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-CHOIR SINGS -Hallelujah! | 0:00:02 | 0:00:04 | |
ALL CHEER | 0:00:04 | 0:00:05 | |
'It's the final of my search | 0:00:05 | 0:00:07 | |
'for Britain's most entertaining amateur a cappella group.' | 0:00:07 | 0:00:10 | |
Great! | 0:00:10 | 0:00:11 | |
'Hundreds applied from across the UK.' | 0:00:13 | 0:00:15 | |
Whoo! | 0:00:15 | 0:00:17 | |
'Eight battled it out.' | 0:00:17 | 0:00:19 | |
-Shake it off! ALL: -Yeah! | 0:00:19 | 0:00:21 | |
# Oh, how I want to break free... # | 0:00:21 | 0:00:24 | |
# Yeah, you're the best! # | 0:00:24 | 0:00:27 | |
Immensely proud of the girls. Oh, I'm going to cry, sorry! | 0:00:27 | 0:00:31 | |
That audience have been regally entertained. | 0:00:31 | 0:00:33 | |
LAUGHTER | 0:00:33 | 0:00:35 | |
'Now just three remain.' | 0:00:35 | 0:00:38 | |
To have got down to this three is really exciting, | 0:00:38 | 0:00:41 | |
and I think each group in the final has got something really special. | 0:00:41 | 0:00:45 | |
This will be exceptional stuff now. | 0:00:45 | 0:00:47 | |
'From Birmingham, all-male six-piece the Sons Of Pitches...' | 0:00:47 | 0:00:51 | |
-We can definitely win this. -Yeah. | 0:00:51 | 0:00:53 | |
I'm pretty confident that we can win this. | 0:00:53 | 0:00:55 | |
I've got a good feeling about our chances. | 0:00:55 | 0:00:57 | |
'..from London, community choir Stratford East Singers...' | 0:00:59 | 0:01:02 | |
I think this is where we shine, this is where our strength comes in, | 0:01:02 | 0:01:04 | |
and I think 15 of us standing on stage is going to be mind-blowing. | 0:01:04 | 0:01:09 | |
'..and Glasgow university group Choral Stimulation.' | 0:01:09 | 0:01:12 | |
We have worked really hard, I feel we deserve it. | 0:01:12 | 0:01:15 | |
Everything's coming together. | 0:01:15 | 0:01:17 | |
There's no reason why we can't win this. | 0:01:17 | 0:01:19 | |
-Yeah! -Yeah! | 0:01:19 | 0:01:20 | |
'They'll now compete one final time...' | 0:01:22 | 0:01:24 | |
APPLAUSE | 0:01:24 | 0:01:25 | |
Hello, London! | 0:01:25 | 0:01:27 | |
'..on a stage graced by the world's biggest music stars, | 0:01:27 | 0:01:31 | |
'in front of a thousand people... | 0:01:31 | 0:01:34 | |
'and my jury.' | 0:01:34 | 0:01:36 | |
Taking a song like that, modifying it, jazzing it up - brilliant. | 0:01:36 | 0:01:40 | |
I didn't feel like that performance took me very far. | 0:01:40 | 0:01:43 | |
Tonight, their votes will decide | 0:01:43 | 0:01:45 | |
which group will be crowned my champion. | 0:01:45 | 0:01:48 | |
I wanted to stand up and whoop and holler. | 0:01:48 | 0:01:51 | |
I have a dilemma here about who really should be the winners. | 0:01:51 | 0:01:55 | |
The winner of The Naked Choir is... | 0:01:56 | 0:01:59 | |
KOKO, Camden. | 0:02:12 | 0:02:13 | |
This prestigious London venue | 0:02:14 | 0:02:16 | |
has hosted the likes of Madonna, Katy Perry and Prince. | 0:02:16 | 0:02:20 | |
-Ooh! -This is NICE! | 0:02:20 | 0:02:23 | |
Check this out! | 0:02:23 | 0:02:25 | |
This is beautiful. | 0:02:25 | 0:02:26 | |
This week, it's the setting for my grand final. | 0:02:26 | 0:02:29 | |
Fantastic. Can't wait! | 0:02:29 | 0:02:32 | |
Talk about a grand final - don't get any grander than this. | 0:02:32 | 0:02:34 | |
This is so cool. | 0:02:34 | 0:02:36 | |
This is unbelievable. This theatre is massive! | 0:02:36 | 0:02:39 | |
In two weeks, my groups will be back here | 0:02:39 | 0:02:42 | |
in front of a thousand-strong crowd to give one final performance. | 0:02:42 | 0:02:47 | |
To now have the final and us all ready to go, | 0:02:47 | 0:02:50 | |
like, full commitment - | 0:02:50 | 0:02:51 | |
I really think we can pull something amazing, | 0:02:51 | 0:02:53 | |
and just really excited to see what the challenge is. | 0:02:53 | 0:02:56 | |
From the hundreds that have applied to have got down to this three | 0:02:56 | 0:02:59 | |
is really exciting, | 0:02:59 | 0:03:00 | |
and I think each group in the final has got something really special. | 0:03:00 | 0:03:04 | |
I think we should see some very, very fine performances, | 0:03:04 | 0:03:06 | |
and it's going to take that to win it. | 0:03:06 | 0:03:08 | |
ALL CHEER | 0:03:10 | 0:03:12 | |
Hello, my finalists! | 0:03:12 | 0:03:14 | |
THEY CHEER | 0:03:14 | 0:03:16 | |
Can you believe it? | 0:03:18 | 0:03:19 | |
Here we are, all set for the grand final of the contest. | 0:03:19 | 0:03:23 | |
Whoo! | 0:03:23 | 0:03:25 | |
As it's the final, you'll be performing not just one song... | 0:03:25 | 0:03:30 | |
but a medley... | 0:03:30 | 0:03:31 | |
-Oh, yes! -Yeah! | 0:03:31 | 0:03:33 | |
I knew it! I knew it! | 0:03:33 | 0:03:34 | |
-..of three songs. -Yes! | 0:03:34 | 0:03:37 | |
-OK. -Yes! | 0:03:37 | 0:03:38 | |
Of those three songs, one of them will be chosen by...you! | 0:03:38 | 0:03:44 | |
One of them will be chosen by me. | 0:03:46 | 0:03:48 | |
OK. | 0:03:48 | 0:03:50 | |
One of them will be chosen by one of your opponents. | 0:03:50 | 0:03:53 | |
-ALL: -Ohhh! | 0:03:53 | 0:03:57 | |
That is good. | 0:04:00 | 0:04:02 | |
Game changer! | 0:04:02 | 0:04:03 | |
So, think very carefully about the kind of music | 0:04:04 | 0:04:08 | |
that is going to showcase your strengths. | 0:04:08 | 0:04:10 | |
When you're selecting tracks for your opponents, challenge them. | 0:04:10 | 0:04:15 | |
Don't be mean, but think tactically. | 0:04:15 | 0:04:19 | |
I'm going to give you one hour to make your fateful song choice | 0:04:19 | 0:04:23 | |
and then I will reveal to each of you exactly which songs | 0:04:23 | 0:04:27 | |
will make up your medley. | 0:04:27 | 0:04:29 | |
-An hour?! -One hour. | 0:04:29 | 0:04:30 | |
Yeah. So, off you go, and good luck. | 0:04:30 | 0:04:33 | |
APPLAUSE | 0:04:33 | 0:04:35 | |
Yeah, what do we do if the songs literally don't go together? | 0:04:38 | 0:04:40 | |
-We could have three random... -SHE SIGHS | 0:04:42 | 0:04:45 | |
We could just have three random genres of music, | 0:04:45 | 0:04:48 | |
-and it's just going to... -Mm. -It may not work. | 0:04:48 | 0:04:51 | |
Medleys are part and parcel of the modern competitive a cappella scene, | 0:04:51 | 0:04:54 | |
and I think any group worth its salt should be able to | 0:04:54 | 0:04:56 | |
pull off this technical challenge, | 0:04:56 | 0:04:58 | |
so it's perfect - this triple challenge, perfect for the final. | 0:04:58 | 0:05:00 | |
With the clock ticking, the groups get down to deciding songs. | 0:05:02 | 0:05:07 | |
Selecting their own should be easy. | 0:05:07 | 0:05:09 | |
HIGH-PITCHED: # When I was young | 0:05:09 | 0:05:10 | |
# It seemed that life was so wonderful... # | 0:05:10 | 0:05:13 | |
Doing something like that might be a good shout. | 0:05:13 | 0:05:15 | |
-# There's a fire... # -Yeah! | 0:05:15 | 0:05:17 | |
# Burning in my heart. # | 0:05:17 | 0:05:19 | |
Stratford East Singers are singing Rolling In The Deep by Adele, | 0:05:19 | 0:05:21 | |
which I think is a really good choice. | 0:05:21 | 0:05:23 | |
-# Finally I can see you crystal clear -Crystal clear! # | 0:05:23 | 0:05:29 | |
It's good. They're on fire in there. | 0:05:29 | 0:05:31 | |
Whoo! | 0:05:31 | 0:05:32 | |
But what they choose for their rivals requires strategic thinking. | 0:05:32 | 0:05:36 | |
It'll be interesting to see how this works out. | 0:05:36 | 0:05:39 | |
We need to choose a track for Choral Stimulation. | 0:05:39 | 0:05:42 | |
Ooh! | 0:05:42 | 0:05:43 | |
-What they need is a song with lots of attitude. -Mm. -Lots of attitude. | 0:05:43 | 0:05:47 | |
I bet you they're going to choose something like a rap record | 0:05:47 | 0:05:50 | |
for Choral Stimulation, | 0:05:50 | 0:05:52 | |
and that would be a nightmare for Choral Stimulation. | 0:05:52 | 0:05:54 | |
These guys just about pull it off, but Choral Stimulation... | 0:05:54 | 0:05:57 | |
I've heard them rap. | 0:05:57 | 0:05:59 | |
What about Kelis? # I hate you so much right now. # | 0:06:00 | 0:06:02 | |
-That's a good one. -# Aaah! # | 0:06:02 | 0:06:04 | |
-We are picking for Sons of Pitches. -Ooh! | 0:06:04 | 0:06:08 | |
I think Oh, Flower Of Scotland would be absolutely hilarious. | 0:06:08 | 0:06:12 | |
Sons Of Pitches are really nice guys, | 0:06:12 | 0:06:14 | |
I think they're choosing for Stratford East - | 0:06:14 | 0:06:16 | |
who are also really nice - | 0:06:16 | 0:06:17 | |
and I think there's a danger that they might actually | 0:06:17 | 0:06:19 | |
not want to trip each other up. | 0:06:19 | 0:06:22 | |
What devious ideas have you come up with? | 0:06:22 | 0:06:25 | |
We said get them doing an Eminem song, so they have to rap. | 0:06:25 | 0:06:28 | |
-They can rap - they've got rappers. -Do they? | 0:06:28 | 0:06:30 | |
I would think a bit more tactically. I think you're being a bit too kind. | 0:06:30 | 0:06:33 | |
I would definitely go down a genre | 0:06:33 | 0:06:36 | |
that they're not going to be comfortable with. | 0:06:36 | 0:06:38 | |
-OK. -See you later. | 0:06:38 | 0:06:39 | |
-Cheeky Girls. -The Cheeky Girls! | 0:06:39 | 0:06:42 | |
I was just about to say that! | 0:06:42 | 0:06:44 | |
Oh, it's so mean! I don't want to look at them after this! | 0:06:44 | 0:06:47 | |
You've got to make it hard - | 0:06:47 | 0:06:48 | |
if they can make it a show stopping song...all the better for them. | 0:06:48 | 0:06:51 | |
I'm glad it's the last challenge - | 0:06:51 | 0:06:53 | |
can you imagine the looks we're going to get?! | 0:06:53 | 0:06:55 | |
Hello! | 0:06:57 | 0:06:58 | |
ALL: Hello! | 0:06:58 | 0:07:00 | |
I've got it here. These are your songs for the final. | 0:07:00 | 0:07:03 | |
I hope you like it. | 0:07:03 | 0:07:04 | |
I'm not sure you will. | 0:07:04 | 0:07:05 | |
Gareth's choice. | 0:07:06 | 0:07:08 | |
You've Got The Love by The Source, featuring Candi Staton. | 0:07:08 | 0:07:10 | |
-Yes! -Nice. -Great song. -Yeah! -Yes. | 0:07:10 | 0:07:12 | |
Perfect for you. | 0:07:12 | 0:07:14 | |
Your choice - Rolling In The Deep by Adele. | 0:07:14 | 0:07:16 | |
-Yes! -Great song. -Yeah. | 0:07:16 | 0:07:18 | |
You opponent's choice... | 0:07:18 | 0:07:19 | |
The Cheeky Song by The Cheeky Girls. | 0:07:19 | 0:07:22 | |
-Whoo! -Great song(!) | 0:07:22 | 0:07:23 | |
# I am the cheeky girls | 0:07:24 | 0:07:26 | |
# We are the cheeky boys... # | 0:07:26 | 0:07:28 | |
-I did not see that coming. -Nobody sees The Cheeky Girls coming. | 0:07:28 | 0:07:32 | |
No, I forgot about them. | 0:07:32 | 0:07:34 | |
Byron, how do you feel about The Cheeky Girls? | 0:07:34 | 0:07:36 | |
LAUGHTER I feel like it's a joke. | 0:07:36 | 0:07:37 | |
And I feel like we could've been a bit meaner, now. | 0:07:37 | 0:07:40 | |
We were like... HE DITHERS | 0:07:40 | 0:07:41 | |
..and we get this. | 0:07:41 | 0:07:42 | |
Gareth's choice - Valerie, by The Zutons. | 0:07:42 | 0:07:46 | |
# Sometimes I go out by myself... # | 0:07:46 | 0:07:49 | |
Our choice, Reach, by S Club 7. | 0:07:49 | 0:07:52 | |
Have a listen to the last one. | 0:07:52 | 0:07:53 | |
Your opponent's choice... | 0:07:53 | 0:07:55 | |
21 Seconds To Go by So Solid Crew! | 0:07:55 | 0:07:57 | |
-That's quality. -LAUGHTER | 0:07:57 | 0:07:59 | |
# 21 seconds to go | 0:07:59 | 0:08:00 | |
# 10 plus 1, Romeo done. # | 0:08:00 | 0:08:02 | |
HE BEATBOXES | 0:08:02 | 0:08:04 | |
-Is there any singing? -It's an absolutely huge song. | 0:08:04 | 0:08:07 | |
-I'm looking forward to hearing your interpretation of that. -Yeah. | 0:08:07 | 0:08:10 | |
The Sons Of Pitches, your medley will consist of... | 0:08:10 | 0:08:14 | |
Gareth's choice - Toxic by Britney Spears. | 0:08:14 | 0:08:16 | |
ALL CHEER | 0:08:16 | 0:08:18 | |
-Great song! -Glad you like it. | 0:08:18 | 0:08:20 | |
-Mine's a large ale. -THEY LAUGH | 0:08:20 | 0:08:23 | |
-Our choice - Waiting All Night by Rudimental. -Yeah. | 0:08:23 | 0:08:26 | |
-Cool. -That's good, I'm happy. | 0:08:26 | 0:08:27 | |
Your opponent's choice - | 0:08:27 | 0:08:29 | |
Annie's Song by John Denver. | 0:08:29 | 0:08:31 | |
# You fill up my senses | 0:08:31 | 0:08:34 | |
# Like a walk in the forest | 0:08:34 | 0:08:38 | |
# Da, da, da, da, da, da, da... # | 0:08:38 | 0:08:42 | |
You think about that jury. | 0:08:42 | 0:08:43 | |
It's the one thing that they want to see from you, | 0:08:43 | 0:08:45 | |
is just some gorgeous singing. | 0:08:45 | 0:08:47 | |
OK, good luck everyone! | 0:08:47 | 0:08:49 | |
Thank you! | 0:08:49 | 0:08:50 | |
Stratford have gone for our weakness - | 0:08:50 | 0:08:52 | |
they've gone for something they've never seen us do. | 0:08:52 | 0:08:54 | |
They're obviously in it for the competition, so bring it on. | 0:08:54 | 0:08:57 | |
Two out of three ain't bad... | 0:08:57 | 0:08:59 | |
So, yeah, I'm not very happy about The Cheeky Girls. | 0:08:59 | 0:09:01 | |
We gotta turn The Cheeky Girls into music! | 0:09:01 | 0:09:03 | |
That's what we've gotta do. LAUGHTER | 0:09:03 | 0:09:05 | |
So, yeah, let's see what happens. | 0:09:05 | 0:09:07 | |
-Do we have to sing it with the accent? -No. | 0:09:07 | 0:09:09 | |
LAUGHTER | 0:09:09 | 0:09:11 | |
Medleys fixed, | 0:09:11 | 0:09:12 | |
the groups now have just two weeks to not only arrange | 0:09:12 | 0:09:16 | |
and perfect three tracks, | 0:09:16 | 0:09:18 | |
but also knit them into a seamless performance | 0:09:18 | 0:09:20 | |
that will win them the title of series champion. | 0:09:20 | 0:09:24 | |
In Birmingham, the Sons Of Pitches are putting together | 0:09:31 | 0:09:34 | |
what they hope will be a winning medley. | 0:09:34 | 0:09:37 | |
HE SINGS FROM HIGH TO LOW PITCH | 0:09:37 | 0:09:40 | |
I'm so happy with the songs we got given yesterday. | 0:09:40 | 0:09:43 | |
I think after sleeping on it, I feel even better about it. | 0:09:43 | 0:09:46 | |
John Denver, man. | 0:09:46 | 0:09:47 | |
-It's a beautiful song. -Absolutely loving it. Beautiful song. | 0:09:47 | 0:09:50 | |
I think Choral Stimulation were probably trying to catch us out | 0:09:50 | 0:09:53 | |
a little bit with a slower song, | 0:09:53 | 0:09:54 | |
cos they know that that's probably our weakest area, | 0:09:54 | 0:09:56 | |
but we can hopefully come away with something | 0:09:56 | 0:09:59 | |
that's actually really pleasing to hear. | 0:09:59 | 0:10:01 | |
This group have been together for two years, | 0:10:01 | 0:10:03 | |
and are united by a shared musical ambition. | 0:10:03 | 0:10:07 | |
It started off as a hobby for us, | 0:10:07 | 0:10:08 | |
and something that we all just did because we wanted to, | 0:10:08 | 0:10:11 | |
but it would just be an absolute dream come true | 0:10:11 | 0:10:13 | |
that we could do this and live off it. | 0:10:13 | 0:10:15 | |
This desire to perform took root in some members of the group | 0:10:15 | 0:10:19 | |
long before the Sons Of Pitches formed. | 0:10:19 | 0:10:21 | |
# ..A resting place for bums | 0:10:21 | 0:10:24 | |
# A trap set in the slums | 0:10:24 | 0:10:26 | |
# But I know the score... # | 0:10:26 | 0:10:28 | |
Joe comes alive on stage. | 0:10:28 | 0:10:30 | |
It's something I noticed years and years ago - | 0:10:30 | 0:10:32 | |
he's always been quite a nervy boy, | 0:10:32 | 0:10:34 | |
but when you put him on stage, he comes alive, | 0:10:34 | 0:10:36 | |
and he is just in his element. | 0:10:36 | 0:10:38 | |
-I look terrified. It was great. -You did look terrified! | 0:10:38 | 0:10:41 | |
You're coughing your chest out, like... | 0:10:41 | 0:10:43 | |
To watch where, for me, it all started, | 0:10:43 | 0:10:45 | |
is just such a nice way to sort of round this off before we go and... | 0:10:45 | 0:10:48 | |
well, compete in the biggest night of our lives, really. | 0:10:48 | 0:10:51 | |
# Whoa... # | 0:10:51 | 0:10:53 | |
The Sons Of Pitches have made the grand final | 0:10:53 | 0:10:55 | |
by impressing my jury with their comic flourishes... | 0:10:55 | 0:10:59 | |
# Looking so hot I think that I might fall... # | 0:10:59 | 0:11:02 | |
..and vocal dexterity... | 0:11:02 | 0:11:04 | |
# So when we move | 0:11:04 | 0:11:06 | |
# You move... # | 0:11:06 | 0:11:08 | |
..but they struggled to bring rich harmonies... | 0:11:08 | 0:11:11 | |
# Sometimes we sigh... # | 0:11:11 | 0:11:13 | |
..and emotion to their performances... | 0:11:13 | 0:11:15 | |
# Sometimes we cry... # | 0:11:15 | 0:11:19 | |
For me, it was a little bit staid. | 0:11:19 | 0:11:22 | |
I was a little bit bored with it. | 0:11:22 | 0:11:24 | |
..until their breakthrough rendition of Wuthering Heights. | 0:11:24 | 0:11:27 | |
# Heathcliff, it's me Cathy | 0:11:27 | 0:11:29 | |
# Come home | 0:11:29 | 0:11:31 | |
# I'm so cold! | 0:11:31 | 0:11:32 | |
# Let me in-a-your window. # | 0:11:32 | 0:11:36 | |
APPLAUSE | 0:11:36 | 0:11:37 | |
Great tension, eerie harmonies. | 0:11:37 | 0:11:40 | |
-That gripped me tonight. -Yeah. -Great job, Sons Of Pitches. | 0:11:40 | 0:11:43 | |
This group's medley offers the perfect opportunity for them | 0:11:46 | 0:11:49 | |
to incorporate the precision, comedy and emotion | 0:11:49 | 0:11:52 | |
they've managed to master. | 0:11:52 | 0:11:54 | |
-Hello! -Hello! Come in. -How are you? | 0:11:54 | 0:11:57 | |
-Come in. How are you doing? -Very well, thanks. -Good, good. | 0:11:57 | 0:11:59 | |
I'm excited to see where you've got to. | 0:11:59 | 0:12:02 | |
Really like the John Denver song. | 0:12:02 | 0:12:03 | |
I don't know whether they thought we wouldn't like it. | 0:12:03 | 0:12:06 | |
-I think they thought you'd think that was incredibly naff. -Yeah. | 0:12:06 | 0:12:09 | |
We know that we need to show off what we've learnt | 0:12:09 | 0:12:11 | |
in the competition, and by doing that song, | 0:12:11 | 0:12:14 | |
and just singing it really well, we should be doing that. | 0:12:14 | 0:12:17 | |
It is very important at this stage that you show that development. | 0:12:17 | 0:12:20 | |
Can you sing a bit of it? | 0:12:20 | 0:12:22 | |
# You fill up my senses | 0:12:22 | 0:12:26 | |
# I don't know the words to this... # | 0:12:26 | 0:12:31 | |
HE BEATBOXES # You fill up my senses | 0:12:31 | 0:12:35 | |
-# Come fill me again -Come fill me again... # | 0:12:35 | 0:12:40 | |
Your voice, a beat and a bass, | 0:12:40 | 0:12:42 | |
and then it's just bringing in a couple of "oohs" as it... | 0:12:42 | 0:12:45 | |
# You fill up my... # | 0:12:45 | 0:12:47 | |
THEY SING BASS TONE | 0:12:47 | 0:12:49 | |
The John Denver into Toxic by Britney Spears - | 0:12:49 | 0:12:52 | |
both those songs require a degree of musical harmony, | 0:12:52 | 0:12:55 | |
and they have to show that this time. | 0:12:55 | 0:12:57 | |
They've got to show that jury | 0:12:57 | 0:12:59 | |
that they can sing beautiful harmonies EXACTLY. | 0:12:59 | 0:13:02 | |
I know it's their first rehearsal, | 0:13:02 | 0:13:04 | |
but I haven't really got very much to go on. | 0:13:04 | 0:13:06 | |
They need to get cracking. | 0:13:06 | 0:13:07 | |
Time is probably the biggest worry we have at the moment. | 0:13:07 | 0:13:11 | |
Like, we've basically got to do three songs, | 0:13:11 | 0:13:14 | |
and we've only got a couple of weeks. | 0:13:14 | 0:13:18 | |
And I'm at work quite a lot, er, so... | 0:13:18 | 0:13:22 | |
It's going to be an interesting couple of weeks! | 0:13:22 | 0:13:24 | |
Yay! | 0:13:24 | 0:13:26 | |
Yum, thank you. This is lovely. | 0:13:26 | 0:13:28 | |
So, what's the plan for you | 0:13:28 | 0:13:29 | |
Where do you all see yourselves going? | 0:13:29 | 0:13:31 | |
I think we are approaching a point | 0:13:31 | 0:13:32 | |
where people are wondering about, you know, future sort of careers - | 0:13:32 | 0:13:36 | |
like, I mean, Joe's been out of uni now for two years. | 0:13:36 | 0:13:39 | |
Two years, yeah. | 0:13:39 | 0:13:40 | |
Just having a job at a coffee shop with a zero-hour contract | 0:13:40 | 0:13:44 | |
doesn't normally mean I can get by very easily - | 0:13:44 | 0:13:47 | |
but this has been enough of a passion | 0:13:47 | 0:13:49 | |
that means it's been worth it. | 0:13:49 | 0:13:51 | |
But if we don't make something of this, | 0:13:51 | 0:13:53 | |
then I'm just going to have to make quite a tough decision. | 0:13:53 | 0:13:55 | |
This is kind of a make or break year, now. | 0:13:55 | 0:13:58 | |
If this year doesn't kind of get to a point where we're doing really... | 0:13:58 | 0:14:01 | |
well, very well, to be honest, | 0:14:01 | 0:14:03 | |
-I think it's going to be really tough to keep it going. -Yeah. | 0:14:03 | 0:14:06 | |
They're so passionate, | 0:14:06 | 0:14:07 | |
and they're so great - that's what makes them exciting | 0:14:07 | 0:14:11 | |
as a group, because you can see that drive | 0:14:11 | 0:14:13 | |
in Sons Of Pitches - that determination. | 0:14:13 | 0:14:15 | |
I recognise it, cos I was like that. But can you make a career at this? | 0:14:15 | 0:14:19 | |
I don't know. | 0:14:19 | 0:14:20 | |
I think that's the big test of the final, | 0:14:20 | 0:14:22 | |
really, is can they entertain an audience of a thousand people? | 0:14:22 | 0:14:26 | |
In Scotland, Choral Stimulation | 0:14:30 | 0:14:32 | |
are keen not to waste a single moment of the allotted fortnight. | 0:14:32 | 0:14:36 | |
Why don't we keep to "dum"s on the Valerie and go to "da"s on the Reach? | 0:14:36 | 0:14:39 | |
One, two, dum... | 0:14:39 | 0:14:41 | |
# Dum, dum... # | 0:14:41 | 0:14:42 | |
Over the course of the contest, this group's had moments of brilliance. | 0:14:42 | 0:14:46 | |
# Cos nothing compares | 0:14:46 | 0:14:50 | |
# Nothing compares | 0:14:50 | 0:14:53 | |
# To you | 0:14:53 | 0:14:56 | |
# Oooh... # | 0:14:56 | 0:14:59 | |
Very, very moved by their rendition. I thought it was fantastic. | 0:14:59 | 0:15:02 | |
But they've been criticised for performances that are | 0:15:02 | 0:15:05 | |
more arch than heartfelt and arrangements that are over-fussy. | 0:15:05 | 0:15:09 | |
-# Ya-ya-ya -Laaa-la-la-la-la | 0:15:09 | 0:15:11 | |
-# Ya-ya-ya -Laaa-la-la-la-la... # | 0:15:11 | 0:15:13 | |
# I'm ready for this, there's no... # | 0:15:15 | 0:15:18 | |
Last week, with half the group absent, their rushed | 0:15:18 | 0:15:21 | |
semifinal offering almost put them out of the contest. | 0:15:21 | 0:15:24 | |
I wouldn't share it, I wouldn't watch it again. | 0:15:24 | 0:15:26 | |
They had nothing behind the eyes. | 0:15:26 | 0:15:28 | |
One, two, three, four... | 0:15:28 | 0:15:29 | |
To avoid the disunity that plagued them in the previous round, | 0:15:29 | 0:15:34 | |
the entire group has decamped to the Scottish Borders. | 0:15:34 | 0:15:37 | |
We're currently in my house. Four days, just us, nothing else matters. | 0:15:37 | 0:15:41 | |
We all agree we had to do something. | 0:15:41 | 0:15:43 | |
This is the final, you've got to pay it some respect, you've got | 0:15:43 | 0:15:46 | |
to really work on it, and we wouldn't have done that in Glasgow. | 0:15:46 | 0:15:48 | |
So it's really nice we're all here and we're working hard. | 0:15:48 | 0:15:51 | |
# Heart's desire... # | 0:15:51 | 0:15:55 | |
As well as rehearse, | 0:15:55 | 0:15:56 | |
this getaway gives the group a chance to enjoy what might be | 0:15:56 | 0:16:00 | |
their final weeks together, before life beyond university beckons. | 0:16:00 | 0:16:05 | |
There are a lot of people leaving, a lot of people are graduating, | 0:16:05 | 0:16:08 | |
a lot of people are moving away. | 0:16:08 | 0:16:10 | |
New careers are looming for student teacher Rona | 0:16:10 | 0:16:13 | |
and psychology graduate Hannah. | 0:16:13 | 0:16:15 | |
I'm moving to London to start teacher training. | 0:16:15 | 0:16:18 | |
THEY SCREAM | 0:16:18 | 0:16:20 | |
I'm starting my job ten days after the final. | 0:16:20 | 0:16:23 | |
I genuinely can't comprehend the fact that this is finishing, | 0:16:24 | 0:16:28 | |
because it honestly has just been the best. | 0:16:28 | 0:16:30 | |
-Don't make me cry as well. -Sorry! | 0:16:30 | 0:16:32 | |
I can't even comprehend that, because... | 0:16:32 | 0:16:34 | |
Like, I've only done it for a year, | 0:16:34 | 0:16:36 | |
these guys are some of the best friends | 0:16:36 | 0:16:39 | |
I'll ever have, they genuinely are. | 0:16:39 | 0:16:41 | |
Yay! | 0:16:41 | 0:16:43 | |
Just to not have us all together, it's going to be really weird. | 0:16:43 | 0:16:46 | |
What is this? Ewan, you bring the towels, yeah? | 0:16:46 | 0:16:49 | |
But you said tea towels. | 0:16:49 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:55 | |
THEY VOCALISE | 0:16:59 | 0:17:01 | |
London community choir Stratford East Singers have also set up | 0:17:01 | 0:17:05 | |
a strict regime of daily rehearsals for the grand final. | 0:17:05 | 0:17:09 | |
That sounded good, you know. | 0:17:09 | 0:17:11 | |
This group prides itself on welcoming allcomers, | 0:17:11 | 0:17:14 | |
regardless of background or ability. | 0:17:14 | 0:17:17 | |
It isn't all about technicality, it's also about feeling and joy, | 0:17:17 | 0:17:21 | |
and I think that's what we represent. | 0:17:21 | 0:17:23 | |
# Ahhh-ahhh... # | 0:17:23 | 0:17:25 | |
As well as younger members enjoying their first taste of performance, | 0:17:25 | 0:17:29 | |
the group also contains more seasoned singers, | 0:17:29 | 0:17:32 | |
like 68-year-old Geoff, who joined the choir after he retired. | 0:17:32 | 0:17:36 | |
Well, I first started playing in a band when I was 14. | 0:17:37 | 0:17:40 | |
Being in a band has got certain perks to it, | 0:17:40 | 0:17:42 | |
you do get attention from the ladies. | 0:17:42 | 0:17:44 | |
I used to go out with me mates when I weren't playing and go down, | 0:17:44 | 0:17:48 | |
say, the Ilford Palais or something, and never get a look. | 0:17:48 | 0:17:51 | |
But as soon as I played out in the band... | 0:17:51 | 0:17:53 | |
HE LAUGHS | 0:17:53 | 0:17:55 | |
..not a problem! | 0:17:55 | 0:17:56 | |
If Stratford East Singers win, it'll be just amazing. | 0:17:58 | 0:18:01 | |
And I think we've got a great chance of winning | 0:18:01 | 0:18:03 | |
if we get it right on the day. | 0:18:03 | 0:18:05 | |
I feel like two of the songs that Stratford have got are | 0:18:06 | 0:18:09 | |
an absolute walk in the park for them, | 0:18:09 | 0:18:11 | |
but I am concerned about The Cheeky Girls. | 0:18:11 | 0:18:12 | |
I haven't seen a cheeky side to Stratford, | 0:18:12 | 0:18:14 | |
they've been very earnest up until now. | 0:18:14 | 0:18:16 | |
It'd be nice to see them have a bit of fun. It could be very amusing. | 0:18:16 | 0:18:20 | |
It could be dreadful. | 0:18:21 | 0:18:23 | |
We seem to have gone through Rolling In The Deep | 0:18:23 | 0:18:25 | |
and You've Got the Love quite a bit. | 0:18:25 | 0:18:27 | |
I don't know, everyone seems a little bit | 0:18:27 | 0:18:29 | |
reluctant to do Cheeky Girls. | 0:18:29 | 0:18:30 | |
Cos I was like, "Yeah, it's not bad", | 0:18:30 | 0:18:32 | |
and then I actually listened to it and I was like, "Whoa." | 0:18:32 | 0:18:34 | |
There isn't a melody, and I know that we could do something with it anyway. | 0:18:34 | 0:18:38 | |
BEATBOXING | 0:18:38 | 0:18:40 | |
Hi! How you doing? | 0:18:40 | 0:18:42 | |
-Good, thanks. -All right, yeah. | 0:18:42 | 0:18:44 | |
What do you feel like you need to do to win this? | 0:18:44 | 0:18:47 | |
We've got three great songs to... | 0:18:47 | 0:18:49 | |
LAUGHTER | 0:18:49 | 0:18:50 | |
Together. | 0:18:50 | 0:18:51 | |
If we don't take advantage of this big moment, it'd be a great shame. | 0:18:51 | 0:18:55 | |
You like the songs, how's everyone else feeling? | 0:18:55 | 0:18:58 | |
Are you a Cheeky Girls fan, Wenona? | 0:18:58 | 0:18:59 | |
-No, I say no. -Byron, how you getting on with it? | 0:18:59 | 0:19:02 | |
I don't know, I'm just kind of hoping that if we ignore it it'll go away. | 0:19:02 | 0:19:06 | |
That's an excellent strategy! Bury your head in the sand, yeah. | 0:19:08 | 0:19:11 | |
Yeah, really good. Let's have a go at Cheeky Girls. Come on, Byron. | 0:19:11 | 0:19:16 | |
Turn that frown upside down. | 0:19:16 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:20 | |
How does the bass bit go at the beginning? | 0:19:20 | 0:19:22 | |
# Come and smile | 0:19:22 | 0:19:24 | |
# Don't be shy | 0:19:24 | 0:19:26 | |
# Don't be shy | 0:19:26 | 0:19:28 | |
# Just touch my bum | 0:19:28 | 0:19:29 | |
# Just touch my bum! | 0:19:29 | 0:19:31 | |
LAUGHTER | 0:19:31 | 0:19:33 | |
# We are The Cheeky Girls | 0:19:33 | 0:19:35 | |
# Dum-dum, dum-dum-dum... # | 0:19:35 | 0:19:38 | |
WOMEN LAUGH | 0:19:39 | 0:19:41 | |
BYRON PLAYS BUM NOTES ON PIANO | 0:19:41 | 0:19:44 | |
I quite like the idea of some theatrical thing where you're | 0:19:46 | 0:19:50 | |
all slowly chasing Byron round. | 0:19:50 | 0:19:52 | |
# Dum, dum-dum-dum-dum, dum... # | 0:19:53 | 0:19:56 | |
What is the worry with it? Why do you hate it so much? | 0:19:56 | 0:20:00 | |
I feel like we worked so hard to be here, and to be given a song that's | 0:20:00 | 0:20:04 | |
such a joke for the finals, this is the time to shine, | 0:20:04 | 0:20:07 | |
-to go out all guns blazing. -Yeah. This is deliberate. | 0:20:07 | 0:20:10 | |
It is, it's a deliberate move by your opponents | 0:20:10 | 0:20:12 | |
to try and unseat you. | 0:20:12 | 0:20:14 | |
So what you don't want to be is the group that didn't really | 0:20:14 | 0:20:18 | |
go for the wild card song. | 0:20:18 | 0:20:20 | |
If you don't, that could cost you the contest, I think. | 0:20:20 | 0:20:24 | |
If Stratford East don't embrace the idea of singing Cheeky Girls... | 0:20:24 | 0:20:28 | |
They're running out of time, seriously. | 0:20:28 | 0:20:31 | |
Next week, it's the final. They've got to get on with it. | 0:20:31 | 0:20:36 | |
I'm worried that some of the others are a bit negative about it. | 0:20:36 | 0:20:39 | |
-They're worrying about their image too much. -Yeah. | 0:20:39 | 0:20:41 | |
They must forget that. | 0:20:41 | 0:20:43 | |
The whole medley is going to be over very quickly, | 0:20:43 | 0:20:45 | |
but that is a crucial part of it. | 0:20:45 | 0:20:46 | |
They've got to wake up to that, pretty quick! | 0:20:46 | 0:20:50 | |
Oh, lamb chops, lamb chops. | 0:20:59 | 0:21:01 | |
HE LAUGHS | 0:21:01 | 0:21:02 | |
Brilliant. I really know I'm in the country now. | 0:21:02 | 0:21:06 | |
'I'm heading to the Scottish Borders to see if Choral Stimulation | 0:21:06 | 0:21:10 | |
'are reaping the rewards of their a capella getaway.' | 0:21:10 | 0:21:14 | |
It's great to see that they've made enough of an effort to warrant | 0:21:14 | 0:21:18 | |
coming out here and actually getting away from it all and focusing. | 0:21:18 | 0:21:22 | |
It's exactly what they need. | 0:21:22 | 0:21:24 | |
-Hello! -ALL: Hello! | 0:21:24 | 0:21:27 | |
Wahey! | 0:21:27 | 0:21:29 | |
-Yes! -Well, it's my... | 0:21:29 | 0:21:32 | |
-Can I be in your group? -ALL: Yeah! -That's for you. -Thanks very much. | 0:21:32 | 0:21:36 | |
Good to see you, how are you? | 0:21:36 | 0:21:38 | |
-ALL: Good. -You've got away from it all. -Yeah. | 0:21:38 | 0:21:40 | |
What would be great is, | 0:21:40 | 0:21:41 | |
this seems like a really good point for you to perform to me, | 0:21:41 | 0:21:44 | |
so why don't we go outside, there's a little natural theatre | 0:21:44 | 0:21:46 | |
out there, and you can show me what you've got? Let's go. | 0:21:46 | 0:21:49 | |
Right, why don't you perform there and I'll be the audience here? | 0:21:49 | 0:21:53 | |
Let's see the show. | 0:21:53 | 0:21:55 | |
A-one, two, three, four. | 0:21:55 | 0:21:57 | |
# Won't you come on over, stop making a fool out of me | 0:21:57 | 0:22:03 | |
OTHERS HARMONISE | 0:22:03 | 0:22:04 | |
# Why won't you come on over, Valerie? # | 0:22:04 | 0:22:07 | |
# Reach for the stars | 0:22:09 | 0:22:10 | |
# Da-da-da, da-da-da-da-da | 0:22:10 | 0:22:12 | |
# Follow your heart's desire | 0:22:12 | 0:22:13 | |
# Reach for the stars | 0:22:13 | 0:22:16 | |
# Heart's desire. # | 0:22:16 | 0:22:18 | |
I just... I'm sorry, I don't think | 0:22:18 | 0:22:19 | |
it's in the right part of your voice. | 0:22:19 | 0:22:21 | |
-Really low. -Yeah, it's too low for you, and then you're pushing. | 0:22:21 | 0:22:24 | |
I'm not sure it's the right call. You could have Tony going... | 0:22:24 | 0:22:27 | |
# Reach for the stars | 0:22:27 | 0:22:28 | |
-HIGH-PITCHED: -# Boo-boo-boo, da-da-da-da... # | 0:22:28 | 0:22:30 | |
You know? Over the top. Do you want to try it? | 0:22:30 | 0:22:34 | |
-Uh-oh. -Tony's singing Reach! | 0:22:34 | 0:22:37 | |
LAUGHTER | 0:22:37 | 0:22:38 | |
This is the end of your days as cool. | 0:22:39 | 0:22:43 | |
# Reach for the stars | 0:22:43 | 0:22:45 | |
# Climb every mountain higher, reach for the stars | 0:22:45 | 0:22:49 | |
# Da-da-da - heart's desire! # | 0:22:49 | 0:22:51 | |
Oh, please, just have everyone sing | 0:22:51 | 0:22:53 | |
-"Reach for the stars" in unison, please. -No! -No! | 0:22:53 | 0:22:56 | |
Just try it. A-one, two, three, four. | 0:22:56 | 0:22:59 | |
# Reach for the stars... # | 0:22:59 | 0:23:01 | |
No! No, it's not happening! | 0:23:01 | 0:23:03 | |
SOME LAUGH, SOME CONTINUE SINGING | 0:23:03 | 0:23:06 | |
I absolutely love it. | 0:23:06 | 0:23:08 | |
-Literally, it was so good. -It's so not us. -SO cheesy. | 0:23:08 | 0:23:11 | |
-But what's not cheesy about, "Da-da, a-doobedy-ba"? -True. | 0:23:11 | 0:23:15 | |
I actually, I think I'll throw up on stage if we do it. | 0:23:15 | 0:23:19 | |
You've got to go for what wins. Give them some unison. | 0:23:19 | 0:23:22 | |
You need to reach out to the audience, as well as for the stars. | 0:23:22 | 0:23:26 | |
Nobody wants to sing in unison at the end, what's that about? | 0:23:27 | 0:23:30 | |
At the moment, it sounds a bit naff, to be honest, | 0:23:30 | 0:23:33 | |
we're all just going... | 0:23:33 | 0:23:34 | |
# Reach for the stars... # | 0:23:34 | 0:23:37 | |
What's wrong with that? | 0:23:37 | 0:23:39 | |
-I don't personally like it that much either. -OK. Why? | 0:23:39 | 0:23:43 | |
One of the reasons we picked the song was because Tony was | 0:23:43 | 0:23:46 | |
-so adamant he was going to make it ironic... -You can't play that game. | 0:23:46 | 0:23:49 | |
People won't get it, | 0:23:49 | 0:23:50 | |
it's very university. If I may be so rude. | 0:23:50 | 0:23:52 | |
It's very sort of "Oh-ho-ho, we're laughing at it | 0:23:52 | 0:23:55 | |
"but we're doing it at the same time." | 0:23:55 | 0:23:57 | |
Forget it, no-one will get that. | 0:23:57 | 0:23:58 | |
What people want to see is you standing on that stage, | 0:23:58 | 0:24:01 | |
enjoying the crowd, selling it. | 0:24:01 | 0:24:02 | |
That's your biggest problem as a group. | 0:24:02 | 0:24:04 | |
We're too proud, do you think? | 0:24:04 | 0:24:06 | |
Too proud, fearful of looking like twits. | 0:24:06 | 0:24:08 | |
-I would encourage you to be bolder. -OK. | 0:24:08 | 0:24:10 | |
'There's still a danger that they're | 0:24:10 | 0:24:12 | |
'going to leave the audience a bit cold.' | 0:24:12 | 0:24:14 | |
They're going to do something that's very clever, but doesn't entertain. | 0:24:14 | 0:24:18 | |
Finish on a "Bam!" Why not? | 0:24:18 | 0:24:21 | |
-This is the final, guys. -Cheers. | 0:24:23 | 0:24:26 | |
-Wahey, Choral Stimulation. -Thank you so much. | 0:24:26 | 0:24:29 | |
'With the contest and Choral Stimulation's time together | 0:24:29 | 0:24:32 | |
'drawing to a close, I'm toasting my final rehearsal with the group.' | 0:24:32 | 0:24:35 | |
What are you going to miss about singing with Choral Stimulation? | 0:24:35 | 0:24:38 | |
Whatever mood you're in, whatever's happened that day, | 0:24:38 | 0:24:42 | |
you can totally just, like, let it all go at rehearsal. | 0:24:42 | 0:24:45 | |
If this is our last performance together, | 0:24:47 | 0:24:48 | |
it'll be absolutely gutting. | 0:24:48 | 0:24:50 | |
Yeah, it's been... | 0:24:50 | 0:24:52 | |
Ohh. Be horrible. | 0:24:52 | 0:24:55 | |
I've made it all the way to the final, | 0:24:55 | 0:24:57 | |
I'm not crying on this last episode. | 0:24:57 | 0:24:59 | |
-I'm one of the only ones that didn't cry. -You haven't cried? Aww. | 0:24:59 | 0:25:03 | |
-No, it's fine. -"It's fine"! | 0:25:03 | 0:25:06 | |
-ALL: Cheers. -Slainte. | 0:25:07 | 0:25:09 | |
I think they're a lovely group, | 0:25:09 | 0:25:11 | |
really nice group of young people, you've got a doctor | 0:25:11 | 0:25:14 | |
and a teacher, and I'd love for this final performance, for them, | 0:25:14 | 0:25:18 | |
to be really fantastic. | 0:25:18 | 0:25:19 | |
For it to be something that they'll remember. | 0:25:19 | 0:25:22 | |
One week now until my final. | 0:25:27 | 0:25:30 | |
In just seven days, this venue will be filled with 1,000 people, | 0:25:30 | 0:25:34 | |
all expecting to be entertained by a performance | 0:25:34 | 0:25:37 | |
of not one, but three songs. | 0:25:37 | 0:25:40 | |
And to win the contest, | 0:25:41 | 0:25:42 | |
this medley of songs must be delivered with a level of | 0:25:42 | 0:25:46 | |
technical excellence that will impress | 0:25:46 | 0:25:48 | |
my jury of a cappella experts. | 0:25:48 | 0:25:50 | |
It's the final, so there's going to be that extra pressure, | 0:25:51 | 0:25:54 | |
but also you're dealing with three songs. | 0:25:54 | 0:25:56 | |
It's testing everything that we've seen so far. | 0:25:56 | 0:25:58 | |
-Key changes... -..performance... | 0:25:58 | 0:25:59 | |
-..choreography... -..arranging. | 0:25:59 | 0:26:01 | |
We want expression in the face, smiles, we want conviction. | 0:26:01 | 0:26:05 | |
I want to see musical highs and lows. | 0:26:05 | 0:26:07 | |
We really are looking for people who are at the top of their game. | 0:26:07 | 0:26:11 | |
All of those things that we've been testing along the way are all being | 0:26:11 | 0:26:15 | |
tested here, as well as creating a very difficult performance piece. | 0:26:15 | 0:26:19 | |
Struggling to pull all this together in just one week | 0:26:26 | 0:26:29 | |
are the Sons of Pitches. | 0:26:29 | 0:26:31 | |
Jamie speaking, how can I help? | 0:26:31 | 0:26:33 | |
Jobs and other commitments are making it difficult for them | 0:26:33 | 0:26:36 | |
to get together to rehearse. | 0:26:36 | 0:26:37 | |
Working full-time as well as doing Sons of Pitches is great, | 0:26:37 | 0:26:41 | |
but it's blooming knackering as well. | 0:26:41 | 0:26:44 | |
Like, it's so tiring. | 0:26:44 | 0:26:45 | |
HE HUMS: Toxic by Britney Spears | 0:26:45 | 0:26:48 | |
People at work have started being like, "You look a bit tired." | 0:26:49 | 0:26:52 | |
I'm like, "No, it's fine. | 0:26:52 | 0:26:53 | |
"Have another coffee." | 0:26:53 | 0:26:55 | |
# And I love what you do but you know that you're toxic... # | 0:26:55 | 0:26:58 | |
Today, I'm visiting them for one last rehearsal before the final. | 0:26:58 | 0:27:02 | |
The Sons of Pitches so far have turned in some really | 0:27:02 | 0:27:05 | |
good stuff, so I'm hoping for something great today. | 0:27:05 | 0:27:08 | |
-Hello. -ALL: Hello! | 0:27:08 | 0:27:10 | |
-How are you? -Pretty good. -I'm excited. -Hope you like it. | 0:27:10 | 0:27:15 | |
Shall I be an audience? I'll just sort of watch what you've got. | 0:27:15 | 0:27:18 | |
-It's not finished. -OK. | 0:27:18 | 0:27:20 | |
I'd say we're about three-quarters of the way. | 0:27:21 | 0:27:24 | |
OK, I will let you know what I think, but let me see it. | 0:27:24 | 0:27:27 | |
One, two, three, four. | 0:27:27 | 0:27:29 | |
BEATBOXING | 0:27:29 | 0:27:30 | |
# With a taste of a poison paradise | 0:27:30 | 0:27:33 | |
# I'm addicted to you but you know that you're toxic | 0:27:33 | 0:27:36 | |
-CHOIR MEMBER IMITATES DRUMBEAT -(Love that.) | 0:27:36 | 0:27:39 | |
# Wee-ooh-wee-ooh-ooh | 0:27:39 | 0:27:40 | |
# You fill up my senses | 0:27:42 | 0:27:46 | |
# Like a night in the forest | 0:27:47 | 0:27:50 | |
# Like a mountain in springtime | 0:27:53 | 0:27:57 | |
# Like a walk in the... | 0:27:59 | 0:28:01 | |
ALL: # Rain | 0:28:01 | 0:28:04 | |
CHOIR MEMBER IMITATES DIFFERENT DRUMBEAT | 0:28:04 | 0:28:05 | |
# I've been waiting all night for you to tell me... # | 0:28:05 | 0:28:08 | |
Et cetera. | 0:28:08 | 0:28:10 | |
OK. There were a couple of points where, one or two of the harmonies, | 0:28:11 | 0:28:15 | |
I'm just thinking, "What?" | 0:28:15 | 0:28:16 | |
Can you do "rain"? | 0:28:16 | 0:28:18 | |
# Rain. # | 0:28:18 | 0:28:20 | |
I've got three different versions of "eh". | 0:28:22 | 0:28:24 | |
-Say "eh". -# Ra-eh.... # | 0:28:24 | 0:28:26 | |
# Eh... # | 0:28:26 | 0:28:28 | |
# Reh... # | 0:28:28 | 0:28:29 | |
Rehhhh. Rehhh. | 0:28:29 | 0:28:33 | |
# Like a walk in the... | 0:28:33 | 0:28:35 | |
ALL: # Rain. # | 0:28:35 | 0:28:36 | |
-Much better. -Ahhh. Can you hear the difference? | 0:28:38 | 0:28:41 | |
That actually sounds like a cappella. | 0:28:41 | 0:28:43 | |
Rather than a bit of a shout. One more time. | 0:28:43 | 0:28:47 | |
# Like a walk in the... | 0:28:47 | 0:28:48 | |
# Rain | 0:28:48 | 0:28:51 | |
# Like a storm in the desert | 0:28:51 | 0:28:55 | |
# Like a sleepy blue ocean... # | 0:28:56 | 0:28:59 | |
Yeah, OK. Fine. I don't want to unpick this, | 0:28:59 | 0:29:01 | |
but I think the chords there are too difficult. | 0:29:01 | 0:29:03 | |
I would just go much simpler on those ahs. | 0:29:03 | 0:29:06 | |
This is one of those moments where you just want to go, | 0:29:06 | 0:29:09 | |
"No tricks, we're just singing the song." | 0:29:09 | 0:29:11 | |
I feel like first song - that's going to work. | 0:29:12 | 0:29:15 | |
Second song - needs a bit of simplifying. | 0:29:15 | 0:29:18 | |
Third song - I haven't heard. | 0:29:18 | 0:29:20 | |
-Moves? -No moves yet, no. -No moves. | 0:29:20 | 0:29:23 | |
We normally do choreo in a day, so... We should be fine. | 0:29:23 | 0:29:26 | |
We pretty much got this together yesterday, | 0:29:28 | 0:29:30 | |
cos we haven't had much time to rehearse, really. | 0:29:30 | 0:29:32 | |
That's the first time that I have seen Sons Of Pitches | 0:29:32 | 0:29:37 | |
not absolutely bringing their A game in this entire contest. | 0:29:37 | 0:29:40 | |
Which is a bit of a surprise, given it's the final. | 0:29:40 | 0:29:43 | |
This is their moment to shine. | 0:29:43 | 0:29:45 | |
I didn't expect them to be finished, | 0:29:45 | 0:29:46 | |
but I'm surprised at how unprepared they are. | 0:29:46 | 0:29:49 | |
They're a lot further behind, I think, than the other groups | 0:29:49 | 0:29:52 | |
and a lot further behind than they usually are themselves. | 0:29:52 | 0:29:55 | |
I think we just need to, you know, let it stew for a little bit | 0:29:55 | 0:29:58 | |
and it will come, and it's going to be great. | 0:29:58 | 0:30:01 | |
With their arrangement finished, | 0:30:05 | 0:30:07 | |
back in Glasgow, Choral Stimulation are focusing on choreography. | 0:30:07 | 0:30:11 | |
Sorry... | 0:30:11 | 0:30:12 | |
It has to be a show, it has to be big, | 0:30:12 | 0:30:14 | |
it has to be entertaining, exciting. | 0:30:14 | 0:30:18 | |
# I've got... # | 0:30:18 | 0:30:21 | |
In an arena like that, you can't just stand on stage and sing. | 0:30:21 | 0:30:24 | |
# 21 seconds to flow... # | 0:30:24 | 0:30:26 | |
I don't know what's happened to Choral Stimulation recently. | 0:30:26 | 0:30:29 | |
It's the most functional we've ever been. | 0:30:29 | 0:30:31 | |
It really does feel like we're ahead for once, so... It's good. | 0:30:31 | 0:30:33 | |
Do it, but more energy and - boom! | 0:30:34 | 0:30:36 | |
Ba-boom! | 0:30:37 | 0:30:39 | |
With just two days until the final, Stratford East Singers are also | 0:30:39 | 0:30:43 | |
perfecting dance routines as part of their rigorous rehearsal schedule. | 0:30:43 | 0:30:47 | |
Yeah, like an army. | 0:30:47 | 0:30:49 | |
This group started out believing themselves to be the underdogs | 0:30:50 | 0:30:54 | |
and found it hard to balance the mix of skills within their choir. | 0:30:54 | 0:30:58 | |
# Listen to the music | 0:30:58 | 0:30:59 | |
# Maybe just talk... # | 0:30:59 | 0:31:01 | |
There are tuning issues there and there are tuning issues throughout. | 0:31:01 | 0:31:05 | |
But their warmth | 0:31:05 | 0:31:06 | |
and sense of identity always resonated for the jury. | 0:31:06 | 0:31:09 | |
# Ain't falling under... # | 0:31:09 | 0:31:13 | |
I really liked the way that they were | 0:31:13 | 0:31:15 | |
so clear about who they were from the get-go. | 0:31:15 | 0:31:18 | |
And they've grown in both confidence and ability. | 0:31:18 | 0:31:21 | |
# Ring, ring, ring, ring, ring, ring | 0:31:21 | 0:31:23 | |
# Yeah, yeah, yeah, yeah! # | 0:31:23 | 0:31:24 | |
Unbelievable! | 0:31:24 | 0:31:26 | |
Yes! | 0:31:26 | 0:31:27 | |
This steady and impressive improvement | 0:31:30 | 0:31:32 | |
looked like it might be derailed at my last rehearsal. | 0:31:32 | 0:31:35 | |
But it seems Byron's had a breakthrough | 0:31:35 | 0:31:37 | |
with their wild card song. | 0:31:37 | 0:31:38 | |
# You are the cheeky boys... # | 0:31:38 | 0:31:40 | |
With the Cheeky Girls song, | 0:31:40 | 0:31:42 | |
I was kind of burying my head in the sand, | 0:31:42 | 0:31:43 | |
but I've come out of the sand now. | 0:31:43 | 0:31:45 | |
And I'm facing it head-on and I think we're doing quite well! | 0:31:45 | 0:31:48 | |
So, yeah, we're quite excited about the song now. | 0:31:48 | 0:31:50 | |
# Tu-tu-tu-tu-touch my bum, bum. # | 0:31:50 | 0:31:52 | |
THEY LAUGH | 0:31:52 | 0:31:54 | |
Part of the solution has been giving the solo to single mum Wenona. | 0:31:54 | 0:31:59 | |
She's been practising the parts daily for an avid audience | 0:32:01 | 0:32:04 | |
of son Canaan and mum Yonan. | 0:32:04 | 0:32:06 | |
# My buuuuuum... # | 0:32:06 | 0:32:10 | |
THEY LAUGH | 0:32:10 | 0:32:12 | |
I think she took after me. | 0:32:12 | 0:32:13 | |
-I always used to sing round the house. -Yes, you did. | 0:32:13 | 0:32:16 | |
Yeah. Although I can't sing, mind. | 0:32:16 | 0:32:18 | |
As well as running her own jewellery-making business from home, | 0:32:20 | 0:32:23 | |
Wenona is also registered carer for her mum, | 0:32:23 | 0:32:26 | |
who suffers from chronic diabetes. | 0:32:26 | 0:32:29 | |
She really looks after us well. | 0:32:29 | 0:32:31 | |
I'm very proud of how she manages. | 0:32:31 | 0:32:33 | |
Yes, I've got quite a lot of responsibility going on. | 0:32:33 | 0:32:36 | |
Joining the choir gives me a nice little break, | 0:32:36 | 0:32:39 | |
cos I can take my mind off home life for a couple of hours. | 0:32:39 | 0:32:41 | |
I've made some fantastic friends in the choir. | 0:32:41 | 0:32:44 | |
You know, we hang out together, | 0:32:44 | 0:32:45 | |
do things for each other's birthdays. | 0:32:45 | 0:32:47 | |
It's like my second home. | 0:32:47 | 0:32:49 | |
How do you feel with the contest coming on? | 0:32:49 | 0:32:51 | |
It's been a little bit stressful | 0:32:51 | 0:32:52 | |
trying to get all the arrangements and everything, | 0:32:52 | 0:32:54 | |
but it is coming along and we've got a couple more rehearsals to do. | 0:32:54 | 0:32:58 | |
-So I'll be hearing, "Oh, Mum, we've won!" -Yep. | 0:32:58 | 0:33:02 | |
You know, to get that far at your age as well... | 0:33:02 | 0:33:05 | |
-It's fantastic. -Mm. -Yeah, fantastic. Really good. | 0:33:07 | 0:33:11 | |
I'm very, very proud. | 0:33:11 | 0:33:13 | |
-Very proud. -Thank you, Mum! | 0:33:13 | 0:33:15 | |
I'm looking forward to seeing Stratford East Singers | 0:33:18 | 0:33:20 | |
because so far they've always pulled off something really interesting. | 0:33:20 | 0:33:23 | |
And I hope for the final, this should be the one. | 0:33:23 | 0:33:26 | |
This should be their best moment. | 0:33:26 | 0:33:28 | |
# When friends are gone | 0:33:28 | 0:33:30 | |
# I know my Saviour's love is real... # | 0:33:30 | 0:33:33 | |
-Hello! -Hello! | 0:33:33 | 0:33:35 | |
I was just getting ready for a performance there. | 0:33:37 | 0:33:39 | |
I'm going to get a chair. I'm going to be an audience. | 0:33:39 | 0:33:43 | |
Entertain me! | 0:33:43 | 0:33:44 | |
# We could have had it all | 0:33:46 | 0:33:50 | |
# Rolling in the deep | 0:33:50 | 0:33:52 | |
# We're rolling in the deep, deep, deep | 0:33:52 | 0:33:54 | |
# You had my heart inside your hand | 0:33:54 | 0:33:59 | |
# And you played it | 0:33:59 | 0:34:01 | |
# To the beat... | 0:34:01 | 0:34:04 | |
-# We are the Cheeky Girls -Bum, bum, bum, bum, bum | 0:34:05 | 0:34:07 | |
-# We are the Cheeky Girls -Bum, bum, bum, bum, bum | 0:34:07 | 0:34:09 | |
-# You are the cheeky boys -Bum, bum, bum, bum, bum | 0:34:09 | 0:34:11 | |
-# You are the cheeky boys -Bum, bum, bum, bum, bum | 0:34:11 | 0:34:13 | |
# Tu-tu-tu-tu-tu-tu-tu-tu- touch my bum | 0:34:13 | 0:34:16 | |
# Bum! # | 0:34:16 | 0:34:17 | |
Well done! Well done. You've got over The Cheeky Girls! | 0:34:17 | 0:34:20 | |
-Yeah! -My goodness. It's a good two-fingered response. | 0:34:20 | 0:34:24 | |
THEY LAUGH | 0:34:24 | 0:34:25 | |
A couple of pitchy moments. | 0:34:25 | 0:34:27 | |
Maybe one or two moments of people getting lost as well. | 0:34:27 | 0:34:30 | |
So, two, three... | 0:34:30 | 0:34:31 | |
# And you played it | 0:34:31 | 0:34:33 | |
# To the be-e-e-eat. # | 0:34:33 | 0:34:36 | |
Honestly, lots of you are flat. | 0:34:36 | 0:34:39 | |
Some of you are taking your eye off the ball with pitch. | 0:34:39 | 0:34:41 | |
HE HUMS A FLAT SEQUENCE | 0:34:41 | 0:34:44 | |
It's got to be "Mmmm!" You've got to have | 0:34:44 | 0:34:46 | |
the courage of your convictions, go for it, and be right. | 0:34:46 | 0:34:49 | |
-THEY HUM -Next one. | 0:34:49 | 0:34:51 | |
NOTE CHANGES | 0:34:51 | 0:34:52 | |
-Next one. -NOTE CHANGES | 0:34:52 | 0:34:55 | |
Good. Now... | 0:34:55 | 0:34:57 | |
HUMMING, FINDING CORRECT PITCH | 0:34:57 | 0:35:01 | |
Good. Can you hear the difference? | 0:35:01 | 0:35:03 | |
That's how in tune it's got to be. | 0:35:03 | 0:35:04 | |
Two, three, and... | 0:35:04 | 0:35:06 | |
# Rolling in the deep | 0:35:06 | 0:35:08 | |
# We're rolling in the deep, deep, deep | 0:35:08 | 0:35:10 | |
# You had my heart inside your hand | 0:35:10 | 0:35:15 | |
# And you played it | 0:35:15 | 0:35:17 | |
# To the be-e-e-eat. # | 0:35:17 | 0:35:20 | |
I think that's good, don't you? I feel like it's there. | 0:35:20 | 0:35:23 | |
Just take on board those tuning moments, cos everything else - | 0:35:23 | 0:35:26 | |
you've got energy on your side and you've got feel | 0:35:26 | 0:35:28 | |
and you've got rhythm. | 0:35:28 | 0:35:30 | |
Just don't leave yourselves exposed. | 0:35:30 | 0:35:32 | |
That is the thing that you've been picked up on, | 0:35:32 | 0:35:34 | |
so make sure everything is pristine. | 0:35:34 | 0:35:36 | |
I like it! I think it's good. I think the potential is there. | 0:35:37 | 0:35:41 | |
On energy, on stage presence, on sheer sense of fun, | 0:35:41 | 0:35:45 | |
I think Stratford win every time. | 0:35:45 | 0:35:47 | |
If they can get their technical stuff sorted out, I think... | 0:35:47 | 0:35:50 | |
Of course they could win it. | 0:35:50 | 0:35:52 | |
I really feel like they could. | 0:35:52 | 0:35:54 | |
The final rehearsal might be over, | 0:35:56 | 0:35:58 | |
but there's time for one last gathering - | 0:35:58 | 0:36:00 | |
the group's traditional end-of-term party. | 0:36:00 | 0:36:03 | |
DRUMMING AND VOCALISING | 0:36:03 | 0:36:06 | |
And this year, I'm guest of honour. | 0:36:06 | 0:36:09 | |
-CHANTING: -Go, Gareth! Go, Gareth! | 0:36:09 | 0:36:11 | |
CHEERING | 0:36:15 | 0:36:17 | |
Yes, Gareth! | 0:36:19 | 0:36:20 | |
CHEERING AND APPLAUSE | 0:36:22 | 0:36:25 | |
So is this the last social gathering before the final? | 0:36:27 | 0:36:30 | |
What will you miss about the contest once it's finished? | 0:36:30 | 0:36:33 | |
Everyone. | 0:36:33 | 0:36:35 | |
Just not seeing everyone, like, daily, is going to be really weird. | 0:36:35 | 0:36:39 | |
When we started out on this, I don't think | 0:36:39 | 0:36:41 | |
we could have ever realised quite how much we would end up... | 0:36:41 | 0:36:45 | |
Committing to it, not just on the practical side of turning up | 0:36:45 | 0:36:48 | |
every day, but giving everything to it. | 0:36:48 | 0:36:50 | |
We're really, really going to miss it. | 0:36:50 | 0:36:52 | |
Just... It's going to be really sad once it's done. | 0:36:52 | 0:36:54 | |
We've felt so supported. Even when we've had criticism, | 0:36:54 | 0:36:56 | |
we know it's come from a place of love so that we can improve. | 0:36:56 | 0:36:59 | |
I'm glad. I mean, I feel like it is about winning, | 0:36:59 | 0:37:03 | |
but it's also about improving and learning and stretching yourself. | 0:37:03 | 0:37:06 | |
It is about winning. | 0:37:06 | 0:37:07 | |
Is it about winning? OK. | 0:37:07 | 0:37:08 | |
Thank you for entertaining me so royally tonight. | 0:37:08 | 0:37:11 | |
-I shall miss you all. -ALL: -Aw! | 0:37:11 | 0:37:13 | |
You know, I've really enjoyed working with you. It's been great. | 0:37:13 | 0:37:16 | |
-S-E-S! -CHEERING | 0:37:16 | 0:37:19 | |
-Cheers! -Cheers. | 0:37:19 | 0:37:21 | |
I love Stratford. I love the vibe. | 0:37:21 | 0:37:22 | |
I love the fact that they are a little bit more mature | 0:37:22 | 0:37:25 | |
than the other two groups left in the final, | 0:37:25 | 0:37:26 | |
so that makes them more resilient. | 0:37:26 | 0:37:28 | |
They've been really adaptable, they've worked hard. | 0:37:28 | 0:37:31 | |
These guys have come from really quite a rough-around-the-edges sound | 0:37:31 | 0:37:34 | |
to something that's really working. | 0:37:34 | 0:37:36 | |
They'll be the audience favourites, I reckon. | 0:37:36 | 0:37:39 | |
They're people pleasers. | 0:37:39 | 0:37:40 | |
It's the day of the grand final. | 0:37:47 | 0:37:49 | |
All my groups are back in London and all have one goal in mind. | 0:37:50 | 0:37:55 | |
CHEERING | 0:37:55 | 0:37:57 | |
If we won tonight, it would mean the world to us, | 0:37:57 | 0:37:59 | |
because we sacrificed so much. | 0:37:59 | 0:38:00 | |
We've given up our home lives, | 0:38:00 | 0:38:02 | |
we've given up seeing our friends and family. | 0:38:02 | 0:38:04 | |
It would mean that all of that work that we put in was worth it. | 0:38:04 | 0:38:07 | |
We feel like we could have done a bit more rehearsal time | 0:38:07 | 0:38:10 | |
and we're all a bit knackered, but we're so excited to actually do it. | 0:38:10 | 0:38:14 | |
As it's the final, I've given the groups a budget for costumes, | 0:38:14 | 0:38:18 | |
staging and anything else they think might bring spectacle | 0:38:18 | 0:38:22 | |
to this crucial performance. | 0:38:22 | 0:38:24 | |
We've got these CO2 canons that are really cool. | 0:38:24 | 0:38:26 | |
We've got dancers. We're on a little podium, rocking out. | 0:38:26 | 0:38:29 | |
So hopefully, it's going to look really cool. | 0:38:29 | 0:38:32 | |
I'm so excited. I can't believe we're finally here. | 0:38:32 | 0:38:34 | |
There's already a buzz, so I can't wait until, like, | 0:38:34 | 0:38:37 | |
the seats are filled and everybody's in there. | 0:38:37 | 0:38:39 | |
As the groups prepare, | 0:38:42 | 0:38:43 | |
the thousand-strong crowd starts to fill the venue. | 0:38:43 | 0:38:46 | |
In amongst this audience, | 0:38:47 | 0:38:49 | |
friends and family have arrived from all parts of the UK and beyond. | 0:38:49 | 0:38:53 | |
I've travelled all the way from Nigeria to come | 0:38:53 | 0:38:55 | |
and see Sons Of Pitches. | 0:38:55 | 0:38:57 | |
My son is in it. I'm very excited myself. I'm very proud of him. | 0:38:57 | 0:39:00 | |
I'm here to support SES - Stratford East Singers - | 0:39:00 | 0:39:04 | |
because they are the greatest and they've got to win. | 0:39:04 | 0:39:07 | |
ALL: Go Choral Stimulation! | 0:39:07 | 0:39:09 | |
All of these groups have come so far through this contest. | 0:39:09 | 0:39:12 | |
They've learned so much. | 0:39:12 | 0:39:13 | |
And I think the final is their chance to show the jury | 0:39:13 | 0:39:16 | |
what they've learned. | 0:39:16 | 0:39:17 | |
They've taken on board the feedback | 0:39:17 | 0:39:19 | |
and proved that they can entertain 1,000 people. | 0:39:19 | 0:39:21 | |
While the groups need to entertain the thousand-strong crowd, | 0:39:21 | 0:39:25 | |
it's the jury they really need to impress. | 0:39:25 | 0:39:27 | |
Tonight, they'll make the most important decision of the contest | 0:39:28 | 0:39:32 | |
as they select a winner, based on performances of not just one, | 0:39:32 | 0:39:36 | |
but three songs. | 0:39:36 | 0:39:38 | |
Medleys are very difficult to do really well. | 0:39:38 | 0:39:41 | |
They have to be able to take some pretty disparate material | 0:39:41 | 0:39:44 | |
and find a way to make a compelling package out of that. | 0:39:44 | 0:39:47 | |
They need to be pitch perfect, | 0:39:49 | 0:39:50 | |
they need to be spot on with their timing, | 0:39:50 | 0:39:52 | |
they need to be imaginative, | 0:39:52 | 0:39:54 | |
but above that, they've got to draw in the huge crowd | 0:39:54 | 0:39:58 | |
they're going to be performing for. | 0:39:58 | 0:40:00 | |
If they make just one mistake, | 0:40:01 | 0:40:03 | |
suddenly our decision could be very easy. | 0:40:03 | 0:40:05 | |
APPLAUSE AND CHEERING | 0:40:09 | 0:40:12 | |
Hello, London! | 0:40:13 | 0:40:15 | |
-Are you ready to be entertained? -CHEERING | 0:40:17 | 0:40:20 | |
Excellent. | 0:40:22 | 0:40:23 | |
Well, it's time to welcome the first of my finalists to the stage. | 0:40:25 | 0:40:28 | |
Ladies and gentlemen, it's Choral Stimulation! | 0:40:28 | 0:40:31 | |
CHEERING AND APPLAUSE | 0:40:31 | 0:40:33 | |
# When the world | 0:40:40 | 0:40:42 | |
# Leaves you feeling blue | 0:40:42 | 0:40:46 | |
# You can count on me | 0:40:46 | 0:40:51 | |
# And I will be there for you | 0:40:51 | 0:40:56 | |
# When it seems | 0:40:56 | 0:40:58 | |
# All your hopes and dreams | 0:40:58 | 0:41:02 | |
# Are a million miles away | 0:41:02 | 0:41:06 | |
# I will reassure you | 0:41:06 | 0:41:11 | |
# We've got to all stick together | 0:41:11 | 0:41:16 | |
# Good friends there for each other | 0:41:16 | 0:41:20 | |
# Never ever forget | 0:41:20 | 0:41:23 | |
# That I've got you | 0:41:23 | 0:41:27 | |
# And you've got... | 0:41:27 | 0:41:31 | |
# 21 seconds to flow | 0:41:32 | 0:41:33 | |
# I've got 21 seconds to go | 0:41:33 | 0:41:35 | |
# Cos if you like me, let me know Let me in the studio | 0:41:35 | 0:41:38 | |
# I got 21 seconds to go | 0:41:38 | 0:41:39 | |
# 21 seconds to go | 0:41:39 | 0:41:40 | |
BEATBOXING AND AUDIENCE SCREAMS | 0:41:40 | 0:41:42 | |
# I got 21 seconds to go | 0:41:42 | 0:41:43 | |
# So if you like me, let me know Let me in the studio | 0:41:43 | 0:41:45 | |
# I got 21 seconds to go | 0:41:45 | 0:41:47 | |
# Every lyric I do Every lyric I say | 0:41:47 | 0:41:49 | |
# Every lyric I rock Every lyric I play | 0:41:49 | 0:41:51 | |
# Every lyric I make Every lyric I break | 0:41:51 | 0:41:53 | |
# There's always a snake Gotta get in my gate | 0:41:53 | 0:41:55 | |
# When I'm on a high When I'm on a low | 0:41:55 | 0:41:56 | |
# On a rave When I'm on a roll | 0:41:56 | 0:41:58 | |
# Big up the ladies Looking slender and fine | 0:41:58 | 0:42:00 | |
# Don't give me no deadline Give me more time | 0:42:00 | 0:42:02 | |
# Cos I... | 0:42:02 | 0:42:03 | |
-# Ha-ha! -Won't hesitate | 0:42:03 | 0:42:05 | |
-# Yeah, yeah, yeah! -No, I... | 0:42:05 | 0:42:07 | |
# Two multiplied by ten plus one I'm done! | 0:42:07 | 0:42:10 | |
-# Did you see me on the video? -Oh, no! | 0:42:10 | 0:42:12 | |
-# Did you see me on the video? -Tap-tap-tap | 0:42:12 | 0:42:14 | |
# Did you see me on the video? Oh, no! | 0:42:14 | 0:42:15 | |
-# Did you see me on the video? BARITONE: -See me on the video... | 0:42:15 | 0:42:18 | |
HE BEATBOXES | 0:42:18 | 0:42:20 | |
# Re-re-re-re-re-re-remix | 0:42:24 | 0:42:26 | |
# Well, sometimes I go out by myself | 0:42:26 | 0:42:30 | |
# And I look across the water | 0:42:30 | 0:42:33 | |
# And I think of all the things what you're doing | 0:42:35 | 0:42:39 | |
# And in my head I paint a picture | 0:42:39 | 0:42:43 | |
# Well, since I've come on home | 0:42:45 | 0:42:47 | |
# Well, my body's been a mess | 0:42:47 | 0:42:49 | |
# And I miss your ginger hair | 0:42:49 | 0:42:51 | |
-# And the way you like to dress -Oooh-ah! | 0:42:51 | 0:42:55 | |
# Won't you come on over | 0:42:55 | 0:42:57 | |
# Stop making a fool out of me? | 0:42:57 | 0:43:01 | |
# Why don't you come on over, Valerie? | 0:43:01 | 0:43:05 | |
DOO-WOP STYLE HARMONIES | 0:43:05 | 0:43:08 | |
# Valerie | 0:43:08 | 0:43:10 | |
# Why don't you come on over? | 0:43:10 | 0:43:13 | |
# Reach for the stars | 0:43:13 | 0:43:15 | |
# Climb every mountain higher | 0:43:15 | 0:43:18 | |
# Reach for the stars | 0:43:18 | 0:43:20 | |
# Follow your heart's desire | 0:43:20 | 0:43:23 | |
# Reach for the stars | 0:43:23 | 0:43:26 | |
# Climb every mountain higher | 0:43:26 | 0:43:28 | |
# Reach for the sta-a-a-a-ars | 0:43:28 | 0:43:32 | |
# Reach for the stars | 0:43:32 | 0:43:35 | |
# Climb every mountain higher | 0:43:35 | 0:43:37 | |
# Reach for the stars | 0:43:37 | 0:43:40 | |
# Follow your heart's desire. # | 0:43:40 | 0:43:42 | |
SUDDEN SILENCE APPLAUSE AND CHEERING | 0:43:42 | 0:43:47 | |
Really technically precise. | 0:43:47 | 0:43:49 | |
But out for the audience - loved it! | 0:43:49 | 0:43:51 | |
THEY SQUEAL EXCITEDLY | 0:43:58 | 0:44:00 | |
That was class. That was absolutely class. | 0:44:00 | 0:44:02 | |
So excited. Made a couple of mistakes, but who cares? | 0:44:02 | 0:44:05 | |
We had so much fun doing it. | 0:44:05 | 0:44:06 | |
If that's our last performance, then...good on it. | 0:44:06 | 0:44:09 | |
We absolutely killed it. | 0:44:09 | 0:44:10 | |
This has been genuinely one of the most... | 0:44:10 | 0:44:13 | |
supreme musical experiences of my entire life | 0:44:13 | 0:44:15 | |
and I owe that to all you guys. | 0:44:15 | 0:44:17 | |
Next up, the second of my finalists. | 0:44:17 | 0:44:20 | |
Ladies and gentlemen, it is with pride | 0:44:20 | 0:44:22 | |
and pleasure that I introduce you to | 0:44:22 | 0:44:25 | |
the Stratford East Singers! | 0:44:25 | 0:44:27 | |
APPLAUSE AND CHEERING | 0:44:27 | 0:44:29 | |
One, two, three, four. | 0:44:34 | 0:44:36 | |
# Finally I see you crystal clear | 0:44:39 | 0:44:43 | |
# Go ahead and I'll lay your ship bare | 0:44:43 | 0:44:46 | |
# See how I leave with every piece of you | 0:44:46 | 0:44:50 | |
# Don't underestimate the things that I will do | 0:44:50 | 0:44:54 | |
# There's a fire starting in my heart | 0:44:54 | 0:44:58 | |
# Reaching a fever pitch | 0:44:58 | 0:45:00 | |
# And it's bringing you out the dark | 0:45:00 | 0:45:03 | |
# The scars of your love | 0:45:03 | 0:45:05 | |
# Leave me breathless | 0:45:05 | 0:45:08 | |
# I can't help feeling | 0:45:08 | 0:45:10 | |
# Feeling | 0:45:10 | 0:45:12 | |
# Feeling | 0:45:12 | 0:45:16 | |
# We could have had it all | 0:45:16 | 0:45:18 | |
# We could have had it all | 0:45:18 | 0:45:20 | |
# Rolling in the deep | 0:45:20 | 0:45:24 | |
# You had my heart inside of your hand | 0:45:24 | 0:45:28 | |
# And you played it | 0:45:28 | 0:45:30 | |
# To the beat | 0:45:30 | 0:45:35 | |
# I never ever ask what you do | 0:45:35 | 0:45:40 | |
# I never ever ask what's on your mind | 0:45:44 | 0:45:49 | |
# So touch my | 0:45:54 | 0:45:58 | |
# Bum bum bu-u-u-um | 0:45:58 | 0:46:06 | |
# Cheeky cheeky! | 0:46:08 | 0:46:10 | |
# We are the cheeky girls | 0:46:10 | 0:46:12 | |
# We are the cheeky boys | 0:46:12 | 0:46:14 | |
# You are the cheeky boys | 0:46:14 | 0:46:16 | |
# You are the cheeky boys | 0:46:16 | 0:46:17 | |
# Cheek cheek cheek cheek cheek | 0:46:17 | 0:46:21 | |
# Cheek... # | 0:46:21 | 0:46:24 | |
That's going for it. | 0:46:24 | 0:46:25 | |
# When food is gone | 0:46:28 | 0:46:30 | |
# You are my daily meal | 0:46:30 | 0:46:32 | |
# When friends are gone | 0:46:35 | 0:46:37 | |
# I know my saviour's love is real | 0:46:37 | 0:46:41 | |
# You know it's real | 0:46:43 | 0:46:45 | |
# Sometimes I feel like throwing my hands up in the air | 0:46:45 | 0:46:50 | |
# I know I can count on you | 0:46:50 | 0:46:52 | |
# You got the love You got the love | 0:46:54 | 0:46:56 | |
# You got the love You got the love | 0:46:56 | 0:46:58 | |
# You got the love You got the love | 0:46:58 | 0:47:00 | |
# You got the love You got the love | 0:47:00 | 0:47:03 | |
# You got the | 0:47:03 | 0:47:04 | |
# Love, love, love | 0:47:04 | 0:47:06 | |
# Sometimes I feel like throwing my hands up | 0:47:09 | 0:47:12 | |
# Sometimes I feel like throwing my hands up | 0:47:12 | 0:47:14 | |
# Sometimes I feel like throwing my hands up in the air. # | 0:47:14 | 0:47:21 | |
CHEERING AND APPLAUSE | 0:47:21 | 0:47:23 | |
It was not flawless, there were problems all the way through. | 0:47:26 | 0:47:31 | |
But for an un-auditioned community choir | 0:47:31 | 0:47:34 | |
to get a reaction like that is absolutely brilliant. | 0:47:34 | 0:47:37 | |
Guys, we did it, we did it, we did it. | 0:47:42 | 0:47:44 | |
Just to see everyone smiling and clapping and cheering for us, | 0:47:46 | 0:47:49 | |
it's all worth it. | 0:47:49 | 0:47:50 | |
Well done, SES. | 0:47:50 | 0:47:52 | |
So, now for the last of our finalists this evening. | 0:47:54 | 0:47:58 | |
It's the Sons Of Pitches! | 0:47:58 | 0:48:00 | |
# I've been waiting all night | 0:48:08 | 0:48:10 | |
# For you to | 0:48:10 | 0:48:12 | |
# I've been waiting all night for you to | 0:48:16 | 0:48:19 | |
# Baby can't you see | 0:48:21 | 0:48:23 | |
# I'm calling | 0:48:23 | 0:48:25 | |
# A guy like you | 0:48:25 | 0:48:27 | |
# Should get a warning | 0:48:27 | 0:48:28 | |
# You're dangerous | 0:48:28 | 0:48:29 | |
# I'm loving it | 0:48:29 | 0:48:32 | |
# It's getting late | 0:48:34 | 0:48:36 | |
# I can't wait | 0:48:36 | 0:48:38 | |
# I need a | 0:48:38 | 0:48:39 | |
# Baby give me it | 0:48:39 | 0:48:41 | |
# You're dangerous | 0:48:41 | 0:48:43 | |
# I'm loving it | 0:48:43 | 0:48:45 | |
# With the taste of your lips I'm on a ride | 0:48:51 | 0:48:54 | |
# You're toxic I'm slipping under | 0:48:54 | 0:48:58 | |
# With the taste of a poison paradise | 0:48:58 | 0:49:00 | |
# I'm addicted to you Don't you know that you're toxic | 0:49:00 | 0:49:04 | |
# And I love what you do Don't you know that you're toxic | 0:49:06 | 0:49:10 | |
# No, no, no... # | 0:49:10 | 0:49:13 | |
Here we go. | 0:49:16 | 0:49:18 | |
# You fill up my senses | 0:49:19 | 0:49:23 | |
# Like a night in the forest | 0:49:25 | 0:49:28 | |
# Like a mountain in springtime | 0:49:31 | 0:49:34 | |
# Like a walk in the rain | 0:49:37 | 0:49:41 | |
# Like a storm in the desert | 0:49:41 | 0:49:46 | |
# Like a sleepy blue ocean | 0:49:46 | 0:49:51 | |
# You fill up my senses | 0:49:53 | 0:49:57 | |
# Come fill me again | 0:49:57 | 0:50:03 | |
# I've been waiting all night for you to tell me | 0:50:08 | 0:50:11 | |
# Tell me that you need me | 0:50:11 | 0:50:13 | |
# Tell me that you want me | 0:50:15 | 0:50:17 | |
# I've been waiting all night for you to tell me | 0:50:18 | 0:50:22 | |
# Tell me that you need me | 0:50:22 | 0:50:24 | |
# Tell me that you want me | 0:50:24 | 0:50:27 | |
# Tell me that you need me! | 0:50:27 | 0:50:30 | |
# Tell me that you want me | 0:50:30 | 0:50:33 | |
# Tell me that you need me | 0:50:33 | 0:50:35 | |
# Tell me that you want me | 0:50:35 | 0:50:37 | |
# Tell me that you need me | 0:50:37 | 0:50:40 | |
# Tell me that you want me | 0:50:40 | 0:50:42 | |
# Tell me that you need me | 0:50:42 | 0:50:45 | |
# Tell me that you want me | 0:50:45 | 0:50:48 | |
# Oh oh | 0:50:48 | 0:50:51 | |
# Tell me that you need me | 0:50:53 | 0:50:55 | |
# Tell me that you want me. # | 0:50:55 | 0:50:57 | |
CHEERING AND APPLAUSE | 0:50:59 | 0:51:00 | |
I can't fault them. Great. | 0:51:04 | 0:51:07 | |
Well done. | 0:51:15 | 0:51:17 | |
It wasn't perfect, our performance, but we don't want that. | 0:51:17 | 0:51:20 | |
-We want perfect imperfection, don't we? -Totally. -Absolutely smashed it. | 0:51:20 | 0:51:25 | |
On three. One, two, three! | 0:51:25 | 0:51:26 | |
The final performance is over. | 0:51:30 | 0:51:32 | |
It's down to my jury to crown the winner. | 0:51:32 | 0:51:34 | |
For me, Choral Stimulation, from the get go, | 0:51:36 | 0:51:40 | |
they got me in the pit of my stomach. | 0:51:40 | 0:51:41 | |
I wanted to stand up and whoop and holler. | 0:51:41 | 0:51:43 | |
Reach For The Stars jazz chords - ooh, gorgeous! | 0:51:43 | 0:51:46 | |
I mean, taking a song like that, jazzing it up - brilliant. | 0:51:46 | 0:51:51 | |
The most raw energy came from Stratford East Singers. | 0:51:51 | 0:51:55 | |
They're so committed, heart and soul, to what they are doing. | 0:51:55 | 0:51:57 | |
When we're looking for the most entertaining a cappella act, | 0:51:57 | 0:52:00 | |
what could be more entertaining than something with a message like that? | 0:52:00 | 0:52:05 | |
All smiling, all very much enjoying what they are doing, | 0:52:05 | 0:52:08 | |
I can't ignore the intonation errors. | 0:52:08 | 0:52:10 | |
We've taken all the criticism on | 0:52:10 | 0:52:12 | |
and we've kind of just put on a show today. | 0:52:12 | 0:52:14 | |
It seemed like the audience really enjoyed it, | 0:52:14 | 0:52:16 | |
so whatever happens, happens. | 0:52:16 | 0:52:18 | |
But I think we won. I think we won. | 0:52:18 | 0:52:20 | |
Musically, Sons Of Pitches definitely showed more variation. | 0:52:20 | 0:52:23 | |
They used more sounds and that, for me, gives them more of an edge. | 0:52:23 | 0:52:28 | |
They made some mistakes. They made a mistake with the dancers. | 0:52:28 | 0:52:32 | |
Yes, it was a gimmick, but as an overall package, | 0:52:32 | 0:52:35 | |
six chaps making the sound that they did today, | 0:52:35 | 0:52:38 | |
great to watch, fascinating. | 0:52:38 | 0:52:40 | |
The dancers were a big mistake, | 0:52:40 | 0:52:42 | |
but I think Sons Of Pitches had the best tuning of the night again. | 0:52:42 | 0:52:44 | |
We're going to be happy no matter what. | 0:52:44 | 0:52:46 | |
It's just, when you get to the final, you want it so much. | 0:52:46 | 0:52:49 | |
When I was listening to Sons Of Pitches and Stratford East, | 0:52:49 | 0:52:52 | |
I couldn't help but hear the pitching. | 0:52:52 | 0:52:55 | |
I couldn't help it. | 0:52:55 | 0:52:56 | |
But with Choral Stimulation, | 0:52:56 | 0:52:58 | |
I was straight in to their overall performance. | 0:52:58 | 0:53:00 | |
I couldn't really pinpoint any particular mistakes, | 0:53:00 | 0:53:03 | |
but I bet you the judges can. | 0:53:03 | 0:53:05 | |
So I still think it is totally up for grabs. | 0:53:05 | 0:53:07 | |
I didn't feel like that performance took me very far. We saw one gear. | 0:53:07 | 0:53:12 | |
I didn't get a sense for them of what they're capable of. | 0:53:12 | 0:53:15 | |
I think it's a little bit unfair to say that they have one gear. | 0:53:15 | 0:53:18 | |
I actually thought that Choral Stimulation sang four songs. | 0:53:18 | 0:53:22 | |
Because what they did was so similar the whole way through. | 0:53:22 | 0:53:26 | |
The closest singers in this competition to professionals | 0:53:26 | 0:53:29 | |
-are Sons Of Pitches. -Was it better than Choral Stimulation? -Yes. | 0:53:29 | 0:53:33 | |
The three minutes that we got from them | 0:53:33 | 0:53:35 | |
with their gimmicky distraction, | 0:53:35 | 0:53:37 | |
is that better than excellent intonation and pitch...? | 0:53:37 | 0:53:40 | |
-Their resonance wasn't as deep and they didn't... -It was beautiful... | 0:53:40 | 0:53:46 | |
It's an a cappella contest, not a... | 0:53:46 | 0:53:48 | |
All right, guys, it's time, we need to pick a winner. Let's vote. | 0:53:48 | 0:53:51 | |
I have a dilemma here about who really should be the winners. | 0:53:51 | 0:53:56 | |
Ladies and gentlemen, the jury are back, | 0:54:03 | 0:54:06 | |
I have the envelope with the decision here | 0:54:06 | 0:54:08 | |
and it is now time to reveal who will be the winner. | 0:54:08 | 0:54:11 | |
I am going to start | 0:54:13 | 0:54:14 | |
by revealing the act that are in third place this evening. | 0:54:14 | 0:54:18 | |
That group is... | 0:54:18 | 0:54:20 | |
..the Stratford East Singers. | 0:54:27 | 0:54:29 | |
CHEERING AND APPLAUSE | 0:54:29 | 0:54:31 | |
Congratulations for making it all the way to the grand final. | 0:54:38 | 0:54:41 | |
Well done, guys. Thank you. | 0:54:41 | 0:54:43 | |
So that means the title of series champion | 0:54:48 | 0:54:51 | |
will be going to one of two groups - | 0:54:51 | 0:54:53 | |
Sons of Pitches or Choral Stimulation. | 0:54:53 | 0:54:56 | |
The jury wanted to stress that this, as ever, | 0:54:56 | 0:54:59 | |
has been an extremely difficult decision to make, | 0:54:59 | 0:55:02 | |
but they have selected a champion. | 0:55:02 | 0:55:05 | |
The winner of the Naked Choir is... | 0:55:08 | 0:55:10 | |
..the Sons Of Pitches. | 0:55:23 | 0:55:25 | |
Choral Stimulation, I just want to say thank you so much. | 0:55:43 | 0:55:46 | |
You have produced work that is genuinely, genuinely stunning. | 0:55:46 | 0:55:51 | |
I think it was very, very close. | 0:55:53 | 0:55:56 | |
You can go home with your heads held proud. | 0:55:56 | 0:55:58 | |
Being second place in this is no shame. | 0:55:58 | 0:56:01 | |
Ladies and gentlemen, Choral Stimulation. | 0:56:01 | 0:56:03 | |
Sons Of Pitches, this is your moment. Enjoy! | 0:56:10 | 0:56:14 | |
Congratulations, how are you feeling? | 0:56:24 | 0:56:27 | |
When we started this competition, | 0:56:27 | 0:56:29 | |
we didn't think we would get anywhere near the final. | 0:56:29 | 0:56:32 | |
Just to be here tonight | 0:56:32 | 0:56:33 | |
and perform in this great venue is just incredible. | 0:56:33 | 0:56:37 | |
To win it is just something else, really. | 0:56:37 | 0:56:39 | |
Well done. The night belongs to you. | 0:56:41 | 0:56:44 | |
There you go! Ladies and gentlemen, the Sons Of Pitches! | 0:56:50 | 0:56:54 | |
What a feeling, it's amazing. | 0:57:07 | 0:57:08 | |
We worked so hard at it and I am so proud of everyone. | 0:57:08 | 0:57:11 | |
I literally could cry right now. | 0:57:11 | 0:57:13 | |
It's absolutely amazing. | 0:57:13 | 0:57:14 | |
Some of us have been doing this for three or four years. | 0:57:14 | 0:57:17 | |
And for this to happen now after all our hard work | 0:57:17 | 0:57:20 | |
is just the most amazing thing ever. | 0:57:20 | 0:57:22 | |
Go Sons Of Pitches! | 0:57:32 | 0:57:34 | |
I was screaming my head off. | 0:57:34 | 0:57:36 | |
Honestly, this guy is taking me to space. They are wonderful. | 0:57:36 | 0:57:40 | |
So proud of him. | 0:57:40 | 0:57:43 | |
It's been the best experience of my life | 0:57:43 | 0:57:45 | |
and I can't thank everyone involved enough. | 0:57:45 | 0:57:48 | |
It's blown me away. | 0:57:48 | 0:57:50 | |
I don't think that's the last we've heard of the Sons Of Pitches. | 0:57:50 | 0:57:53 | |
I really think they've got something very special. | 0:57:53 | 0:57:55 | |
They can fill a room like that with noise and sound and life and joy. | 0:57:55 | 0:57:59 | |
They're fantastic. | 0:57:59 | 0:58:02 | |
The great joy of this contest for me | 0:58:02 | 0:58:04 | |
has been working with these unbelievably talented groups | 0:58:04 | 0:58:07 | |
and pushing them to become even better. | 0:58:07 | 0:58:10 | |
That is wonderful. What a pleasure. | 0:58:10 | 0:58:12 | |
I feel like this is what I want to do for ever. | 0:58:12 | 0:58:16 | |
Are you a gifted singer or group? | 0:58:18 | 0:58:20 | |
Could you impress my jury? | 0:58:20 | 0:58:22 | |
To take part in my next contest | 0:58:22 | 0:58:24 | |
to find the nation's most impressive vocal talent, go to... | 0:58:24 | 0:58:30 |