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It was a show that went out three nights a week live. | 0:00:02 | 0:00:04 | |
Mr Wogan, you're on, you're on. | 0:00:04 | 0:00:05 | |
With a live audience and everyone who is anyone dropping in. | 0:00:05 | 0:00:09 | |
The great and the good, the bad and the ugly. They called it Wogan. | 0:00:09 | 0:00:14 | |
Ha, I never knew why. | 0:00:14 | 0:00:15 | |
So, if you're sitting comfortably, | 0:00:15 | 0:00:18 | |
I'll show you something I made earlier. | 0:00:18 | 0:00:20 | |
God knows what they'll think of us in 25 years' time. | 0:00:20 | 0:00:23 | |
Gosh, it's you again. | 0:00:35 | 0:00:36 | |
Welcome to a show bursting with best bits | 0:00:36 | 0:00:39 | |
from the Wogan back catalogue. | 0:00:39 | 0:00:42 | |
It's an eclectic mix we have for you today, | 0:00:42 | 0:00:44 | |
but I think your interest will be piqued because the line-up includes | 0:00:44 | 0:00:48 | |
Margaret Thatcher, Naomi Campbell, | 0:00:48 | 0:00:51 | |
Vanessa-Mae and Paul Gascoigne. | 0:00:51 | 0:00:54 | |
Why don't we make a start with a rare interview with royalty? | 0:00:55 | 0:01:00 | |
I rarely get the chance. | 0:01:00 | 0:01:01 | |
And when Princess Anne came onto the Wogan show in 1985, | 0:01:01 | 0:01:05 | |
it gave the public an opportunity to see her outside official engagements | 0:01:05 | 0:01:09 | |
and a chance to find out what Her Royal Highness was really like. | 0:01:09 | 0:01:14 | |
And the consensus afterwards was... | 0:01:14 | 0:01:17 | |
most people really liked her. | 0:01:17 | 0:01:18 | |
I certainly did. | 0:01:19 | 0:01:20 | |
Are you conscious of the fact that - what is called | 0:01:20 | 0:01:23 | |
in this business your image - | 0:01:23 | 0:01:25 | |
has improved over the past few years? | 0:01:25 | 0:01:28 | |
Mm. | 0:01:30 | 0:01:31 | |
LAUGHTER You're telling me? Erm... | 0:01:31 | 0:01:33 | |
Yes, I tend to wonder... | 0:01:35 | 0:01:38 | |
I like to ask people what they were expecting | 0:01:40 | 0:01:44 | |
before they met me | 0:01:44 | 0:01:46 | |
and then I find out what my image was, you see. | 0:01:46 | 0:01:48 | |
-What do they say when you ask them that? -I'm just about ask YOU that. | 0:01:48 | 0:01:51 | |
LAUGHTER | 0:01:51 | 0:01:53 | |
APPLAUSE | 0:01:53 | 0:01:55 | |
Well, you see, the problem is, ma'am, | 0:02:01 | 0:02:02 | |
that if I tell you that you will blush in all modesty. | 0:02:02 | 0:02:05 | |
LAUGHTER | 0:02:05 | 0:02:07 | |
Oh. | 0:02:07 | 0:02:09 | |
Well, forget it. | 0:02:09 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:12 | |
My goodness, I just scraped out of that one. | 0:02:12 | 0:02:15 | |
LAUGHTER | 0:02:15 | 0:02:16 | |
All public figures are security risks, | 0:02:16 | 0:02:18 | |
to what extent is your private life hampered... | 0:02:18 | 0:02:22 | |
by security? | 0:02:22 | 0:02:24 | |
Nowadays, not, really. | 0:02:26 | 0:02:28 | |
Because living in Gloucestershire and on a farm | 0:02:31 | 0:02:34 | |
is really quite off the beaten track | 0:02:34 | 0:02:37 | |
and out of the public view. It's really not too difficult. | 0:02:37 | 0:02:41 | |
You're at home and not very much in evidence. | 0:02:41 | 0:02:45 | |
Erm... | 0:02:45 | 0:02:47 | |
In public on your official engagements, of course, | 0:02:47 | 0:02:50 | |
it's an occupational hazard and I think while busy and while | 0:02:50 | 0:02:55 | |
you're actually going about talking to people you don't really notice. | 0:02:55 | 0:02:59 | |
That's not to say that other people, of course, don't notice | 0:02:59 | 0:03:01 | |
because it tends to be rather more obvious from the outside | 0:03:01 | 0:03:05 | |
than it is from where you are. | 0:03:05 | 0:03:07 | |
Do you and Captain Phillips ever get a chance to go out on your own, | 0:03:07 | 0:03:10 | |
say, for a quiet meal? | 0:03:10 | 0:03:11 | |
Yes, again, because in the area... Being a sort of reasonably quiet, | 0:03:13 | 0:03:18 | |
rural area, that's not really very difficult. | 0:03:18 | 0:03:20 | |
We've actually got one or two decent restaurants. | 0:03:20 | 0:03:22 | |
I'm not going to tell you what they are! | 0:03:22 | 0:03:24 | |
LAUGHTER | 0:03:24 | 0:03:26 | |
I and the family would be down there next Sunday. | 0:03:26 | 0:03:28 | |
LAUGHTER | 0:03:28 | 0:03:29 | |
Well, you must know the area because in Cheltenham... | 0:03:29 | 0:03:32 | |
-You go to Cheltenham occasionally, don't you? -Yes, I do. | 0:03:32 | 0:03:34 | |
To support the Irish and we needed a bit of support this year. | 0:03:34 | 0:03:37 | |
You did, didn't you? Yes. | 0:03:37 | 0:03:39 | |
-Did you have any bets yourself? -No. I give that up a long time ago. | 0:03:39 | 0:03:43 | |
LAUGHTER | 0:03:43 | 0:03:45 | |
When I was about 12. | 0:03:45 | 0:03:47 | |
LAUGHTER | 0:03:47 | 0:03:48 | |
-Lost all your pocket money. -Yes. | 0:03:50 | 0:03:53 | |
To my nanny. | 0:03:53 | 0:03:54 | |
LAUGHTER | 0:03:54 | 0:03:57 | |
What would you say was the... Do you enjoy going to formal functions? | 0:03:58 | 0:04:02 | |
I mean, you have to keep that smile on all the time and... | 0:04:03 | 0:04:06 | |
be nice to everybody. | 0:04:06 | 0:04:09 | |
Well, you're nice to most of your guests, aren't you, really? | 0:04:09 | 0:04:12 | |
And you manage to smile at them | 0:04:12 | 0:04:14 | |
and sort of keep up with them intelligently. | 0:04:14 | 0:04:17 | |
Yes, but only for about 40 minutes. | 0:04:17 | 0:04:19 | |
You've got to do it for hours on end. | 0:04:19 | 0:04:21 | |
I don't have to speak to the same person for 40 minutes. | 0:04:21 | 0:04:25 | |
I mean, everybody's different. | 0:04:25 | 0:04:27 | |
I mean, you seldom meet the same person twice. | 0:04:27 | 0:04:31 | |
But the thing that always strikes me as a formidable task is | 0:04:31 | 0:04:36 | |
the endless reviewing lines that you have to go to, say, | 0:04:36 | 0:04:38 | |
at a Royal premiere or at a Bafta Award. | 0:04:38 | 0:04:41 | |
How can you think of something new to say | 0:04:41 | 0:04:44 | |
to each one that you come up to? | 0:04:44 | 0:04:46 | |
Apart from, "I loved the movie" and... | 0:04:46 | 0:04:48 | |
Well, except for they usually introduce you | 0:04:48 | 0:04:50 | |
before you've seen the movie which is always a bit of a hazard. | 0:04:50 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:55 | |
"I loved your last movie." | 0:04:55 | 0:04:57 | |
It's like when you're opening something you haven't even | 0:04:57 | 0:04:59 | |
seen which happens quite a lot. | 0:04:59 | 0:05:01 | |
What do you do under those circumstances - | 0:05:01 | 0:05:03 | |
when you open something you haven't seen? | 0:05:03 | 0:05:05 | |
I'm very short about it. I don't say a lot. | 0:05:05 | 0:05:08 | |
I say, "I'm very much looking forward to seeing whatever it is that | 0:05:08 | 0:05:11 | |
"I'm about to open." Or words to that effect. | 0:05:11 | 0:05:15 | |
But I frequently thank them for the opportunity of having seen it | 0:05:15 | 0:05:18 | |
before I open it if I'm allowed to do so. | 0:05:18 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:23 | |
Erm, it slightly depends. I mean, you can play it two ways. | 0:05:23 | 0:05:28 | |
You can ask everybody... It's rather like sort of market research. | 0:05:28 | 0:05:32 | |
You can ask everybody, literally everybody, the same questions... | 0:05:32 | 0:05:36 | |
Like you have three questions for that afternoon | 0:05:36 | 0:05:39 | |
and you ask everybody the same questions | 0:05:39 | 0:05:41 | |
and with any luck it shortens the time involved | 0:05:41 | 0:05:44 | |
because if the person standing next to the one you're talking to | 0:05:44 | 0:05:47 | |
is paying any attention, they'll have the answers ready for you. | 0:05:47 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:53 | |
What would you do if royalty was abolished? What...? | 0:05:53 | 0:05:58 | |
LAUGHTER | 0:05:58 | 0:06:00 | |
I'd have to work even harder on the farm, wouldn't I? | 0:06:00 | 0:06:03 | |
LAUGHTER | 0:06:03 | 0:06:05 | |
Is there anything you would really like to do? | 0:06:05 | 0:06:07 | |
Any career you would like to have pursued it you hadn't | 0:06:07 | 0:06:10 | |
been the royal princess? | 0:06:10 | 0:06:12 | |
I think it's rather difficult to tell now what career | 0:06:12 | 0:06:15 | |
I would really like to have pursued. | 0:06:15 | 0:06:17 | |
Didn't you qualify as a heavy goods vehicle driver? | 0:06:17 | 0:06:20 | |
LAUGHTER | 0:06:20 | 0:06:23 | |
Yes, out of necessity I qualified as a heavy goods vehicle driver. | 0:06:23 | 0:06:27 | |
I thought it might have been some urge to drive a great pantechnicon | 0:06:27 | 0:06:31 | |
down a motorway one day and roll over hedgehogs. | 0:06:31 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:36 | |
This is just yet another one of those bits of media mythology, isn't it? | 0:06:36 | 0:06:41 | |
I was actually asked if there was anything I could do if, | 0:06:41 | 0:06:46 | |
as you mentioned, the royal family was abolished. | 0:06:46 | 0:06:49 | |
And, just like that, I mean, | 0:06:49 | 0:06:51 | |
on the basis that one didn't have a farm to work on or there was no other | 0:06:51 | 0:06:55 | |
alternative, both my husband and I have heavy goods vehicle licences. | 0:06:55 | 0:07:01 | |
Erm, he has an HGV 1 and I have an HGV 3. | 0:07:01 | 0:07:05 | |
So, in fact, it seemed like a very logical way of earning one's living. | 0:07:05 | 0:07:09 | |
And you could do it... There are, in fact... | 0:07:10 | 0:07:12 | |
There is quite a demand for good horsebox drivers... | 0:07:12 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:17 | |
..who know one end of a horse from another, you see. | 0:07:17 | 0:07:20 | |
And we thought we could probably crack that one between us. | 0:07:20 | 0:07:23 | |
LAUGHTER | 0:07:23 | 0:07:25 | |
So that would be the career? | 0:07:25 | 0:07:26 | |
-You think you could bend your hand to that? -Yes. | 0:07:26 | 0:07:29 | |
But you said what would I CHOOSE as a career, | 0:07:29 | 0:07:31 | |
-that wasn't the same thing at all. -No, that's true. A sneaky... | 0:07:31 | 0:07:34 | |
And if I get any more offers for, | 0:07:34 | 0:07:36 | |
"If you really want to come | 0:07:36 | 0:07:37 | |
"and drive a lorry, come up to the Co-op at wherever it is," or, | 0:07:37 | 0:07:41 | |
"I've got a spare lorry going you can try..." | 0:07:41 | 0:07:43 | |
I already do drive. | 0:07:43 | 0:07:45 | |
Quite often. | 0:07:46 | 0:07:48 | |
Your Royal Highness, thank you for joining us. | 0:07:49 | 0:07:52 | |
APPLAUSE | 0:07:52 | 0:07:55 | |
A musical moment now that was not just a treat but an honour for me. | 0:08:02 | 0:08:07 | |
How many can say they've sat next to the great Peggy Lee | 0:08:07 | 0:08:10 | |
as she sang one of her greatest songs, Fever? | 0:08:10 | 0:08:15 | |
# Never know how much I love you | 0:08:30 | 0:08:34 | |
# You never know how much I care | 0:08:34 | 0:08:37 | |
# When you put your arms around me | 0:08:37 | 0:08:40 | |
# I get a fever that's so hard to bear | 0:08:40 | 0:08:43 | |
# You give me fever | 0:08:43 | 0:08:46 | |
# When you kiss me | 0:08:46 | 0:08:48 | |
# Fever when you hold me tight | 0:08:48 | 0:08:51 | |
# Fever | 0:08:51 | 0:08:53 | |
# In the mornin' | 0:08:53 | 0:08:54 | |
# Fever all through the night | 0:08:54 | 0:08:57 | |
# They said when I met Terry Wogan | 0:08:58 | 0:09:01 | |
# You simply have to touch his knee | 0:09:01 | 0:09:05 | |
# I don't know what they meant by that | 0:09:05 | 0:09:08 | |
# But I think I'll have to try it and see | 0:09:08 | 0:09:11 | |
# You give me fever | 0:09:11 | 0:09:14 | |
# When you kiss me | 0:09:14 | 0:09:15 | |
# Fever when you hold me tight | 0:09:15 | 0:09:19 | |
# Fever | 0:09:19 | 0:09:20 | |
# In the mornin' | 0:09:20 | 0:09:22 | |
# Fever all through the night | 0:09:22 | 0:09:24 | |
# Everybody's got the fever | 0:09:26 | 0:09:29 | |
# That is somethin' you all know | 0:09:29 | 0:09:33 | |
# Fever isn't such a new thing | 0:09:33 | 0:09:36 | |
# Fever started long ago | 0:09:36 | 0:09:38 | |
# Ah-h-h | 0:09:40 | 0:09:42 | |
# Romeo loved Juliet | 0:09:47 | 0:09:49 | |
# Juliet, she felt the same | 0:09:49 | 0:09:53 | |
# When he put his arms around her | 0:09:53 | 0:09:56 | |
# He said Julie, baby, you're my flame | 0:09:56 | 0:09:58 | |
# Thou giveth fever with your kisses | 0:09:58 | 0:10:03 | |
# Fever with thy flaming youth | 0:10:03 | 0:10:05 | |
# Fever, I'm on fire | 0:10:06 | 0:10:10 | |
# Fever yea I burn forsooth | 0:10:10 | 0:10:13 | |
# Forsooth, I doth burn | 0:10:13 | 0:10:15 | |
# Captain Smith, Pocahontas | 0:10:20 | 0:10:23 | |
# Had a very mad affair | 0:10:23 | 0:10:26 | |
# When her daddy tried to kill him | 0:10:26 | 0:10:29 | |
# She said, Daddy, oh, don't you dare | 0:10:29 | 0:10:32 | |
# He gives me fever | 0:10:32 | 0:10:35 | |
# With his kisses | 0:10:35 | 0:10:37 | |
# Fever when he holds me tight | 0:10:37 | 0:10:40 | |
# Fever, I'm his missus | 0:10:40 | 0:10:41 | |
# Daddy, won't you treat him right? | 0:10:43 | 0:10:47 | |
# Ah-h-h-h | 0:10:47 | 0:10:51 | |
# Now you've listened to my story | 0:10:54 | 0:10:57 | |
# Here's the point that I have made | 0:10:57 | 0:11:00 | |
# Chicks were born to give you fever | 0:11:00 | 0:11:03 | |
# Be it Fahrenheit or centigrade | 0:11:03 | 0:11:06 | |
# They give you fever when you kiss them | 0:11:06 | 0:11:10 | |
# Fever when you touch their knee | 0:11:10 | 0:11:12 | |
# Fever, I'm on fire. # | 0:11:14 | 0:11:16 | |
SHE CHUCKLES | 0:11:16 | 0:11:18 | |
# You see | 0:11:18 | 0:11:21 | |
# And what a lovely way to burn | 0:11:22 | 0:11:26 | |
# What a lovely way to burn | 0:11:26 | 0:11:30 | |
# What a lovely way to burn. # | 0:11:30 | 0:11:33 | |
APPLAUSE | 0:11:35 | 0:11:40 | |
Now, getting up close and finding out what makes a person tick | 0:11:50 | 0:11:53 | |
is one of the great privileges of being a talk-show host. | 0:11:53 | 0:11:57 | |
Here's one example where I hope we learned a bit more about the person | 0:11:57 | 0:12:00 | |
than we would have done in, say, a hard-hitting political interview. | 0:12:00 | 0:12:05 | |
And I say political because this next guest | 0:12:05 | 0:12:08 | |
was the then Prime Minister, Margaret Thatcher. | 0:12:08 | 0:12:11 | |
APPLAUSE | 0:12:11 | 0:12:13 | |
You don't often get an audience as rowdy as that, I suppose. | 0:12:35 | 0:12:38 | |
Oh, very often in Prime Minister's Questions. | 0:12:38 | 0:12:41 | |
LAUGHTER | 0:12:41 | 0:12:43 | |
Yes, they're much rowdier than that at Prime Minister's Questions | 0:12:43 | 0:12:45 | |
-and probably not as well disposed. -Quite. | 0:12:45 | 0:12:48 | |
I was going to ask you about the performance in the House of Commons | 0:12:48 | 0:12:52 | |
or when you're meeting heads of state, are you ever apprehensive? | 0:12:52 | 0:12:55 | |
Are you ever nervous before you get up and speak? | 0:12:55 | 0:12:59 | |
Always. And you wouldn't speak well if you weren't. | 0:12:59 | 0:13:02 | |
I've been answering questions in the House every | 0:13:02 | 0:13:05 | |
Tuesday and Thursday for ten years when the House is in session. | 0:13:05 | 0:13:09 | |
I'm still just as nervous as I was at the beginning. | 0:13:09 | 0:13:12 | |
It requires immense preparation, | 0:13:12 | 0:13:15 | |
it usually takes me about four hours to prepare because | 0:13:15 | 0:13:18 | |
I've no idea what the questions are and I know everyone will like to ask | 0:13:18 | 0:13:22 | |
a topical one, so I have to go through the papers very carefully. | 0:13:22 | 0:13:27 | |
But the moment you've started, you forget about yourself completely. | 0:13:27 | 0:13:32 | |
You think only about the answers and then it's all right. | 0:13:32 | 0:13:35 | |
Do you ever look at yourself on television? | 0:13:35 | 0:13:38 | |
Do you ever analyse your performances? | 0:13:38 | 0:13:40 | |
No, I've only ever done so once, I can't bear seeing myself. | 0:13:40 | 0:13:44 | |
I think one would be most critical, | 0:13:44 | 0:13:47 | |
far more critical than anyone else. | 0:13:47 | 0:13:49 | |
But when we were going to have television in the House, | 0:13:49 | 0:13:51 | |
the cameras were in a completely different position from what | 0:13:51 | 0:13:54 | |
you'd expect normally, | 0:13:54 | 0:13:56 | |
so I did go and stand by the dispatch box and the cameras | 0:13:56 | 0:14:00 | |
very kindly took a film of how it would look | 0:14:00 | 0:14:02 | |
and that really was very useful. | 0:14:02 | 0:14:05 | |
But that was not live, it was a kind of private performance. | 0:14:05 | 0:14:08 | |
Otherwise the whole family knows | 0:14:08 | 0:14:11 | |
that if I'm in the news, I go immediately and turn off the news. | 0:14:11 | 0:14:16 | |
They turn it on, so I have to go out until it's over. | 0:14:16 | 0:14:20 | |
-You get embarrassed by yourself? -I would be very, very dissatisfied. | 0:14:20 | 0:14:24 | |
You never know what you yourself look like, you can't. | 0:14:24 | 0:14:27 | |
You never know what you yourself sound like | 0:14:27 | 0:14:30 | |
and I don't think you'd be... | 0:14:30 | 0:14:32 | |
You would think you look different | 0:14:32 | 0:14:34 | |
-and sounded different from you do. -Do you ever have any advice? | 0:14:34 | 0:14:38 | |
Do people come to you and say, "Prime Minister, | 0:14:38 | 0:14:40 | |
"you shouldn't have stood like that. | 0:14:40 | 0:14:42 | |
"Perhaps you shouldn't have worn that dress." | 0:14:42 | 0:14:45 | |
We don't have half as much of that | 0:14:45 | 0:14:47 | |
now as right at the beginning of television | 0:14:47 | 0:14:49 | |
when they told you there were all sorts of things that you mustn't do | 0:14:49 | 0:14:53 | |
but, really, if you've got to think about every single movement, | 0:14:53 | 0:14:55 | |
-you can't think about what you're going to say. -That's true. | 0:14:55 | 0:14:58 | |
And it's much more important to think what you're going to say. | 0:14:58 | 0:15:01 | |
So, really, in a way, you have to forget yourself. | 0:15:01 | 0:15:03 | |
Otherwise, you'll look stilted. | 0:15:03 | 0:15:06 | |
Now, you've been at Number Ten for ten years now, this is the 11th, and | 0:15:06 | 0:15:10 | |
you've seen your share of trouble and strife, and success, triumph. | 0:15:10 | 0:15:15 | |
What have been your worst moments? | 0:15:15 | 0:15:18 | |
Oh, the worst moment, undoubtedly, was | 0:15:18 | 0:15:21 | |
when the Argentinians invaded the Falkland Islands. | 0:15:21 | 0:15:25 | |
I will never forget it, | 0:15:25 | 0:15:26 | |
when the news came that their fleet was on the way | 0:15:26 | 0:15:29 | |
and we didn't know whether it was just an exercise | 0:15:29 | 0:15:33 | |
or whether they were going to invade. | 0:15:33 | 0:15:36 | |
They're 8,000 miles away. | 0:15:36 | 0:15:38 | |
And the question was, could we ever get them back if they landed? | 0:15:38 | 0:15:43 | |
Some advice said, "No, we can't. | 0:15:43 | 0:15:47 | |
"We can't get them back if they take them." | 0:15:47 | 0:15:50 | |
And you would think that it would have been impossible. | 0:15:51 | 0:15:55 | |
8,000 miles away. | 0:15:55 | 0:15:57 | |
Takes three weeks to get there. | 0:15:57 | 0:15:59 | |
Three weeks forewarning. You would have thought it was impossible. | 0:15:59 | 0:16:03 | |
But we had to do it. | 0:16:03 | 0:16:06 | |
Public opinion required it. | 0:16:06 | 0:16:08 | |
Someone had invaded British territory and the people were British. | 0:16:08 | 0:16:14 | |
They had been British, always, and the Argentinians hadn't lived there. | 0:16:14 | 0:16:19 | |
And I will not forget calling together the chiefs of staff | 0:16:20 | 0:16:26 | |
and then the Admiral coming in and saying, | 0:16:26 | 0:16:30 | |
"Within 48 hours, Prime Minister, I can dispatch a whole fleet, | 0:16:30 | 0:16:35 | |
"because we're always ready for NATO." | 0:16:35 | 0:16:38 | |
And within 48 hours, it was dispatched. | 0:16:38 | 0:16:41 | |
And then we had three weeks when we negotiated. And then we had to land. | 0:16:43 | 0:16:49 | |
And that was another terrible time. | 0:16:49 | 0:16:51 | |
And during the whole of that Falklands campaign, it was awful, | 0:16:51 | 0:16:55 | |
but, just before we landed I had another visit from Harold Macmillan. | 0:16:55 | 0:17:02 | |
He just came in to see me. | 0:17:02 | 0:17:05 | |
And he just said, "I am the senior of all the living prime ministers. | 0:17:05 | 0:17:10 | |
"I just want to offer you our full and total support." | 0:17:10 | 0:17:15 | |
"And maybe to give you a little advice." | 0:17:15 | 0:17:18 | |
Which was so very welcome. | 0:17:18 | 0:17:20 | |
He said, "Set up a small emergency committee of Cabinet, | 0:17:20 | 0:17:24 | |
"always with your chiefs of staff, not more than five." | 0:17:24 | 0:17:28 | |
"And", he said, "keep the Treasury out." | 0:17:28 | 0:17:31 | |
LAUGHTER | 0:17:31 | 0:17:32 | |
I thought that was very good advice because, really, it wasn't | 0:17:32 | 0:17:35 | |
a question of money. We had to recover those. | 0:17:35 | 0:17:37 | |
And we only had the bravery and professionalism | 0:17:37 | 0:17:40 | |
of our people to rely on. So, I set up that emergency committee | 0:17:40 | 0:17:43 | |
and we met every morning and every evening. | 0:17:43 | 0:17:46 | |
Is this a good rule for all government, keep the Treasury out? | 0:17:46 | 0:17:49 | |
No, no, no, it is only for emergencies because we have, | 0:17:49 | 0:17:52 | |
in fact, just like a household, just like a business, | 0:17:52 | 0:17:54 | |
we have to watch that we don't go and spend too much. | 0:17:54 | 0:17:57 | |
You seem never stuck for an answer. | 0:17:57 | 0:17:59 | |
Are you always certain of your ground? | 0:17:59 | 0:18:01 | |
Goodness me, they'd howl you down if you were stuck for an answer. | 0:18:01 | 0:18:05 | |
They learn a technique. | 0:18:05 | 0:18:06 | |
Some ask longer questions and put all sorts of things in at | 0:18:06 | 0:18:10 | |
the beginning which aren't right, and hope that you won't pick them up. | 0:18:10 | 0:18:13 | |
Others think, "If I get in a quickie, | 0:18:13 | 0:18:15 | |
"she won't have time to think of an answer." | 0:18:15 | 0:18:18 | |
So you have all sorts of techniques. | 0:18:18 | 0:18:20 | |
They don't seem to make any concessions to the fact | 0:18:20 | 0:18:24 | |
that you're a woman. | 0:18:24 | 0:18:25 | |
No, why should they? | 0:18:25 | 0:18:27 | |
And I don't make any concession to the fact that they are men! | 0:18:27 | 0:18:30 | |
LAUGHTER | 0:18:30 | 0:18:31 | |
APPLAUSE | 0:18:31 | 0:18:33 | |
Whether you like the image or not, you have the image of being | 0:18:36 | 0:18:40 | |
a dominating personality, which you have, a dominating personality. | 0:18:40 | 0:18:44 | |
And even domineering, in Cabinet. | 0:18:44 | 0:18:46 | |
-That you don't like people who argue with you. -No. | 0:18:46 | 0:18:50 | |
That's absolutely wrong. | 0:18:50 | 0:18:51 | |
There's not much point in being a Prime Minister | 0:18:51 | 0:18:54 | |
unless you are a dominating personality. | 0:18:54 | 0:18:56 | |
Because you're dealing all the time with other heads of government | 0:18:56 | 0:18:59 | |
and heads of state who are also dominating personalities. | 0:18:59 | 0:19:02 | |
But, yes, I do like arguing. | 0:19:02 | 0:19:04 | |
Absolutely flatly contrary to the image. | 0:19:04 | 0:19:07 | |
We argue things out, and that is the way we come to a conclusion. | 0:19:07 | 0:19:12 | |
But, in the end, they should agree with you? | 0:19:12 | 0:19:14 | |
In the end... In the end, we come to the right conclusion. | 0:19:14 | 0:19:20 | |
LAUGHTER AND APPLAUSE | 0:19:20 | 0:19:22 | |
Margaret Thatcher. Perhaps the most admired, | 0:19:26 | 0:19:29 | |
and hated, political figure of our time. | 0:19:29 | 0:19:33 | |
We've had royalty, politics, | 0:19:33 | 0:19:35 | |
and now, as they say, for something completely different, although | 0:19:35 | 0:19:39 | |
I suppose you could describe Naomi Campbell as a queen of the catwalk, | 0:19:39 | 0:19:42 | |
with a reputation in the fashion world as fierce as the Iron Lady's. | 0:19:42 | 0:19:47 | |
Is it true that supermodels get paid an enormous amount of money? | 0:19:49 | 0:19:53 | |
£10,000 a day? | 0:19:53 | 0:19:55 | |
I never discuss money, ever. And I want to correct this. | 0:19:55 | 0:19:59 | |
I never, ever said in any of my interviews that | 0:19:59 | 0:20:02 | |
-I would never get out of bed for 10,000. -I never said you did. | 0:20:02 | 0:20:05 | |
We were just making it up as we went along. | 0:20:05 | 0:20:07 | |
It's a quote that's been following me for a while, | 0:20:07 | 0:20:09 | |
but I just want to correct it, because I think it's not right. | 0:20:09 | 0:20:13 | |
Some people wouldn't make that in a lifetime, so they'd be mad to | 0:20:13 | 0:20:16 | |
hear that we would make that or not get out of bed for that, so... | 0:20:16 | 0:20:20 | |
Yeah, but I mean, it's market forces. It's supply and demand. | 0:20:20 | 0:20:24 | |
You're a supermodel now. You can demand enormous fees, can't you? | 0:20:24 | 0:20:28 | |
Well, I don't know if we can demand even that much, | 0:20:28 | 0:20:31 | |
because it's like, to be here today and gone tomorrow. We can say, | 0:20:31 | 0:20:35 | |
"Yeah, I will do it, and book it. I'll be there." | 0:20:35 | 0:20:39 | |
How do the other models feel about the supermodels? | 0:20:39 | 0:20:43 | |
I mean, presumably, you can dictate the clothes you want to wear. | 0:20:43 | 0:20:47 | |
Actually, no. I wore some stuff in Milan that I hated, | 0:20:47 | 0:20:50 | |
but because they're paying you, you've got to wear it. | 0:20:50 | 0:20:53 | |
And you can't complain. It's all part of the job. | 0:20:53 | 0:20:56 | |
You just smile and do your job and walk down the runway, | 0:20:56 | 0:20:58 | |
gracefully as you can, you know? It's only for two minutes. | 0:20:58 | 0:21:01 | |
-It's not going to hurt. -Do you still like the job? -Yeah. I do. | 0:21:01 | 0:21:05 | |
I still like the job. | 0:21:05 | 0:21:06 | |
Do you think it's harder for black girls | 0:21:06 | 0:21:09 | |
to make it to the top in modelling? | 0:21:09 | 0:21:11 | |
Um, yeah, it's getting better I think now, | 0:21:11 | 0:21:15 | |
like, all over America, London, Paris, Milan. | 0:21:15 | 0:21:19 | |
At first, I think it was a trend, and now I think in terms | 0:21:19 | 0:21:24 | |
of, like, cosmetic contracts and stuff like that, | 0:21:24 | 0:21:27 | |
they're trying to market ethnic women, which has taken a long time | 0:21:27 | 0:21:32 | |
to happen, because usually, you can have, like, ten cosmetic contracts | 0:21:32 | 0:21:37 | |
but not one of them are for ethnic women, | 0:21:37 | 0:21:40 | |
and now, they're considering that and they're thinking that, well, | 0:21:40 | 0:21:44 | |
yeah, a Japanese or Jamaican woman is going to want to buy this make-up | 0:21:44 | 0:21:50 | |
so let's start making it. And marketing it, so... | 0:21:50 | 0:21:53 | |
So, how did you get started? I mean... | 0:21:53 | 0:21:55 | |
It's like a fairytale, but it's true. | 0:21:55 | 0:21:58 | |
I was discovered hanging out in Covent Garden. | 0:21:58 | 0:22:00 | |
I don't believe a word of it. | 0:22:00 | 0:22:02 | |
Yep, I just didn't want to go home, | 0:22:02 | 0:22:04 | |
and I was hanging out with my school friends. | 0:22:04 | 0:22:07 | |
And a lady called Beth came up to me and gave me a card and said, | 0:22:07 | 0:22:10 | |
"Do you want to be a model?" And I said, "Yeah." | 0:22:10 | 0:22:12 | |
And I took the card and took it home to my mother | 0:22:12 | 0:22:15 | |
and thought about it for a few days. | 0:22:15 | 0:22:18 | |
Then went to see her and it started. | 0:22:18 | 0:22:20 | |
You know, every young lady listening to this at home, most of them | 0:22:20 | 0:22:23 | |
would want to be a model like you, enormously successful, | 0:22:23 | 0:22:26 | |
and making a lot of money, | 0:22:26 | 0:22:28 | |
they wouldn't believe that because it's | 0:22:28 | 0:22:30 | |
so very hard to be discovered. It's like a Hollywood story, isn't it? | 0:22:30 | 0:22:35 | |
I must ask your mother. Your mother is in the audience. | 0:22:35 | 0:22:39 | |
Can we get a picture of your mum? Up there. Is this true? | 0:22:39 | 0:22:42 | |
-Yes. -Yes, well, your mum says it's true, did she give you any advice? | 0:22:42 | 0:22:46 | |
Um... | 0:22:46 | 0:22:47 | |
Basically just, keep your feet on the ground | 0:22:47 | 0:22:52 | |
and not get kind of too big-headed. | 0:22:52 | 0:22:54 | |
Was she a showbiz mum? | 0:22:54 | 0:22:56 | |
No, she wasn't a pushy stage mother, | 0:22:56 | 0:22:58 | |
although I went to Italia Conti and Barbara Speake's. I wanted to do it. | 0:22:58 | 0:23:02 | |
So I kind of said, "I want to go to dance, I want to go to act." | 0:23:02 | 0:23:07 | |
-And she, like... -You would still like to act, would you? -Yeah, I would. | 0:23:07 | 0:23:11 | |
I've been doing stuff in the Cosby Show and stuff like that. | 0:23:11 | 0:23:15 | |
Stuff that's right. | 0:23:15 | 0:23:16 | |
I wouldn't do a film or a television show that's not right, | 0:23:16 | 0:23:20 | |
and expect the model to be, just, like, an airhead. | 0:23:20 | 0:23:23 | |
Yeah, that's right, because models do have that image, don't they? | 0:23:23 | 0:23:26 | |
Yeah, but I think not any more. I think it's changing | 0:23:26 | 0:23:28 | |
and people are beginning to realise that we are intelligent, that we're | 0:23:28 | 0:23:32 | |
businesswomen and we can take care of ourselves and our careers. | 0:23:32 | 0:23:35 | |
And manage ourselves. | 0:23:35 | 0:23:36 | |
What's the life expectancy of a model? | 0:23:36 | 0:23:38 | |
I mean the professional life expectancy. | 0:23:38 | 0:23:40 | |
I started at 15 and my agent says to me I could model till I'm 30. | 0:23:40 | 0:23:45 | |
But I don't want to, 15 years is a long time. | 0:23:45 | 0:23:48 | |
Although there are some that have. | 0:23:48 | 0:23:50 | |
I'd like to do other things. | 0:23:50 | 0:23:52 | |
Expand and change and try out different stuff. | 0:23:52 | 0:23:56 | |
Is there a tacky side to it? | 0:23:56 | 0:23:58 | |
Is there a side where you have to go to parties and be seen? | 0:23:58 | 0:24:01 | |
No, you don't have to. I mean, I go out. I go out mainly to benefits. | 0:24:01 | 0:24:05 | |
And every time people see me out and go, | 0:24:05 | 0:24:07 | |
"You were partying last night", | 0:24:07 | 0:24:09 | |
I'm like, "No, I wasn't, it was for a cause." | 0:24:09 | 0:24:11 | |
But, no, you don't have to do what you don't want to do. | 0:24:11 | 0:24:15 | |
I mean, if you can help, and if you get to a certain point | 0:24:15 | 0:24:18 | |
and your name's out there, and you can help for a cause for Aids | 0:24:18 | 0:24:21 | |
or for children, I think you should try and do so. | 0:24:21 | 0:24:24 | |
Does... Do ordinary guys ever get to meet girls like you? | 0:24:24 | 0:24:29 | |
-Yeah, I meet guys on the street every day! -Steady! | 0:24:29 | 0:24:33 | |
-Just say hi, but... -You only say hello, yeah. And move on. | 0:24:33 | 0:24:37 | |
But I mean, you know, there's lots of fellas would like to take | 0:24:37 | 0:24:40 | |
you out. Do you only go out with Robert De Niro or Mike Tyson? | 0:24:40 | 0:24:43 | |
I don't go out with Robert De Niro and Mike. | 0:24:43 | 0:24:47 | |
Yeah, I did go out with Mike Tyson, but we're still, we're just friends, | 0:24:47 | 0:24:50 | |
and, um... | 0:24:50 | 0:24:52 | |
No, it just happens that it's the circle that you're in | 0:24:52 | 0:24:56 | |
and you just meet these people. | 0:24:56 | 0:24:59 | |
My first boyfriend was pretty normal | 0:24:59 | 0:25:02 | |
and I don't have a preference of what kind of man I go out with, | 0:25:02 | 0:25:05 | |
except if he has a good heart. | 0:25:05 | 0:25:08 | |
Let's renew acquaintance with a child prodigy | 0:25:08 | 0:25:11 | |
who came onto the Wogan show when she was just 13 | 0:25:11 | 0:25:13 | |
and treated us an extraordinary musical performance. | 0:25:13 | 0:25:16 | |
The hugely talented Vanessa-Mae. | 0:25:16 | 0:25:20 | |
APPLAUSE | 0:25:20 | 0:25:22 | |
Oh, thank you. | 0:29:14 | 0:29:15 | |
Come and join us. | 0:29:16 | 0:29:18 | |
-But thank you for joining us. -Thanks a lot. -You're only 13. -Yeah! | 0:29:25 | 0:29:28 | |
-And you've already mastered most of the great concertos. -Mm-hm. | 0:29:28 | 0:29:32 | |
When did you start playing the violin? | 0:29:32 | 0:29:34 | |
I started playing the violin when I was five, | 0:29:34 | 0:29:36 | |
and also piano when I was five, but when I was eight, | 0:29:36 | 0:29:39 | |
I really decided that I was going to pursue the violin as a career. | 0:29:39 | 0:29:42 | |
And since then, since October, I mean, | 0:29:42 | 0:29:45 | |
since when I was 11, it's been my career. | 0:29:45 | 0:29:48 | |
But why did you decide to... | 0:29:48 | 0:29:49 | |
I mean, you were, and probably still are, a very talented pianist. | 0:29:49 | 0:29:52 | |
Why did you decide to pick up the fiddle? | 0:29:52 | 0:29:56 | |
Because the fiddle is such a sweet instrument, | 0:29:56 | 0:29:58 | |
and it's so small and it's so compact, that | 0:29:58 | 0:30:01 | |
you just slip it on your chin, and it's just so affectionate. | 0:30:01 | 0:30:04 | |
-It's an affectionate little thing. -Yeah! | 0:30:04 | 0:30:07 | |
-Only four strings but it can produce such a wide range of tones. -Yeah. | 0:30:07 | 0:30:10 | |
But it's murder when you're starting, I mean... | 0:30:10 | 0:30:12 | |
-Yeah. -Cos my father tried to teach me the violin and... | 0:30:12 | 0:30:15 | |
..really every cat in the neighbourhood... | 0:30:15 | 0:30:18 | |
-LAUGHTER -..were swarming round the door. But obviously not in your case, | 0:30:18 | 0:30:21 | |
because you are a prodigy. I mean, do you like being called a prodigy? | 0:30:21 | 0:30:26 | |
-Would you rather...? -Well, I don't mind, really. | 0:30:26 | 0:30:29 | |
I just want to... I just want to love the violin for ever and ever. | 0:30:29 | 0:30:32 | |
-Were you encouraged by your parents? -Well, since I was five | 0:30:33 | 0:30:36 | |
I have always been going to operas and ballets and concerts, | 0:30:36 | 0:30:40 | |
so probably that helped me develop a strong love for music. | 0:30:40 | 0:30:43 | |
But they all played instruments so... | 0:30:43 | 0:30:45 | |
-Yeah. -..it helped. | 0:30:45 | 0:30:47 | |
Did you train in this country? | 0:30:47 | 0:30:48 | |
Yeah, well, I've lived here since I was three and my father's English, | 0:30:48 | 0:30:51 | |
so I've been going to the Royal College of Music for... | 0:30:51 | 0:30:55 | |
on a professionals... | 0:30:55 | 0:30:56 | |
Sorry, diploma course. | 0:30:56 | 0:30:57 | |
And when I was eight I went to China to study the violin. | 0:30:57 | 0:31:01 | |
I was supposed to go for a few years but, actually, | 0:31:01 | 0:31:03 | |
I just went for a few months. | 0:31:03 | 0:31:04 | |
-Couldn't stick it, eh? -No, I... | 0:31:04 | 0:31:07 | |
I completed the work in quite a short time, so it was lucky to get back. | 0:31:07 | 0:31:11 | |
-LAUGHTER -You are now at the Royal College of Music. | 0:31:11 | 0:31:14 | |
But you're not with people of your own age. You say | 0:31:14 | 0:31:16 | |
-you're on what? A diploma course? -Yeah, a professional diploma course, | 0:31:16 | 0:31:19 | |
and most of the people are about 18 or 21. | 0:31:19 | 0:31:22 | |
But I enjoy being with people older than me and people my own age too. | 0:31:22 | 0:31:26 | |
Yeah. But there won't be any people your own age there... | 0:31:26 | 0:31:29 | |
-Not at the moment. -No. | 0:31:29 | 0:31:31 | |
Is it a kind of a burden, do you feel? | 0:31:31 | 0:31:33 | |
Do you feel that an awful lot's expected of you? | 0:31:33 | 0:31:36 | |
Erm, no, I like to feel that a lot is expected of me, | 0:31:36 | 0:31:40 | |
because I like to compete with myself | 0:31:40 | 0:31:42 | |
and to make myself play better all the time. | 0:31:42 | 0:31:45 | |
That's the great... Playing the violin, it's an art. | 0:31:45 | 0:31:48 | |
-You can always change it the next day. -Yeah. | 0:31:48 | 0:31:50 | |
I mean, it's been a tremendously successful year for you, | 0:31:50 | 0:31:53 | |
travel all over the place... What was the...? | 0:31:53 | 0:31:55 | |
Can you remember what was the best moment of the year for you has been? | 0:31:55 | 0:31:58 | |
Well, I enjoyed my two recordings very much, my first two recordings. | 0:31:58 | 0:32:01 | |
Especially the second one, where I had great fun. | 0:32:01 | 0:32:03 | |
I composed and transcribed some of the works myself, | 0:32:03 | 0:32:06 | |
some of the pop pieces. | 0:32:06 | 0:32:08 | |
I transcribed One Moment In Time, which Whitney Houston sung, | 0:32:08 | 0:32:11 | |
I transcribed. So that was great fun, that was the best. | 0:32:11 | 0:32:14 | |
Yeah. You know what people always say about a young person like you | 0:32:14 | 0:32:17 | |
with enormous talent and, indeed, | 0:32:17 | 0:32:19 | |
genius mightn't be too strong a word... | 0:32:19 | 0:32:22 | |
That you miss out on life a little bit, | 0:32:22 | 0:32:24 | |
that you don't mix with people your own age... | 0:32:24 | 0:32:27 | |
I don't feel so, because I love being with adults | 0:32:27 | 0:32:29 | |
and, obviously, in this career you have to be with conductors | 0:32:29 | 0:32:32 | |
and orchestras which are very much older than you. | 0:32:32 | 0:32:34 | |
But I do get to school and be with people my own age | 0:32:34 | 0:32:37 | |
-and chat about 13-year-old things. -Do you chat about pop? Pop music? | 0:32:37 | 0:32:41 | |
Yeah, I love pop music too. But I mainly love Elvis Presley, | 0:32:41 | 0:32:44 | |
especially Whitney Houston. | 0:32:44 | 0:32:47 | |
I mean, there's another young man who's... | 0:32:47 | 0:32:50 | |
He's no longer young but he's...he's young at heart, who was a bit of a prodigy when he was young - | 0:32:50 | 0:32:55 | |
Nigel Kennedy. Now, do you follow Aston Villa...? | 0:32:55 | 0:32:58 | |
LAUGHTER | 0:32:58 | 0:33:00 | |
-I don't... -You'll have to pick a football team, you understand? | 0:33:00 | 0:33:02 | |
I like tennis, I could pick tennis, maybe. | 0:33:02 | 0:33:05 | |
But I don't know what he's doing nowadays but... | 0:33:05 | 0:33:07 | |
but I know that what I'm doing is going to pop music a bit. | 0:33:07 | 0:33:11 | |
But I don't think it's that original, because in the olden days | 0:33:11 | 0:33:14 | |
Paganini - in his time, like one piece - La Campanella, | 0:33:14 | 0:33:18 | |
that I recorded. It's meant to be a very popular, difficult tune, | 0:33:18 | 0:33:21 | |
but at that time it was a pop-y tune of its day. | 0:33:21 | 0:33:24 | |
So I think I'm following the tradition. | 0:33:24 | 0:33:27 | |
But you know the way... I mean, Nigel is a genius as well, | 0:33:27 | 0:33:30 | |
he plays brilliantly. But at least part of his popularity | 0:33:30 | 0:33:32 | |
is due to the way he dresses and the way he talks. Erm... | 0:33:32 | 0:33:35 | |
..and really, in a sense, you're in show business, | 0:33:36 | 0:33:39 | |
-apart from anything else. -Yeah. | 0:33:39 | 0:33:41 | |
Are you likely to dress in a more modern way. | 0:33:41 | 0:33:44 | |
-You're dressed very modern now. -Yeah. -Yeah. | 0:33:44 | 0:33:46 | |
I like to dress to suit the occasion. | 0:33:46 | 0:33:48 | |
When I'm on a big stage with an orchestra, | 0:33:48 | 0:33:50 | |
I like to wear a big ball dress. | 0:33:50 | 0:33:52 | |
But this is just a fun chat with you so I can wear this. | 0:33:52 | 0:33:55 | |
LAUGHTER AND APPLAUSE | 0:33:55 | 0:33:58 | |
I think with that attitude you'll go far, basically. | 0:34:02 | 0:34:05 | |
LAUGHTER | 0:34:05 | 0:34:06 | |
Of course she did, while doing a bit of skiing in her spare time. | 0:34:06 | 0:34:10 | |
Now, Paul Gascoigne - who, over the years, has been a gift to both | 0:34:10 | 0:34:14 | |
football and the tabloid press. | 0:34:14 | 0:34:17 | |
At the time, this was an entertaining encounter with the most famous | 0:34:17 | 0:34:21 | |
and popular man in the country. | 0:34:21 | 0:34:24 | |
Watching it again, and knowing how things turned out for dear Gazza, | 0:34:24 | 0:34:29 | |
I must say, I'm left with a little sadness. | 0:34:29 | 0:34:32 | |
You're in a position that most young men would say... | 0:34:32 | 0:34:35 | |
is a dream... | 0:34:35 | 0:34:38 | |
Erm, but...from my perspective, having experienced a tiny piece | 0:34:38 | 0:34:42 | |
of the kind of attention you're getting - | 0:34:42 | 0:34:45 | |
-it could turn out to be a nightmare, you know. -Could be. | 0:34:45 | 0:34:48 | |
But I'm trying me best not to let it turn out that way, you know. | 0:34:48 | 0:34:51 | |
When I get as famous as you, than maybe I'll start worrying, like. | 0:34:51 | 0:34:54 | |
LAUGHTER | 0:34:54 | 0:34:56 | |
You're more famous than anybody in the world. | 0:34:56 | 0:34:58 | |
Now, it's eight weeks since the World Cup and we've seen | 0:34:58 | 0:35:00 | |
what's happened outside the door here, and it's been raining as well. | 0:35:00 | 0:35:04 | |
A huge crowd of the kind of people that only New Kids On The Block | 0:35:04 | 0:35:09 | |
or, erm, you know, Michael Jackson gets. | 0:35:09 | 0:35:13 | |
-They are weeny-boppers. -Young weeny-boppers. | 0:35:13 | 0:35:16 | |
-I'm only a weeny-bopper myself. -I know you are. | 0:35:16 | 0:35:19 | |
-LAUGHTER -But that's the thing, you have an appeal. | 0:35:19 | 0:35:21 | |
But the thing is, your appeal is across the board. | 0:35:21 | 0:35:24 | |
I mean... How did they smuggle you in here tonight? | 0:35:24 | 0:35:27 | |
Like I said before, I hide in the boot of the car, you see. | 0:35:27 | 0:35:30 | |
Get a little bit claustrophobic, but I'm all right. | 0:35:30 | 0:35:32 | |
-Come out the boot and give them a wave. -Everybody is saying... | 0:35:32 | 0:35:36 | |
The same newspapers that are building you to the skies | 0:35:36 | 0:35:40 | |
and hyping you up, are also trying to give you advice | 0:35:40 | 0:35:43 | |
and saying things... | 0:35:43 | 0:35:44 | |
"Will this young man be able to handle all that attention?" | 0:35:44 | 0:35:47 | |
Yeah, they're building me right up. | 0:35:47 | 0:35:49 | |
It's unbelievable, I can't believe what's happening. | 0:35:49 | 0:35:52 | |
They are at the end of me road, outside me house with cameras | 0:35:52 | 0:35:55 | |
and everything. | 0:35:55 | 0:35:57 | |
It's frightening, really, because all I want to do is live me own life. | 0:35:57 | 0:36:00 | |
Is there a bit of you that enjoys it? There must be. | 0:36:00 | 0:36:02 | |
There's a bit of all of us that wants attention. | 0:36:02 | 0:36:04 | |
When I score a hat-trick on a Saturday, I love the attention then. | 0:36:04 | 0:36:07 | |
LAUGHTER | 0:36:07 | 0:36:08 | |
But all the scandal and all that, I don't... | 0:36:08 | 0:36:11 | |
I hate it, I can't stand it, you know. | 0:36:11 | 0:36:13 | |
So, what I've done, lately... I read the papers and I think, | 0:36:13 | 0:36:16 | |
oh, no, someone's wrote this and someone's wrote this, | 0:36:16 | 0:36:19 | |
I had a good game, I had a bad game, he's better than me... he's better than me(!) And... | 0:36:19 | 0:36:22 | |
LAUGHTER | 0:36:22 | 0:36:24 | |
I just don't let it affect us, to be fair. | 0:36:24 | 0:36:26 | |
And what I've started doing now, and it's worked... | 0:36:26 | 0:36:28 | |
Is...I don't read the papers. | 0:36:28 | 0:36:30 | |
No. | 0:36:30 | 0:36:31 | |
But you know, Sir John Gielgud used to say | 0:36:31 | 0:36:33 | |
he never read any critiques of his acting. | 0:36:33 | 0:36:35 | |
-He never read any. -Yeah. -So that means that... | 0:36:35 | 0:36:38 | |
you're not going to be affected one way or the other. | 0:36:38 | 0:36:41 | |
But it's very hard to run away from something like this. | 0:36:41 | 0:36:44 | |
And as I say, as somebody in the media, you have all my sympathy. | 0:36:44 | 0:36:48 | |
I'm delighted that you've had such enormous success | 0:36:48 | 0:36:51 | |
-and long may it continue. -Cheers. | 0:36:51 | 0:36:53 | |
But it's very hard to handle it, you know, | 0:36:53 | 0:36:55 | |
particularly when you're only 23. | 0:36:55 | 0:36:58 | |
23, I know. Yeah, it is hard to handle it. | 0:36:58 | 0:37:00 | |
Like I said before, I can't believe it. | 0:37:00 | 0:37:02 | |
From a lad who's just walked out of the social club... | 0:37:02 | 0:37:04 | |
Dunston Excelsior, I'll just give it a little plug, if they're watching! | 0:37:04 | 0:37:08 | |
LAUGHTER Hi, everyone! | 0:37:08 | 0:37:09 | |
They're over there, give them a wave. Why not, for goodness' sake? | 0:37:09 | 0:37:13 | |
That's the thing - while you're enjoying it, | 0:37:13 | 0:37:15 | |
and while it's happening, do try and enjoy it, | 0:37:15 | 0:37:17 | |
-try and fling yourself... -It's like everything else, Terry, isn't it? | 0:37:17 | 0:37:20 | |
I mean, when things go well, you love it. | 0:37:20 | 0:37:22 | |
And when things get bad, you get upset about it. | 0:37:22 | 0:37:25 | |
Maybe, as you've seen before, I cry, don't I? | 0:37:25 | 0:37:26 | |
Yeah, but that's all right. In a funny way, as I said in the introduction, | 0:37:26 | 0:37:29 | |
and as Julie Wells said in The Times this morning, | 0:37:29 | 0:37:32 | |
that's the secret of, | 0:37:32 | 0:37:34 | |
of how you've gone to the heart of most people in this country - | 0:37:34 | 0:37:37 | |
is that you were able to combine the qualities of courage | 0:37:37 | 0:37:41 | |
and patriotism... | 0:37:41 | 0:37:43 | |
and at the same time not to be afraid to cry. | 0:37:43 | 0:37:46 | |
Yeah, that's right. It was just something that hit us, you know. | 0:37:46 | 0:37:49 | |
I was leaving the World Cup, we weren't in the final, | 0:37:49 | 0:37:52 | |
and I was leaving some fantastic supporters who were there. | 0:37:52 | 0:37:54 | |
And it was fantastic. | 0:37:54 | 0:37:56 | |
And after the game, I got back to the dressing room... | 0:37:56 | 0:37:58 | |
And everyone was given towels to dry themselves and I was given | 0:37:58 | 0:38:01 | |
a couple of Pampers. | 0:38:01 | 0:38:02 | |
LAUGHTER | 0:38:02 | 0:38:05 | |
A couple of diapers, a couple of Pampers and a dummy. | 0:38:07 | 0:38:10 | |
"Cheers, lads(!)" Brilliant. | 0:38:10 | 0:38:12 | |
The only thing, the only thing for you to do... | 0:38:12 | 0:38:14 | |
because it's not going to go away. | 0:38:14 | 0:38:15 | |
The thing is... | 0:38:15 | 0:38:16 | |
I think you have to get ready for... Is what | 0:38:16 | 0:38:18 | |
they call The Tall Poppy Syndrome, | 0:38:18 | 0:38:20 | |
-what the Australians call The Tall Poppy Syndrome. -What's that? | 0:38:20 | 0:38:23 | |
We have a tradition in this country, certainly among the press, | 0:38:23 | 0:38:26 | |
that as soon as you become enormously successful... | 0:38:26 | 0:38:30 | |
there reaches a point when they decide, | 0:38:30 | 0:38:32 | |
"We're going to knock him off the parapet now." | 0:38:32 | 0:38:35 | |
Oh, yeah. That's what I'm waiting for. I'm trying... | 0:38:35 | 0:38:37 | |
I'm working so hard to behave myself and... | 0:38:37 | 0:38:41 | |
be something I'm not. And the trouble is... | 0:38:41 | 0:38:43 | |
-Well, it's very easy... -..I'm just one of the lads, really, to be fair. | 0:38:43 | 0:38:46 | |
-You don't want to behave yourself? -I enjoy myself. | 0:38:46 | 0:38:48 | |
Of course I don't want to behave myself! | 0:38:48 | 0:38:50 | |
Nah, I just want to be one of the lads. I want to stay one of the lads, | 0:38:50 | 0:38:54 | |
and they're trying to make me not to be one of the lads, and I am. | 0:38:54 | 0:38:57 | |
And it's great when I go back home and I see me mates, | 0:38:57 | 0:38:59 | |
and we'll have a few drinks, like you, Terry, we get drunk. | 0:38:59 | 0:39:02 | |
Yeah, all the time. | 0:39:02 | 0:39:03 | |
LAUGHTER | 0:39:03 | 0:39:05 | |
Continuously. And I wouldn't mind, only, you're supposed to be fit. | 0:39:05 | 0:39:08 | |
Tell me this - this is the thing... You didn't score on Saturday, | 0:39:08 | 0:39:11 | |
-it was nil all. -Yeah, I didn't score and I'm a bad player. | 0:39:11 | 0:39:14 | |
You're supposed to be tired, somebody said you were tired, | 0:39:14 | 0:39:16 | |
that all the attention had got to you and it was wearing you down all ready. | 0:39:16 | 0:39:19 | |
Yeah, obviously... I haven't been sleeping well, Terry. | 0:39:19 | 0:39:22 | |
I haven't been sleeping that well, at all. Don't know why. I just... | 0:39:22 | 0:39:25 | |
LAUGHTER I just haven't been sleeping... | 0:39:25 | 0:39:28 | |
So, erm... | 0:39:28 | 0:39:30 | |
Lack of sleep, doing a lot of travelling and like you say, | 0:39:30 | 0:39:32 | |
-stupid things like this, coming on a show like this... -I know. -LAUGHTER AND APPLAUSE | 0:39:32 | 0:39:36 | |
I don't know how you could possibly... | 0:39:36 | 0:39:39 | |
CHEERING AND APPLAUSE | 0:39:39 | 0:39:41 | |
You are going to get a lot of attention. | 0:39:43 | 0:39:45 | |
I mean, nearly everything's going to want to carry your name now, isn't it? | 0:39:45 | 0:39:48 | |
Exactly, I mean...the good thing about coming on your show... | 0:39:48 | 0:39:51 | |
not being... I just give it a bit of stick, | 0:39:51 | 0:39:53 | |
but the good thing is everyone can see what's actually spoke, the truth. | 0:39:53 | 0:39:56 | |
You've even been linked with people that you haven't... | 0:39:56 | 0:39:59 | |
-probably ever met in your life. -Yeah. | 0:39:59 | 0:40:01 | |
Cos there's going to be people who say, | 0:40:01 | 0:40:03 | |
"Oh, I knew Paul Gascoigne." "Oh, I went to bed with Paul Gascoigne." | 0:40:03 | 0:40:06 | |
-And they'll get 50,000 quid for saying that. -Yeah. | 0:40:06 | 0:40:08 | |
You'll have to accept that that's going to happen. | 0:40:08 | 0:40:10 | |
That's right. I wouldn't mind if they gave me half of it, that'd be great. | 0:40:10 | 0:40:14 | |
LAUGHTER | 0:40:14 | 0:40:15 | |
Then I can do what I want, Terry, to be fair. | 0:40:15 | 0:40:17 | |
Yeah, and of course, the other thing you're going to get flung at you | 0:40:17 | 0:40:20 | |
is all the money you make. | 0:40:20 | 0:40:22 | |
-And I mean, have you got good advisers? -Yeah. | 0:40:22 | 0:40:24 | |
Have you got people who will take care of you? You know the way you're always being compared... | 0:40:24 | 0:40:28 | |
"George Best..." they say... "..look at..." | 0:40:28 | 0:40:31 | |
LAUGHTER | 0:40:31 | 0:40:32 | |
Yeah, that's right, I mean... | 0:40:32 | 0:40:33 | |
I haven't got an agent, I don't want an agent. | 0:40:34 | 0:40:38 | |
I have an accountant and a lawyer. | 0:40:38 | 0:40:40 | |
Well, I don't know what advice you've got, | 0:40:40 | 0:40:43 | |
but if I were you I'd make as much money as you possibly can. | 0:40:43 | 0:40:45 | |
-As much as you? -No, nobody makes that. | 0:40:45 | 0:40:48 | |
-If I get half as much as what you get Terry, I mean, I'll be sound. -But you see... | 0:40:48 | 0:40:51 | |
LAUGHTER AND APPLAUSE | 0:40:51 | 0:40:54 | |
..I'm an old man. | 0:40:54 | 0:40:55 | |
It's all right... | 0:40:55 | 0:40:57 | |
I was penniless when I was your age. And the thing is... | 0:40:58 | 0:41:01 | |
if you make... Just make as much money as you can, | 0:41:01 | 0:41:04 | |
-and then you'll be able to do whatever you like after that. -Yeah. | 0:41:04 | 0:41:07 | |
-Exactly. -And just keep your head down for a few years... | 0:41:07 | 0:41:09 | |
-So that they can't do an axe job on you. -Exactly. | 0:41:09 | 0:41:13 | |
-You're going to make a record? -Yeah. | 0:41:13 | 0:41:16 | |
AUDIENCE MEMBER WHOOPS | 0:41:16 | 0:41:17 | |
LAUGHTER | 0:41:17 | 0:41:19 | |
-It's Gazza Rap. -Gazza Rap. -No. | 0:41:19 | 0:41:21 | |
Are you a good singer? Can we hear you sing? | 0:41:21 | 0:41:22 | |
No, I'm not a very good singer. You might recall Geordie Boys, like. | 0:41:22 | 0:41:26 | |
It's called Geordie Boys so you wouldn't, probably, understand it, that's the good thing about it. | 0:41:26 | 0:41:30 | |
In fact, I've got the lyrics upstairs like... | 0:41:30 | 0:41:33 | |
-It'll be OK, hopefully. -Yeah. | 0:41:35 | 0:41:36 | |
-You've got a few buttons to make me voice sound great, won't they? -Yeah. -LAUGHTER | 0:41:36 | 0:41:41 | |
It will be fantastic. | 0:41:41 | 0:41:42 | |
-We look forward, we look forward to you having a wonderful season. -Cheers. | 0:41:42 | 0:41:46 | |
AUDIENCE MEMBER: Come on... | 0:41:46 | 0:41:48 | |
-I just hope that the tabloids will be kind. -So do I. | 0:41:48 | 0:41:52 | |
I hope you'll be able to have a happy and enjoyable life, | 0:41:52 | 0:41:55 | |
-and enjoy your fame... -Exactly. -..and everything that goes with it. | 0:41:55 | 0:41:58 | |
No problem. And enjoy my life myself, as well. | 0:41:58 | 0:42:00 | |
-I'm sure... I hope you will. -Cheers, Terry. -Paul Gascoigne... | 0:42:00 | 0:42:03 | |
CHEERING AND APPLAUSE | 0:42:03 | 0:42:05 | |
And before I fold my tent and silently steal away, | 0:42:15 | 0:42:18 | |
here's another little treat from the archive, | 0:42:18 | 0:42:20 | |
to leave you with. | 0:42:20 | 0:42:22 | |
When the Wogan show went to three live shows a week, | 0:42:22 | 0:42:25 | |
some BBC bright spark | 0:42:25 | 0:42:27 | |
decided to ask the nation's youth what they thought... | 0:42:27 | 0:42:30 | |
of our hero. | 0:42:30 | 0:42:32 | |
I think Terry Wogan's the boringest person on the television. | 0:42:32 | 0:42:35 | |
He should never be on the television. | 0:42:35 | 0:42:38 | |
Because he doesn't let anybody talk and he's always got to butt in. | 0:42:38 | 0:42:42 | |
I think it's very good and he's got a very good personality. | 0:42:42 | 0:42:46 | |
I really enjoy it. | 0:42:46 | 0:42:47 | |
I don't mind some of the stars on it, but I don't like Terry Wogan himself, | 0:42:47 | 0:42:51 | |
it's a wonder he hasn't cracked the camera yet. | 0:42:51 | 0:42:53 | |
I think it's good and | 0:42:53 | 0:42:54 | |
I like the people on it. | 0:42:54 | 0:42:57 | |
Why are they putting his series on three times a week? | 0:42:57 | 0:43:00 | |
I don't think they should put in on once a week, either. | 0:43:00 | 0:43:03 | |
Well, the range of guests that he has on is very good, | 0:43:03 | 0:43:05 | |
because there's one for everybody, really. | 0:43:05 | 0:43:07 | |
Out of all the guests he has on, one of them you've got to like, really. | 0:43:07 | 0:43:12 | |
-My mum don't watch it very often. -Why? | 0:43:12 | 0:43:16 | |
She's always washing up. | 0:43:16 | 0:43:18 | |
Out of the mouths of babes... | 0:43:19 | 0:43:21 | |
Some of them, certainly, didn't pull any punches. | 0:43:21 | 0:43:24 | |
I'm supposed to have no feelings, of course. | 0:43:24 | 0:43:27 | |
I'll be heading off now, in a marked manner. | 0:43:27 | 0:43:29 | |
So, until next time... | 0:43:29 | 0:43:31 | |
I'll bid you farewell. | 0:43:31 | 0:43:33 |