Browse content similar to 31/03/2016. Check below for episodes and series from the same categories and more!
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Naked Video. Naukd Welcome to too too Much TV. | :00:20. | :00:29. | |
one of the funniest women in comedy, | :00:30. | :00:32. | |
Elaine C Smith, will be just one sofa along, | :00:33. | :00:34. | |
You're Back in the Room's hypnotist, Keith Barry, joins us to talk | :00:35. | :00:38. | |
And Sara Cox tells us which TV show she'd like to Bring | :00:39. | :00:42. | |
We start with the news of the sad passing of Ronnie Corbett who died | :00:43. | :00:47. | |
Best known, of course, for his on-screen partnership | :00:48. | :00:50. | |
with Ronnie Barker, he gave us so many golden moments that | :00:51. | :00:52. | |
would make us laugh and keep us laughing time after time after time. | :00:53. | :00:55. | |
It's clear from the tributes we've seen today that Ronnie Corbett | :00:56. | :00:58. | |
was as warm, generous and likeable off screen as he was on. | :00:59. | :01:01. | |
As he would often joke, no-one could look up to him, | :01:02. | :01:03. | |
I had the pleasure of meeting him a few times, as did Emma. He was good | :01:04. | :01:16. | |
fun. The last time I saw him, we were on the bag of a golf buggy. He | :01:17. | :01:21. | |
was holding on to me. He was such a sweet, sweet man. I met him when I | :01:22. | :01:26. | |
was 12. He said "I'm really glad you are on the show, you are the only | :01:27. | :01:29. | |
person that makes me look tall." Lovely man. Lovely words on Twitter. | :01:30. | :01:32. | |
John Cleese: And the other David, David Cameron, | :01:33. | :01:40. | |
he tweeted, saying: Here, here. | :01:41. | :02:06. | |
Ronnie Corbett mastered it all from sit Copts to game shows, but it was | :02:07. | :02:11. | |
the sketch show where his work will never be bettered. Let's enjoy the | :02:12. | :02:19. | |
Mastermind sketch. Your first chosen subject | :02:20. | :02:29. | |
was answering questions before they were asked, this time you have | :02:30. | :02:37. | |
chosen to answer the question before What is the name of the directory | :02:38. | :02:40. | |
that lists members of the peerage? Who are Len Murray | :02:41. | :02:48. | |
and Sir Jeffrey Howe? What is the difference | :02:49. | :02:52. | |
between a donkey and an ass? One is a trade union leader, | :02:53. | :02:56. | |
the other is a member Complete the quotation, | :02:57. | :02:59. | |
"To be or not to be..." Who is the present Archbishop of | :03:00. | :03:09. | |
Canterbury? He is a fat man | :03:10. | :03:18. | |
who tells blue jokes. The Right Reverend | :03:19. | :03:21. | |
Robert Runcie. What would you use a rip | :03:22. | :03:28. | |
cord to pull open? What sort of a person | :03:29. | :03:38. | |
lived in Bedlam? So funny. Masters of their craft | :03:39. | :03:44. | |
there. There's going to be more tributes | :03:45. | :04:08. | |
to Ronnie over on The One Show on BBC1 at 7.00pm and tonight | :04:09. | :04:11. | |
at 8.00pm BBC2 will be airing Elaine C Smith has been in loads | :04:12. | :04:14. | |
of shows including Rab C Nesbitt and can now be seen in BBC2's | :04:15. | :04:20. | |
new comedy Two Doors Down. The show's all about a close group | :04:21. | :04:23. | |
of neighbours but in this clip from tomorrow night's show, | :04:24. | :04:27. | |
Elaine's character, Christine, isn't feeling in | :04:28. | :04:29. | |
a very sociable mood. Are you all right Christine? Oh, | :04:30. | :04:40. | |
Colin, not so great actually. , oh, well. I'm back in my collar. I | :04:41. | :04:46. | |
noticed that. My bladder is away again. Oh dear God. Drips and drops | :04:47. | :04:51. | |
and if that's not bad enough I've started to get this ringing in my | :04:52. | :04:56. | |
ears Ringing in your ears? Aye. I tell you what you want to do. What's | :04:57. | :04:59. | |
that? Give your doctor a bell. Please welcome Elaine C Smith. Tell | :05:00. | :05:15. | |
us a bit more about Two Doors Down, it looks great As you can see, I | :05:16. | :05:20. | |
modelled my performance on Michelle fiver. -- Michelle Fife. -- Phifer. | :05:21. | :05:32. | |
It is a daft idea that will resonate across the whole fted UK. Regardless | :05:33. | :05:36. | |
of whether you come from Scotland, Wales or wherever because it is | :05:37. | :05:39. | |
about your neighbours. It is about three different sets of neighbours | :05:40. | :05:42. | |
who live literally a door down from each other and the fact that you | :05:43. | :05:46. | |
have to rub along and get on with your neighbours. What is interesting | :05:47. | :05:51. | |
about it, is it has a lot of heart. I have seen the first episode. You | :05:52. | :05:55. | |
gel with all the characters. It is down to the writing. When I first | :05:56. | :06:00. | |
read it, it made me laugh out loud but I knew who the characters were. | :06:01. | :06:05. | |
You knew them, the character you saw there, Jonathan Watson plays is that | :06:06. | :06:08. | |
guy who will instantly let you know how wealthy he is. He has the flash | :06:09. | :06:13. | |
car in the driveway and talks about driving to the timescare. Arabella | :06:14. | :06:19. | |
Weir, how do you get a word in edgeways? I'm quite good at that but | :06:20. | :06:25. | |
she is fantastic. She is outrageous but so is Doon. That's what has been | :06:26. | :06:31. | |
wonderful for me. I started out in a show Naked Video, she was on the | :06:32. | :06:38. | |
Fast Show and Doon was doing Smack the Pony. All before your time, of | :06:39. | :06:42. | |
course. You are youngsters. Thanks for pointing that out I had admired | :06:43. | :06:50. | |
them from afar so to get in a series with those women, and at a time you | :06:51. | :06:54. | |
were on your own with a bloke, the star, it has been fantastic. | :06:55. | :06:57. | |
I love it is a strong female fast. Do you think comedy has changed for | :06:58. | :07:01. | |
females now? Do you think it is different? I think it is different. | :07:02. | :07:05. | |
It has got better. It is interesting we were talking about the great | :07:06. | :07:09. | |
Ronnie Corbett When I think about the comedy I grew up with, you very | :07:10. | :07:15. | |
rarely saw women get the tag lines or things like that. I found myself | :07:16. | :07:20. | |
in a particle universe in one of the scenes we did one day where you have | :07:21. | :07:27. | |
four women being funny. We had a female DOP. And a if he male | :07:28. | :07:31. | |
producer. I thought #30e years ago it would never happen. That's a | :07:32. | :07:39. | |
director of photography. It is a takever. It is. What is happening? | :07:40. | :07:43. | |
It is just about balance. There is still an attitude. I saw an | :07:44. | :07:47. | |
interview the other day when someone turned around to a if he male | :07:48. | :07:53. | |
actress and said - are women funny? That is like saying - can women | :07:54. | :07:57. | |
paint? Can women sing? Of course we can. But it is about the opportunity | :07:58. | :08:01. | |
and opening it out there but the men are funny and it is written by men. | :08:02. | :08:06. | |
It is very funny. How critical are you of your performances these days? | :08:07. | :08:08. | |
Hate it. Really, do you watch yourself? No. I | :08:09. | :08:12. | |
find it really, really difficult. Over the years I always say - oh, | :08:13. | :08:17. | |
who is that woman, tell her to be quiet. | :08:18. | :08:21. | |
And you see your mistakes as well and think - why did I do that? | :08:22. | :08:26. | |
Ironically I got sent through the first episode of this because we | :08:27. | :08:29. | |
were doing a BAFTA screening in Glasgow. I watched it and my | :08:30. | :08:39. | |
daughter who is an actress said - oh, mum, watching yourself. I | :08:40. | :08:43. | |
watched it and I laughed. Just that one scene? No, all the way through | :08:44. | :08:47. | |
that. You have been making us laugh for | :08:48. | :08:51. | |
years. Obviously, huge, Rab C Nesbitt you were in that. How did | :08:52. | :08:56. | |
you find working on this show, it was massive? Again, very glamorous, | :08:57. | :09:02. | |
as you can see. I do a very good ugly, as you can see. Can I ask you | :09:03. | :09:08. | |
- what is that animal? It is like a dog sheep or something? We breed | :09:09. | :09:13. | |
them in Glasgow. It is a special breed. I love it. We have got a clip | :09:14. | :09:18. | |
from your first episode all the way back in 1990. How young was I. I | :09:19. | :09:24. | |
sent you for sausages three days ago and I haven't seen hide nor hair of | :09:25. | :09:32. | |
them since. Shush, shush. That's what the smell was. There's your | :09:33. | :09:37. | |
sausages. I don't want them now. They are no used to me now, are | :09:38. | :09:44. | |
they? Mary, come on. We have known each other too long to let a pan of | :09:45. | :09:49. | |
dead meat come between us. Let's leave our sex life out of this, will | :09:50. | :09:52. | |
you? You played such an eccentric | :09:53. | :09:56. | |
character, didn't you? I look about 12 in that I have to say. That voice | :09:57. | :10:02. | |
of your, beautiful. I could listen to it for hours. Minutes possibly. | :10:03. | :10:08. | |
I'm classicallied trained you know to get that voice. -- | :10:09. | :10:14. | |
classically-trained. She was based on -- my aunties will hate me for | :10:15. | :10:19. | |
that - but my aunties and women I knew. And fab writing. The fist time | :10:20. | :10:23. | |
we did it as a sketch on Naked Video, I thought -- this is great. | :10:24. | :10:27. | |
It started aes a sketch and then they decided to do a pilot. We had | :10:28. | :10:32. | |
no idea it would become this iconic thing, you know, but there is | :10:33. | :10:36. | |
something wonderful, you know, I realise when men play or when Robert | :10:37. | :10:41. | |
De Niro decides he will be Raging Bull and put on weight and be ugly | :10:42. | :10:46. | |
they are acting, when women play like that, we are not acting, we | :10:47. | :10:50. | |
must be like that. That happened to me for a long time, people thought I | :10:51. | :10:54. | |
was Mary Nesbitt. As you can see, I'm not. You are definitely not. | :10:55. | :10:58. | |
Thank you so much for coming N you can see the new series of Two Doors | :10:59. | :11:04. | |
Down on BBC Two at 10.00pm tomorrow night. | :11:05. | :11:07. | |
So funny. Elaine C Smith. APPLAUSE. | :11:08. | :11:07. | |
Thank you. This week Sara Cox was asked | :11:08. | :11:15. | |
which TV show she'd And amazingly, she chose a show that | :11:16. | :11:18. | |
would have been on TV, at this time, on this channel, | :11:19. | :11:22. | |
15 years ago in the '90s. My name is Sarah Cox and I want to | :11:23. | :11:42. | |
bring back the Fresh Prince of Bel-Air. | :11:43. | :11:47. | |
# This is a story about how my life got flipped turned upside down# | :11:48. | :11:52. | |
It is so hard to explain t without singing the song. | :11:53. | :11:56. | |
# Got in my neighbourhood...# He got in a fight, his mamma got | :11:57. | :12:01. | |
scared and said # You are moving in with your auntie | :12:02. | :12:08. | |
and uncle in bell air. It was at 6.30pm on BBC two. It really felt | :12:09. | :12:13. | |
like it was for us. I'm in the your uncle Philip. I must have got sent | :12:14. | :12:19. | |
to the wrong crib. Will gets sent to live with his wealthy aunt and uncle | :12:20. | :12:26. | |
in Bel-Air, which of course is posh. This place is huge. Next time I | :12:27. | :12:32. | |
leave I'll take breadcrumbs. It was incredibly funny. Your hair like | :12:33. | :12:36. | |
this, hair on the top, none on the sides. I guess you all got a reverse | :12:37. | :12:41. | |
thing going on. Most of the humour came from Will, with either Jeffrey, | :12:42. | :12:44. | |
the Butler. Master William, walk this way. | :12:45. | :12:53. | |
His uncle Phil, who from the very off, Will was taking the Mickey out | :12:54. | :12:58. | |
of his big belly. You have certainly grown. Well, we all have. And of | :12:59. | :13:06. | |
course his cousin. My name is, ah, Carlton. | :13:07. | :13:11. | |
Put it there, Smith. When I think about the Fresh Prince, | :13:12. | :13:16. | |
one of the standout things is Carlton's dancing. You could still | :13:17. | :13:21. | |
watch it now and just proper laugh out loud. Excuse me, may I cut in. | :13:22. | :13:29. | |
As well as the comedy side, you also get really tender moments where he | :13:30. | :13:33. | |
is looking after his younger cousin. Ladies and gentlemen, my fly girl, | :13:34. | :13:41. | |
Ashley bathings He chimes through with a sweet boy. Would you teach me | :13:42. | :13:49. | |
how to dance? Well, yes. Will Smith is a big Hollywood star now but | :13:50. | :13:54. | |
strong start kicking it off with Fresh Prince. Look who is here? Hey, | :13:55. | :14:00. | |
who is he? This is really appealing. There is a really nice innocence | :14:01. | :14:04. | |
there, as well as being really hilarious and daft. Where have you | :14:05. | :14:10. | |
been? How come you didn't call me. That's my mum's finger, get it off. | :14:11. | :14:14. | |
He likes to think he is successful with the ladies, but he is not. I | :14:15. | :14:19. | |
can see you are being seduced by my intellectual prowess. Is that spam | :14:20. | :14:26. | |
in your teeth? He is like a hip hop Tiger the way he bounces around on | :14:27. | :14:32. | |
set. The whole show is just like a look book of what the '90s were | :14:33. | :14:35. | |
basically, because there is still that slight overhang, literally of | :14:36. | :14:38. | |
the shoulder pads. You could have just said it was a good dress. | :14:39. | :14:42. | |
Carlton in his various sweaters and Will, of course in all the crazy | :14:43. | :14:46. | |
colours and the baseball cap. Style-wise it is a complete feast | :14:47. | :14:54. | |
for the eyes. I think Fresh Prince really stands the test of time. I | :14:55. | :14:58. | |
have just been watching a few of the old episodes, it is pure class, I | :14:59. | :15:04. | |
love it. I dare you two to fight me. Now see here, big guy This has made | :15:05. | :15:09. | |
me want to go and watch more of them. I want to save them and show | :15:10. | :15:14. | |
them to my kids when they are a bit older. I'm sure it is going to be | :15:15. | :15:20. | |
brilliant forever. I'm sure I have seen your picture B oh, that's right | :15:21. | :15:24. | |
in the dictionary next to kebang. Brill yapt and the lovely Sarah Cox | :15:25. | :15:26. | |
there. I'm back in my favourite place, | :15:27. | :15:29. | |
The Grapevine, and we're continuing with the '90s' theme, so I've | :15:30. | :15:32. | |
got my flourescent pop drinks. You've got your Opal | :15:33. | :15:37. | |
Fruits and Marathon bar. And what else is around in the '90s? | :15:38. | :15:48. | |
Were you around then? You could the have been busy in the '90s, were | :15:49. | :15:54. | |
you? Oh, of course that band you used to be in. | :15:55. | :15:56. | |
And joining us is, of course, London Live's Toby Earle. | :15:57. | :16:03. | |
Thank you, from a Prince to an earl. I wanted to be '90s with my coloured | :16:04. | :16:13. | |
underwear. I won't get it out. So final li, heavens above we have | :16:14. | :16:17. | |
footage from the new Top Gear series. After months and months of | :16:18. | :16:22. | |
stories, well Chris Evans sick on the side of the road, people doing | :16:23. | :16:25. | |
stunts where they shouldn't. We get to see what it looks like, the | :16:26. | :16:31. | |
trailer moves so fast if you Le Blanc you will miss it. It seems to | :16:32. | :16:36. | |
be men with their mouths wide opening and screaming in the trailer | :16:37. | :16:39. | |
but it does feature, get this, a woman. About time. She is driving | :16:40. | :16:44. | |
Chris Evans. She drives in such a way as it make you feel queasy, | :16:45. | :16:48. | |
where he has to have a rest break on the side of the road. | :16:49. | :16:54. | |
It looks great. Top Gear in itself is a beautifully-filmed piece of art | :16:55. | :16:59. | |
and it seems they have kept it in tact for this. It looks like Top | :17:00. | :17:04. | |
Gear My other half loves it. I never want to watch it but with Matt Le | :17:05. | :17:09. | |
Blanc I'm happy. It is all about the cars And Matt Le Blanc. Moving on | :17:10. | :17:12. | |
from that, let's manufacture on it science. When it comes to science, I | :17:13. | :17:21. | |
fierce-this. So to help people like me through this, we have a couple of | :17:22. | :17:28. | |
series from our favourite scientist, Stephen Hawking and Brian Cox. | :17:29. | :17:30. | |
Stephen Hawking is presenting a one-off special of | :17:31. | :17:32. | |
Brian Cox has made a puppet version of himself | :17:33. | :17:45. | |
to make physics fun for adults and kids alike in an online | :17:46. | :17:48. | |
Brian Cox's online series The Quest for Wonder includes | :17:49. | :18:03. | |
Cox "losing his wonder" - his puppet alter ego tells him | :18:04. | :18:05. | |
without his wonder, "It's just equations with great hair". | :18:06. | :18:07. | |
What else do you have? Do you remember Nev from the Call Interest. | :18:08. | :18:14. | |
He was a met vagusal poster, given a loud speaker for a mouth. He would | :18:15. | :18:20. | |
walk around proclaiming all sorts of things, he has moved from Wales. We | :18:21. | :18:25. | |
are crest-fallen To India. Starting up a call centre, in India. A new | :18:26. | :18:31. | |
series coming to Channel W on May 9th making his team to India to set | :18:32. | :18:37. | |
up a call centre. If you remember some of his schemes, to promote team | :18:38. | :18:43. | |
bonding, singing Killers' songs, he takes that with him out to India. | :18:44. | :18:47. | |
People there want to learn business acumen and instead are learning pop | :18:48. | :18:49. | |
songs. There is a TV comeback on the cards, | :18:50. | :19:01. | |
it is not Louis Walsh, it is Morph. Louis Walsh might also be coming | :19:02. | :19:08. | |
back, but Morph is returning, thanks to sky, he will be on an app, it is | :19:09. | :19:15. | |
all about kids programming, and his friend Chas will be back as well. It | :19:16. | :19:21. | |
has to be plasticine to be believed! Thank you for coming in! | :19:22. | :19:25. | |
You don't want to get on the wrong side of Keith Barry. | :19:26. | :19:28. | |
He's a hypnotist, mentalist and magician who can make people do | :19:29. | :19:30. | |
You can see him at the moment on ITV's hypnotism game show | :19:31. | :19:34. | |
Here he is in an exclusive clip from this weekend's show. | :19:35. | :19:43. | |
The eyes on me, take a deep breath in, and sleep. Drifting and | :19:44. | :19:51. | |
dreaming. Jalan, you will believe you are a traffic officer, you will | :19:52. | :19:55. | |
be convinced the drivers will commit an offence. You will be compelled to | :19:56. | :20:01. | |
turn on the car radio and you will be in a dance off with Jerry Essex. | :20:02. | :20:06. | |
You will believe you are a monkey in a safari park. You are a sexy car | :20:07. | :20:14. | |
wash attendant. You will believe you are full of air and you have a | :20:15. | :20:19. | |
puncture. Philip will have to pump you back up. You are back in the | :20:20. | :20:22. | |
room. You are back in the room! Please | :20:23. | :20:34. | |
welcome Keith Barry! It looks so much fun, you enjoying | :20:35. | :20:41. | |
it? It is a blast, it is crazy, I filmed the Australian version, that | :20:42. | :20:47. | |
goes out on Sunday, we are filming the American version, so it is going | :20:48. | :20:52. | |
worldwide. The first time that I did it was with Philip, we filmed the | :20:53. | :20:57. | |
pilot for ITV, and it has gone crazy, people enjoying it. He is | :20:58. | :21:02. | |
brilliant to work with. How do the auditions work? They are | :21:03. | :21:07. | |
susceptibility tests, we put word out for the public to come to these | :21:08. | :21:11. | |
tests to see if they can be hypnotised or not. Everybody can go | :21:12. | :21:17. | |
into hypnosis, you just need creativity, emotion and | :21:18. | :21:22. | |
intelligence. We would struggle! Can you test us? I could test the people | :21:23. | :21:31. | |
at home as well. This is a sample of the type of stuff we would do. You | :21:32. | :21:39. | |
would find 50% of people can go in quite quickly, and we pick from | :21:40. | :21:42. | |
those the people that go on the show. Which camera? Number one. You | :21:43. | :21:50. | |
do it here as well. But your hands out like this. Interlock your | :21:51. | :21:55. | |
fingers. Squeeze your hands tightly together. It can all be cameras and | :21:56. | :22:02. | |
ignore me. Extend your first two fingers out so there is a one inch | :22:03. | :22:07. | |
gap. Stay at that gap, take a deep breath, if I suggest to you, the gap | :22:08. | :22:14. | |
begins to get smaller, there are magnets pulling them closer | :22:15. | :22:17. | |
together. They are pulling them closer together until they touch. If | :22:18. | :22:24. | |
they touch, let me know now. Mine are touching! | :22:25. | :22:29. | |
Straightaway! Different things will be happening. Some people are | :22:30. | :22:34. | |
resisting it, that is OK... I was trying. They are control freaks, but | :22:35. | :22:41. | |
they would still be good candidates. Other people's fingers move quickly, | :22:42. | :22:46. | |
they are susceptible. It takes seven or eight minutes, you will be on the | :22:47. | :22:51. | |
flat of your back and doing crazy things. Don't look me in the eyes! | :22:52. | :22:58. | |
Some of these scenarios, who comes up with them? Me and the games team. | :22:59. | :23:05. | |
They come up with the scenarios, I advise on what will and won't work, | :23:06. | :23:12. | |
so it is a collaborative process. I am amazed that Phillip talks to you, | :23:13. | :23:17. | |
because he gets such a raw deal. Kissed by contestants, covered in | :23:18. | :23:21. | |
nastier stuff. What a story! Question for... | :23:22. | :23:51. | |
How do you stop the kid test and taking it too far? It is up to the | :23:52. | :23:57. | |
producer to tell me to go in. With my live shows I go bonkers, but with | :23:58. | :24:03. | |
it being a TV show, we have a duty of care, we have to make sure they | :24:04. | :24:10. | |
don't go too far. When the gameplay is happening, the producers say, get | :24:11. | :24:14. | |
in there. I make sure people are not too frightened. One of the girls | :24:15. | :24:20. | |
believed she was on an imaginary roller-coaster, which he got really | :24:21. | :24:23. | |
frightened, her breathing and heart rate were going up, they thought it | :24:24. | :24:30. | |
was too far, so I put her to sleep, and I made her the biggest fan of | :24:31. | :24:33. | |
roller-coaster is. She screamed with happiness. The adrenaline flew | :24:34. | :24:39. | |
through her body. Some people say it is not real. It will always divide | :24:40. | :24:46. | |
opinion, no matter what I say. These people would not be throwing away | :24:47. | :24:50. | |
the money and losing money and doing these things unless they were really | :24:51. | :24:55. | |
hypnotised. The argument is long gone, we found out that brain | :24:56. | :25:02. | |
activity changes and so on. For the sceptics, just go and see a live | :25:03. | :25:07. | |
show. I was due to tour here, but I had to cancel, because I have to do | :25:08. | :25:12. | |
the American series of. You have dumped for the USA! | :25:13. | :25:17. | |
You don't just do this, you are a magician. I started with a Paul | :25:18. | :25:23. | |
Daniels Magic said. I owe a lot to him. If it was not for him, I would | :25:24. | :25:30. | |
not be here today. I was obsessed with David Copperfield. It | :25:31. | :25:34. | |
snowballed from there, I started learning hypnosis. I am the chief | :25:35. | :25:43. | |
adviser on a series of movies with Morgan Freeman and Woody Harrelson. | :25:44. | :25:48. | |
Woody how Watson is nuts, but in a polite way. Pages to be your friend! | :25:49. | :25:57. | |
I am nuts as well! He became a method actor, he can hypnotise | :25:58. | :26:01. | |
people and hack into brains. When he was on David letter man, he | :26:02. | :26:06. | |
destroyed him, because he was cynical. I cannot look in your eyes | :26:07. | :26:12. | |
anymore! I am not sure if you are doing something to us now! You | :26:13. | :26:18. | |
thought that was a ploy, but you are both hypnotised! Forget it! | :26:19. | :26:23. | |
You can catch Keith on You're Back In The Room | :26:24. | :26:25. | |
Now, it's about time for the biggest decision of the day. | :26:26. | :26:36. | |
What are we watching tonight? We've got two new shows | :26:37. | :26:46. | |
We start over on the Discovery Channel at 8pm for the new series | :26:47. | :26:52. | |
This series follows Australian dive crews as they go | :26:53. | :26:58. | |
about their day-to-day business diving for giant snails. | :26:59. | :27:09. | |
These teams have nerves of steel. Contracted to fulfil million-dollar | :27:10. | :27:20. | |
quotas. Supplying them all over the world. | :27:21. | :27:29. | |
But there is just one catch. These waters are home to a mighty | :27:30. | :27:36. | |
predator. The deadly great white shark. | :27:37. | :27:41. | |
Million-dollar contracts, unbelievable! | :27:42. | :27:42. | |
And it's not just the sharks they've got to look out for. | :27:43. | :27:45. | |
The crews have to fight it out with other divers | :27:46. | :27:48. | |
That's Dive Wars Australia, on the Discovery Channel at 8pm. | :27:49. | :27:54. | |
Another new show on tonight is over on BBC Four, at 9pm. | :27:55. | :28:00. | |
In this one-off episode, Professor Alice Roberts | :28:01. | :28:03. | |
and Dr Gavin Hughes look at some of Ireland's most-treasured | :28:04. | :28:06. | |
artefacts to reveal the history behind them. | :28:07. | :28:14. | |
To tell the story, we have asked leading experts to champion the | :28:15. | :28:20. | |
treasures they feel of the most exceptional. This is unique in | :28:21. | :28:25. | |
medieval Europe, there is nothing like this anywhere else. Treasures | :28:26. | :28:32. | |
integral to Ireland's story. They bear the physical impression of King | :28:33. | :28:38. | |
William's own hands. This should be right up your street | :28:39. | :28:41. | |
if you like hearing about the stories behind the treasures, the | :28:42. | :28:45. | |
iconic artefacts which have created modern Ireland. | :28:46. | :28:46. | |
That's Ireland's Treasures Uncovered, BBC Four at 9pm. | :28:47. | :28:48. | |
That's all we've got time for tonight. | :28:49. | :28:50. | |
I'll be back tomorrow with Sara for the last show of the series. | :28:51. | :28:53. | |
Which means that this was my last show. | :28:54. | :28:56. | |
But don't panic, we're crammed full of great stuff tomorrow. | :28:57. | :28:58. | |
The wonderful Larry Lamb is here talking about his mammoth TV career. | :28:59. | :29:01. | |
And Jason Gardiner joins us to reveal what a slave driver | :29:02. | :29:04. | |
But before we go, there's only one TV theme tune we can | :29:05. | :29:11. | |
Of course, it's The Two Ronnies, in tribute to the great Ronnie | :29:12. | :29:20. | |
Enjoy your evening and we'll see you tomorrow. | :29:21. | :29:23. | |
Oh, hello, Beth. Hi, Christine! | :29:24. | :29:38. | |
Hi, Cathy. Hi, Eric! | :29:39. | :29:41. |