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Tonight... | 0:00:10 | 0:00:12 | |
I sit on a rock... | 0:00:12 | 0:00:13 | |
James gets something in his eye... | 0:00:13 | 0:00:15 | |
Oh! | 0:00:15 | 0:00:16 | |
And Richard says, "Mummy!" | 0:00:16 | 0:00:19 | |
Oh, Mummy! | 0:00:19 | 0:00:21 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:27 | |
Thank you, hello! | 0:00:28 | 0:00:30 | |
Hello, good evening, thank you so much. | 0:00:30 | 0:00:33 | |
Thank you, now... | 0:00:33 | 0:00:34 | |
Now, tonight's show... | 0:00:36 | 0:00:38 | |
Tonight's show is interesting | 0:00:38 | 0:00:39 | |
because we have all sort of reverted to type. | 0:00:39 | 0:00:42 | |
Later on, Hammond is in the desert driving like an idiot | 0:00:42 | 0:00:46 | |
in a large and flamboyant off-roader. | 0:00:46 | 0:00:49 | |
I'm in northern Italy driving a rather elegant sports car | 0:00:49 | 0:00:53 | |
and James, well actually, we are kicking off with James, | 0:00:53 | 0:00:56 | |
who really is in his comfort zone | 0:00:56 | 0:00:59 | |
because he is on a Second World War air base | 0:00:59 | 0:01:03 | |
talking about a car from the 1950s. | 0:01:03 | 0:01:06 | |
This is The Stig taking a Caterham to the ragged edge | 0:01:10 | 0:01:14 | |
on our track back in 2008. | 0:01:14 | 0:01:16 | |
That particular lap is something of an internet sensation. | 0:01:20 | 0:01:23 | |
It's been viewed over 100 times | 0:01:23 | 0:01:26 | |
and one of the reasons it's so popular is | 0:01:26 | 0:01:28 | |
because that is the Caterham R500, | 0:01:28 | 0:01:32 | |
the most powerful and extreme car they have ever built. | 0:01:32 | 0:01:36 | |
Or, rather, it was. | 0:01:37 | 0:01:40 | |
Because its crown has just been stolen by this. | 0:01:41 | 0:01:45 | |
The brand-new Caterham 620R. | 0:01:48 | 0:01:50 | |
Where the old 500 had 263hp, | 0:01:50 | 0:01:54 | |
this has 310. | 0:01:54 | 0:01:57 | |
And since it weighs just 545kg, | 0:01:57 | 0:02:01 | |
it has a better power to weight ratio than a Bugatti Veyron. | 0:02:01 | 0:02:06 | |
But I have driven a Bugatti Veyron | 0:02:06 | 0:02:08 | |
and I have to say it was very civilised. | 0:02:08 | 0:02:12 | |
Let's see how this compares. | 0:02:12 | 0:02:14 | |
ENGINE REVS | 0:02:14 | 0:02:15 | |
Oh! | 0:02:15 | 0:02:17 | |
Bloody Nora! Oh! | 0:02:17 | 0:02:19 | |
Argh! | 0:02:19 | 0:02:20 | |
Argh! Argh! | 0:02:20 | 0:02:23 | |
ENGINE DROWNS SPEECH | 0:02:26 | 0:02:28 | |
I can't see! | 0:02:28 | 0:02:30 | |
Oh! Ow! | 0:02:32 | 0:02:34 | |
BLEEP. | 0:02:34 | 0:02:36 | |
Argh! | 0:02:36 | 0:02:38 | |
God above, that's not... | 0:02:40 | 0:02:42 | |
That's not like acceleration, | 0:02:42 | 0:02:43 | |
that's like being in a football and somebody kicks it. | 0:02:43 | 0:02:46 | |
Ugh! | 0:02:46 | 0:02:48 | |
'With a helmet and goggles deputising for the windscreen, | 0:02:51 | 0:02:54 | |
'I tried once more to get to grips with the 620R.' | 0:02:54 | 0:02:57 | |
Obviously, you can tell from the way I'm screaming at you, | 0:03:06 | 0:03:09 | |
the racket in here is tremendous. | 0:03:09 | 0:03:13 | |
It's quite difficult to breathe. | 0:03:15 | 0:03:18 | |
'That's hardly surprising since 0-60 takes just 2.8 seconds. | 0:03:18 | 0:03:23 | |
'And it's not like you can get your breath back in the corners.' | 0:03:26 | 0:03:28 | |
TYRES SCREECH | 0:03:29 | 0:03:31 | |
-Geez. -HE COUGHS | 0:03:34 | 0:03:35 | |
Right, this time, watch this. | 0:03:37 | 0:03:39 | |
TYRES SCREECH | 0:03:41 | 0:03:42 | |
Oh, not again. Sorry. | 0:03:42 | 0:03:45 | |
There'll be a lot of editing to do on this piece. | 0:03:45 | 0:03:47 | |
'Stick at it for several months and you can bring the 620R to heel.' | 0:03:49 | 0:03:55 | |
Whey, hey-hey! | 0:03:55 | 0:03:57 | |
I've done a whole circuit! | 0:04:00 | 0:04:02 | |
'And when you get your eye in, it's not a bad car.' | 0:04:03 | 0:04:06 | |
It's still a Caterham. | 0:04:06 | 0:04:08 | |
It's all very crisp. Very nice. | 0:04:08 | 0:04:10 | |
Fantastic sequential gearbox. | 0:04:12 | 0:04:15 | |
'It's just that it's too much hard work.' | 0:04:15 | 0:04:19 | |
The trouble is this is power piled on power. | 0:04:20 | 0:04:23 | |
It can barely contain itself. | 0:04:23 | 0:04:25 | |
It's like a teenager left alone with the internet. | 0:04:25 | 0:04:28 | |
The wheels and the suspension can only just | 0:04:28 | 0:04:32 | |
keep up with what's going on. | 0:04:32 | 0:04:34 | |
Whey-hey! | 0:04:34 | 0:04:36 | |
It's not supposed to be like this. | 0:04:36 | 0:04:39 | |
It's just a little sports car! | 0:04:39 | 0:04:40 | |
'However, I think I have an answer to the problem.' | 0:04:41 | 0:04:44 | |
You see, I think if you're going to build a minimalist car, | 0:04:46 | 0:04:50 | |
you need to take a minimalist approach to performance | 0:04:50 | 0:04:53 | |
and handling, as well. | 0:04:53 | 0:04:55 | |
It's no good just piling on more and more power, | 0:04:55 | 0:04:57 | |
that's like trying to improve a curry | 0:04:57 | 0:04:59 | |
by putting more and more chillies in it. | 0:04:59 | 0:05:01 | |
What I'm trying to say is, well, | 0:05:01 | 0:05:04 | |
Caterham needs to find a better Indian restaurant. | 0:05:04 | 0:05:07 | |
Fortunately it seems they're ahead of me on this one. | 0:05:09 | 0:05:13 | |
Alongside their new, most powerful car ever, | 0:05:13 | 0:05:17 | |
they've also come up with this, | 0:05:17 | 0:05:19 | |
their least powerful car ever. | 0:05:19 | 0:05:21 | |
It's called the 160 | 0:05:21 | 0:05:24 | |
and it has just 80hp | 0:05:24 | 0:05:27 | |
from a tiny turbocharged three-cylinder Suzuki engine. | 0:05:27 | 0:05:30 | |
So the engine is much smaller but then so is the price. | 0:05:34 | 0:05:37 | |
The 620R is £50,000. | 0:05:37 | 0:05:41 | |
This is just £17,000. | 0:05:41 | 0:05:45 | |
Admittedly, 0-60 takes a gentle seven seconds | 0:05:47 | 0:05:51 | |
and the top speed is only 100. | 0:05:51 | 0:05:54 | |
But that's not the point. | 0:05:55 | 0:05:58 | |
Top speed, 0-60, they're just numbers. | 0:06:00 | 0:06:03 | |
They are meaningless in themselves. | 0:06:03 | 0:06:05 | |
What matters is whether or not they add up into a sensation | 0:06:07 | 0:06:11 | |
and this delivers a tremendous sensation. | 0:06:11 | 0:06:13 | |
TYRES SCREECH | 0:06:16 | 0:06:18 | |
HE CHUCKLES | 0:06:18 | 0:06:21 | |
The key to the 160's sense of fun is a set of super skinny tyres. | 0:06:21 | 0:06:25 | |
They are only a tiny bit wider than a space saver. | 0:06:25 | 0:06:29 | |
So you only have to twitch your foot a little bit... | 0:06:29 | 0:06:32 | |
TYRES SCREECH | 0:06:32 | 0:06:35 | |
..and you can slide around like Mika Hakkinen. | 0:06:35 | 0:06:38 | |
Oh, lovely! Look at me. | 0:06:40 | 0:06:43 | |
Whoo! | 0:06:45 | 0:06:46 | |
When you have worn your tyres out, | 0:06:47 | 0:06:49 | |
they're only 40 quid each to replace. | 0:06:49 | 0:06:52 | |
Even The Stig, who normally turns his snout up at anything | 0:06:52 | 0:06:55 | |
with less than 500hp, had an absolute ball. | 0:06:55 | 0:06:59 | |
It has a windscreen. | 0:07:05 | 0:07:06 | |
It'll do over 50 miles to the gallon. | 0:07:06 | 0:07:09 | |
As far as I'm concerned, | 0:07:09 | 0:07:11 | |
it's the best car Caterham has ever made. | 0:07:11 | 0:07:13 | |
In fact, there's only one thing wrong with it. | 0:07:13 | 0:07:17 | |
The way it looks. | 0:07:19 | 0:07:20 | |
Next to the latest stripped out sports cars like the Ariel Atom, | 0:07:20 | 0:07:23 | |
and the BAC Mono, it sits a bit like a typewriter | 0:07:23 | 0:07:27 | |
in an internet cafe. | 0:07:27 | 0:07:29 | |
I wonder if they could do something about that? | 0:07:29 | 0:07:32 | |
As it happens, they're ahead of me on that one, too. | 0:07:34 | 0:07:37 | |
This is the AeroSeven. | 0:07:40 | 0:07:43 | |
It's been developed with the help of the Caterham F1 team. | 0:07:43 | 0:07:46 | |
The great thing is, it isn't some static papier mache one-off | 0:07:46 | 0:07:51 | |
built for a motor show stand. | 0:07:51 | 0:07:53 | |
What do you think of this, then? | 0:08:02 | 0:08:04 | |
Positively down on gastrique by Caterham standards. | 0:08:10 | 0:08:13 | |
The next thing you know, they'll have a fax machine. | 0:08:13 | 0:08:16 | |
The AeroSeven isn't going into production for a year or so. | 0:08:16 | 0:08:20 | |
Before it does, there's one major thing they need to fix. | 0:08:20 | 0:08:25 | |
Ow! | 0:08:26 | 0:08:28 | |
Oh! | 0:08:28 | 0:08:30 | |
It hasn't got a windscreen! | 0:08:30 | 0:08:33 | |
Useless! | 0:08:33 | 0:08:34 | |
CHEERING AND APPLAUSE | 0:08:37 | 0:08:41 | |
The best car they've ever made? | 0:08:41 | 0:08:44 | |
-According to him, it is. -Well... | 0:08:44 | 0:08:46 | |
The best car they've ever made? | 0:08:46 | 0:08:48 | |
Slowest... | 0:08:48 | 0:08:50 | |
So, James, er... | 0:08:50 | 0:08:52 | |
So you don't like cars without windscreens? | 0:08:52 | 0:08:54 | |
No, I hate cars without windscreens. That is the most idiotic idea | 0:08:54 | 0:08:58 | |
in the whole history of motoring, isn't it? What is the point? | 0:08:58 | 0:09:01 | |
What advantage is there of building a car without a windscreen? | 0:09:01 | 0:09:03 | |
You might as well have a snorkel mask with no glass in it and you get hit in the eyeball by fish. | 0:09:03 | 0:09:07 | |
-LAUGHTER -It's that idiotic. | 0:09:07 | 0:09:10 | |
James, before you have an aneurysm, there are one or two points | 0:09:10 | 0:09:13 | |
that Hammond and I would like to make | 0:09:13 | 0:09:16 | |
about some of the things you said in that film. | 0:09:16 | 0:09:19 | |
Hammond, do you want to go first? | 0:09:19 | 0:09:21 | |
Yeah, four minutes and 58 seconds into your film, | 0:09:21 | 0:09:24 | |
whilst referring to acceleration figures, | 0:09:24 | 0:09:26 | |
you say, "They are just numbers, they're meaningless." | 0:09:26 | 0:09:30 | |
-They are. -You would say that! | 0:09:30 | 0:09:32 | |
James, but a car that accelerates from 0-60 in 2.8 seconds | 0:09:32 | 0:09:36 | |
-is better than one that does it in seven seconds. -No, what I was actually saying... | 0:09:36 | 0:09:39 | |
Also, at three minutes 51, | 0:09:39 | 0:09:41 | |
you say and I'm paraphrasing here, that giving it more power | 0:09:41 | 0:09:45 | |
-is like trying to improve a curry by adding more chillies. -Mmm. | 0:09:45 | 0:09:50 | |
-That is how you improve a curry! -No, it isn't. -It is. | 0:09:50 | 0:09:52 | |
Remember the chicken curry from school, | 0:09:52 | 0:09:55 | |
it was screaming for more spice, it's what it needed is more. | 0:09:55 | 0:09:58 | |
Yes, then James at five minutes and 29 seconds, | 0:09:58 | 0:10:01 | |
you said you were sliding around like Mika Hakkinen. | 0:10:01 | 0:10:05 | |
-I was. -Yes, but you see Mika Hakkinen is a Formula 1 driver | 0:10:05 | 0:10:08 | |
and they don't slide around. | 0:10:08 | 0:10:10 | |
Yeah, but when Mika Hakkinen took me out for a drive, he did slide around! | 0:10:10 | 0:10:14 | |
-Yes, but he's not known for sliding around. -No, exactly. | 0:10:14 | 0:10:17 | |
He might collect porcelain frogs but you don't go around saying, | 0:10:17 | 0:10:21 | |
"I'm collecting porcelain frogs like Mika Hakkinen right now." | 0:10:21 | 0:10:23 | |
-It's not relevant. -Exactly! | 0:10:23 | 0:10:26 | |
-Have you quite finished? -Well, not really | 0:10:26 | 0:10:28 | |
because there's a lot to go through but, | 0:10:28 | 0:10:30 | |
sadly, we must now find out how fast these cars go round our track | 0:10:30 | 0:10:34 | |
and that, of course, means handing them | 0:10:34 | 0:10:37 | |
over to a man who can actually drive! | 0:10:37 | 0:10:38 | |
LAUGHTER | 0:10:38 | 0:10:39 | |
Some say that he once put Helen Mirren in a dishwasher. | 0:10:39 | 0:10:44 | |
LAUGHTER | 0:10:44 | 0:10:46 | |
And that at the Winter Olympics he was disqualified | 0:10:46 | 0:10:49 | |
from the skeleton event for riding down the hill on an actual skeleton. | 0:10:49 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:56 | |
All we know is he's called The Stig! | 0:10:56 | 0:10:57 | |
CHEERING AND APPLAUSE | 0:10:57 | 0:10:59 | |
And they are off. | 0:11:00 | 0:11:02 | |
Ooh, it's a bit damp out there, that may slow them down a bit. | 0:11:02 | 0:11:06 | |
620R building up a command... | 0:11:06 | 0:11:08 | |
Oh, no, there was the other one coming into shot... | 0:11:08 | 0:11:10 | |
at the last moment. | 0:11:10 | 0:11:12 | |
First corner in, the 620R, he's handling that well. | 0:11:12 | 0:11:15 | |
No, still... | 0:11:15 | 0:11:17 | |
Yes, we just saw the other one. | 0:11:17 | 0:11:19 | |
And here he is, no music, obviously, to listen to today. | 0:11:19 | 0:11:22 | |
Just the sound of that | 0:11:22 | 0:11:24 | |
two-litre Ford Duratec engine, | 0:11:24 | 0:11:27 | |
supercharged in the 620R. | 0:11:27 | 0:11:29 | |
They don't use the 2.3 that they use and the BAC Mono. | 0:11:31 | 0:11:34 | |
Here he is at the back! | 0:11:34 | 0:11:36 | |
Cos it's too tall. | 0:11:36 | 0:11:37 | |
He is actually struggling to get the power down. | 0:11:37 | 0:11:40 | |
But he is getting it down. | 0:11:40 | 0:11:43 | |
Beautifully. | 0:11:43 | 0:11:44 | |
Right, Follow Through next. | 0:11:46 | 0:11:48 | |
Here he is, definitely lifting off. | 0:11:48 | 0:11:50 | |
This is a magnificent example of car control | 0:11:50 | 0:11:55 | |
from The Stig, in one of them at least! | 0:11:55 | 0:11:57 | |
The other one simply not there. | 0:11:57 | 0:11:59 | |
Right, just... | 0:11:59 | 0:12:01 | |
Oh, good God, look at that. | 0:12:01 | 0:12:03 | |
Nearly losing it at the exit of the Follow Through. | 0:12:03 | 0:12:05 | |
Handling it nicely coming through into Gambon. | 0:12:05 | 0:12:09 | |
Getting some opposite lock on before the corner | 0:12:09 | 0:12:11 | |
and across the line! | 0:12:11 | 0:12:13 | |
We just have to wait now for James's favourite car to finish. | 0:12:16 | 0:12:20 | |
"The best car Caterham have ever made"... there it goes. | 0:12:21 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
Any minute now, it'll be across the line. | 0:12:27 | 0:12:30 | |
OK, talk among yourselves. | 0:12:31 | 0:12:33 | |
-And there it is! -AUDIENCE CHEERS | 0:12:35 | 0:12:37 | |
APPLAUSE | 0:12:37 | 0:12:38 | |
Wet lap, so we're not expecting any records, | 0:12:41 | 0:12:44 | |
we certainly haven't got them. | 0:12:44 | 0:12:46 | |
Right the 620R, the car you didn't much like. | 0:12:46 | 0:12:49 | |
That did it in 1:22.3. | 0:12:49 | 0:12:53 | |
Similar conditions, similar time to the magnificent Lexus LFA. OK? | 0:12:53 | 0:12:59 | |
Now your favourite car... | 0:12:59 | 0:13:02 | |
Not quite so fast. | 0:13:02 | 0:13:03 | |
LAUGHTER | 0:13:03 | 0:13:05 | |
There's no other way of saying this, | 0:13:06 | 0:13:08 | |
it was a 1:45.5, so it's there. | 0:13:08 | 0:13:13 | |
It's actually five seconds slower than Morgan's wooden tricycle. | 0:13:13 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:20 | |
-Good. -And that's your favourite car? | 0:13:20 | 0:13:24 | |
Of those two, yeah. | 0:13:24 | 0:13:25 | |
LAUGHTER | 0:13:25 | 0:13:27 | |
And now the news | 0:13:27 | 0:13:29 | |
and the news is that later on in this programme | 0:13:29 | 0:13:33 | |
Jeremy is going to try and prove to James and me | 0:13:33 | 0:13:35 | |
that cars are better than bikes. | 0:13:35 | 0:13:37 | |
-Well, that's because they are. -Well, they're not. | 0:13:37 | 0:13:40 | |
Oh, yes, they are. They're warmer than bikes, | 0:13:40 | 0:13:43 | |
they stand up by themselves. | 0:13:43 | 0:13:45 | |
You don't have to wear rubber trousers. | 0:13:45 | 0:13:48 | |
They're faster. | 0:13:48 | 0:13:49 | |
-Not faster! -They are round corners. | 0:13:49 | 0:13:52 | |
Well, not in a straight line. | 0:13:52 | 0:13:54 | |
Yes, you see, that's what I'm going to prove later on | 0:13:54 | 0:13:56 | |
that they are faster in a straight line. | 0:13:56 | 0:13:58 | |
-Really? -Yes, I am. -Really? | 0:13:58 | 0:14:00 | |
Yes, I am, but now we're going to do the proper news, OK? | 0:14:00 | 0:14:03 | |
Now you know all around the world there are museums for all | 0:14:03 | 0:14:06 | |
sorts of silly things. There's a pencil museum in, is it Cumbria? | 0:14:06 | 0:14:09 | |
-Yeah, it is. -Yeah, a pencil museum. | 0:14:09 | 0:14:11 | |
There's an umbrella museum in Spain | 0:14:11 | 0:14:14 | |
and a museum of the vagina in Japan. | 0:14:14 | 0:14:16 | |
-There is a penis museum in Iceland. -Been there. | 0:14:16 | 0:14:20 | |
It's very cold, all the exhibits are very small. | 0:14:20 | 0:14:23 | |
The reason I bring this up is because, | 0:14:23 | 0:14:25 | |
in America there is a Corvette Museum. | 0:14:25 | 0:14:28 | |
There's a photograph of it here. | 0:14:28 | 0:14:30 | |
Now, as we know, the Corvette enthusiast in America is quite... | 0:14:30 | 0:14:33 | |
-Heavy. -Yes, they're bigger gentleman. -Big-boned. | 0:14:33 | 0:14:37 | |
Well, one of them visited the museum this week and this happened. | 0:14:37 | 0:14:40 | |
LAUGHTER | 0:14:40 | 0:14:42 | |
-Must have been a big one! -That was a big hole. | 0:14:42 | 0:14:44 | |
And apparently, eight cars fell into it. | 0:14:44 | 0:14:46 | |
There's a shot actually looking down. Look at that. | 0:14:46 | 0:14:49 | |
Oh, God, that's painful to see! | 0:14:49 | 0:14:50 | |
-Damage was estimated at 37. -Was it? | 0:14:50 | 0:14:53 | |
-Was it? -But actually, we shouldn't mock | 0:14:54 | 0:14:57 | |
because you know there was a sinkhole, which is what this is, | 0:14:57 | 0:15:00 | |
that opened on the M2 this week, did you see? On the central reservation? | 0:15:00 | 0:15:03 | |
They closed the motorway for 18 hours. | 0:15:03 | 0:15:06 | |
That, they kept the museum open. They did! | 0:15:06 | 0:15:11 | |
-Well, you can still see the cars. -Yeah, you just... | 0:15:11 | 0:15:13 | |
I think we should applaud the Americans for that | 0:15:14 | 0:15:17 | |
because that's a good attitude to health and safety. | 0:15:17 | 0:15:19 | |
It is. Well done, you. | 0:15:19 | 0:15:21 | |
-Yes. -Now, I've received a letter. May I just read it to you? | 0:15:21 | 0:15:23 | |
"Dear Mr Clarkson..." You're going to love this. | 0:15:23 | 0:15:26 | |
"I'm writing to you on behalf of the world-famous Madame Tussauds." | 0:15:26 | 0:15:30 | |
-Oh, they're not going to... -Yes, they are! -Oh, you're joking! | 0:15:30 | 0:15:33 | |
Oh, no! | 0:15:33 | 0:15:35 | |
They say I have been highly requested, highly requested, | 0:15:35 | 0:15:39 | |
to be immortalised in wax. | 0:15:39 | 0:15:41 | |
You sure that doesn't say immersed in wax? | 0:15:43 | 0:15:45 | |
No, immortalised in wax. | 0:15:46 | 0:15:48 | |
How are they going to immortalise you in wax? | 0:15:48 | 0:15:50 | |
Where are they going to get all the wax? | 0:15:50 | 0:15:52 | |
Presumably they'll have to melt down everything else | 0:15:52 | 0:15:55 | |
in Madame Tussauds, to make one massive hideous wax dummy... | 0:15:55 | 0:15:59 | |
of a hideous dummy. | 0:15:59 | 0:16:01 | |
It's easy, they just get a very big candle, they light it, | 0:16:01 | 0:16:03 | |
let it drip down the edges for a couple of hours, | 0:16:03 | 0:16:05 | |
then just draw a face on it with felt tip. | 0:16:05 | 0:16:07 | |
I want to see them sculpting it, cos imagine, | 0:16:08 | 0:16:11 | |
once they've melted down enough wax, which is a lot, | 0:16:11 | 0:16:13 | |
the size of the urn, it'll look like a scene from Lord Of The Rings! | 0:16:13 | 0:16:17 | |
With all these little orcs walking around the bottom, | 0:16:17 | 0:16:19 | |
getting ready... a big pour, to create this hideous, hideous, | 0:16:19 | 0:16:23 | |
grotesque, enormous thing! How are they going to fit it in? | 0:16:23 | 0:16:26 | |
No, don't put it there, put it in the Natural History Museum. | 0:16:26 | 0:16:29 | |
LAUGHTER | 0:16:29 | 0:16:31 | |
Better still... | 0:16:31 | 0:16:33 | |
Next to the big brontosaur! | 0:16:33 | 0:16:36 | |
Just a big skeleton. | 0:16:39 | 0:16:40 | |
Just a big skeleton next to the brontosaur, | 0:16:40 | 0:16:43 | |
a big tyrannosaurus- what-the-hell-is-that? | 0:16:43 | 0:16:46 | |
And then people can go and watch. | 0:16:46 | 0:16:47 | |
Ladies and gentlemen, the sound of bitterness and jealousy. | 0:16:47 | 0:16:50 | |
My colleagues, there. I wish I hadn't brought that up. | 0:16:51 | 0:16:55 | |
As you probably noticed last week, | 0:16:55 | 0:16:56 | |
a Danish supercar called the Zenvo came down here and caught fire. | 0:16:56 | 0:16:59 | |
A lot of people were very shocked by that but actually, | 0:16:59 | 0:17:02 | |
it's not unusual for expensive cars to catch fire | 0:17:02 | 0:17:05 | |
when they're first released. | 0:17:05 | 0:17:06 | |
Ferrari had a problem with the 458. | 0:17:06 | 0:17:08 | |
And then just this week, | 0:17:08 | 0:17:10 | |
we've been hearing about Porsche GT3 problems. | 0:17:10 | 0:17:12 | |
There's a shot here of one in... of one in Switzerland. | 0:17:12 | 0:17:16 | |
The internet is awash with rumours of other examples of this. | 0:17:16 | 0:17:19 | |
Porsche themselves admit it has happened in Italy as well. | 0:17:19 | 0:17:23 | |
And have now suspended deliveries of the new GT3 to customers. | 0:17:23 | 0:17:28 | |
Yeah, but what if you'd already taken delivery of your brand-new... | 0:17:28 | 0:17:32 | |
your brand-new and expensive GT3 that might catch fire at any moment? | 0:17:32 | 0:17:36 | |
Well, we really need to ask a customer, | 0:17:36 | 0:17:38 | |
don't we, who's just done that? | 0:17:38 | 0:17:39 | |
-Hammond! -What? -You've just had a GT3 delivered, haven't you? | 0:17:39 | 0:17:44 | |
Yes! HE LAUGHS | 0:17:44 | 0:17:46 | |
Shut up! Shut up, stop talking about it. | 0:17:46 | 0:17:49 | |
-Thank you, move on. -It must be so depressing. -Oh, God. Yes, it is. | 0:17:49 | 0:17:53 | |
To have worked so hard to buy your dream car | 0:17:53 | 0:17:57 | |
-that is then immediately valueless. -Oh, God! | 0:17:57 | 0:18:00 | |
So to try and cheer you up, Hammond, I've bought you a small present. | 0:18:01 | 0:18:04 | |
Oh, have you? Thank you, I love your gifts. | 0:18:04 | 0:18:06 | |
We don't often buy each other presents on this show | 0:18:06 | 0:18:08 | |
but I've done just that today. | 0:18:08 | 0:18:11 | |
Mono... They're actually GT3 branded driving gloves. | 0:18:11 | 0:18:15 | |
Oven gloves. | 0:18:15 | 0:18:16 | |
Thank you. | 0:18:17 | 0:18:19 | |
Funny. Ha-ha-ha-ha(!) | 0:18:20 | 0:18:23 | |
And... | 0:18:23 | 0:18:24 | |
-Doesn't just stop there. -Oh, please let it stop. | 0:18:24 | 0:18:27 | |
I think we need to coat your car | 0:18:27 | 0:18:29 | |
in the most fire retardant material known to man. Pizzas. | 0:18:29 | 0:18:34 | |
Oh, not your pizza theory! It's one of his stupid theories. | 0:18:34 | 0:18:37 | |
-Come on, Hammond, come with me. -Really? | 0:18:37 | 0:18:40 | |
Now, this is your actual GT3. | 0:18:40 | 0:18:42 | |
Yes, it is, actually, yes. | 0:18:42 | 0:18:43 | |
We know this because there's a fireman standing next to it | 0:18:43 | 0:18:46 | |
-with an extinguisher in case it suddenly combusts. -Good! | 0:18:46 | 0:18:49 | |
Now, what I'm planning on doing, OK, | 0:18:49 | 0:18:52 | |
is I'm going to take these pizzas, pop them on the car. | 0:18:52 | 0:18:55 | |
-And then apply a blowtorch. -No! No, you're not, no, you're not! | 0:18:55 | 0:18:58 | |
I've seen you do this and you're not doing it to my car. No. | 0:18:58 | 0:19:03 | |
But the ladies and gentlemen want to see if pizza is... | 0:19:03 | 0:19:05 | |
-I don't care! Not to my car! No. -Can we attach them to you? | 0:19:05 | 0:19:09 | |
-Well, if you must, yes. -Right, well, first of all, | 0:19:10 | 0:19:12 | |
-we need to establish... James, can I borrow you? -Yes. | 0:19:12 | 0:19:15 | |
First of all we need to establish that these are pizzas, OK? | 0:19:15 | 0:19:18 | |
Have a look. | 0:19:18 | 0:19:19 | |
You will see there's no asbestos in there, | 0:19:19 | 0:19:22 | |
-they're real pizzas. Yes? -Yeah. | 0:19:22 | 0:19:24 | |
James, perhaps you'd like to just take a bite? | 0:19:24 | 0:19:26 | |
-Yes, let me just pull a piece off. -Is that a pizza? | 0:19:26 | 0:19:30 | |
Tastes like the cardboard box it came in, so it must be. | 0:19:30 | 0:19:32 | |
There you go. So those are the pizzas. | 0:19:32 | 0:19:34 | |
If you'd like to attach those to Hammond, that would be tremendous. | 0:19:34 | 0:19:37 | |
-To his face? -Um... | 0:19:37 | 0:19:40 | |
-His vegetables. -OK. -Oh, really? | 0:19:40 | 0:19:42 | |
Come on! | 0:19:42 | 0:19:44 | |
Oh, not... That's ambitious, mate. | 0:19:44 | 0:19:47 | |
That's by my knees! | 0:19:47 | 0:19:48 | |
Now, I'm going to fire up the blowtorch. There we go. | 0:19:50 | 0:19:53 | |
Oh, God, come on, no! This is ridiculous! | 0:19:53 | 0:19:56 | |
James, how hot is the tip of this flame? | 0:19:56 | 0:19:59 | |
Probably the best part of 800 degrees C. Enough to melt aluminium. | 0:19:59 | 0:20:03 | |
Enough to melt aluminium. This is a real blowtorch. | 0:20:03 | 0:20:06 | |
Look, I can demonstrate it. | 0:20:06 | 0:20:08 | |
Fire on there, you can actually | 0:20:08 | 0:20:10 | |
-see it burning the table nicely. -Oh! | 0:20:10 | 0:20:12 | |
This is a real, well, two layers of pizza, and a real Richard Hammond. | 0:20:12 | 0:20:16 | |
Everybody ready? | 0:20:16 | 0:20:18 | |
-CROWD: -Yes! | 0:20:18 | 0:20:20 | |
Wouldn't do it to him. | 0:20:20 | 0:20:21 | |
AUDIENCE GROANS | 0:20:21 | 0:20:23 | |
Oh, yes, I would! | 0:20:23 | 0:20:25 | |
AUDIENCE CHEERS | 0:20:25 | 0:20:26 | |
Oh, no! | 0:20:26 | 0:20:28 | |
HE YELLS | 0:20:28 | 0:20:30 | |
-Jeremy, that's quite a long time, isn't it? -Not really. | 0:20:30 | 0:20:33 | |
-Stop it! -I can smell burning sausage. | 0:20:33 | 0:20:35 | |
Is that alarming? | 0:20:35 | 0:20:37 | |
Can you see? Pizza. | 0:20:38 | 0:20:41 | |
-Pop it on your car. -No! | 0:20:41 | 0:20:43 | |
Ladies and gentlemen, Hammond is still here. | 0:20:43 | 0:20:46 | |
APPLAUSE | 0:20:46 | 0:20:48 | |
Stupid, stupid. | 0:20:52 | 0:20:53 | |
That is... | 0:20:55 | 0:20:56 | |
I think that is a Top Gear hot tip. | 0:20:56 | 0:20:59 | |
We're going to move on. | 0:20:59 | 0:21:01 | |
Because, you see, in the olden days, when James was 43, | 0:21:01 | 0:21:05 | |
car makers would sell you a complete car like they do now. | 0:21:05 | 0:21:09 | |
Or they would sell you something like this - | 0:21:09 | 0:21:12 | |
an engine, a chassis, and some suspension. | 0:21:12 | 0:21:15 | |
And then you would take this to a coach-building company | 0:21:15 | 0:21:19 | |
who would then fit a personalised body, personalised interior, | 0:21:19 | 0:21:22 | |
you could have anything you wanted. | 0:21:22 | 0:21:25 | |
And in the '30s, | 0:21:25 | 0:21:27 | |
this meant there were some truly amazing creations. | 0:21:27 | 0:21:31 | |
Back then, there were coach-building companies all over the world, | 0:21:37 | 0:21:41 | |
helping the wealthy to fulfil their wildest dreams. | 0:21:41 | 0:21:45 | |
Anything was possible, and everything was done. | 0:21:45 | 0:21:50 | |
Coach building meant that Clark Gable didn't have to have | 0:21:50 | 0:21:53 | |
a car that looked like this. | 0:21:53 | 0:21:56 | |
It meant he could have one that looked like this. | 0:21:56 | 0:21:59 | |
Today, though, cars are built differently. | 0:22:04 | 0:22:07 | |
You don't get a chassis with a body on the top. | 0:22:07 | 0:22:10 | |
Because the body sort of is the chassis. | 0:22:10 | 0:22:14 | |
The pillars, the roof, the doorframes, | 0:22:14 | 0:22:16 | |
they're all load-bearing, so changing anything is a nightmare. | 0:22:16 | 0:22:21 | |
And this has meant that for many years, | 0:22:21 | 0:22:23 | |
coach building has been a lost art. | 0:22:23 | 0:22:26 | |
Now, though, I'm delighted to say... | 0:22:26 | 0:22:30 | |
it's back. | 0:22:30 | 0:22:31 | |
Welcome, everyone, to the Alfa Romeo Disco Volante. | 0:22:39 | 0:22:44 | |
One of the most striking, intelligent, | 0:22:49 | 0:22:52 | |
and unusual cars I've seen in a very long time. | 0:22:52 | 0:22:55 | |
It started out in life as an Alfa Romeo 8C. | 0:23:01 | 0:23:05 | |
But was totally re-bodied and re-upholstered | 0:23:05 | 0:23:09 | |
by an old coach building company in Milan called Touring. | 0:23:09 | 0:23:14 | |
In the '50s, they styled and built sports cars for Alfa Romeo. | 0:23:21 | 0:23:25 | |
Later, they designed the Aston Martin DB5 and DB6. | 0:23:28 | 0:23:34 | |
Along with the Jensen Interceptor, | 0:23:35 | 0:23:38 | |
and the very first Lamborghini - | 0:23:38 | 0:23:41 | |
the 350GT. | 0:23:41 | 0:23:43 | |
That is quite a CV. | 0:23:44 | 0:23:47 | |
In recent years, however, they've been reduced to making | 0:23:48 | 0:23:51 | |
mildly modified Bentleys and Maseratis. | 0:23:51 | 0:23:55 | |
It's been like watching Dame Judi Dench | 0:23:55 | 0:23:57 | |
reduced to appearing in a regional pantomime. | 0:23:57 | 0:24:00 | |
But now, they've decided to bring | 0:24:03 | 0:24:06 | |
the lost art of proper coach building back, | 0:24:06 | 0:24:09 | |
with the Disco Volante. | 0:24:09 | 0:24:11 | |
Certain structural and safety related things can't be changed. | 0:24:14 | 0:24:18 | |
The seat belt mounting points, the windscreen, | 0:24:18 | 0:24:21 | |
the suspension mounting points, | 0:24:21 | 0:24:22 | |
they'll be the same on this car as they are on this one. | 0:24:22 | 0:24:25 | |
It's like plastic surgery. | 0:24:25 | 0:24:27 | |
You can't change the skeleton, but you can change the flesh. | 0:24:27 | 0:24:30 | |
And that is what they've done. | 0:24:30 | 0:24:33 | |
But has it worked? | 0:24:33 | 0:24:34 | |
The simple answer is, yes. | 0:24:41 | 0:24:44 | |
It doesn't shake, it doesn't rattle. | 0:24:44 | 0:24:46 | |
It doesn't feel like botched plastic surgery. | 0:24:47 | 0:24:50 | |
You don't think every time you go over a bump, | 0:24:50 | 0:24:52 | |
"Oh, no, my nose is going to fall off." | 0:24:52 | 0:24:55 | |
Doesn't feel like Michael Jackson. | 0:24:55 | 0:24:58 | |
Do you know what it does feel? It feels... | 0:25:01 | 0:25:04 | |
solid. | 0:25:04 | 0:25:05 | |
It feels, and this is high praise for a hand-built car, it feels... | 0:25:05 | 0:25:11 | |
mass-produced. | 0:25:11 | 0:25:13 | |
That said, it does not feel like the car that spawned it. | 0:25:16 | 0:25:20 | |
It doesn't feel like an 8C. | 0:25:20 | 0:25:22 | |
That's because they've softened the suspension, | 0:25:26 | 0:25:29 | |
they've turned it from a stiff, B-road barnstormer | 0:25:29 | 0:25:32 | |
into a comfortable cruising machine, and I like that. | 0:25:32 | 0:25:36 | |
There are loads of cars built specifically to attack | 0:25:38 | 0:25:42 | |
a road like this. | 0:25:42 | 0:25:43 | |
So it's quite refreshing to find one | 0:25:43 | 0:25:45 | |
that allows you to savour it. | 0:25:45 | 0:25:48 | |
Savour the views, savour the moment. | 0:25:50 | 0:25:53 | |
So, it doesn't feel like an 8C. | 0:25:55 | 0:25:57 | |
And it certainly doesn't sound like one either. | 0:26:01 | 0:26:04 | |
Oh, it's the most... | 0:26:06 | 0:26:07 | |
..soulful-sounding car I think I've ever heard. | 0:26:10 | 0:26:13 | |
It's as though the entire exhaust system | 0:26:15 | 0:26:18 | |
is actually made out of Otis Redding. | 0:26:18 | 0:26:21 | |
# Left my home in Georgia... # | 0:26:25 | 0:26:28 | |
HE ROARS IN TUNE WITH ENGINE | 0:26:28 | 0:26:30 | |
GIGGLES | 0:26:30 | 0:26:31 | |
# Heading for the Frisco Bay... # | 0:26:31 | 0:26:35 | |
HE IMITATES ACCELERATING ENGINE GROWL | 0:26:35 | 0:26:37 | |
It's Otis! | 0:26:42 | 0:26:44 | |
Don't get me wrong, though. | 0:26:48 | 0:26:50 | |
This is not a slow car. | 0:26:50 | 0:26:52 | |
It has a 444 horsepower 4.7 litre Maserati V8. | 0:26:54 | 0:26:59 | |
Couple that to a super-light carbon fibre and aluminium body, | 0:27:04 | 0:27:08 | |
and you end up with a car that accelerates | 0:27:08 | 0:27:11 | |
like it's fallen off a cliff. | 0:27:11 | 0:27:12 | |
The top speed is 181. | 0:27:18 | 0:27:21 | |
Thing is, though, driving a car this exquisite, this elegant, | 0:27:23 | 0:27:29 | |
quickly, feels wrong. | 0:27:29 | 0:27:32 | |
It would be like pogo dancing to I Heard It Through The Grapevine. | 0:27:32 | 0:27:37 | |
No, no, no, you can't do that! | 0:27:37 | 0:27:40 | |
This, this kind of speed, this is where it's at its best. Half speed. | 0:27:44 | 0:27:49 | |
I don't even feel inclined to drive it fast. | 0:27:51 | 0:27:55 | |
I don't want to hang the tail out on the hairpins. | 0:27:55 | 0:27:58 | |
Just want to put it in auto, put some tunes on the stereo, like so. | 0:28:00 | 0:28:05 | |
Pop on a pair of sunglasses... | 0:28:05 | 0:28:08 | |
and slow on down. | 0:28:08 | 0:28:10 | |
And pretty soon, you'll want to stop altogether and get out. | 0:28:21 | 0:28:26 | |
Because looking at this car, | 0:28:26 | 0:28:28 | |
that's really what it's all about. | 0:28:28 | 0:28:31 | |
It's interesting how many elements from other things are in that shape. | 0:28:33 | 0:28:38 | |
I can see a little bit of Corvette, a bit of E-Type... | 0:28:38 | 0:28:41 | |
Then there's the, um...I think it was called the Discovery, | 0:28:41 | 0:28:44 | |
the spaceship in 2001: A Space Odyssey. | 0:28:44 | 0:28:48 | |
I see that at the front. | 0:28:48 | 0:28:50 | |
And I love the way they paint it gold | 0:28:50 | 0:28:52 | |
before they paint it red to make the colour richer. | 0:28:52 | 0:28:55 | |
Then there's the name - "Disco Volante" - | 0:28:56 | 0:28:58 | |
picked out in the seats. | 0:28:58 | 0:29:00 | |
I know, in Italian, Disco Volante means "flying saucer" | 0:29:00 | 0:29:03 | |
but to me, it's the name of Largo's hydrofoil | 0:29:03 | 0:29:06 | |
in the Bond film Thunderball. | 0:29:06 | 0:29:09 | |
I love that car. | 0:29:12 | 0:29:13 | |
I really do. | 0:29:15 | 0:29:16 | |
I think it really is time now | 0:29:25 | 0:29:27 | |
to bring out my special, "in love" face. | 0:29:27 | 0:29:30 | |
I was jealous of Hammond when he came out to Italy the other day | 0:29:34 | 0:29:38 | |
to drive the new Alfa 4C, because, to me, | 0:29:38 | 0:29:40 | |
that thing is special. | 0:29:40 | 0:29:42 | |
It's...it's the Angel Gabriel. | 0:29:42 | 0:29:44 | |
But I'm not jealous any more, because this... | 0:29:46 | 0:29:49 | |
This is the full baby Jesus. | 0:29:49 | 0:29:51 | |
I'm not going to say it's the best car in the world - | 0:29:55 | 0:29:57 | |
it certainly isn't the nicest to drive, | 0:29:57 | 0:29:59 | |
the brakes are spongy, you can see nothing out of the back. | 0:29:59 | 0:30:03 | |
But as a tool for making you feel special, | 0:30:03 | 0:30:07 | |
really, nothing gets close. | 0:30:07 | 0:30:09 | |
Nothing at all. | 0:30:09 | 0:30:12 | |
A Maserati heart, an Alfa Romeo badge, | 0:30:15 | 0:30:19 | |
exhausts made out of Otis Redding... | 0:30:19 | 0:30:21 | |
..and a hand-crafted body to die for. | 0:30:23 | 0:30:26 | |
That is one hell of a combination. | 0:30:27 | 0:30:31 | |
It really is. | 0:30:31 | 0:30:33 | |
APPLAUSE | 0:30:43 | 0:30:45 | |
No, no, no, no, no. No, don't... | 0:30:47 | 0:30:49 | |
Sorry. | 0:30:49 | 0:30:51 | |
-What? -Hang on. | 0:30:51 | 0:30:53 | |
You were having a go at me earlier on | 0:30:53 | 0:30:55 | |
because I preferred the slow Caterham to the fast one. | 0:30:55 | 0:30:58 | |
-Mm-hm. -And here you are, raving about a car | 0:30:58 | 0:31:00 | |
-that's happiest at half-speed? -Well, yes. | 0:31:00 | 0:31:02 | |
You're an utter hypocrite. | 0:31:02 | 0:31:04 | |
No, no - you see, the thing is, | 0:31:04 | 0:31:05 | |
I'd prefer to drive to somebody's house in a Lexus LFA, | 0:31:05 | 0:31:10 | |
cos I like the power from that screaming V10 engine. | 0:31:10 | 0:31:14 | |
But I'd prefer to arrive in this, | 0:31:14 | 0:31:16 | |
because it's elegant, it's beautiful, it's handcrafted... | 0:31:16 | 0:31:20 | |
How much is it? | 0:31:20 | 0:31:21 | |
Uh... well, do you know, they won't tell me, | 0:31:21 | 0:31:23 | |
even when I lightly tortured them. | 0:31:23 | 0:31:26 | |
But I have heard there's a man in Singapore | 0:31:26 | 0:31:28 | |
paid £1.5 million for his. | 0:31:28 | 0:31:31 | |
Now, there are a lot of import taxes in Singapore - I mean, huge ones. | 0:31:31 | 0:31:35 | |
Even so, that's about 130... | 0:31:35 | 0:31:37 | |
That's still £600,000 for the car. | 0:31:37 | 0:31:40 | |
Yes, I know. And what's amazing is that, in Singapore, | 0:31:40 | 0:31:43 | |
you're not allowed to drive a left-hand drive car on the road. | 0:31:43 | 0:31:48 | |
So he's paid £1.5 million for a car he can't drive. | 0:31:48 | 0:31:51 | |
LAUGHTER | 0:31:51 | 0:31:52 | |
He's completely mad. | 0:31:52 | 0:31:54 | |
He isn't - somebody's just paid, what, £42 million | 0:31:54 | 0:31:56 | |
for a Francis Bacon painting. | 0:31:56 | 0:31:58 | |
You can't drive that, either. | 0:31:58 | 0:32:00 | |
It's not a car. | 0:32:01 | 0:32:02 | |
James, I haven't got time for your pedantry. | 0:32:02 | 0:32:05 | |
Because we have to now put a Star in our Reasonably Priced Car. | 0:32:05 | 0:32:09 | |
Now, my guest tonight is extremely funny, | 0:32:09 | 0:32:12 | |
but he can't drive. | 0:32:12 | 0:32:14 | |
So he is the exact opposite of Nigel Mansell. | 0:32:14 | 0:32:18 | |
LAUGHTER | 0:32:18 | 0:32:19 | |
Ladies and gentlemen, Jack Whitehall. | 0:32:19 | 0:32:21 | |
APPLAUSE | 0:32:21 | 0:32:23 | |
-How are you? -Good, how are you? -Look who's here! -Hello. | 0:32:25 | 0:32:29 | |
-Hey. -Have a seat. | 0:32:30 | 0:32:32 | |
-Oh... -Ooh... | 0:32:33 | 0:32:34 | |
Do you know, I haven't seen you since you were in short trousers. | 0:32:36 | 0:32:39 | |
Yes, well, I mean, you know... | 0:32:39 | 0:32:42 | |
You were a big part of my childhood. | 0:32:42 | 0:32:43 | |
And that's not something that probably everyone in here knows. | 0:32:43 | 0:32:46 | |
Jeremy was a father at the prep school that I went to | 0:32:46 | 0:32:51 | |
and I have a lot of very vivid... | 0:32:51 | 0:32:54 | |
This is a big moment for me, being here, with you, cos... | 0:32:54 | 0:32:57 | |
-With long trousers. -With long trousers on - | 0:32:57 | 0:32:59 | |
tight, long trousers. | 0:32:59 | 0:33:01 | |
But you were, like, the first kind of...real kind of, | 0:33:01 | 0:33:06 | |
silverback alpha male I'd ever set eyes on. | 0:33:06 | 0:33:08 | |
Every other father at the school that I went to | 0:33:08 | 0:33:11 | |
was, like, a blubbering-faced posh toff with a Barbour jacket. | 0:33:11 | 0:33:14 | |
Then you came striding across the sports field, | 0:33:14 | 0:33:18 | |
a vision in denim, like... | 0:33:18 | 0:33:20 | |
It was amazing - we were all like, "Oh, God, look at him! | 0:33:20 | 0:33:23 | |
"He probably eats his steak rare | 0:33:23 | 0:33:25 | |
-"and doesn't bother getting out of the bath to take a -BLEEP." | 0:33:25 | 0:33:28 | |
LAUGHTER | 0:33:28 | 0:33:30 | |
Now... we get many guests down here who say, "Ooh, no, I can't drive." | 0:33:31 | 0:33:36 | |
And they mean, "I've never done any track driving | 0:33:36 | 0:33:39 | |
"and I'm not very confident and I'm not very good." | 0:33:39 | 0:33:41 | |
When we say you can't drive, we mean... you CAN'T drive. | 0:33:41 | 0:33:45 | |
No. No, I can't drive at all. | 0:33:45 | 0:33:48 | |
I... I mean, I've been in a car once, behind the wheel. | 0:33:48 | 0:33:52 | |
I've done passenger stuff loads of times, I'm amazing. | 0:33:52 | 0:33:54 | |
But the driving aspect, I've done, like, half a lesson? | 0:33:54 | 0:33:57 | |
My dad gave me half a lesson | 0:33:57 | 0:33:59 | |
and it became clear that it wasn't really a lesson - | 0:33:59 | 0:34:01 | |
he wanted a lift to the butchers. | 0:34:01 | 0:34:03 | |
So we drove down the road to the left, | 0:34:03 | 0:34:06 | |
he picked up a leg of lamb and we went home. | 0:34:06 | 0:34:08 | |
So that's the only lesson I ever had. | 0:34:08 | 0:34:10 | |
But I've never been behind the wheel of a car on my own ever before. | 0:34:10 | 0:34:14 | |
-So I thought it would be good to come and do it... -Here? | 0:34:14 | 0:34:17 | |
Which, of course, | 0:34:17 | 0:34:19 | |
meant that we actually had to teach you to drive a car. | 0:34:19 | 0:34:22 | |
-Yeah. -When I say, "we"...The Stig. | 0:34:22 | 0:34:24 | |
Yeah, I mean, he wasn't... he's not a great instructor. | 0:34:24 | 0:34:28 | |
He's not talkative, let's put it that way. | 0:34:28 | 0:34:31 | |
Um... well, we've actually got some footage | 0:34:31 | 0:34:33 | |
of Jack's first ever driving lesson in an actual... | 0:34:33 | 0:34:37 | |
Was it a manual? | 0:34:37 | 0:34:38 | |
I mean, did it have, like, a lever coming out there? | 0:34:38 | 0:34:41 | |
It had a pull-y thing and then three pedals. | 0:34:41 | 0:34:43 | |
Three pedals and a pull-y thing. | 0:34:43 | 0:34:45 | |
-This is known as a manual car. -A manual car, yes. | 0:34:45 | 0:34:47 | |
Anybody like to see Jack's first ever driving lesson? | 0:34:47 | 0:34:51 | |
AUDIENCE: Yes! | 0:34:51 | 0:34:52 | |
Never, ever done this before. Here we go, let's have a look. | 0:34:52 | 0:34:55 | |
It should make a "vroom" noise, shouldn't it? | 0:34:58 | 0:35:00 | |
Do I... am I turning it the right way? | 0:35:02 | 0:35:04 | |
No? Right, OK, fine. | 0:35:06 | 0:35:09 | |
'Was he completely uncommunicative?' | 0:35:09 | 0:35:11 | |
He didn't even nod. | 0:35:11 | 0:35:12 | |
ENGINE REVS | 0:35:13 | 0:35:15 | |
Yes! | 0:35:15 | 0:35:16 | |
ENGINE STALLS | 0:35:16 | 0:35:18 | |
Stig, I might need a little bit more from you than this. | 0:35:18 | 0:35:22 | |
OK, right, so that's not working. | 0:35:22 | 0:35:24 | |
By process of elimination, | 0:35:24 | 0:35:25 | |
if we come off the clutch and press this... | 0:35:25 | 0:35:28 | |
ENGINE REVS LOUDLY | 0:35:28 | 0:35:30 | |
-Revving. -Yeah, that's revving. -Getting ready. | 0:35:30 | 0:35:33 | |
-And your handbrake's on. -That sounds good. | 0:35:33 | 0:35:36 | |
No, it doesn't. | 0:35:36 | 0:35:37 | |
OK, this is getting better. | 0:35:37 | 0:35:39 | |
Oh, Jesus... | 0:35:40 | 0:35:41 | |
APPLAUSE | 0:35:41 | 0:35:43 | |
I mean, well done. | 0:35:46 | 0:35:47 | |
But we had to go from that to getting you round a lap | 0:35:47 | 0:35:50 | |
-in the space of an hour. -I think my priorities were... | 0:35:50 | 0:35:53 | |
He didn't think that I was taking it seriously, | 0:35:53 | 0:35:55 | |
cos when I first got in the car - a perfectly valid thing, | 0:35:55 | 0:35:57 | |
it's the thing I always ask when I get in a car, | 0:35:57 | 0:35:59 | |
is whether he had an iPhone charger. | 0:35:59 | 0:36:01 | |
Because mine had died and I wanted to get some photos of the journey | 0:36:01 | 0:36:06 | |
and he wasn't happy about that. | 0:36:06 | 0:36:07 | |
But he's so moody! | 0:36:07 | 0:36:09 | |
I asked him if there was a Mrs Stig and that didn't go down well. | 0:36:09 | 0:36:13 | |
-No, it wouldn't. -That's what he needs - | 0:36:13 | 0:36:15 | |
maybe he's not getting enough of it at home. | 0:36:15 | 0:36:18 | |
I thought of the perfect person for The Stig as well - | 0:36:18 | 0:36:20 | |
match made in Heaven - | 0:36:20 | 0:36:21 | |
him and the woman who does the demonstrations on The Cube. | 0:36:21 | 0:36:23 | |
With the mask. | 0:36:23 | 0:36:25 | |
LAUGHTER | 0:36:25 | 0:36:26 | |
They would be perfect together! | 0:36:26 | 0:36:28 | |
APPLAUSE | 0:36:28 | 0:36:30 | |
What would the babies be like? | 0:36:31 | 0:36:33 | |
The babies would be amazing! You could do it as a challenge - | 0:36:33 | 0:36:36 | |
send them to the Isle of Fernando's! | 0:36:36 | 0:36:38 | |
Talking of The Stig not getting enough, | 0:36:40 | 0:36:42 | |
how, if you're a 17-year-old youth, | 0:36:42 | 0:36:45 | |
do you get any... at all from girls | 0:36:45 | 0:36:48 | |
if you can't drive them anywhere? | 0:36:48 | 0:36:50 | |
Yeah, it was hard. Especially when I became a stand-up | 0:36:50 | 0:36:53 | |
and it was like, stand-up, you're going around on tours, | 0:36:53 | 0:36:56 | |
quite rock'n'roll, there would be groupies and stuff, | 0:36:56 | 0:36:58 | |
but it's very hard to pull a groupie | 0:36:58 | 0:37:01 | |
when your mother has driven you to the gig. | 0:37:01 | 0:37:03 | |
Afterwards, you'd be like, "Yeah, you want to go back to my crib? | 0:37:03 | 0:37:06 | |
"My ride's outside, it's the Volvo just there. | 0:37:06 | 0:37:09 | |
"You'll have to sit in the back, cos I ride up front with Mummy. | 0:37:09 | 0:37:12 | |
"Hope you like The Archers!" | 0:37:13 | 0:37:15 | |
So when you're doing your gigs now, | 0:37:17 | 0:37:19 | |
presumably your mum doesn't take you around. | 0:37:19 | 0:37:21 | |
No - the best thing about this latest tour, | 0:37:21 | 0:37:23 | |
it's the biggest one I've done, | 0:37:23 | 0:37:24 | |
and I'm going to be in a tour bus, which is amazing. | 0:37:24 | 0:37:26 | |
Cos the worst thing, I find, | 0:37:26 | 0:37:28 | |
about doing a tour when you're in a car | 0:37:28 | 0:37:30 | |
is having to use petrol station toilets, | 0:37:30 | 0:37:32 | |
cos the lock on a petrol station toilet door | 0:37:32 | 0:37:35 | |
is always broken. | 0:37:35 | 0:37:37 | |
They're always bust, then you have to do that thing which we all do, | 0:37:37 | 0:37:41 | |
which I call "lavatory yoga" | 0:37:41 | 0:37:43 | |
where you work out how to keep the door with a broken lock shut. | 0:37:43 | 0:37:46 | |
Yeah. | 0:37:46 | 0:37:47 | |
There's three main schools of it - you've got the Tom Daley, | 0:37:47 | 0:37:49 | |
where you lean forward with the arms like that. | 0:37:49 | 0:37:52 | |
-Use the fingertips. -Yeah. | 0:37:52 | 0:37:53 | |
-But I can't -BLEEP -unless I'm playing Candy Crush, so that doesn't work. | 0:37:53 | 0:37:57 | |
Then you've got the Bowing Monk, | 0:37:57 | 0:37:59 | |
where you put your head forward and just use it as a doorstop. | 0:37:59 | 0:38:02 | |
But someone can, like, knock you out | 0:38:02 | 0:38:04 | |
if they're too insistent on getting in. | 0:38:04 | 0:38:06 | |
Then your third option, which is the best one, | 0:38:06 | 0:38:08 | |
which you should always use, is the Woman In Labour, | 0:38:08 | 0:38:11 | |
where you plant two feet onto the door. | 0:38:11 | 0:38:14 | |
But I committed to this recently in a petrol station | 0:38:14 | 0:38:17 | |
just outside of Bolton, and I'd fully committed, | 0:38:17 | 0:38:19 | |
but you have to be a master of your surroundings, | 0:38:19 | 0:38:21 | |
I didn't realise the door in question opened both ways! | 0:38:21 | 0:38:24 | |
LAUGHTER | 0:38:24 | 0:38:26 | |
This, like, hairy trucker ripped it off and literally thought | 0:38:26 | 0:38:29 | |
I was kind of presenting myself to him! | 0:38:29 | 0:38:32 | |
"Hello!" | 0:38:32 | 0:38:34 | |
Now, the lap. | 0:38:34 | 0:38:35 | |
I ought to explain, you did actually ditch the manual, didn't you, | 0:38:35 | 0:38:38 | |
for the lap and go to an automatic? | 0:38:38 | 0:38:40 | |
Yeah, I thought that was best cos I wanted to get all the way around it. | 0:38:40 | 0:38:43 | |
The only trouble with an automatic is you're not going to... | 0:38:43 | 0:38:45 | |
You'll probably not get very high up that anyway, so... Let's not worry too much about that. | 0:38:45 | 0:38:49 | |
Who here would like to see the result of your driving lesson? | 0:38:49 | 0:38:53 | |
-AUDIENCE: Yeah! -Here we go. -Oh, dear. | 0:38:53 | 0:38:56 | |
Flying solo for the first time. | 0:38:59 | 0:39:02 | |
Come on, Jack. You are a king of speed! | 0:39:02 | 0:39:05 | |
-We shall see, you look a bit frightened. -I was very frightened. | 0:39:05 | 0:39:09 | |
-You've steered round that one. -It sounds awful. | 0:39:11 | 0:39:15 | |
Oh, good God! And off. | 0:39:15 | 0:39:17 | |
-That counts though, doesn't it? -Yes, yes, yes, you're still... | 0:39:17 | 0:39:20 | |
-To be honest, a lot of what The Stig says is -BLEEP! | 0:39:20 | 0:39:23 | |
It's really just about... Oh! | 0:39:23 | 0:39:26 | |
JEREMY LAUGHS | 0:39:26 | 0:39:27 | |
I guess we'll never know, as we do Chicago, | 0:39:27 | 0:39:30 | |
heading down to the Hammerhead. Where are you going? | 0:39:30 | 0:39:33 | |
-That's completely the wrong... -Oh, I feel so sick. | 0:39:33 | 0:39:37 | |
-You made yourself sick! -I made myself sick. | 0:39:38 | 0:39:41 | |
And here we go, round the Hammerhead... Whoops! | 0:39:42 | 0:39:45 | |
-That was quite good. -Not really... Ooh! | 0:39:45 | 0:39:49 | |
The big circular thing is necessary there in front of you. | 0:39:49 | 0:39:52 | |
Is it low on petrol? | 0:39:52 | 0:39:54 | |
Cos it kept beeping. | 0:39:54 | 0:39:55 | |
Right, so, it was beeping at you? | 0:39:57 | 0:40:00 | |
Don't go off there! Tyres. | 0:40:00 | 0:40:02 | |
This one was good. | 0:40:02 | 0:40:03 | |
Oh, braking there! | 0:40:03 | 0:40:05 | |
That's ballsy because that can upset the rear end | 0:40:05 | 0:40:07 | |
in a front-wheel-drive car | 0:40:07 | 0:40:08 | |
and I may be talking French as far as you're concerned there. | 0:40:08 | 0:40:11 | |
Only Gambon to go and can you do it? | 0:40:11 | 0:40:16 | |
Oh, wait a minute, yes, nearly, you can! Across the line! | 0:40:16 | 0:40:20 | |
CHEERING | 0:40:20 | 0:40:22 | |
I got there. | 0:40:22 | 0:40:24 | |
So, how fast do you think you did it? | 0:40:27 | 0:40:31 | |
-Where do you think you came on the board? -Oh, I don't know. | 0:40:31 | 0:40:36 | |
In between Hiddleston and Bonneville? | 0:40:36 | 0:40:39 | |
You're hoping to get between Tom and Hugh? Around about the 1.50 mark? | 0:40:39 | 0:40:43 | |
Yeah. | 0:40:43 | 0:40:44 | |
You did it, Jack Whitehall... You're leaning forward like a pro... | 0:40:44 | 0:40:48 | |
-One minute... -One minute, that's good. | 0:40:48 | 0:40:51 | |
..50... | 0:40:51 | 0:40:52 | |
There's no kind way of saying this. | 0:40:54 | 0:40:56 | |
-..4.5. -AUDIENCE GROANS | 0:40:59 | 0:41:02 | |
AUDIENCE: Aw! | 0:41:02 | 0:41:03 | |
It's all right, you know... | 0:41:03 | 0:41:06 | |
Getting in the car for me was a victory in itself. | 0:41:06 | 0:41:09 | |
Do you want to move it further down? | 0:41:09 | 0:41:11 | |
I feel like I'm sullying that person by being there. | 0:41:11 | 0:41:16 | |
But that, I mean... | 0:41:16 | 0:41:18 | |
Maybe I could come back after I've actually learnt to drive | 0:41:18 | 0:41:21 | |
and I would get a competitive time. | 0:41:21 | 0:41:23 | |
I'd like to have you back because it's been bloody good fun having you. | 0:41:23 | 0:41:26 | |
Ladies and gentlemen, Jack Whitehall! | 0:41:26 | 0:41:28 | |
CHEERING AND APPLAUSE | 0:41:28 | 0:41:31 | |
Now... If you want a car that's fast, you're spoiled for choice. | 0:41:37 | 0:41:44 | |
Same story if you want a car that's economical or cheap, | 0:41:44 | 0:41:47 | |
or has a big boot, but what if you're a massive showoff and your main | 0:41:47 | 0:41:51 | |
requirement is for a car that makes you stand out in your hometown? | 0:41:51 | 0:41:55 | |
Well, that can be a lot trickier | 0:41:55 | 0:41:57 | |
depending upon the town where you live, as I shall now demonstrate. | 0:41:57 | 0:42:02 | |
Welcome to the United Arab Emirates, where, as you can see, | 0:42:12 | 0:42:17 | |
it takes quite a lot to stand out on the car front. | 0:42:17 | 0:42:20 | |
Out here, your common or garden Ferrari or Lamborghini | 0:42:24 | 0:42:28 | |
can no longer cut the mustard. | 0:42:28 | 0:42:30 | |
So what do you do if you want to turn heads? | 0:42:30 | 0:42:34 | |
Well, I think I may have the answer. | 0:42:34 | 0:42:37 | |
ENGINE REVS | 0:42:37 | 0:42:39 | |
You see, everyone thinks about blinging their wheels, | 0:42:41 | 0:42:44 | |
but nobody ever thinks of adding MORE wheels. | 0:42:44 | 0:42:48 | |
This is the new six-wheeled version of Mercedes' iconic G-Wagen. | 0:42:53 | 0:42:59 | |
And beside the extra wheels, it also ticks the rarity box | 0:43:00 | 0:43:04 | |
because it's one of only two in existence. | 0:43:04 | 0:43:08 | |
More will be built, though I suspect not many | 0:43:08 | 0:43:12 | |
when you consider the price, which is a trouser-troubling £370,000. | 0:43:12 | 0:43:19 | |
The six-wheel G-Class was originally built for the Australian Army, | 0:43:22 | 0:43:26 | |
who demanded standard equipment like seats and doors. | 0:43:26 | 0:43:31 | |
In this civilian version, however, you get heated | 0:43:31 | 0:43:35 | |
and ventilated electric leather chairs, | 0:43:35 | 0:43:38 | |
a leather-trimmed dashboard | 0:43:38 | 0:43:40 | |
and a bamboo-lined cargo bay. | 0:43:40 | 0:43:43 | |
You really do get a lot of car for your money, as in A LOT OF CAR. | 0:43:43 | 0:43:48 | |
I mean, look at it. | 0:43:48 | 0:43:50 | |
It's nearly a metre longer than a Range Rover | 0:43:50 | 0:43:53 | |
and it's got 37-inch wheels. | 0:43:53 | 0:43:55 | |
I reckon I could get my head in the gap between the wheel | 0:43:55 | 0:43:57 | |
and the wheel arch. | 0:43:57 | 0:43:59 | |
Yeah, I can. Try doing that in a Range Rover. | 0:44:01 | 0:44:04 | |
ENGINE REVS | 0:44:04 | 0:44:07 | |
The six-by-six also weighs three-and-three-quarter tonnes | 0:44:12 | 0:44:17 | |
or the same as three VW Golfs. | 0:44:17 | 0:44:19 | |
So, engine-wise, it can't afford to mess about. | 0:44:19 | 0:44:24 | |
It's actually got a 5.5 litre, 536-horsepower twin-turbo V8 | 0:44:24 | 0:44:30 | |
from Mercedes' in-house nutterists, AMG. | 0:44:30 | 0:44:33 | |
Oh, we're getting a move on! | 0:44:37 | 0:44:38 | |
560 pound-feet of torque. | 0:44:40 | 0:44:43 | |
0-60 in under six seconds. | 0:44:44 | 0:44:46 | |
That's sports car stuff in something the size of a shopping centre. | 0:44:50 | 0:44:54 | |
Fuel economy? Well, I doubt this will be the official transport | 0:44:55 | 0:44:58 | |
to the next Greenpeace annual conference. | 0:44:58 | 0:45:01 | |
All I'll say is they thought it best to fit two fuel tanks. | 0:45:02 | 0:45:06 | |
You change over using this switch up here. | 0:45:06 | 0:45:09 | |
And everybody loves an overhead switch. | 0:45:09 | 0:45:11 | |
If I drove this down Ross-on-Wye high street, | 0:45:12 | 0:45:15 | |
I would be lord of all I survey. | 0:45:15 | 0:45:17 | |
The undisputed king of Herefordshire. | 0:45:18 | 0:45:21 | |
Never mind Herefordshire, this thing attracts attention even around here. | 0:45:21 | 0:45:27 | |
SIREN WAILS | 0:45:27 | 0:45:29 | |
Seriously? | 0:45:29 | 0:45:31 | |
Really? | 0:45:32 | 0:45:34 | |
'Yeah, he's serious. | 0:45:34 | 0:45:35 | |
'As it turned out, | 0:45:35 | 0:45:37 | |
'the policeman had never seen such an unusual car before...' | 0:45:37 | 0:45:41 | |
There's six wheels. I guess it's the same on the other side. | 0:45:41 | 0:45:45 | |
'..and was on his way again after he'd had a look.' | 0:45:45 | 0:45:48 | |
Bye! | 0:45:48 | 0:45:49 | |
Lamborghini Aventador police car. They don't have those in Ross-on-Wye. | 0:45:50 | 0:45:54 | |
Or these... | 0:45:56 | 0:45:57 | |
Ferrari FF. | 0:45:58 | 0:46:00 | |
That's an S... MG. | 0:46:01 | 0:46:04 | |
What a funny day. | 0:46:04 | 0:46:05 | |
Now, although the six-by-six is seriously quick on tarmac and turns | 0:46:09 | 0:46:15 | |
policemen's heads, where it's really built to shine is as an off-roader. | 0:46:15 | 0:46:20 | |
Let me give you an example. | 0:46:21 | 0:46:23 | |
A Land Rover Defender can wade through half a metre of water | 0:46:23 | 0:46:27 | |
and that's very good. | 0:46:27 | 0:46:29 | |
This can wade through twice that. | 0:46:29 | 0:46:32 | |
However, this being the desert, water is quite hard to find, | 0:46:32 | 0:46:38 | |
so if you want to test it, you do have to improvise. | 0:46:38 | 0:46:42 | |
Morning, sorry. | 0:46:55 | 0:46:57 | |
Sorry. This is, unless I'm very much mistaken, a metre of water. | 0:46:59 | 0:47:05 | |
And the six-by-six is... wading through it. | 0:47:05 | 0:47:09 | |
Even dealing with the rubber rings. | 0:47:10 | 0:47:12 | |
Yeah, not having any difficulties with this at all. | 0:47:13 | 0:47:17 | |
But how does it cope with sand? | 0:47:17 | 0:47:20 | |
Well, the good news is, sand is one thing we're really not short of. | 0:47:20 | 0:47:24 | |
Welcome to the Empty Quarter. | 0:47:28 | 0:47:30 | |
The largest sand desert in the world. | 0:47:33 | 0:47:36 | |
Covering some 250,000 square miles. | 0:47:36 | 0:47:40 | |
Out here, temperatures hit 50 degrees centigrade | 0:47:41 | 0:47:45 | |
and there are dunes more than 800ft high. | 0:47:45 | 0:47:49 | |
OK, we have six-wheel drive | 0:47:59 | 0:48:02 | |
with the power split 30-40-30 across the axles... check. | 0:48:02 | 0:48:06 | |
Stronger front springs from the armoured version of the G-Class... | 0:48:06 | 0:48:09 | |
check. | 0:48:09 | 0:48:11 | |
Locking diffs - oh, we've got those. | 0:48:11 | 0:48:13 | |
The most you'd expect normally would be three. On here, five! | 0:48:13 | 0:48:17 | |
And you lock them using these buttons in different ways. | 0:48:17 | 0:48:21 | |
Right, let's go. | 0:48:21 | 0:48:22 | |
These are big, big dunes. | 0:48:30 | 0:48:31 | |
This is more of a sand mountain I'm on right now. | 0:48:31 | 0:48:34 | |
Oh! Three-and-three-quarter tonnes of Mercedes | 0:48:41 | 0:48:45 | |
is doing this, it just doesn't feel right! | 0:48:45 | 0:48:49 | |
HE CACKLES | 0:48:50 | 0:48:51 | |
This extra axle and these two extra wheels, it changes the way the | 0:48:58 | 0:49:03 | |
six-by-six travels over the ground, it undulates, it feels supple. | 0:49:03 | 0:49:07 | |
It's like blasting through the desert dunes... | 0:49:09 | 0:49:12 | |
..riding a sinew. | 0:49:13 | 0:49:15 | |
HE LAUGHS | 0:49:17 | 0:49:18 | |
Come on! | 0:49:18 | 0:49:20 | |
O-o-o-oh! | 0:49:20 | 0:49:22 | |
-No! -BLEEP! | 0:49:25 | 0:49:27 | |
I got some air. Sorry, everybody. | 0:49:28 | 0:49:31 | |
'Intoxicated by what the Merc could do, | 0:49:34 | 0:49:37 | |
'I drove deeper and deeper into the Empty Quarter.' | 0:49:37 | 0:49:41 | |
Right, where's it go now? | 0:49:41 | 0:49:43 | |
Cos... Oh, my God! Oh! | 0:49:44 | 0:49:47 | |
Oh, for crying out loud! | 0:49:56 | 0:49:58 | |
I wouldn't ski down that! | 0:50:00 | 0:50:02 | |
OK. | 0:50:05 | 0:50:07 | |
Whoa-oh-oh-aah! | 0:50:10 | 0:50:13 | |
Over the top, over the top... Oh! Oh, very unpleasant, not nice! | 0:50:13 | 0:50:18 | |
HE YELLS | 0:50:19 | 0:50:21 | |
It's vertical! | 0:50:21 | 0:50:22 | |
I'm in a car, I'm having a plane crash! | 0:50:25 | 0:50:27 | |
I'm still going down! | 0:50:29 | 0:50:31 | |
Oh, what a stupid place, I hate it! | 0:50:36 | 0:50:39 | |
Ahead, I saw a nice, flat desert floor | 0:50:41 | 0:50:44 | |
'and decided that was a much safer place to be.' | 0:50:44 | 0:50:47 | |
HE LAUGHS | 0:50:52 | 0:50:53 | |
It's drifting! | 0:50:53 | 0:50:55 | |
Now it's a rally car, a gigantic rally car. | 0:50:55 | 0:50:58 | |
And let's not forget, I'm not having to shout over this, | 0:51:04 | 0:51:07 | |
it's not "Raaargh!" in here. | 0:51:07 | 0:51:09 | |
I'm still cocooned in luxury. | 0:51:09 | 0:51:11 | |
It's an amazing device. | 0:51:13 | 0:51:15 | |
Now, when you take an off-roader across sand, | 0:51:19 | 0:51:23 | |
the standard practice, as I've done, | 0:51:23 | 0:51:26 | |
is to let some air out of the tyres to give them a bigger footprint. | 0:51:26 | 0:51:31 | |
Now I'm going back on tarmac, so I need to reinflate them. | 0:51:31 | 0:51:34 | |
All I've got to do is operate these overhead switches. | 0:51:34 | 0:51:38 | |
I feel like a jet pilot. | 0:51:38 | 0:51:40 | |
Compressor on. | 0:51:40 | 0:51:42 | |
Going up. | 0:51:42 | 0:51:43 | |
And they can reinflate ALL of these tyres in under a minute. | 0:51:45 | 0:51:50 | |
Oh, I love this. | 0:51:50 | 0:51:51 | |
If I did this in Ledbury I'd be mobbed by now. | 0:51:52 | 0:51:55 | |
Leaving the Empty Quarter behind, I headed back towards civilisation. | 0:51:58 | 0:52:03 | |
I'm not going to pretend this is anything less than | 0:52:06 | 0:52:09 | |
a preposterous machine. | 0:52:09 | 0:52:12 | |
It's a six-metre, | 0:52:12 | 0:52:14 | |
three-and-three-quarter tonne, £370,000, six-wheeled dinosaur, | 0:52:14 | 0:52:19 | |
but as dinosaurs go, it is a magnificent one. | 0:52:19 | 0:52:23 | |
Magnificent to behold, magnificently made, | 0:52:23 | 0:52:27 | |
it's one of the car world's mad moments. | 0:52:27 | 0:52:29 | |
A day off from Priuses and Leafs. | 0:52:29 | 0:52:32 | |
And even in a country as chock-full of showy-offy cars as this one, | 0:52:34 | 0:52:39 | |
it's still really rather special. | 0:52:39 | 0:52:42 | |
You can forget your chrome wraps and whatever, | 0:52:43 | 0:52:46 | |
I don't think you can beat | 0:52:46 | 0:52:48 | |
just having more wheels than anything else, | 0:52:48 | 0:52:51 | |
and I can say with absolute confidence | 0:52:51 | 0:52:53 | |
that I have more wheels than any other... Oh. | 0:52:53 | 0:52:57 | |
No matter, one thing I can say for sure is that this is | 0:53:03 | 0:53:07 | |
the most extreme Mercedes out here. | 0:53:07 | 0:53:10 | |
I doubt there's anything with a Mercedes badge in these parts | 0:53:10 | 0:53:13 | |
that can draw as much attention... as that. | 0:53:13 | 0:53:17 | |
All right, so I don't have the most wheels, | 0:53:23 | 0:53:26 | |
it's not the most extreme Mercedes out here, | 0:53:26 | 0:53:29 | |
but the six-by-six does have size on its side. | 0:53:29 | 0:53:33 | |
Bigger than any Range Rover, bigger than any Land Cruiser, | 0:53:33 | 0:53:36 | |
bigger than that old Jeep up there and that's the thing - | 0:53:36 | 0:53:40 | |
a car can be beautiful but when it's big, | 0:53:40 | 0:53:42 | |
it's got presence and they don't come much bigger than... | 0:53:42 | 0:53:45 | |
Oh... my... God... | 0:53:47 | 0:53:52 | |
I want this one. | 0:54:11 | 0:54:13 | |
CHEERING AND APPLAUSE | 0:54:17 | 0:54:20 | |
Brilliant. | 0:54:20 | 0:54:21 | |
Embarrassingly, whilst there, | 0:54:21 | 0:54:23 | |
I ran the Merc out of petrol | 0:54:23 | 0:54:25 | |
-in the place where they actually grow the stuff. -Really? | 0:54:25 | 0:54:28 | |
-It was awful, I felt an idiot. -Never mind that, | 0:54:28 | 0:54:31 | |
can we just look at that picture of you at the end? | 0:54:31 | 0:54:33 | |
LAUGHTER | 0:54:33 | 0:54:34 | |
You do look like something out of The Borrowers, | 0:54:34 | 0:54:37 | |
-to be brutally honest. -But I have to say that Jeep is incredible. | 0:54:37 | 0:54:40 | |
Sadly, it was broken the day I was there, but it does actually move. | 0:54:40 | 0:54:44 | |
And I'd like to see that one day, but now it is time for me | 0:54:44 | 0:54:47 | |
-to demonstrate that cars are better than motorbikes. -Oh, no. | 0:54:47 | 0:54:51 | |
-Hang on. Jeremy, we've only got a few minutes. -Yes, yes, listen. | 0:54:51 | 0:54:55 | |
Come over here, because what we have here is a table laid for two, OK? | 0:54:55 | 0:54:59 | |
And I'm going to remove this tablecloth without knocking | 0:54:59 | 0:55:02 | |
-anything over. -Where are you going with this? | 0:55:02 | 0:55:05 | |
Everybody, stand back behind me, | 0:55:05 | 0:55:06 | |
-because you need to be... quick to do this. -Well... | 0:55:06 | 0:55:10 | |
CHEERING | 0:55:12 | 0:55:14 | |
Well, yeah. Oh, well done. | 0:55:14 | 0:55:17 | |
That's really cleared that up for us(!) | 0:55:17 | 0:55:20 | |
Bikes are faster than a table! Or something. | 0:55:20 | 0:55:23 | |
What's that got to do with anything? | 0:55:23 | 0:55:25 | |
It went rather well, better than I'd expected, if I'm honest! | 0:55:25 | 0:55:29 | |
Anyway, the thing is, BMW once did that trick with a much larger table, | 0:55:29 | 0:55:34 | |
as I shall now demonstrate with this bit of film. | 0:55:34 | 0:55:38 | |
ENGINE REVS | 0:55:53 | 0:55:55 | |
CHEERING | 0:55:58 | 0:56:00 | |
-Well, that is tremendous, it's amazing. -Well done, the motorbike. | 0:56:00 | 0:56:04 | |
Yeah. | 0:56:04 | 0:56:05 | |
But what I'm going to do now is that exact same thing only with a car. | 0:56:05 | 0:56:10 | |
You are aware, aren't you, that a Superbike accelerates very fast? | 0:56:10 | 0:56:14 | |
Yes, Hammond, from say 10-150, but to do that you need | 0:56:14 | 0:56:18 | |
the instant acceleration, it's 0-10 that matters. | 0:56:18 | 0:56:21 | |
That is a very good point | 0:56:21 | 0:56:23 | |
because it's very difficult to get a bike off the line. | 0:56:23 | 0:56:26 | |
Right, I'll admit, it usually spins the wheel or it flips over backwards. | 0:56:26 | 0:56:29 | |
You see, cars don't flip over backwards, | 0:56:29 | 0:56:31 | |
it's one of the many reasons why they're better. | 0:56:31 | 0:56:33 | |
-And the car I've selected is this one. -A Datsun? | 0:56:33 | 0:56:36 | |
A Nissan GT-R. | 0:56:36 | 0:56:37 | |
No, I approve of your choice of car, actually, I have to say. | 0:56:37 | 0:56:41 | |
Yeah, cos May and I were playing with one of these the other day | 0:56:41 | 0:56:44 | |
and the way it sets off is simply unbelievable. | 0:56:44 | 0:56:47 | |
I mean, it really is, | 0:56:47 | 0:56:49 | |
there's no car I've ever driven that goes from 0-10 faster. | 0:56:49 | 0:56:51 | |
It's got four-wheel drive and an amazing launch control system. | 0:56:51 | 0:56:54 | |
So you put your foot hard down on the accelerator, hard on the | 0:56:54 | 0:56:57 | |
brake, take your foot off the brake, computer does everything | 0:56:57 | 0:57:00 | |
-and you set off. -OK, and this is the table, yeah? -Yes, it is. | 0:57:00 | 0:57:04 | |
So let's get this straight. | 0:57:04 | 0:57:05 | |
-You are going to pull this tablecloth off this, what, 18ft table? -Yes. | 0:57:05 | 0:57:10 | |
-Using this Datsun? -Listen... -Without breaking anything? | 0:57:10 | 0:57:13 | |
-Without knocking a single thing over. -Really? -Yes. | 0:57:13 | 0:57:16 | |
The words "stand" and "back" spring to mind. | 0:57:16 | 0:57:19 | |
Ye of little faith. | 0:57:19 | 0:57:20 | |
OK, I'm using the same length of rope that BMW did. | 0:57:20 | 0:57:24 | |
Same amount of slack that they did, | 0:57:24 | 0:57:26 | |
we're pulling from the same place that they did. | 0:57:26 | 0:57:29 | |
Everything is... What? | 0:57:29 | 0:57:31 | |
-Have you actually measured this out? -A bit. | 0:57:31 | 0:57:33 | |
You've got to go 18ft to get the tablecloth off the table, | 0:57:33 | 0:57:36 | |
-plus the length of that bit off the end... -Yes. | 0:57:36 | 0:57:39 | |
..plus you got to account for the amount of rope | 0:57:39 | 0:57:41 | |
and you've got to stop before you hit the other side of the studio. | 0:57:41 | 0:57:44 | |
-No, I haven't. -You have. -I haven't, because I'm not going to drive it. | 0:57:44 | 0:57:48 | |
He is. | 0:57:48 | 0:57:49 | |
Ladies and gentlemen, The Stig has come among us. | 0:57:49 | 0:57:52 | |
CHEERING | 0:57:52 | 0:57:53 | |
Very rarely in the studio. | 0:57:53 | 0:57:56 | |
-Hold on a minute. -Very rarely... | 0:57:56 | 0:57:57 | |
-Hold on a minute. -Yes, what? | 0:57:57 | 0:58:00 | |
So you are saying he is going to drive across our darkened studio, | 0:58:00 | 0:58:03 | |
peering through his darkened visor? | 0:58:03 | 0:58:06 | |
-Yes. -Is this how this Stig dies? | 0:58:06 | 0:58:08 | |
LAUGHTER | 0:58:08 | 0:58:10 | |
Has he done a book? | 0:58:10 | 0:58:11 | |
No, he hasn't. Right, is he ready? | 0:58:11 | 0:58:13 | |
Are you ready? | 0:58:13 | 0:58:15 | |
LAUGHTER | 0:58:16 | 0:58:18 | |
-Everybody here ready? -AUDIENCE: -Yes! | 0:58:18 | 0:58:22 | |
Oh, God! | 0:58:22 | 0:58:23 | |
We have no idea how it's going to work out, | 0:58:23 | 0:58:25 | |
but I have hope in my heart. | 0:58:25 | 0:58:27 | |
In three, two, one, go! | 0:58:27 | 0:58:31 | |
APPLAUSE | 0:58:33 | 0:58:35 | |
JAMES LAUGHS | 0:58:35 | 0:58:37 | |
-Well? -That was mostly incredibly successful. -How, in what way? | 0:58:41 | 0:58:47 | |
He didn't hit the wall, as we can see. | 0:58:47 | 0:58:49 | |
But everything else has hit the floor, it's smashed to bits! | 0:58:49 | 0:58:52 | |
Yes, but look! There's a whole cup and saucer, not damaged. | 0:58:52 | 0:58:56 | |
-It didn't work. -It didn't... It is most odd actually. | 0:58:56 | 0:59:00 | |
Can we see a replay of that, maybe work out what went wrong. | 0:59:00 | 0:59:04 | |
-Oh, there's the problem. -What? -He's doing it too slowly. | 0:59:06 | 0:59:09 | |
No, that's in slow motion, you idiot. | 0:59:09 | 0:59:11 | |
Well, if he hadn't have done it in slow motion, it would have worked! | 0:59:11 | 0:59:13 | |
-For crying out loud! -But now look! -It's a disaster. -It's a bombshell. | 0:59:13 | 0:59:17 | |
-And that means we can end. -Yes. -Mm. | 0:59:17 | 0:59:20 | |
Thank you ever so much for watching, we'll see you next week. | 0:59:20 | 0:59:23 | |
Take care, good night. | 0:59:23 | 0:59:25 | |
CHEERING AND APPLAUSE | 0:59:25 | 0:59:28 |