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Hello, everybody. Hello and welcome. | 0:00:18 | 0:00:21 | |
Thank you, everybody, thank you so much. Thank you, thank you. | 0:00:22 | 0:00:26 | |
Now, Mercedes, a little while ago they started making AMG | 0:00:26 | 0:00:32 | |
performance versions of standard cars, and then they started | 0:00:32 | 0:00:36 | |
making performance versions of the performance versions. | 0:00:36 | 0:00:41 | |
These were called the Blacks, | 0:00:41 | 0:00:43 | |
and the latest car to get the treatment is this one. | 0:00:43 | 0:00:46 | |
The SLS. | 0:00:46 | 0:00:48 | |
I have driven the SLS many times and I have never once thought, | 0:00:52 | 0:00:56 | |
"You know what? They should give this thing more power." | 0:00:56 | 0:00:59 | |
But that's exactly what they've done. | 0:01:01 | 0:01:04 | |
The standard car produces 583 horsepowers. | 0:01:11 | 0:01:16 | |
This produces 622. | 0:01:16 | 0:01:19 | |
And in engineering circles, 622 horsepower is known as a lot. | 0:01:20 | 0:01:26 | |
It's about that much, and it's got hairs growing out of it. | 0:01:28 | 0:01:32 | |
It's not just more powerful, it's also 70 kilograms lighter, | 0:01:33 | 0:01:38 | |
thanks to a carbon-fibre bonnet and a titanium exhaust system. | 0:01:38 | 0:01:42 | |
So now, 0 to 60 takes 3.6 seconds. | 0:01:44 | 0:01:48 | |
And the top speed is as near as makes no difference 200mph. | 0:01:48 | 0:01:54 | |
To harness all this firepower, the SLS Black is fitted with | 0:01:57 | 0:02:00 | |
a big rear wing and an electronic differential. | 0:02:00 | 0:02:05 | |
The upshot is that you can go into a corner fairly confident that | 0:02:10 | 0:02:14 | |
you won't come out on the other side or backwards. | 0:02:14 | 0:02:17 | |
And that changes the character of the SLS completely. | 0:02:19 | 0:02:23 | |
The standard car is just a huge laugh. | 0:02:29 | 0:02:32 | |
It scampers about wagging its tail | 0:02:32 | 0:02:34 | |
every time you go near the accelerator. | 0:02:34 | 0:02:36 | |
You just know it was built to make a lap fun. | 0:02:36 | 0:02:40 | |
This, though, this was built to make a lap fast. | 0:02:40 | 0:02:43 | |
And then when you start cornering, it's so much more focused | 0:02:46 | 0:02:51 | |
and direct. This is a serious car. | 0:02:51 | 0:02:55 | |
I bet it doesn't know a single joke, not one. | 0:02:56 | 0:03:00 | |
Of course, if you turn the traction control off | 0:03:02 | 0:03:06 | |
and stamp on the throttle, you can get it to misbehave. | 0:03:06 | 0:03:09 | |
But you sense immediately that it doesn't want to do this. | 0:03:15 | 0:03:19 | |
It doesn't like that. | 0:03:22 | 0:03:23 | |
-GERMAN ACCENT: -"I am a serious racing car, English sir! | 0:03:23 | 0:03:27 | |
"Don't drive with your clown shoes on!" | 0:03:27 | 0:03:30 | |
Happily, even though it is a serious racing car, Mercedes hasn't felt | 0:03:32 | 0:03:36 | |
compelled to make the interior as bleak as a Swedish police drama. | 0:03:36 | 0:03:41 | |
You still get sat-nav and air-con and many buttons that do...things. | 0:03:42 | 0:03:47 | |
So, it's luxurious and fast and very, very good, | 0:03:51 | 0:03:56 | |
but today, it is rather overshadowed by this. | 0:03:56 | 0:04:01 | |
Partly, that's because this is the first car ever to come | 0:04:06 | 0:04:09 | |
with its own high-visibility jacket, | 0:04:09 | 0:04:12 | |
and partly it's because it produces 739 horsepowers. | 0:04:12 | 0:04:18 | |
Want to hear what that sounds like? | 0:04:19 | 0:04:21 | |
Well, turn up the volume on your TV and listen to this. | 0:04:21 | 0:04:25 | |
SILENCE | 0:04:27 | 0:04:30 | |
VERY LOW HUM | 0:04:30 | 0:04:32 | |
Welcome, everyone, to the world's first electric supercar. | 0:04:35 | 0:04:39 | |
I am astounded. | 0:04:41 | 0:04:44 | |
It is as quiet as a library for church mice. | 0:04:47 | 0:04:52 | |
It's so quiet, in fact, they fitted a device in the audio settings | 0:04:54 | 0:04:58 | |
that generates a bit of noise to keep you awake. | 0:04:58 | 0:05:01 | |
Let's just turn that on. | 0:05:01 | 0:05:03 | |
GENTLE HUM | 0:05:03 | 0:05:05 | |
It doesn't really work. It's just a hum. | 0:05:09 | 0:05:11 | |
Still, it isn't the end of the world, | 0:05:12 | 0:05:14 | |
because there is another way of staying awake in this car. | 0:05:14 | 0:05:18 | |
You put it in sport-plus mode and put your foot down. | 0:05:18 | 0:05:23 | |
Holy moly! That is 100mph. | 0:05:27 | 0:05:30 | |
120. | 0:05:32 | 0:05:33 | |
130. | 0:05:33 | 0:05:34 | |
140. | 0:05:37 | 0:05:38 | |
This is mind-boggling! And listen. | 0:05:41 | 0:05:44 | |
SILENCE | 0:05:44 | 0:05:46 | |
To find out just how fast it is, I lined it up for a drag race | 0:05:48 | 0:05:52 | |
against its petrol-powered twin. | 0:05:52 | 0:05:54 | |
I have 117 more horsepowers than he does, | 0:05:59 | 0:06:02 | |
but I still can't believe I'll win, because under here, | 0:06:02 | 0:06:06 | |
there are 864 batteries, | 0:06:06 | 0:06:09 | |
so this is half a tonne heavier. | 0:06:09 | 0:06:11 | |
And it's electric, like a food blender, or torch. | 0:06:11 | 0:06:16 | |
And how can a glorified torch possibly beat a 6.2 litre V8? | 0:06:17 | 0:06:22 | |
Three, two, one. | 0:06:24 | 0:06:27 | |
It's not a torch! | 0:06:30 | 0:06:32 | |
It is a rampant rabbit! | 0:06:36 | 0:06:38 | |
What in the name of God is powering this thing? | 0:06:40 | 0:06:44 | |
Well, this is what an electric SLS looks like | 0:06:48 | 0:06:50 | |
if you take its high-visibility jacket off. And this is the key. | 0:06:50 | 0:06:55 | |
That is the electric motor. It's the size of a melon. | 0:06:55 | 0:06:58 | |
It has one moving part and it produces all of its torques, | 0:06:58 | 0:07:02 | |
and there are many, the instant you touch the throttle. | 0:07:02 | 0:07:06 | |
Now, all electric cars, the G-Wiz, the Nissan Leaf, the lot, | 0:07:06 | 0:07:09 | |
have one of these, but the SLS has four. | 0:07:09 | 0:07:13 | |
There's one for each wheel, so it's four-wheel-drive, | 0:07:14 | 0:07:17 | |
and it has Formula One-style pushrod suspension | 0:07:17 | 0:07:21 | |
and a low centre of gravity, | 0:07:21 | 0:07:23 | |
because all the batteries are mounted in the spine of the chassis. | 0:07:23 | 0:07:26 | |
So theoretically, | 0:07:26 | 0:07:29 | |
this should have the handling to match the immense grunt. | 0:07:29 | 0:07:33 | |
In comfort mode, it feels like any other car, really, | 0:07:36 | 0:07:39 | |
but when you put it in sport mode, | 0:07:39 | 0:07:41 | |
all sorts of electronic witchcraft starts to happen. | 0:07:41 | 0:07:45 | |
In a corner, the motor's powering the inside wheels, | 0:07:50 | 0:07:54 | |
and I can feel this happening. | 0:07:54 | 0:07:56 | |
They use the sort of brakes to keep the line tight. | 0:07:56 | 0:08:00 | |
I can feel the car being pulled in. | 0:08:00 | 0:08:03 | |
TYRES SCREECH | 0:08:03 | 0:08:04 | |
Then you have a system that pumps juice into the batteries | 0:08:06 | 0:08:09 | |
every time you slow down, so it feels like you have engine braking. | 0:08:09 | 0:08:13 | |
Even though you don't. | 0:08:16 | 0:08:17 | |
And then there's a computer that decides which wheel should | 0:08:17 | 0:08:21 | |
have what amount of power at any given moment. And the upshot is... | 0:08:21 | 0:08:26 | |
..this doesn't feel like anything I've ever driven before. | 0:08:27 | 0:08:32 | |
It feels twitchy and nervous. It feels like a thoroughbred. | 0:08:32 | 0:08:36 | |
It feels brilliant. | 0:08:45 | 0:08:47 | |
So, let's sum up, then. | 0:08:54 | 0:08:56 | |
Instant torque, savage power, mesmerising speed. | 0:08:56 | 0:08:59 | |
Mercedes quality, no noise and a petrol bill of exactly nought. | 0:09:01 | 0:09:07 | |
It sounds, then, like the stuff of dreams, but there are drawbacks. | 0:09:07 | 0:09:12 | |
Range, for example. | 0:09:12 | 0:09:13 | |
If you wanted to drive this car from London to Manchester, | 0:09:13 | 0:09:17 | |
you'd have to stop in Stoke-on-Trent and spend 20 hours charging it up. | 0:09:17 | 0:09:21 | |
Mercedes themselves say that at full chat it wouldn't be able to | 0:09:25 | 0:09:29 | |
do two laps of the Nurburgring. And they may have a point. | 0:09:29 | 0:09:33 | |
I've only been out here for seven minutes on this run, | 0:09:33 | 0:09:35 | |
and I've used 44% of the juice. | 0:09:35 | 0:09:39 | |
And there's more. | 0:09:39 | 0:09:40 | |
The electric SLS is £360,000, and for that, | 0:09:40 | 0:09:47 | |
you could have an SLS Black and 20,000 gallons of petrol, | 0:09:47 | 0:09:52 | |
which is enough to take it from here to the moon. | 0:09:52 | 0:09:57 | |
As a result, you'd have to be soft in the head to buy the yellow car | 0:09:57 | 0:10:01 | |
rather than the V8. | 0:10:01 | 0:10:04 | |
But when there's no choice, when the oil has run out, | 0:10:04 | 0:10:07 | |
this car does at least show us that the speed machines will live on. | 0:10:07 | 0:10:13 | |
-Very good. But hang on. -What? | 0:10:17 | 0:10:21 | |
Are you saying that you drove an electric car | 0:10:21 | 0:10:23 | |
all the way around our track and it didn't break down? | 0:10:23 | 0:10:26 | |
Of course not. End of the day, big red light on the dash, | 0:10:26 | 0:10:28 | |
-and that was the end. -But it's working now? | 0:10:28 | 0:10:30 | |
-It's working now. -That's interesting, | 0:10:30 | 0:10:32 | |
because I think I'm right in saying this is the first time we've | 0:10:32 | 0:10:35 | |
ever had the petrol and the electric version of the same car together. | 0:10:35 | 0:10:39 | |
And I'm genuinely interested to see which is fastest round our track. | 0:10:39 | 0:10:43 | |
So am I. | 0:10:43 | 0:10:45 | |
And to find out, we must, of course, | 0:10:45 | 0:10:47 | |
hand them over to our tame racing driver. | 0:10:47 | 0:10:50 | |
Some say that he also has a button that makes him hum... | 0:10:50 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:56 | |
..and that if he played football for Manchester United, he'd be loyal, | 0:10:56 | 0:10:59 | |
because he's not a potato-headed oaf. | 0:10:59 | 0:11:03 | |
What he is, is the Stig! | 0:11:03 | 0:11:05 | |
And they're off! The electric car gets off the line faster, | 0:11:08 | 0:11:10 | |
but the V8 has the higher top speed, so coming up now to the first | 0:11:10 | 0:11:14 | |
corner, the electric car using computers to control its power, | 0:11:14 | 0:11:18 | |
the Black relying on the Stig's right paw. | 0:11:18 | 0:11:21 | |
TWEE ACCORDION MUSIC | 0:11:21 | 0:11:25 | |
OK, Chicago, often Black Mercs have too much torque, which makes them | 0:11:25 | 0:11:29 | |
a bit of a handful, but this one has less than the standard car. | 0:11:29 | 0:11:33 | |
Let's have a look how it deals with Hammerhead, very good. | 0:11:33 | 0:11:37 | |
And it still sounds good. | 0:11:37 | 0:11:39 | |
Better than the electric car, that's for sure. | 0:11:40 | 0:11:43 | |
LOW HUM | 0:11:43 | 0:11:45 | |
Stig not listening to music in there, | 0:11:45 | 0:11:47 | |
because he's trying to save juice. | 0:11:47 | 0:11:49 | |
Follow-through now, a chance to open them up, | 0:11:49 | 0:11:51 | |
and that's properly fast past the tyres. | 0:11:51 | 0:11:53 | |
Two corners left. | 0:11:55 | 0:11:56 | |
Hard on the brakes, the petrol getting a bit frisky there, | 0:11:56 | 0:11:59 | |
just Gambon left, piling in hard, black smoke on its tyres, | 0:11:59 | 0:12:03 | |
and across the line! | 0:12:03 | 0:12:05 | |
And so... | 0:12:06 | 0:12:07 | |
..the electric car, 1.21.7, | 0:12:11 | 0:12:16 | |
which puts it... That's amazing, | 0:12:16 | 0:12:18 | |
look at that, the same speed as a V10 R8, which is pretty quick. | 0:12:18 | 0:12:22 | |
The dinosaur. 1.19.0. There it is! | 0:12:22 | 0:12:27 | |
I wasn't panicking! I wasn't! | 0:12:32 | 0:12:35 | |
It's a relief. Right, we must move on, | 0:12:36 | 0:12:41 | |
because it is now time to do the news. | 0:12:41 | 0:12:44 | |
Yes, and we begin with the Government's attitude to speed limits. | 0:12:44 | 0:12:48 | |
You did that last week. | 0:12:48 | 0:12:49 | |
I did it last week and the week before and the week before that, | 0:12:49 | 0:12:52 | |
and every single week, the producers have edited it out. | 0:12:52 | 0:12:55 | |
-Yeah, they have. -But this week I have a cunning plan to make sure it stays in. | 0:12:55 | 0:13:00 | |
-Do you? -Yes, I do, bear with me. | 0:13:00 | 0:13:01 | |
You know earlier on this year the Government said they | 0:13:01 | 0:13:04 | |
were thinking of upping the motorway speed limit to 80mph, yes? | 0:13:04 | 0:13:08 | |
Well, the new Transport Minister, Patrick McLoughlin, | 0:13:08 | 0:13:11 | |
recently announced that's not going to happen. | 0:13:11 | 0:13:15 | |
GROANING | 0:13:15 | 0:13:16 | |
-Which is a blessed relief. -What?! Why? | 0:13:16 | 0:13:18 | |
Because, if you think about it, if he'd upped the speed limit to 80, | 0:13:18 | 0:13:23 | |
to keep the Daily Mail happy and all the road safety charities, | 0:13:23 | 0:13:26 | |
he would have had to say, "Right, we're having more police patrols, | 0:13:26 | 0:13:29 | |
"more speed cameras, more drones with more Hellfire missiles," | 0:13:29 | 0:13:33 | |
to make sure people stick to 80, | 0:13:33 | 0:13:36 | |
which is 15mph slower than we all drive now. | 0:13:36 | 0:13:40 | |
You're absolutely right. People on the motorway drive at 95mph. | 0:13:42 | 0:13:46 | |
And yet, I think I'm right in saying, | 0:13:46 | 0:13:49 | |
British motorways are the safest roads in Europe, statistically. | 0:13:49 | 0:13:52 | |
They are indeed. I did an experiment to prove my 95mph point this morning | 0:13:52 | 0:13:57 | |
and I drove down the motorway here at exactly 70. | 0:13:57 | 0:14:01 | |
Don't you always drive down the motorway at exactly 70? | 0:14:01 | 0:14:04 | |
Yes, I do. Yes, I do! | 0:14:04 | 0:14:08 | |
No, I don't. No. I usually drive slower than that. | 0:14:08 | 0:14:12 | |
-Do you? -But for my experiment, I sped up to 70. | 0:14:12 | 0:14:15 | |
OK? I drove for 15 miles at 70. | 0:14:15 | 0:14:18 | |
-Guess how many cars overtook me? -I'm guessing quite a few. -103. | 0:14:18 | 0:14:23 | |
-That was all of them. -Exactly. | 0:14:23 | 0:14:24 | |
So thank you very much, Mr McLoughlin, for maintaining | 0:14:24 | 0:14:28 | |
the 70mph speed limit, because that means we can all carry on doing 95. | 0:14:28 | 0:14:32 | |
-And that's the end of the news. -What?! Is it? | 0:14:32 | 0:14:35 | |
-Can't edit that out, can they? -Oh, I see what you did! | 0:14:35 | 0:14:37 | |
That's the only thing in it! It's got to go in. | 0:14:37 | 0:14:39 | |
It's good. Well done. | 0:14:39 | 0:14:41 | |
And now we must move on to something else they can't edit out, | 0:14:41 | 0:14:44 | |
because, as I'm sure we're all aware, | 0:14:44 | 0:14:47 | |
Britain has started flooding quite often these days. | 0:14:47 | 0:14:50 | |
A couple of reasons for this. | 0:14:50 | 0:14:51 | |
One, a lot of people these days are buying Toyota Priuses, | 0:14:51 | 0:14:54 | |
which is cooling the world down and that's causing more rain. | 0:14:54 | 0:14:58 | |
And a lot of houses are being built on flood plains, | 0:15:00 | 0:15:03 | |
so there's nowhere for the water to go. | 0:15:03 | 0:15:05 | |
Yes, and because of this, we are | 0:15:05 | 0:15:07 | |
forever seeing pictures of towns that have been flooded. | 0:15:07 | 0:15:10 | |
Tewksbury, Haywards Heath, Doncaster, they've all been hit, | 0:15:10 | 0:15:13 | |
and whenever we look at these pictures, | 0:15:13 | 0:15:15 | |
you can always see lots of marooned cars. | 0:15:15 | 0:15:18 | |
And this got us thinking. | 0:15:18 | 0:15:20 | |
Is there some simple way that cars can be kept mobile | 0:15:20 | 0:15:24 | |
even when the street is under three feet of water? | 0:15:24 | 0:15:28 | |
Now, obviously, you can't simply fit an outboard motor to the back, | 0:15:28 | 0:15:31 | |
like we did with our cross-channel Nissan pick-up truck, | 0:15:31 | 0:15:34 | |
because the propeller would snag submerged obstacles around towns, | 0:15:34 | 0:15:37 | |
and you can't really use oars, because that would be exhausting. | 0:15:37 | 0:15:42 | |
It all looked hopeless, but then I had an idea. | 0:15:42 | 0:15:46 | |
MUSIC: "Ride Of The Valkyries" by Wagner | 0:15:49 | 0:15:52 | |
I think this is the ideal transport for a flooded town | 0:15:57 | 0:16:01 | |
such as Doncaster or Tewkesbury, because a hovercraft simply | 0:16:01 | 0:16:06 | |
glides over road signs, railings, cows, just about everything, really. | 0:16:06 | 0:16:13 | |
Gentlemen, I give you...the future. | 0:16:17 | 0:16:21 | |
-Is it?! -Are you suggesting that | 0:16:21 | 0:16:25 | |
-if you live in a town that might flood... -Yeah. | 0:16:25 | 0:16:27 | |
..you go everywhere on a hovercraft in preparation for that day | 0:16:27 | 0:16:30 | |
-when it does flood, if it does? -No. | 0:16:30 | 0:16:32 | |
OK, you have a hovercraft for when it floods, but I'm saying | 0:16:32 | 0:16:35 | |
we put wheels on the bottom of this and then it's a normal car! | 0:16:35 | 0:16:39 | |
No, it isn't! It's a hovercraft with wheels on the bottom. | 0:16:39 | 0:16:42 | |
Or, this is my other plan, | 0:16:42 | 0:16:44 | |
we get a car and turn it into a hovercraft, like this. | 0:16:44 | 0:16:49 | |
-Oh, for God's sake. -No, he's onto something. | 0:16:49 | 0:16:51 | |
If you think about it, a car already has an engine and wheels | 0:16:51 | 0:16:55 | |
and space for the passengers and space for the luggage, | 0:16:55 | 0:16:59 | |
so all you need to do is add to that another engine to provide the lift. | 0:16:59 | 0:17:03 | |
-And another engine to provide the thrust. -There you go. | 0:17:03 | 0:17:06 | |
And some skirts around the bottom. | 0:17:06 | 0:17:08 | |
It's going to have to be quite big, this car. | 0:17:08 | 0:17:10 | |
There are big cars - Mercedes S-Class. | 0:17:10 | 0:17:11 | |
-Rolls-Royce Phantom, that's massive. -Expensive. | 0:17:11 | 0:17:14 | |
Maserati Quattroporti, you can pick those up for next to nothing. | 0:17:14 | 0:17:16 | |
You can put three engines in that, and skirts and everything. | 0:17:16 | 0:17:19 | |
'While Hammond went off to find a suitable car, | 0:17:21 | 0:17:24 | |
'I spent some time becoming even more expert at driving a hovercraft.' | 0:17:24 | 0:17:27 | |
Oh, I wasn't expecting that. | 0:17:27 | 0:17:30 | |
'And James headed off to Top Gear's secret amphibious engineering centre | 0:17:31 | 0:17:36 | |
'in the Yorkshire town of Penistone, | 0:17:36 | 0:17:39 | |
'just off St Mary's Street behind Tesco's.' | 0:17:39 | 0:17:43 | |
While Jeremy hangs around in the children's playground out there, | 0:17:45 | 0:17:49 | |
I'll go through a few hovercraft absolute basics for you. | 0:17:49 | 0:17:52 | |
If you imagine looking at it from the front, you have - | 0:17:52 | 0:17:54 | |
this is very basic - a platform, | 0:17:54 | 0:17:56 | |
wherever you sit and all the rest of it. | 0:17:56 | 0:17:58 | |
There's a huge fan inside, | 0:17:58 | 0:18:00 | |
which blows air downwards to form a cushion underneath. | 0:18:00 | 0:18:05 | |
Now, the clever thing is, this is contained by a flexible | 0:18:05 | 0:18:08 | |
skirt around the edge, | 0:18:08 | 0:18:10 | |
and for this reason it's sort of self-regulating, because | 0:18:10 | 0:18:13 | |
a certain amount of this cushion of air escapes out of the sides... | 0:18:13 | 0:18:17 | |
..floating about pointlessly, so propulsion, | 0:18:20 | 0:18:22 | |
you have generally another... | 0:18:22 | 0:18:23 | |
'Sadly, before James had a chance to finish his interesting lecture, | 0:18:23 | 0:18:27 | |
'Hammond arrived with his car.' | 0:18:27 | 0:18:29 | |
It's not really a car, is it? | 0:18:41 | 0:18:43 | |
-No, it's a Ford transit van, and it's perfect. -Is it? -Let me talk you through it. | 0:18:43 | 0:18:47 | |
What we've got here at the front is an engine to power the front wheels | 0:18:47 | 0:18:51 | |
and drive it along. Behind that, seats, room for us. | 0:18:51 | 0:18:54 | |
Behind that, room for our luggage. | 0:18:54 | 0:18:56 | |
Here, room for an engine to provide lift, | 0:18:56 | 0:18:59 | |
and at the back, room for another engine to provide thrust. | 0:18:59 | 0:19:02 | |
What?! It's practically a hovercraft already, I can see it. | 0:19:04 | 0:19:08 | |
It's what we need. | 0:19:08 | 0:19:11 | |
'With the van parked in the workshop...' | 0:19:11 | 0:19:14 | |
And stop! | 0:19:14 | 0:19:15 | |
'..Richard set to work mounting the two motorcycle engines | 0:19:18 | 0:19:21 | |
'that would provide lift and thrust. | 0:19:21 | 0:19:23 | |
'I, meanwhile, was making good progress with the skirts, | 0:19:25 | 0:19:28 | |
'until the expert hover pilot arrived...' | 0:19:28 | 0:19:32 | |
-Sorry! -Thank you! | 0:19:34 | 0:19:36 | |
'..and immediately started to complain | 0:19:37 | 0:19:40 | |
'that we wouldn't have enough power.' | 0:19:40 | 0:19:42 | |
-That is not big enough. -It is. -It isn't, it's titchy. | 0:19:42 | 0:19:45 | |
It's a 90 horsepower engine, and this is doing just the lift. | 0:19:45 | 0:19:48 | |
I've got another 90 horsepower engine to do the thrust. That's a lot. | 0:19:48 | 0:19:52 | |
-Is it? -How much power has this got? -35. | 0:19:52 | 0:19:54 | |
And that's got to do both the lift and the thrust. | 0:19:54 | 0:19:56 | |
I've got two engines, remember. | 0:19:56 | 0:19:58 | |
Look, fire it up, I'll show you what that can do. | 0:19:58 | 0:20:00 | |
Hold on. | 0:20:01 | 0:20:03 | |
-See? -So we've got... | 0:20:11 | 0:20:13 | |
We've got many times that. | 0:20:13 | 0:20:15 | |
We've got 35 doing both. You've got 180. | 0:20:15 | 0:20:17 | |
Yeah, exactly right. The equivalent of 180 to your 35. That is plenty. | 0:20:17 | 0:20:21 | |
'With the power issues settled, we went to work. | 0:20:21 | 0:20:26 | |
'Then, out on the proving ground, I uncovered a problem.' | 0:20:35 | 0:20:38 | |
What are you doing? | 0:20:40 | 0:20:41 | |
Well, it turns out there are some surfaces where it doesn't work. | 0:20:41 | 0:20:46 | |
I mean, it's all right on the wood and it's all right on the water. | 0:20:46 | 0:20:49 | |
Think of scale. This is small, these rocks by comparison are enormous. | 0:20:49 | 0:20:55 | |
If you scale that up... | 0:20:55 | 0:20:57 | |
But if you think about it, | 0:20:57 | 0:21:00 | |
our hovercraft is going to need to go over, you know, churches... | 0:21:00 | 0:21:04 | |
Not a whole church! | 0:21:04 | 0:21:06 | |
'But despite my concerns, the work continued.' | 0:21:08 | 0:21:11 | |
My plan is to drive the van normally from the normal seat over there | 0:21:13 | 0:21:16 | |
and then you switch to this seat for hover mode. | 0:21:16 | 0:21:20 | |
'Soon the engines were fitted, | 0:21:20 | 0:21:23 | |
'unnecessarily heavy items had been removed, and our van was ready.' | 0:21:23 | 0:21:29 | |
Gentlemen, Christopher Cockerell, Barnes Wallis... | 0:21:59 | 0:22:04 | |
Fred Whittle. | 0:22:04 | 0:22:05 | |
-You mean Frank. -Whatever. | 0:22:05 | 0:22:07 | |
They will all now be shivering in the cold dark shadow | 0:22:07 | 0:22:10 | |
-of our magnificence. -It's utterly, utterly brilliant. | 0:22:10 | 0:22:14 | |
Let me talk you through this thing, because along the side you'll see | 0:22:14 | 0:22:17 | |
here are the skirts ready to be deployed when we switch to hover mode, | 0:22:17 | 0:22:21 | |
then at the back, if we look in here, you can see mounted amidships, | 0:22:21 | 0:22:25 | |
that's the second engine - that's powering the lift. | 0:22:25 | 0:22:28 | |
Here at the back, the third engine - that's powering the thrust. | 0:22:28 | 0:22:31 | |
The fans, the rudder - it's actually quite beautiful. | 0:22:31 | 0:22:34 | |
MUSIC: Last of the Summer Wine Theme | 0:22:34 | 0:22:36 | |
'But would it work? | 0:22:39 | 0:22:41 | |
'Well, to find out, we took it onto the streets of Penistone.' | 0:22:41 | 0:22:44 | |
What I think is critical is that for 364 days a year, | 0:22:48 | 0:22:52 | |
-this has to just be a car, does it not? -Yeah. -Yes. | 0:22:52 | 0:22:56 | |
Just something you would use for shopping, | 0:22:56 | 0:22:59 | |
taking the children to school, and it's absolutely perfect at that. | 0:22:59 | 0:23:03 | |
I mean, we're driving around Penistone... | 0:23:03 | 0:23:05 | |
And there's nothing to tell me there's anything unusual about this. | 0:23:05 | 0:23:09 | |
What they don't realise is that | 0:23:12 | 0:23:13 | |
when the River Penis bursts its banks, we're ready | 0:23:13 | 0:23:17 | |
-in a way that no-one else is. -Yeah. | 0:23:17 | 0:23:19 | |
-Hey, what about a name? We haven't thought of a name. -Bob. | 0:23:22 | 0:23:27 | |
-Transit Fan. -Transit Fan! -Yeah. -I like that. | 0:23:27 | 0:23:33 | |
Or we could just call it the hovervan. | 0:23:33 | 0:23:36 | |
Hovervan sort of says what it does. | 0:23:36 | 0:23:38 | |
It does what it says on the tin, doesn't it? | 0:23:38 | 0:23:41 | |
Yeah, hovervan! | 0:23:41 | 0:23:42 | |
'Having established that it worked well on the road, | 0:23:43 | 0:23:47 | |
'we found a nearby reservoir where we could test it on the water.' | 0:23:47 | 0:23:51 | |
-This is ideal. -This will do. | 0:23:55 | 0:23:57 | |
'After just 90 minutes, the skirts were deployed, | 0:23:58 | 0:24:01 | |
'the engine waterproofing system was in place, | 0:24:01 | 0:24:04 | |
'and the three of us had ticked all the BBC's health and safety boxes. | 0:24:04 | 0:24:09 | |
-It's quite exciting. -It is. Now, I'm switching to the hover seat. | 0:24:13 | 0:24:16 | |
I can't walk. | 0:24:16 | 0:24:18 | |
'As a massive crowd gathered, we began.' | 0:24:19 | 0:24:25 | |
-Richard Hammond... -Yes! -Engage hover mode. -This is it! | 0:24:25 | 0:24:28 | |
-Right, this is the lift engine going on first. -Yes. | 0:24:28 | 0:24:31 | |
ENGINE WHIRS INTO LIFE | 0:24:31 | 0:24:35 | |
-Yes! -We are rising! We are hovering. | 0:24:35 | 0:24:39 | |
-Engage thrust mode! -Here we go! | 0:24:39 | 0:24:42 | |
-Thrust engine is running. -Yes! | 0:24:45 | 0:24:48 | |
Oh! | 0:24:50 | 0:24:51 | |
We're moving. We are moving! | 0:24:54 | 0:24:56 | |
It works! | 0:24:56 | 0:24:57 | |
We're going in. | 0:25:00 | 0:25:01 | |
And now the transition from land to water! | 0:25:03 | 0:25:05 | |
-More lift, Hammond, more lift! -I'm giving it all it's got! | 0:25:09 | 0:25:14 | |
Hammond, more! More! | 0:25:14 | 0:25:17 | |
Hammond, more lift! | 0:25:17 | 0:25:19 | |
Hang on! | 0:25:27 | 0:25:28 | |
Why did that happen! We've got to save it, save it! | 0:25:28 | 0:25:32 | |
OK, we've got a bit of flooding back here. | 0:25:32 | 0:25:35 | |
-When I say a bit, I mean, quite a lot. -Was that full power? | 0:25:35 | 0:25:39 | |
You didn't give it enough lift! You idiot! | 0:25:39 | 0:25:42 | |
You went in too quickly. It swamped. | 0:25:42 | 0:25:45 | |
Right, and with that, back to the drawing board. | 0:25:45 | 0:25:49 | |
APPLAUSE | 0:25:49 | 0:25:52 | |
Well, that was a complete catastrophe | 0:25:55 | 0:25:59 | |
-and it was all Hammond's fault. -How was it my fault? | 0:25:59 | 0:26:03 | |
Because, as predicted, those engines weren't powerful enough. | 0:26:03 | 0:26:07 | |
No, the problem was, and I never thought I'd say this, | 0:26:07 | 0:26:10 | |
James's skirt was too small. | 0:26:10 | 0:26:12 | |
No, no, I'm not having that, there was nothing wrong with my skirt. | 0:26:12 | 0:26:15 | |
The problem was that he just charged into the water, as usual, | 0:26:15 | 0:26:19 | |
like an imbecile. | 0:26:19 | 0:26:20 | |
Well, whatever, it was a total failure, | 0:26:20 | 0:26:23 | |
but Barnes Wallis didn't give up in the face of adversity, | 0:26:23 | 0:26:26 | |
and neither did we, as you shall see later on. | 0:26:26 | 0:26:29 | |
Now, though, it is time to put a star in our reasonably priced car. | 0:26:29 | 0:26:34 | |
Now, my guest tonight is enormously famous these days | 0:26:34 | 0:26:37 | |
because of his massive sideburns | 0:26:37 | 0:26:39 | |
and because you wouldn't want to shake hands with him. | 0:26:39 | 0:26:42 | |
Don't worry, it's not John McCririck. | 0:26:42 | 0:26:44 | |
It is, in fact, Wolverine. | 0:26:45 | 0:26:47 | |
Ladies and gentlemen, please welcome Hugh Jackman! | 0:26:47 | 0:26:49 | |
RAPTUROUS CHEERING AND APPLAUSE | 0:26:49 | 0:26:53 | |
How are you? | 0:26:53 | 0:26:55 | |
-Have a seat. -Thank you. | 0:26:59 | 0:27:02 | |
Hands are fine. | 0:27:02 | 0:27:03 | |
-That's a lot of smiling faces today. -Smiley, sweaty faces. | 0:27:08 | 0:27:12 | |
I love it. I feel like I'm in Australia. Thank you for this. | 0:27:12 | 0:27:15 | |
Actually, on that note, we like to feel our guests feel at home, | 0:27:15 | 0:27:19 | |
-so are you enjoying the Ashes? -Yeah! | 0:27:19 | 0:27:22 | |
LAUGHTER | 0:27:22 | 0:27:25 | |
-Or would you prefer to talk about the Lions tour? -Yeah. | 0:27:25 | 0:27:28 | |
Or the Olympics, or Andy Murray. What's going on in this country?! | 0:27:29 | 0:27:32 | |
Since I came here, it's 31, you're winning every sport, | 0:27:32 | 0:27:35 | |
-I'm like, what, this is wrong! -We just had a few years off. | 0:27:35 | 0:27:39 | |
But you know the good thing about this being such a hot summer, | 0:27:39 | 0:27:42 | |
I've been coming here for many years, my parents are English, | 0:27:42 | 0:27:45 | |
and since I was 12, when I first came here, | 0:27:45 | 0:27:48 | |
everyone talks about the summer of '76. | 0:27:48 | 0:27:51 | |
I'm like, what kind of country do you live in when everybody reminisces about the summer of '76? | 0:27:51 | 0:27:57 | |
And finally, that's over. | 0:27:57 | 0:27:59 | |
Trust me, did you miss the first half of this? | 0:27:59 | 0:28:02 | |
-That was -BLEEP. | 0:28:02 | 0:28:04 | |
We're going to get onto Wolverine in a minute, obviously, | 0:28:06 | 0:28:09 | |
the new movie, but when you were growing up, | 0:28:09 | 0:28:11 | |
from what I can understand, you actually wanted to be in musicals. | 0:28:11 | 0:28:14 | |
Your recent appearance in Les Miserables was more where you | 0:28:14 | 0:28:18 | |
wanted to go. Am I right in saying that? | 0:28:18 | 0:28:20 | |
Yeah. It's weird, I always did... | 0:28:20 | 0:28:22 | |
The musical side of things was actually more of a surprise for me. | 0:28:22 | 0:28:25 | |
I did a couple of eminent musicals and I was really bad. | 0:28:25 | 0:28:28 | |
I remember actually doing West Side Story | 0:28:28 | 0:28:31 | |
for the Eastern Suburbs Musical Society. | 0:28:31 | 0:28:34 | |
I couldn't sing any of the top three notes. | 0:28:34 | 0:28:36 | |
I was playing Tony and... | 0:28:36 | 0:28:38 | |
# Maria, Maria... # And then it goes really high. | 0:28:38 | 0:28:41 | |
Every night, I can't believe I did this on stage, | 0:28:41 | 0:28:44 | |
# Maria, Maria, Ma... # | 0:28:44 | 0:28:47 | |
SILENCE | 0:28:47 | 0:28:49 | |
Looking into the wings... | 0:28:49 | 0:28:51 | |
HE MOUTHS | 0:28:51 | 0:28:52 | |
# Maria! # | 0:28:52 | 0:28:54 | |
HE MOUTHS | 0:28:54 | 0:28:55 | |
A really clever way. | 0:28:55 | 0:28:57 | |
All my mates came, "That sound department sucked, man. | 0:28:57 | 0:29:00 | |
"You were awesome, and right at the key moment, just cut out!" | 0:29:00 | 0:29:03 | |
Obviously, you made a name for yourself before Wolverine came along, | 0:29:03 | 0:29:08 | |
but what was it that caused you to say, "Yeah, I want to move into..." | 0:29:08 | 0:29:12 | |
effectively, the kind of comic book franchise of X-Men? | 0:29:12 | 0:29:15 | |
It's interesting. | 0:29:15 | 0:29:17 | |
When I got the part of Wolverine, first of all, | 0:29:17 | 0:29:20 | |
I would have taken it no matter what it was, | 0:29:20 | 0:29:22 | |
I had no other job at the time, but I didn't realise how good | 0:29:22 | 0:29:25 | |
a part it was, and in fact, my wife said, "You can't do this. This is ridiculous." | 0:29:25 | 0:29:29 | |
I was auditioning, she read the scene with me and said, | 0:29:29 | 0:29:32 | |
"Wolverine senses danger and claws come out of his hands. Snikt!" | 0:29:32 | 0:29:36 | |
She said, "This is ridiculous. You're at the Royal National Theatre in London, | 0:29:36 | 0:29:40 | |
"and now you're going to have claws." | 0:29:40 | 0:29:42 | |
She chucked it down and says, "You're on your own!" | 0:29:42 | 0:29:44 | |
The only time she's ever been wrong in 18 years. | 0:29:44 | 0:29:47 | |
And she doesn't watch this show, so I'm all good in saying that. | 0:29:47 | 0:29:51 | |
-So, Wolverine, new movie out. -Yeah. -Tell us about it. | 0:29:51 | 0:29:55 | |
So the movie takes place, for X-Men fans, it's straight after X-Men 3, | 0:29:55 | 0:29:58 | |
Wolverine is literally at the bottom of his life. | 0:29:58 | 0:30:02 | |
He's almost made a vow not to be Wolverine, | 0:30:02 | 0:30:04 | |
cos everywhere he goes, the people he loves die, | 0:30:04 | 0:30:08 | |
it's filled with pain and regret, destruction, | 0:30:08 | 0:30:11 | |
so everything that makes him great also brings his sadness and loss. | 0:30:11 | 0:30:15 | |
That's where you find him. He then gets brought to Japan. | 0:30:15 | 0:30:18 | |
This is based on one of the great comic books ever written, | 0:30:18 | 0:30:21 | |
this Japanese saga, or the samurai story. | 0:30:21 | 0:30:24 | |
And in he goes, and of course, he has to look inside himself to find | 0:30:24 | 0:30:29 | |
the inner person and choose what he wants to be. | 0:30:29 | 0:30:31 | |
Needless to say, we have a clip, | 0:30:31 | 0:30:33 | |
-we'd like to show that now if we may. -Fantastic. | 0:30:33 | 0:30:35 | |
My employer wants to thank you for saving his life. | 0:30:36 | 0:30:39 | |
I wanted to repay you, Logan. | 0:30:39 | 0:30:40 | |
I can end your eternity. | 0:30:41 | 0:30:43 | |
Make you mortal. | 0:30:44 | 0:30:45 | |
I'm not healing like before. | 0:30:51 | 0:30:53 | |
Is that all the men you brought? | 0:30:56 | 0:30:59 | |
Your grandfather called me a ronin - | 0:31:00 | 0:31:02 | |
a samurai without a master... | 0:31:02 | 0:31:04 | |
..who has no reason to live. | 0:31:05 | 0:31:07 | |
Was he right? | 0:31:12 | 0:31:13 | |
There it is. | 0:31:18 | 0:31:19 | |
APPLAUSE | 0:31:19 | 0:31:20 | |
Saw it the other night. | 0:31:20 | 0:31:23 | |
Thank you. | 0:31:23 | 0:31:24 | |
One of the things I noticed in the new film is | 0:31:26 | 0:31:28 | |
the hair is a lot less extravagant than it has been in the past. | 0:31:28 | 0:31:31 | |
Yeah, environmental groups really had a go at us | 0:31:31 | 0:31:33 | |
for the amount of hairspray we were using. | 0:31:33 | 0:31:36 | |
That must have been the ozone layer right there, gone, really. | 0:31:36 | 0:31:39 | |
Completely. So we've quit that, we've moved on. | 0:31:39 | 0:31:42 | |
So, you were filming a lot of that in Japan. | 0:31:42 | 0:31:44 | |
-Yeah. -Isn't that a great country? | 0:31:44 | 0:31:46 | |
I love Japan. I've been there maybe 11 times. | 0:31:47 | 0:31:50 | |
I love the customs, their attention to detail, the food... | 0:31:50 | 0:31:53 | |
The cab drivers wear gloves. | 0:31:53 | 0:31:54 | |
Everything is polite and everything's... | 0:31:54 | 0:31:57 | |
-But I did make a few faux pas. -In Japan? -Yeah. | 0:31:57 | 0:32:01 | |
The worst one was the onsens. | 0:32:01 | 0:32:04 | |
Did you go to the onsens, the bathhouses that they have? | 0:32:04 | 0:32:07 | |
I know exactly what you mean. No, my penis is too small. | 0:32:07 | 0:32:10 | |
LAUGHTER | 0:32:10 | 0:32:12 | |
-Right. -You know what I mean? | 0:32:17 | 0:32:19 | |
No! | 0:32:19 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:21 | |
APPLAUSE | 0:32:24 | 0:32:25 | |
There we go! | 0:32:27 | 0:32:28 | |
So anyway, for those who haven't been, they're natural springs, | 0:32:33 | 0:32:36 | |
and they're hot and they're incredible, | 0:32:36 | 0:32:38 | |
and it's part of the culture. | 0:32:38 | 0:32:40 | |
It's a whole rigmarole, you have to put everything in the locker, | 0:32:40 | 0:32:42 | |
you have to put on a robe, you put on slippers, | 0:32:42 | 0:32:45 | |
and then when you go in, nothing. | 0:32:45 | 0:32:46 | |
They give you a little towel, almost like a flannel sort of thing, | 0:32:46 | 0:32:49 | |
and that's it, you walk in, hot. | 0:32:49 | 0:32:51 | |
Hot as hell, everyone's walking around, walking around naked, | 0:32:51 | 0:32:54 | |
you're there for about an hour. | 0:32:54 | 0:32:55 | |
And they have one little cold pool to cool yourself down, | 0:32:55 | 0:32:58 | |
cos everything's super hot. | 0:32:58 | 0:33:00 | |
So, I'm dipping it in the coal pool and I'm putting it on my head, | 0:33:00 | 0:33:03 | |
to cool myself down. | 0:33:03 | 0:33:05 | |
And I'm sitting like this | 0:33:05 | 0:33:06 | |
and I'm getting the weirdest looks from all the guys, and I thought, | 0:33:06 | 0:33:09 | |
"This is really weird, I don't know what's going on." | 0:33:09 | 0:33:11 | |
And then finally, one guy, | 0:33:11 | 0:33:12 | |
he was sitting in the tub like this and he goes... | 0:33:12 | 0:33:15 | |
LAUGHTER | 0:33:18 | 0:33:20 | |
I was like, "No, mate, not my thing." | 0:33:20 | 0:33:22 | |
I went, "Oh, really...? Oh, right! The flannel was for that, right!" | 0:33:24 | 0:33:28 | |
I'd just been waltzing around, "Woo, hey! | 0:33:30 | 0:33:34 | |
"How you doing? How you doing?!" | 0:33:34 | 0:33:35 | |
I was avoiding getting on to cars, cos I'd looked into your history | 0:33:37 | 0:33:40 | |
and it's not... Not as a child, anyway, | 0:33:40 | 0:33:42 | |
cos you seem to have spent most of your childhood | 0:33:42 | 0:33:44 | |
being driven around Australia in the back of a Volvo. | 0:33:44 | 0:33:46 | |
I remember my dad getting a Volvo, | 0:33:46 | 0:33:48 | |
literally because he's an accountant and he'd heard it's the safest car. | 0:33:48 | 0:33:51 | |
They had those little seats in the back that would fold up backwards, | 0:33:51 | 0:33:55 | |
and I basically spent my entire childhood giving the finger | 0:33:55 | 0:33:59 | |
to cars behind me and almost throwing up, | 0:33:59 | 0:34:02 | |
because it was the week-old cooler filled with the food, | 0:34:02 | 0:34:05 | |
because my dad was really tight, so he would pack food for a week | 0:34:05 | 0:34:08 | |
and we'd have it in the back of the car in temperatures like this, | 0:34:08 | 0:34:10 | |
and I'd have my feet on it, | 0:34:10 | 0:34:12 | |
so I'm smelling like bad liverwurst and things like that. | 0:34:12 | 0:34:15 | |
Have your kids ever gone through the car-sickness phase? | 0:34:15 | 0:34:19 | |
My daughter gets it a little bit, yeah. | 0:34:19 | 0:34:21 | |
I just think, you know when a car manufacturer quotes the ability | 0:34:21 | 0:34:23 | |
of a car to stop from 100 miles an hour, | 0:34:23 | 0:34:25 | |
100 kilometres an hour, down to zero? | 0:34:25 | 0:34:27 | |
You can always beat it when a child goes, "I'm feeling a bit sick." | 0:34:27 | 0:34:31 | |
Because when a child is sick in a car, the car has to be written off. | 0:34:32 | 0:34:36 | |
Yes, replaced immediately! | 0:34:36 | 0:34:38 | |
-There is no chance! -Absolutely! | 0:34:38 | 0:34:41 | |
So, obviously, you came here today, | 0:34:41 | 0:34:43 | |
-temperatures very similar to Australia. -Right. | 0:34:43 | 0:34:46 | |
I mean, properly hot. There is a bit of a problem, I think, | 0:34:46 | 0:34:48 | |
with our new reasonably priced car, | 0:34:48 | 0:34:50 | |
-because it is much faster with the air conditioning off. -Yeah. | 0:34:50 | 0:34:53 | |
Apparently, you did turn it off. | 0:34:53 | 0:34:54 | |
Yeah. Because I was hoping for any edge. | 0:34:54 | 0:34:57 | |
-My driving ability is so bad. -Is it? | 0:34:57 | 0:35:00 | |
My assistant is here, who I've known for 20 years. | 0:35:00 | 0:35:02 | |
He's a mad fan of this show. He's pissed off with me that I'm here. | 0:35:02 | 0:35:06 | |
He says, "You don't deserve it. | 0:35:06 | 0:35:07 | |
"I've put in the effort, I've watched every episode, | 0:35:07 | 0:35:10 | |
"I love this show, and look at you, you do a couple of movies, | 0:35:10 | 0:35:12 | |
"you pretend to be someone else and you're driving the car with Stig!" | 0:35:12 | 0:35:16 | |
-Anyway, you went out there, air conditioning off... -Yeah. | 0:35:16 | 0:35:19 | |
-..for your hot lap. -Yeah. -Anyone want to see it? | 0:35:19 | 0:35:21 | |
AUDIENCE: Yes! | 0:35:21 | 0:35:22 | |
Let's play the tape. | 0:35:22 | 0:35:23 | |
Yeah, I feel the need for speed! | 0:35:29 | 0:35:32 | |
6,000, here we go. | 0:35:32 | 0:35:34 | |
This is looking, actually, like you're on it, | 0:35:34 | 0:35:36 | |
like you really care about whether you're going to... | 0:35:36 | 0:35:39 | |
Ooh, I say, that's good grip through there. | 0:35:39 | 0:35:41 | |
-Aggressive turning. -I literally look very low in the car. | 0:35:41 | 0:35:45 | |
-It's a low seat. -Yes! I didn't think I was going to feel competitive. | 0:35:45 | 0:35:49 | |
My God, am I feeling competitive! | 0:35:49 | 0:35:50 | |
Brake a little earlier, remember what Stig said. | 0:35:50 | 0:35:53 | |
I can see, the way you're driving, | 0:35:53 | 0:35:55 | |
that this is a man who wants that thing to... | 0:35:55 | 0:35:57 | |
-Oh-ho-ho! -Yeah! | 0:35:57 | 0:35:59 | |
Come on, Jackman! | 0:35:59 | 0:36:01 | |
6,000, that's good. | 0:36:01 | 0:36:03 | |
All right, this is my Achilles heel, this corner. | 0:36:03 | 0:36:06 | |
Yeah, it's everybody's Achilles heel. | 0:36:06 | 0:36:09 | |
They mostly go off at the second to last corner. | 0:36:09 | 0:36:12 | |
Hugh, this is not bad at all. | 0:36:12 | 0:36:14 | |
-Isn't it? -No. | 0:36:14 | 0:36:15 | |
I'm actually deeply impressed. | 0:36:15 | 0:36:17 | |
You're using more of the track than Benedict did last week. | 0:36:17 | 0:36:20 | |
OK. Don't be a pussy. | 0:36:20 | 0:36:24 | |
Stay on it. Just stay. | 0:36:24 | 0:36:25 | |
Oh, can't believe I'm staying on there. | 0:36:25 | 0:36:28 | |
Full accelerator. Yeah, Stig! You'd be proud of me! | 0:36:28 | 0:36:31 | |
LAUGHTER | 0:36:31 | 0:36:32 | |
It does take guts to do that. | 0:36:32 | 0:36:35 | |
Keep your foot hard in it. And close to the tyres? | 0:36:35 | 0:36:38 | |
-Whoa, yes! -Close to those tyres! | 0:36:38 | 0:36:40 | |
Smell the rubber! | 0:36:40 | 0:36:42 | |
Right, now, let's see if you clip this nicely... | 0:36:42 | 0:36:45 | |
Yes, that is very good. | 0:36:45 | 0:36:47 | |
-Oh! -Nearly off there, but held it nicely. | 0:36:47 | 0:36:50 | |
Gambon, that's nicely done, as well. | 0:36:50 | 0:36:52 | |
Across the line! | 0:36:52 | 0:36:54 | |
Oh! | 0:36:54 | 0:36:55 | |
CHEERING | 0:36:55 | 0:36:58 | |
So... | 0:37:00 | 0:37:01 | |
-I have your time here. -Oh, OK. | 0:37:03 | 0:37:06 | |
Where do you think you came? | 0:37:06 | 0:37:08 | |
I'm thinking... | 0:37:08 | 0:37:10 | |
Oh, Charles Dance. | 0:37:10 | 0:37:12 | |
Either just above or just below Charles. | 0:37:12 | 0:37:14 | |
Just above or just below. But you're in the 1.48s, you think? | 0:37:14 | 0:37:17 | |
-Yeah. -Okey-doke. | 0:37:17 | 0:37:19 | |
well, you did it in 1... | 0:37:19 | 0:37:21 | |
40... | 0:37:21 | 0:37:23 | |
..6... | 0:37:24 | 0:37:26 | |
AUDIENCE: Oooh! | 0:37:26 | 0:37:27 | |
-..1. So, you're now our third fastest! -Wow! | 0:37:27 | 0:37:30 | |
CHEERING | 0:37:30 | 0:37:32 | |
Mate! | 0:37:34 | 0:37:35 | |
Where's Irving? | 0:37:37 | 0:37:38 | |
Singing, dancing... | 0:37:38 | 0:37:40 | |
Irving! | 0:37:40 | 0:37:41 | |
Looking for your mate? | 0:37:41 | 0:37:42 | |
Where's Irving? Irving? Where are you, Irving? | 0:37:42 | 0:37:45 | |
Irving, come out. He's going to hate this. | 0:37:45 | 0:37:47 | |
He said, "You were crap." | 0:37:47 | 0:37:49 | |
LAUGHTER | 0:37:49 | 0:37:50 | |
He said, "You're pathetic. You've embarrassed me." | 0:37:50 | 0:37:52 | |
Irving, where are you? Come on, mate. | 0:37:52 | 0:37:54 | |
-Third. -I'm impressed. -Yeah! | 0:37:54 | 0:37:56 | |
CHEERING | 0:37:56 | 0:37:57 | |
-I'm impressed. -Thank you! | 0:37:57 | 0:37:59 | |
-We are all impressed. -That's on tape! | 0:37:59 | 0:38:01 | |
It's on tape! | 0:38:01 | 0:38:03 | |
Ladies and gentlemen, Hugh Jackman! | 0:38:03 | 0:38:06 | |
Thank you. | 0:38:06 | 0:38:07 | |
CHEERING | 0:38:07 | 0:38:10 | |
Now, earlier on, we built a hovervan, | 0:38:16 | 0:38:19 | |
which sank. | 0:38:19 | 0:38:21 | |
Yeah, it worked perfectly well as a van, | 0:38:21 | 0:38:23 | |
it just didn't really work as a hovercraft. | 0:38:23 | 0:38:25 | |
But no matter, because we've had another go, | 0:38:25 | 0:38:28 | |
ladies and gentlemen, and here it is! | 0:38:28 | 0:38:31 | |
CHEERING | 0:38:31 | 0:38:33 | |
Now, in the back | 0:38:34 | 0:38:36 | |
I have replaced the two 90 horsepower engines with these. | 0:38:36 | 0:38:39 | |
For the lift, we have the engine from a Yamaha R1 Superbike. | 0:38:39 | 0:38:44 | |
And for the thrust, a compact, | 0:38:44 | 0:38:46 | |
lightweight 2.4 litre V8 from a Radical track car. | 0:38:46 | 0:38:50 | |
All of which means, in the back of this van, | 0:38:50 | 0:38:54 | |
there is now 600 horsepower. | 0:38:54 | 0:38:57 | |
-AUDIENCE: -Oooh! | 0:38:57 | 0:38:58 | |
Oh, yes. I, meanwhile, have been fitting | 0:38:58 | 0:39:01 | |
these new, bigger, tougher skirts, | 0:39:01 | 0:39:02 | |
which you just lower in a jiffy, like so. | 0:39:02 | 0:39:07 | |
And I've also added, on top of those, | 0:39:07 | 0:39:10 | |
these inflatable rubber tubes, which make it a bit less sinky. | 0:39:10 | 0:39:14 | |
CHURCH BELL TOLLS | 0:39:15 | 0:39:20 | |
We're so confident that the mark II hovervan will work | 0:39:22 | 0:39:26 | |
that we shall be testing it in our home clothes, | 0:39:26 | 0:39:29 | |
but not on a reservoir. | 0:39:29 | 0:39:31 | |
Instead, we shall be testing it here | 0:39:31 | 0:39:33 | |
on the mighty Avon. | 0:39:33 | 0:39:36 | |
With overhanging branches, submerged shopping trolleys | 0:39:38 | 0:39:41 | |
and many obstacles, | 0:39:41 | 0:39:43 | |
the Avon more realistically represents a flooded street. | 0:39:43 | 0:39:46 | |
If our van works here, it will work | 0:39:47 | 0:39:50 | |
in your town when the torrent comes. | 0:39:50 | 0:39:52 | |
Right, listen. I'm going to drive. | 0:39:54 | 0:39:57 | |
-Hammond, you're in charge of the engine room. -Right. | 0:39:57 | 0:40:00 | |
And James, you're the navigator. | 0:40:00 | 0:40:02 | |
'Brimming with confidence, we initiated the launch procedure.' | 0:40:03 | 0:40:09 | |
Fire up the lift engine! | 0:40:09 | 0:40:10 | |
Aye aye, Clarkson. | 0:40:10 | 0:40:12 | |
ENGINE RUMBLES | 0:40:12 | 0:40:14 | |
Fire up the thrust engine. | 0:40:18 | 0:40:20 | |
I love all the things we have to say. | 0:40:20 | 0:40:22 | |
I know. Here it comes. I'll give it a bit of a juice. | 0:40:22 | 0:40:25 | |
ENGINE ROARS | 0:40:26 | 0:40:28 | |
You have it. You have thrust. | 0:40:31 | 0:40:33 | |
-And we're moving! We are going! -We're going right! | 0:40:37 | 0:40:40 | |
-We're going sideways! -Go to port! | 0:40:40 | 0:40:42 | |
-Here we go! -600 horsepower. | 0:40:42 | 0:40:45 | |
-Unleash it! -Here we go. -Oh, my God! | 0:40:45 | 0:40:47 | |
-I'm engaging thrust. -It works! | 0:40:49 | 0:40:52 | |
It only flipping works! | 0:40:52 | 0:40:54 | |
-We're float... Oh, -BLEEP! | 0:40:54 | 0:40:55 | |
-I'm drowning! -There is quite a lot of water coming in. | 0:40:55 | 0:40:58 | |
-I'm turning it! -Windscreen wipers! | 0:40:58 | 0:40:59 | |
Turn it more, we're going to hit the bank! | 0:40:59 | 0:41:01 | |
-Hard to starboard! -Jeremy, turn right! | 0:41:01 | 0:41:04 | |
I don't... You can't do that! | 0:41:04 | 0:41:07 | |
-Of course it can! -We've crashed! | 0:41:07 | 0:41:09 | |
CRUNCHING | 0:41:09 | 0:41:11 | |
We're a bit stuck. | 0:41:11 | 0:41:13 | |
This is the sort of practice you should have been doing | 0:41:13 | 0:41:15 | |
while we were busy fitting engines and building this thing. | 0:41:15 | 0:41:18 | |
'In my defence, hovercrafts have no brakes, no reverse, | 0:41:18 | 0:41:21 | |
'extremely haphazard steering and, | 0:41:21 | 0:41:24 | |
'if you cut the lift engine, | 0:41:24 | 0:41:26 | |
'it can't be restarted on water.' | 0:41:26 | 0:41:29 | |
You're heading for the other bank now? | 0:41:29 | 0:41:31 | |
I'm coming back on the power. | 0:41:31 | 0:41:33 | |
-Here comes the bank! -No brakes! | 0:41:33 | 0:41:34 | |
Aaaargh! Crash! | 0:41:34 | 0:41:36 | |
Boy, steer that way! | 0:41:36 | 0:41:38 | |
CRUNCHING | 0:41:38 | 0:41:40 | |
This river's too narrow. | 0:41:40 | 0:41:42 | |
Well, it's river-shaped. | 0:41:42 | 0:41:43 | |
They tend to be long and thin. | 0:41:43 | 0:41:45 | |
Here we go! I'm going to give it full speed to return. | 0:41:45 | 0:41:48 | |
Too much! Too much! Oh, things are working. Steer it! | 0:41:48 | 0:41:51 | |
James, I am one of the world's best hovercraft drivers. | 0:41:51 | 0:41:55 | |
-Oh, I can see that. -Is that why we're in a nettle bush? | 0:41:55 | 0:41:57 | |
Oh, yes. | 0:41:57 | 0:41:59 | |
Ah-ha! What do you think of that? | 0:41:59 | 0:42:01 | |
There's a man fishing. | 0:42:03 | 0:42:05 | |
I'm sorry. Sorry. It's all... Sorry. | 0:42:05 | 0:42:09 | |
-Tree! -Tree! -Tree! -Tree! -Tree! -Tree! | 0:42:09 | 0:42:12 | |
Oh, huge tree! | 0:42:12 | 0:42:13 | |
BANG | 0:42:13 | 0:42:15 | |
No brakes! | 0:42:15 | 0:42:16 | |
Relax! What are you worried about? | 0:42:16 | 0:42:18 | |
-We're in the tree! -The tree's coming in the... | 0:42:18 | 0:42:21 | |
How can that be in the van? | 0:42:21 | 0:42:23 | |
Ow! Crash! | 0:42:24 | 0:42:25 | |
CRACKING | 0:42:27 | 0:42:28 | |
Oh, no, we broke the window! | 0:42:28 | 0:42:30 | |
We've actually broken the windscreen! | 0:42:30 | 0:42:32 | |
-Yes, you have. -You've made a complete horse's arse of that. | 0:42:32 | 0:42:36 | |
We can edit this out. Nobody needs know this has happened. | 0:42:36 | 0:42:39 | |
-Is there a boathook, James? -Yes. | 0:42:39 | 0:42:41 | |
-Push us off. -I'll come over. | 0:42:41 | 0:42:44 | |
You keep an eye on that. | 0:42:44 | 0:42:45 | |
-Don't let it go over eight. -Eight? | 0:42:45 | 0:42:47 | |
Mind your elbow! | 0:42:47 | 0:42:48 | |
Your elbow nearly killed the lift. | 0:42:48 | 0:42:51 | |
Push! | 0:42:51 | 0:42:52 | |
-That's more like it. -That's it. | 0:42:53 | 0:42:56 | |
There you go. Go, go, go, go! | 0:42:56 | 0:42:58 | |
Wipers, James! Wipers! | 0:42:58 | 0:43:02 | |
They're broken. | 0:43:02 | 0:43:04 | |
-Richard? -Yes? | 0:43:04 | 0:43:05 | |
-I think I've got the hang of it now. -Brilliant. | 0:43:05 | 0:43:07 | |
-Let's go and refuel. -Go and what? | 0:43:07 | 0:43:11 | |
We've got to stop for fuel. We're running out. | 0:43:11 | 0:43:13 | |
We've only been going ten minutes! | 0:43:13 | 0:43:15 | |
Well, yeah, I know. But we've used it all... | 0:43:15 | 0:43:17 | |
There's 600 horsepower back there! It needs a lot of fuel. | 0:43:17 | 0:43:19 | |
-How big's the tank? -Two gallons. | 0:43:19 | 0:43:21 | |
-Two? -Yeah! | 0:43:21 | 0:43:23 | |
'On that bombshell, we headed back to the bank.' | 0:43:25 | 0:43:28 | |
Hammond, get ready to kill those engines and James, | 0:43:28 | 0:43:31 | |
get ready to start up the other one. | 0:43:31 | 0:43:33 | |
Hammond, kill the engines now! | 0:43:33 | 0:43:35 | |
-Kill! -Killed. | 0:43:35 | 0:43:37 | |
-Road engine's not starting. -What? | 0:43:37 | 0:43:40 | |
Why is the starter not working? | 0:43:40 | 0:43:41 | |
-Because it's wet. -Why didn't you waterproof it?! | 0:43:41 | 0:43:44 | |
-I didn't anticipate... -Why are we still shouting?! | 0:43:44 | 0:43:47 | |
'Fortunately, getting it out of the water was no bother at all.' | 0:43:48 | 0:43:52 | |
'But, as we were refuelling, we received an unpleasant surprise.' | 0:43:59 | 0:44:04 | |
-Hammond? -What? | 0:44:05 | 0:44:07 | |
-It's the gold envelope. -What? | 0:44:07 | 0:44:10 | |
I wasn't expect... | 0:44:10 | 0:44:13 | |
"You will drive your hover van from here in Stratford-upon-Avon | 0:44:13 | 0:44:17 | |
"to Tewkesbury, one of the most frequently flooded towns in the UK. | 0:44:17 | 0:44:20 | |
"Once there, you will show off your invention to the local residents." | 0:44:20 | 0:44:24 | |
How far is that? | 0:44:24 | 0:44:26 | |
-Got to be 50 miles. -50? -How far have we just done? | 0:44:26 | 0:44:30 | |
-50 yards? -It's a lot of refuelling. | 0:44:30 | 0:44:33 | |
Er...right. | 0:44:33 | 0:44:36 | |
'Having saddled up...' | 0:44:39 | 0:44:40 | |
I feel like Daisy Duke. | 0:44:40 | 0:44:42 | |
'..we set off for Tewkesbury.' | 0:44:42 | 0:44:45 | |
Engaging power. | 0:44:45 | 0:44:46 | |
A full left turn. | 0:44:46 | 0:44:48 | |
Oh, are we good or what? | 0:44:51 | 0:44:54 | |
Excellent work. | 0:44:54 | 0:44:55 | |
Continue as you are, Captain Clarkson. | 0:44:55 | 0:44:59 | |
Feels good every time! I love this! | 0:44:59 | 0:45:01 | |
This is a great machine. | 0:45:01 | 0:45:03 | |
Brilliant machine. I mean, it really is. | 0:45:03 | 0:45:05 | |
'With everything going well, we settled down for what | 0:45:05 | 0:45:09 | |
'we hoped would be an uneventful maiden voyage.' | 0:45:09 | 0:45:13 | |
MUSIC: "Morning Mood" from the Peer Gynt Suite by Edvard Grieg | 0:45:13 | 0:45:17 | |
'But, as we arrived in the tranquil suburbs | 0:45:22 | 0:45:25 | |
'of historical Stratford-upon-Avon, | 0:45:25 | 0:45:28 | |
'we became conscious that there was an issue with noise.' | 0:45:28 | 0:45:32 | |
ENGINE ROARS | 0:45:33 | 0:45:36 | |
'And then, there was the spray.' | 0:45:38 | 0:45:40 | |
Then to the left. | 0:45:41 | 0:45:43 | |
Sorry, everybody! I do apologise! | 0:45:43 | 0:45:47 | |
I'm so sorry! Sorry! | 0:45:47 | 0:45:50 | |
How far have we come so far? | 0:45:51 | 0:45:53 | |
-300 yards. -Excellent. How long has it taken? -About 20 minutes. | 0:45:53 | 0:45:57 | |
'Eventually, we arrived in the centre of Stratford, | 0:46:04 | 0:46:06 | |
'and encountered our first obstacle.' | 0:46:06 | 0:46:09 | |
Now, the bridge... | 0:46:13 | 0:46:15 | |
-You need to know that the bridge is from 1480. -Yep. | 0:46:15 | 0:46:18 | |
-Grade I listed, so don't break it. -Here we go. | 0:46:18 | 0:46:22 | |
-Wipers! -It's actually working. -No, it's not. You are going to hit it. | 0:46:22 | 0:46:27 | |
THUD | 0:46:27 | 0:46:28 | |
-We've crashed. -The priceless bridge. -You're almost there. | 0:46:28 | 0:46:31 | |
I'm bloody drenched, you idiot. | 0:46:31 | 0:46:33 | |
'Having made a bit of a mess of that bridge, | 0:46:34 | 0:46:36 | |
'I came up with a cunning plan for the next one.' | 0:46:36 | 0:46:40 | |
I'm aiming for the "no entry" on the basis that the hovercraft... | 0:46:40 | 0:46:44 | |
-That's the last place you'll go. -If you aim for something, you'll not go there. | 0:46:44 | 0:46:49 | |
'Unfortunately, my plan didn't work.' | 0:46:49 | 0:46:52 | |
-It's gone where I aimed it. -Yes, but is it going to clear it? | 0:46:52 | 0:46:56 | |
-Oh, my God. -It's getting a bit scrapey... | 0:46:56 | 0:46:59 | |
METALLIC GRATING | 0:46:59 | 0:47:02 | |
-That's amazing. -We did a thing! We did a thing! | 0:47:06 | 0:47:10 | |
Oh, God, rowers. | 0:47:10 | 0:47:12 | |
Concentrate. Left, left, left. | 0:47:15 | 0:47:18 | |
James, there's a man in a boat. There's a man in a boat. | 0:47:18 | 0:47:22 | |
-You've got to miss him. -That's the RSC! -There's a man in a boat. | 0:47:22 | 0:47:25 | |
Miss him. Left, left. | 0:47:25 | 0:47:28 | |
Oh, my God. | 0:47:28 | 0:47:30 | |
-Oh, my God. -Where is he? | 0:47:30 | 0:47:32 | |
-He's here. He's here. I'm really sorry. -Sorry. -Sorry, mate. | 0:47:32 | 0:47:38 | |
We're probably not that welcome here. | 0:47:40 | 0:47:42 | |
'We therefore decided it would be best to get out of town. | 0:47:44 | 0:47:47 | |
'But, in our haste, we became tangled in the wash from the camera boat.' | 0:47:50 | 0:47:54 | |
-This is not good. We've lost all steering. We are in deep -BLEEP -here. | 0:47:54 | 0:47:59 | |
Brace, brace, brace. | 0:47:59 | 0:48:01 | |
Brace, brace, brace. Hold tight. Hold tight. Kill, kill, kill. | 0:48:01 | 0:48:06 | |
What happened? | 0:48:09 | 0:48:10 | |
-The thing with hovercrafting is it's brilliant, brilliant, brilliant, disaster. -Yeah. | 0:48:10 | 0:48:14 | |
'Having apologised to the owners of the boats we'd hit, | 0:48:17 | 0:48:21 | |
'and the man who'd fallen in...' | 0:48:21 | 0:48:23 | |
James May, consult the map. Which way? | 0:48:23 | 0:48:26 | |
-To the left. -'..we refuelled and were soon on the move again. | 0:48:26 | 0:48:29 | |
'And in the next village, we decided to stop for some lunch.' | 0:48:31 | 0:48:35 | |
I see a rather nice little restaurant here. | 0:48:35 | 0:48:39 | |
Yes, check this out. | 0:48:39 | 0:48:41 | |
Private mooring for use by restaurant customers only. | 0:48:41 | 0:48:43 | |
-Well, we're restaurant customers, so we can. -We're coming for lunch! | 0:48:43 | 0:48:48 | |
'At this point, we discovered that Jeremy hadn't learned how to park.' | 0:48:48 | 0:48:53 | |
There we go. | 0:48:53 | 0:48:54 | |
Oh, God, hang on. | 0:48:56 | 0:48:57 | |
I've missed again. | 0:49:02 | 0:49:03 | |
-I think you've overdone it. -Where are you going to park? | 0:49:07 | 0:49:10 | |
-Why can't you just park it, for God's sake? -Sorry, sorry. | 0:49:10 | 0:49:14 | |
-Sorry, everybody. Sorry. -I'm not hungry. | 0:49:14 | 0:49:17 | |
Why don't we just make a sign that says "sorry"? | 0:49:17 | 0:49:19 | |
'We decided to abandon lunch at this point | 0:49:23 | 0:49:25 | |
'and instead... | 0:49:25 | 0:49:26 | |
'see how fast a hovervan could run away.' | 0:49:26 | 0:49:32 | |
-OK, Hammond, give me read out on the thrust. -7,500. 8,000. | 0:49:32 | 0:49:37 | |
We are seriously moving now, gentlemen. | 0:49:39 | 0:49:42 | |
James, how fast are we going? | 0:49:44 | 0:49:46 | |
I can work it out with this piece of knotted rope | 0:49:46 | 0:49:48 | |
-like they did on HMS victory. -Go for it. | 0:49:48 | 0:49:52 | |
This is looking good now. We are in the cruise. | 0:49:52 | 0:49:55 | |
Right, hang on, hang on. 20 in... | 0:49:57 | 0:50:00 | |
We're doing 120 knots in an hour which is 138 miles an hour. | 0:50:00 | 0:50:06 | |
138. We are shifting now. | 0:50:06 | 0:50:09 | |
'And the great thing is, of course, hovervans cause no wash | 0:50:11 | 0:50:15 | |
'so don't damage the wildlife or the banks.' | 0:50:15 | 0:50:18 | |
We're like a breeze. Just a little gust. | 0:50:19 | 0:50:22 | |
Oh, no, we're stopping. What's happened? You've dropped the... | 0:50:23 | 0:50:26 | |
We're sinking. We've gone down. | 0:50:26 | 0:50:29 | |
That was, something went wrong. | 0:50:31 | 0:50:33 | |
I think the skirt collapsed at the front. | 0:50:33 | 0:50:36 | |
'This meant we had to initiate our emergency crash procedure.' | 0:50:36 | 0:50:40 | |
-Do you know what I think this calls for, gentlemen? A hit of oxygen. -Oh, yes. | 0:50:40 | 0:50:46 | |
A good idea. Let's cheer ourselves up. | 0:50:46 | 0:50:48 | |
-Hey! -Ah! | 0:50:51 | 0:50:53 | |
-Hang on a minute. -Why is yours so small? | 0:50:53 | 0:50:56 | |
Why have they given you that one? | 0:50:59 | 0:51:02 | |
They've given you a sparkler canister from a Watney's Party Seven. | 0:51:02 | 0:51:06 | |
One more push, and it will be out. | 0:51:06 | 0:51:08 | |
Chaps, you do realise what we've just done? | 0:51:08 | 0:51:10 | |
We've exhausted the air supply. | 0:51:10 | 0:51:13 | |
We've used all the oxygen for fun, while sitting in a sinking van. | 0:51:13 | 0:51:17 | |
This is Hovervan One calling Avon rescue. | 0:51:18 | 0:51:23 | |
Avon calling, Avon calling, help. | 0:51:23 | 0:51:26 | |
'Happily, because we'd only covered four of our 50 miles, | 0:51:29 | 0:51:32 | |
'the crane didn't have far to come. | 0:51:32 | 0:51:34 | |
'And after we'd fixed the skirt | 0:51:36 | 0:51:38 | |
'and refuelled again, we were back on the road.' | 0:51:38 | 0:51:41 | |
-Happy? -Yep. All is going well in the engine room. -And relax. | 0:51:41 | 0:51:47 | |
'Sadly, though, the relaxing didn't last long.' | 0:51:49 | 0:51:53 | |
-Oh, God, there's a lock. -We've got to go through the lock. | 0:51:53 | 0:51:55 | |
Can you go through locks in a... Do they let hovercrafts in? | 0:51:55 | 0:51:58 | |
'To make matters worse, there was no lock keeper.' | 0:52:00 | 0:52:03 | |
-Do you two feel up to a lock? -I've never done one. | 0:52:04 | 0:52:07 | |
Never done one in my life. | 0:52:07 | 0:52:08 | |
You've got to get the water level, but don't shilly-shally | 0:52:08 | 0:52:12 | |
because I'm going to be all by myself out here. | 0:52:12 | 0:52:15 | |
'With Richard and James ashore...' Go, go. Get off! | 0:52:15 | 0:52:19 | |
'..I was a multitasking machine.' | 0:52:19 | 0:52:22 | |
Oh, this is tricky. | 0:52:22 | 0:52:24 | |
I'm having to drive and do all the engine stuff. | 0:52:24 | 0:52:26 | |
I am Mister Sulu, Scotty and Spock all rolled into one here. | 0:52:26 | 0:52:32 | |
Hang on, the water in the lock has got to be the same level as the boat. | 0:52:32 | 0:52:37 | |
-So we... -So we have to go down that end. -No, no, no. -Yes. | 0:52:37 | 0:52:41 | |
No, really. I've got a two-gallon fuel tank. Take your time(!) | 0:52:41 | 0:52:45 | |
It's quite loud when you're not on it, isn't it? | 0:52:45 | 0:52:49 | |
People probably will have to get used to the idea | 0:52:49 | 0:52:52 | |
when people have hovervans that canals are a little less tranquil | 0:52:52 | 0:52:56 | |
than they have been historically. It's a natural progression, really. | 0:52:56 | 0:53:01 | |
-You have the pony when canals first began... -Superhuman effort. -Yes! | 0:53:01 | 0:53:06 | |
..then internal combustion came and boats got diesel engines. | 0:53:08 | 0:53:11 | |
Now, this is the future. | 0:53:11 | 0:53:13 | |
Here we go. Going in. | 0:53:15 | 0:53:17 | |
Yes, bit of power. | 0:53:19 | 0:53:21 | |
Power solves all things, as we know. | 0:53:21 | 0:53:24 | |
Yes! | 0:53:26 | 0:53:28 | |
-Right, if you wind, I'll push. -Ooohh! Look at this! | 0:53:30 | 0:53:36 | |
-Locking down. Are we locking down, or... -I don't know. | 0:53:40 | 0:53:42 | |
We're locking down. Keep forward... What the hell is that? | 0:53:42 | 0:53:45 | |
-The boat will go wherever it goes. -Close all the paddles. -Yes. What's a paddle? | 0:53:45 | 0:53:48 | |
What are they doing? Honestly, my dog would know how to work a lock. | 0:53:48 | 0:53:53 | |
Look at them! | 0:53:53 | 0:53:55 | |
-Sorry. Going to have to do the winding. It's down. -What? | 0:53:55 | 0:54:01 | |
-It's down. -Hammond, what are you doing? -What are YOU doing? | 0:54:01 | 0:54:06 | |
-Who's driving? -Oh, -BLEEP! | 0:54:06 | 0:54:11 | |
-I thought it would stay there. -Of course it won't! | 0:54:11 | 0:54:14 | |
The hovercraft has run amok in a lock. | 0:54:14 | 0:54:17 | |
-Get back on board! -Get in the hovercraft. | 0:54:17 | 0:54:20 | |
'To try and capture our errant hover van, | 0:54:20 | 0:54:22 | |
'Hammond and I formed a pincer movement. | 0:54:22 | 0:54:25 | |
'But sadly, as I climbed on board, the pincer movement went a bit wrong.' | 0:54:26 | 0:54:30 | |
Oh, no! | 0:54:32 | 0:54:33 | |
Oh, no! | 0:54:36 | 0:54:37 | |
I can't breathe! | 0:54:40 | 0:54:41 | |
-I can't breathe! I can't breathe! -Have you fallen in? -No. | 0:54:48 | 0:54:53 | |
I'm the wettest a human being has ever been! | 0:54:53 | 0:54:57 | |
Sitrep. We've... | 0:54:57 | 0:54:59 | |
-Ruined it. -Well, we've knocked a man out of his boat. | 0:54:59 | 0:55:02 | |
Now we've jammed up the whole River Avon. Now, here's what we must do. | 0:55:02 | 0:55:06 | |
We must get it out of the lock and then we will get a tow | 0:55:06 | 0:55:09 | |
and then we can edit all of this out. | 0:55:09 | 0:55:12 | |
'Having done all of that, we were back on the move...' | 0:55:14 | 0:55:17 | |
-James, which way is it here? -Keep right. | 0:55:17 | 0:55:21 | |
'..and reflecting on the many positives that had come out of our journey so far.' | 0:55:21 | 0:55:27 | |
-We have had some calamities... -A couple. | 0:55:27 | 0:55:30 | |
-But they're not bad ones. -Not really. -Weren't for us. | 0:55:30 | 0:55:34 | |
Apart from the broken windscreen, | 0:55:34 | 0:55:37 | |
the hover van is working just as well as it ever has. | 0:55:37 | 0:55:42 | |
Yes, it's expensive. | 0:55:42 | 0:55:44 | |
I don't think we'd be able to sell this for much less than | 0:55:44 | 0:55:46 | |
-a quarter of a million pounds. -Realistically, no. | 0:55:46 | 0:55:49 | |
-But... -It's money well spent. | 0:55:49 | 0:55:52 | |
..when you're up to here in the sitting room and you could have made your escape, | 0:55:52 | 0:55:57 | |
you could have done and you chose not to buy one of these vans, | 0:55:57 | 0:56:01 | |
that is, I think, the essence of it. | 0:56:01 | 0:56:03 | |
-Hang on a minute. -What? -Hang on. -What? | 0:56:04 | 0:56:08 | |
-Which way did you go back there? -You said right. -I said left. | 0:56:10 | 0:56:14 | |
No, you didn't, James. You said right. Whoa... What's that? | 0:56:14 | 0:56:18 | |
Is that a weir? | 0:56:18 | 0:56:20 | |
-Turn it round. -Turning, turning. -Go the other way. | 0:56:27 | 0:56:29 | |
Yamaha, give me every single rev that Yamaha engine has got. | 0:56:29 | 0:56:35 | |
-Give it more. -There is no more. -It's on the limit. There is no more. | 0:56:37 | 0:56:42 | |
-That's all there is. -We're being sucked. | 0:56:42 | 0:56:44 | |
-I'm going to turn it round. -Why are you turning right now? | 0:56:46 | 0:56:49 | |
-Do you want to go over backwards? -I don't want to go over it at all. | 0:56:49 | 0:56:52 | |
He's right. Go over forwards. It's better. | 0:56:52 | 0:56:56 | |
-Holy -BLEEP! BLEEP! | 0:56:56 | 0:56:58 | |
Hammond, I want every bit of lift you can manage. | 0:56:58 | 0:57:03 | |
-I'm giving it everything it's got! -We're going over! | 0:57:05 | 0:57:07 | |
-We are going down! -Oh, my God! | 0:57:07 | 0:57:10 | |
-Oh, my God! Oh, my God! -RICHARD YELLS | 0:57:10 | 0:57:14 | |
-Yes! -Oh, God, we're through! -It worked! It worked! | 0:57:17 | 0:57:25 | |
-We went down a weir! -And we're alive! | 0:57:25 | 0:57:27 | |
-What a machine! -That's the best thing I've ever survived! | 0:57:27 | 0:57:30 | |
I knew that would be all right! | 0:57:30 | 0:57:32 | |
-Did you? -I'm going to go back up. -Don't be bloody stupid. | 0:57:32 | 0:57:36 | |
You couldn't turn it round up there, it's not going to go back up. | 0:57:36 | 0:57:40 | |
Yes, come on, hovervan. | 0:57:40 | 0:57:42 | |
In the Shakespearean style, | 0:57:42 | 0:57:44 | |
horsepower, horsepower, my kingdom for some horsepower! | 0:57:44 | 0:57:48 | |
-It won't go up! -It will! -It's not going to work! | 0:57:48 | 0:57:52 | |
-You can't give it that many revs! -Power! | 0:57:52 | 0:57:55 | |
-Power! -Jeremy, that's too much... Oh, my God! -What's that smoke? | 0:58:01 | 0:58:05 | |
You've ruined the engine! | 0:58:05 | 0:58:07 | |
-You've blown the engine up! -Come on! Power! -You've killed it! | 0:58:07 | 0:58:11 | |
-ENGINE CUTS OUT -Oh. | 0:58:11 | 0:58:13 | |
You pillock! | 0:58:13 | 0:58:15 | |
And with that, back to the studio. | 0:58:22 | 0:58:24 | |
APPLAUSE | 0:58:26 | 0:58:28 | |
When Chuck Yeager crashed that starfighter, | 0:58:31 | 0:58:35 | |
nobody called him a pillock. | 0:58:35 | 0:58:36 | |
No, but, it was because of you that we didn't make it to Tewkesbury. | 0:58:36 | 0:58:40 | |
It doesn't matter. Everybody's seen the film now. | 0:58:40 | 0:58:44 | |
They know that our hovervan is as an unqualified success. | 0:58:44 | 0:58:46 | |
Yes, yes, it is, apart from the noise, the spray, the terrible danger, | 0:58:46 | 0:58:52 | |
impracticality, unreliability, total uncontrollability, | 0:58:52 | 0:58:56 | |
catastrophic fuel consumption, terrible expense | 0:58:56 | 0:58:59 | |
and disastrous damage we caused to Warwickshire with it, yes. | 0:58:59 | 0:59:03 | |
Yeah, apart from those fundamental flaws, | 0:59:03 | 0:59:06 | |
which render it completely useless, | 0:59:06 | 0:59:08 | |
it is genuinely a world-class machine. | 0:59:08 | 0:59:11 | |
We have done something right. And on that bombshell, it's time to end. | 0:59:11 | 0:59:16 | |
Thank you so much for watching. See you next week. Good night! | 0:59:16 | 0:59:20 | |
Subtitles by Red Bee Media Ltd | 0:59:33 | 0:59:36 |