Browse content similar to 08/03/2016. Check below for episodes and series from the same categories and more!
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and over the next half hour, Emma and I are going to | :00:00. | :00:07. | |
guide you through the best of tonight's TV shows. | :00:08. | :00:13. | |
Since we were with you last night, all this has been going on! | :00:14. | :00:21. | |
Deal? Deal. What the heck?! People like me... It is perfect for a | :00:22. | :00:37. | |
crowd. Is this a cheap bottle of Romanian wine? It might be, it is | :00:38. | :00:43. | |
the power of suggestion! With an area of over 200 square kilometres | :00:44. | :00:50. | |
to cover, it is a mammoth task. Being able to share the Highlands, | :00:51. | :00:54. | |
such a special place, with the rest of the world is just tremendous. | :00:55. | :01:00. | |
Coming up tonight, Holby City's newest general surgeon, | :01:01. | :01:07. | |
Bernie Wolfe, AKA actress Jemma Redgrave, | :01:08. | :01:10. | |
Keeping with the Holby theme, Susan Calman | :01:11. | :01:19. | |
goes behind the scenes of the show's prosthetics department | :01:20. | :01:21. | |
to find out how they make those operations look so realistic. | :01:22. | :01:28. | |
Which is nice if you are having your tea! | :01:29. | :01:33. | |
behind some of the most famous disasters in soapland, | :01:34. | :01:36. | |
including Emmerdale's plane crash. | :01:37. | :01:38. | |
But first, let's talk about some of the shows | :01:39. | :01:40. | |
we think are worth watching tonight. | :01:41. | :01:42. | |
is the award-winning Born To Be Different. | :01:43. | :01:46. | |
Now in its ninth series, this documentary | :01:47. | :01:48. | |
15 years ago, Channel 4 set out to follow the lives of six remarkable | :01:49. | :02:06. | |
children. All born with disabilities. Is the camera rolling? | :02:07. | :02:15. | |
As they have grown up, our cameras have captured their extraordinary | :02:16. | :02:20. | |
journeys. As fast as you can, clever girl! I am not having any more | :02:21. | :02:25. | |
operations! So gorgeous! | :02:26. | :02:28. | |
The children featured are approaching their 16th birthdays, | :02:29. | :02:31. | |
so they are now dealing with everyday teenage challenges, | :02:32. | :02:33. | |
as well as issues most of us will never face. | :02:34. | :02:36. | |
In this clip from tonight's episode, we catch up with competitive swimmer | :02:37. | :02:39. | |
Hamish, who is chasing his dream to compete at the Rio Paralympics, | :02:40. | :02:44. | |
but one thing he's not chasing is girls. | :02:45. | :02:52. | |
What things that matter to you Hugill? | :02:53. | :03:00. | |
What things that matter to you They are gross! Do you think you | :03:01. | :03:07. | |
might meet someone at the World Championships? At the worlds, you | :03:08. | :03:16. | |
are not looking for someone special, just looking to go to Rio. And then | :03:17. | :03:19. | |
find one in Rio! And fantastic young man! They film | :03:20. | :03:33. | |
with these children every two years, and there are some inspirational | :03:34. | :03:36. | |
stories, but a great bunch of teenagers. | :03:37. | :03:39. | |
it's on tonight at nine on Channel 4. | :03:40. | :03:43. | |
There's loads of great mainstream TV, | :03:44. | :03:45. | |
but if you dig a little deeper in the outer numbers, | :03:46. | :03:47. | |
They have a brand-new series called How Things Work, | :03:48. | :03:51. | |
The show takes a look inside everyday machines | :03:52. | :03:55. | |
they take us literally into a carwash. | :03:56. | :04:09. | |
Over 1000 components work in perfect unison. A conveyor belt that can all | :04:10. | :04:23. | |
over 30 tonnes. Or giant brushes spin 90 times a minute. -- four. 40 | :04:24. | :04:31. | |
rinsing jets pump-out two litres of water every second. | :04:32. | :04:37. | |
I have never felt that a carwash was more like Robocop! The only thing | :04:38. | :04:47. | |
they cannot explain the inner workings of the human heart. Why | :04:48. | :04:53. | |
doesn't she loved me anymore, Emma?! If, like me, you were raised on | :04:54. | :04:57. | |
Sesame Street, this may be buying up your alley. This is tonight on | :04:58. | :04:59. | |
Quest. Over on BBC Two at ten, | :05:00. | :05:12. | |
it's the second episode at the biggest scrapyard | :05:13. | :05:15. | |
in the North West. This is the second series, | :05:16. | :05:19. | |
and owners Terry and Lyndsay are on the brink | :05:20. | :05:22. | |
of throwing in the towel Tonight they're interviewing | :05:23. | :05:24. | |
a new Italian employee, who's got the girls in the office | :05:25. | :05:27. | |
a bit hot under the collar. I think there is an Italian | :05:28. | :05:32. | |
downstairs, he is supposed to be a bit of all right. It is about time | :05:33. | :05:35. | |
we had something to look at in this yard. Hi, how are you doing? Nice to | :05:36. | :05:47. | |
meet you. Do you have tools? Yeah. Spanners? No, I am Italian. | :05:48. | :05:54. | |
I have been on holiday to Spanners, it is lovely there! That is at nine | :05:55. | :06:02. | |
tonight on BBC two. We will be bringing you more great programmes | :06:03. | :06:05. | |
later, but now it is time to find out what you have been saying. | :06:06. | :06:11. | |
who says that Rufus Hound reminds him of Jason King | :06:12. | :06:15. | |
from the '70s detective series of the same name. | :06:16. | :06:18. | |
Look at that?! Almost indistinguishable! I will add that | :06:19. | :06:29. | |
to the long list of people that I look like. | :06:30. | :06:31. | |
BBC One's Happy Valley seems to have an unlikely fan | :06:32. | :06:35. | |
in Hellboy director Guillermo del Toro! | :06:36. | :06:39. | |
It is sort of weird that he watches a gritty northern crime drama. | :06:40. | :06:44. | |
He says Sarah Lancashire in Happy Valley is perfect | :06:45. | :06:46. | |
and creates an amazing character. | :06:47. | :06:50. | |
She absolutely is, Guillermo del Toro, but it is weird to think he is | :06:51. | :06:57. | |
curled up on the sofa drawing demons and watching that! | :06:58. | :06:59. | |
People were going crazy over Liverpudlian hunk Bretherton | :07:00. | :07:01. | |
on BBC Two's University Challenge last night. | :07:02. | :07:07. | |
Joanna Montgomery says Bretherton the most attractive | :07:08. | :07:14. | |
That is a little bit rich, he is a man, he was there to be tested for | :07:15. | :07:28. | |
his intelligence, not his looks! Keep them coming, | :07:29. | :07:32. | |
using #TooMuchTV She's the newest arrival | :07:33. | :07:33. | |
on one of TV's longest running medical dramas, Holby City, | :07:34. | :07:39. | |
and from the looks of this clip surgeon Bernie Wolfe | :07:40. | :07:43. | |
is taking no prisoners. Where the hell have you been? Don't | :07:44. | :07:58. | |
insult my intelligence with another chain of command speech. He had a | :07:59. | :08:02. | |
massive bleed which no-one picked up on because you insisted on caring | :08:03. | :08:05. | |
for him yourself, but you let him down. This man to whom you say you | :08:06. | :08:10. | |
owe everything. You're patient, your call, good luck with that. Wait! I | :08:11. | :08:16. | |
would like you in theatre, please. I like her in the theatre, | :08:17. | :08:20. | |
and on the telly too - Nice to see you! We are very happy | :08:21. | :08:35. | |
to have you here. For anyone who has not seen Bernie Wolfe, what is she | :08:36. | :08:42. | |
up to? Oh, what brought her here to Holby? And injury that she picked | :08:43. | :08:50. | |
out in a car that rolled, an IED hit the car she was travelling in | :08:51. | :08:54. | |
Afghanistan, where she was teaching medics, she is an army medic, and | :08:55. | :08:58. | |
she was flown straight back, not to Brize Norton but still Holby City | :08:59. | :09:10. | |
handy! She was, although it was terrifying, she was operated on | :09:11. | :09:11. | |
successfully, are, by the team. -- hurray. And after recovering from | :09:12. | :09:29. | |
open heart surgery, she was offered a job, confusing, isn't it? I do not | :09:30. | :09:34. | |
know which is more mental, referring to yourself in the third person | :09:35. | :09:41. | |
or... Really strange! She is a really interesting character, | :09:42. | :09:44. | |
because she works in a world where there is no NHS politics, where she | :09:45. | :09:51. | |
is in charge completely of the environment that she works in, and | :09:52. | :09:54. | |
she is now in a situation where there is a great deal of oversight, | :09:55. | :10:00. | |
management, and politics, and it is not her thing. So there is a lot of | :10:01. | :10:07. | |
room for clashes. I love the fact that she is quite feisty, she has | :10:08. | :10:11. | |
already given Jac Naylor a piece of her mind, are we going to see more | :10:12. | :10:16. | |
of that? Yes, she is extremely confident in her own abilities, some | :10:17. | :10:19. | |
would say arrogant. I think she is just confident in our own abilities! | :10:20. | :10:27. | |
And she is not afraid to say so. But she is... And she is tough, but she | :10:28. | :10:33. | |
is warm, but I think that she will stand her ground against anybody, | :10:34. | :10:38. | |
which is great. It is always good to see that. It is, and it is great to | :10:39. | :10:44. | |
play, because you know, as a performer, you always think that you | :10:45. | :10:51. | |
could have done it better. Right. I think she really thinks that she did | :10:52. | :10:57. | |
its great! A woman of absolute confidence. Yes! When you are on the | :10:58. | :11:02. | |
battlefield, you have to just get it done. You didn't have any medical | :11:03. | :11:06. | |
qualifications before you took on this role, was there a lot of | :11:07. | :11:11. | |
research to do once you knew you would be stepping into it? I did, | :11:12. | :11:21. | |
well, I worked with Mike, Medical Mike, one of the brilliant medical | :11:22. | :11:25. | |
advisers, he is a nurse, and he taught me suturing on a prostatic in | :11:26. | :11:31. | |
the brilliant prosthetics lab that they have. -- on a prosthetic. So I | :11:32. | :11:42. | |
worked with him, and I didn't... I haven't been into hospital to watch | :11:43. | :11:47. | |
an operation, but we have consultants on the show, consultant | :11:48. | :11:51. | |
surgeons who advise and help us as we go along. So it is like a Rolling | :11:52. | :11:56. | |
research. But I have done a play, a few years ago, and I have been on | :11:57. | :12:03. | |
tour in America with it, we did a command performance at the Pentagon, | :12:04. | :12:10. | |
actually! Yeah, and I played an army medic who had been working in | :12:11. | :12:13. | |
Afghanistan, and we did a lot of research around that. That is quite | :12:14. | :12:19. | |
handy! I am not squeamish at all, he is, but do you get squeamish with | :12:20. | :12:25. | |
the gory stuff? No, it is fabulous! I am like you, I am fascinated, I | :12:26. | :12:31. | |
want to know more, the only thing that has made me squeamish, one of | :12:32. | :12:37. | |
the actors we were working with, a visiting surgeon, it was like a | :12:38. | :12:44. | |
carpentry set that he had, and he had to put a bone back together, | :12:45. | :12:52. | |
yeah, yeah! With Boltz, basically, nails and bolts. And he was quite | :12:53. | :12:56. | |
gung ho about the twisting, and you could hear it as it was twisting. | :12:57. | :13:03. | |
You would be quite full on with this, and the guy said, no, imagine | :13:04. | :13:07. | |
you are putting together two porcelain plates. That made me feel | :13:08. | :13:16. | |
a little peculiar. You are going to be in this for a while? No, yeah, | :13:17. | :13:22. | |
they originally asked me for six months, they had a really good idea | :13:23. | :13:26. | |
about the character, and I thought she sounded great. And I started, | :13:27. | :13:31. | |
and within a few weeks they said, would I continue for a year? Nice! I | :13:32. | :13:38. | |
think she is so multifaceted, she is so interesting and so dynamic, and | :13:39. | :13:43. | |
it is such... It is good that you feel that way, because you could be | :13:44. | :13:48. | |
in it for a while if other medical dramas are anything to go by. All BC | :13:49. | :13:54. | |
has been on air for 17 years, 809 episodes so far. -- Holby City. | :13:55. | :14:05. | |
Casualty is even older, 986 episodes. Good God! 1000 would be | :14:06. | :14:15. | |
unbeatable, write?! No, ABC's General Hospital has got 13,510 | :14:16. | :14:24. | |
episodes, including the one going out today! Bloody hell! Sorry about | :14:25. | :14:31. | |
that! It is absolutely fine. We were talking about skewering bones | :14:32. | :14:36. | |
together. Let's hear it for the brilliant Jemma Redgrave! | :14:37. | :14:46. | |
Gemma paid great service to the prosthetics lab. We heard it had | :14:47. | :14:55. | |
great skill and beauty, so we sent Susan Coleman to go behind the | :14:56. | :15:00. | |
scenes to see what they do. Warning it is a little gruesome. If you are | :15:01. | :15:05. | |
sat there enjoying your tea. You might want to look away now. We are | :15:06. | :15:10. | |
about to GP behind the scenes of Holtby City. I'm a huge fan of | :15:11. | :15:16. | |
medical drama. I'm about to get to the guts of the story with thes were | :15:17. | :15:21. | |
though theics's department. Not too much behind the scenes but behind | :15:22. | :15:26. | |
the spleens. Holtby City has been on screens for over 17 years. Most | :15:27. | :15:30. | |
screens contain at least two operations which keeps the | :15:31. | :15:36. | |
prosthetics team very busy Behind this innocuous looking door is where | :15:37. | :15:41. | |
the blood and gore is created. Carry on without me, if I faint. I'll | :15:42. | :15:46. | |
catch up. I'm going N Hi. | :15:47. | :15:51. | |
-- I'm going in. They are not real, are they? No. They are not real. | :15:52. | :15:54. | |
Wow. Ahhhh. | :15:55. | :16:00. | |
My dad was a surgeon. I don't know how he did T this is horrific. It is | :16:01. | :16:07. | |
not real. What is this needle? It is a two part silicon. We have | :16:08. | :16:11. | |
different moulds, a liver mould, a stomach mould. You can't buy them in | :16:12. | :16:16. | |
the supermarket like a jelly mould. This they are sculpted from scratch. | :16:17. | :16:21. | |
That's just like looking inside someone's stomach. Yes, this is a | :16:22. | :16:28. | |
gastric fwhand has slipped into the wrong place and has gone a bit | :16:29. | :16:34. | |
necrotic. And this would be a vein. . Muscle. It is like bacon. You are | :16:35. | :16:40. | |
very smiley, do you enjoy this? I'm at my happiest when I'm in here. | :16:41. | :16:47. | |
Making all the guts and gore. Right. If I'm correct, the yellow layer is | :16:48. | :16:52. | |
fat. Yes. . A bit like cake. Like icing a cake. Just like making a | :16:53. | :17:01. | |
cake. It is like watching the Great British Bake-off. | :17:02. | :17:04. | |
Just a bit more gory. Then the blood, do you have different types? | :17:05. | :17:09. | |
Yes, original. We have dark and congealed and some wound filler. So | :17:10. | :17:13. | |
we have four different types. Of course you do. Could we see it | :17:14. | :17:17. | |
bleed? I never thought I would say that. Is that what you do on set? | :17:18. | :17:23. | |
Yes. So all of the technology, you knew that the BBC had. So just | :17:24. | :17:28. | |
before a dramatic scene... Yes. They are going like that. We are hiding | :17:29. | :17:32. | |
under the bed. # Keep bleeding | :17:33. | :17:37. | |
# Keep, keep bleeding love... ...# Is it working? Yes. Oh, wow. Quite | :17:38. | :17:43. | |
extraordinary. Next time you watch Holly City, understand that one of | :17:44. | :17:47. | |
these lovely people is probably underneath that bed, out of breath | :17:48. | :17:51. | |
after pumping the blood for that, for you. That's what they are doing. | :17:52. | :17:56. | |
Now the great thing about Tupperware is to keeps everything fresh. Just | :17:57. | :17:59. | |
to show you some of the Tupperware we have got here. You have your | :18:00. | :18:03. | |
bones. You have your kidneys and spleens. You need to keep them | :18:04. | :18:09. | |
fresh. Your muscles and burns, your stomach and finally your bits and | :18:10. | :18:12. | |
bobs. What is in there, no-one knows. | :18:13. | :18:16. | |
I could spend all day poking around in various body parts but I have to | :18:17. | :18:23. | |
get to set to seat prosthetics team's work in action. Action. | :18:24. | :18:33. | |
Everything is so detailed. But it is not real. We have a farmcy. None of | :18:34. | :18:40. | |
the pills are real. This is called video village where they watch | :18:41. | :18:44. | |
everything on set happening. The gastric band operation scene won't | :18:45. | :18:49. | |
air for a few weeks but in a Too Much TV exclusive, we can see the | :18:50. | :18:53. | |
prosthetic team's work in action right now. She's bleeding. There is | :18:54. | :19:02. | |
a tear. Press on that swab. Thank you. I've had a wonderful time here | :19:03. | :19:10. | |
at Holtby City. I think I'll leave it to the professionals. I'll just | :19:11. | :19:15. | |
continue scarring people emotionally with my comedy. | :19:16. | :19:21. | |
Is it finished? Can I look. It's finished. Next up a clip from a | :19:22. | :19:33. | |
sitcom you almost definitely would have scene, or have you? | :19:34. | :19:43. | |
Play it nice and cool, son, you know what I mean, we are on to a winner. | :19:44. | :19:55. | |
Now, on BBC Three online there's a very funny thing | :19:56. | :19:57. | |
called Changing Channels, where they take bits of TV | :19:58. | :19:59. | |
that we all know and twist them in funny ways. | :20:00. | :20:16. | |
We're going to be talking to one of it. V's stunt co-ordinator but | :20:17. | :20:25. | |
before that, some of it. V's most memorable stunts. | :20:26. | :20:50. | |
Here to tell us how they make all of that stuff happen, please welcome | :20:51. | :20:59. | |
Stuart St Paul. Thank you for joining us. | :21:00. | :21:02. | |
You've been working in stunts for over 40 years. | :21:03. | :21:04. | |
For those that don't know, what exactly | :21:05. | :21:06. | |
does a stunt co-ordinator do on a TV production? | :21:07. | :21:08. | |
It takes the ambition of the script and has to make it real. If it is a | :21:09. | :21:15. | |
car crash you may have to close roads, book the fire, book | :21:16. | :21:17. | |
ambulance, rescue, have everybody there in case. Have the car prepped, | :21:18. | :21:21. | |
made stronger and design how you are going to do it. If it is explosions | :21:22. | :21:25. | |
you need clearances. All kinds of things. It could be mechanical. It | :21:26. | :21:28. | |
could be building something. You are the abouts of the whole stunt thing? | :21:29. | :21:32. | |
You are taking over a view and try to make it happen for real. You need | :21:33. | :21:38. | |
to plan it. What kind of training do you need, then? Well, the initial | :21:39. | :21:43. | |
training for any stuntman is to be an instructor in six different | :21:44. | :21:46. | |
sports. You become an actor first, because we are all actors. Then you | :21:47. | :21:50. | |
train and do six different sports and then come into the | :21:51. | :21:53. | |
apprenticeship. From that, you then start to learn but you will find | :21:54. | :21:58. | |
most of us have a more mechanical background than arty background. | :21:59. | :22:02. | |
Have you ever hurt yourself? The idea is to try and not get hurt. | :22:03. | :22:06. | |
Try. If he was getting hurt, you don't | :22:07. | :22:11. | |
need a stunt co-ordinator. Then they get an ambulance, not me. | :22:12. | :22:16. | |
The idea to figure out how to do something safely. We are looking for | :22:17. | :22:19. | |
the accidents before they happen. How things are maybe not quite | :22:20. | :22:23. | |
right. Sometimes an actor may have his weight on the wrong foot. You | :22:24. | :22:27. | |
can see he is off balance. You need to quietly correct that. If you are | :22:28. | :22:33. | |
improving the safety why do the soaps call you the Angle of Death? I | :22:34. | :22:39. | |
have killed off an awful lot of soap stars. Have you? Yes. There was a | :22:40. | :22:42. | |
period where I basically knocked them all off, one after the other. | :22:43. | :22:46. | |
The funny thing is, if you are on a train, getting a phone call from a | :22:47. | :22:50. | |
producer saying - how would you murder somebody? And people start | :22:51. | :22:58. | |
listening. I'm going to murder Rita Fairclough's husband! What? ! | :22:59. | :23:06. | |
Weren't you responsible for the Emmerdale plane crash? Yes that was | :23:07. | :23:10. | |
movie-esque. It is great to be working on that one day and then | :23:11. | :23:15. | |
work on something smaller. But you take the talents and bring them down | :23:16. | :23:19. | |
to television. It was an iconic, turning point in history for soaps. | :23:20. | :23:22. | |
So many people involved as well in that? It was cranes, planes and | :23:23. | :23:27. | |
automobiles. 18 million people tuned in to watch that. Let's take a look. | :23:28. | :23:40. | |
It's not worth it. There is still some of my stuff in there. Leave it. | :23:41. | :23:43. | |
The gas cylinder. EMMERDALE THEME TUNE | :23:44. | :24:00. | |
That's such an English thing, isn't it? - a big explosion and then da | :24:01. | :24:13. | |
sp, da, da. In America it would be, bash, Bosch, aaaaahhh. It is not | :24:14. | :24:18. | |
killing everyone off, it is a bit of destruction. A little bit. You were | :24:19. | :24:24. | |
called in on Mrs Brown's boys. I have been on all of the series. | :24:25. | :24:28. | |
You wouldn't expect that at all. It is the little things that catch you | :24:29. | :24:32. | |
out. Just the tiny things. Like a dodgy Christmas tree, once, which I | :24:33. | :24:36. | |
had to take special care of. We are going to see that clip. Let's have a | :24:37. | :24:38. | |
look. No, offence, that didn't actually | :24:39. | :24:56. | |
look that dangerous. No, but what was dangerous there, was the | :24:57. | :25:00. | |
Christmas tree was actually a big heavy metal pole to hold his weight. | :25:01. | :25:06. | |
They put a crash mat on the floor. The special effects had designed it. | :25:07. | :25:17. | |
But they man falls, crash mat stops him but heavy pole falls, what stops | :25:18. | :25:22. | |
him? Oh, yes, You are going to show us something now. There are no | :25:23. | :25:26. | |
Christmas trees here. Come on, let's do a bit of something. I was warned | :25:27. | :25:31. | |
about you. We are going to make it exciting. No, no. We can do a bit of | :25:32. | :25:36. | |
something. I would rather not if you don't mind. | :25:37. | :25:40. | |
OK, fine then, don't show us anything at all. | :25:41. | :25:44. | |
Oh my God, don't try this at home. They are professionals. | :25:45. | :25:48. | |
Look, what a treat to have a proper stuntman here. Let's hear it for | :25:49. | :25:54. | |
Stuart, please. Loved that. Are you all right? | :25:55. | :25:56. | |
I was talked through it. Yes. | :25:57. | :26:00. | |
We've already told you about some of tonight's top picks. | :26:01. | :26:02. | |
Time for some more shows that we'll think you'll enjoy. | :26:03. | :26:04. | |
It's time for the biggest decision of the day. | :26:05. | :26:07. | |
My choice tonight is on Sky Atlantic at ten. | :26:08. | :26:21. | |
It's Alan Partridge's Mid Morning Matters. | :26:22. | :26:23. | |
This comedy series goes behind the scenes | :26:24. | :26:26. | |
of Alan's daytime chat show on North Norfolk Digital radio. | :26:27. | :26:29. | |
that after nearly 22 years of Alan on our screens, | :26:30. | :26:33. | |
nothing's really changed - this is classic Partridge. | :26:34. | :26:36. | |
is having a go at his poor assistant Lynn. | :26:37. | :26:46. | |
I haven't got Angela a Valentine's present. You have until noon to | :26:47. | :26:55. | |
scour the place for a competitively priced baby doll nighty. That's what | :26:56. | :27:00. | |
I said. Put a bow and wrap it in bubble wrap. I know it won't smash | :27:01. | :27:07. | |
just wrap it in bubble wrap. If you, like me have loved Alan Partridge as | :27:08. | :27:11. | |
long as he has been on TV, you might have been worried when he decided to | :27:12. | :27:16. | |
move it over to Sky, but trust me, there are only two episodes left in | :27:17. | :27:20. | |
this series, it is on Sky Atlantic at 10.00pm. | :27:21. | :27:25. | |
There's some big hitters on tonight, like Happy Valley | :27:26. | :27:27. | |
and Coronation Street, but if you're in the mood | :27:28. | :27:30. | |
for something different then tune into E4 at nine | :27:31. | :27:33. | |
for the launch of new series The Aliens. | :27:34. | :27:41. | |
Here's the setup, Aliens have landed and now live | :27:42. | :27:44. | |
on earth in a segregated city called Troy. | :27:45. | :27:46. | |
Tonight we meet the star of the show, | :27:47. | :27:48. | |
who's life is about to take a turn for the worse. | :27:49. | :27:53. | |
I'm going to make sure they are tagged and sprayed. By 8.00 they | :27:54. | :27:59. | |
will be on the right side of that wall. I'm not going to let anything | :28:00. | :28:01. | |
bad happen. He is in charge. Looks good. That's all we have time | :28:02. | :28:09. | |
for tonight. Tomorrow's we've got special | :28:10. | :28:21. | |
guests Calum Callaghan, who plays George Towler | :28:22. | :28:23. | |
in ITV's Mr Selfridge, and Piers Taylor from BBC Two's | :28:24. | :28:25. | |
100K House: Tricks Of The Trade. Stuart what theme tune do we have | :28:26. | :28:27. | |
tonight? Yes, the man has evolved from theme | :28:28. | :28:39. | |
tunes, you would expect nothing else from a stuntman. | :28:40. | :28:44. | |
Thank you to all of our guests tonight. All, I mean both. | :28:45. | :28:50. | |
Remember, you can tell us what you think of all the telly | :28:51. | :28:52. | |
on bbc.co.uk/toomuchtv or tweet us at #toomuchtv. | :28:53. | :28:54. | |
You and I, we're going to change this country. | :28:55. | :29:12. | |
You run and, hopefully, win elected office. | :29:13. | :29:16. | |
Not just for the sake of being something | :29:17. | :29:18. | |
I knew that seven presidents had tried, seven presidents had failed. | :29:19. | :29:24. | |
He said, "I am President of the United States | :29:25. | :29:28. |