Episode 6 The Naked Choir with Gareth Malone


Episode 6

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Transcript


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-CHOIR SINGS

-Hallelujah!

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ALL CHEER

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'It's the final of my search

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'for Britain's most entertaining amateur a cappella group.'

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Great!

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'Hundreds applied from across the UK.'

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Whoo!

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'Eight battled it out.'

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-Shake it off! ALL:

-Yeah!

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# Oh, how I want to break free... #

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# Yeah, you're the best! #

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Immensely proud of the girls. Oh, I'm going to cry, sorry!

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That audience have been regally entertained.

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LAUGHTER

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'Now just three remain.'

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To have got down to this three is really exciting,

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and I think each group in the final has got something really special.

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This will be exceptional stuff now.

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'From Birmingham, all-male six-piece the Sons Of Pitches...'

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-We can definitely win this.

-Yeah.

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I'm pretty confident that we can win this.

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I've got a good feeling about our chances.

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'..from London, community choir Stratford East Singers...'

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I think this is where we shine, this is where our strength comes in,

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and I think 15 of us standing on stage is going to be mind-blowing.

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'..and Glasgow university group Choral Stimulation.'

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We have worked really hard, I feel we deserve it.

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Everything's coming together.

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There's no reason why we can't win this.

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-Yeah!

-Yeah!

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'They'll now compete one final time...'

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APPLAUSE

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Hello, London!

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'..on a stage graced by the world's biggest music stars,

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'in front of a thousand people...

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'and my jury.'

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Taking a song like that, modifying it, jazzing it up - brilliant.

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I didn't feel like that performance took me very far.

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Tonight, their votes will decide

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which group will be crowned my champion.

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I wanted to stand up and whoop and holler.

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I have a dilemma here about who really should be the winners.

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The winner of The Naked Choir is...

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KOKO, Camden.

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This prestigious London venue

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has hosted the likes of Madonna, Katy Perry and Prince.

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-Ooh!

-This is NICE!

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Check this out!

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This is beautiful.

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This week, it's the setting for my grand final.

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Fantastic. Can't wait!

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Talk about a grand final - don't get any grander than this.

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This is so cool.

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This is unbelievable. This theatre is massive!

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In two weeks, my groups will be back here

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in front of a thousand-strong crowd to give one final performance.

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To now have the final and us all ready to go,

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like, full commitment -

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I really think we can pull something amazing,

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and just really excited to see what the challenge is.

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From the hundreds that have applied to have got down to this three

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is really exciting,

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and I think each group in the final has got something really special.

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I think we should see some very, very fine performances,

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and it's going to take that to win it.

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ALL CHEER

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Hello, my finalists!

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THEY CHEER

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Can you believe it?

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Here we are, all set for the grand final of the contest.

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Whoo!

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As it's the final, you'll be performing not just one song...

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but a medley...

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-Oh, yes!

-Yeah!

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I knew it! I knew it!

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-..of three songs.

-Yes!

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-OK.

-Yes!

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Of those three songs, one of them will be chosen by...you!

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One of them will be chosen by me.

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OK.

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One of them will be chosen by one of your opponents.

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-ALL:

-Ohhh!

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That is good.

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Game changer!

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So, think very carefully about the kind of music

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that is going to showcase your strengths.

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When you're selecting tracks for your opponents, challenge them.

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Don't be mean, but think tactically.

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I'm going to give you one hour to make your fateful song choice

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and then I will reveal to each of you exactly which songs

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will make up your medley.

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-An hour?!

-One hour.

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Yeah. So, off you go, and good luck.

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APPLAUSE

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Yeah, what do we do if the songs literally don't go together?

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-We could have three random...

-SHE SIGHS

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We could just have three random genres of music,

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-and it's just going to...

-Mm.

-It may not work.

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Medleys are part and parcel of the modern competitive a cappella scene,

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and I think any group worth its salt should be able to

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pull off this technical challenge,

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so it's perfect - this triple challenge, perfect for the final.

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With the clock ticking, the groups get down to deciding songs.

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Selecting their own should be easy.

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HIGH-PITCHED: # When I was young

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# It seemed that life was so wonderful... #

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Doing something like that might be a good shout.

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-# There's a fire... #

-Yeah!

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# Burning in my heart. #

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Stratford East Singers are singing Rolling In The Deep by Adele,

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which I think is a really good choice.

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-# Finally I can see you crystal clear

-Crystal clear! #

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It's good. They're on fire in there.

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Whoo!

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But what they choose for their rivals requires strategic thinking.

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It'll be interesting to see how this works out.

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We need to choose a track for Choral Stimulation.

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Ooh!

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-What they need is a song with lots of attitude.

-Mm.

-Lots of attitude.

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I bet you they're going to choose something like a rap record

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for Choral Stimulation,

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and that would be a nightmare for Choral Stimulation.

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These guys just about pull it off, but Choral Stimulation...

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I've heard them rap.

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What about Kelis? # I hate you so much right now. #

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-That's a good one.

-# Aaah! #

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-We are picking for Sons of Pitches.

-Ooh!

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I think Oh, Flower Of Scotland would be absolutely hilarious.

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Sons Of Pitches are really nice guys,

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I think they're choosing for Stratford East -

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who are also really nice -

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and I think there's a danger that they might actually

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not want to trip each other up.

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What devious ideas have you come up with?

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We said get them doing an Eminem song, so they have to rap.

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-They can rap - they've got rappers.

-Do they?

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I would think a bit more tactically. I think you're being a bit too kind.

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I would definitely go down a genre

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that they're not going to be comfortable with.

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-OK.

-See you later.

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-Cheeky Girls.

-The Cheeky Girls!

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I was just about to say that!

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Oh, it's so mean! I don't want to look at them after this!

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You've got to make it hard -

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if they can make it a show stopping song...all the better for them.

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I'm glad it's the last challenge -

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can you imagine the looks we're going to get?!

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Hello!

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ALL: Hello!

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I've got it here. These are your songs for the final.

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I hope you like it.

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I'm not sure you will.

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Gareth's choice.

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You've Got The Love by The Source, featuring Candi Staton.

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-Yes!

-Nice.

-Great song.

-Yeah!

-Yes.

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Perfect for you.

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Your choice - Rolling In The Deep by Adele.

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-Yes!

-Great song.

-Yeah.

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You opponent's choice...

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The Cheeky Song by The Cheeky Girls.

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-Whoo!

-Great song(!)

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# I am the cheeky girls

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# We are the cheeky boys... #

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-I did not see that coming.

-Nobody sees The Cheeky Girls coming.

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No, I forgot about them.

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Byron, how do you feel about The Cheeky Girls?

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LAUGHTER I feel like it's a joke.

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And I feel like we could've been a bit meaner, now.

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We were like... HE DITHERS

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..and we get this.

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Gareth's choice - Valerie, by The Zutons.

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# Sometimes I go out by myself... #

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Our choice, Reach, by S Club 7.

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Have a listen to the last one.

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Your opponent's choice...

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21 Seconds To Go by So Solid Crew!

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-That's quality.

-LAUGHTER

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# 21 seconds to go

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# 10 plus 1, Romeo done. #

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HE BEATBOXES

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-Is there any singing?

-It's an absolutely huge song.

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-I'm looking forward to hearing your interpretation of that.

-Yeah.

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The Sons Of Pitches, your medley will consist of...

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Gareth's choice - Toxic by Britney Spears.

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ALL CHEER

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-Great song!

-Glad you like it.

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-Mine's a large ale.

-THEY LAUGH

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-Our choice - Waiting All Night by Rudimental.

-Yeah.

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-Cool.

-That's good, I'm happy.

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Your opponent's choice -

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Annie's Song by John Denver.

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# You fill up my senses

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# Like a walk in the forest

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# Da, da, da, da, da, da, da... #

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You think about that jury.

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It's the one thing that they want to see from you,

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is just some gorgeous singing.

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OK, good luck everyone!

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Thank you!

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Stratford have gone for our weakness -

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they've gone for something they've never seen us do.

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They're obviously in it for the competition, so bring it on.

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Two out of three ain't bad...

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So, yeah, I'm not very happy about The Cheeky Girls.

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We gotta turn The Cheeky Girls into music!

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That's what we've gotta do. LAUGHTER

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So, yeah, let's see what happens.

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-Do we have to sing it with the accent?

-No.

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LAUGHTER

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Medleys fixed,

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the groups now have just two weeks to not only arrange

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and perfect three tracks,

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but also knit them into a seamless performance

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that will win them the title of series champion.

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In Birmingham, the Sons Of Pitches are putting together

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what they hope will be a winning medley.

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HE SINGS FROM HIGH TO LOW PITCH

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I'm so happy with the songs we got given yesterday.

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I think after sleeping on it, I feel even better about it.

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John Denver, man.

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-It's a beautiful song.

-Absolutely loving it. Beautiful song.

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I think Choral Stimulation were probably trying to catch us out

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a little bit with a slower song,

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cos they know that that's probably our weakest area,

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but we can hopefully come away with something

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that's actually really pleasing to hear.

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This group have been together for two years,

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and are united by a shared musical ambition.

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It started off as a hobby for us,

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and something that we all just did because we wanted to,

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but it would just be an absolute dream come true

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that we could do this and live off it.

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This desire to perform took root in some members of the group

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long before the Sons Of Pitches formed.

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# ..A resting place for bums

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# A trap set in the slums

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# But I know the score... #

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Joe comes alive on stage.

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It's something I noticed years and years ago -

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he's always been quite a nervy boy,

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but when you put him on stage, he comes alive,

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and he is just in his element.

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-I look terrified. It was great.

-You did look terrified!

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You're coughing your chest out, like...

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To watch where, for me, it all started,

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is just such a nice way to sort of round this off before we go and...

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well, compete in the biggest night of our lives, really.

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# Whoa... #

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The Sons Of Pitches have made the grand final

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by impressing my jury with their comic flourishes...

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# Looking so hot I think that I might fall... #

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..and vocal dexterity...

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# So when we move

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# You move... #

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..but they struggled to bring rich harmonies...

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# Sometimes we sigh... #

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..and emotion to their performances...

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# Sometimes we cry... #

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For me, it was a little bit staid.

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I was a little bit bored with it.

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..until their breakthrough rendition of Wuthering Heights.

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# Heathcliff, it's me Cathy

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# Come home

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# I'm so cold!

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# Let me in-a-your window. #

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APPLAUSE

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Great tension, eerie harmonies.

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-That gripped me tonight.

-Yeah.

-Great job, Sons Of Pitches.

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This group's medley offers the perfect opportunity for them

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to incorporate the precision, comedy and emotion

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they've managed to master.

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-Hello!

-Hello! Come in.

-How are you?

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-Come in. How are you doing?

-Very well, thanks.

-Good, good.

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I'm excited to see where you've got to.

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Really like the John Denver song.

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I don't know whether they thought we wouldn't like it.

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-I think they thought you'd think that was incredibly naff.

-Yeah.

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We know that we need to show off what we've learnt

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in the competition, and by doing that song,

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and just singing it really well, we should be doing that.

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It is very important at this stage that you show that development.

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Can you sing a bit of it?

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# You fill up my senses

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# I don't know the words to this... #

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HE BEATBOXES # You fill up my senses

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-# Come fill me again

-Come fill me again... #

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Your voice, a beat and a bass,

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and then it's just bringing in a couple of "oohs" as it...

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# You fill up my... #

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THEY SING BASS TONE

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The John Denver into Toxic by Britney Spears -

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both those songs require a degree of musical harmony,

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and they have to show that this time.

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They've got to show that jury

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that they can sing beautiful harmonies EXACTLY.

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I know it's their first rehearsal,

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but I haven't really got very much to go on.

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They need to get cracking.

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Time is probably the biggest worry we have at the moment.

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Like, we've basically got to do three songs,

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and we've only got a couple of weeks.

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And I'm at work quite a lot, er, so...

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It's going to be an interesting couple of weeks!

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Yay!

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Yum, thank you. This is lovely.

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So, what's the plan for you

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Where do you all see yourselves going?

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I think we are approaching a point

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where people are wondering about, you know, future sort of careers -

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like, I mean, Joe's been out of uni now for two years.

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Two years, yeah.

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Just having a job at a coffee shop with a zero-hour contract

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doesn't normally mean I can get by very easily -

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but this has been enough of a passion

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that means it's been worth it.

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But if we don't make something of this,

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then I'm just going to have to make quite a tough decision.

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This is kind of a make or break year, now.

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If this year doesn't kind of get to a point where we're doing really...

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well, very well, to be honest,

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-I think it's going to be really tough to keep it going.

-Yeah.

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They're so passionate,

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and they're so great - that's what makes them exciting

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as a group, because you can see that drive

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in Sons Of Pitches - that determination.

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I recognise it, cos I was like that. But can you make a career at this?

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I don't know.

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I think that's the big test of the final,

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really, is can they entertain an audience of a thousand people?

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In Scotland, Choral Stimulation

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are keen not to waste a single moment of the allotted fortnight.

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Why don't we keep to "dum"s on the Valerie and go to "da"s on the Reach?

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One, two, dum...

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# Dum, dum... #

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Over the course of the contest, this group's had moments of brilliance.

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# Cos nothing compares

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# Nothing compares

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# To you

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# Oooh... #

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Very, very moved by their rendition. I thought it was fantastic.

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But they've been criticised for performances that are

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more arch than heartfelt and arrangements that are over-fussy.

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-# Ya-ya-ya

-Laaa-la-la-la-la

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-# Ya-ya-ya

-Laaa-la-la-la-la... #

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# I'm ready for this, there's no... #

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Last week, with half the group absent, their rushed

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semifinal offering almost put them out of the contest.

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I wouldn't share it, I wouldn't watch it again.

0:15:240:15:26

They had nothing behind the eyes.

0:15:260:15:28

One, two, three, four...

0:15:280:15:29

To avoid the disunity that plagued them in the previous round,

0:15:290:15:34

the entire group has decamped to the Scottish Borders.

0:15:340:15:37

We're currently in my house. Four days, just us, nothing else matters.

0:15:370:15:41

We all agree we had to do something.

0:15:410:15:43

This is the final, you've got to pay it some respect, you've got

0:15:430:15:46

to really work on it, and we wouldn't have done that in Glasgow.

0:15:460:15:48

So it's really nice we're all here and we're working hard.

0:15:480:15:51

# Heart's desire... #

0:15:510:15:55

As well as rehearse,

0:15:550:15:56

this getaway gives the group a chance to enjoy what might be

0:15:560:16:00

their final weeks together, before life beyond university beckons.

0:16:000:16:05

There are a lot of people leaving, a lot of people are graduating,

0:16:050:16:08

a lot of people are moving away.

0:16:080:16:10

New careers are looming for student teacher Rona

0:16:100:16:13

and psychology graduate Hannah.

0:16:130:16:15

I'm moving to London to start teacher training.

0:16:150:16:18

THEY SCREAM

0:16:180:16:20

I'm starting my job ten days after the final.

0:16:200:16:23

I genuinely can't comprehend the fact that this is finishing,

0:16:240:16:28

because it honestly has just been the best.

0:16:280:16:30

-Don't make me cry as well.

-Sorry!

0:16:300:16:32

I can't even comprehend that, because...

0:16:320:16:34

Like, I've only done it for a year,

0:16:340:16:36

these guys are some of the best friends

0:16:360:16:39

I'll ever have, they genuinely are.

0:16:390:16:41

Yay!

0:16:410:16:43

Just to not have us all together, it's going to be really weird.

0:16:430:16:46

What is this? Ewan, you bring the towels, yeah?

0:16:460:16:49

But you said tea towels.

0:16:490:16:53

LAUGHTER

0:16:530:16:55

THEY VOCALISE

0:16:590:17:01

London community choir Stratford East Singers have also set up

0:17:010:17:05

a strict regime of daily rehearsals for the grand final.

0:17:050:17:09

That sounded good, you know.

0:17:090:17:11

This group prides itself on welcoming allcomers,

0:17:110:17:14

regardless of background or ability.

0:17:140:17:17

It isn't all about technicality, it's also about feeling and joy,

0:17:170:17:21

and I think that's what we represent.

0:17:210:17:23

# Ahhh-ahhh... #

0:17:230:17:25

As well as younger members enjoying their first taste of performance,

0:17:250:17:29

the group also contains more seasoned singers,

0:17:290:17:32

like 68-year-old Geoff, who joined the choir after he retired.

0:17:320:17:36

Well, I first started playing in a band when I was 14.

0:17:370:17:40

Being in a band has got certain perks to it,

0:17:400:17:42

you do get attention from the ladies.

0:17:420:17:44

I used to go out with me mates when I weren't playing and go down,

0:17:440:17:48

say, the Ilford Palais or something, and never get a look.

0:17:480:17:51

But as soon as I played out in the band...

0:17:510:17:53

HE LAUGHS

0:17:530:17:55

..not a problem!

0:17:550:17:56

If Stratford East Singers win, it'll be just amazing.

0:17:580:18:01

And I think we've got a great chance of winning

0:18:010:18:03

if we get it right on the day.

0:18:030:18:05

I feel like two of the songs that Stratford have got are

0:18:060:18:09

an absolute walk in the park for them,

0:18:090:18:11

but I am concerned about The Cheeky Girls.

0:18:110:18:12

I haven't seen a cheeky side to Stratford,

0:18:120:18:14

they've been very earnest up until now.

0:18:140:18:16

It'd be nice to see them have a bit of fun. It could be very amusing.

0:18:160:18:20

It could be dreadful.

0:18:210:18:23

We seem to have gone through Rolling In The Deep

0:18:230:18:25

and You've Got the Love quite a bit.

0:18:250:18:27

I don't know, everyone seems a little bit

0:18:270:18:29

reluctant to do Cheeky Girls.

0:18:290:18:30

Cos I was like, "Yeah, it's not bad",

0:18:300:18:32

and then I actually listened to it and I was like, "Whoa."

0:18:320:18:34

There isn't a melody, and I know that we could do something with it anyway.

0:18:340:18:38

BEATBOXING

0:18:380:18:40

Hi! How you doing?

0:18:400:18:42

-Good, thanks.

-All right, yeah.

0:18:420:18:44

What do you feel like you need to do to win this?

0:18:440:18:47

We've got three great songs to...

0:18:470:18:49

LAUGHTER

0:18:490:18:50

Together.

0:18:500:18:51

If we don't take advantage of this big moment, it'd be a great shame.

0:18:510:18:55

You like the songs, how's everyone else feeling?

0:18:550:18:58

Are you a Cheeky Girls fan, Wenona?

0:18:580:18:59

-No, I say no.

-Byron, how you getting on with it?

0:18:590:19:02

I don't know, I'm just kind of hoping that if we ignore it it'll go away.

0:19:020:19:06

That's an excellent strategy! Bury your head in the sand, yeah.

0:19:080:19:11

Yeah, really good. Let's have a go at Cheeky Girls. Come on, Byron.

0:19:110:19:16

Turn that frown upside down.

0:19:160:19:19

LAUGHTER

0:19:190:19:20

How does the bass bit go at the beginning?

0:19:200:19:22

# Come and smile

0:19:220:19:24

# Don't be shy

0:19:240:19:26

# Don't be shy

0:19:260:19:28

# Just touch my bum

0:19:280:19:29

# Just touch my bum!

0:19:290:19:31

LAUGHTER

0:19:310:19:33

# We are The Cheeky Girls

0:19:330:19:35

# Dum-dum, dum-dum-dum... #

0:19:350:19:38

WOMEN LAUGH

0:19:390:19:41

BYRON PLAYS BUM NOTES ON PIANO

0:19:410:19:44

I quite like the idea of some theatrical thing where you're

0:19:460:19:50

all slowly chasing Byron round.

0:19:500:19:52

# Dum, dum-dum-dum-dum, dum... #

0:19:530:19:56

What is the worry with it? Why do you hate it so much?

0:19:560:20:00

I feel like we worked so hard to be here, and to be given a song that's

0:20:000:20:04

such a joke for the finals, this is the time to shine,

0:20:040:20:07

-to go out all guns blazing.

-Yeah. This is deliberate.

0:20:070:20:10

It is, it's a deliberate move by your opponents

0:20:100:20:12

to try and unseat you.

0:20:120:20:14

So what you don't want to be is the group that didn't really

0:20:140:20:18

go for the wild card song.

0:20:180:20:20

If you don't, that could cost you the contest, I think.

0:20:200:20:24

If Stratford East don't embrace the idea of singing Cheeky Girls...

0:20:240:20:28

They're running out of time, seriously.

0:20:280:20:31

Next week, it's the final. They've got to get on with it.

0:20:310:20:36

I'm worried that some of the others are a bit negative about it.

0:20:360:20:39

-They're worrying about their image too much.

-Yeah.

0:20:390:20:41

They must forget that.

0:20:410:20:43

The whole medley is going to be over very quickly,

0:20:430:20:45

but that is a crucial part of it.

0:20:450:20:46

They've got to wake up to that, pretty quick!

0:20:460:20:50

Oh, lamb chops, lamb chops.

0:20:590:21:01

HE LAUGHS

0:21:010:21:02

Brilliant. I really know I'm in the country now.

0:21:020:21:06

'I'm heading to the Scottish Borders to see if Choral Stimulation

0:21:060:21:10

'are reaping the rewards of their a capella getaway.'

0:21:100:21:14

It's great to see that they've made enough of an effort to warrant

0:21:140:21:18

coming out here and actually getting away from it all and focusing.

0:21:180:21:22

It's exactly what they need.

0:21:220:21:24

-Hello!

-ALL: Hello!

0:21:240:21:27

Wahey!

0:21:270:21:29

-Yes!

-Well, it's my...

0:21:290:21:32

-Can I be in your group?

-ALL: Yeah!

-That's for you.

-Thanks very much.

0:21:320:21:36

Good to see you, how are you?

0:21:360:21:38

-ALL: Good.

-You've got away from it all.

-Yeah.

0:21:380:21:40

What would be great is,

0:21:400:21:41

this seems like a really good point for you to perform to me,

0:21:410:21:44

so why don't we go outside, there's a little natural theatre

0:21:440:21:46

out there, and you can show me what you've got? Let's go.

0:21:460:21:49

Right, why don't you perform there and I'll be the audience here?

0:21:490:21:53

Let's see the show.

0:21:530:21:55

A-one, two, three, four.

0:21:550:21:57

# Won't you come on over, stop making a fool out of me

0:21:570:22:03

OTHERS HARMONISE

0:22:030:22:04

# Why won't you come on over, Valerie? #

0:22:040:22:07

# Reach for the stars

0:22:090:22:10

# Da-da-da, da-da-da-da-da

0:22:100:22:12

# Follow your heart's desire

0:22:120:22:13

# Reach for the stars

0:22:130:22:16

# Heart's desire. #

0:22:160:22:18

I just... I'm sorry, I don't think

0:22:180:22:19

it's in the right part of your voice.

0:22:190:22:21

-Really low.

-Yeah, it's too low for you, and then you're pushing.

0:22:210:22:24

I'm not sure it's the right call. You could have Tony going...

0:22:240:22:27

# Reach for the stars

0:22:270:22:28

-HIGH-PITCHED:

-# Boo-boo-boo, da-da-da-da... #

0:22:280:22:30

You know? Over the top. Do you want to try it?

0:22:300:22:34

-Uh-oh.

-Tony's singing Reach!

0:22:340:22:37

LAUGHTER

0:22:370:22:38

This is the end of your days as cool.

0:22:390:22:43

# Reach for the stars

0:22:430:22:45

# Climb every mountain higher, reach for the stars

0:22:450:22:49

# Da-da-da - heart's desire! #

0:22:490:22:51

Oh, please, just have everyone sing

0:22:510:22:53

-"Reach for the stars" in unison, please.

-No!

-No!

0:22:530:22:56

Just try it. A-one, two, three, four.

0:22:560:22:59

# Reach for the stars... #

0:22:590:23:01

No! No, it's not happening!

0:23:010:23:03

SOME LAUGH, SOME CONTINUE SINGING

0:23:030:23:06

I absolutely love it.

0:23:060:23:08

-Literally, it was so good.

-It's so not us.

-SO cheesy.

0:23:080:23:11

-But what's not cheesy about, "Da-da, a-doobedy-ba"?

-True.

0:23:110:23:15

I actually, I think I'll throw up on stage if we do it.

0:23:150:23:19

You've got to go for what wins. Give them some unison.

0:23:190:23:22

You need to reach out to the audience, as well as for the stars.

0:23:220:23:26

Nobody wants to sing in unison at the end, what's that about?

0:23:270:23:30

At the moment, it sounds a bit naff, to be honest,

0:23:300:23:33

we're all just going...

0:23:330:23:34

# Reach for the stars... #

0:23:340:23:37

What's wrong with that?

0:23:370:23:39

-I don't personally like it that much either.

-OK. Why?

0:23:390:23:43

One of the reasons we picked the song was because Tony was

0:23:430:23:46

-so adamant he was going to make it ironic...

-You can't play that game.

0:23:460:23:49

People won't get it,

0:23:490:23:50

it's very university. If I may be so rude.

0:23:500:23:52

It's very sort of "Oh-ho-ho, we're laughing at it

0:23:520:23:55

"but we're doing it at the same time."

0:23:550:23:57

Forget it, no-one will get that.

0:23:570:23:58

What people want to see is you standing on that stage,

0:23:580:24:01

enjoying the crowd, selling it.

0:24:010:24:02

That's your biggest problem as a group.

0:24:020:24:04

We're too proud, do you think?

0:24:040:24:06

Too proud, fearful of looking like twits.

0:24:060:24:08

-I would encourage you to be bolder.

-OK.

0:24:080:24:10

'There's still a danger that they're

0:24:100:24:12

'going to leave the audience a bit cold.'

0:24:120:24:14

They're going to do something that's very clever, but doesn't entertain.

0:24:140:24:18

Finish on a "Bam!" Why not?

0:24:180:24:21

-This is the final, guys.

-Cheers.

0:24:230:24:26

-Wahey, Choral Stimulation.

-Thank you so much.

0:24:260:24:29

'With the contest and Choral Stimulation's time together

0:24:290:24:32

'drawing to a close, I'm toasting my final rehearsal with the group.'

0:24:320:24:35

What are you going to miss about singing with Choral Stimulation?

0:24:350:24:38

Whatever mood you're in, whatever's happened that day,

0:24:380:24:42

you can totally just, like, let it all go at rehearsal.

0:24:420:24:45

If this is our last performance together,

0:24:470:24:48

it'll be absolutely gutting.

0:24:480:24:50

Yeah, it's been...

0:24:500:24:52

Ohh. Be horrible.

0:24:520:24:55

I've made it all the way to the final,

0:24:550:24:57

I'm not crying on this last episode.

0:24:570:24:59

-I'm one of the only ones that didn't cry.

-You haven't cried? Aww.

0:24:590:25:03

-No, it's fine.

-"It's fine"!

0:25:030:25:06

-ALL: Cheers.

-Slainte.

0:25:070:25:09

I think they're a lovely group,

0:25:090:25:11

really nice group of young people, you've got a doctor

0:25:110:25:14

and a teacher, and I'd love for this final performance, for them,

0:25:140:25:18

to be really fantastic.

0:25:180:25:19

For it to be something that they'll remember.

0:25:190:25:22

One week now until my final.

0:25:270:25:30

In just seven days, this venue will be filled with 1,000 people,

0:25:300:25:34

all expecting to be entertained by a performance

0:25:340:25:37

of not one, but three songs.

0:25:370:25:40

And to win the contest,

0:25:410:25:42

this medley of songs must be delivered with a level of

0:25:420:25:46

technical excellence that will impress

0:25:460:25:48

my jury of a cappella experts.

0:25:480:25:50

It's the final, so there's going to be that extra pressure,

0:25:510:25:54

but also you're dealing with three songs.

0:25:540:25:56

It's testing everything that we've seen so far.

0:25:560:25:58

-Key changes...

-..performance...

0:25:580:25:59

-..choreography...

-..arranging.

0:25:590:26:01

We want expression in the face, smiles, we want conviction.

0:26:010:26:05

I want to see musical highs and lows.

0:26:050:26:07

We really are looking for people who are at the top of their game.

0:26:070:26:11

All of those things that we've been testing along the way are all being

0:26:110:26:15

tested here, as well as creating a very difficult performance piece.

0:26:150:26:19

Struggling to pull all this together in just one week

0:26:260:26:29

are the Sons of Pitches.

0:26:290:26:31

Jamie speaking, how can I help?

0:26:310:26:33

Jobs and other commitments are making it difficult for them

0:26:330:26:36

to get together to rehearse.

0:26:360:26:37

Working full-time as well as doing Sons of Pitches is great,

0:26:370:26:41

but it's blooming knackering as well.

0:26:410:26:44

Like, it's so tiring.

0:26:440:26:45

HE HUMS: Toxic by Britney Spears

0:26:450:26:48

People at work have started being like, "You look a bit tired."

0:26:490:26:52

I'm like, "No, it's fine.

0:26:520:26:53

"Have another coffee."

0:26:530:26:55

# And I love what you do but you know that you're toxic... #

0:26:550:26:58

Today, I'm visiting them for one last rehearsal before the final.

0:26:580:27:02

The Sons of Pitches so far have turned in some really

0:27:020:27:05

good stuff, so I'm hoping for something great today.

0:27:050:27:08

-Hello.

-ALL: Hello!

0:27:080:27:10

-How are you?

-Pretty good.

-I'm excited.

-Hope you like it.

0:27:100:27:15

Shall I be an audience? I'll just sort of watch what you've got.

0:27:150:27:18

-It's not finished.

-OK.

0:27:180:27:20

I'd say we're about three-quarters of the way.

0:27:210:27:24

OK, I will let you know what I think, but let me see it.

0:27:240:27:27

One, two, three, four.

0:27:270:27:29

BEATBOXING

0:27:290:27:30

# With a taste of a poison paradise

0:27:300:27:33

# I'm addicted to you but you know that you're toxic

0:27:330:27:36

-CHOIR MEMBER IMITATES DRUMBEAT

-(Love that.)

0:27:360:27:39

# Wee-ooh-wee-ooh-ooh

0:27:390:27:40

# You fill up my senses

0:27:420:27:46

# Like a night in the forest

0:27:470:27:50

# Like a mountain in springtime

0:27:530:27:57

# Like a walk in the...

0:27:590:28:01

ALL: # Rain

0:28:010:28:04

CHOIR MEMBER IMITATES DIFFERENT DRUMBEAT

0:28:040:28:05

# I've been waiting all night for you to tell me... #

0:28:050:28:08

Et cetera.

0:28:080:28:10

OK. There were a couple of points where, one or two of the harmonies,

0:28:110:28:15

I'm just thinking, "What?"

0:28:150:28:16

Can you do "rain"?

0:28:160:28:18

# Rain. #

0:28:180:28:20

I've got three different versions of "eh".

0:28:220:28:24

-Say "eh".

-# Ra-eh.... #

0:28:240:28:26

# Eh... #

0:28:260:28:28

# Reh... #

0:28:280:28:29

Rehhhh. Rehhh.

0:28:290:28:33

# Like a walk in the...

0:28:330:28:35

ALL: # Rain. #

0:28:350:28:36

-Much better.

-Ahhh. Can you hear the difference?

0:28:380:28:41

That actually sounds like a cappella.

0:28:410:28:43

Rather than a bit of a shout. One more time.

0:28:430:28:47

# Like a walk in the...

0:28:470:28:48

# Rain

0:28:480:28:51

# Like a storm in the desert

0:28:510:28:55

# Like a sleepy blue ocean... #

0:28:560:28:59

Yeah, OK. Fine. I don't want to unpick this,

0:28:590:29:01

but I think the chords there are too difficult.

0:29:010:29:03

I would just go much simpler on those ahs.

0:29:030:29:06

This is one of those moments where you just want to go,

0:29:060:29:09

"No tricks, we're just singing the song."

0:29:090:29:11

I feel like first song - that's going to work.

0:29:120:29:15

Second song - needs a bit of simplifying.

0:29:150:29:18

Third song - I haven't heard.

0:29:180:29:20

-Moves?

-No moves yet, no.

-No moves.

0:29:200:29:23

We normally do choreo in a day, so... We should be fine.

0:29:230:29:26

We pretty much got this together yesterday,

0:29:280:29:30

cos we haven't had much time to rehearse, really.

0:29:300:29:32

That's the first time that I have seen Sons Of Pitches

0:29:320:29:37

not absolutely bringing their A game in this entire contest.

0:29:370:29:40

Which is a bit of a surprise, given it's the final.

0:29:400:29:43

This is their moment to shine.

0:29:430:29:45

I didn't expect them to be finished,

0:29:450:29:46

but I'm surprised at how unprepared they are.

0:29:460:29:49

They're a lot further behind, I think, than the other groups

0:29:490:29:52

and a lot further behind than they usually are themselves.

0:29:520:29:55

I think we just need to, you know, let it stew for a little bit

0:29:550:29:58

and it will come, and it's going to be great.

0:29:580:30:01

With their arrangement finished,

0:30:050:30:07

back in Glasgow, Choral Stimulation are focusing on choreography.

0:30:070:30:11

Sorry...

0:30:110:30:12

It has to be a show, it has to be big,

0:30:120:30:14

it has to be entertaining, exciting.

0:30:140:30:18

# I've got... #

0:30:180:30:21

In an arena like that, you can't just stand on stage and sing.

0:30:210:30:24

# 21 seconds to flow... #

0:30:240:30:26

I don't know what's happened to Choral Stimulation recently.

0:30:260:30:29

It's the most functional we've ever been.

0:30:290:30:31

It really does feel like we're ahead for once, so... It's good.

0:30:310:30:33

Do it, but more energy and - boom!

0:30:340:30:36

Ba-boom!

0:30:370:30:39

With just two days until the final, Stratford East Singers are also

0:30:390:30:43

perfecting dance routines as part of their rigorous rehearsal schedule.

0:30:430:30:47

Yeah, like an army.

0:30:470:30:49

This group started out believing themselves to be the underdogs

0:30:500:30:54

and found it hard to balance the mix of skills within their choir.

0:30:540:30:58

# Listen to the music

0:30:580:30:59

# Maybe just talk... #

0:30:590:31:01

There are tuning issues there and there are tuning issues throughout.

0:31:010:31:05

But their warmth

0:31:050:31:06

and sense of identity always resonated for the jury.

0:31:060:31:09

# Ain't falling under... #

0:31:090:31:13

I really liked the way that they were

0:31:130:31:15

so clear about who they were from the get-go.

0:31:150:31:18

And they've grown in both confidence and ability.

0:31:180:31:21

# Ring, ring, ring, ring, ring, ring

0:31:210:31:23

# Yeah, yeah, yeah, yeah! #

0:31:230:31:24

Unbelievable!

0:31:240:31:26

Yes!

0:31:260:31:27

This steady and impressive improvement

0:31:300:31:32

looked like it might be derailed at my last rehearsal.

0:31:320:31:35

But it seems Byron's had a breakthrough

0:31:350:31:37

with their wild card song.

0:31:370:31:38

# You are the cheeky boys... #

0:31:380:31:40

With the Cheeky Girls song,

0:31:400:31:42

I was kind of burying my head in the sand,

0:31:420:31:43

but I've come out of the sand now.

0:31:430:31:45

And I'm facing it head-on and I think we're doing quite well!

0:31:450:31:48

So, yeah, we're quite excited about the song now.

0:31:480:31:50

# Tu-tu-tu-tu-touch my bum, bum. #

0:31:500:31:52

THEY LAUGH

0:31:520:31:54

Part of the solution has been giving the solo to single mum Wenona.

0:31:540:31:59

She's been practising the parts daily for an avid audience

0:32:010:32:04

of son Canaan and mum Yonan.

0:32:040:32:06

# My buuuuuum... #

0:32:060:32:10

THEY LAUGH

0:32:100:32:12

I think she took after me.

0:32:120:32:13

-I always used to sing round the house.

-Yes, you did.

0:32:130:32:16

Yeah. Although I can't sing, mind.

0:32:160:32:18

As well as running her own jewellery-making business from home,

0:32:200:32:23

Wenona is also registered carer for her mum,

0:32:230:32:26

who suffers from chronic diabetes.

0:32:260:32:29

She really looks after us well.

0:32:290:32:31

I'm very proud of how she manages.

0:32:310:32:33

Yes, I've got quite a lot of responsibility going on.

0:32:330:32:36

Joining the choir gives me a nice little break,

0:32:360:32:39

cos I can take my mind off home life for a couple of hours.

0:32:390:32:41

I've made some fantastic friends in the choir.

0:32:410:32:44

You know, we hang out together,

0:32:440:32:45

do things for each other's birthdays.

0:32:450:32:47

It's like my second home.

0:32:470:32:49

How do you feel with the contest coming on?

0:32:490:32:51

It's been a little bit stressful

0:32:510:32:52

trying to get all the arrangements and everything,

0:32:520:32:54

but it is coming along and we've got a couple more rehearsals to do.

0:32:540:32:58

-So I'll be hearing, "Oh, Mum, we've won!"

-Yep.

0:32:580:33:02

You know, to get that far at your age as well...

0:33:020:33:05

-It's fantastic.

-Mm.

-Yeah, fantastic. Really good.

0:33:070:33:11

I'm very, very proud.

0:33:110:33:13

-Very proud.

-Thank you, Mum!

0:33:130:33:15

I'm looking forward to seeing Stratford East Singers

0:33:180:33:20

because so far they've always pulled off something really interesting.

0:33:200:33:23

And I hope for the final, this should be the one.

0:33:230:33:26

This should be their best moment.

0:33:260:33:28

# When friends are gone

0:33:280:33:30

# I know my Saviour's love is real... #

0:33:300:33:33

-Hello!

-Hello!

0:33:330:33:35

I was just getting ready for a performance there.

0:33:370:33:39

I'm going to get a chair. I'm going to be an audience.

0:33:390:33:43

Entertain me!

0:33:430:33:44

# We could have had it all

0:33:460:33:50

# Rolling in the deep

0:33:500:33:52

# We're rolling in the deep, deep, deep

0:33:520:33:54

# You had my heart inside your hand

0:33:540:33:59

# And you played it

0:33:590:34:01

# To the beat...

0:34:010:34:04

-# We are the Cheeky Girls

-Bum, bum, bum, bum, bum

0:34:050:34:07

-# We are the Cheeky Girls

-Bum, bum, bum, bum, bum

0:34:070:34:09

-# You are the cheeky boys

-Bum, bum, bum, bum, bum

0:34:090:34:11

-# You are the cheeky boys

-Bum, bum, bum, bum, bum

0:34:110:34:13

# Tu-tu-tu-tu-tu-tu-tu-tu- touch my bum

0:34:130:34:16

# Bum! #

0:34:160:34:17

Well done! Well done. You've got over The Cheeky Girls!

0:34:170:34:20

-Yeah!

-My goodness. It's a good two-fingered response.

0:34:200:34:24

THEY LAUGH

0:34:240:34:25

A couple of pitchy moments.

0:34:250:34:27

Maybe one or two moments of people getting lost as well.

0:34:270:34:30

So, two, three...

0:34:300:34:31

# And you played it

0:34:310:34:33

# To the be-e-e-eat. #

0:34:330:34:36

Honestly, lots of you are flat.

0:34:360:34:39

Some of you are taking your eye off the ball with pitch.

0:34:390:34:41

HE HUMS A FLAT SEQUENCE

0:34:410:34:44

It's got to be "Mmmm!" You've got to have

0:34:440:34:46

the courage of your convictions, go for it, and be right.

0:34:460:34:49

-THEY HUM

-Next one.

0:34:490:34:51

NOTE CHANGES

0:34:510:34:52

-Next one.

-NOTE CHANGES

0:34:520:34:55

Good. Now...

0:34:550:34:57

HUMMING, FINDING CORRECT PITCH

0:34:570:35:01

Good. Can you hear the difference?

0:35:010:35:03

That's how in tune it's got to be.

0:35:030:35:04

Two, three, and...

0:35:040:35:06

# Rolling in the deep

0:35:060:35:08

# We're rolling in the deep, deep, deep

0:35:080:35:10

# You had my heart inside your hand

0:35:100:35:15

# And you played it

0:35:150:35:17

# To the be-e-e-eat. #

0:35:170:35:20

I think that's good, don't you? I feel like it's there.

0:35:200:35:23

Just take on board those tuning moments, cos everything else -

0:35:230:35:26

you've got energy on your side and you've got feel

0:35:260:35:28

and you've got rhythm.

0:35:280:35:30

Just don't leave yourselves exposed.

0:35:300:35:32

That is the thing that you've been picked up on,

0:35:320:35:34

so make sure everything is pristine.

0:35:340:35:36

I like it! I think it's good. I think the potential is there.

0:35:370:35:41

On energy, on stage presence, on sheer sense of fun,

0:35:410:35:45

I think Stratford win every time.

0:35:450:35:47

If they can get their technical stuff sorted out, I think...

0:35:470:35:50

Of course they could win it.

0:35:500:35:52

I really feel like they could.

0:35:520:35:54

The final rehearsal might be over,

0:35:560:35:58

but there's time for one last gathering -

0:35:580:36:00

the group's traditional end-of-term party.

0:36:000:36:03

DRUMMING AND VOCALISING

0:36:030:36:06

And this year, I'm guest of honour.

0:36:060:36:09

-CHANTING:

-Go, Gareth! Go, Gareth!

0:36:090:36:11

CHEERING

0:36:150:36:17

Yes, Gareth!

0:36:190:36:20

CHEERING AND APPLAUSE

0:36:220:36:25

So is this the last social gathering before the final?

0:36:270:36:30

What will you miss about the contest once it's finished?

0:36:300:36:33

Everyone.

0:36:330:36:35

Just not seeing everyone, like, daily, is going to be really weird.

0:36:350:36:39

When we started out on this, I don't think

0:36:390:36:41

we could have ever realised quite how much we would end up...

0:36:410:36:45

Committing to it, not just on the practical side of turning up

0:36:450:36:48

every day, but giving everything to it.

0:36:480:36:50

We're really, really going to miss it.

0:36:500:36:52

Just... It's going to be really sad once it's done.

0:36:520:36:54

We've felt so supported. Even when we've had criticism,

0:36:540:36:56

we know it's come from a place of love so that we can improve.

0:36:560:36:59

I'm glad. I mean, I feel like it is about winning,

0:36:590:37:03

but it's also about improving and learning and stretching yourself.

0:37:030:37:06

It is about winning.

0:37:060:37:07

Is it about winning? OK.

0:37:070:37:08

Thank you for entertaining me so royally tonight.

0:37:080:37:11

-I shall miss you all.

-ALL:

-Aw!

0:37:110:37:13

You know, I've really enjoyed working with you. It's been great.

0:37:130:37:16

-S-E-S!

-CHEERING

0:37:160:37:19

-Cheers!

-Cheers.

0:37:190:37:21

I love Stratford. I love the vibe.

0:37:210:37:22

I love the fact that they are a little bit more mature

0:37:220:37:25

than the other two groups left in the final,

0:37:250:37:26

so that makes them more resilient.

0:37:260:37:28

They've been really adaptable, they've worked hard.

0:37:280:37:31

These guys have come from really quite a rough-around-the-edges sound

0:37:310:37:34

to something that's really working.

0:37:340:37:36

They'll be the audience favourites, I reckon.

0:37:360:37:39

They're people pleasers.

0:37:390:37:40

It's the day of the grand final.

0:37:470:37:49

All my groups are back in London and all have one goal in mind.

0:37:500:37:55

CHEERING

0:37:550:37:57

If we won tonight, it would mean the world to us,

0:37:570:37:59

because we sacrificed so much.

0:37:590:38:00

We've given up our home lives,

0:38:000:38:02

we've given up seeing our friends and family.

0:38:020:38:04

It would mean that all of that work that we put in was worth it.

0:38:040:38:07

We feel like we could have done a bit more rehearsal time

0:38:070:38:10

and we're all a bit knackered, but we're so excited to actually do it.

0:38:100:38:14

As it's the final, I've given the groups a budget for costumes,

0:38:140:38:18

staging and anything else they think might bring spectacle

0:38:180:38:22

to this crucial performance.

0:38:220:38:24

We've got these CO2 canons that are really cool.

0:38:240:38:26

We've got dancers. We're on a little podium, rocking out.

0:38:260:38:29

So hopefully, it's going to look really cool.

0:38:290:38:32

I'm so excited. I can't believe we're finally here.

0:38:320:38:34

There's already a buzz, so I can't wait until, like,

0:38:340:38:37

the seats are filled and everybody's in there.

0:38:370:38:39

As the groups prepare,

0:38:420:38:43

the thousand-strong crowd starts to fill the venue.

0:38:430:38:46

In amongst this audience,

0:38:470:38:49

friends and family have arrived from all parts of the UK and beyond.

0:38:490:38:53

I've travelled all the way from Nigeria to come

0:38:530:38:55

and see Sons Of Pitches.

0:38:550:38:57

My son is in it. I'm very excited myself. I'm very proud of him.

0:38:570:39:00

I'm here to support SES - Stratford East Singers -

0:39:000:39:04

because they are the greatest and they've got to win.

0:39:040:39:07

ALL: Go Choral Stimulation!

0:39:070:39:09

All of these groups have come so far through this contest.

0:39:090:39:12

They've learned so much.

0:39:120:39:13

And I think the final is their chance to show the jury

0:39:130:39:16

what they've learned.

0:39:160:39:17

They've taken on board the feedback

0:39:170:39:19

and proved that they can entertain 1,000 people.

0:39:190:39:21

While the groups need to entertain the thousand-strong crowd,

0:39:210:39:25

it's the jury they really need to impress.

0:39:250:39:27

Tonight, they'll make the most important decision of the contest

0:39:280:39:32

as they select a winner, based on performances of not just one,

0:39:320:39:36

but three songs.

0:39:360:39:38

Medleys are very difficult to do really well.

0:39:380:39:41

They have to be able to take some pretty disparate material

0:39:410:39:44

and find a way to make a compelling package out of that.

0:39:440:39:47

They need to be pitch perfect,

0:39:490:39:50

they need to be spot on with their timing,

0:39:500:39:52

they need to be imaginative,

0:39:520:39:54

but above that, they've got to draw in the huge crowd

0:39:540:39:58

they're going to be performing for.

0:39:580:40:00

If they make just one mistake,

0:40:010:40:03

suddenly our decision could be very easy.

0:40:030:40:05

APPLAUSE AND CHEERING

0:40:090:40:12

Hello, London!

0:40:130:40:15

-Are you ready to be entertained?

-CHEERING

0:40:170:40:20

Excellent.

0:40:220:40:23

Well, it's time to welcome the first of my finalists to the stage.

0:40:250:40:28

Ladies and gentlemen, it's Choral Stimulation!

0:40:280:40:31

CHEERING AND APPLAUSE

0:40:310:40:33

# When the world

0:40:400:40:42

# Leaves you feeling blue

0:40:420:40:46

# You can count on me

0:40:460:40:51

# And I will be there for you

0:40:510:40:56

# When it seems

0:40:560:40:58

# All your hopes and dreams

0:40:580:41:02

# Are a million miles away

0:41:020:41:06

# I will reassure you

0:41:060:41:11

# We've got to all stick together

0:41:110:41:16

# Good friends there for each other

0:41:160:41:20

# Never ever forget

0:41:200:41:23

# That I've got you

0:41:230:41:27

# And you've got...

0:41:270:41:31

# 21 seconds to flow

0:41:320:41:33

# I've got 21 seconds to go

0:41:330:41:35

# Cos if you like me, let me know Let me in the studio

0:41:350:41:38

# I got 21 seconds to go

0:41:380:41:39

# 21 seconds to go

0:41:390:41:40

BEATBOXING AND AUDIENCE SCREAMS

0:41:400:41:42

# I got 21 seconds to go

0:41:420:41:43

# So if you like me, let me know Let me in the studio

0:41:430:41:45

# I got 21 seconds to go

0:41:450:41:47

# Every lyric I do Every lyric I say

0:41:470:41:49

# Every lyric I rock Every lyric I play

0:41:490:41:51

# Every lyric I make Every lyric I break

0:41:510:41:53

# There's always a snake Gotta get in my gate

0:41:530:41:55

# When I'm on a high When I'm on a low

0:41:550:41:56

# On a rave When I'm on a roll

0:41:560:41:58

# Big up the ladies Looking slender and fine

0:41:580:42:00

# Don't give me no deadline Give me more time

0:42:000:42:02

# Cos I...

0:42:020:42:03

-# Ha-ha!

-Won't hesitate

0:42:030:42:05

-# Yeah, yeah, yeah!

-No, I...

0:42:050:42:07

# Two multiplied by ten plus one I'm done!

0:42:070:42:10

-# Did you see me on the video?

-Oh, no!

0:42:100:42:12

-# Did you see me on the video?

-Tap-tap-tap

0:42:120:42:14

# Did you see me on the video? Oh, no!

0:42:140:42:15

-# Did you see me on the video? BARITONE:

-See me on the video...

0:42:150:42:18

HE BEATBOXES

0:42:180:42:20

# Re-re-re-re-re-re-remix

0:42:240:42:26

# Well, sometimes I go out by myself

0:42:260:42:30

# And I look across the water

0:42:300:42:33

# And I think of all the things what you're doing

0:42:350:42:39

# And in my head I paint a picture

0:42:390:42:43

# Well, since I've come on home

0:42:450:42:47

# Well, my body's been a mess

0:42:470:42:49

# And I miss your ginger hair

0:42:490:42:51

-# And the way you like to dress

-Oooh-ah!

0:42:510:42:55

# Won't you come on over

0:42:550:42:57

# Stop making a fool out of me?

0:42:570:43:01

# Why don't you come on over, Valerie?

0:43:010:43:05

DOO-WOP STYLE HARMONIES

0:43:050:43:08

# Valerie

0:43:080:43:10

# Why don't you come on over?

0:43:100:43:13

# Reach for the stars

0:43:130:43:15

# Climb every mountain higher

0:43:150:43:18

# Reach for the stars

0:43:180:43:20

# Follow your heart's desire

0:43:200:43:23

# Reach for the stars

0:43:230:43:26

# Climb every mountain higher

0:43:260:43:28

# Reach for the sta-a-a-a-ars

0:43:280:43:32

# Reach for the stars

0:43:320:43:35

# Climb every mountain higher

0:43:350:43:37

# Reach for the stars

0:43:370:43:40

# Follow your heart's desire. #

0:43:400:43:42

SUDDEN SILENCE APPLAUSE AND CHEERING

0:43:420:43:47

Really technically precise.

0:43:470:43:49

But out for the audience - loved it!

0:43:490:43:51

THEY SQUEAL EXCITEDLY

0:43:580:44:00

That was class. That was absolutely class.

0:44:000:44:02

So excited. Made a couple of mistakes, but who cares?

0:44:020:44:05

We had so much fun doing it.

0:44:050:44:06

If that's our last performance, then...good on it.

0:44:060:44:09

We absolutely killed it.

0:44:090:44:10

This has been genuinely one of the most...

0:44:100:44:13

supreme musical experiences of my entire life

0:44:130:44:15

and I owe that to all you guys.

0:44:150:44:17

Next up, the second of my finalists.

0:44:170:44:20

Ladies and gentlemen, it is with pride

0:44:200:44:22

and pleasure that I introduce you to

0:44:220:44:25

the Stratford East Singers!

0:44:250:44:27

APPLAUSE AND CHEERING

0:44:270:44:29

One, two, three, four.

0:44:340:44:36

# Finally I see you crystal clear

0:44:390:44:43

# Go ahead and I'll lay your ship bare

0:44:430:44:46

# See how I leave with every piece of you

0:44:460:44:50

# Don't underestimate the things that I will do

0:44:500:44:54

# There's a fire starting in my heart

0:44:540:44:58

# Reaching a fever pitch

0:44:580:45:00

# And it's bringing you out the dark

0:45:000:45:03

# The scars of your love

0:45:030:45:05

# Leave me breathless

0:45:050:45:08

# I can't help feeling

0:45:080:45:10

# Feeling

0:45:100:45:12

# Feeling

0:45:120:45:16

# We could have had it all

0:45:160:45:18

# We could have had it all

0:45:180:45:20

# Rolling in the deep

0:45:200:45:24

# You had my heart inside of your hand

0:45:240:45:28

# And you played it

0:45:280:45:30

# To the beat

0:45:300:45:35

# I never ever ask what you do

0:45:350:45:40

# I never ever ask what's on your mind

0:45:440:45:49

# So touch my

0:45:540:45:58

# Bum bum bu-u-u-um

0:45:580:46:06

# Cheeky cheeky!

0:46:080:46:10

# We are the cheeky girls

0:46:100:46:12

# We are the cheeky boys

0:46:120:46:14

# You are the cheeky boys

0:46:140:46:16

# You are the cheeky boys

0:46:160:46:17

# Cheek cheek cheek cheek cheek

0:46:170:46:21

# Cheek... #

0:46:210:46:24

That's going for it.

0:46:240:46:25

# When food is gone

0:46:280:46:30

# You are my daily meal

0:46:300:46:32

# When friends are gone

0:46:350:46:37

# I know my saviour's love is real

0:46:370:46:41

# You know it's real

0:46:430:46:45

# Sometimes I feel like throwing my hands up in the air

0:46:450:46:50

# I know I can count on you

0:46:500:46:52

# You got the love You got the love

0:46:540:46:56

# You got the love You got the love

0:46:560:46:58

# You got the love You got the love

0:46:580:47:00

# You got the love You got the love

0:47:000:47:03

# You got the

0:47:030:47:04

# Love, love, love

0:47:040:47:06

# Sometimes I feel like throwing my hands up

0:47:090:47:12

# Sometimes I feel like throwing my hands up

0:47:120:47:14

# Sometimes I feel like throwing my hands up in the air. #

0:47:140:47:21

CHEERING AND APPLAUSE

0:47:210:47:23

It was not flawless, there were problems all the way through.

0:47:260:47:31

But for an un-auditioned community choir

0:47:310:47:34

to get a reaction like that is absolutely brilliant.

0:47:340:47:37

Guys, we did it, we did it, we did it.

0:47:420:47:44

Just to see everyone smiling and clapping and cheering for us,

0:47:460:47:49

it's all worth it.

0:47:490:47:50

Well done, SES.

0:47:500:47:52

So, now for the last of our finalists this evening.

0:47:540:47:58

It's the Sons Of Pitches!

0:47:580:48:00

# I've been waiting all night

0:48:080:48:10

# For you to

0:48:100:48:12

# I've been waiting all night for you to

0:48:160:48:19

# Baby can't you see

0:48:210:48:23

# I'm calling

0:48:230:48:25

# A guy like you

0:48:250:48:27

# Should get a warning

0:48:270:48:28

# You're dangerous

0:48:280:48:29

# I'm loving it

0:48:290:48:32

# It's getting late

0:48:340:48:36

# I can't wait

0:48:360:48:38

# I need a

0:48:380:48:39

# Baby give me it

0:48:390:48:41

# You're dangerous

0:48:410:48:43

# I'm loving it

0:48:430:48:45

# With the taste of your lips I'm on a ride

0:48:510:48:54

# You're toxic I'm slipping under

0:48:540:48:58

# With the taste of a poison paradise

0:48:580:49:00

# I'm addicted to you Don't you know that you're toxic

0:49:000:49:04

# And I love what you do Don't you know that you're toxic

0:49:060:49:10

# No, no, no... #

0:49:100:49:13

Here we go.

0:49:160:49:18

# You fill up my senses

0:49:190:49:23

# Like a night in the forest

0:49:250:49:28

# Like a mountain in springtime

0:49:310:49:34

# Like a walk in the rain

0:49:370:49:41

# Like a storm in the desert

0:49:410:49:46

# Like a sleepy blue ocean

0:49:460:49:51

# You fill up my senses

0:49:530:49:57

# Come fill me again

0:49:570:50:03

# I've been waiting all night for you to tell me

0:50:080:50:11

# Tell me that you need me

0:50:110:50:13

# Tell me that you want me

0:50:150:50:17

# I've been waiting all night for you to tell me

0:50:180:50:22

# Tell me that you need me

0:50:220:50:24

# Tell me that you want me

0:50:240:50:27

# Tell me that you need me!

0:50:270:50:30

# Tell me that you want me

0:50:300:50:33

# Tell me that you need me

0:50:330:50:35

# Tell me that you want me

0:50:350:50:37

# Tell me that you need me

0:50:370:50:40

# Tell me that you want me

0:50:400:50:42

# Tell me that you need me

0:50:420:50:45

# Tell me that you want me

0:50:450:50:48

# Oh oh

0:50:480:50:51

# Tell me that you need me

0:50:530:50:55

# Tell me that you want me. #

0:50:550:50:57

CHEERING AND APPLAUSE

0:50:590:51:00

I can't fault them. Great.

0:51:040:51:07

Well done.

0:51:150:51:17

It wasn't perfect, our performance, but we don't want that.

0:51:170:51:20

-We want perfect imperfection, don't we?

-Totally.

-Absolutely smashed it.

0:51:200:51:25

On three. One, two, three!

0:51:250:51:26

The final performance is over.

0:51:300:51:32

It's down to my jury to crown the winner.

0:51:320:51:34

For me, Choral Stimulation, from the get go,

0:51:360:51:40

they got me in the pit of my stomach.

0:51:400:51:41

I wanted to stand up and whoop and holler.

0:51:410:51:43

Reach For The Stars jazz chords - ooh, gorgeous!

0:51:430:51:46

I mean, taking a song like that, jazzing it up - brilliant.

0:51:460:51:51

The most raw energy came from Stratford East Singers.

0:51:510:51:55

They're so committed, heart and soul, to what they are doing.

0:51:550:51:57

When we're looking for the most entertaining a cappella act,

0:51:570:52:00

what could be more entertaining than something with a message like that?

0:52:000:52:05

All smiling, all very much enjoying what they are doing,

0:52:050:52:08

I can't ignore the intonation errors.

0:52:080:52:10

We've taken all the criticism on

0:52:100:52:12

and we've kind of just put on a show today.

0:52:120:52:14

It seemed like the audience really enjoyed it,

0:52:140:52:16

so whatever happens, happens.

0:52:160:52:18

But I think we won. I think we won.

0:52:180:52:20

Musically, Sons Of Pitches definitely showed more variation.

0:52:200:52:23

They used more sounds and that, for me, gives them more of an edge.

0:52:230:52:28

They made some mistakes. They made a mistake with the dancers.

0:52:280:52:32

Yes, it was a gimmick, but as an overall package,

0:52:320:52:35

six chaps making the sound that they did today,

0:52:350:52:38

great to watch, fascinating.

0:52:380:52:40

The dancers were a big mistake,

0:52:400:52:42

but I think Sons Of Pitches had the best tuning of the night again.

0:52:420:52:44

We're going to be happy no matter what.

0:52:440:52:46

It's just, when you get to the final, you want it so much.

0:52:460:52:49

When I was listening to Sons Of Pitches and Stratford East,

0:52:490:52:52

I couldn't help but hear the pitching.

0:52:520:52:55

I couldn't help it.

0:52:550:52:56

But with Choral Stimulation,

0:52:560:52:58

I was straight in to their overall performance.

0:52:580:53:00

I couldn't really pinpoint any particular mistakes,

0:53:000:53:03

but I bet you the judges can.

0:53:030:53:05

So I still think it is totally up for grabs.

0:53:050:53:07

I didn't feel like that performance took me very far. We saw one gear.

0:53:070:53:12

I didn't get a sense for them of what they're capable of.

0:53:120:53:15

I think it's a little bit unfair to say that they have one gear.

0:53:150:53:18

I actually thought that Choral Stimulation sang four songs.

0:53:180:53:22

Because what they did was so similar the whole way through.

0:53:220:53:26

The closest singers in this competition to professionals

0:53:260:53:29

-are Sons Of Pitches.

-Was it better than Choral Stimulation?

-Yes.

0:53:290:53:33

The three minutes that we got from them

0:53:330:53:35

with their gimmicky distraction,

0:53:350:53:37

is that better than excellent intonation and pitch...?

0:53:370:53:40

-Their resonance wasn't as deep and they didn't...

-It was beautiful...

0:53:400:53:46

It's an a cappella contest, not a...

0:53:460:53:48

All right, guys, it's time, we need to pick a winner. Let's vote.

0:53:480:53:51

I have a dilemma here about who really should be the winners.

0:53:510:53:56

Ladies and gentlemen, the jury are back,

0:54:030:54:06

I have the envelope with the decision here

0:54:060:54:08

and it is now time to reveal who will be the winner.

0:54:080:54:11

I am going to start

0:54:130:54:14

by revealing the act that are in third place this evening.

0:54:140:54:18

That group is...

0:54:180:54:20

..the Stratford East Singers.

0:54:270:54:29

CHEERING AND APPLAUSE

0:54:290:54:31

Congratulations for making it all the way to the grand final.

0:54:380:54:41

Well done, guys. Thank you.

0:54:410:54:43

So that means the title of series champion

0:54:480:54:51

will be going to one of two groups -

0:54:510:54:53

Sons of Pitches or Choral Stimulation.

0:54:530:54:56

The jury wanted to stress that this, as ever,

0:54:560:54:59

has been an extremely difficult decision to make,

0:54:590:55:02

but they have selected a champion.

0:55:020:55:05

The winner of the Naked Choir is...

0:55:080:55:10

..the Sons Of Pitches.

0:55:230:55:25

Choral Stimulation, I just want to say thank you so much.

0:55:430:55:46

You have produced work that is genuinely, genuinely stunning.

0:55:460:55:51

I think it was very, very close.

0:55:530:55:56

You can go home with your heads held proud.

0:55:560:55:58

Being second place in this is no shame.

0:55:580:56:01

Ladies and gentlemen, Choral Stimulation.

0:56:010:56:03

Sons Of Pitches, this is your moment. Enjoy!

0:56:100:56:14

Congratulations, how are you feeling?

0:56:240:56:27

When we started this competition,

0:56:270:56:29

we didn't think we would get anywhere near the final.

0:56:290:56:32

Just to be here tonight

0:56:320:56:33

and perform in this great venue is just incredible.

0:56:330:56:37

To win it is just something else, really.

0:56:370:56:39

Well done. The night belongs to you.

0:56:410:56:44

There you go! Ladies and gentlemen, the Sons Of Pitches!

0:56:500:56:54

What a feeling, it's amazing.

0:57:070:57:08

We worked so hard at it and I am so proud of everyone.

0:57:080:57:11

I literally could cry right now.

0:57:110:57:13

It's absolutely amazing.

0:57:130:57:14

Some of us have been doing this for three or four years.

0:57:140:57:17

And for this to happen now after all our hard work

0:57:170:57:20

is just the most amazing thing ever.

0:57:200:57:22

Go Sons Of Pitches!

0:57:320:57:34

I was screaming my head off.

0:57:340:57:36

Honestly, this guy is taking me to space. They are wonderful.

0:57:360:57:40

So proud of him.

0:57:400:57:43

It's been the best experience of my life

0:57:430:57:45

and I can't thank everyone involved enough.

0:57:450:57:48

It's blown me away.

0:57:480:57:50

I don't think that's the last we've heard of the Sons Of Pitches.

0:57:500:57:53

I really think they've got something very special.

0:57:530:57:55

They can fill a room like that with noise and sound and life and joy.

0:57:550:57:59

They're fantastic.

0:57:590:58:02

The great joy of this contest for me

0:58:020:58:04

has been working with these unbelievably talented groups

0:58:040:58:07

and pushing them to become even better.

0:58:070:58:10

That is wonderful. What a pleasure.

0:58:100:58:12

I feel like this is what I want to do for ever.

0:58:120:58:16

Are you a gifted singer or group?

0:58:180:58:20

Could you impress my jury?

0:58:200:58:22

To take part in my next contest

0:58:220:58:24

to find the nation's most impressive vocal talent, go to...

0:58:240:58:30

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