Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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Tonight... Two swans move their heads about... | 0:00:11 | 0:00:15 | |
I eat a shoe... | 0:00:15 | 0:00:18 | |
and James says he's not fat. | 0:00:18 | 0:00:20 | |
I'm not fat. | 0:00:20 | 0:00:21 | |
CHEERING AND APPLAUSE | 0:00:23 | 0:00:26 | |
Welcome, everybody. Hello, good evening. | 0:00:29 | 0:00:31 | |
Thank you so much. Thank you. Thank you. | 0:00:31 | 0:00:34 | |
Now... | 0:00:34 | 0:00:35 | |
Thank you. Now, our deep and profound love on this show | 0:00:35 | 0:00:40 | |
for Alfa Romeo is a triumph of hope over reality. | 0:00:40 | 0:00:45 | |
We always pray that their new models will be brilliant | 0:00:45 | 0:00:49 | |
but sort of know they won't be and then they never are. | 0:00:49 | 0:00:52 | |
But what about this? | 0:00:52 | 0:00:54 | |
The new and very pretty 4C. | 0:00:54 | 0:00:57 | |
Well, Richard Hammond has been to Northern Italy, in the sunshine, | 0:00:57 | 0:01:01 | |
to find out all about it. | 0:01:01 | 0:01:05 | |
Jammy little bu... | 0:01:05 | 0:01:07 | |
BELL RINGS | 0:01:07 | 0:01:09 | |
CAR ENGINE REVS | 0:01:12 | 0:01:14 | |
Right, let's get this straight... | 0:01:21 | 0:01:23 | |
I'm in a mid-engined, two-seater Alfa Romeo. | 0:01:23 | 0:01:27 | |
The first proper Alfa sports car for 20 years. | 0:01:29 | 0:01:32 | |
And I'm driving it in Northern Italy, on a lovely day. | 0:01:35 | 0:01:40 | |
In theory, things don't get much better. | 0:01:40 | 0:01:43 | |
But, predictably, there are one or two problems. | 0:01:45 | 0:01:50 | |
First of all, it's going to cost around £45,000. | 0:01:53 | 0:01:58 | |
And that's a fair bit, especially as you don't get a V8, or even V6. | 0:01:58 | 0:02:03 | |
What you do get is a turbo-charged, reworked version of the 1.7 litre, | 0:02:03 | 0:02:08 | |
four-cylinder engine from a Giulietta hatchback. | 0:02:08 | 0:02:11 | |
And under here... | 0:02:11 | 0:02:13 | |
Well, I don't know what's under here cos the bonnet is bolted shut. | 0:02:13 | 0:02:17 | |
It's bolted shut for the same reason this car has no power steering, | 0:02:20 | 0:02:26 | |
and no proper climate control - | 0:02:26 | 0:02:29 | |
to save weight. | 0:02:29 | 0:02:32 | |
That's why it has the same sort of | 0:02:32 | 0:02:34 | |
carbon-fibre chassis as a Formula 1 car. | 0:02:34 | 0:02:37 | |
It's why there's almost no metal in the body at all. | 0:02:37 | 0:02:41 | |
The upshot is, the 4C weighs just 925kg. | 0:02:43 | 0:02:49 | |
That's about half what a Mercedes SLK weighs. | 0:02:49 | 0:02:53 | |
And on a road like this, that really pays dividends. | 0:02:58 | 0:03:02 | |
Oh, come on! | 0:03:02 | 0:03:04 | |
Lovely. | 0:03:04 | 0:03:05 | |
Because it's light, it's unbelievably agile. | 0:03:07 | 0:03:11 | |
It changes direction like a kitten chasing a spider. | 0:03:11 | 0:03:15 | |
And because there's no power steering, I can feel | 0:03:23 | 0:03:26 | |
far more at the steering wheel and know what the wheels are doing. | 0:03:26 | 0:03:29 | |
It grips... | 0:03:33 | 0:03:34 | |
..fabulously. | 0:03:36 | 0:03:37 | |
It doesn't need a massive engine. | 0:03:40 | 0:03:42 | |
It's got 237 brake horsepower. Do you know what? That is enough. | 0:03:42 | 0:03:46 | |
More than enough. | 0:03:46 | 0:03:48 | |
0 to 60 takes four-and-a-half seconds. | 0:03:51 | 0:03:55 | |
The top speed is 160. | 0:03:55 | 0:03:57 | |
And yet, because of the lightness, it'll do 40 miles to the gallon. | 0:03:57 | 0:04:02 | |
Drop a window, sample the noise. | 0:04:05 | 0:04:07 | |
LOUD REVS | 0:04:07 | 0:04:09 | |
Oh! Lovely little crackle on the up-shift. | 0:04:09 | 0:04:12 | |
Oh, it's great. | 0:04:14 | 0:04:17 | |
This little Alfa is growing on me with a speed | 0:04:17 | 0:04:21 | |
and ferocity that I've never before encountered. | 0:04:21 | 0:04:24 | |
It's just getting under my skin. | 0:04:24 | 0:04:26 | |
Because it's not like anything else... | 0:04:27 | 0:04:30 | |
Oh, my God! | 0:04:30 | 0:04:33 | |
What? | 0:04:33 | 0:04:34 | |
What are you doing here? | 0:04:36 | 0:04:39 | |
As you well know, Hammond, we receive thousands of letters | 0:04:39 | 0:04:44 | |
every single week from viewers and they all say the same thing. | 0:04:44 | 0:04:47 | |
"Dear Top so-called Gear, the Alfa 4C, | 0:04:47 | 0:04:50 | |
"is it better than quad bike?" | 0:04:50 | 0:04:53 | |
Well, I can clear than one up straight away - yes, it is because | 0:04:53 | 0:04:56 | |
quad bikes are slow, ugly, noisy, stupid and incredibly dangerous. | 0:04:56 | 0:05:00 | |
And I don't mean dangerous like you might fall off, | 0:05:00 | 0:05:03 | |
I mean like they want to kill you. | 0:05:03 | 0:05:04 | |
Everybody I know, pretty much, who's ever tried one, has been | 0:05:04 | 0:05:07 | |
killed by it at some point. | 0:05:07 | 0:05:09 | |
Yup. That's as maybe, but we need to settle this, | 0:05:09 | 0:05:12 | |
-so we're going to have a race. -We're going to race? -Yeah. | 0:05:12 | 0:05:14 | |
-You on that, presumably? -Yeah. | 0:05:14 | 0:05:16 | |
-Me in that? -Yeah. | 0:05:16 | 0:05:18 | |
Jeremy's proposal was a race from the top of Lake Como | 0:05:18 | 0:05:22 | |
to a hotel terrace at the bottom. | 0:05:22 | 0:05:25 | |
I would take the 43-mile lakeside route, | 0:05:25 | 0:05:28 | |
whilst he would attempt to go as the crow flies. | 0:05:28 | 0:05:31 | |
Good, you're going to be killed and last. | 0:05:33 | 0:05:35 | |
And so, at exactly 10:37am, the race began. | 0:05:37 | 0:05:43 | |
Here we go. | 0:05:47 | 0:05:49 | |
Let me talk you through my quad. | 0:05:53 | 0:05:56 | |
It's called a Gibbs Quadski, | 0:05:56 | 0:05:58 | |
designed and engineered in Britain, built just outside Detroit | 0:05:58 | 0:06:03 | |
and the engine is German - a 1.3 from a BMW motorcycle. | 0:06:03 | 0:06:08 | |
And you have 40 horsepower. | 0:06:08 | 0:06:10 | |
Doesn't sound like much but like the Alfa, it's light. | 0:06:12 | 0:06:14 | |
Apparently it has the same power-to-weight ratio | 0:06:16 | 0:06:20 | |
as a helicopter. | 0:06:20 | 0:06:21 | |
He's mad. I mean, he doesn't stand a chance. | 0:06:23 | 0:06:27 | |
I know what he's thinking. | 0:06:27 | 0:06:28 | |
He's imagining he'll be crashing off-road and cutting corners. | 0:06:28 | 0:06:32 | |
He won't. He'll be bumbling through the woods on little tracks, | 0:06:32 | 0:06:36 | |
he'll get stuck, fall off, break a leg - maybe two. | 0:06:36 | 0:06:39 | |
Hammond was wrong. My legs were fine, | 0:06:41 | 0:06:44 | |
but I had got into a bit of a pickle trying to find a shortcut. | 0:06:44 | 0:06:49 | |
Totally lost. Literally no idea which... | 0:06:49 | 0:06:53 | |
No idea. I'm just in weeds... | 0:06:54 | 0:06:57 | |
Oh, now which way? | 0:06:59 | 0:07:01 | |
With Jeremy stuck in the undergrowth, | 0:07:03 | 0:07:05 | |
I had time to admire one of the most beautiful places on Earth. | 0:07:05 | 0:07:12 | |
Ah! Mountains, pretty village - all present and correct. | 0:07:19 | 0:07:24 | |
Coming through. | 0:07:28 | 0:07:29 | |
See, this scooter rider will not mind me whizzing past in my Alfa Romeo, | 0:07:29 | 0:07:35 | |
because I know he loves Alfa Romeo just as much, if not more, than I do. | 0:07:35 | 0:07:40 | |
We have to love Alfa, it's the law. | 0:07:40 | 0:07:43 | |
Meanwhile... | 0:07:45 | 0:07:47 | |
Oh. God. No, wait. | 0:07:47 | 0:07:50 | |
Many nettles. | 0:07:50 | 0:07:53 | |
This may have a top speed of 40 | 0:07:53 | 0:07:55 | |
but I'm not doing that now, really. | 0:07:55 | 0:07:58 | |
Happily, however, | 0:07:58 | 0:07:59 | |
Hammond was about to discover one of the Alfa's drawbacks - its girth. | 0:07:59 | 0:08:05 | |
Oh, no! Oh, my God, this is narrow! | 0:08:05 | 0:08:09 | |
Oh! That's... | 0:08:09 | 0:08:11 | |
This car is wide. | 0:08:11 | 0:08:15 | |
That's a problem. | 0:08:15 | 0:08:16 | |
So what were they thinking when they've got streets like this? | 0:08:17 | 0:08:21 | |
I mean... Oh! | 0:08:21 | 0:08:23 | |
Still, could be worse. | 0:08:24 | 0:08:27 | |
Oh, no! Now look what I've done. | 0:08:31 | 0:08:35 | |
I've accidentally crashed into Lake Como. | 0:08:35 | 0:08:39 | |
But it's OK, because if I push this little button here... | 0:08:40 | 0:08:45 | |
..the wheels have folded up and now I'm on a jet ski. | 0:08:51 | 0:08:56 | |
Oh, and it gets better because, on land, it has 40 horsepower, | 0:08:57 | 0:09:02 | |
but here on water it has 140. | 0:09:02 | 0:09:06 | |
I know exactly what music we have to play right now. | 0:09:11 | 0:09:16 | |
# We are sailing... # | 0:09:16 | 0:09:18 | |
No, not that! | 0:09:18 | 0:09:19 | |
Cue the Bond! | 0:09:19 | 0:09:20 | |
MUSIC: "James Bond Theme" by John Barry | 0:09:20 | 0:09:24 | |
Here we go - 45 miles an hour! | 0:09:34 | 0:09:36 | |
Hammond, you've had it, wherever you are, you can't beat this. | 0:09:36 | 0:09:40 | |
Narrow. Really narrow. Really wide car. | 0:09:45 | 0:09:48 | |
I'd like to be driving something narrower now, like a bus. | 0:09:49 | 0:09:53 | |
Right, clear of town, press on. | 0:09:55 | 0:09:58 | |
So let's just get this straight. | 0:10:05 | 0:10:08 | |
I'm wearing a wet white shirt and I'm in a lake - I'm Mr Darcy! | 0:10:08 | 0:10:12 | |
Come on! | 0:10:12 | 0:10:14 | |
There is Richard Hammond. | 0:10:21 | 0:10:24 | |
Ha-ha-ha-ha-ha! | 0:10:26 | 0:10:30 | |
I'll slow down a bit. | 0:10:30 | 0:10:32 | |
'Hello? Hello?' | 0:10:32 | 0:10:34 | |
Er, hello. Where are you? | 0:10:34 | 0:10:36 | |
'To your left, mate, to your left.' | 0:10:36 | 0:10:39 | |
You can't be to my left. How can you be to my left? | 0:10:39 | 0:10:41 | |
What? | 0:10:41 | 0:10:43 | |
'Have you ever seen a cooler machine than this?!' | 0:10:43 | 0:10:47 | |
What are you on? Is that the same quad? | 0:10:47 | 0:10:50 | |
It certainly is. | 0:10:50 | 0:10:52 | |
And I'm afraid I must now say goodbye. | 0:10:52 | 0:10:56 | |
'Cheerio. See you soon.' | 0:10:56 | 0:10:58 | |
Cheating sod! | 0:11:00 | 0:11:03 | |
He can just go straight across the lake now. | 0:11:04 | 0:11:07 | |
I've got to go all the way down the bottom here | 0:11:07 | 0:11:10 | |
and back up the other side. | 0:11:10 | 0:11:12 | |
I'm going to lose this and he's going to do his stupid smug face. | 0:11:12 | 0:11:16 | |
Spurred on by the horror of his face... | 0:11:19 | 0:11:21 | |
..I put the hammer down. | 0:11:24 | 0:11:26 | |
Come on, little Alfa. | 0:11:30 | 0:11:32 | |
We were neck and neck, | 0:11:38 | 0:11:40 | |
but then Jeremy got distracted by an Italian ferry. | 0:11:40 | 0:11:44 | |
Look at that! | 0:11:46 | 0:11:48 | |
What a machine. | 0:11:50 | 0:11:52 | |
I'm sorry, I'm hearing the Bond music again now. | 0:11:53 | 0:11:57 | |
You want a race? | 0:11:59 | 0:12:00 | |
I'll give you a race. | 0:12:00 | 0:12:02 | |
Oh, come on, I can't lose this! | 0:12:17 | 0:12:21 | |
By this stage, I'd disentangled myself from the hydrofoil, | 0:12:27 | 0:12:31 | |
but had run into another problem - Lake Como's weird winds. | 0:12:31 | 0:12:36 | |
Ugh! Ugh! Ugh! Ugh! Ugh! Ugh! | 0:12:39 | 0:12:42 | |
I think we've got some chop. | 0:12:43 | 0:12:45 | |
Wow! | 0:12:47 | 0:12:48 | |
I've lost ten miles.... | 0:12:49 | 0:12:51 | |
Aw! | 0:12:51 | 0:12:52 | |
Ow, my back bottom! | 0:12:52 | 0:12:56 | |
Wow! Wow! | 0:12:56 | 0:12:59 | |
They slow you down a bit. | 0:12:59 | 0:13:00 | |
Oh, my... | 0:13:02 | 0:13:03 | |
That was a big one. | 0:13:03 | 0:13:05 | |
I'm now down to 15 miles an hour, and I can't realistically go | 0:13:05 | 0:13:10 | |
any faster, cos I can't see where I'm bloody going. | 0:13:10 | 0:13:14 | |
The vicious chop had put Hammond back in the lead. | 0:13:14 | 0:13:17 | |
We have to beat him. | 0:13:22 | 0:13:24 | |
Thankfully, on the lake, I'd found calmer water. | 0:13:29 | 0:13:33 | |
45 miles an hour. | 0:13:33 | 0:13:36 | |
We are back in this race. | 0:13:37 | 0:13:41 | |
There he is. There is Richard Hammond. | 0:13:51 | 0:13:54 | |
Oh, no! Oh, no! Oh, no! Oh, no! | 0:13:54 | 0:13:57 | |
Goodbye, Hammond. | 0:13:57 | 0:13:59 | |
He is history. | 0:13:59 | 0:14:02 | |
It certainly seemed that way, | 0:14:05 | 0:14:07 | |
because pretty soon the hotel was in sight. | 0:14:07 | 0:14:11 | |
There it is, there's the finishing line. | 0:14:11 | 0:14:14 | |
So, I was definitely going to win this. | 0:14:16 | 0:14:19 | |
But then I realised the victory would be a bit hollow. | 0:14:19 | 0:14:25 | |
Obviously, I want to beat Hammond, of course I do. | 0:14:25 | 0:14:29 | |
But I don't want to beat that Alfa Romeo, because, to me, | 0:14:29 | 0:14:34 | |
Alfas are special. | 0:14:34 | 0:14:37 | |
They're really special. | 0:14:37 | 0:14:39 | |
This is a bit like having a running race with your four-year-old son. | 0:14:39 | 0:14:43 | |
Yes, of course you can win, but you don't really want to. | 0:14:43 | 0:14:47 | |
It's not far now. | 0:14:51 | 0:14:53 | |
Little Alfa, I think we have to accept the inevitable. | 0:14:55 | 0:14:57 | |
He's not there, is he? | 0:15:00 | 0:15:01 | |
In a few minutes, Hammond would arrive | 0:15:01 | 0:15:04 | |
and see my Quadski moored alongside the hotel's jetty. | 0:15:04 | 0:15:09 | |
Damn and blast, I'm going to win this. | 0:15:09 | 0:15:12 | |
Nothing I can do. | 0:15:14 | 0:15:15 | |
But then... | 0:15:15 | 0:15:17 | |
I spotted a hidey-hole. | 0:15:17 | 0:15:19 | |
Yes! | 0:15:19 | 0:15:21 | |
Sometimes I stagger even myself with my genius. | 0:15:22 | 0:15:27 | |
Oh, no. Oh, no. I'm so sorry. | 0:15:29 | 0:15:32 | |
Right, where is he? | 0:15:41 | 0:15:44 | |
This is the terrace. | 0:15:58 | 0:16:01 | |
Up here maybe. | 0:16:03 | 0:16:04 | |
Do you know what? | 0:16:11 | 0:16:13 | |
He no here. I don't know how. What I've done is win... | 0:16:16 | 0:16:21 | |
-..in that little Alfa. -Hammond! -Mate. -Well done. | 0:16:22 | 0:16:27 | |
-You beat me fair and square. -I did. | 0:16:27 | 0:16:30 | |
-In the Alfa. -Do you know? I would have bet £1 million... | 0:16:30 | 0:16:34 | |
when I overtook you, I was going to win. | 0:16:34 | 0:16:38 | |
APPLAUSE | 0:16:38 | 0:16:39 | |
Your question is answered. | 0:16:45 | 0:16:48 | |
The Alfa 4C is better than the quad bike. | 0:16:48 | 0:16:52 | |
-Yes, but we saw you lose on purpose. -A bit, just a bit. | 0:16:52 | 0:16:57 | |
Did you not like the jet ski, Quadski thing? | 0:16:57 | 0:16:59 | |
Yes, it's brilliant. | 0:16:59 | 0:17:00 | |
Do you know, the best thing about it is its reliability. | 0:17:00 | 0:17:03 | |
It performed faultlessly all day | 0:17:03 | 0:17:06 | |
and then it performed faultlessly all the next day | 0:17:06 | 0:17:10 | |
when we had to rerun the race because an American | 0:17:10 | 0:17:13 | |
-knocked the camera with all the film in it into the lake. -Really? | 0:17:13 | 0:17:17 | |
LAUGHTER | 0:17:17 | 0:17:18 | |
I was on this thing for two days, two days. | 0:17:18 | 0:17:21 | |
By the time we finished, my sausage looked like a beaver's tail. | 0:17:21 | 0:17:26 | |
LAUGHTER | 0:17:26 | 0:17:28 | |
-Right, um, is it expensive? -What, my sausage? -No, the thing. | 0:17:28 | 0:17:34 | |
Oh, the thing, yes, it's £26,000, but, no, hang on, | 0:17:34 | 0:17:37 | |
you do get a lot of health and safety warning notices for that. | 0:17:37 | 0:17:43 | |
This is my favourite down here. | 0:17:43 | 0:17:45 | |
It's warning about what you have to wear and it says, hang on, | 0:17:45 | 0:17:51 | |
"Normal swimwear does not adequately protect against forceful | 0:17:51 | 0:17:56 | |
"water entry into rectum or vagina." | 0:17:56 | 0:18:00 | |
LAUGHTER | 0:18:00 | 0:18:01 | |
He's not making that up. It says vagina on it. | 0:18:06 | 0:18:10 | |
Excuse me, does anyone mind if we talk about the car for a bit? | 0:18:10 | 0:18:13 | |
It's a car show and everything. | 0:18:13 | 0:18:15 | |
Good, cos I've got some questions about this. How wide is it? | 0:18:15 | 0:18:19 | |
-It's wider than a Range Rover. -Is it? Seriously? -Very wide. | 0:18:19 | 0:18:23 | |
And let me get this straight, | 0:18:23 | 0:18:24 | |
Alfa Romeo is selling a car where you can't open the bonnet? | 0:18:24 | 0:18:29 | |
Yeah, I know. | 0:18:29 | 0:18:30 | |
-Ballsy. -Yeah. -Ballsy. -It is, yes, | 0:18:30 | 0:18:32 | |
but that's not the interesting thing about it. | 0:18:32 | 0:18:36 | |
What is the interesting thing? | 0:18:36 | 0:18:37 | |
Well, it costs £47,000, but when you get in it, | 0:18:37 | 0:18:39 | |
everything feels just feels a bit cheap and plasticky. | 0:18:39 | 0:18:44 | |
Look at this handbrake, it's just... | 0:18:44 | 0:18:48 | |
It's like something that came out of a cracker. | 0:18:48 | 0:18:51 | |
You know, if I got the handbrake in a Christmas cracker, | 0:18:51 | 0:18:54 | |
-I'd be a bit disappointed. -You know what I mean. -Yes, I do. | 0:18:54 | 0:18:57 | |
It's just that there are a lot of EU rules coming very soon | 0:18:57 | 0:19:01 | |
on fuel efficiency and emissions and so on, | 0:19:01 | 0:19:03 | |
and the only way that cars can meet them | 0:19:03 | 0:19:06 | |
is if they get very, very light. | 0:19:06 | 0:19:08 | |
Yeah. And pretty soon, all cars will have to be made like this, | 0:19:08 | 0:19:11 | |
but do you know what? I don't think that's necessarily a bad thing. | 0:19:11 | 0:19:15 | |
Yes, you get a shonky handbrake, but your car is more nimble. | 0:19:15 | 0:19:19 | |
It's faster and it's more economical. | 0:19:19 | 0:19:21 | |
And for the ultimate expression of that art, later in the show, | 0:19:21 | 0:19:25 | |
we have a review of this - the new McLaren P1, which is astonishing. | 0:19:25 | 0:19:32 | |
Well, I am very much looking forward to that, but first it's the news. | 0:19:32 | 0:19:38 | |
-Yes. -Now Kia is working on something called "gesture control". | 0:19:38 | 0:19:42 | |
It's very interesting, because of instead of having | 0:19:42 | 0:19:46 | |
buttons all over the dashboard of your car, you just | 0:19:46 | 0:19:50 | |
sort of wave your hand around a bit, and the car will do stuff. | 0:19:50 | 0:19:54 | |
Very futuristic. | 0:19:54 | 0:19:55 | |
Yeah, but I only make three gestures when I'm driving a car. | 0:19:55 | 0:19:58 | |
LAUGHTER | 0:19:58 | 0:20:00 | |
What? One of them is... | 0:20:00 | 0:20:02 | |
which means I'm really sorry, I didn't mean to do that. | 0:20:02 | 0:20:06 | |
-Then there's...hi, to a friend. And... -Call Jeremy Clarkson. | 0:20:06 | 0:20:09 | |
LAUGHTER | 0:20:09 | 0:20:11 | |
Or navigate to James May's house. | 0:20:11 | 0:20:15 | |
LAUGHTER I'd like to talk about this. | 0:20:15 | 0:20:19 | |
It's the new Corvette Z06. Oh, yes. | 0:20:19 | 0:20:21 | |
Supercharged V8 6.2 litres 625 brake horsepower. | 0:20:21 | 0:20:24 | |
It's got a magnetic ride control, electronic diff, carbon fibre. | 0:20:24 | 0:20:28 | |
All the hi-tech stuff you get on a European sports car... | 0:20:28 | 0:20:31 | |
But does it have the European self-restraint, though, does it? | 0:20:31 | 0:20:34 | |
It's a bit more shock 'em all than stiff upper lip. | 0:20:34 | 0:20:37 | |
Yes, but look at it. | 0:20:37 | 0:20:38 | |
No, Hammond, you can't drive a Corvette in England. | 0:20:38 | 0:20:41 | |
It's like talking in a lift - you can do that in America, | 0:20:41 | 0:20:44 | |
you can't do that in Britain. | 0:20:44 | 0:20:46 | |
In fact, we should have signs at Heathrow telling American visitors, | 0:20:46 | 0:20:49 | |
"Please drive on the left and don't talk in lifts." | 0:20:49 | 0:20:52 | |
Yes, yes, whatever, but I think that looks stupendous. | 0:20:52 | 0:20:55 | |
Yes, yes, it would look stupendous in Texas, | 0:20:55 | 0:20:59 | |
but it would look ridiculous in Tewkesbury. It would. | 0:20:59 | 0:21:03 | |
The base model of this - not the Z06, | 0:21:03 | 0:21:05 | |
-the normal one - 60 grand? -62, yes. | 0:21:05 | 0:21:07 | |
Well, for about the same sort of money, you can have this, | 0:21:07 | 0:21:10 | |
which is the new Jag. This is the F-type Coupe. | 0:21:10 | 0:21:13 | |
That's around the same sort of money, and I put it to you that | 0:21:13 | 0:21:17 | |
what we have here is a lovely piece | 0:21:17 | 0:21:18 | |
of double Gloucester on a water biscuit. | 0:21:18 | 0:21:22 | |
Your Corvette is 600 kilos of... | 0:21:22 | 0:21:24 | |
-(AMERICAN ACCENT) -..Monterrey Jack on a taco. | 0:21:24 | 0:21:26 | |
Yeah, that's right. I'd rather have that. | 0:21:26 | 0:21:28 | |
You'd rather have the Monterey Jack, wouldn't you? | 0:21:28 | 0:21:31 | |
-Yes. -Hang on a minute. Surely it's 600 kilograms of... | 0:21:31 | 0:21:33 | |
-(AMERICAN ACCENT) -Monterey Jack on a taco with a strawberry on top. | 0:21:33 | 0:21:36 | |
-Strawberry. -At as long as there's a strawberry on top. | 0:21:36 | 0:21:39 | |
-Are there any Americans here? -Whoo! | 0:21:39 | 0:21:41 | |
-You are. -Oh, we've wondered about this for years. | 0:21:41 | 0:21:43 | |
Why do you put these on everything? | 0:21:43 | 0:21:45 | |
-Because they taste good. -Yes, but not on a shepherd's pie. | 0:21:45 | 0:21:48 | |
LAUGHTER | 0:21:48 | 0:21:49 | |
This is not an exaggeration. I stayed in a hotel in LA. | 0:21:49 | 0:21:52 | |
I had to have some dry cleaning done, and when it came back | 0:21:52 | 0:21:54 | |
in the morning, it was all wrapped up, and there was a strawberry on it. | 0:21:54 | 0:21:57 | |
-What, on your dry-cleaning? -On my dry-cleaning. | 0:21:57 | 0:22:00 | |
Now, this isn't news - it's a question. | 0:22:00 | 0:22:03 | |
Why is the world still incapable of working out | 0:22:03 | 0:22:05 | |
a way of dispensing petrol? Anyone been to America? | 0:22:05 | 0:22:07 | |
Well, you've all been to America, I suppose, at some point. | 0:22:07 | 0:22:10 | |
You go into a petrol station there | 0:22:10 | 0:22:12 | |
and you have to pay for the fuel before you fill your tank. | 0:22:12 | 0:22:16 | |
Well, you don't know how much you want | 0:22:16 | 0:22:18 | |
or how much it's going to take. | 0:22:18 | 0:22:19 | |
Yes, but I hate those European stations | 0:22:19 | 0:22:21 | |
-where they have those automatic credit card ones. -Don't work. | 0:22:21 | 0:22:23 | |
-Never ever work. -The other one that doesn't work, | 0:22:23 | 0:22:26 | |
and especially in France, are those ones | 0:22:26 | 0:22:28 | |
where you're supposed to put euro notes in a little slot. | 0:22:28 | 0:22:30 | |
-No. -You put it in and it goes, "Nnnngh! Nnnngh!" Oh. | 0:22:30 | 0:22:34 | |
There's a lot of people doing that, and it goes, "Nnnngh!" | 0:22:35 | 0:22:38 | |
I'll give you the worst scenario, James. | 0:22:38 | 0:22:41 | |
Worst scenario is, "Nnnngh!" | 0:22:41 | 0:22:43 | |
"Yes, there we go," get the pump out, "Nnnngh!" | 0:22:43 | 0:22:45 | |
But the worst country in the world | 0:22:45 | 0:22:48 | |
for filling up with petrol is Britain, | 0:22:48 | 0:22:51 | |
because petrol stations here now are also supermarkets, | 0:22:51 | 0:22:56 | |
which means that people pull up at the pump | 0:22:56 | 0:22:58 | |
and then go and do their shopping. | 0:22:58 | 0:23:00 | |
Well, that's exactly why I was late this morning, | 0:23:00 | 0:23:02 | |
cos I pulled up behind the car that was at the pump | 0:23:02 | 0:23:04 | |
ready for my turn and I knew who it was through the window, | 0:23:04 | 0:23:07 | |
it was a woman and she was doing the whole weekly groceries shop, | 0:23:07 | 0:23:10 | |
and she came out with the four massive carrier bags, | 0:23:10 | 0:23:13 | |
and I thought, "That's finally it," | 0:23:13 | 0:23:14 | |
-and then she went to the cash machine... -Oh... | 0:23:14 | 0:23:16 | |
..sorted out Greece's national debt with her card. | 0:23:16 | 0:23:20 | |
I am a patient man, but even I... I was thinking, | 0:23:20 | 0:23:22 | |
"I want to put your head in a brown paper bag and bludgeon you to death | 0:23:22 | 0:23:26 | |
"with the blunt end of an axe." | 0:23:26 | 0:23:28 | |
-That's quite bad. -Do you know? My question is petrol stations is, | 0:23:28 | 0:23:32 | |
and we could ask this here, and it's mostly women, | 0:23:32 | 0:23:35 | |
what do you do in the 15 minutes between getting into the car | 0:23:35 | 0:23:39 | |
-and driving off? -I know what it is, I know what it is. -What? | 0:23:39 | 0:23:43 | |
I watched it. She turned round and she put her handbag on the | 0:23:43 | 0:23:47 | |
back seat, fair enough, but then interfered with it for some time. | 0:23:47 | 0:23:50 | |
Doing what, though? | 0:23:50 | 0:23:52 | |
I suspect women try to make sure their handbag doesn't fall over, | 0:23:52 | 0:23:55 | |
which I don't understand, because women's handbags are not well organised, | 0:23:55 | 0:23:59 | |
so it doesn't matter if it falls over. | 0:23:59 | 0:24:01 | |
-Have you got handbag with you? -No. -You haven't? | 0:24:01 | 0:24:04 | |
-Anyone got handbag? -It's in the car. -That's a shame, because I was going to do this game. | 0:24:04 | 0:24:08 | |
I was going to put my car keys, and it's a Jag this week, in your handbag and then, | 0:24:08 | 0:24:11 | |
if you could find them by the end of the show, you could have the car. You wouldn't be able to. | 0:24:11 | 0:24:17 | |
Two angry old men rampaging on about petrol stations. | 0:24:17 | 0:24:20 | |
Him and his cardigan, him... just him. | 0:24:20 | 0:24:23 | |
Now, as I'm sure you know, after 13 years, | 0:24:24 | 0:24:27 | |
the British military forces are pulling out of Afghanistan. | 0:24:27 | 0:24:30 | |
What you may not know is that that operation has been the biggest deployment | 0:24:30 | 0:24:34 | |
of British military vehicles since World War II. | 0:24:34 | 0:24:38 | |
Now, bringing that lot home is quite a big job, | 0:24:38 | 0:24:41 | |
so I packed my tin helmet and went out there to...get in the way. | 0:24:41 | 0:24:45 | |
'If you want to get a sense of just how big the British involvement | 0:24:50 | 0:24:54 | |
'in Afghanistan has become, | 0:24:54 | 0:24:57 | |
'you just have to look at the size of its main base - Camp Bastion.' | 0:24:57 | 0:25:02 | |
In 2006, when British forces arrived here, | 0:25:06 | 0:25:10 | |
it was just a scrap of desert with a few tents in, but now look. | 0:25:10 | 0:25:15 | |
It's the size of Reading. | 0:25:15 | 0:25:17 | |
'And inside its 25 miles of blast-proof perimeter wall | 0:25:25 | 0:25:30 | |
'alongside the few comforts of home, | 0:25:30 | 0:25:34 | |
'you'll find a vast armada of vehicles. | 0:25:34 | 0:25:37 | |
'At its peak, the number was 5,000.' | 0:25:40 | 0:25:45 | |
We've got a few of them here. | 0:25:47 | 0:25:49 | |
The names will be dimly familiar from news reports. | 0:25:49 | 0:25:51 | |
That is a Ridgeback, that is a Mastiff, | 0:25:51 | 0:25:54 | |
then you have a Foxhound, the pale-coloured one is a Husky, | 0:25:54 | 0:25:58 | |
and that weird-looking thing with the tracks on over there, that is a Warthog. | 0:25:58 | 0:26:02 | |
Don't expect cute and cuddly names like Panda or Fiesta - | 0:26:02 | 0:26:05 | |
everything here is named after a dog, except the Warthog, | 0:26:05 | 0:26:10 | |
which is named after a warthog. | 0:26:10 | 0:26:12 | |
'To keep the wheels turning, the Army has built this enormous workshop, | 0:26:14 | 0:26:18 | |
'which, at full strength, carries £60 million worth | 0:26:18 | 0:26:21 | |
'of spares and employs 150 mechanics. | 0:26:21 | 0:26:25 | |
'Bastion even has its own purpose-built | 0:26:29 | 0:26:32 | |
'driver training ground, approved by a squad of driving instructors.' | 0:26:32 | 0:26:36 | |
The sheer size of this operation is truly impressive, | 0:26:38 | 0:26:42 | |
but equally fascinating is what the Afghanistan campaign has done | 0:26:42 | 0:26:47 | |
to Britain's military vehicles. | 0:26:47 | 0:26:49 | |
'It has brought about the biggest change in a generation. | 0:26:51 | 0:26:55 | |
'When the British first arrived here, their staple patrol vehicle, | 0:26:55 | 0:26:58 | |
'the Snatch Land Rover, offered woeful protection against IEDs. | 0:26:58 | 0:27:02 | |
'In 2009 alone, 79 soldiers fell victim to such devices.' | 0:27:02 | 0:27:09 | |
'The 29-tonne American-made Mastiff offered a quick fix, | 0:27:15 | 0:27:18 | |
'but in Leamington Spa, | 0:27:18 | 0:27:20 | |
'a small British firm devised a more 21st-century solution.' | 0:27:20 | 0:27:24 | |
This is a Foxhound and it's very clever, | 0:27:31 | 0:27:34 | |
because it's actually made out of armour. | 0:27:34 | 0:27:36 | |
It's not a normal vehicle to which armour plate has been added. | 0:27:36 | 0:27:39 | |
It's sort of armour monoblock, if you like. | 0:27:39 | 0:27:42 | |
'The Foxhound also has a V-shaped hull to deflect mine blasts | 0:27:44 | 0:27:48 | |
'and thanks to its state-of-the-art armour, it weighs | 0:27:48 | 0:27:52 | |
'just seven and a half tonnes, | 0:27:52 | 0:27:54 | |
'which makes it a featherweight around these parts.' | 0:27:54 | 0:27:56 | |
To drive, it's pretty much like an off-road car. | 0:27:59 | 0:28:03 | |
It's a positive mountain goat, this thing. | 0:28:05 | 0:28:08 | |
'Now, history will record that government bureaucrats | 0:28:09 | 0:28:12 | |
'dragged their heels over the military vehicle crisis | 0:28:12 | 0:28:14 | |
'in Afghanistan, | 0:28:14 | 0:28:16 | |
'but the boffins who developed the Foxhound certainly didn't.' | 0:28:16 | 0:28:19 | |
This machine was designed, engineered, tested, proved | 0:28:19 | 0:28:22 | |
and got on the ground in large numbers in just over three years. | 0:28:22 | 0:28:27 | |
Try doing that with a small hatchback or something. | 0:28:27 | 0:28:31 | |
'Alongside the Foxhound... | 0:28:35 | 0:28:37 | |
'..the military drew on a policy | 0:28:40 | 0:28:42 | |
'called Urgent Operational Requirement or UOR, | 0:28:42 | 0:28:45 | |
'which saw them combine operational demands | 0:28:45 | 0:28:47 | |
'and the best vehicle-related suggestions from soldiers on the ground.' | 0:28:47 | 0:28:51 | |
Here's a very simple example of UOR - this is a Mastiff. | 0:28:54 | 0:28:57 | |
It's got cameras mounted on the sides. | 0:29:00 | 0:29:01 | |
Commander Buzz here can look at the pictures on his screen. | 0:29:01 | 0:29:04 | |
On the early ones, they were originally mounted. | 0:29:04 | 0:29:07 | |
When you went through things like villages, they got smashed. | 0:29:07 | 0:29:09 | |
So somebody said, "Why not put them on a hinge?" | 0:29:09 | 0:29:12 | |
So they did. | 0:29:12 | 0:29:13 | |
'Soldiers also needed their vehicles to be more stealthy in the dark. | 0:29:17 | 0:29:20 | |
'So a night-vision system was developed | 0:29:20 | 0:29:23 | |
'that would allow them to switch off their headlights.' | 0:29:23 | 0:29:26 | |
I'm now driving the Mastiff completely blacked out | 0:29:26 | 0:29:30 | |
but using the night-vision system suspended in front of my face. | 0:29:30 | 0:29:33 | |
And this is quite amazing. | 0:29:33 | 0:29:36 | |
This is actually my eyes. I can't see a single thing through the windscreen. | 0:29:36 | 0:29:40 | |
'These lamps on the outside are infrared | 0:29:42 | 0:29:45 | |
'and illuminate the surrounding area. | 0:29:45 | 0:29:47 | |
'Our camera can see the light they emit, | 0:29:47 | 0:29:49 | |
'but it's invisible to the naked eye.' | 0:29:49 | 0:29:51 | |
We ought to point out that normally, we wouldn't even have these red interior lights on. | 0:29:51 | 0:29:56 | |
Those are there so our cameras are working properly. | 0:29:56 | 0:29:59 | |
But actually, you could drive this.... | 0:29:59 | 0:30:01 | |
-we could be completely black in here, couldn't we? -Yeah, complete blackout, yeah. | 0:30:01 | 0:30:05 | |
Right, so I've missed those... | 0:30:05 | 0:30:06 | |
what are those, are they rocks or are they...? | 0:30:06 | 0:30:08 | |
Yeah, they're just in front of you. | 0:30:08 | 0:30:11 | |
Straightening up, sir. | 0:30:11 | 0:30:12 | |
-See that compound ahead of us? -Yeah. | 0:30:12 | 0:30:15 | |
You want to be going round to the left of that. | 0:30:15 | 0:30:17 | |
I can see that as clear as day. | 0:30:17 | 0:30:19 | |
-It's a good piece of kit, isn't it? -It's brilliant, isn't it? | 0:30:19 | 0:30:23 | |
'Now, on a machine as heavily armoured is a Mastiff, | 0:30:23 | 0:30:26 | |
'the protection against roadside bombs is good. | 0:30:26 | 0:30:29 | |
'But Afghanistan threw up another issue that needed sorting.' | 0:30:29 | 0:30:33 | |
What if the vehicle is blown over? How do you train for that? | 0:30:34 | 0:30:38 | |
SHOUTING | 0:30:38 | 0:30:41 | |
Well, what you do is you build one of these. | 0:30:41 | 0:30:44 | |
It's a RODET - Roll Over Drills Egress Trainer. | 0:30:44 | 0:30:49 | |
Oh! | 0:30:49 | 0:30:51 | |
And I think we're upside down. | 0:30:51 | 0:30:53 | |
'All these improvements have had a dramatic effect on military motoring out here.' | 0:30:57 | 0:31:02 | |
Since the new generation of PMVs was introduced - | 0:31:02 | 0:31:06 | |
that's protective military vehicles...the Mastiff, | 0:31:06 | 0:31:09 | |
the Foxhound, the Husky, | 0:31:09 | 0:31:11 | |
the Warthog, all those things - | 0:31:11 | 0:31:13 | |
there have been over 1,000 survivors of IED strikes on vehicles. | 0:31:13 | 0:31:19 | |
And a senior British officer admitted to me the other day that, | 0:31:19 | 0:31:23 | |
in the old days, when we had the soft-skinned vehicles - | 0:31:23 | 0:31:26 | |
the Snatch Land Rover and so on - | 0:31:26 | 0:31:28 | |
that might have been more like three casualties per vehicle. | 0:31:28 | 0:31:32 | |
'With our troops now coming home, | 0:31:39 | 0:31:41 | |
'this stuff is too valuable to leave behind. | 0:31:41 | 0:31:44 | |
'So a massive operation is under way to bring it back to Britain. | 0:31:44 | 0:31:47 | |
'At forward bases like this one, all the vehicles and spares | 0:31:47 | 0:31:51 | |
'are being gathered up for the drive back to Bastion. | 0:31:51 | 0:31:55 | |
'Which meant that, in the middle of the night, | 0:31:55 | 0:31:58 | |
'I found myself in a convoy of returning vehicles | 0:31:58 | 0:32:01 | |
'in full Ross Kemp mode.' | 0:32:01 | 0:32:03 | |
We're in a Mastiff. We're in a convoy of 31 vehicles. | 0:32:03 | 0:32:07 | |
These legs belong to Sue, who's up the top on the gun, keeping lookout. | 0:32:07 | 0:32:11 | |
-Hello. -Morning. -Morning, ma'am. Is there room for two of us up there? | 0:32:11 | 0:32:15 | |
-We can give it a go. -Right, I'll move this way a bit. | 0:32:15 | 0:32:18 | |
-There we go. -Ow. | 0:32:18 | 0:32:20 | |
-I don't think we're going to fit on. -I've pulled something off. | 0:32:20 | 0:32:24 | |
HE GROANS | 0:32:24 | 0:32:26 | |
I'm not fat. | 0:32:29 | 0:32:31 | |
What's to stop somebody... Cos we can't really see very much out there. | 0:32:33 | 0:32:37 | |
What's to stop somebody out there just taking a shot at you? | 0:32:37 | 0:32:40 | |
-Absolutely nothing at the moment. -So they're out there somewhere. | 0:32:40 | 0:32:44 | |
They are. There're not that far away. | 0:32:44 | 0:32:47 | |
When was the last time a roadside bomb went off on this bit, do you know? | 0:32:47 | 0:32:51 | |
-Very... Very recent. -Very recent? -Very recent. | 0:32:51 | 0:32:56 | |
'Daylight found us still in one piece, | 0:33:02 | 0:33:05 | |
'and back within the walls of Bastion, | 0:33:05 | 0:33:07 | |
'the packing-up process could begin. | 0:33:07 | 0:33:10 | |
'Alongside a strip-down service, | 0:33:10 | 0:33:12 | |
'each vehicle gets a 24-hour-long jet wash. | 0:33:12 | 0:33:17 | |
'Biological decontamination. | 0:33:17 | 0:33:19 | |
'And, at the very end, its own passport.' | 0:33:19 | 0:33:23 | |
And look at the size of it. | 0:33:23 | 0:33:25 | |
All these pages, all these signatures, everything signed off. | 0:33:25 | 0:33:30 | |
Every single vehicle and piece of equipment has one of those. | 0:33:30 | 0:33:34 | |
And there are over 3,500 of them. | 0:33:34 | 0:33:37 | |
So don't complain next time you have to tax and MOT your car. | 0:33:37 | 0:33:41 | |
'For some poor souls, the new machinery came too late. | 0:33:46 | 0:33:51 | |
'But the military has responded to the brutality of this conflict.' | 0:33:54 | 0:33:58 | |
'And the vehicles we're bringing home from Afghanistan | 0:34:07 | 0:34:09 | |
'are much better than the ones we went out with.' | 0:34:09 | 0:34:12 | |
APPLAUSE | 0:34:35 | 0:34:38 | |
And there it is. | 0:34:38 | 0:34:40 | |
The big military Foxhound. | 0:34:40 | 0:34:43 | |
Or, since the Army loves an acronym, the big MF. | 0:34:43 | 0:34:47 | |
Anyway, it's now time to put an S in our RPC. | 0:34:47 | 0:34:52 | |
Britain has produced many great Toms over the years - | 0:34:52 | 0:34:56 | |
Daley, Jones and, of course, Mas the Tank Engine. | 0:34:56 | 0:34:59 | |
But, tonight, our Tom is the newest of them all. | 0:34:59 | 0:35:03 | |
He's from Thor and Avengers Assemble and War Horse. | 0:35:03 | 0:35:06 | |
Ladies and gentlemen, Tom Hiddleston. | 0:35:06 | 0:35:09 | |
CHEERING | 0:35:09 | 0:35:11 | |
-How are you? -Very well, thank you. | 0:35:14 | 0:35:17 | |
-Look! -Thank you. Thank you. | 0:35:17 | 0:35:20 | |
-Have a seat. -Thank you. | 0:35:20 | 0:35:22 | |
I was half expecting you to ask the audience to kneel before you. | 0:35:25 | 0:35:30 | |
Not here. I haven't got my horns with me. | 0:35:30 | 0:35:32 | |
-So let's get on to your car history if I may. -Yes, sure. | 0:35:32 | 0:35:35 | |
-Your first car, then, what was it? -It was a Peugeot 106. -Mmm(!) | 0:35:35 | 0:35:40 | |
-Yeah. It was quite adventurous. -Mmm(!) -1.1. Wow(!) | 0:35:42 | 0:35:47 | |
-Really phwoar - when you floored it, you felt it. -It was a 1.1 what? | 0:35:47 | 0:35:52 | |
-They always had silly names. -Zest. -Yeah, there you go. | 0:35:52 | 0:35:55 | |
-Sounds like a washing powder. -It sounds like lemon juice. -It does. | 0:35:57 | 0:36:01 | |
I bought it with my first paycheck for some TV work that I got | 0:36:01 | 0:36:06 | |
-while I was at university. And I kept that for ten years. -Ten years?! | 0:36:06 | 0:36:10 | |
Ten whole years. All the way through my 20s, yeah. | 0:36:10 | 0:36:12 | |
But I presume that, obviously, | 0:36:12 | 0:36:14 | |
-now, as result of you being Loki in the Thor franchise... -Indeed, yes. | 0:36:14 | 0:36:18 | |
..there's no need now to drive around in cars with zesty names? | 0:36:18 | 0:36:22 | |
Well, I'm very fortunate to drive a Jaguar. | 0:36:22 | 0:36:25 | |
And as you probably know, | 0:36:25 | 0:36:27 | |
I'm part of a campaign that they have recently done. And they are... | 0:36:27 | 0:36:31 | |
Weirdly, Jaguar's been part of my life for the last couple of years, | 0:36:31 | 0:36:34 | |
cos I keep playing characters in films who drive Jaguars. | 0:36:34 | 0:36:37 | |
What, does Loki drive a Jag? | 0:36:37 | 0:36:38 | |
I think Loki drives a spaceship. | 0:36:38 | 0:36:42 | |
-Yes, he does. Is it a Jag spaceship? -It is a Jag, I'm sure. | 0:36:42 | 0:36:45 | |
Goes to the petrol station and goes, | 0:36:45 | 0:36:47 | |
"Oh, dear, my dear, I seem to have left my wallet at home. | 0:36:47 | 0:36:50 | |
-"This is embarrassing." -I'm sure he would approve. | 0:36:50 | 0:36:53 | |
-Caddish spaceship. -Yup. | 0:36:53 | 0:36:55 | |
No, this Jag commercial, actually, I don't know if anybody's seen it, | 0:36:55 | 0:36:58 | |
but have a look at this. | 0:36:58 | 0:37:00 | |
Have you ever noticed, how, in Hollywood movies, | 0:37:00 | 0:37:03 | |
all the villains are played by Brits? | 0:37:03 | 0:37:04 | |
Maybe we just sound right. | 0:37:04 | 0:37:06 | |
-Good evening, sir. -Thank you, Mary. | 0:37:06 | 0:37:08 | |
We're more focused. | 0:37:11 | 0:37:13 | |
More precise. | 0:37:13 | 0:37:15 | |
We're always one step ahead. | 0:37:15 | 0:37:17 | |
With a certain style, an eye for detail. | 0:37:17 | 0:37:20 | |
And we're obsessed by power! | 0:37:21 | 0:37:24 | |
A stiff upper lip is key. | 0:37:30 | 0:37:33 | |
And we all drive Jaguars. | 0:37:33 | 0:37:35 | |
Oh, yes. It's good to be bad. | 0:37:35 | 0:37:38 | |
CHEERING | 0:37:38 | 0:37:40 | |
I have to say, the line I like most in that is Mark Strong's, | 0:37:44 | 0:37:48 | |
cos he goes, "And we all drive Jaguars." | 0:37:48 | 0:37:51 | |
-What it should be is, "We all drive Jaguars...now." -Right! | 0:37:51 | 0:37:55 | |
-"As a result of this." -Yeah. Or, indeed, a helicopter. | 0:37:56 | 0:37:59 | |
-Was that really filmed in London? -It was all filmed in London. | 0:37:59 | 0:38:02 | |
It was one of the most extraordinary evenings of my life. | 0:38:02 | 0:38:05 | |
I... We were allowed to go over central London about 500 feet. | 0:38:05 | 0:38:09 | |
And the door of the helicopter was open. | 0:38:09 | 0:38:11 | |
And Tom Hooper, who directed it, was sitting behind the camera. | 0:38:11 | 0:38:15 | |
And we were up, banking right, and I was leaning out the window, | 0:38:15 | 0:38:19 | |
and a certain point, he said, "I'm afraid we have to cut, we have to change..." | 0:38:19 | 0:38:23 | |
"OK, good, that's completely fine." "Cut." | 0:38:23 | 0:38:26 | |
Argh! It's really high! You know what I mean? | 0:38:26 | 0:38:30 | |
When the camera's rolling, I was like, "I've got this - | 0:38:30 | 0:38:33 | |
"more focused, more precise." And as soon as it was cut, I was like... | 0:38:33 | 0:38:36 | |
"Oh, God, the window's open! Someone shut the door!" | 0:38:36 | 0:38:39 | |
Now, your career began, I believe, at Slough Comprehensive. | 0:38:39 | 0:38:44 | |
-It certainly did, yup. -As the front leg of an elephant? | 0:38:44 | 0:38:46 | |
I was the front leg of an elephant carrying Eddie Redmayne. | 0:38:46 | 0:38:51 | |
-He was grand enough to be the passenger of the elephant. -Really? -Yeah. | 0:38:51 | 0:38:54 | |
I was the arse of a donkey once. | 0:38:54 | 0:38:57 | |
And I ended up here as a result of that. And then you did the obligatory... | 0:38:57 | 0:39:00 | |
The greatest arse of a donkey...in the world. | 0:39:00 | 0:39:03 | |
LAUGHTER | 0:39:03 | 0:39:05 | |
CHEERING | 0:39:05 | 0:39:07 | |
-That was very good! -Sorry, couldn't help it. -No, that was... | 0:39:07 | 0:39:12 | |
Somebody said that you were a good mimic. Is that something...? | 0:39:12 | 0:39:15 | |
It's something I've done. I've done it my whole life. | 0:39:15 | 0:39:19 | |
I remember, when I was a child, they used to have a double tape deck, | 0:39:19 | 0:39:22 | |
and I would record my own radio show, with all the different voices. | 0:39:22 | 0:39:26 | |
They were basically voices of people I'd heard of the telly, you know. | 0:39:26 | 0:39:30 | |
-Phillip Schofield's and... -Could you still do Phillip Schofield? | 0:39:30 | 0:39:35 | |
-I don't know. I don't even know if... -Actually, don't bother. | 0:39:35 | 0:39:38 | |
-I wouldn't know what he sounded like. -Throw me another one. -Anthony Hopkins. | 0:39:38 | 0:39:42 | |
-HE MIMICS: -Oh, Tony Hopkins... Yeah. | 0:39:42 | 0:39:43 | |
Have you had him on the show? Top Gear. | 0:39:43 | 0:39:45 | |
Yes, I'd love to be on the show. I'd like to drive fast around a track. | 0:39:45 | 0:39:48 | |
Being taught to drive by The Stig, great man, great man, I'd love to do that. | 0:39:48 | 0:39:52 | |
LAUGHTER | 0:39:52 | 0:39:53 | |
APPLAUSE | 0:39:53 | 0:39:55 | |
Let's think of some more names. | 0:39:55 | 0:39:58 | |
Anyone got any more names we can fire? | 0:39:58 | 0:40:00 | |
-Try to make them men, cos that's probably easier. -Yeah. | 0:40:00 | 0:40:02 | |
-SOMEONE SHOUTS OUT -What? Arnold Schwarzenegger? | 0:40:02 | 0:40:04 | |
-Arnold Schwarzenegger. -SOMEONE SHOUTS OUT -What was that? | 0:40:04 | 0:40:07 | |
-Paul O'Grady. -I think I'll go for Schwarzenegger. | 0:40:07 | 0:40:10 | |
I'm trying to think of something he says. | 0:40:12 | 0:40:13 | |
-HE MIMICS: -I know now why you cry. | 0:40:13 | 0:40:16 | |
That sounded a little bit like Peter O'Toole. Sorry about that. | 0:40:18 | 0:40:21 | |
-HE MIMICS O'TOOLE: -I know now you cry. | 0:40:21 | 0:40:24 | |
-That is quite a skill. -Yeah. -And what are you doing now? | 0:40:24 | 0:40:27 | |
Anything exciting? | 0:40:27 | 0:40:29 | |
I'm just finishing a run of Coriolanus in the West End, | 0:40:29 | 0:40:32 | |
which I've enjoyed hugely. | 0:40:32 | 0:40:34 | |
And I'm about to go to Toronto to make a horror film | 0:40:34 | 0:40:38 | |
with Guillermo del Toro... If you know him, | 0:40:38 | 0:40:41 | |
the Mexican director who directed Pan's Labyrinth. | 0:40:41 | 0:40:44 | |
-Who did one with Tilda Swinton as well just recently? -That's correct. | 0:40:44 | 0:40:47 | |
There's a film called Only Lovers Left Alive, which is coming out | 0:40:47 | 0:40:49 | |
in the UK, I think, on the 21st of February, and it's basically a love story. | 0:40:49 | 0:40:54 | |
Tilda and I play a couple who are vampires, so... | 0:40:54 | 0:40:58 | |
-Oh, it's about a vampire film? -It's a vampire film, but were vegetarians, we don't bite. | 0:40:58 | 0:41:02 | |
-Vegetarian vampires. -Vegetarian vampires. -This I need to see. | 0:41:02 | 0:41:05 | |
We're much too classy for all that 15th-century nonsense. | 0:41:05 | 0:41:09 | |
Now, I'm conscious of the time, cos I know that you are appearing | 0:41:09 | 0:41:12 | |
-on stage this evening... -Mm-hm... -..in Coriolanus. -In Coriolanus, yes. | 0:41:12 | 0:41:16 | |
Which calls for you at the end, I understand, | 0:41:16 | 0:41:18 | |
to be strung upside down, bleeding profusely. | 0:41:18 | 0:41:20 | |
That's how it goes down, yeah. | 0:41:20 | 0:41:23 | |
-Spoiler! -Yeah. | 0:41:23 | 0:41:25 | |
It is a 450-year-old text, so I think it's OK. | 0:41:25 | 0:41:29 | |
Did it occur to you when you were driving around the track, | 0:41:29 | 0:41:32 | |
if you had an accident, you could save the make-up? | 0:41:32 | 0:41:35 | |
-If I just roll the car, crash it... -You could turn up... | 0:41:35 | 0:41:38 | |
-And say, "I have my 27 wounds upon me." -27 wounds, blood gushing... | 0:41:38 | 0:41:43 | |
-So, did you crash? -I didn't crash, per se. | 0:41:43 | 0:41:48 | |
-Because, well, shall we have a look? -Let's have a look. I'm very nervous. | 0:41:48 | 0:41:52 | |
-It was very wet out there. -Who would like to see the lap? | 0:41:52 | 0:41:55 | |
AUDIENCE: Yes! | 0:41:55 | 0:41:56 | |
Let's have a look. Play the tape. | 0:41:56 | 0:41:58 | |
Three, two, one... | 0:41:58 | 0:42:01 | |
-Oh, I've stalled the -BLEEP! | 0:42:01 | 0:42:03 | |
No way! | 0:42:03 | 0:42:04 | |
APPLAUSE | 0:42:04 | 0:42:06 | |
-Oh, the shame! -Yeah, you've got double first from Cambridge, have you not? | 0:42:08 | 0:42:13 | |
-In Classics? -I did. I did. -But you can't set off in a Vauxhall Astra? | 0:42:13 | 0:42:17 | |
-Oh, dear. -Anyway, let's see the finished product, shall we? | 0:42:17 | 0:42:20 | |
-When you actually set off. -Right. -Here we go. | 0:42:20 | 0:42:23 | |
Ooh, that's a lot of clutch. | 0:42:25 | 0:42:28 | |
-Come on. Come on! -BLEEP. -Come on! | 0:42:28 | 0:42:33 | |
God Almighty, that's wet. | 0:42:34 | 0:42:37 | |
Doing well, though. | 0:42:41 | 0:42:42 | |
Go, go, go. Go, go, go, take the bend hard, take the bend hard. | 0:42:45 | 0:42:49 | |
Use the track. | 0:42:49 | 0:42:50 | |
Yeah, use the track. Better. | 0:42:50 | 0:42:53 | |
God, you've actually got that thing sliding. | 0:42:53 | 0:42:55 | |
-Normally, it's got very good grip. -Yeah, it was very puddly out there. | 0:42:55 | 0:42:59 | |
# I'm for ever driving in puddles. # | 0:42:59 | 0:43:03 | |
Right, could you see the lines at the Hammerhead? | 0:43:03 | 0:43:06 | |
-Yeah, just about, cos it was very tight. -Very difficult. -Yeah. | 0:43:06 | 0:43:09 | |
Hugh Bonneville was here last week. | 0:43:09 | 0:43:12 | |
He said he couldn't see the lines cos it was so wet. | 0:43:12 | 0:43:15 | |
-It's weird in England... -Yeah. -..to have two wet days(!) | 0:43:15 | 0:43:19 | |
Floor it. | 0:43:20 | 0:43:22 | |
You're not doing it flat. | 0:43:22 | 0:43:24 | |
Come on! | 0:43:24 | 0:43:25 | |
-You are! No, you're not. -LAUGHTER | 0:43:25 | 0:43:28 | |
I was going to say, that's ballsy on a day like today. | 0:43:28 | 0:43:31 | |
Stupid but ballsy. | 0:43:31 | 0:43:33 | |
Right. Ooh, the tail coming out. You are very committed to this. | 0:43:33 | 0:43:38 | |
There you go. Second to last corner. That's very nicely done. Gambon. | 0:43:38 | 0:43:43 | |
-A bit safe, a bit safe? -No, I disagree. | 0:43:43 | 0:43:47 | |
-There we are, across the line. -APPLAUSE | 0:43:47 | 0:43:50 | |
Now, we've only ever had one wet lap, which was last week - Hugh Bonneville. | 0:43:55 | 0:43:59 | |
So where do you think you've come, bearing that in mind? | 0:43:59 | 0:44:01 | |
Oh, I'm a bit worried I haven't beaten Hugh. | 0:44:01 | 0:44:04 | |
It'd be nice to be somewhere around that, that area. | 0:44:04 | 0:44:07 | |
Right, somewhere around that... | 0:44:07 | 0:44:10 | |
-There's Ron Howard. He directed Rush. -He did. | 0:44:10 | 0:44:12 | |
Ron Howard - that was dry. | 0:44:12 | 0:44:14 | |
He was just basically hopeless. | 0:44:14 | 0:44:16 | |
Hugh was 1.50.1. | 0:44:16 | 0:44:19 | |
-OK. -And you, Tom Hiddleston, | 0:44:19 | 0:44:22 | |
1... | 0:44:22 | 0:44:23 | |
-Which is good. -That's good? OK. | 0:44:23 | 0:44:26 | |
..40... | 0:44:27 | 0:44:29 | |
AUDIENCE GASPS | 0:44:29 | 0:44:30 | |
..but only just. | 0:44:30 | 0:44:32 | |
..9.9. | 0:44:33 | 0:44:35 | |
Oh! There we go. | 0:44:35 | 0:44:37 | |
Well... | 0:44:37 | 0:44:39 | |
All right. Thank you. | 0:44:42 | 0:44:45 | |
In the wet? | 0:44:45 | 0:44:46 | |
Very wet. | 0:44:46 | 0:44:48 | |
-Thank you! I got a V. -Special very wet. | 0:44:48 | 0:44:51 | |
Well, I must let you go, which is a shame | 0:44:51 | 0:44:54 | |
because I'm much enjoying all of this. | 0:44:54 | 0:44:56 | |
-Ladies and gentlemen, Tom Hiddleston! -Thank you. | 0:44:56 | 0:44:59 | |
Now... | 0:45:02 | 0:45:03 | |
..this is the brand-new £866,000 McLaren P1, | 0:45:05 | 0:45:12 | |
probably the most advanced and jaw-dropping car | 0:45:12 | 0:45:15 | |
the world has ever seen. | 0:45:15 | 0:45:17 | |
Hmm. The attention to detail in this thing boggles the mind. | 0:45:17 | 0:45:21 | |
It is... It's almost science fiction. | 0:45:21 | 0:45:24 | |
And so, there was only one place on Earth | 0:45:24 | 0:45:27 | |
where I could test it properly. | 0:45:27 | 0:45:29 | |
Belgium. | 0:45:29 | 0:45:31 | |
LAUGHTER | 0:45:31 | 0:45:33 | |
This is Bruges. | 0:45:44 | 0:45:47 | |
It's a quiet, friendly, cobbled sort of place. | 0:45:50 | 0:45:55 | |
And it's just a stone's throw from Brussels, | 0:45:55 | 0:45:58 | |
home to all the environmental EU law-makers. | 0:45:58 | 0:46:01 | |
All of which makes it an ideal starting point | 0:46:01 | 0:46:05 | |
for my test of the new McLaren. | 0:46:05 | 0:46:08 | |
Because behind the front seats there are 324 laptop-style batteries | 0:46:12 | 0:46:18 | |
which power a silent, polar-bear-friendly electric motor. | 0:46:18 | 0:46:23 | |
This means that even the most frizzy-haired sandal enthusiast | 0:46:25 | 0:46:29 | |
would welcome this car into their city centre. | 0:46:29 | 0:46:32 | |
It's like that other two-seater electric car, the G-Wiz. | 0:46:32 | 0:46:36 | |
It's Al Gore with a windscreen wiper. | 0:46:36 | 0:46:39 | |
Do not think, however, that it has the get-up-and-go of Jabba the Hutt. | 0:46:42 | 0:46:47 | |
Because the electric motor in this | 0:46:49 | 0:46:51 | |
produces a whopping 176 horsepower. | 0:46:51 | 0:46:55 | |
That's about what you get from a Volkswagen GTI. | 0:46:55 | 0:47:00 | |
So it's pretty nippy. | 0:47:00 | 0:47:02 | |
The only problem is, that after just six miles, | 0:47:07 | 0:47:10 | |
the batteries will be flat. | 0:47:10 | 0:47:12 | |
So you'll need to plug your car into the mains | 0:47:12 | 0:47:15 | |
and sit about eating a chocolate shoe for two hours | 0:47:15 | 0:47:19 | |
until they're charged up again. | 0:47:19 | 0:47:21 | |
Or if this doesn't appeal, | 0:47:25 | 0:47:27 | |
there is an alternative. | 0:47:27 | 0:47:29 | |
Because, you see, the P1 is fitted as standard | 0:47:31 | 0:47:34 | |
with an onboard petrol-powered generator. | 0:47:34 | 0:47:38 | |
And it is quite a big one. | 0:47:38 | 0:47:40 | |
In fact, it's a 3.8-litre twin-turbocharged | 0:47:40 | 0:47:45 | |
722-horsepower V8. | 0:47:45 | 0:47:48 | |
We push this button... | 0:47:48 | 0:47:51 | |
There it is, firing up. | 0:47:51 | 0:47:53 | |
And the great thing is, | 0:47:53 | 0:47:55 | |
it's not just charging the batteries. | 0:47:55 | 0:47:58 | |
It's also working alongside the electric motor | 0:47:58 | 0:48:01 | |
to power the wheels. | 0:48:01 | 0:48:03 | |
So the P1, then, is not like a G-Wiz at all, in any way. | 0:48:06 | 0:48:10 | |
Thanks to that generator, | 0:48:10 | 0:48:13 | |
you can take this out of a city centre | 0:48:13 | 0:48:16 | |
and onto the open road. | 0:48:16 | 0:48:18 | |
And that's another reason I've come to Belgium. | 0:48:28 | 0:48:31 | |
Because there are so many roads to choose from. | 0:48:32 | 0:48:35 | |
Belgium has three times as many roads | 0:48:37 | 0:48:39 | |
and 50% more cars per square mile | 0:48:39 | 0:48:42 | |
than we do in Britain. | 0:48:42 | 0:48:45 | |
And the stats from this remarkable country | 0:48:45 | 0:48:48 | |
just keep on coming. | 0:48:48 | 0:48:50 | |
There are so many miles of street-lit motorway here | 0:48:51 | 0:48:54 | |
that Belgium is officially the brightest country on Earth. | 0:48:54 | 0:48:58 | |
It's a little-known fact that Buzz Aldrin's first words | 0:49:00 | 0:49:03 | |
when he set foot on the moon were, | 0:49:03 | 0:49:05 | |
"Good God! You can see Belgium from up here!" | 0:49:05 | 0:49:08 | |
I made that up. | 0:49:09 | 0:49:11 | |
On the road I chose, there was rain. | 0:49:18 | 0:49:21 | |
There was sunshine. | 0:49:23 | 0:49:25 | |
There were clear stretches. | 0:49:26 | 0:49:28 | |
And there were traffic jams. | 0:49:28 | 0:49:31 | |
And the McLaren was quiet and comfortable through it all. | 0:49:31 | 0:49:36 | |
But it was not what you'd call luxurious. | 0:49:39 | 0:49:42 | |
It is, frankly, as well equipped as a pair of monk's underpants. | 0:49:44 | 0:49:48 | |
And that's because, like the Alfa we saw earlier, | 0:49:54 | 0:49:58 | |
this car was designed to be as fat as Iggy Pop. | 0:49:58 | 0:50:01 | |
Inside, there's no glove box and no carpets. | 0:50:03 | 0:50:06 | |
The glass is just 3.5mm thick, | 0:50:08 | 0:50:11 | |
1.5mm thinner than the glass in normal cars, | 0:50:11 | 0:50:15 | |
except in the back windows... | 0:50:15 | 0:50:17 | |
where there's no glass at all. | 0:50:17 | 0:50:20 | |
No lacquer is added to carbon-fibre trim | 0:50:20 | 0:50:23 | |
to save 1.5kg. | 0:50:23 | 0:50:25 | |
The whole chassis weighs less than James May. | 0:50:25 | 0:50:29 | |
The trimmings are titanium, | 0:50:31 | 0:50:33 | |
and the body is made from just five panels, | 0:50:33 | 0:50:36 | |
which means less glue and fewer bolts are needed | 0:50:36 | 0:50:39 | |
to hold it all together. | 0:50:39 | 0:50:42 | |
All of this means that, despite the bank of batteries | 0:50:42 | 0:50:46 | |
and the fact it has two engines, | 0:50:46 | 0:50:48 | |
this car weighs less than a Vauxhall Astra. | 0:50:48 | 0:50:52 | |
That, of course, makes it economical. | 0:50:54 | 0:50:56 | |
And fast. | 0:50:56 | 0:50:58 | |
Really fast. | 0:50:58 | 0:51:00 | |
Mind-blowingly fast. | 0:51:01 | 0:51:03 | |
Oh, my God! | 0:51:17 | 0:51:19 | |
Ohhh! | 0:51:21 | 0:51:24 | |
HE CHUCKLES | 0:51:24 | 0:51:26 | |
The speed, in fact, is the main reason | 0:51:28 | 0:51:31 | |
I brought this car to Belgium. | 0:51:31 | 0:51:33 | |
Because Belgium is home to this place. | 0:51:33 | 0:51:37 | |
Spa - the longest, wildest racetrack on the F1 calendar. | 0:51:40 | 0:51:46 | |
How can they make something go this fast?! | 0:51:49 | 0:51:53 | |
OK. OK, let me just slow it down while I explain | 0:51:56 | 0:52:00 | |
what's going on here. | 0:52:00 | 0:52:02 | |
The electric motor and the big V8 generator | 0:52:02 | 0:52:05 | |
are working together | 0:52:05 | 0:52:07 | |
so that I have at my disposal | 0:52:07 | 0:52:09 | |
903 brake horsepower. | 0:52:09 | 0:52:12 | |
Ohh! | 0:52:16 | 0:52:18 | |
Obviously, I've driven a Bugatti Veyron | 0:52:20 | 0:52:23 | |
that has more than that, | 0:52:23 | 0:52:25 | |
but a Bugatti Veyron... | 0:52:25 | 0:52:27 | |
Oh! | 0:52:29 | 0:52:31 | |
..it has four-wheel drive | 0:52:31 | 0:52:33 | |
and it weighs more than most mountains. | 0:52:33 | 0:52:36 | |
This is rear-wheel drive, | 0:52:36 | 0:52:39 | |
and the only significant weight comes from the air | 0:52:39 | 0:52:42 | |
passing over the body. | 0:52:42 | 0:52:44 | |
INDISTINCT | 0:52:45 | 0:52:47 | |
Flat in a Formula 1 car. | 0:52:48 | 0:52:50 | |
Not flat in this. | 0:52:50 | 0:52:52 | |
Oh, they should have called this the Widow-maker! | 0:52:53 | 0:52:57 | |
The throttle is a hyperspace button. | 0:53:00 | 0:53:03 | |
Step on it... | 0:53:03 | 0:53:04 | |
and you're gone. | 0:53:04 | 0:53:06 | |
And yet, somehow, even in this appalling weather, | 0:53:09 | 0:53:13 | |
it got round all of the corners | 0:53:13 | 0:53:15 | |
without crashing once. | 0:53:15 | 0:53:17 | |
So, how? | 0:53:17 | 0:53:19 | |
Well, that's partly because it's made of stuff from the future. | 0:53:24 | 0:53:30 | |
And partly because it's clever. | 0:53:33 | 0:53:36 | |
It adapts. It moves around to suit its environment. | 0:53:38 | 0:53:42 | |
As the speed climbs, the rear wing rises | 0:53:44 | 0:53:47 | |
to generate more downforce, | 0:53:47 | 0:53:49 | |
but as you go past 156mph, | 0:53:49 | 0:53:52 | |
it starts to go back down a little bit, | 0:53:52 | 0:53:56 | |
otherwise the weight of the air passing over it | 0:53:56 | 0:53:59 | |
would be so enormous it would break the suspension. | 0:53:59 | 0:54:02 | |
Then you have the exhaust, which works with the rear diffuser | 0:54:02 | 0:54:06 | |
to generate an area of low pressure | 0:54:06 | 0:54:08 | |
into which the back of the car is sucked. | 0:54:08 | 0:54:12 | |
The wheels are made from military-grade aluminium. | 0:54:12 | 0:54:15 | |
The brake discs from a material that's only ever been used | 0:54:15 | 0:54:19 | |
in the Arianespace programme. | 0:54:19 | 0:54:21 | |
And they're coated with something called silicon carbide. | 0:54:21 | 0:54:25 | |
Apparently it's the hardest substance known to man. | 0:54:25 | 0:54:28 | |
Apart from dried Weetabix, obviously. | 0:54:28 | 0:54:31 | |
And then, the whole thing | 0:54:31 | 0:54:33 | |
sits on four tyres that were designed and made by Pirelli. | 0:54:33 | 0:54:38 | |
All of this means you really have the confidence to open it up. | 0:54:39 | 0:54:43 | |
This thing goes from 0 to 160mph | 0:54:50 | 0:54:55 | |
faster than a Golf goes from 0 to 60. | 0:54:55 | 0:54:59 | |
130, 140, 150, | 0:54:59 | 0:55:02 | |
160, 170, 180, 190... | 0:55:02 | 0:55:06 | |
Bloody hellfire! | 0:55:06 | 0:55:08 | |
And as you hurtle round in a puddle of your own faeces, | 0:55:10 | 0:55:15 | |
gurning like an infant, | 0:55:15 | 0:55:17 | |
the car is working on ways of going even faster. | 0:55:17 | 0:55:21 | |
Let me give you an example. | 0:55:25 | 0:55:28 | |
The electric motor is used | 0:55:30 | 0:55:33 | |
to fill in the little gaps when the petrol engine | 0:55:33 | 0:55:36 | |
isn't working at its best, like, for example, | 0:55:36 | 0:55:39 | |
during gear changes | 0:55:39 | 0:55:42 | |
or while the massive turbos are spooling up. | 0:55:42 | 0:55:45 | |
And what I find hysterical about that is that McLaren | 0:55:47 | 0:55:50 | |
has taken this hybrid technology, | 0:55:50 | 0:55:53 | |
which is designed to reduce the impact | 0:55:53 | 0:55:56 | |
of the internal combustion engine | 0:55:56 | 0:55:58 | |
and is using it to increase the impact. | 0:55:58 | 0:56:02 | |
That's like weaponising a wind farm. | 0:56:02 | 0:56:06 | |
Or buying the Rainbow Warrior and turning it into an oil tanker. | 0:56:06 | 0:56:10 | |
For years, cars have all been basically the same | 0:56:17 | 0:56:21 | |
but this really isn't. | 0:56:21 | 0:56:23 | |
It's a game-changer. A genuinely new chapter | 0:56:23 | 0:56:27 | |
in the history of motoring. | 0:56:27 | 0:56:30 | |
In a town, it's as eco friendly as a health-food shop. | 0:56:31 | 0:56:35 | |
On a motorway, it's comfortable and produces no more carbon dioxide | 0:56:35 | 0:56:38 | |
than a family saloon. | 0:56:38 | 0:56:41 | |
And on a track, it can rip a hole through time. | 0:56:41 | 0:56:44 | |
And it's all been achieved using something that's been around | 0:56:44 | 0:56:48 | |
for centuries - brilliant British engineering. | 0:56:48 | 0:56:52 | |
You could argue that it doesn't have | 0:56:54 | 0:56:57 | |
the passion or the flair of a Ferrari, | 0:56:57 | 0:56:59 | |
and I'd probably agree with you. | 0:56:59 | 0:57:02 | |
But look at it this way. | 0:57:02 | 0:57:04 | |
It was passion and flair that built the Leaning Tower of Pisa, | 0:57:04 | 0:57:08 | |
and it was British engineering | 0:57:08 | 0:57:11 | |
that built the plumb-dead-straight Westminster Abbey. | 0:57:11 | 0:57:16 | |
Hair on end. | 0:57:50 | 0:57:52 | |
Great, but weren't we supposed to test that against the hybrids | 0:57:52 | 0:57:55 | |
-that Porsche and Ferrari are developing? -The Ferrari isn't ready. | 0:57:55 | 0:57:58 | |
-The Porsche is. -It wasn't when I filmed that. -But it is now. | 0:57:58 | 0:58:01 | |
-I shall be driving it on the show in a few weeks' time. -Yes. | 0:58:01 | 0:58:05 | |
And after you've done that, we're going to put the Stig | 0:58:05 | 0:58:08 | |
in both of them and do some time laps around our track. | 0:58:08 | 0:58:11 | |
Now, that should be quite something, I think. | 0:58:11 | 0:58:14 | |
-I don't think it will be. -Hey? -Why not? | 0:58:14 | 0:58:17 | |
-Well, because... Were you not listening the film? -Yeah. | 0:58:17 | 0:58:20 | |
The speed of this is beyond anything I've ever experienced. | 0:58:20 | 0:58:23 | |
It's animal savagery. It's beyond belief. | 0:58:23 | 0:58:26 | |
-Yes, yes, yes, but the Porsche might be faster. -It won't be. | 0:58:26 | 0:58:29 | |
-But it might be. -No, but it won't be. | 0:58:29 | 0:58:31 | |
But...it might be. | 0:58:31 | 0:58:34 | |
-I guarantee it won't be. -But it might be. | 0:58:34 | 0:58:36 | |
Hammond, I'll do you a deal. | 0:58:36 | 0:58:39 | |
If the Porsche is faster round our track than this, | 0:58:39 | 0:58:43 | |
I will change my name, by deed poll, | 0:58:43 | 0:58:46 | |
to Jennifer. | 0:58:46 | 0:58:48 | |
-Really? -Yes. | 0:58:48 | 0:58:50 | |
-Promise? -Yes. | 0:58:50 | 0:58:52 | |
And on that potential bombshell, it is time to end. | 0:58:52 | 0:58:56 | |
Thank you so much for watching. See you next week. Good night! | 0:58:56 | 0:59:00 |