gonna to get it, mmmm bop! # | 0:30:42 | 0:30:47 | |
-Immediate thoughts. -Yep? -Good. I wanted to be in it. | 0:30:47 | 0:30:50 | |
Hats off to your rhythm section, I've got to say that's the boring part. | 0:30:52 | 0:30:55 | |
There's two ways to do that, there's # dum dum dum # - | 0:30:55 | 0:30:59 | |
"Why didn't I get a better part?" | 0:30:59 | 0:31:01 | |
Or there's what you did, which is to take care of it | 0:31:01 | 0:31:03 | |
and constantly checking out, am I in the groove? | 0:31:03 | 0:31:06 | |
What I am most concerned about with you is the performance aspects. | 0:31:06 | 0:31:10 | |
For a gospel group you're incredibly static at the moment, aren't you? | 0:31:10 | 0:31:13 | |
I don't want you looking like a group of accountants | 0:31:13 | 0:31:17 | |
and bank managers on stage, | 0:31:17 | 0:31:18 | |
just really diligently counting all the crotchets and quavers. | 0:31:18 | 0:31:23 | |
Why don't we set up a catwalk. Get some chairs. All right. | 0:31:23 | 0:31:27 | |
You're going to come out from behind the curtain, you're going | 0:31:27 | 0:31:30 | |
to strike a pose right here and then you're going to do the walk. | 0:31:30 | 0:31:34 | |
# You're never gonna get it. # | 0:31:34 | 0:31:36 | |
In whatever fashion you feel, you know, in the vibe of the song and | 0:31:36 | 0:31:40 | |
then you're going to do a little pose, | 0:31:40 | 0:31:43 | |
and then go back in the same manner. | 0:31:43 | 0:31:46 | |
OK? | 0:31:46 | 0:31:47 | |
# Aaaah | 0:31:47 | 0:31:49 | |
# No, you're never gonna get it... # | 0:31:49 | 0:31:51 | |
How are you doing? | 0:31:51 | 0:31:53 | |
# No, you're never gonna get it... # | 0:31:53 | 0:31:55 | |
Have a bit more fun! | 0:31:55 | 0:31:56 | |
# Had your chance to make a change... # | 0:31:56 | 0:31:59 | |
Take charge. That's it. | 0:31:59 | 0:32:02 | |
SINGING CONTINUES | 0:32:02 | 0:32:06 | |
If ever a group of people needed to go clubbing or dancing, it's you. | 0:32:11 | 0:32:17 | |
I'm not getting crackle from you yet. You know? | 0:32:17 | 0:32:19 | |
You don't bound in going like, yeah, we're here, we're sexy! I want that. | 0:32:19 | 0:32:26 | |
I want to feel like that...energy. | 0:32:26 | 0:32:29 | |
Gospel singing and being sexy don't normally come together | 0:32:29 | 0:32:33 | |
so it's something that we're going to have to bring together. | 0:32:33 | 0:32:37 | |
-In a nice tasteful way. -I didn't want to be too sexy. -Yeah, yeah. | 0:32:37 | 0:32:39 | |
-I didn't want to scare everyone. -No, I'm sure... | 0:32:39 | 0:32:43 | |
I'm confident we're going to bring the thunder. | 0:32:43 | 0:32:46 | |
I'm really excited about this group | 0:32:46 | 0:32:47 | |
because I feel they're actually contenders in the contest. | 0:32:47 | 0:32:51 | |
IF they can master this element of performance. | 0:32:51 | 0:32:53 | |
It's now just one week until the groups return to Greenwich to | 0:32:54 | 0:32:58 | |
compete in front of a live audience and a specially selected jury. | 0:32:58 | 0:33:04 | |
In seven days these seven jurists will decide which group will | 0:33:04 | 0:33:08 | |
leave the contest. | 0:33:08 | 0:33:10 | |
Their expertise is drawn from a range of musical backgrounds. | 0:33:10 | 0:33:15 | |
# Shakira, Shakira... # | 0:33:15 | 0:33:18 | |
Representing University A Cappella is Joel Fishel from acclaimed | 0:33:18 | 0:33:22 | |
Oxford group, Out Of The Blue. | 0:33:22 | 0:33:26 | |
A cappella isn't easy. | 0:33:26 | 0:33:27 | |
If you're in the middle of a harmony part, you can't go out of tune. | 0:33:27 | 0:33:30 | |
As soon as that happens, you're busted | 0:33:30 | 0:33:32 | |
and it collapses the whole performance. | 0:33:32 | 0:33:35 | |
From the world of gospel, | 0:33:35 | 0:33:36 | |
award-winning choir director Karen Gibson. | 0:33:36 | 0:33:39 | |
I want to see a level of rhythmic dexterity, something that | 0:33:39 | 0:33:43 | |
shows me that actually these groups, they're musicians, | 0:33:43 | 0:33:46 | |
and know what they're doing. | 0:33:46 | 0:33:47 | |
Adding in barbershop, a vocal expert, a performance coach, | 0:33:47 | 0:33:52 | |
a beatboxer and a leading music producer, ensures this jury | 0:33:52 | 0:33:56 | |
will represent and scrutinise the full range of disciplines within | 0:33:56 | 0:34:00 | |
modern a cappella. | 0:34:00 | 0:34:02 | |
With just a few days left before they face the jury, | 0:34:04 | 0:34:07 | |
the groups are cramming in rehearsals. | 0:34:07 | 0:34:09 | |
# Never gonna get my loving Mmmm bap. # | 0:34:09 | 0:34:14 | |
THEY RAP | 0:34:14 | 0:34:18 | |
Trying to organise more and more rehearsals, I think | 0:34:18 | 0:34:21 | |
pretty much every other day we want to be rehearsing | 0:34:21 | 0:34:24 | |
to make sure that we do the song justice. | 0:34:24 | 0:34:26 | |
I feel privileged I get a chance to perform to the nation, you know. | 0:34:28 | 0:34:33 | |
That's a big deal. | 0:34:33 | 0:34:34 | |
I'm proud of what we've come up with, | 0:34:34 | 0:34:37 | |
I'm hoping we just turn up and blow everyone away. | 0:34:37 | 0:34:39 | |
That would be amazing. | 0:34:39 | 0:34:40 | |
In Portsmouth, Spinnaker Chorus are embracing my advice to improvise. | 0:34:42 | 0:34:46 | |
We're going to try some vocal percussion, erm, | 0:34:46 | 0:34:49 | |
it's not something that we normally do. | 0:34:49 | 0:34:52 | |
So be prepared to be amazed. | 0:34:52 | 0:34:55 | |
I really love percussion. | 0:34:55 | 0:34:57 | |
It's got to be something that I can do that doesn't involve... | 0:34:57 | 0:35:00 | |
IMITATES PERCUSSION | 0:35:00 | 0:35:02 | |
Stuff like that, you know. | 0:35:02 | 0:35:04 | |
Has anyone thought of any, like, beatboxing, rhythms | 0:35:04 | 0:35:06 | |
or anything like that that we can put in to maybe add to the | 0:35:06 | 0:35:10 | |
ding-dong part. | 0:35:10 | 0:35:12 | |
Tsh-tsh, that's your lot! | 0:35:12 | 0:35:14 | |
LAUGHTER | 0:35:14 | 0:35:16 | |
-She's got some! -Oh! | 0:35:16 | 0:35:17 | |
SHE BEATBOXES | 0:35:17 | 0:35:18 | |
Yeah, I like that! | 0:35:18 | 0:35:20 | |
Can we chuck that in... | 0:35:20 | 0:35:22 | |
LAUGHTER | 0:35:22 | 0:35:23 | |
It's like letting your hair down, really. | 0:35:23 | 0:35:26 | |
We've never had that chance to go and experiment before. | 0:35:26 | 0:35:29 | |
Vocal creativity is important in this contest but the groups will | 0:35:29 | 0:35:33 | |
need other tricks up their sleeve to create a memorable performance. | 0:35:33 | 0:35:36 | |
How are you? | 0:35:36 | 0:35:38 | |
I want that evening, | 0:35:38 | 0:35:39 | |
when you're all in front of those 300 members of the audience, | 0:35:39 | 0:35:42 | |
I want it to work and I want you to put on something entertaining | 0:35:42 | 0:35:46 | |
but I also want you to represent yourself, as well. | 0:35:46 | 0:35:49 | |
How are you making it feel like Spinnaker Chorus? | 0:35:49 | 0:35:52 | |
We're women, so clothes are important to us, we are women. | 0:35:52 | 0:35:54 | |
Clothes are important to me too but...OK, granted. | 0:35:54 | 0:35:57 | |
Gillian is our wardrobe mistress and she's put together a brief of us, | 0:35:57 | 0:36:01 | |
ideas, what she wants us to wear. | 0:36:01 | 0:36:03 | |
Look at this, it's with bullet points and everything. | 0:36:03 | 0:36:05 | |
Oh, yeah! | 0:36:05 | 0:36:07 | |
So, we're going white lace. | 0:36:07 | 0:36:09 | |
Blue denim jeans with lace diamante embellishments? | 0:36:09 | 0:36:12 | |
LAUGHTER | 0:36:12 | 0:36:14 | |
Now, this is the detail I'm...I would second. | 0:36:14 | 0:36:16 | |
You should choose jeans which are comfortable and fit you well. | 0:36:16 | 0:36:19 | |
No muffin tops! | 0:36:19 | 0:36:21 | |
LAUGHTER | 0:36:21 | 0:36:22 | |
I've got plenty of muffin top! | 0:36:22 | 0:36:24 | |
God, she doesn't pull any punches, does she? | 0:36:24 | 0:36:27 | |
I know many ladies are self-conscious | 0:36:27 | 0:36:29 | |
about their bingo wings. | 0:36:29 | 0:36:31 | |
LAUGHTER | 0:36:31 | 0:36:32 | |
But please don't be offended | 0:36:32 | 0:36:34 | |
if someone suggests you should cover them up. | 0:36:34 | 0:36:36 | |
LAUGHTER | 0:36:36 | 0:36:37 | |
I mean, I've worked with a lot of groups and the question is always, | 0:36:37 | 0:36:40 | |
very early on, before we've even learnt the music, | 0:36:40 | 0:36:43 | |
-what are we wearing? -Yeah. -But this takes the biscuit. | 0:36:43 | 0:36:46 | |
The feedback that Gareth Malone OBE gave us last time, cheeky sausage, | 0:36:50 | 0:36:56 | |
was that we all look like a bunch of bankers and accountants. | 0:36:56 | 0:37:00 | |
With my criticism ringing in their ears, | 0:37:00 | 0:37:03 | |
the pressure is on for Gospel Essence. | 0:37:03 | 0:37:06 | |
Rebecca has delegated the job of choreography to Paulina. | 0:37:06 | 0:37:09 | |
Just start in a straight line, get into your placement and sing. | 0:37:09 | 0:37:12 | |
Let me see you all from here again? | 0:37:12 | 0:37:14 | |
It's just embarrassing! | 0:37:14 | 0:37:16 | |
Do it again, do it again. This is wasting time! | 0:37:16 | 0:37:19 | |
I'm just getting frustrated because it's on Saturday, | 0:37:19 | 0:37:22 | |
we don't have a lot of time and it's taken us, | 0:37:22 | 0:37:24 | |
like, an hour just to get the beginning part right. | 0:37:24 | 0:37:27 | |
It's OK, just breathe. Do you want a cuddle? | 0:37:27 | 0:37:31 | |
-No. -Are you sure? | 0:37:31 | 0:37:32 | |
-You do need one. -I do. | 0:37:32 | 0:37:35 | |
To ramp up their on-stage charisma, | 0:37:35 | 0:37:38 | |
musical director Rebecca has employed a novel tactic. | 0:37:38 | 0:37:42 | |
She said, take on a character, | 0:37:42 | 0:37:45 | |
so during the performance, | 0:37:45 | 0:37:47 | |
I am Snake Eyes. | 0:37:47 | 0:37:48 | |
He is a bad man, from the wrong side of the tracks, | 0:37:48 | 0:37:51 | |
who believes that he will always get it. | 0:37:51 | 0:37:55 | |
The ladies claim that you're never going to get it, well, | 0:37:55 | 0:37:57 | |
obviously, at one point, you did get it... | 0:37:57 | 0:38:00 | |
LAUGHTER | 0:38:00 | 0:38:02 | |
So, there's a lot of arrogance on our side. | 0:38:02 | 0:38:05 | |
Yeah! | 0:38:05 | 0:38:07 | |
From Romford to Stratford... | 0:38:07 | 0:38:10 | |
it's all work and no play for the Stratford East Singers. | 0:38:10 | 0:38:13 | |
They've been focusing on dynamics or volume, after I asked them to stop | 0:38:13 | 0:38:17 | |
drowning out their soloists. | 0:38:17 | 0:38:20 | |
Yeah, that's good. That's a nice start. | 0:38:20 | 0:38:22 | |
Yeah, it's really hard to hold them back and not sing as loud as they | 0:38:22 | 0:38:25 | |
want to sing. | 0:38:25 | 0:38:26 | |
To nail it, they've been rehearsing every available minute. | 0:38:26 | 0:38:30 | |
No breath, no breath, no breath, no breath. | 0:38:30 | 0:38:33 | |
Oh, the pressure's on, the heat is on, everything's on. | 0:38:33 | 0:38:36 | |
We just have to believe in ourselves, be positive | 0:38:36 | 0:38:39 | |
and actually practice, practice, practice. | 0:38:39 | 0:38:41 | |
Right, let's go from the top one more time | 0:38:41 | 0:38:44 | |
and then we'll have a little bit of a break. | 0:38:44 | 0:38:46 | |
CHOIR SINGS AN INTRO | 0:38:48 | 0:38:50 | |
I am feeling knackered but excited! | 0:38:50 | 0:38:52 | |
I can't wait to take a nap and a bath, with some extra salts. | 0:38:52 | 0:38:56 | |
HE SHUDDERS | 0:39:04 | 0:39:06 | |
Erm, good. Look, here's where I'm at with this. I feel like, A, you're | 0:39:06 | 0:39:10 | |
really tired, you just look it. | 0:39:10 | 0:39:13 | |
You look tired, you sound tired. So, I just heartily recommend, don't | 0:39:13 | 0:39:17 | |
rehearse any more tomorrow. You don't need it - it's not going to get | 0:39:17 | 0:39:20 | |
any better with more practice. | 0:39:20 | 0:39:22 | |
It's show time! | 0:39:22 | 0:39:24 | |
Well done, see you there, thank you. | 0:39:24 | 0:39:26 | |
APPLAUSE | 0:39:26 | 0:39:28 | |
They worked too hard. Stratford East just overdid it. | 0:39:28 | 0:39:30 | |
These guys are definitely the vocal underdogs, | 0:39:30 | 0:39:33 | |
they're a little bit rough around the edges | 0:39:33 | 0:39:35 | |
but they do have this spirit that could carry them through. | 0:39:35 | 0:39:37 | |
I think, I'll only know on the day. | 0:39:37 | 0:39:39 | |
We need an audience. | 0:39:39 | 0:39:40 | |
The all-important performance day has arrived. | 0:39:45 | 0:39:49 | |
The four groups are back in London | 0:39:49 | 0:39:51 | |
but only three will be staying in the contest. | 0:39:51 | 0:39:54 | |
Before the night is over, one group will be sent home. | 0:39:54 | 0:39:58 | |
This is so close, it's so close, each group has got something | 0:39:58 | 0:40:02 | |
totally different, totally unique but they're all good | 0:40:02 | 0:40:05 | |
and it really will come down to taste. | 0:40:05 | 0:40:07 | |
You want to see my feet? Look, I put fake tan on my feet, | 0:40:07 | 0:40:10 | |
cos it's the only bit of my skin on that's on show. | 0:40:10 | 0:40:12 | |
Look how brown they've come out! They don't normally turn that brown! | 0:40:12 | 0:40:17 | |
You've just got to go for it now. We've learnt what we can learn, | 0:40:17 | 0:40:20 | |
I think, just enjoy it now and do our best. | 0:40:20 | 0:40:22 | |
I just want my waters to break but not right now! | 0:40:22 | 0:40:25 | |
Soon. | 0:40:25 | 0:40:27 | |
As soon as you walk on that stage, it's like, | 0:40:27 | 0:40:28 | |
"This is the time of my life!" | 0:40:28 | 0:40:30 | |
-Stratford East! -Singers! -Stratford East! -Singers! | 0:40:30 | 0:40:32 | |
-One, two, three! -Woooh! | 0:40:32 | 0:40:34 | |
I can't call this, I honestly have no idea who's going to go out | 0:40:34 | 0:40:38 | |
because each one is special, each one has something. | 0:40:38 | 0:40:41 | |
The stage is set | 0:40:43 | 0:40:45 | |
and soon these 300 seats will be filled. | 0:40:45 | 0:40:48 | |
As well as an audience, | 0:40:50 | 0:40:52 | |
friends and family have arrived from around the country. | 0:40:52 | 0:40:56 | |
-Bonjour! -Cuddle, cuddle! | 0:40:56 | 0:41:00 | |
-I like your lipstick! -Thank you, do you want some? -Ahhh! | 0:41:03 | 0:41:07 | |
We're already super proud of all of you! | 0:41:07 | 0:41:11 | |
-Good luck! -Thank you. | 0:41:11 | 0:41:12 | |
Lexi's visit brings home the fact that not everyone's | 0:41:16 | 0:41:19 | |
family can be here for the big day. | 0:41:19 | 0:41:21 | |
I'm so proud of them and I'm not even their mum. | 0:41:21 | 0:41:25 | |
Your family's so proud, you do yourselves so proud. | 0:41:25 | 0:41:28 | |
Mummy Essence. | 0:41:32 | 0:41:34 | |
I'm proud of all of them, especially Rebecca.. | 0:41:35 | 0:41:37 | |
because she started all this by herself. | 0:41:39 | 0:41:43 | |
Be confident, show them what you can do. Good luck! | 0:41:43 | 0:41:47 | |
As people prepare to take their seats, the jury arrive. | 0:41:49 | 0:41:53 | |
Above all else, they want to be entertained, but pitch, timing, | 0:41:53 | 0:41:58 | |
tuning and blend will all be scrutinised. | 0:41:58 | 0:42:01 | |
If you have one voice that's | 0:42:01 | 0:42:02 | |
of a different colour or texture, | 0:42:02 | 0:42:04 | |
a bit like the light bulb in the | 0:42:04 | 0:42:06 | |
Blackpool illuminations, | 0:42:06 | 0:42:07 | |
if there's one out, | 0:42:07 | 0:42:08 | |
that's the one you look at. | 0:42:08 | 0:42:09 | |
The jury will also appraise how | 0:42:09 | 0:42:11 | |
groups look in terms of presence, staging and choreography. | 0:42:11 | 0:42:14 | |
A strong choreographic performance is critical now, | 0:42:14 | 0:42:17 | |
modern audiences expect that. | 0:42:17 | 0:42:20 | |
We've all seen things like Glee | 0:42:20 | 0:42:21 | |
and Pitch Perfect on the screen, | 0:42:21 | 0:42:23 | |
so that's what we want to see in performance. | 0:42:23 | 0:42:25 | |
With the jury in their seats, it's show time! | 0:42:28 | 0:42:32 | |
Extremely nervous, extremely nervous! | 0:42:37 | 0:42:40 | |
SHE GASPS | 0:42:43 | 0:42:44 | |
No bankers and accountants here, darling! Can you see? | 0:42:44 | 0:42:48 | |
You can see! | 0:42:48 | 0:42:49 | |
A little bit nervous now. | 0:42:53 | 0:42:55 | |
It's feeling very real at this point. | 0:42:55 | 0:42:58 | |
Hello, London! Hello! | 0:43:02 | 0:43:05 | |
APPLAUSE AND CHEERING | 0:43:05 | 0:43:08 | |
Hello, thank you very much! | 0:43:10 | 0:43:12 | |
Ladies and gentlemen of the jury, members of the audience, | 0:43:14 | 0:43:17 | |
friends and family, I'm sure you are itching to get on with it. | 0:43:17 | 0:43:22 | |
This is Restless Symphony! | 0:43:22 | 0:43:25 | |
APPLAUSE AND CHEERING | 0:43:25 | 0:43:27 | |
I think this is going to be great! | 0:43:29 | 0:43:31 | |
# Baby, you light up my world | 0:43:37 | 0:43:41 | |
# Like nobody else | 0:43:44 | 0:43:48 | |
# The way that you flip your hair | 0:43:50 | 0:43:54 | |
# Gets me overwhelmed | 0:43:56 | 0:44:01 | |
# But when you smile at the ground | 0:44:03 | 0:44:07 | |
# It ain't hard to tell | 0:44:07 | 0:44:12 | |
# You don't know | 0:44:13 | 0:44:15 | |
# You're beautiful | 0:44:17 | 0:44:21 | |
# Ba-ba-da, ba-ba-da, chicka-cheek-ah | 0:44:21 | 0:44:25 | |
# Ba-ba-da, ba-ba-da | 0:44:25 | 0:44:28 | |
# You're insecure, don't know what for | 0:44:28 | 0:44:31 | |
# You're turning heads when you walk through the door | 0:44:31 | 0:44:35 | |
# Don't need make-up to cover up | 0:44:35 | 0:44:38 | |
# Being the way that you are is enough, enough | 0:44:38 | 0:44:42 | |
# Everyone else in the room can see it | 0:44:42 | 0:44:45 | |
# Everyone else but you | 0:44:45 | 0:44:49 | |
# Baby, you light up my world like nobody else | 0:44:49 | 0:44:52 | |
# The way that you flip your hair gets me overwhelmed | 0:44:52 | 0:44:55 | |
# And when you smile at the ground, it ain't hard to tell | 0:44:55 | 0:45:00 | |
# You don't know that's what makes you beautiful | 0:45:00 | 0:45:04 | |
# Oh, come on, you got it wrong | 0:45:08 | 0:45:11 | |
# To prove it right I'll put it in a song | 0:45:11 | 0:45:15 | |
# Hey! Na-na-na-na-na-na | 0:45:15 | 0:45:17 | |
# You're beautiful | 0:45:17 | 0:45:19 | |
# Na-na-na-na-na-na | 0:45:19 | 0:45:20 | |
# That's what makes you beautiful | 0:45:20 | 0:45:22 | |
# Na-na-na-na-na-na-na-na-na-na | 0:45:22 | 0:45:25 | |
# Na-na-na-na-na-na-na-na-na-na | 0:45:25 | 0:45:28 | |
# Na-na-na-na-na-na-na-na-na-na...# | 0:45:28 | 0:45:31 | |
There go the audience. It worked. | 0:45:31 | 0:45:33 | |
# That's what makes you beautiful! # | 0:45:33 | 0:45:36 | |
APPLAUSE AND CHEERING | 0:45:37 | 0:45:40 | |
They commanded the stage at the end! | 0:45:45 | 0:45:47 | |
Just at the end, I felt like they really won it! | 0:45:47 | 0:45:50 | |
If they could have had that energy at the beginning, | 0:45:50 | 0:45:52 | |
it would have been amazing! | 0:45:52 | 0:45:54 | |
That was the best feeling in the world! Oh, my God! | 0:45:54 | 0:45:57 | |
Next up, Spinnaker Chorus. | 0:45:57 | 0:45:59 | |
# Dum-dum-dum-dum-dum-dum-dum-dum | 0:46:01 | 0:46:03 | |
# Dum-dum-dum-dum-dum-dum-dum-dum, dum-dum, dum-dum | 0:46:03 | 0:46:08 | |
# I call you when I need you My heart's on fire | 0:46:08 | 0:46:11 | |
# Dum-dum, dum-dum | 0:46:13 | 0:46:15 | |
# Come to me, come to me | 0:46:17 | 0:46:19 | |
# Wild and wired | 0:46:19 | 0:46:21 | |
# Dum-dum, dum-dum | 0:46:21 | 0:46:24 | |
# Ooh, you come to me | 0:46:24 | 0:46:27 | |
# Give me everything I need | 0:46:27 | 0:46:30 | |
# Oooh-ahh | 0:46:31 | 0:46:34 | |
# In your heart I see the start of every night and every day | 0:46:34 | 0:46:38 | |
# Oh, baby | 0:46:38 | 0:46:41 | |
# In your eyes I get lost I get washed away | 0:46:41 | 0:46:46 | |
# Ba-ba, ba-ba | 0:46:48 | 0:46:49 | |
# Ooh, just as long as I'm here in your arms | 0:46:49 | 0:46:53 | |
# I could be in no better place | 0:46:53 | 0:46:55 | |
# Ba-ba-ba, simply the best | 0:46:57 | 0:46:59 | |
# Bam-bam-bam-ba | 0:46:59 | 0:47:01 | |
# Better than all the rest | 0:47:01 | 0:47:04 | |
# Bam-bam-bam-ba | 0:47:04 | 0:47:06 | |
# Better than anyone | 0:47:06 | 0:47:08 | |
# Bam-bam-bam-ba | 0:47:08 | 0:47:10 | |
# Anyone I've ever met | 0:47:10 | 0:47:13 | |
# Each time you leave me I start losing control | 0:47:15 | 0:47:19 | |
# Walking away with my heart and my soul | 0:47:19 | 0:47:23 | |
# I can feel you even when I'm alone | 0:47:23 | 0:47:26 | |
# Oh, baby, don't let go | 0:47:27 | 0:47:31 | |
# Ding-ding-ding-ding | 0:47:31 | 0:47:35 | |
# Na-na-na-ah | 0:47:35 | 0:47:37 | |
# Na-na-na-ah | 0:47:37 | 0:47:43 | |
# Wow, wow, yeah | 0:47:43 | 0:47:46 | |
# You're the best! # | 0:47:46 | 0:47:47 | |
APPLAUSE AND CHEERING | 0:47:47 | 0:47:49 | |
I think they won the audience over. They got them clapping but there was | 0:47:51 | 0:47:54 | |
a dodgy moment there, when they started clapping, I thought | 0:47:54 | 0:47:57 | |
that could really throw the timing off...not bad. | 0:47:57 | 0:48:00 | |
Weren't they wonderful?! | 0:48:02 | 0:48:03 | |
Now to our next group, | 0:48:03 | 0:48:05 | |
performing a unique take on one of my favourite ever tracks, | 0:48:05 | 0:48:10 | |
this is Gospel Essence! | 0:48:10 | 0:48:13 | |
APPLAUSE AND CHEERING | 0:48:14 | 0:48:17 | |
# Never gonna get, never gonna get it | 0:48:22 | 0:48:25 | |
# Never gonna get my loving | 0:48:25 | 0:48:28 | |
# Hmmmmm-bap | 0:48:28 | 0:48:30 | |
# Bap-bap-bap | 0:48:32 | 0:48:34 | |
# I remember how it used to be | 0:48:34 | 0:48:37 | |
# You were never were this nice You can't fool me | 0:48:37 | 0:48:42 | |
# Now you're talking like you made a change | 0:48:43 | 0:48:47 | |
# The more you talk the more things sound the same | 0:48:48 | 0:48:53 | |
# What makes you think you can just walk back into my life | 0:48:53 | 0:48:56 | |
# Without a good fight | 0:48:58 | 0:49:01 | |
# I just sit back and watch you make a fool of yourself | 0:49:03 | 0:49:08 | |
# You're just wasting your time | 0:49:09 | 0:49:12 | |
# No, you're never gonna get it | 0:49:15 | 0:49:16 | |
# Not this time | 0:49:16 | 0:49:18 | |
# No, you're never gonna get it | 0:49:18 | 0:49:19 | |
# My loving | 0:49:19 | 0:49:21 | |
# No, you're never gonna get it | 0:49:21 | 0:49:22 | |
# Had your chance to make a change | 0:49:22 | 0:49:24 | |
# Mmmmm-ba | 0:49:24 | 0:49:26 | |
# Now you promise me the moon and stars | 0:49:26 | 0:49:30 | |
# Moon and the stars | 0:49:30 | 0:49:32 | |
# Save your breath, you won't get very far | 0:49:32 | 0:49:35 | |
# And maybe next time you'll give your woman a little respect | 0:49:37 | 0:49:41 | |
# Then you won't be hearing her say | 0:49:41 | 0:49:45 | |
# No, you're never gonna get it | 0:49:47 | 0:49:50 | |
# Not this time | 0:49:50 | 0:49:52 | |
# No, you're never gonna get it | 0:49:52 | 0:49:53 | |
# My loving, yeah | 0:49:53 | 0:49:55 | |
# No, you're never gonna get it | 0:49:55 | 0:49:56 | |
# Had your chance to make a change | 0:49:56 | 0:49:59 | |
# Mmmmmm-bap! # | 0:49:59 | 0:50:01 | |
And now it's time for a breakdown. | 0:50:01 | 0:50:04 | |
# Never gonna get it | 0:50:04 | 0:50:05 | |
# Never gonna get it never gonna get it...# | 0:50:05 | 0:50:07 | |
Slight wobble. | 0:50:07 | 0:50:08 | |
# Never gonna get it Never gonna get it | 0:50:08 | 0:50:10 | |
# Never gonna get it Wow-wow-wow | 0:50:10 | 0:50:14 | |
# Never gonna get it Never gonna get it | 0:50:14 | 0:50:16 | |
# Never gonna get it Never gonna get it | 0:50:16 | 0:50:19 | |
# Never gonna get it Never gonna get it | 0:50:19 | 0:50:21 | |
# Never gonna get it Never get it! # | 0:50:21 | 0:50:24 | |
APPLAUSE AND CHEERING | 0:50:27 | 0:50:29 | |
I don't know if it was on fire but it was polished. | 0:50:32 | 0:50:35 | |
Would you Adam and Eve it? | 0:50:41 | 0:50:42 | |
This is the final group for this evening. Ladies and gentlemen, | 0:50:42 | 0:50:46 | |
I give you The Stratford East Singers! | 0:50:46 | 0:50:49 | |
-APPLAUSE AND CHEERING -Hold tight! | 0:50:49 | 0:50:51 | |
Who knows?! | 0:50:53 | 0:50:54 | |
# She said I love you boy | 0:50:57 | 0:50:58 | |
# I love you boy | 0:50:58 | 0:51:00 | |
# She said I love you so oh-oh-oh-oh-oh-oh | 0:51:00 | 0:51:06 | |
# She said I love you boy I love you so | 0:51:09 | 0:51:12 | |
# She said I love you baby oh-oh-oh-oh-oh-oh | 0:51:12 | 0:51:16 | |
# Oh-oh-oh | 0:51:18 | 0:51:21 | |
# She said I love you more than words can say | 0:51:21 | 0:51:24 | |
# She said I love you baby-ay-ay-ay-ay-ay | 0:51:24 | 0:51:29 | |
# Ah | 0:51:33 | 0:51:35 | |
# She said boy I loved you from the start | 0:51:35 | 0:51:39 | |
# When I first heard love go down | 0:51:39 | 0:51:41 | |
# Something started burning in my heart | 0:51:41 | 0:51:44 | |
# Dee-da-da-da | 0:51:44 | 0:51:46 | |
# I said stop this crazy talk | 0:51:46 | 0:51:48 | |
# Dee-da-da-da | 0:51:48 | 0:51:50 | |
# And leave right now and close the door | 0:51:50 | 0:51:53 | |
# Dee-da-da-da | 0:51:53 | 0:51:55 | |
# She said I love you boy I love you so | 0:51:58 | 0:52:01 | |
# She said I love you baby oh-oh-oh-oh-oh...# | 0:52:01 | 0:52:04 | |
THEY RAP | 0:52:08 | 0:52:09 | |
# So now up in the courts pleading my case from the witness box | 0:52:09 | 0:52:12 | |
# Telling the judge and jury the same thing that I said to the cops | 0:52:12 | 0:52:15 | |
# On the day that I got arrested I'm innocent I protested | 0:52:15 | 0:52:18 | |
# She just feels rejected | 0:52:18 | 0:52:20 | |
# Had her heart broken by someone she's obsessed with | 0:52:20 | 0:52:22 | |
# The jury don't look like their buying it and making me nervous | 0:52:22 | 0:52:25 | |
# And I'm screw faced like I'm trying it | 0:52:25 | 0:52:26 | |
# Their eyes fixed on me like a murderer's | 0:52:26 | 0:52:28 | |
# They wanna lock me up and throw away the key | 0:52:28 | 0:52:30 | |
# They wanna send me down even after I told them she | 0:52:30 | 0:52:33 | |
# She said I love you boy I love you so | 0:52:33 | 0:52:35 | |
# She said I love you oh-oh-oh-oh-oh-oh | 0:52:35 | 0:52:38 | |
# Bam-bam-bam Bam-bam-bam | 0:52:38 | 0:52:41 | |
# She said I love you more than words can say | 0:52:44 | 0:52:46 | |
# She said I love you baby-ay-ay-ay | 0:52:46 | 0:52:49 | |
# Bam-bam-bam Bam-bam-bam | 0:52:49 | 0:52:54 | |
# No no-no-no | 0:52:54 | 0:52:57 | |
# No-no-no No-no-no | 0:52:57 | 0:52:59 | |
# No-o-o-o-o! # | 0:52:59 | 0:53:03 | |
APPLAUSE AND CHEERING | 0:53:06 | 0:53:10 | |
Not perfect, it came apart at times but that's pretty strong stuff. | 0:53:12 | 0:53:16 | |
It had an energy! | 0:53:16 | 0:53:18 | |
The fate of the groups is now firmly in the hands of the jury. | 0:53:22 | 0:53:26 | |
Spinnaker Chorus. I thought they just had a great performance style. | 0:53:26 | 0:53:29 | |
They were loving it from the first second of what they were doing. | 0:53:29 | 0:53:32 | |
I do think that they played it a little safe. | 0:53:32 | 0:53:34 | |
I'd like to hear them step outside their comfort zone a little bit. | 0:53:34 | 0:53:37 | |
Great harmonies. I thought it was very well blended together. | 0:53:37 | 0:53:40 | |
I don't think we could have done any better | 0:53:40 | 0:53:43 | |
and I'm really, really proud of the girls. | 0:53:43 | 0:53:47 | |
Gospel Essence. | 0:53:47 | 0:53:48 | |
I loved it, great rhythm, natural, freely produced singing. | 0:53:48 | 0:53:52 | |
The soloist, she had a great voice but she didn't have much charisma, | 0:53:52 | 0:53:56 | |
I wanted her to engage me. | 0:53:56 | 0:53:57 | |
It is crunch time. | 0:53:57 | 0:53:59 | |
We're either going to be having even more challenges ahead of us | 0:53:59 | 0:54:02 | |
or we're going home and I think we want the challenges, so... | 0:54:02 | 0:54:06 | |
Restless Symphony. | 0:54:06 | 0:54:08 | |
A wonderful effort from a more inexperienced group. | 0:54:08 | 0:54:11 | |
I do think that there were some tuning issues | 0:54:11 | 0:54:13 | |
throughout their performance. | 0:54:13 | 0:54:14 | |
That may have been due to some nerves that I was seeing on stage. | 0:54:14 | 0:54:18 | |
We just did our best and I hope they're going to see this. | 0:54:18 | 0:54:21 | |
Stratford East Singers. | 0:54:21 | 0:54:24 | |
I thought their lead soloist was very good, | 0:54:24 | 0:54:27 | |
although the choir, because there's quite a number of them, | 0:54:27 | 0:54:30 | |
I think there's 15 in all, overwhelmed him a bit. | 0:54:30 | 0:54:34 | |
The rapping was great but I think it was too fast. | 0:54:34 | 0:54:37 | |
I felt they've got a musical voice of their own | 0:54:37 | 0:54:40 | |
and they've got something they want to say. | 0:54:40 | 0:54:42 | |
I think if we went through, I would be speechless! | 0:54:42 | 0:54:44 | |
I would be speechless and I think I'd have to buy everyone a drink | 0:54:44 | 0:54:47 | |
and break the bank! | 0:54:47 | 0:54:49 | |
OK, jurors, it's decision time! | 0:54:49 | 0:54:51 | |
Ladies and gentlemen, members of the jury, welcome back. | 0:54:58 | 0:55:01 | |
The results are here. | 0:55:01 | 0:55:03 | |
I want to point out that these results are in no particular order. | 0:55:03 | 0:55:07 | |
The first group to make it through... | 0:55:07 | 0:55:10 | |
Gospel Essence. | 0:55:19 | 0:55:20 | |
CHEERING | 0:55:20 | 0:55:22 | |
Congratulations to Gospel Essence, everyone! | 0:55:27 | 0:55:30 | |
The next group staying in the contest is... | 0:55:33 | 0:55:35 | |
Stratford East Singers. | 0:55:42 | 0:55:44 | |
CHEERING | 0:55:44 | 0:55:45 | |
Congratulations, the Stratford East Singers! | 0:55:50 | 0:55:52 | |
Very well done, everyone! | 0:55:52 | 0:55:54 | |
Boom! | 0:55:55 | 0:55:57 | |
THEY SCREAM | 0:55:57 | 0:56:00 | |
That leaves Restless Symphony and Spinnaker Chorus. | 0:56:00 | 0:56:04 | |
The jury thought this was an incredibly tough decision. | 0:56:04 | 0:56:08 | |
They felt that the group that should stay in the contest is... | 0:56:08 | 0:56:11 | |
Restless Symphony. | 0:56:21 | 0:56:22 | |
CHEERING | 0:56:22 | 0:56:24 | |
That means, Spinnaker Chorus, | 0:56:28 | 0:56:31 | |
I am so sorry but we have to say goodbye to you. | 0:56:31 | 0:56:33 | |
Restless Symphony, you may leave the stage, thank you very much. | 0:56:33 | 0:56:37 | |
CHEERING AND SCREAMING | 0:56:40 | 0:56:43 | |
And one final round of applause, please, for the Spinnaker Chorus! | 0:56:46 | 0:56:49 | |
Thank you so much! | 0:56:49 | 0:56:51 | |
APPLAUSE AND CHEERING | 0:56:51 | 0:56:53 | |
You may now leave the stage. | 0:56:53 | 0:56:56 | |
Help! | 0:56:56 | 0:56:57 | |
We got through! So excited! | 0:57:01 | 0:57:03 | |
So exciting, I don't really have words, apart from just yay! | 0:57:03 | 0:57:07 | |
We're just crazy excited, we're over the moon! | 0:57:07 | 0:57:10 | |
We can't believe we got through! | 0:57:10 | 0:57:12 | |
Mum, we got through! | 0:57:12 | 0:57:15 | |
LAUGHTER | 0:57:16 | 0:57:18 | |
Immensely proud of the girls and I'm pleased for the other choruses, | 0:57:18 | 0:57:22 | |
they were obviously over the moon. | 0:57:22 | 0:57:24 | |
We're just so chuffed to...I'm going to cry, sorry. | 0:57:24 | 0:57:27 | |
Don't cry, cos we'll all go. | 0:57:27 | 0:57:30 | |
Are you all right? | 0:57:32 | 0:57:34 | |
No! | 0:57:34 | 0:57:35 | |
Aww, aww, I'm sorry. | 0:57:35 | 0:57:38 | |
Jenny, are you all right? | 0:57:38 | 0:57:40 | |
Yeah, I'm all right. | 0:57:40 | 0:57:42 | |
I am really disappointed for you and I did think you did really well. | 0:57:42 | 0:57:47 | |
You know, perhaps you didn't totally let your hair down | 0:57:47 | 0:57:50 | |
and shake off that barbershop thing, I don't know but you know what? | 0:57:50 | 0:57:53 | |
There was some lovely tuning, there were some great harmonies. | 0:57:53 | 0:57:56 | |
I think you can go home proud of what you did. | 0:57:56 | 0:57:58 | |
What happens on a stage, it's about bravery and taking risks | 0:58:00 | 0:58:04 | |
and if you don't do that you're playing it safe | 0:58:04 | 0:58:07 | |
and unfortunately that's what did it for Spinnaker. | 0:58:07 | 0:58:10 | |
'Next time, I head north for my second regional heat...' | 0:58:12 | 0:58:15 | |
Hello and welcome! | 0:58:15 | 0:58:17 | |
'..where four new groups begin their battle to stay in the contest.' | 0:58:17 | 0:58:21 | |
I think we have put a lot of work in | 0:58:21 | 0:58:23 | |
but I think we've probably got quite a lot more to do. | 0:58:23 | 0:58:27 | |
It's mental! | 0:58:27 | 0:58:28 | |
I think they might have just wrecked something really good. | 0:58:28 | 0:58:34 | |
It doesn't look like you know it. | 0:58:34 | 0:58:36 | |
HE SIGHS | 0:58:38 | 0:58:40 |