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It was a show that went out three nights a week...live. | 0:00:02 | 0:00:04 | |
Mr Wogan, you're on, you're on. | 0:00:04 | 0:00:05 | |
With a live audience, | 0:00:05 | 0:00:07 | |
and everyone who's anyone dropping in. | 0:00:07 | 0:00:09 | |
The great and the good, the bad and the ugly, | 0:00:09 | 0:00:12 | |
and they called it Wogan. | 0:00:12 | 0:00:13 | |
Ha, I never knew why. | 0:00:13 | 0:00:15 | |
So, if you're sitting comfortably, | 0:00:15 | 0:00:17 | |
I'll show you something I made earlier. | 0:00:17 | 0:00:20 | |
God knows what they'll make of us in 25 years' time. | 0:00:20 | 0:00:23 | |
So, there you are again, | 0:00:35 | 0:00:37 | |
and welcome to another crash course in Wogan-ology. | 0:00:37 | 0:00:41 | |
We have a real cast of colourful characters for you today, | 0:00:41 | 0:00:43 | |
from those at the top of their game, | 0:00:43 | 0:00:45 | |
to those who are...maybe just over the top. | 0:00:45 | 0:00:48 | |
They include The Three Tenors, | 0:00:48 | 0:00:49 | |
Pavarotti, | 0:00:49 | 0:00:51 | |
Carreras, | 0:00:51 | 0:00:52 | |
and Domingo. | 0:00:52 | 0:00:54 | |
Quentin Crisp, | 0:00:54 | 0:00:55 | |
Barbara Cartland | 0:00:55 | 0:00:57 | |
and Jackie Collins. | 0:00:57 | 0:00:58 | |
Well, let's begin with a rare interview | 0:00:59 | 0:01:02 | |
with one of the most powerful men on the planet, | 0:01:02 | 0:01:05 | |
Rupert Murdoch. | 0:01:05 | 0:01:06 | |
An Australian on a mission to shake up British broadcasting. | 0:01:06 | 0:01:10 | |
In 1989, he was transforming himself | 0:01:10 | 0:01:13 | |
from press baron to media mogul. | 0:01:13 | 0:01:15 | |
And he came on the show | 0:01:15 | 0:01:17 | |
just a few days after the launch of Sky Television. | 0:01:17 | 0:01:20 | |
But, I mean, is Britain a hard place for you to work? | 0:01:20 | 0:01:22 | |
Did you find it easy to reconcile an Australian temperament | 0:01:22 | 0:01:26 | |
with working here? | 0:01:26 | 0:01:28 | |
Oh, very easy. | 0:01:28 | 0:01:29 | |
I think that Australians tend to do well here. | 0:01:29 | 0:01:32 | |
Erm, I know, I have many friends who've come from Australia | 0:01:32 | 0:01:34 | |
-have done well here. -Why do you think they do? | 0:01:34 | 0:01:37 | |
Well, I don't want to be rude about the English. | 0:01:37 | 0:01:39 | |
Well, go one, you've been rude all week about the English. | 0:01:39 | 0:01:43 | |
No, I think they come here | 0:01:43 | 0:01:44 | |
with greater determination, greater energy. | 0:01:44 | 0:01:47 | |
They come from the New World and they, they're not... | 0:01:47 | 0:01:50 | |
they don't have, perhaps, the respect they ought to have | 0:01:50 | 0:01:52 | |
for the rules of the old world | 0:01:52 | 0:01:54 | |
and it lets them break through. | 0:01:54 | 0:01:56 | |
We did things that people said couldn't be done | 0:01:56 | 0:01:58 | |
like having another popular newspaper, | 0:01:58 | 0:02:02 | |
people thought there was only room for one paper, the Daily Mirror. | 0:02:02 | 0:02:05 | |
We didn't listen to those, those people. | 0:02:05 | 0:02:07 | |
People say it's not possible to have more television. | 0:02:07 | 0:02:10 | |
We believe people would love more television. | 0:02:10 | 0:02:12 | |
You think you know what the British public want? | 0:02:12 | 0:02:16 | |
-Yes, I think so. -What do you think you're offering people | 0:02:16 | 0:02:19 | |
that they would want to watch? | 0:02:19 | 0:02:20 | |
Choice, much more choice. | 0:02:20 | 0:02:22 | |
Films before they're on the other television channels, | 0:02:22 | 0:02:25 | |
greater amount of sport, | 0:02:25 | 0:02:26 | |
continuous news, | 0:02:26 | 0:02:28 | |
and a first-class entertainment channel on Sky. | 0:02:28 | 0:02:31 | |
We heard, today, that in the surveys taken on British cable systems, | 0:02:31 | 0:02:35 | |
er, already we're, in those 200,000 homes in Britain. | 0:02:35 | 0:02:39 | |
er, we're ahead of ITN and just a bit behind BBC One... | 0:02:39 | 0:02:43 | |
So there, look out. | 0:02:43 | 0:02:44 | |
-Well, statistics, you can prove anything with, of course. -Of course. | 0:02:44 | 0:02:47 | |
My family in Ireland have been watching Sky Television free... | 0:02:47 | 0:02:52 | |
er, for at least a year | 0:02:52 | 0:02:53 | |
and they don't think much of it. | 0:02:53 | 0:02:55 | |
Well, it's getting a lot better. LAUGHTER | 0:02:55 | 0:02:57 | |
-Yeah. -Why do they watch? | 0:02:57 | 0:02:59 | |
-Well, they don't really, they... -LAUGHTER | 0:02:59 | 0:03:01 | |
But it's there for nothing, you see. | 0:03:01 | 0:03:03 | |
When you start trying to charge them for it, | 0:03:03 | 0:03:05 | |
I wonder if they will watch it. | 0:03:05 | 0:03:06 | |
We're not charging for it. | 0:03:06 | 0:03:08 | |
We don't, we'll never charge for that. | 0:03:08 | 0:03:10 | |
We charge some of the cable systems who carry us, | 0:03:10 | 0:03:12 | |
but the viewers will not. and we're very happy. | 0:03:12 | 0:03:14 | |
That's the whole point, we're giving people choice, | 0:03:14 | 0:03:17 | |
we're not saying they have to watch. | 0:03:17 | 0:03:18 | |
But you're giving them a choice, there is that argument, | 0:03:18 | 0:03:21 | |
we won't dwell on it for longer. When I go to America, and they say, | 0:03:21 | 0:03:24 | |
"You've got tremendous choice, | 0:03:24 | 0:03:25 | |
"you've got 30 programmes to look at." | 0:03:25 | 0:03:27 | |
And you turn them on and you've got a choice of 20 game shows... | 0:03:27 | 0:03:31 | |
..er, a Holy Roller, | 0:03:31 | 0:03:33 | |
erm, one of these terrible tabloid television people | 0:03:33 | 0:03:36 | |
exercising their prejudices all over you... | 0:03:36 | 0:03:39 | |
and a strip poker game. | 0:03:39 | 0:03:41 | |
And it's not, it's a choice, but it's a choice of nothing. | 0:03:41 | 0:03:44 | |
You're pretty clever to find strip poker on television, | 0:03:44 | 0:03:47 | |
-I've never seen... -I saw the cables do some pretty racy stuff. | 0:03:47 | 0:03:50 | |
You want stay up a little late at night. | 0:03:50 | 0:03:51 | |
LAUGHTER I'm too square for that. | 0:03:51 | 0:03:53 | |
-A choice of nothing is... -Oh, I don't agree with that, of course. | 0:03:53 | 0:03:57 | |
I think that we get the wrong view here because BBC and ITV go over | 0:03:57 | 0:04:00 | |
and bid for Dallas and Dynasty | 0:04:00 | 0:04:02 | |
and that sort of stuff, which is all right. | 0:04:02 | 0:04:04 | |
-Well, that's the best of the American market. -Not at all. | 0:04:04 | 0:04:06 | |
The best is 60 Minutes, the best is Moonlighting, | 0:04:06 | 0:04:09 | |
which you hide on BBC Two, | 0:04:09 | 0:04:10 | |
or LA Law, which I think is on Channel 4. | 0:04:10 | 0:04:14 | |
We put, you put the best of American television | 0:04:14 | 0:04:16 | |
on the least popular channels here. | 0:04:16 | 0:04:18 | |
I'm interested you think LA Law is particularly good, | 0:04:18 | 0:04:21 | |
-I don't think it is... -LAUGHTER | 0:04:21 | 0:04:23 | |
-Well, it's a matter of taste. -Of course, that's what it comes | 0:04:23 | 0:04:25 | |
down to, but will it come down to your taste? | 0:04:25 | 0:04:28 | |
I mean, if one looks at the newspapers that you own here, | 0:04:28 | 0:04:32 | |
one can scarcely say that, | 0:04:32 | 0:04:34 | |
for the majority of them anyway, | 0:04:34 | 0:04:35 | |
that you have raised the standards of British journalism. | 0:04:35 | 0:04:38 | |
Oh, I absolutely defy that, | 0:04:38 | 0:04:40 | |
I think that's very wrong. | 0:04:40 | 0:04:41 | |
And you can't say that about, whatever your taste, | 0:04:41 | 0:04:44 | |
about the majority of them, because they're all very different. | 0:04:44 | 0:04:47 | |
You could certainly say it about | 0:04:47 | 0:04:49 | |
the Sun or the News of the World, couldn't you? | 0:04:49 | 0:04:51 | |
-I think... -Do you read them often? | 0:04:51 | 0:04:52 | |
Every day, and I think we've improved them greatly. | 0:04:52 | 0:04:55 | |
-Are you proud of them? -Yes, indeed. | 0:04:55 | 0:04:57 | |
Particularly The Sun. | 0:04:57 | 0:04:58 | |
-Are you really? -Yes. LAUGHTER | 0:04:58 | 0:05:01 | |
-The front page of The Sun? -Absolutely. | 0:05:01 | 0:05:03 | |
When you see that somebody's life has been stomped on | 0:05:03 | 0:05:06 | |
and their prospects ruined and their family dragged through the mire? | 0:05:06 | 0:05:09 | |
Well, you very seldom find that in The Sun. | 0:05:09 | 0:05:11 | |
You do find occasionally... LAUGHTER | 0:05:11 | 0:05:13 | |
No, no, you do find the big news covered brilliantly, | 0:05:13 | 0:05:15 | |
you find a lot of fun there. | 0:05:15 | 0:05:17 | |
Your big news is covered on, big news on page six. | 0:05:17 | 0:05:20 | |
No, it's not. | 0:05:20 | 0:05:21 | |
-The sensation is on page one. -That's not true. | 0:05:21 | 0:05:23 | |
When there's big news, a budget, | 0:05:23 | 0:05:25 | |
I mean, you'll find it on page one, two, three, four, five. | 0:05:25 | 0:05:28 | |
Er, right through, everything gets pushed back for big news. | 0:05:28 | 0:05:31 | |
Erm, but we will investigate | 0:05:31 | 0:05:34 | |
and we don't believe that people who set themselves up | 0:05:34 | 0:05:39 | |
in positions of privilege or as public figures | 0:05:39 | 0:05:41 | |
or as public role models | 0:05:41 | 0:05:43 | |
and either make money from that or get power from that. | 0:05:43 | 0:05:46 | |
We believe that they should be looked at. | 0:05:46 | 0:05:47 | |
We're live in a democracy now and we want to judge... | 0:05:47 | 0:05:50 | |
Our readers and your viewers want to judge people | 0:05:50 | 0:05:54 | |
by what sort of character they have | 0:05:54 | 0:05:56 | |
just as much as what political party they're in. | 0:05:56 | 0:05:58 | |
You have to admit, there're ways of looking at people | 0:05:58 | 0:06:00 | |
and ways of looking at... We won't dwell on it... | 0:06:00 | 0:06:02 | |
-No, let's just take an example. -..cos we'll disagree. | 0:06:02 | 0:06:05 | |
Well, let's take an example. Right away from here quite neutral. | 0:06:05 | 0:06:08 | |
Er, take Senator Hart, Gary Hart. | 0:06:08 | 0:06:10 | |
He had suffered a terrible invasion of privacy. | 0:06:10 | 0:06:13 | |
They followed him, found him with a girl, | 0:06:13 | 0:06:16 | |
it was published in very respectable newspapers, | 0:06:16 | 0:06:18 | |
er, but it was published. | 0:06:18 | 0:06:20 | |
And he was no longer able to stand as president. | 0:06:20 | 0:06:23 | |
He very may have well have been the President of the United States | 0:06:23 | 0:06:26 | |
and then leader of the Free World. | 0:06:26 | 0:06:28 | |
Er, and I think that newspaper was quite right | 0:06:28 | 0:06:30 | |
to look at the character of the people | 0:06:30 | 0:06:33 | |
who're setting themselves up as fit to lead the world. | 0:06:33 | 0:06:36 | |
Yes, I could perhaps go along with you | 0:06:36 | 0:06:38 | |
part of the way with that but... | 0:06:38 | 0:06:40 | |
I think, if you take some television personalities | 0:06:40 | 0:06:43 | |
who've suffered greatly at the hands of some of your papers, | 0:06:43 | 0:06:47 | |
I think...that's hard to justify. | 0:06:47 | 0:06:49 | |
I wouldn't deny there have been excesses, and, um... | 0:06:49 | 0:06:52 | |
-Well I'm glad. -We'd be the first to look at that. | 0:06:52 | 0:06:54 | |
Will you stamp on that? | 0:06:54 | 0:06:56 | |
I do stamp on it, and we do look at it and think very hard about things. | 0:06:56 | 0:06:59 | |
Doesn't seem to have changed, | 0:06:59 | 0:07:00 | |
but I'd like to see you stamp a little harder. | 0:07:00 | 0:07:02 | |
No, we'll see. | 0:07:02 | 0:07:04 | |
He came, we saw, and he conquered. | 0:07:04 | 0:07:08 | |
Well, I need some music after that. | 0:07:08 | 0:07:10 | |
Here's one for a news man like Murdoch. | 0:07:10 | 0:07:13 | |
Stuffed as it is with references to world events. | 0:07:13 | 0:07:17 | |
Billy Joel with We Didn't Start The Fire. | 0:07:17 | 0:07:20 | |
AUDIENCE CHEERS | 0:07:20 | 0:07:22 | |
# Harry Truman, Doris Day, Red China, Johnnie Ray, | 0:07:41 | 0:07:44 | |
# South Pacific, Walter Winchell, Joe DiMaggio | 0:07:44 | 0:07:48 | |
# Joe McCarthy, Richard Nixon, Studebaker, Television | 0:07:48 | 0:07:51 | |
# North Korea, South Korea, Marilyn Monroe | 0:07:51 | 0:07:54 | |
# Rosenbergs, H-Bomb, Sugar Ray, Panmunjom | 0:08:01 | 0:08:04 | |
# Brando, The King And I, and The Catcher In The Rye | 0:08:04 | 0:08:07 | |
# Eisenhower, Vaccine, England's got a new queen | 0:08:07 | 0:08:11 | |
# Marciano, Liberace, Santayana goodbye | 0:08:11 | 0:08:14 | |
# We didn't start the fire | 0:08:14 | 0:08:17 | |
# It was always burning since the world's been turning | 0:08:17 | 0:08:21 | |
# We didn't start the fire | 0:08:21 | 0:08:24 | |
# No, we didn't light it, but we tried to fight it | 0:08:24 | 0:08:28 | |
# Joseph Stalin, Malenkov, Nasser and Prokofiev | 0:08:28 | 0:08:31 | |
# Rockefeller, Campanella, Communist Bloc | 0:08:31 | 0:08:34 | |
# Roy Cohn, Juan Peron, Toscanini, Dacron | 0:08:34 | 0:08:38 | |
# Dien Bien Phu Falls, Rock Around The Clock | 0:08:38 | 0:08:41 | |
# Einstein, James Dean, Brooklyn's got a winning team | 0:08:41 | 0:08:44 | |
# Davy Crockett, Peter Pan, Elvis Presley, Disneyland | 0:08:44 | 0:08:47 | |
# Bardot, Budapest, Alabama, Khrushchev | 0:08:47 | 0:08:51 | |
# Princess Grace, Peyton Place, Trouble in the Suez | 0:08:51 | 0:08:54 | |
# We didn't start the fire | 0:08:54 | 0:08:57 | |
# It was always burning since the world's been turning | 0:08:57 | 0:09:01 | |
# We didn't start the fire | 0:09:01 | 0:09:04 | |
# No, we didn't light it, but we tried to fight it | 0:09:04 | 0:09:07 | |
# Little Rock, Pasternak, Mickey Mantle, Kerouac | 0:09:07 | 0:09:11 | |
# Sputnik, Zhou Enlai, Bridge On The River Kwai | 0:09:11 | 0:09:14 | |
# Lebanon, Charles de Gaulle, California baseball | 0:09:14 | 0:09:17 | |
# Starkweather, Homicide, Children of Thalidomide | 0:09:17 | 0:09:21 | |
GUITAR SOLO | 0:09:21 | 0:09:24 | |
# Buddy Holly, Ben-Hur, Space Monkey, Mafia | 0:09:24 | 0:09:27 | |
# Hula Hoops, Castro, Edsel is a no-go | 0:09:27 | 0:09:31 | |
# U-2, Syngman Rhee, payola and Kennedy | 0:09:31 | 0:09:34 | |
# Chubby Checker, Psycho, Belgians in the Congo | 0:09:34 | 0:09:38 | |
# We didn't start the fire | 0:09:38 | 0:09:40 | |
# It was always burning since the world's been turning | 0:09:40 | 0:09:44 | |
# We didn't start the fire | 0:09:44 | 0:09:47 | |
# No, we didn't light it, but we tried to fight it | 0:09:47 | 0:09:51 | |
# Hemingway, Eichmann, Stranger In A Strange Land | 0:09:51 | 0:09:54 | |
# Dylan, Berlin, Bay of Pigs invasion | 0:09:54 | 0:09:57 | |
# Lawrence of Arabia, British Beatlemania | 0:09:57 | 0:10:01 | |
# Ole Miss, John Glenn, Liston beats Patterson | 0:10:01 | 0:10:04 | |
# Pope Paul, Malcolm X, British politician sex | 0:10:04 | 0:10:07 | |
# JFK blown away, what else do I have to say? | 0:10:07 | 0:10:11 | |
# We didn't start the fire | 0:10:11 | 0:10:14 | |
# It was always burning since the world's been turning | 0:10:14 | 0:10:17 | |
# We didn't start the fire | 0:10:17 | 0:10:20 | |
# No, we didn't light it, but we tried to fight it | 0:10:20 | 0:10:24 | |
# Birth control, Ho Chi Minh, Richard Nixon back again | 0:10:24 | 0:10:27 | |
# Moonshot, Woodstock, Watergate, punk rock | 0:10:27 | 0:10:31 | |
# Begin, Reagan, Palestine, terror on the airline | 0:10:31 | 0:10:34 | |
# Ayatollahs in Iran, Russians in Afghanistan | 0:10:34 | 0:10:37 | |
# Wheel of Fortune, Sally Ride, heavy metal suicide | 0:10:37 | 0:10:41 | |
# Foreign debts, homeless Vets, AIDS, Crack, Bernie Goetz | 0:10:41 | 0:10:44 | |
# Hypodermics on the shores, China's under martial law | 0:10:44 | 0:10:47 | |
# Rock and Roller Cola wars, I can't take it any more | 0:10:47 | 0:10:51 | |
# We didn't start the fire | 0:10:51 | 0:10:54 | |
# It was always burning since the world's been turning | 0:10:54 | 0:10:57 | |
# We didn't start the fire | 0:10:57 | 0:11:00 | |
# But when we are gone | 0:11:00 | 0:11:02 | |
# It will still burn on and on and on and on and on... # | 0:11:02 | 0:11:08 | |
AUDIENCE CHEERS | 0:11:08 | 0:11:11 | |
Now, one of our great, original TV personalities. | 0:11:12 | 0:11:16 | |
Before Nigella, Gordon, Jamie, even Delia, there was | 0:11:16 | 0:11:21 | |
only one person in charge in the kitchen - Fanny Cradock. | 0:11:21 | 0:11:26 | |
Cross her and your goose was definitely cooked. | 0:11:26 | 0:11:31 | |
I'm sure, like me, you've missed the abrasive style of this lady, | 0:11:31 | 0:11:35 | |
here seen haranguing a leg of pork and a silent chef. | 0:11:35 | 0:11:38 | |
Now, you see, I can say with absolute certainty that what | 0:11:39 | 0:11:43 | |
I am going to get when I cut that... | 0:11:43 | 0:11:46 | |
I needn't massacre the entire joint. | 0:11:46 | 0:11:50 | |
And I am going to use my fingers. | 0:11:50 | 0:11:51 | |
This is the only way I can show this directly to you. | 0:11:51 | 0:11:54 | |
I am going to make absolutely certain. | 0:11:54 | 0:11:55 | |
Oh, yes, I see, very well. Well, tell us. | 0:11:55 | 0:11:58 | |
CRUNCHING | 0:11:58 | 0:12:01 | |
Crunch, crunch, crunch. Crackling, you see? | 0:12:01 | 0:12:03 | |
Let me throw you another piece, give you absolute confidence. Bingo. | 0:12:03 | 0:12:07 | |
And bingo. | 0:12:07 | 0:12:08 | |
And there it is. You can have those bits, too. Now go away. | 0:12:08 | 0:12:11 | |
LAUGHTER AND APPLAUSE | 0:12:11 | 0:12:14 | |
Ladies and gentlemen, Fanny Cradock. | 0:12:17 | 0:12:19 | |
APPLAUSE | 0:12:19 | 0:12:23 | |
-Fanny, you are welcome. -I'm very glad to be here. I love it. | 0:12:24 | 0:12:27 | |
It was... The first television show we ever did was in here. | 0:12:27 | 0:12:30 | |
-Really? -Johnnie and I together. | 0:12:30 | 0:12:33 | |
Half an hour. Invited audience. | 0:12:33 | 0:12:35 | |
And we were so scared. | 0:12:35 | 0:12:37 | |
John was kicked in the small of the back to get us on. | 0:12:37 | 0:12:40 | |
He said, "Go on, John, you silly B, you're on." | 0:12:40 | 0:12:42 | |
-Yeah. -And he lurched onto television. -Yeah. | 0:12:42 | 0:12:45 | |
We used to have invited audiences. | 0:12:45 | 0:12:46 | |
These people come in without any invitation. | 0:12:46 | 0:12:49 | |
I haven't asked them. | 0:12:49 | 0:12:51 | |
-Yeah, but they are especially nice. -Well, they are. | 0:12:51 | 0:12:53 | |
You will find them OK. | 0:12:53 | 0:12:54 | |
Fanny, you brought me just a little... | 0:12:54 | 0:12:56 | |
That is for the end of the programme, you gutsy so-and-so. | 0:12:56 | 0:12:59 | |
LAUGHTER | 0:12:59 | 0:13:02 | |
Fanny, am I expected to talk to you without eating here? | 0:13:02 | 0:13:05 | |
-Oh, all right, we'll go on eating and talking together. -What have we got? | 0:13:05 | 0:13:08 | |
-Well... -What is this? -I know what a sweet tooth you've got. -Yes, I do. | 0:13:08 | 0:13:11 | |
Well, I have invented | 0:13:11 | 0:13:13 | |
a way, an easy way, of making these | 0:13:13 | 0:13:16 | |
puffballs of soft fruit, all soft fruits in turn. | 0:13:16 | 0:13:21 | |
-Hm. -And they keep in freezers for, oh, months on end. | 0:13:21 | 0:13:26 | |
And they can be eaten hot or cold. | 0:13:26 | 0:13:27 | |
And they are bad for the figure. They are outrageous for the figure! | 0:13:27 | 0:13:30 | |
-They couldn't be worse. -Luckily, I don't... | 0:13:30 | 0:13:33 | |
-You know, I'm slim as a lamb. -I know, you're so slim. | 0:13:33 | 0:13:35 | |
LAUGHTER | 0:13:35 | 0:13:37 | |
Can you see over the top of your tum still? | 0:13:37 | 0:13:41 | |
LAUGHTER | 0:13:41 | 0:13:44 | |
There is not much to see over the top of my tum. | 0:13:44 | 0:13:46 | |
LAUGHTER | 0:13:46 | 0:13:48 | |
-Now, this is raspberries out of our own garden. -Yes. | 0:13:48 | 0:13:51 | |
-And this is something Greek called pita paste. -Oh. -Or pita pastry. | 0:13:51 | 0:13:56 | |
Is it difficult to make? | 0:13:56 | 0:13:58 | |
-No, it is very, very easy. -Is it? -It isn't finished yet. -Isn't it? | 0:13:58 | 0:14:03 | |
Oh. Lovely, thank you. Thank you. | 0:14:03 | 0:14:05 | |
-Cos I've hardly had a thing since lunch. -I know, starved. | 0:14:05 | 0:14:09 | |
Over the 20 years, you were the maitresse of cuisine, weren't you? | 0:14:10 | 0:14:14 | |
Well, we went abroad. | 0:14:14 | 0:14:16 | |
That marvellous style of teaching people how to cook. | 0:14:16 | 0:14:20 | |
-And in fact, the Queen Mother complimented you, didn't she? -Yes. | 0:14:20 | 0:14:23 | |
-How did you know about that? -Oh, I know plenty about you. | 0:14:23 | 0:14:25 | |
She said... Eh? | 0:14:25 | 0:14:27 | |
LAUGHTER | 0:14:27 | 0:14:29 | |
She said, "In your opinion..." | 0:14:29 | 0:14:31 | |
At the end of an interview, she said, | 0:14:31 | 0:14:33 | |
"In your opinion, has the standard of cooking improved in this country?" | 0:14:33 | 0:14:37 | |
And we both enthusiastically said, "Oh, enormously!" | 0:14:37 | 0:14:41 | |
And we died. Because she turned with that inimitable smile of hers | 0:14:41 | 0:14:44 | |
and said, "Yes, and in our opinion, you are responsible for it." | 0:14:44 | 0:14:47 | |
And we stood there like a couple of codfish and forgot to bow and curtsy. | 0:14:47 | 0:14:51 | |
Tell me, do think that the cooks are born rather than made? | 0:14:51 | 0:14:56 | |
No. | 0:14:56 | 0:14:58 | |
I think there is a feeling for food, a feeling for cookery. | 0:14:58 | 0:15:02 | |
Which...is an impetus. | 0:15:04 | 0:15:07 | |
I mean, what an awful lot of work. | 0:15:07 | 0:15:09 | |
If you hear that expression, you know perfectly well you're going | 0:15:09 | 0:15:12 | |
-to have a damn bad meal and a lazy cook. -Hm. | 0:15:12 | 0:15:14 | |
-You see? -Yeah. | 0:15:14 | 0:15:16 | |
-But you can make any woman cook. -Can you? -Oh, yes! | 0:15:16 | 0:15:20 | |
What about a fella? It is not just women's work, surely. | 0:15:20 | 0:15:23 | |
No, but I am more interested in women in cooking because... | 0:15:25 | 0:15:29 | |
it's the absolute hub of the home. | 0:15:29 | 0:15:31 | |
And that is a woman's too. | 0:15:33 | 0:15:35 | |
I think... | 0:15:35 | 0:15:36 | |
If you can't cook, you are a rotten wife. | 0:15:38 | 0:15:40 | |
-LAUGHTER SHEEPISHLY: -So do I. | 0:15:40 | 0:15:43 | |
LAUGHTER | 0:15:43 | 0:15:46 | |
But just to be on the safe side, for when I was ill or in bed, | 0:15:46 | 0:15:50 | |
with anything else, I... | 0:15:50 | 0:15:51 | |
LAUGHTER | 0:15:51 | 0:15:54 | |
I taught John to cook so that he could look after me. | 0:15:56 | 0:15:59 | |
Now, you used to prepare quite elaborate dishes in your time. | 0:15:59 | 0:16:02 | |
-Women don't have time nowadays. -Listen, | 0:16:02 | 0:16:04 | |
I've had enough of this "in your time." | 0:16:04 | 0:16:07 | |
I am not dead yet. There is plenty of life in me. | 0:16:07 | 0:16:10 | |
-I'm coming back to cook some more on television, so there. -Yeah. | 0:16:10 | 0:16:13 | |
But I mean, women don't have time these days for elaborate | 0:16:13 | 0:16:16 | |
dishes and that, do they? | 0:16:16 | 0:16:18 | |
And if this isn't one of your devious little workarounds | 0:16:18 | 0:16:23 | |
to convenience food, I'll tell you straight out that there is | 0:16:23 | 0:16:26 | |
only one convenience in convenience food, | 0:16:26 | 0:16:28 | |
and that's the profit for the manufacturers. | 0:16:28 | 0:16:30 | |
It is a load of muck. | 0:16:30 | 0:16:32 | |
LAUGHTER AND APPLAUSE | 0:16:32 | 0:16:35 | |
INAUDIBLE SPEECH | 0:16:35 | 0:16:38 | |
Don't you start them without... | 0:16:39 | 0:16:41 | |
I certainly will, they are my own mates. Aren't you? | 0:16:41 | 0:16:45 | |
-AUDIENCE: -Yes! -Well, clear off then. Go on. | 0:16:45 | 0:16:47 | |
-LAUGHTER -What about nouvelle cuisine, then? | 0:16:47 | 0:16:50 | |
ANNOYED: What about it? | 0:16:50 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:53 | |
-I'm sorry I mentioned it. -Yeah. I should think you are. | 0:16:53 | 0:16:56 | |
When are we going to get off cooking and talk about my new book? | 0:16:56 | 0:16:59 | |
-I don't know, whenever you like. -Let's do it now. | 0:16:59 | 0:17:01 | |
All right. What new book? | 0:17:01 | 0:17:03 | |
It's called... You've led into it, bless your heart. | 0:17:05 | 0:17:08 | |
It's called The Windsor Secret. | 0:17:08 | 0:17:10 | |
And I wrote it five years ago. | 0:17:11 | 0:17:13 | |
-And I couldn't publish it. -Why not? | 0:17:14 | 0:17:16 | |
Because it is not nice to the Duchess of Windsor and I had to wait | 0:17:16 | 0:17:19 | |
until she was dead. And it is the only time in my life | 0:17:19 | 0:17:22 | |
I've ever waited for dead anybody's shoes. | 0:17:22 | 0:17:24 | |
Because you honestly don't care much about people's feelings, do you? | 0:17:24 | 0:17:27 | |
I mean, you've spoken out freely and forcefully in the past. | 0:17:27 | 0:17:31 | |
Such as? | 0:17:31 | 0:17:32 | |
LAUGHTER | 0:17:32 | 0:17:34 | |
Well... | 0:17:34 | 0:17:36 | |
I know you are great chum of Barbara Cartland, | 0:17:37 | 0:17:40 | |
-but sometimes you haven't been all that kind about... -What, to Barbara? | 0:17:40 | 0:17:43 | |
-Hm. -One of my best friends. -Yeah. | 0:17:43 | 0:17:45 | |
Splendid woman! | 0:17:45 | 0:17:47 | |
A bit overdone, but then so am I. | 0:17:47 | 0:17:48 | |
LAUGHTER AND APPLAUSE | 0:17:48 | 0:17:53 | |
Now, it's funny that Fanny should mention Barbara Cartland, | 0:17:55 | 0:17:59 | |
cos that's who is up next. | 0:17:59 | 0:18:01 | |
A vision in pink. | 0:18:01 | 0:18:03 | |
Here is Dame Barbara getting into a right old ding-dong with | 0:18:03 | 0:18:07 | |
fellow writer Jackie Collins. | 0:18:07 | 0:18:09 | |
The fellow watching from the side is Ed Asner, | 0:18:09 | 0:18:11 | |
from the old Lou Grant series. | 0:18:11 | 0:18:13 | |
But all he really does is what I did, | 0:18:13 | 0:18:16 | |
and what you should do - | 0:18:16 | 0:18:17 | |
sit back, | 0:18:17 | 0:18:19 | |
enjoy the fireworks. | 0:18:19 | 0:18:20 | |
You don't seem to be losing any energy, | 0:18:23 | 0:18:24 | |
you are onto your 14th novel. | 0:18:24 | 0:18:27 | |
That's right. | 0:18:27 | 0:18:28 | |
Extraordinary. | 0:18:28 | 0:18:29 | |
Where does it all come from? | 0:18:29 | 0:18:31 | |
Well, it comes from the idea | 0:18:31 | 0:18:34 | |
that old people must keep working. | 0:18:34 | 0:18:36 | |
I talked to Zsa Zsa Gabor's eighth husband the other day | 0:18:36 | 0:18:39 | |
and I said, "How is Zsa Zsa?" "Oh, wonderful, 68." | 0:18:39 | 0:18:42 | |
He said, "I'll tell you exactly - | 0:18:42 | 0:18:43 | |
"she gets up at five clock every morning," nice for him, I thought, | 0:18:43 | 0:18:47 | |
"and she swims for two hours | 0:18:47 | 0:18:49 | |
"and then she is go, go, go all day." | 0:18:49 | 0:18:51 | |
-Now, that is the answer - go, go, go all day. -Keep going. | 0:18:51 | 0:18:54 | |
You have got to keep going. | 0:18:54 | 0:18:55 | |
Once you sit down, begin to think about yourself, well, then you die. | 0:18:55 | 0:18:59 | |
People die of boredom. Nobody ever died of old work. | 0:19:00 | 0:19:03 | |
Yes, I know, but if you are as young as Jackie Collins, say, | 0:19:03 | 0:19:07 | |
she doesn't have to do any rushing around. Or Ed Asner. | 0:19:07 | 0:19:09 | |
-Well, no, they are living their... -When they get old, they can do it. | 0:19:09 | 0:19:12 | |
Don't you see, we waste our old people. | 0:19:12 | 0:19:14 | |
One of my great things is that we must use the brains, | 0:19:14 | 0:19:18 | |
-the experience... -Oh, yes. -..and the enormous expertise of the old people. | 0:19:18 | 0:19:22 | |
We don't, we just shut them up in homes. | 0:19:22 | 0:19:24 | |
Other countries have Granny and Grandpa there. | 0:19:24 | 0:19:26 | |
And this is what is so exciting about my film because Lord Grade, | 0:19:26 | 0:19:29 | |
you see, he was so clever. | 0:19:29 | 0:19:31 | |
He's 80, but he's got the vision and the go of a young boy of 25. | 0:19:31 | 0:19:36 | |
He's seen that to save this mess with the persiv...pervis...society - | 0:19:36 | 0:19:42 | |
can't say that word. | 0:19:42 | 0:19:43 | |
-Permissive. -Permissive society. -I don't blame you not saying that. | 0:19:43 | 0:19:47 | |
I know, it's awful. But it has been simply ghastly. | 0:19:47 | 0:19:50 | |
We've got to go back to the family, | 0:19:50 | 0:19:52 | |
and that's what he's having a family film, | 0:19:52 | 0:19:54 | |
and I mean the whole family - Granny, Grandpa, the children, everyone. | 0:19:54 | 0:19:58 | |
-Is this Hazard Of Hearts? -Yes. -A new miniseries. | 0:19:58 | 0:20:01 | |
No Cartland book has ever been made into a miniseries. | 0:20:01 | 0:20:04 | |
No, because I was too pure, you see, and they all wanted something dirty | 0:20:04 | 0:20:07 | |
and people rolling about naked on beds, and that isn't me, you see. | 0:20:07 | 0:20:11 | |
And so now at last, Lord Grade has realised, we've got | 0:20:11 | 0:20:14 | |
to go back to the family to save the world. | 0:20:14 | 0:20:16 | |
I mean, look at the mess it's in. | 0:20:16 | 0:20:17 | |
Look what this society has done. | 0:20:17 | 0:20:19 | |
Look at the rush. We've got AIDS, we've got... Everything's awful. | 0:20:19 | 0:20:22 | |
We've got children more worse treated than they've ever been in history, | 0:20:22 | 0:20:26 | |
and I read a lot of history. | 0:20:26 | 0:20:28 | |
And we've got to do something, all of us - | 0:20:28 | 0:20:30 | |
you and I and the whole lot - we've got to try and do something about it. | 0:20:30 | 0:20:33 | |
I was trying to persuade Jackie to write a cleaner book. | 0:20:33 | 0:20:36 | |
I want to know where Zsa Zsa goes every day. | 0:20:36 | 0:20:38 | |
If she's go, go, go, where does she go? | 0:20:38 | 0:20:40 | |
-She's looking for another husband? -Two hours in a swimming pool... | 0:20:40 | 0:20:43 | |
Oh, I've got a wonderful story about that! Can I tell it very quickly? | 0:20:43 | 0:20:46 | |
-Certainly, yeah. -Well, Eva Gabor, | 0:20:46 | 0:20:48 | |
who is her sister, her younger sister, told me this story. | 0:20:48 | 0:20:51 | |
She said, "You know, darling, Zsa Zsa and I, | 0:20:51 | 0:20:53 | |
"we're not great friends. | 0:20:53 | 0:20:55 | |
"But it's funny because sometimes people think I'm Zsa Zsa. | 0:20:55 | 0:20:57 | |
"And I swim in my pool every day naked. | 0:20:57 | 0:20:59 | |
"And I have a big Hungarian rear end," she said. | 0:20:59 | 0:21:03 | |
"So one day, I'm swimming up and down naked and I see these guys | 0:21:03 | 0:21:06 | |
"and they're waving, they're working on a building, and they say, | 0:21:06 | 0:21:09 | |
"'Hiya, Zsa Zsa.'" | 0:21:09 | 0:21:10 | |
Oh, no, they said, "'Hiya, Eva.' And I said, 'No, no, darling, Zsa Zsa.'" | 0:21:10 | 0:21:13 | |
THEY LAUGH No, but the point is, it is | 0:21:13 | 0:21:17 | |
a question of old people sitting down and just sitting and feeling ill. | 0:21:17 | 0:21:21 | |
You see, I've done an awful lot of work with old people. | 0:21:21 | 0:21:24 | |
You know, I had a Government enquiry once into the conditions | 0:21:24 | 0:21:27 | |
and housing of old people, | 0:21:27 | 0:21:28 | |
and I think we're so stupid to miss | 0:21:28 | 0:21:31 | |
so much of what they can give us still. | 0:21:31 | 0:21:34 | |
-Hear, hear - I agree. -And apart from that, we've got | 0:21:34 | 0:21:36 | |
to do something about the whole country, you know we have. | 0:21:36 | 0:21:39 | |
We've got to get away from all this awful, terrible... It's evil, really. | 0:21:39 | 0:21:43 | |
-COLLINS: -What? | 0:21:43 | 0:21:45 | |
The books that you write, quite frankly. | 0:21:45 | 0:21:48 | |
LAUGHTER | 0:21:48 | 0:21:50 | |
APPLAUSE | 0:21:50 | 0:21:52 | |
Have you ever thought of the effects it has on young people? | 0:21:56 | 0:21:59 | |
-Yes, they love it, every moment of it. -I know... | 0:21:59 | 0:22:01 | |
-They write me letters... -..but that's what's wrong! | 0:22:01 | 0:22:03 | |
"I was reading it under the covers and..." | 0:22:03 | 0:22:05 | |
Let me tell you, there's room for both of us. | 0:22:05 | 0:22:07 | |
There's room for your books, which I'm sure are terrific | 0:22:07 | 0:22:09 | |
and you have huge fans everywhere. And there's room for mine, | 0:22:09 | 0:22:12 | |
which are a little more racy and people enjoy reading. | 0:22:12 | 0:22:15 | |
Yes, I quite agree they enjoy it, | 0:22:15 | 0:22:17 | |
but don't you think it has helped the perverts? | 0:22:17 | 0:22:19 | |
Oh! | 0:22:19 | 0:22:20 | |
If there's a pervert out there watching me, | 0:22:22 | 0:22:24 | |
I didn't do it intentionally. | 0:22:24 | 0:22:26 | |
You have all this awful abuse of children. | 0:22:26 | 0:22:29 | |
All that comes from a permissive society. | 0:22:29 | 0:22:31 | |
Permissive society started in 1970, | 0:22:31 | 0:22:33 | |
and everybody said, "You're the Queen of Romance, | 0:22:33 | 0:22:36 | |
"we're all going to have romance," but they didn't. | 0:22:36 | 0:22:38 | |
The publishers were told to write like Barbara Cartland with pornography. | 0:22:38 | 0:22:42 | |
I went out to America, and there were all the - I was going to say | 0:22:42 | 0:22:45 | |
girls - middle-aged women all writing things that they knew nothing about. | 0:22:45 | 0:22:48 | |
Most of them hadn't been kissed. | 0:22:48 | 0:22:50 | |
This is really true, nobody has every come up to me and said, | 0:22:50 | 0:22:52 | |
"You must write like Barbara Cartland, | 0:22:52 | 0:22:55 | |
"but put in a bit of pornography." | 0:22:55 | 0:22:56 | |
No, no, cos you've done it on your own, | 0:22:56 | 0:22:58 | |
without any need of Barbara Cartland. There's no Barbara Cartland in it. | 0:22:58 | 0:23:01 | |
The point is... No, listen. | 0:23:01 | 0:23:03 | |
There's a question I've been meaning to ask you. | 0:23:03 | 0:23:05 | |
I have to ask this question | 0:23:05 | 0:23:06 | |
because a newspaper did a piece on Barbara once and a piece on me | 0:23:06 | 0:23:10 | |
and Barbara was given The Stud to read, the book The Stud to read, | 0:23:10 | 0:23:13 | |
and she said, "It was a horrible, disgusting book. | 0:23:13 | 0:23:15 | |
"I stayed up all night reading it." | 0:23:15 | 0:23:17 | |
I want to know what she was doing all night. | 0:23:17 | 0:23:18 | |
-No, I didn't say that at all. What I said was... -You did, it's in print. | 0:23:18 | 0:23:22 | |
It's in print. | 0:23:22 | 0:23:23 | |
What I said was, I thought it was a horrible book because it was | 0:23:23 | 0:23:26 | |
so terribly improper. | 0:23:26 | 0:23:28 | |
And, you see, I worry terribly about the people who follow us. | 0:23:28 | 0:23:32 | |
You know people are influenced and you know that nobody really has | 0:23:32 | 0:23:35 | |
worked out what happens when those sort of things go into the brain. | 0:23:35 | 0:23:39 | |
-You know what you said earlier, you said... -Wait a minute. | 0:23:39 | 0:23:42 | |
When things are picked up by the brain, | 0:23:42 | 0:23:44 | |
it's like an encyclopaedia, and you can't get rid of it. | 0:23:44 | 0:23:46 | |
It's rather like... People say, "The television, you can turn it off." | 0:23:46 | 0:23:50 | |
You can't, you've seen it. | 0:23:50 | 0:23:52 | |
They needn't go out and buy one of your books or mine, | 0:23:52 | 0:23:55 | |
but on the television, | 0:23:55 | 0:23:56 | |
it's all covered - you're on the television too. | 0:23:56 | 0:23:58 | |
They have... You've seen it | 0:23:58 | 0:24:00 | |
and you can't get away from it, it's in your mind. | 0:24:00 | 0:24:03 | |
Once you've seen something, it remains there. | 0:24:03 | 0:24:05 | |
You say, "I won't think about it..." | 0:24:05 | 0:24:07 | |
Barbara, you said something very interesting before. | 0:24:07 | 0:24:09 | |
And excuse me, Terry, I do know this is your show. | 0:24:09 | 0:24:11 | |
LAUGHTER | 0:24:11 | 0:24:14 | |
I'm always... I have to say, you mustn't really apologise for that, | 0:24:14 | 0:24:17 | |
cos I really do love to have a discussion going between guests. | 0:24:17 | 0:24:20 | |
What I wanted to say, Barbara said something to you... | 0:24:20 | 0:24:22 | |
-Terry... -I'm not... | 0:24:22 | 0:24:25 | |
LAUGHTER AND APPLAUSE | 0:24:25 | 0:24:28 | |
-Barbara said something... -We'll have a conversation afterwards. | 0:24:32 | 0:24:35 | |
-OK, Barbara. -Barbara said something very interesting earlier - | 0:24:35 | 0:24:37 | |
"All these naked people rolling round on beds, it's disgusting." | 0:24:37 | 0:24:40 | |
Well, I really don't think there's anything | 0:24:40 | 0:24:42 | |
disgusting about naked people rolling around on beds, | 0:24:42 | 0:24:45 | |
I thought that is what you are supposed to do when you're married. | 0:24:45 | 0:24:48 | |
-No, listen. -How do you know? -Listen, that isn't love. | 0:24:48 | 0:24:50 | |
Love is something quite different to what we have had. | 0:24:50 | 0:24:53 | |
We've had sex, sex, sex. | 0:24:53 | 0:24:54 | |
When the Romantic era came in, everybody said, | 0:24:54 | 0:24:57 | |
"Now we can have every sort of sex." | 0:24:57 | 0:24:59 | |
There's nothing about love in it at all. | 0:24:59 | 0:25:01 | |
It was just animal - if you like - | 0:25:01 | 0:25:05 | |
making...you know, intercourse. | 0:25:05 | 0:25:08 | |
-Have you read Hollywood Husbands? -No, I wouldn't want to, thank you. | 0:25:08 | 0:25:12 | |
-Have you read Hollywood Wives? -I've seen... | 0:25:12 | 0:25:14 | |
It's difficult to criticise when you haven't... | 0:25:14 | 0:25:16 | |
I have criticised on The Stud and I've read | 0:25:16 | 0:25:19 | |
the things on your books and the advertisements you put in America. | 0:25:19 | 0:25:22 | |
I put in America advertisements? | 0:25:22 | 0:25:24 | |
-Yes, you put Barbara Cartland with iron knickers. -I...! | 0:25:24 | 0:25:27 | |
LAUGHTER | 0:25:27 | 0:25:29 | |
-You... -That was very funny. | 0:25:29 | 0:25:32 | |
I'm innocent! I am an innocent party here. | 0:25:32 | 0:25:36 | |
A row over romance there, but there will be no arguing | 0:25:38 | 0:25:42 | |
over this next trio and their romantic credentials. | 0:25:42 | 0:25:45 | |
We have got three of the finest operatic talents | 0:25:45 | 0:25:48 | |
of all time for you. | 0:25:48 | 0:25:50 | |
In a moment, there is Luciano Pavarotti | 0:25:50 | 0:25:52 | |
followed by Placido Domingo. | 0:25:52 | 0:25:54 | |
But first, very early on in The Wogan Show, | 0:25:54 | 0:25:56 | |
here's Jose Carreras singing Tonight, from West Side Story. | 0:25:56 | 0:26:02 | |
ORCHESTRA STARTS TO PLAY | 0:26:02 | 0:26:05 | |
# Tonight, tonight | 0:26:19 | 0:26:22 | |
# Won't be just any night | 0:26:22 | 0:26:25 | |
# Tonight there will be no | 0:26:25 | 0:26:28 | |
# Morning star | 0:26:28 | 0:26:31 | |
# Tonight, tonight | 0:26:31 | 0:26:34 | |
# I'll see my love tonight | 0:26:34 | 0:26:37 | |
# And for us stars will stop where they are | 0:26:37 | 0:26:44 | |
# Tonight The minutes seem like hours | 0:26:44 | 0:26:49 | |
# The hours go so slowly | 0:26:49 | 0:26:52 | |
# And still the sky is light | 0:26:52 | 0:26:57 | |
# Oh, moon, grow bright | 0:26:57 | 0:27:00 | |
# And make this endless day endless night | 0:27:00 | 0:27:06 | |
# Tonight | 0:27:06 | 0:27:09 | |
# Today | 0:27:38 | 0:27:40 | |
# The minutes seemed like hours | 0:27:40 | 0:27:45 | |
# The hours go so slowly | 0:27:45 | 0:27:50 | |
# And still the sky is light | 0:27:50 | 0:27:57 | |
# Oh, moon, grow bright | 0:27:57 | 0:28:00 | |
# And make this endless day endless night | 0:28:00 | 0:28:06 | |
# Tonight! # | 0:28:06 | 0:28:13 | |
APPLAUSE | 0:28:13 | 0:28:17 | |
Fantastic stuff. Now, Pavarotti never did sing on the show. | 0:28:23 | 0:28:28 | |
He always needed to rest his voice. | 0:28:28 | 0:28:30 | |
But that didn't stop him delighting us with his presence | 0:28:30 | 0:28:34 | |
and with a few nice insights into his life. | 0:28:34 | 0:28:37 | |
He did, however, insist on a table to cover his generous proportions | 0:28:37 | 0:28:41 | |
and a chair that was higher than mine so that I could look up to him. | 0:28:41 | 0:28:47 | |
Where did that... What they call a voice from heaven, | 0:28:47 | 0:28:49 | |
where did that come from? | 0:28:49 | 0:28:51 | |
From heaven. | 0:28:51 | 0:28:53 | |
No wonder they call it that. You have to guard your voice, don't you? | 0:28:53 | 0:28:57 | |
-Carefully. -Constantly. | 0:28:57 | 0:28:58 | |
I think I am | 0:28:58 | 0:29:01 | |
a prisoner of my voice. | 0:29:01 | 0:29:03 | |
And, uh... | 0:29:03 | 0:29:04 | |
I am treating my voice like | 0:29:04 | 0:29:06 | |
a very nice, gentle and sophisticated | 0:29:06 | 0:29:10 | |
and spoiled lady. | 0:29:10 | 0:29:12 | |
And sometimes... HE LAUGHS | 0:29:12 | 0:29:14 | |
But she repays me very well. | 0:29:14 | 0:29:17 | |
-Many of them don't. -LAUGHTER | 0:29:17 | 0:29:21 | |
Sometimes, they say, | 0:29:21 | 0:29:24 | |
"You, singer, are temperamental. | 0:29:24 | 0:29:27 | |
"You, singer, are here or there." | 0:29:27 | 0:29:29 | |
They do not understand that what we do, | 0:29:29 | 0:29:31 | |
we do most of the time for the voice. | 0:29:31 | 0:29:34 | |
Your mother. Your mother is your greatest fan, perhaps. | 0:29:34 | 0:29:39 | |
Your father too. | 0:29:39 | 0:29:40 | |
But your mother only saw you in person last year, didn't she? | 0:29:40 | 0:29:44 | |
I mean, she has always stayed away from your concerts. | 0:29:44 | 0:29:47 | |
She had the courage... My mother was born with a heart problem | 0:29:47 | 0:29:51 | |
and... | 0:29:51 | 0:29:52 | |
They always try to keep her away from my concerts, myself too. | 0:29:54 | 0:29:57 | |
I try to keep her away. | 0:29:57 | 0:29:59 | |
And finally, last year, she said, | 0:29:59 | 0:30:02 | |
"I don't care, I'm 75. | 0:30:02 | 0:30:04 | |
"If I die, I will die more happy | 0:30:04 | 0:30:07 | |
"because I have heard my son in person." | 0:30:07 | 0:30:11 | |
And she came, and she feel OK. She did feel very well. | 0:30:11 | 0:30:14 | |
-A little, you know... -Emotional. -Emotional, very much. | 0:30:14 | 0:30:18 | |
And there was more emotion in her, and I say, "What am I doing now? | 0:30:18 | 0:30:22 | |
"Let me not do a big effect here or I will kill my mother." | 0:30:22 | 0:30:26 | |
LAUGHTER | 0:30:26 | 0:30:28 | |
-So I don't think... -That's awful. That's awful. | 0:30:28 | 0:30:31 | |
-Don't sing your best cos you might kill your mother. -Yes. | 0:30:31 | 0:30:34 | |
I don't think it was my best concert, that. | 0:30:34 | 0:30:36 | |
That was a concert made for the heart of my mother. | 0:30:36 | 0:30:39 | |
-A very nervous concert, yeah. -Yeah. | 0:30:39 | 0:30:42 | |
Do you still enjoy singing? Do you still get pleasure from it? | 0:30:42 | 0:30:45 | |
If I don't enjoy it immensely, I will stop. | 0:30:45 | 0:30:50 | |
I really enjoy it very much. | 0:30:50 | 0:30:52 | |
Like I say, I like the contact with the people | 0:30:52 | 0:30:56 | |
and I like the contact with my audience. | 0:30:56 | 0:30:58 | |
And more than anything, I thank God because he gave me | 0:30:58 | 0:31:02 | |
the opportunity to work | 0:31:02 | 0:31:04 | |
in music with something... | 0:31:04 | 0:31:07 | |
it doesn't need any translation between country. | 0:31:07 | 0:31:12 | |
We went to Russia, I remember, three years ago, | 0:31:12 | 0:31:15 | |
and we have an interpreter to do everything, | 0:31:15 | 0:31:18 | |
except when we begin to do music. | 0:31:18 | 0:31:20 | |
And that was the biggest message. | 0:31:20 | 0:31:22 | |
They opened, all of the people, for us. And that was | 0:31:22 | 0:31:27 | |
something that politics probably cannot do and music did very easy. | 0:31:27 | 0:31:31 | |
Do you sing in the bath? | 0:31:31 | 0:31:33 | |
I don't, no. | 0:31:33 | 0:31:35 | |
I don't. | 0:31:35 | 0:31:37 | |
Unless I go there to make the shower come... | 0:31:37 | 0:31:42 | |
Humid. You know humidif... | 0:31:42 | 0:31:44 | |
And then I try to sing to see if it's better. | 0:31:44 | 0:31:47 | |
But I don't sing in the bath. | 0:31:47 | 0:31:49 | |
I'm not a fanatic of singing. | 0:31:49 | 0:31:51 | |
Why? | 0:31:51 | 0:31:52 | |
No, I just wondered. | 0:31:52 | 0:31:54 | |
Anybody who wants to get a free concert could | 0:31:54 | 0:31:56 | |
-hang around outside your bedroom. -No. | 0:31:56 | 0:31:58 | |
Music is not your only passion, though, is it? | 0:31:58 | 0:32:00 | |
I mean, we have been talking about music. | 0:32:00 | 0:32:02 | |
You have other passions, haven't you? | 0:32:02 | 0:32:04 | |
If you are talking of passion, and I give to this word the right meaning, | 0:32:04 | 0:32:09 | |
I think music is the only one. | 0:32:09 | 0:32:11 | |
But I have a hobby. And the hobby is to paint. | 0:32:11 | 0:32:15 | |
And a hobby is to play tennis. And a hobby is going on the horse. | 0:32:15 | 0:32:19 | |
The other passion that I have is life. | 0:32:19 | 0:32:21 | |
I like life very much, and you can see, I mean... | 0:32:21 | 0:32:25 | |
If you know me very well, you can see that I like life very much. | 0:32:25 | 0:32:29 | |
And you still follow football? | 0:32:29 | 0:32:31 | |
-Cos you were nearly a footballer, weren't you? -Well... | 0:32:31 | 0:32:35 | |
I was a football player until 19. | 0:32:35 | 0:32:39 | |
I was almost good. | 0:32:39 | 0:32:40 | |
I think I was ten pounds too much to be good, really. Just that too much. | 0:32:40 | 0:32:47 | |
And then when I begin to sing, I put a scarf around my neck, | 0:32:48 | 0:32:52 | |
I give away my shoes to a kid - he was much better than me. | 0:32:52 | 0:32:58 | |
And he became a football player, in fact. | 0:32:58 | 0:33:01 | |
And... | 0:33:01 | 0:33:03 | |
I stopped to make gymnastics, to make everything. | 0:33:03 | 0:33:06 | |
I went on eating the same way than before and I gained constantly, | 0:33:06 | 0:33:10 | |
little by little, a lot. | 0:33:10 | 0:33:12 | |
And that is the reason why I'm like that. | 0:33:12 | 0:33:14 | |
But before, I was much smaller than you. Yes, much... | 0:33:14 | 0:33:17 | |
Yes, much smaller than you. | 0:33:19 | 0:33:21 | |
Much smaller. I was a real athlete. | 0:33:21 | 0:33:24 | |
-I am a bit athletic myself, you know. -I mean football. | 0:33:25 | 0:33:29 | |
-You have to jump high and... -Keep fit, yes. | 0:33:29 | 0:33:31 | |
For 90 minutes, you have really to run. | 0:33:31 | 0:33:34 | |
I think it's one of the most intelligent sports. | 0:33:34 | 0:33:38 | |
But I mean, you're a picture of ruddy good health. | 0:33:38 | 0:33:41 | |
-I wouldn't like to see you lose any weight. -Me too. I would like. | 0:33:41 | 0:33:46 | |
-Would you? -Yeah. | 0:33:46 | 0:33:49 | |
-Would your voice suffer if you lost weight? -I don't think so. | 0:33:49 | 0:33:53 | |
-No, I don't think so. -So, what do you have to give up to lose weight? | 0:33:53 | 0:33:56 | |
-Food. -Food. | 0:33:56 | 0:33:58 | |
LAUGHTER | 0:33:58 | 0:34:00 | |
As you say in Italy, food. Luciano Pavarotti. | 0:34:00 | 0:34:03 | |
APPLAUSE | 0:34:03 | 0:34:07 | |
And now, some magic from a marvellous Placido Domingo, | 0:34:14 | 0:34:18 | |
who treated us to a stirring performance of the song Granada. | 0:34:18 | 0:34:22 | |
# Granada | 0:34:35 | 0:34:38 | |
# Tierra sonada por mi | 0:34:38 | 0:34:43 | |
# Mi cantar se vuelve gitano | 0:34:43 | 0:34:47 | |
# Cuando es para ti | 0:34:47 | 0:34:51 | |
# Mi cantar | 0:34:51 | 0:34:54 | |
# Hecho de fantasia | 0:34:54 | 0:35:01 | |
# Mi cantar | 0:35:01 | 0:35:04 | |
# Flor de melancolia | 0:35:04 | 0:35:10 | |
# Que yo te vengo | 0:35:10 | 0:35:17 | |
# A dar | 0:35:17 | 0:35:23 | |
# Granada | 0:35:25 | 0:35:27 | |
# Tierra ensangrentada | 0:35:27 | 0:35:30 | |
# En tardes de toros | 0:35:30 | 0:35:34 | |
# Mujer que conserva el embrujo | 0:35:37 | 0:35:41 | |
# De los ojos moros | 0:35:41 | 0:35:46 | |
# De sueno rebelde | 0:35:48 | 0:35:50 | |
# Y gitana cubierta | 0:35:50 | 0:35:53 | |
# De flores | 0:35:53 | 0:35:57 | |
# Y beso tu boca | 0:35:57 | 0:36:00 | |
# De grana jugosa manzana | 0:36:00 | 0:36:04 | |
# Que me habla de amores | 0:36:04 | 0:36:11 | |
# Granada | 0:36:12 | 0:36:14 | |
# Manola cantada | 0:36:14 | 0:36:17 | |
# En coplas preciosas | 0:36:17 | 0:36:23 | |
# No tengo otra cosa que darte | 0:36:23 | 0:36:28 | |
# Que un ramo de rosas | 0:36:28 | 0:36:34 | |
# De rosas de suave fragancia | 0:36:36 | 0:36:40 | |
# Que le dieran marco | 0:36:40 | 0:36:43 | |
# A la Virgen Morena | 0:36:43 | 0:36:49 | |
# Granada | 0:36:49 | 0:36:53 | |
# Tu tierra esta llena | 0:36:53 | 0:36:59 | |
# De lindas mujeres | 0:36:59 | 0:37:01 | |
# De sangre y de sol | 0:37:01 | 0:37:07 | |
# Granada | 0:37:41 | 0:37:44 | |
# Tu tierra esta llena | 0:37:44 | 0:37:48 | |
# De lindas mujeres | 0:37:48 | 0:37:51 | |
# De sangre y de | 0:37:51 | 0:37:55 | |
# Sol! # | 0:37:55 | 0:38:00 | |
APPLAUSE | 0:38:00 | 0:38:04 | |
And finally, one of the most well-received guests we ever had | 0:38:15 | 0:38:18 | |
on The Wogan Show - writer, raconteur | 0:38:18 | 0:38:21 | |
and all-round delight - Quentin Crisp, self-styled, | 0:38:21 | 0:38:24 | |
naked civil servant who came on after | 0:38:24 | 0:38:27 | |
an appearance by the cricketer Viv Richards, | 0:38:27 | 0:38:29 | |
which explains the sporting angle that we start off with. | 0:38:29 | 0:38:34 | |
Did you ever play cricket? Are you...are you a sporting man? | 0:38:34 | 0:38:38 | |
I wouldn't describe myself as a sporting man, | 0:38:38 | 0:38:41 | |
but I was forced to play cricket at school. | 0:38:41 | 0:38:46 | |
-Did you enjoy it? -I hated every moment of it. | 0:38:46 | 0:38:50 | |
What about America, though? | 0:38:50 | 0:38:53 | |
I mean, do you play any sports now that you live in America? | 0:38:53 | 0:38:55 | |
American football, anything like that? | 0:38:55 | 0:38:57 | |
Oh, no, now I'm happily beyond the point where anyone can expect | 0:38:57 | 0:39:03 | |
any activity of me whatsoever. | 0:39:03 | 0:39:06 | |
LAUGHTER | 0:39:06 | 0:39:10 | |
You have... You've lived in America for the last six years. | 0:39:10 | 0:39:15 | |
How do we look from over there? | 0:39:15 | 0:39:17 | |
What's your perspective on Britain from over there? | 0:39:17 | 0:39:21 | |
Well, it looks nice...from over there. | 0:39:21 | 0:39:25 | |
But then... That's an odd thing to say. | 0:39:25 | 0:39:28 | |
But it is very different. America is very different. | 0:39:28 | 0:39:33 | |
England is quieter, | 0:39:33 | 0:39:36 | |
cosier, more restful. | 0:39:36 | 0:39:39 | |
America is more vigorous and more ambitious. | 0:39:39 | 0:39:45 | |
But also, of course, Americans are very, very friendly. | 0:39:45 | 0:39:50 | |
You see, in England, you have to make friends. | 0:39:50 | 0:39:54 | |
It's very tiring. LAUGHTER | 0:39:54 | 0:39:57 | |
And when you've made them, you get stuck with them. | 0:39:57 | 0:40:01 | |
Which is more tiring. | 0:40:01 | 0:40:02 | |
But in America, you never get stuck with anybody. | 0:40:02 | 0:40:06 | |
LAUGHTER | 0:40:06 | 0:40:09 | |
Three weeks is a meaningful relationship. | 0:40:09 | 0:40:12 | |
That's what you like, you don't like long-lasting relationships. | 0:40:14 | 0:40:17 | |
No, they're worrying. | 0:40:17 | 0:40:19 | |
You were... | 0:40:21 | 0:40:22 | |
Remembering The Naked Civil Servant, your book, you were given | 0:40:22 | 0:40:26 | |
a rough time over here when you lived here in your 20s and your 30s. | 0:40:26 | 0:40:31 | |
Do you think you'd have had a happier time now | 0:40:31 | 0:40:34 | |
if you were growing up here now, if you were in your 20s now? | 0:40:34 | 0:40:37 | |
-Would it be different? -Oh, yes, my life would be much easier now. | 0:40:37 | 0:40:40 | |
-Happier? -Oh, yes. | 0:40:40 | 0:40:42 | |
-Why do you think that? -Well, because anything goes. You see, | 0:40:42 | 0:40:47 | |
happiness... Life, the world has fallen into the hands of the young. | 0:40:47 | 0:40:52 | |
See, when I... | 0:40:52 | 0:40:54 | |
There were no teenagers when I was young. | 0:40:54 | 0:40:58 | |
You were a dear little thing till you were about ten years old | 0:40:58 | 0:41:02 | |
and then there was an embarrassed silence | 0:41:02 | 0:41:05 | |
until you came out the other end. | 0:41:05 | 0:41:07 | |
For one thing, you had no money. | 0:41:09 | 0:41:11 | |
There could never have been a teenage market. | 0:41:11 | 0:41:15 | |
Because no teenagers had any money to spend. | 0:41:15 | 0:41:18 | |
Do you think people would have been more tolerant of the way you | 0:41:18 | 0:41:21 | |
-behave and the way you dress? -Oh, yes. Now, what... I mean, | 0:41:21 | 0:41:25 | |
in New Y... I live on the Lower East Side. | 0:41:25 | 0:41:28 | |
There is nothing you can do or wear or say that would make you | 0:41:28 | 0:41:33 | |
seem remarkable. There are people with rocking horse hairdos. | 0:41:33 | 0:41:38 | |
The ends of their hair are gold | 0:41:38 | 0:41:40 | |
and the middle of their hair is green and the roots are black. | 0:41:40 | 0:41:45 | |
And nobody is taking the faintest notice. | 0:41:45 | 0:41:48 | |
That doesn't please them, does it? | 0:41:50 | 0:41:52 | |
Well... I don't know whether it pleases them. I worry... | 0:41:52 | 0:41:57 | |
The punk movement began in England, | 0:41:57 | 0:42:00 | |
but the sad thing is, | 0:42:00 | 0:42:02 | |
the punk movement is a hostile movement. | 0:42:02 | 0:42:06 | |
The punk people are not happy. And that worries me. | 0:42:06 | 0:42:10 | |
Because if you can do anything, if you can say anything, if you can wear | 0:42:10 | 0:42:15 | |
anything, surely your attitude toward the world should be benign, friendly. | 0:42:15 | 0:42:22 | |
Yes, but surely if you're allowed to do anything you like, | 0:42:22 | 0:42:25 | |
then there's no incentive to do anything. | 0:42:25 | 0:42:29 | |
There is if you make chains for yourself. | 0:42:29 | 0:42:34 | |
When the chains are not put on you by others, | 0:42:34 | 0:42:37 | |
you have to exercise a certain amount of discipline. | 0:42:37 | 0:42:42 | |
So you have to try and invent a way of going on, a way of living, | 0:42:42 | 0:42:47 | |
a way of speaking, dressing that represents you. | 0:42:47 | 0:42:51 | |
And that is your discipline. | 0:42:53 | 0:42:55 | |
And that tells you where to go, what to do, how to live. | 0:42:55 | 0:42:59 | |
How would you describe yourself? | 0:42:59 | 0:43:01 | |
Do you think of yourself...do you see yourself...? Do you feel happy? | 0:43:01 | 0:43:06 | |
Oh, yes, I am happy now. | 0:43:06 | 0:43:08 | |
On my passport, it says that I'm a writer, | 0:43:08 | 0:43:13 | |
but really I'm a cross between an evangelist and a clown. | 0:43:13 | 0:43:18 | |
LAUGHTER | 0:43:18 | 0:43:20 | |
Where does the evangelism come in? | 0:43:20 | 0:43:22 | |
As you just said, people should do whatever they want to do. | 0:43:22 | 0:43:25 | |
That's right. I only understand happiness. | 0:43:25 | 0:43:29 | |
And all I can do is tell the people of America how to be happy. | 0:43:29 | 0:43:34 | |
And there, we end. | 0:43:35 | 0:43:37 | |
We hope you'll agree, it was a rather...agreeable selection. | 0:43:37 | 0:43:41 | |
There's plenty more where they came from, too. | 0:43:41 | 0:43:43 | |
So make sure you join me again next time. | 0:43:43 | 0:43:46 | |
Come on, I don't want to be talking to myself. | 0:43:46 | 0:43:49 |