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'It's an opportunity like no other.' | 0:00:05 | 0:00:07 | |
I don't like teacher's pets and I don't like bullies. | 0:00:07 | 0:00:11 | |
I like young people that have the potential to succeed in business. | 0:00:11 | 0:00:15 | |
'From all over the country, Britain's youngest aspiring entrepreneurs have come to London.' | 0:00:15 | 0:00:21 | |
Ow! Hold the door! | 0:00:21 | 0:00:23 | |
-'Aged 16 and 17...' -It was bad management. | 0:00:23 | 0:00:27 | |
'..all have a burning passion for business.' | 0:00:27 | 0:00:30 | |
-Next! -High knees! | 0:00:30 | 0:00:34 | |
'They'll battle it out for a prize worth £25,000, | 0:00:34 | 0:00:38 | |
'the ultimate kick-start to a career in business.' | 0:00:38 | 0:00:42 | |
Where was the business sense here? It's been done before. | 0:00:42 | 0:00:45 | |
'But to succeed, they'll have to impress the boss.' | 0:00:45 | 0:00:48 | |
You've tried to be too clever and I'm afraid that it's backfired. | 0:00:48 | 0:00:54 | |
'In charge of a vast business empire, | 0:00:54 | 0:00:56 | |
'Lord Sugar started his career while still at school. | 0:00:56 | 0:01:00 | |
'Now, he's on the hunt for his next Young Apprentice.' | 0:01:00 | 0:01:04 | |
It's not a loss, is it? It's a complete annihilation. | 0:01:04 | 0:01:09 | |
It was my decision to make. I hope you enjoy when we lose. | 0:01:09 | 0:01:14 | |
'To win, they have to work as a team...' | 0:01:14 | 0:01:16 | |
- We just had some ideas. - It's done now. We've finished it. | 0:01:16 | 0:01:20 | |
Well, that's annoying. | 0:01:20 | 0:01:22 | |
'..but shine as individuals.' | 0:01:22 | 0:01:24 | |
Oh, my God! | 0:01:24 | 0:01:26 | |
'Because, in the end, there can only be one Young Apprentice.' | 0:01:26 | 0:01:30 | |
You're fired. You're fired. | 0:01:30 | 0:01:32 | |
With regret, you're fired. | 0:01:32 | 0:01:34 | |
All right, guys. Come down here. | 0:01:42 | 0:01:44 | |
'Previously, on Young Apprentice...' | 0:01:44 | 0:01:46 | |
Your task is to create a new kids' club | 0:01:46 | 0:01:49 | |
that is going to capture the imagination of the youngsters. | 0:01:49 | 0:01:52 | |
'Project manager Ashleigh stamped her authority.' | 0:01:52 | 0:01:55 | |
Me gut instinct is usually right. The recycling idea is better. | 0:01:55 | 0:01:59 | |
Our idea is much better. | 0:01:59 | 0:02:01 | |
Rockets. | 0:02:01 | 0:02:02 | |
'Maria and Steven began with a bang.' | 0:02:02 | 0:02:06 | |
SCREAMS That is really good. | 0:02:06 | 0:02:09 | |
'Kids' clubs took shape.' | 0:02:09 | 0:02:11 | |
Hello, kids! | 0:02:11 | 0:02:12 | |
That looks like so much fun! | 0:02:12 | 0:02:15 | |
'Ashleigh's Active Art Class made its mark.' | 0:02:15 | 0:02:18 | |
Come on, guys! Faster! | 0:02:18 | 0:02:20 | |
'Space was Odyssey's theme.' | 0:02:20 | 0:02:22 | |
Blast Off is a new and exciting kids' club... | 0:02:22 | 0:02:25 | |
'Navdeep's jet-propelled pitch led to boardroom victory.' | 0:02:25 | 0:02:29 | |
-They really liked it. -Very well done. | 0:02:29 | 0:02:32 | |
-'Ashleigh pointed the finger.' -He just switches off. | 0:02:33 | 0:02:37 | |
-How did I switch...? -Can you let me speak? | 0:02:37 | 0:02:39 | |
'Andrew came under fire.' | 0:02:39 | 0:02:41 | |
Fourth time in the losing team. I don't know whether I've got your card marked. | 0:02:41 | 0:02:46 | |
'But for David...' | 0:02:46 | 0:02:48 | |
Because Lord Sugar knows my abilities... | 0:02:48 | 0:02:50 | |
What I know are your deficiencies. | 0:02:50 | 0:02:52 | |
-'..it was game over.' -You're fired. | 0:02:52 | 0:02:55 | |
'Now, seven remain in the battle to become | 0:02:56 | 0:02:59 | |
'Lord Sugar's young apprentice.' | 0:02:59 | 0:03:01 | |
'7am.' | 0:03:08 | 0:03:11 | |
PHONE RINGING | 0:03:11 | 0:03:13 | |
-Hello? -'This is Lord Sugar's office. | 0:03:15 | 0:03:17 | |
'He would like you to meet him at a central London hair salon. | 0:03:17 | 0:03:21 | |
-'Your car will leave in 30 minutes.' -Brilliant. Thank you. | 0:03:21 | 0:03:24 | |
Guys, cars will be here in 30 minutes! | 0:03:24 | 0:03:28 | |
-We're meeting Lord Sugar at a hair salon. -A hair salon? | 0:03:28 | 0:03:31 | |
I use shampoo and I wear hair gel. | 0:03:31 | 0:03:34 | |
-Do you use anything? -A little bit. | 0:03:34 | 0:03:36 | |
Maria's Hair & Beauty - I think it's got a nice ring to it. | 0:03:36 | 0:03:41 | |
It's very important to look good. | 0:03:42 | 0:03:44 | |
'Central London. | 0:03:55 | 0:03:58 | |
'An up-market hair salon, | 0:03:58 | 0:04:00 | |
'but originally, one of the capital's oldest barber shops.' | 0:04:00 | 0:04:04 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:04:12 | 0:04:15 | |
We're here in one of London's most prestigious hair salons. | 0:04:15 | 0:04:20 | |
As a nation, we're spending over £200 million a year | 0:04:20 | 0:04:25 | |
on hairstyling products. | 0:04:25 | 0:04:27 | |
It's a huge market, and your task this week is very simple. | 0:04:27 | 0:04:31 | |
You have got to make a television advert for a hairstyling product. | 0:04:31 | 0:04:37 | |
And then, pitch your brand and advertising campaign | 0:04:37 | 0:04:42 | |
to advertising professionals, who are going to feed their thoughts back to me. | 0:04:42 | 0:04:47 | |
The team that comes up with the best campaign will win. | 0:04:47 | 0:04:50 | |
Unfortunately, in the losing team, | 0:04:50 | 0:04:52 | |
one of you will be fired. | 0:04:52 | 0:04:55 | |
I'm going to mix the teams up a little bit. | 0:04:55 | 0:04:59 | |
Andrew and Lucy, you go over to Odyssey. | 0:04:59 | 0:05:02 | |
Patrick and Maria, come and join Platinum. | 0:05:04 | 0:05:08 | |
Now, Maria, you haven't been a project manager before. | 0:05:09 | 0:05:13 | |
You are now. You're going to be the project manager of Platinum. | 0:05:13 | 0:05:16 | |
And Andrew, you're going to be the project manager of Odyssey. | 0:05:16 | 0:05:21 | |
So, good luck, and I'll see you back in the boardroom in a couple of days. Off you go. | 0:05:21 | 0:05:27 | |
'Three days to create, brand and advertise a new product | 0:05:32 | 0:05:36 | |
'for the multi-million-pound UK hairstyling market. | 0:05:36 | 0:05:40 | |
'Then pitch it to top advertising executives.' | 0:05:41 | 0:05:45 | |
-This task sounds great. -I'm gutted. I wanted to be PM. | 0:05:45 | 0:05:48 | |
Andrew, project manager. Yeah. Interesting. | 0:05:48 | 0:05:52 | |
I'd prefer to work with them two than Maria. She irritates me. | 0:05:52 | 0:05:56 | |
I think it's better to work in a small team of creative people. | 0:05:56 | 0:06:00 | |
Sometimes, you get too many people's opinions and you don't need them. | 0:06:00 | 0:06:04 | |
'First stop... | 0:06:04 | 0:06:06 | |
'Havas, London. | 0:06:06 | 0:06:08 | |
'A top agency, famous for its hair product advertising campaigns. | 0:06:10 | 0:06:15 | |
'Critical to the launch of any hair care product - | 0:06:18 | 0:06:21 | |
'a catchy name and a target market.' | 0:06:21 | 0:06:24 | |
-ANDREW: -Which one are we going for? -Women's is saturated. | 0:06:27 | 0:06:30 | |
There's lots out there. Men's definitely. | 0:06:30 | 0:06:33 | |
-Men's definitely? All happy? -Yeah. | 0:06:33 | 0:06:35 | |
I were gonna say definitely women. | 0:06:36 | 0:06:38 | |
Yeah, all three of us will be able to focus more towards woman. | 0:06:38 | 0:06:42 | |
We're all interested in that sort of thing. I know we have a boy, but you like fashion! | 0:06:42 | 0:06:47 | |
I were thinking, sex sells. | 0:06:47 | 0:06:49 | |
-And I'm thinking... -I agree. -..use sex. | 0:06:49 | 0:06:52 | |
What's a good name that stands out? Something that's not just... | 0:06:52 | 0:06:57 | |
-See? I'm thinking... -Diva. | 0:06:57 | 0:07:00 | |
-Diva can't be done. -I'm thinking the word Strexy. | 0:07:00 | 0:07:04 | |
Strong-Sexy. | 0:07:04 | 0:07:06 | |
I love that! | 0:07:06 | 0:07:08 | |
Strong hair for the sexy woman. | 0:07:08 | 0:07:10 | |
Strexy. Strong, independent, classy woman. | 0:07:10 | 0:07:14 | |
Boom, there, in your face. Deal with it. | 0:07:14 | 0:07:16 | |
-What themes were you thinking? -I quite like the idea of indie. | 0:07:16 | 0:07:21 | |
-Festival-goers, that sort of thing. -So, the key feature...? -Different. | 0:07:21 | 0:07:25 | |
-You've got to be different. -Yeah. | 0:07:25 | 0:07:27 | |
We need to make something memorable and unique in the market. | 0:07:27 | 0:07:30 | |
That can go terribly wrong or terribly right. | 0:07:30 | 0:07:33 | |
Names and slogans, what do you think? | 0:07:33 | 0:07:36 | |
What's that saying about something that changes its spots? | 0:07:36 | 0:07:40 | |
-Leopard. -That's going against what we're trying to sell. | 0:07:40 | 0:07:43 | |
We're trying to say that you CAN change. | 0:07:43 | 0:07:47 | |
Or, "Leopard - change your spots!" | 0:07:47 | 0:07:49 | |
-"Be different." -How about "different" full stop? | 0:07:49 | 0:07:52 | |
-Or "diff" full stop? -STEVEN: Diff! Original(!) | 0:07:52 | 0:07:57 | |
I'm not feeling this! | 0:07:57 | 0:07:59 | |
What about, "This is gel"? Really simple. | 0:07:59 | 0:08:02 | |
-I like it. -Is there an animal that wants to be...? | 0:08:02 | 0:08:05 | |
-That keep changing their colours. -Chameleon. | 0:08:05 | 0:08:08 | |
-Chameleon. -I like it. Chameleon. I like it. | 0:08:08 | 0:08:12 | |
Right, nice one. Off you pop. | 0:08:12 | 0:08:14 | |
'For Andrew's team, hair gel for men.' | 0:08:14 | 0:08:18 | |
See ya later. Be on the phone! | 0:08:18 | 0:08:20 | |
'Already on the road...' | 0:08:20 | 0:08:22 | |
-What about the name Tease? -Cheese? -Tease. | 0:08:22 | 0:08:26 | |
'..it's a female hairspray for Maria's team.' | 0:08:26 | 0:08:29 | |
What I want to stress here is colour. | 0:08:29 | 0:08:32 | |
Colour is what attracts people. | 0:08:32 | 0:08:35 | |
Maria, colourful and girlie is already very out there. | 0:08:35 | 0:08:38 | |
Get those questions out of market research. I want to know what the target market want, not what we want. | 0:08:38 | 0:08:43 | |
That's that sorted. | 0:08:43 | 0:08:45 | |
Everything would be pink if she had her way. | 0:08:45 | 0:08:48 | |
The thing that stands out to me on that shelf is that. | 0:08:48 | 0:08:51 | |
Pink's a definite no-no. | 0:08:51 | 0:08:53 | |
Blue, pink. | 0:08:54 | 0:08:57 | |
-No, no. -And red. | 0:08:57 | 0:09:00 | |
-Green's pretty bare. -That's pretty cool. | 0:09:00 | 0:09:03 | |
Neon sort of colouring. It stands out, like a neon green. | 0:09:03 | 0:09:06 | |
I like the neon. That stands out. | 0:09:06 | 0:09:09 | |
Looking forward to meeting the indie boy band, Lucy? | 0:09:10 | 0:09:14 | |
I am strictly professional! NAVDEEP LAUGHS | 0:09:14 | 0:09:17 | |
'Briefed to brush up on the alternative market, | 0:09:17 | 0:09:20 | |
'Lucy and Navdeep drop in for an audience with their focus group - | 0:09:20 | 0:09:26 | |
'a boy band.' | 0:09:26 | 0:09:28 | |
Hi, guys. | 0:09:28 | 0:09:30 | |
So, we're creating a new brand for hair gel. | 0:09:30 | 0:09:33 | |
We just want to throw a lot of ideas at you. | 0:09:33 | 0:09:37 | |
One that we're looking at is Break Free as the title. | 0:09:37 | 0:09:40 | |
I don't know how you can link that straight to hair. | 0:09:40 | 0:09:43 | |
Being free with hair suggests it's not styled. | 0:09:43 | 0:09:47 | |
Mr Alternative? Definitely not. No. | 0:09:47 | 0:09:49 | |
We weren't sure about that, either. | 0:09:49 | 0:09:52 | |
We had a few other names. Leopard. I think we had Chameleon as well. | 0:09:52 | 0:09:56 | |
-This idea of changing, adapting. -Ooh, Chameleon. That's really good. | 0:09:56 | 0:10:01 | |
-Really? -Chameleon's really good. | 0:10:01 | 0:10:03 | |
That could work quite nicely. The word "adapt" comes in. | 0:10:03 | 0:10:06 | |
I think Chameleon works. | 0:10:06 | 0:10:08 | |
Your reaction to it made me think that's a good name. | 0:10:08 | 0:10:12 | |
'Combing for clues to the women's market with an all-girl roller derby team - Ashleigh.' | 0:10:14 | 0:10:20 | |
Hi. | 0:10:21 | 0:10:23 | |
What do you think to the name Strexy? | 0:10:23 | 0:10:25 | |
-What's it called again? -Strexy. | 0:10:25 | 0:10:27 | |
-Strexy? -Yeah. What if I said Strexy is "strong" and "sexy" together? | 0:10:27 | 0:10:32 | |
-Strong and sexy - Strexy. -What about Stroxy instead? | 0:10:32 | 0:10:36 | |
It's got "rock" in the middle and you can see the words it's come from easier. | 0:10:36 | 0:10:41 | |
PHONE RINGS Hiya. | 0:10:41 | 0:10:44 | |
-Hi. -Did you ask them about Strexy? | 0:10:44 | 0:10:46 | |
Yeah, and they said you could call it Stroxy and get "rocky", "sexy" and "strong" in there. | 0:10:46 | 0:10:53 | |
-But I still like Strexy. -I like Strexy, compared with that. | 0:10:53 | 0:10:57 | |
-We sort of came up with an idea for the ad. -Yes? | 0:10:57 | 0:11:02 | |
-You know the way you mentioned the boxing ring? -Yeah. | 0:11:02 | 0:11:05 | |
We were thinking one girl and she would be surrounded by guys. | 0:11:05 | 0:11:10 | |
They could say stereotypical lad lines like, "It's not me, it's you." | 0:11:10 | 0:11:14 | |
"Sorry, I forgot your number." | 0:11:14 | 0:11:16 | |
Then instead of punching them, she could whip them with her hair. | 0:11:16 | 0:11:21 | |
I think that's a brilliant idea. | 0:11:21 | 0:11:23 | |
'Keen to lock down a brand name...' | 0:11:25 | 0:11:27 | |
-Hi. -Hi. | 0:11:27 | 0:11:29 | |
'..Andrew calls Navdeep and Lucy.' | 0:11:29 | 0:11:32 | |
We spoke to the focus group and they really liked Chameleon. | 0:11:32 | 0:11:35 | |
OK. | 0:11:35 | 0:11:37 | |
They loved the name Chameleon, being able to adapt and change. Versatile. | 0:11:37 | 0:11:41 | |
It would appeal to other people as well. | 0:11:41 | 0:11:44 | |
-OK, I do like the Chameleon. I do like how it changes. -Yeah. | 0:11:44 | 0:11:49 | |
How about, we've got lots of people, | 0:11:49 | 0:11:51 | |
they're talking about how different their hairstyles are, | 0:11:51 | 0:11:55 | |
then they whack out their gel and it's our gel. | 0:11:55 | 0:11:57 | |
They're all using the same one? That's a really good idea. | 0:11:57 | 0:12:01 | |
Nice one. We'll book the models. See ya later, guys. | 0:12:01 | 0:12:04 | |
Whoo! I'm much more happy now. | 0:12:04 | 0:12:07 | |
'Preparing to give male models the once-over, | 0:12:07 | 0:12:11 | |
'Andrew and Steven.' | 0:12:11 | 0:12:13 | |
So, we're gonna bring them in. | 0:12:13 | 0:12:15 | |
We're gonna ask them to do a 360, so we get a full look at their hair. | 0:12:15 | 0:12:20 | |
It's gonna be awful. | 0:12:20 | 0:12:22 | |
Chuck it in, mess your hair up, so we can see the length. | 0:12:22 | 0:12:26 | |
Looks good. For that hair, nine out of ten. | 0:12:27 | 0:12:30 | |
For the hair. It's long. He's got a good set of hair. | 0:12:30 | 0:12:33 | |
-You're in love, aren't you? -I'm not in love! | 0:12:33 | 0:12:36 | |
Next! | 0:12:36 | 0:12:37 | |
-Would you say you're quite indie? -I'm not really indie. -OK, cool. | 0:12:37 | 0:12:41 | |
He had a ring in his ear. He's alternative! | 0:12:41 | 0:12:44 | |
-FRENCH ACCENT: -I work as an extra in movies. | 0:12:44 | 0:12:47 | |
-Is that how you normally wear your hair? -It depends. | 0:12:47 | 0:12:49 | |
-On what? -My style. | 0:12:49 | 0:12:51 | |
-Was he French? -I think he's Italian. | 0:12:53 | 0:12:56 | |
He's very, er...arrogant. | 0:12:56 | 0:12:59 | |
-But that's good. We need a bit of strut. -A bit of strut. | 0:13:00 | 0:13:04 | |
Just so we can see how long your hair is. | 0:13:04 | 0:13:07 | |
Have you got any tattoos or scars on the top half of your body? | 0:13:07 | 0:13:11 | |
-I don't know. See. -OK, that's all right. | 0:13:11 | 0:13:14 | |
LAUGHING: Fair enough, mate! | 0:13:14 | 0:13:16 | |
Cheers, thank you. | 0:13:16 | 0:13:18 | |
-Very keen. -OK, I didn't ask him to do that, before you say anything. | 0:13:23 | 0:13:28 | |
-He didn't have any scars. -No. -That's good, then. | 0:13:28 | 0:13:33 | |
'5pm.' | 0:13:34 | 0:13:36 | |
That sounds right to me. | 0:13:36 | 0:13:38 | |
'At the agency, both teams brand their bottles.' | 0:13:38 | 0:13:42 | |
Can we have the black bits in a really dark purple colour? | 0:13:42 | 0:13:48 | |
OK. | 0:13:48 | 0:13:49 | |
I think pink will stand out more. | 0:13:49 | 0:13:52 | |
-Can we try it pink and see what that looks like? -This pink? -Yeah. | 0:13:52 | 0:13:57 | |
I think that kinda looks cool. | 0:13:57 | 0:13:59 | |
Do you think that pink is too...? | 0:13:59 | 0:14:02 | |
-You see, the pink's what I like. -Hm. | 0:14:02 | 0:14:06 | |
It's tacky, but I think that's what we're going for. | 0:14:06 | 0:14:09 | |
Strexy, it's not the most classy word, is it? | 0:14:09 | 0:14:12 | |
Strexy is a tacky brand and that's what we're gonna do. | 0:14:13 | 0:14:17 | |
If we're gonna be tacky, we're gonna go all out. | 0:14:17 | 0:14:20 | |
There's nothing wrong with a bit of tacky. It's a good way to go. | 0:14:20 | 0:14:23 | |
'Sketching the Strexy storyboard - Ashleigh.' | 0:14:24 | 0:14:28 | |
Hello. | 0:14:30 | 0:14:32 | |
I was thinking, our brand's sort of tacky anyway, | 0:14:32 | 0:14:35 | |
so if we're gonna go tacky, there's no point in half doing it. | 0:14:35 | 0:14:39 | |
It's difficult, cos we don't want it to look tacky. | 0:14:39 | 0:14:43 | |
Sometimes, you have to be discreet to be obvious. | 0:14:43 | 0:14:46 | |
I think we need something edgy and fun, so we should go out there. | 0:14:46 | 0:14:52 | |
I'm know I'm being really annoying, but if we're gonna go out there, you go all out there. | 0:14:52 | 0:14:57 | |
I want people to be like, "Whoa! What is that?" | 0:14:57 | 0:14:59 | |
To be honest, I'd rather stay away from pink. | 0:14:59 | 0:15:02 | |
We'll see what it looks like. | 0:15:02 | 0:15:04 | |
It's really bad form to describe your own product as tacky. | 0:15:04 | 0:15:08 | |
"The tackier the better." "We're gonna really go tacky!" | 0:15:08 | 0:15:11 | |
I don't think people appreciate tacky. It's not high on their agenda of things to buy. | 0:15:11 | 0:15:16 | |
So, the name is Chameleon... | 0:15:16 | 0:15:19 | |
'Briefing their designer, Andrew and Steven.' | 0:15:19 | 0:15:22 | |
We've gone Chameleon cos it changes the colour of its body to whatever background. | 0:15:22 | 0:15:27 | |
It's just different. | 0:15:27 | 0:15:29 | |
Sorry, don't chameleons change its colour to match what it's in? | 0:15:29 | 0:15:33 | |
Yeah. If a chameleon was on this table, it'd turn white. | 0:15:33 | 0:15:37 | |
-Just blending in? -It's a good point. That's not what we want, is it? | 0:15:37 | 0:15:42 | |
Shall we ring the others? | 0:15:44 | 0:15:46 | |
PHONE RINGS Hi, guys. | 0:15:46 | 0:15:49 | |
Right, guys, quickly. | 0:15:49 | 0:15:52 | |
Chameleon adapts to the environment it's in, | 0:15:52 | 0:15:54 | |
so it doesn't stand out and it looks normal. | 0:15:54 | 0:15:57 | |
No, but... Oh, I see what you mean. | 0:15:57 | 0:16:00 | |
This is a horrible situation. | 0:16:00 | 0:16:02 | |
NAVDEEP: It adapts to its environment. | 0:16:02 | 0:16:04 | |
Alternative people stand out from their environment. | 0:16:04 | 0:16:08 | |
They contradict each other completely. | 0:16:08 | 0:16:10 | |
This is embarrassing. What other name did you guys like? | 0:16:10 | 0:16:14 | |
Hold Strong, we got from the focus group. Hold Strong. | 0:16:14 | 0:16:17 | |
I don't like Hold Strong. | 0:16:17 | 0:16:19 | |
Are there any animals that are bold and stand out? | 0:16:19 | 0:16:22 | |
-Bold and stand out? An elephant! -Lion. | 0:16:22 | 0:16:25 | |
- No! - Whale. | 0:16:25 | 0:16:28 | |
Whale? Oh, my God! | 0:16:28 | 0:16:30 | |
Guys, chuck some names out. Random ones. | 0:16:30 | 0:16:33 | |
-Can anyone think of anything? -STEVEN: What about Brian? | 0:16:33 | 0:16:37 | |
I don't like Brian. | 0:16:37 | 0:16:39 | |
- Brian? - The only friend you can count on. | 0:16:39 | 0:16:43 | |
I've just got to say that the focus group really liked Chameleon. | 0:16:43 | 0:16:47 | |
I don't like Chameleon. Do you? | 0:16:47 | 0:16:50 | |
I don't like it because of adapting to your background but if we can pitch it in a different way. | 0:16:50 | 0:16:55 | |
I think you can pitch it as in you're adapting it to your own style. | 0:16:55 | 0:17:01 | |
Nav, what are you thinking? | 0:17:01 | 0:17:03 | |
I don't like Chameleon. It doesn't make any sense. | 0:17:03 | 0:17:06 | |
When we're pitching it, it's going to be a major flaw. | 0:17:06 | 0:17:10 | |
You're just challenging every idea, but we're not getting anywhere. | 0:17:10 | 0:17:14 | |
Come on, guys. You've gone round in circles and it's getting late. | 0:17:14 | 0:17:19 | |
We'll go with Chameleon and we'll change the slogan so it works. | 0:17:19 | 0:17:23 | |
Oh, dear! > | 0:17:23 | 0:17:24 | |
'6pm.' | 0:17:24 | 0:17:26 | |
Can we get a chameleon, cut it out and make a silhouette? | 0:17:26 | 0:17:30 | |
-Yeah. -That looks kinda cool. | 0:17:30 | 0:17:32 | |
'30 minutes to the print deadline.' | 0:17:32 | 0:17:35 | |
Can we have the STR in strong and the EXY in curly letters? | 0:17:35 | 0:17:39 | |
-You won't be able to read that when it's tiny. -You will. | 0:17:39 | 0:17:43 | |
You will not be able to read it. I've told you that. | 0:17:43 | 0:17:46 | |
-I'm not gonna say it again. -I'm happy with that. | 0:17:46 | 0:17:49 | |
-That looks cool. What do you think? -Yup. | 0:17:49 | 0:17:52 | |
For men - REAL men! | 0:17:53 | 0:17:56 | |
"In a world that's constantly changing, you need to stand out"? | 0:17:56 | 0:17:59 | |
This is a male market. Do they care about that jibber-jabber? | 0:17:59 | 0:18:02 | |
-What else do you suggest? -Not having it. Basically. | 0:18:02 | 0:18:06 | |
-A new description on the back. You've got two minutes. -OK. Yeah. | 0:18:06 | 0:18:11 | |
'6.30pm. | 0:18:11 | 0:18:13 | |
'Names branded, markets focused, colours fixed.' | 0:18:13 | 0:18:18 | |
- We just had some ideas. - We've just finished it. | 0:18:19 | 0:18:23 | |
- What does it look like? - Quite simple, a green background. | 0:18:23 | 0:18:27 | |
A bright green bottle? I am not sure how I feel about that. | 0:18:27 | 0:18:30 | |
I am super-disappointed. Really disappointed about that. | 0:18:30 | 0:18:34 | |
NAVDEEP: It's a bottle that will appeal to no-one. | 0:18:34 | 0:18:37 | |
-KNOCK ON DOOR -'8am' | 0:18:43 | 0:18:46 | |
Hello. Thank you very much. | 0:18:48 | 0:18:51 | |
'On time, packaged and printed, the teams' hair products.' | 0:18:51 | 0:18:55 | |
I hope you guys like it. | 0:18:55 | 0:18:57 | |
Right, I really like this. | 0:18:58 | 0:19:00 | |
It's not as bad as I thought. Is that meant to be a quiff? | 0:19:03 | 0:19:06 | |
That's a chameleon! | 0:19:06 | 0:19:08 | |
There is no other bottle on the shelf that is green. | 0:19:08 | 0:19:11 | |
There might be a reason for that! | 0:19:11 | 0:19:14 | |
Please be nice. | 0:19:14 | 0:19:16 | |
'For project manager Maria, a can of... | 0:19:16 | 0:19:19 | |
'Strexy.' | 0:19:19 | 0:19:21 | |
I think it looks cool, but cos there's pink in it... | 0:19:25 | 0:19:28 | |
I'm happy with it. | 0:19:28 | 0:19:30 | |
If you saw that on a shelf, your eyes would be drawn to it. | 0:19:30 | 0:19:34 | |
That's what retailers want, not something that looks really pretty. | 0:19:34 | 0:19:38 | |
It just has to look "Bam!" on the shelf. | 0:19:38 | 0:19:41 | |
It's a lower brand product, not a big out-there brand. | 0:19:41 | 0:19:44 | |
It's not like the big gold cans with the glamorous hairstyles. | 0:19:44 | 0:19:48 | |
It's more slightly tacky "but we just kinda want to do it". | 0:19:48 | 0:19:52 | |
I don't think we aimed for tacky. | 0:19:52 | 0:19:55 | |
Well, no... I'm not using "tacky" in a bad way. I'm using "tacky" in a good way. | 0:19:56 | 0:20:01 | |
"Tacky" is never a good way. You can't use the word "tacky". | 0:20:01 | 0:20:04 | |
PATRICK: So... | 0:20:04 | 0:20:06 | |
I like it. | 0:20:07 | 0:20:09 | |
"In a world that is constantly changing, you need to stand out." | 0:20:11 | 0:20:15 | |
You're just focusing on that little line. | 0:20:15 | 0:20:18 | |
Do you understand how "you need to stand out" and then a chameleon, | 0:20:18 | 0:20:22 | |
which blends into its background, doesn't make sense. | 0:20:22 | 0:20:25 | |
Which is why we changed it to "gel that adapts to you". | 0:20:25 | 0:20:28 | |
But it does it in YOUR way. YOU stand out. | 0:20:28 | 0:20:31 | |
The gel adapts to you and YOU stand out. | 0:20:31 | 0:20:33 | |
I'm so confused! | 0:20:33 | 0:20:35 | |
How confusing is that concept? Three members of the team don't get it, how are we supposed to pitch it? | 0:20:35 | 0:20:41 | |
-But me and Steve get it. -Well, I don't think so. | 0:20:41 | 0:20:44 | |
-I did say I didn't want it there. -You didn't want the typing. -Yeah. | 0:20:44 | 0:20:48 | |
-But we had to come to a decision. -The gel needed a description on the back. | 0:20:48 | 0:20:52 | |
I'm not sure if they respect me as project manager. | 0:20:54 | 0:20:57 | |
The concept is slightly different, | 0:20:57 | 0:20:59 | |
but you can always change an advert and tweak a concept, and that's what they need to get their heads around. | 0:20:59 | 0:21:06 | |
It'll look as if they're looking down a mirror but they'll be looking down the lens... | 0:21:06 | 0:21:11 | |
'Today, the teams must shoot their advert and record the soundtrack.' | 0:21:11 | 0:21:16 | |
Me and Lucy are going to do the advert cos I'd like to be there. | 0:21:16 | 0:21:20 | |
I want to go to the advert cos I worked with Lucy all day on that. | 0:21:20 | 0:21:25 | |
-I think we have the same vision. -Then surely one person can do the job. | 0:21:25 | 0:21:31 | |
-Yeah? -All right. It's your call. Fine. | 0:21:31 | 0:21:34 | |
It is. | 0:21:34 | 0:21:35 | |
'London's East End. | 0:21:39 | 0:21:41 | |
'A boxing club - | 0:21:41 | 0:21:44 | |
'film set for Strexy. | 0:21:44 | 0:21:46 | |
'And it's gloves off for Maria and Ashleigh.' | 0:21:46 | 0:21:50 | |
I'm thinking of having this in shot. I want to have this here so it shows she beats them. | 0:21:52 | 0:21:58 | |
-No. -Why? -I really don't like that. | 0:21:58 | 0:22:01 | |
As soon as I saw it, I were like, "I hope to God she don't put that up." | 0:22:01 | 0:22:05 | |
-That's fair enough, but why don't you like it? -I think it looks tacky. | 0:22:06 | 0:22:11 | |
It's meant to be quite tasteful and it's gonna make it look tacky. | 0:22:11 | 0:22:15 | |
'It's going to be very difficult to work together.' | 0:22:15 | 0:22:18 | |
I'm not going to let her do what she did to the can. | 0:22:18 | 0:22:21 | |
I'm going to put my foot down and not stand for it. | 0:22:21 | 0:22:24 | |
-I'd rather use this and get our name on it. -I think that makes it... | 0:22:24 | 0:22:28 | |
-It's something a director would use. -We're selling a product. | 0:22:28 | 0:22:31 | |
-That sets the scene. -That's my suggestion. If you don't want to take it, that's fine. | 0:22:31 | 0:22:36 | |
It's not a bad suggestion. I just need to figure out how it's going to work. | 0:22:36 | 0:22:40 | |
So if you just explain to me calmly how it will work, we can use it. | 0:22:40 | 0:22:45 | |
Action. | 0:22:46 | 0:22:48 | |
'The story behind our advert is a girl who comes into a boxing ring. | 0:22:48 | 0:22:53 | |
'These guys are already fighting and they intimidate her. | 0:22:53 | 0:22:56 | |
'She uses our hairspray. It makes her strong and she beats them.' | 0:22:56 | 0:23:00 | |
It just shows you that with Strexy, you can do anything. | 0:23:00 | 0:23:03 | |
Could we do it from the side so we've got the side of her hair? | 0:23:03 | 0:23:07 | |
No, but I... She's talking to the camera. | 0:23:07 | 0:23:10 | |
Well, she can turn and look. I like it when she's got her hair. | 0:23:10 | 0:23:13 | |
-MAN: -OK, camera's running. | 0:23:13 | 0:23:15 | |
-Action. -Action. | 0:23:15 | 0:23:17 | |
Hi, guys. Nice to meet you. | 0:23:17 | 0:23:19 | |
'Chosen location for Andrew's team - a swimming pool.' | 0:23:19 | 0:23:23 | |
The concept at the moment is these three different guys | 0:23:23 | 0:23:27 | |
all dressed differently, all doing different things, then they use our gel. | 0:23:27 | 0:23:31 | |
-They titivate themselves? -They what? -Titivate themselves? -You... -With their hair? | 0:23:31 | 0:23:37 | |
I'm sorry, I don't... They do their hair. | 0:23:37 | 0:23:40 | |
'Getting slick with a tube of Chameleon - Lucy.' | 0:23:41 | 0:23:46 | |
OK, that's enough gel, yeah? | 0:23:49 | 0:23:51 | |
I'm not quite finished. | 0:23:51 | 0:23:54 | |
-More gel. It looks really greasy, doesn't it? -But it is a gel advert. | 0:23:54 | 0:23:58 | |
-Yeah. -They're gonna have gel in their hair. | 0:23:58 | 0:24:01 | |
Wow! That looks daft! | 0:24:01 | 0:24:04 | |
That looks very daft! Lucy, how do you get that spike down on his head? | 0:24:04 | 0:24:09 | |
-This? -Yeah. -Let me grab some...thing to do that with. | 0:24:09 | 0:24:12 | |
I don't think he needs any more gel! | 0:24:12 | 0:24:15 | |
-That is the look we're going for, Andrew. -OK. | 0:24:15 | 0:24:17 | |
Stand up. | 0:24:17 | 0:24:19 | |
-LAUGHING: -No, no! It's stupid hair! | 0:24:19 | 0:24:23 | |
I'm going to do this. I'm very tempted to get Sellotape. | 0:24:23 | 0:24:27 | |
Quickly! Quickly! | 0:24:27 | 0:24:29 | |
Action. | 0:24:29 | 0:24:31 | |
Perfect. | 0:24:39 | 0:24:41 | |
'At a Soho recording studio - | 0:24:42 | 0:24:44 | |
'the Chameleon soundtrack, voiced by Steven.' | 0:24:44 | 0:24:48 | |
Whenever you're ready. | 0:24:48 | 0:24:50 | |
Chameleon gel - gel that adapts to you. | 0:24:50 | 0:24:53 | |
Three guys, three styles, | 0:24:53 | 0:24:56 | |
one gel. | 0:24:56 | 0:24:58 | |
-OK? -Yeah, that was quite good. | 0:24:58 | 0:25:00 | |
-Really? -Yeah. -Hm. | 0:25:00 | 0:25:02 | |
-You've got to criticise me. -I need to hear more of it. | 0:25:02 | 0:25:06 | |
"One gel" should be like, "one gel". Like, "Oh, wow!" Get what I mean? | 0:25:06 | 0:25:10 | |
Three guys, three styles, one gel. | 0:25:10 | 0:25:15 | |
No? I'll go again! | 0:25:17 | 0:25:19 | |
-I always wondered how to be strong and sexy... -Wait. -Then I got Strexy. | 0:25:19 | 0:25:23 | |
You've just punched them. | 0:25:23 | 0:25:25 | |
'Still sparring - Maria and Ashleigh.' | 0:25:25 | 0:25:28 | |
-Back up over here. -No, no. Do it from there. | 0:25:28 | 0:25:31 | |
She can't have these two thinking, "What do we do?" | 0:25:31 | 0:25:34 | |
This is the connection shot. You're having her straight like this. | 0:25:34 | 0:25:38 | |
-She needs to go from somewhere, cos... -OK. You're project manager. | 0:25:38 | 0:25:42 | |
'Ashleigh sketched the storyboard so would like to direct the advert, but Maria's not having any of it.' | 0:25:42 | 0:25:48 | |
The actors are being given two sets of directions cos there appears to me to be two directors. | 0:25:48 | 0:25:53 | |
'It's confused. One of them should take the lead.' | 0:25:53 | 0:25:56 | |
Like two cats fighting over the milk. | 0:25:56 | 0:25:58 | |
-We just need to get it where it was. -You need to reposition the camera. | 0:25:58 | 0:26:03 | |
The way it was two minutes before we did that shot, you zoomed in. | 0:26:03 | 0:26:07 | |
-That's perfect. -To be honest, I'd rather have it as a top shot and try and get that roof out. | 0:26:07 | 0:26:13 | |
-Pardon? -It's meant to look like a professional advert. | 0:26:14 | 0:26:17 | |
I get what you're saying. It might be impossible to get the roof out. | 0:26:17 | 0:26:21 | |
'With most of the Chameleon commercial in the can, | 0:26:33 | 0:26:37 | |
'a last-minute idea from Andrew.' | 0:26:37 | 0:26:39 | |
You walk out looking cool, but then you've got some toilet paper stuck to your shoe so you don't look cool. | 0:26:39 | 0:26:44 | |
So I'm just being that. | 0:26:44 | 0:26:46 | |
Andrew's introduced a little comedy twist | 0:26:46 | 0:26:49 | |
at the end of our 30-second commercial. | 0:26:49 | 0:26:51 | |
As one of our swimmers leaves, fully gelled, | 0:26:51 | 0:26:54 | |
he's trailing, tucked into his shoe, a piece of lavatory paper. | 0:26:54 | 0:26:58 | |
Go on. Let's try that. If not, we'll just have to get some tape. | 0:26:58 | 0:27:03 | |
Do you want to gently walk around there so that doesn't come off? | 0:27:03 | 0:27:08 | |
-Nice one. -Can you look like you're walking with a swagger? | 0:27:09 | 0:27:13 | |
As if you think you're really cool, but you've got paper on your shoe, so the joke's really on you. | 0:27:13 | 0:27:19 | |
-Andrew, show him a swagger. -I think he does that anyway. | 0:27:19 | 0:27:24 | |
OK. Cool. | 0:27:24 | 0:27:25 | |
OK, action. | 0:27:25 | 0:27:27 | |
-Perfect, Ben. -Perfect. -Nice one, Ben. Really good. | 0:27:32 | 0:27:36 | |
Strexy - allowing women's hair to be strong AND sexy. | 0:27:36 | 0:27:41 | |
'Finding a voice for Maria's team - Patrick.' | 0:27:41 | 0:27:45 | |
I think I'll probably try one that's a bit more enthusiastic. | 0:27:45 | 0:27:49 | |
PHONE RINGS Must be Patrick. | 0:27:49 | 0:27:52 | |
- Hiya. - Hi. | 0:27:52 | 0:27:54 | |
If I say it now, you can tell me what you think. | 0:27:54 | 0:27:57 | |
Yeah. Say it now. | 0:27:57 | 0:27:59 | |
Strexy - allowing women's hair to be strong and sexy. | 0:27:59 | 0:28:02 | |
Very good, but ask the man can you edit your voice and sort of make it sort of cool. | 0:28:02 | 0:28:08 | |
Make it sound more manly, cos my voice isn't? | 0:28:08 | 0:28:11 | |
Exactly. | 0:28:11 | 0:28:13 | |
DEEPER: 'Strexy - allowing women's hair to be strong AND sexy.' | 0:28:14 | 0:28:20 | |
-No! -Do you not think so? | 0:28:20 | 0:28:21 | |
< A little bit too much, right? Yeah. | 0:28:21 | 0:28:24 | |
'5.30pm. | 0:28:25 | 0:28:27 | |
'Time to check the final cuts.' | 0:28:27 | 0:28:30 | |
The thing is, I'm quite worried how the advert is actually going to end up looking. | 0:28:30 | 0:28:35 | |
If it's just normal, there's no way that we're going to win. | 0:28:35 | 0:28:39 | |
We cut there. We don't need the bit of him squeezing the gel. | 0:28:39 | 0:28:43 | |
BOTH: That's better. | 0:28:43 | 0:28:45 | |
I like the repetitiveness of this. | 0:28:45 | 0:28:48 | |
-ALL: Hiya! -Your voiceover was amazing! | 0:28:48 | 0:28:51 | |
Brilliant! You toned down the accent! | 0:28:51 | 0:28:54 | |
We're very nervous. You look incredibly nervous. | 0:28:54 | 0:28:58 | |
-Give us your honest opinion. -MUSIC STARTS | 0:28:58 | 0:29:01 | |
'Chameleon gel, let's YOU stand out through you being you. | 0:29:01 | 0:29:05 | |
'Three guys, three styles, one gel.' | 0:29:07 | 0:29:10 | |
-# Express yourself # -'Chameleon, gel that adapts to you. | 0:29:10 | 0:29:14 | |
'But doesn't change who you are.' NAVDEEP LAUGHS | 0:29:16 | 0:29:19 | |
You think that's funny? That is so good! | 0:29:19 | 0:29:21 | |
- I really like it. - Oh, God! I'm so happy! | 0:29:21 | 0:29:25 | |
Oh, thank God! | 0:29:25 | 0:29:27 | |
-Yes! -Well done! | 0:29:27 | 0:29:30 | |
-That was the most intense... -I feel a group hug! | 0:29:30 | 0:29:33 | |
..the most intense 30 seconds! | 0:29:33 | 0:29:36 | |
Now the sub-team love it, I'm very confident. | 0:29:37 | 0:29:40 | |
The video really solidifies the concept. | 0:29:40 | 0:29:43 | |
It really makes the product look good and it's funny. | 0:29:43 | 0:29:46 | |
Come on, Steve. It's important to use the product. | 0:29:52 | 0:29:54 | |
Eugh! | 0:29:54 | 0:29:56 | |
-'The day of the pitch.' -This gel's adapting to me. | 0:29:56 | 0:30:01 | |
I'm going to stick out the crowd because I'm being me, being myself! | 0:30:01 | 0:30:05 | |
I'm not following no trends! That is one good product! | 0:30:07 | 0:30:12 | |
That is a good product! I recommend everyone to buy Chameleon. | 0:30:12 | 0:30:16 | |
Strexy! Making your hair strong...AND sexy. | 0:30:16 | 0:30:21 | |
-Ash, you're loving that Strexy. -Mm. Are you nervous? -Really nervous. | 0:30:23 | 0:30:27 | |
If they don't like it, Lord Sugar won't pick it. | 0:30:27 | 0:30:30 | |
'Brands packaged. Commercials ready to roll. | 0:30:34 | 0:30:38 | |
'Agency executives seated. | 0:30:38 | 0:30:41 | |
'First up, Strexy, | 0:30:44 | 0:30:47 | |
'pitched by project manager Maria.' | 0:30:47 | 0:30:49 | |
Today, I'm going to introduce you to the biggest craze in women's hairspray - Strexy. | 0:30:52 | 0:30:58 | |
Strong and sexy hairspray. | 0:30:58 | 0:31:00 | |
The design of our bottle is in keeping with the Strexy theme. | 0:31:00 | 0:31:04 | |
We feel it's strong because of the leopard print, | 0:31:04 | 0:31:07 | |
and sexy because of the fun concept of the brand. | 0:31:07 | 0:31:10 | |
We're not foolish. We know this is a really busy, cluttered market. | 0:31:10 | 0:31:14 | |
We really do think this is a good product. Cue the ad, please. | 0:31:14 | 0:31:18 | |
MUSIC: "Whip My Hair" by Willow Smith | 0:31:18 | 0:31:22 | |
I always wanted hair that was strong and sexy. | 0:31:37 | 0:31:42 | |
And then I found Strexy. | 0:31:42 | 0:31:44 | |
Does anybody have any questions? | 0:31:49 | 0:31:52 | |
Can you talk about the aggressive nature of your communication? | 0:31:52 | 0:31:56 | |
-Is that not girl power, 1980s, 1990s? -That's certainly not what we're trying to achieve. | 0:31:56 | 0:32:02 | |
We're not all women - scrap the men. | 0:32:02 | 0:32:04 | |
This product is more about the fact that we want women to feel confident and strong in themselves. | 0:32:04 | 0:32:09 | |
I think the way you're saying the 1980s... Girl power started in the 1980s, but it's flourishing now. | 0:32:09 | 0:32:16 | |
We've caught it at the peak and we're going to run with it. | 0:32:16 | 0:32:19 | |
Right, come on. | 0:32:23 | 0:32:25 | |
'Next, Chameleon.' | 0:32:27 | 0:32:29 | |
Good afternoon. LAUGHS NERVOUSLY | 0:32:29 | 0:32:32 | |
My name's Navdeep. | 0:32:32 | 0:32:33 | |
We're here today to pitch you our brand new gel called Chameleon, | 0:32:33 | 0:32:37 | |
a gel that adapts to you. | 0:32:37 | 0:32:39 | |
The bottle is green and that colour alone stands out. | 0:32:39 | 0:32:43 | |
The logo also goes with many different colours. | 0:32:43 | 0:32:47 | |
The bottle could be red, yellow and it could be blue. | 0:32:47 | 0:32:50 | |
Um... So, yeah, I've explained about the colours and the logo. | 0:32:50 | 0:32:54 | |
We do think that that is a big strength in this product. | 0:32:54 | 0:32:58 | |
The name Chameleon, we chose it because it's about adaptation. | 0:32:58 | 0:33:02 | |
So our gel is the chameleon in this case. | 0:33:02 | 0:33:05 | |
It adapts to the person. We're going to cue the advert now. | 0:33:05 | 0:33:10 | |
MUSIC: "Express Yourself" | 0:33:10 | 0:33:12 | |
'Chameleon gel, lets YOU stand out, through you being you. | 0:33:15 | 0:33:19 | |
'Three guys, three styles, one gel. | 0:33:27 | 0:33:30 | |
-# Express yourself # -'Chameleon, gel that adapts to you. | 0:33:30 | 0:33:34 | |
'But doesn't change who you are.' | 0:33:36 | 0:33:38 | |
You've shown three guys all just doing their hair. | 0:33:38 | 0:33:42 | |
What was it about the commercial that you think would make it original and different? | 0:33:42 | 0:33:47 | |
The little joke at the end gives a bit of a ring to the advert. | 0:33:47 | 0:33:51 | |
We're being honest and that little joke really reflects that. | 0:33:51 | 0:33:54 | |
I really like that you've used Express Yourself, it's very inciteful to the target market. | 0:33:54 | 0:33:59 | |
What I'm concerned about is that you show expressing yourself doesn't pay off. | 0:33:59 | 0:34:04 | |
He's made himself look good, but he's got toilet paper on his foot. | 0:34:04 | 0:34:07 | |
I really think that the joke represents the product. | 0:34:07 | 0:34:11 | |
We're not saying that girls are going to run after you. | 0:34:11 | 0:34:15 | |
This gel is gonna let you be an individual, | 0:34:15 | 0:34:18 | |
but we can't do anything about having toilet paper on your foot. | 0:34:18 | 0:34:21 | |
Thank you for taking time to listen to our presentation. We are team Odyssey. | 0:34:21 | 0:34:26 | |
'Time for the agency to split hairs with the boss.' | 0:34:31 | 0:34:34 | |
If you had to judge which was the best campaign, which one would you say? | 0:34:34 | 0:34:39 | |
-That's a really good question. -I know it's a good question! | 0:34:39 | 0:34:42 | |
The good answer is it's a good question. | 0:34:42 | 0:34:45 | |
MARIA: I hope that I proved to my teammates that I can be a good project manager. | 0:34:47 | 0:34:52 | |
Most importantly, I hope I've proved it to Lord Sugar. It's do or die. | 0:34:52 | 0:34:57 | |
I HAVE to win this task. | 0:34:57 | 0:34:59 | |
There's been friction from team members but I have got the job done. | 0:35:00 | 0:35:04 | |
Losing this task would be devastating. | 0:35:04 | 0:35:06 | |
I've lost four tasks and only won one. I desperately want to win. | 0:35:06 | 0:35:11 | |
You can go through to the boardroom now. > | 0:35:11 | 0:35:14 | |
-Good morning. -ALL: Good morning, Lord Sugar. | 0:35:32 | 0:35:35 | |
Well, an interesting task, an advertising task all about hair products, | 0:35:37 | 0:35:43 | |
where I told you over £200 million a year is spent in the UK. | 0:35:43 | 0:35:49 | |
Half of that is spent by Jedwood! | 0:35:49 | 0:35:51 | |
I think I'll start with team Platinum. | 0:35:51 | 0:35:54 | |
Maria, I made you project manager because you haven't been one before. | 0:35:54 | 0:35:59 | |
-No, that's correct. -Was she a good team leader? | 0:35:59 | 0:36:02 | |
Maria were quite indecisive. We did clash, but we both handled it quite maturely. | 0:36:02 | 0:36:07 | |
I appreciated the clashes because I'm not one who thinks my opinion's right every time. | 0:36:07 | 0:36:13 | |
-Really? -Well, I'm learning. | 0:36:13 | 0:36:15 | |
-Tell me what you did. -Basically, we went for the female market. | 0:36:15 | 0:36:19 | |
We came up with the concept of Strexy. That was Ashleigh's idea. | 0:36:19 | 0:36:24 | |
-Strexy? -A mix of "strong" and "sexy". | 0:36:24 | 0:36:27 | |
That makes me Strumpy, does it? Strong and grumpy? | 0:36:27 | 0:36:31 | |
LAUGHING: But we just thought it would stand out. | 0:36:31 | 0:36:35 | |
Is this supposed to be some kind of leopard print? Can I make a point? | 0:36:35 | 0:36:39 | |
Is it deliberately tacky? | 0:36:39 | 0:36:41 | |
I'm not a fan of the pink. Originally, we said we were aiming for strong, sexy and classy. | 0:36:41 | 0:36:47 | |
But it's hairspray. It's not the most classy product! | 0:36:47 | 0:36:50 | |
The point is, I don't know. | 0:36:50 | 0:36:52 | |
Maybe that's the new trend amongst you youngsters that this is kind of pretty cool. | 0:36:52 | 0:36:58 | |
-What I want to establish is, did you deliberately make it...? -I did make it a bit tacky. | 0:36:58 | 0:37:04 | |
-Maria did, but I were really disappointed. -You've got the design. | 0:37:04 | 0:37:09 | |
-Who made the television advert? -That was myself and Ashleigh. | 0:37:09 | 0:37:12 | |
-What did you do? -I did the soundtrack. | 0:37:12 | 0:37:15 | |
Well, we'd better take a look at this thing. | 0:37:15 | 0:37:18 | |
MUSIC: "Whip My Hair" by Willow Smith | 0:37:19 | 0:37:21 | |
I always wanted hair that was strong AND sexy. | 0:37:37 | 0:37:41 | |
Then I found Strexy. | 0:37:42 | 0:37:44 | |
'Strexy - allowing women's hair to be strong AND sexy.' | 0:37:44 | 0:37:48 | |
I love the voice! | 0:37:48 | 0:37:50 | |
That boxer on the right went down like Didier Drogba on ice! | 0:37:52 | 0:37:56 | |
Y-yeah. Interesting. | 0:37:57 | 0:37:59 | |
-All right, Odyssey. Andrew, I made you the PM. -Yes, Lord Sugar. | 0:37:59 | 0:38:04 | |
-And you went for the men's gel market. -That's right. | 0:38:04 | 0:38:08 | |
-How did your team gel, then? -Sorry? | 0:38:08 | 0:38:11 | |
-How did your team gel? -Er... Good, good. | 0:38:11 | 0:38:14 | |
-Good project manager? -There was a lot of confusion. | 0:38:14 | 0:38:17 | |
-Tell me what happened, then. -We started to get a concept together, a brand. | 0:38:17 | 0:38:22 | |
Lucy came up with the name Chameleon. | 0:38:22 | 0:38:24 | |
-Our concept was men to stand out by being who they are... -One minute. | 0:38:24 | 0:38:28 | |
-In that sentence alone, you've contradicted yourself. -Yeah. | 0:38:28 | 0:38:31 | |
You want to stand out but you chose an animal that spends its life | 0:38:31 | 0:38:35 | |
-hiding away and camouflaging himself. -Yeah. -I don't get it. | 0:38:35 | 0:38:39 | |
It was about standing out, then we found the problem... | 0:38:39 | 0:38:42 | |
-But a chameleon doesn't stand out. -We decided it would refer more to the gel than the person. | 0:38:42 | 0:38:48 | |
-So you flipped it halfway? -Yeah. | 0:38:48 | 0:38:51 | |
You thought, "Chameleon, that's good. | 0:38:51 | 0:38:53 | |
"People like the name." Then you realised, "No, that is no good. | 0:38:53 | 0:38:58 | |
"Because it means it hides itself away. | 0:38:58 | 0:39:01 | |
"What we'll do now is we'll say that the gel itself adapts, | 0:39:01 | 0:39:05 | |
-"in same way as a chameleon." -Yeah. It was a hard decision. | 0:39:05 | 0:39:08 | |
-We were running out of time... -You looked for a line that would fit. | 0:39:08 | 0:39:12 | |
-Yeah. -If you really rammed it in. | 0:39:12 | 0:39:14 | |
But it has got me asking, "What are they doing this for?" | 0:39:14 | 0:39:18 | |
-Like some of these other stupid adverts. -And the chameleon was great to brand. | 0:39:18 | 0:39:22 | |
I'm just coming round to thinking that it might not be a bad idea. | 0:39:22 | 0:39:26 | |
Shall we have a look at this advert? | 0:39:26 | 0:39:29 | |
MUSIC: "Express Yourself" | 0:39:30 | 0:39:32 | |
'Chameleon gel, let's YOU stand out, through you being you. | 0:39:35 | 0:39:39 | |
'Three guys, three styles, one gel.' | 0:39:46 | 0:39:49 | |
-# Express yourself # -'Chameleon, gel that adapts to you. | 0:39:49 | 0:39:53 | |
'But doesn't change who you are.' | 0:39:55 | 0:39:57 | |
Hm. I'm taking it that the last bit, | 0:39:58 | 0:40:01 | |
with the bit of toilet tissue attached to the bloke's foot, | 0:40:01 | 0:40:05 | |
was a bit of subtlety that I'm supposed to understand. | 0:40:05 | 0:40:08 | |
-It was a bit of a joke. -I'm getting good, ain't I, understanding these things? | 0:40:08 | 0:40:13 | |
It comes to making a decision, really, | 0:40:13 | 0:40:16 | |
on which of these adverts is the winner. | 0:40:16 | 0:40:21 | |
Of course, I consulted with the advertising agency. | 0:40:21 | 0:40:25 | |
Yeah? And I don't think we were far apart in our thinking. | 0:40:25 | 0:40:30 | |
Andrew, your advert was confusing. | 0:40:32 | 0:40:36 | |
You tried to be too clever and I'm afraid that we all concluded that it's backfired. | 0:40:37 | 0:40:43 | |
Maria, yours does what it says on the tin, really. | 0:40:44 | 0:40:49 | |
And you shoved that tin right in the face of the viewer. | 0:40:49 | 0:40:53 | |
And so, for that reason, you've won. | 0:40:53 | 0:40:56 | |
So, you've been thinking about style all week. | 0:41:03 | 0:41:07 | |
Now you're off to meet one of Britain's coolest men in music. | 0:41:07 | 0:41:12 | |
You're meeting with someone called Labrinth. | 0:41:12 | 0:41:15 | |
You're going to his studio and you three are going to record one of his tracks. | 0:41:15 | 0:41:22 | |
OK? So off you go. Have a good time. | 0:41:23 | 0:41:26 | |
-Start warming up. -Thank you, Lord Sugar. | 0:41:26 | 0:41:28 | |
MARIA LAUGHS | 0:41:31 | 0:41:33 | |
Chameleon, I looked at that advert and tried to put young eyes in me, | 0:41:35 | 0:41:40 | |
and I thought, "I don't want to buy that. That's not attracting me." | 0:41:40 | 0:41:44 | |
And that is the big error. So, look, go off. Have a chat. | 0:41:44 | 0:41:48 | |
Come back in and we'll have a further chat on this. | 0:41:48 | 0:41:51 | |
And I'll decide, regretfully, that one of you will have to be leaving the process. OK? | 0:41:51 | 0:41:56 | |
Thank you, Lord Sugar. | 0:41:56 | 0:41:58 | |
GUITAR RIFF | 0:42:04 | 0:42:07 | |
-Hello, guys. How you doing? -Hey! | 0:42:13 | 0:42:16 | |
-How are you? -Nice to meet you, darling. | 0:42:16 | 0:42:18 | |
I'm so happy that I won as my first time as PM. | 0:42:19 | 0:42:24 | |
It would have been my third time in the boardroom, so hallelujah that didn't happen. | 0:42:24 | 0:42:28 | |
THEY SING WITH LABRINTH # Let the sun shine | 0:42:28 | 0:42:31 | |
# Let the sun shine, baby | 0:42:31 | 0:42:34 | |
# Let it all go Let it all go, baby | 0:42:34 | 0:42:38 | |
# Let the sun shine Let the sun shine, baby | 0:42:38 | 0:42:43 | |
# Cos the sun shines once again. # | 0:42:44 | 0:42:48 | |
Well done, guys. | 0:42:48 | 0:42:50 | |
STEVEN: You wanted to go to the advert to put your take on it. | 0:42:54 | 0:42:57 | |
-I did put my take on it. -It was the wrong take. -I don't think it was. | 0:42:57 | 0:43:01 | |
You're not acknowledging that it wasn't good enough. | 0:43:01 | 0:43:04 | |
'Andrew's responsible for the failure of this task.' | 0:43:04 | 0:43:07 | |
He doesn't know how to lead | 0:43:07 | 0:43:09 | |
and he's very, very bad at taking criticism. | 0:43:09 | 0:43:12 | |
Where did that advert concept come from? Your two storyboards. | 0:43:12 | 0:43:16 | |
-You did change our idea quite a lot. -Yeah, cos it was three men doing hair in the mirror. | 0:43:16 | 0:43:21 | |
'I'm not sure who he'll bring back in the boardroom.' | 0:43:21 | 0:43:24 | |
I'm definitely going to fight for my position. | 0:43:24 | 0:43:27 | |
Apparently, our pitch didn't go well. | 0:43:27 | 0:43:30 | |
I don't think I knew enough about the concept. | 0:43:30 | 0:43:33 | |
'Nav is a one-trick pony.' | 0:43:33 | 0:43:35 | |
I didn't see anything else which Nav did, | 0:43:35 | 0:43:38 | |
but she's great at finding what went wrong but not trying to solve it. | 0:43:38 | 0:43:42 | |
PHONE RINGS | 0:43:52 | 0:43:54 | |
-Can you send the candidates in, please? -Yes, Lord Sugar. | 0:43:54 | 0:43:57 | |
You can go through to the boardroom now. | 0:43:57 | 0:44:00 | |
Simple principle of advertising is to keep the story simple. | 0:44:12 | 0:44:17 | |
The chameleon don't make any sense to me. | 0:44:17 | 0:44:20 | |
The concept was for people who want to stand out, to be different. | 0:44:20 | 0:44:24 | |
Stand out by blending in? | 0:44:24 | 0:44:26 | |
I think that the name Chameleon and saying that it's going to stand out | 0:44:26 | 0:44:31 | |
IS a mistake, but that's what the girls brought back from market research. | 0:44:31 | 0:44:35 | |
-But you agreed with it, didn't you? -Yes, I did. | 0:44:35 | 0:44:38 | |
Lucy or Steven came up with it? | 0:44:38 | 0:44:40 | |
-He came up with the idea of an animal. -That animal stands out, it's changing colour, it's different. | 0:44:40 | 0:44:46 | |
If you wanted an animal that stands out you have a peacock. | 0:44:46 | 0:44:49 | |
-Exactly. -Chameleons famously blend into the background. | 0:44:49 | 0:44:54 | |
Like some candidates that have been in this boardroom. | 0:44:54 | 0:44:57 | |
Navdeep, you've been blending into the background? | 0:44:57 | 0:45:00 | |
When Andrew phoned back with Chameleon, I think I was the most adamant to say no. | 0:45:00 | 0:45:06 | |
Andrew thought I was being negative. | 0:45:06 | 0:45:08 | |
It did feel like Nav was playing out a strategy. She wasn't getting the team to win. | 0:45:08 | 0:45:13 | |
She thought it was clever by disagreeing, then in the boardroom she can say, "I disagreed." | 0:45:13 | 0:45:18 | |
You're thinking way too much into it. We were having a discussion. | 0:45:18 | 0:45:22 | |
Apart from the pitch, Nav, what do you think you're proud of? | 0:45:22 | 0:45:26 | |
I said again and again, "I want to do the advert." | 0:45:26 | 0:45:29 | |
You'd have done that storyboard which was simple, bland and boring, guys doing their hair in the mirror. | 0:45:29 | 0:45:35 | |
I took Lucy, who had the idea, and me so I could add my spin on it. | 0:45:35 | 0:45:39 | |
Navdeep, you've got a name in these last six weeks, "Navdeep's good for pitching." | 0:45:39 | 0:45:43 | |
-Is that all you're good for? -Just cos I'm good at pitching doesn't mean I'm a one-trick pony. | 0:45:43 | 0:45:47 | |
You weren't THAT good this time. | 0:45:47 | 0:45:50 | |
In the cafe, Nav said she didn't do a good enough pitch because she didn't understand the concept. | 0:45:50 | 0:45:55 | |
I was saying, when I finished the pitch, I didn't feel completely... | 0:45:55 | 0:45:59 | |
-When you finish a pitch, you know how it went... -You didn't say that. -How about you let me talk? | 0:45:59 | 0:46:04 | |
-You're going to talk yourself out of it and you did say that. -I admitted to saying that. | 0:46:04 | 0:46:09 | |
It wasn't the most amazing pitch and it might be because I wasn't completely confident in the idea. | 0:46:09 | 0:46:14 | |
In all my years in business... I'll give you one little tip. | 0:46:14 | 0:46:19 | |
You can come up with an idea that you think is the right way to go. | 0:46:19 | 0:46:23 | |
You can get two or three miles or ten miles down the road. | 0:46:23 | 0:46:27 | |
If it's no good, it doesn't matter if you've got ten minutes left, change the idea. | 0:46:27 | 0:46:32 | |
Doesn't matter how much time you've got left, change it. | 0:46:32 | 0:46:36 | |
I knew we had to come up with another name. I called the girls. | 0:46:36 | 0:46:39 | |
Lucy said, "We've got a good logo and a storyboard." | 0:46:39 | 0:46:42 | |
And didn't come up with much else. | 0:46:42 | 0:46:44 | |
-We didn't have anything else, that's the problem. -I understand. We ran out of time. | 0:46:44 | 0:46:49 | |
My call on this is, if that was too late, dead and buried and done, | 0:46:49 | 0:46:53 | |
you still could have salvaged it with the advert. | 0:46:53 | 0:46:57 | |
This advert, to me, looked like a government warning - | 0:46:57 | 0:47:01 | |
beware of thieves stealing hair gel in dressing rooms. | 0:47:01 | 0:47:03 | |
Plonk it down. Someone comes along, takes it. | 0:47:03 | 0:47:07 | |
Plonk it down. Someone comes along and takes it. Plonk it down. I don't get it. | 0:47:07 | 0:47:12 | |
What was all that about? | 0:47:12 | 0:47:14 | |
I actually stressed on the day that I didn't want that. | 0:47:14 | 0:47:17 | |
I put the idea of these guys noticing this hair gel and sneaking a bit of a blob because I... | 0:47:17 | 0:47:23 | |
-Pinching someone else's hair gel? -Yeah. Being a bit cheeky. | 0:47:23 | 0:47:26 | |
If it was that cheeky idea that you were thinking, | 0:47:26 | 0:47:30 | |
it didn't come across in the blokes' faces. | 0:47:30 | 0:47:33 | |
A fella pinching it would have a wary look. | 0:47:33 | 0:47:36 | |
"I've just found some gold. Now I'm going to use it." | 0:47:36 | 0:47:40 | |
It was just pick it up, plonk it on, that was the end of that. | 0:47:40 | 0:47:43 | |
Definitely, the first guy had a sneaky look on his face. I'm not sure about the rest. | 0:47:43 | 0:47:49 | |
Then you got the other fatal error. No girls in the advert. | 0:47:49 | 0:47:52 | |
You're selling blokes' hair gel, who are all having handsome attacks. | 0:47:52 | 0:47:57 | |
One of the men you make to look like a plonker. | 0:47:57 | 0:48:00 | |
That was my idea. | 0:48:00 | 0:48:02 | |
"Do you want to be an idiot also? Go and wear this!" | 0:48:02 | 0:48:05 | |
It's not the message you want to put out. | 0:48:05 | 0:48:08 | |
We all really liked the advert. It was the only time Nav said, "Well done." | 0:48:08 | 0:48:12 | |
Even Steven and Nav came up to me and said, "I'm glad you didn't put the girl in." | 0:48:12 | 0:48:17 | |
-Well, it was a mistake. -It was. | 0:48:17 | 0:48:20 | |
So, who do you think's responsible for the failure of this task, Lucy? | 0:48:20 | 0:48:25 | |
I think that the failure of this task lies with Andrew. | 0:48:25 | 0:48:28 | |
If we'd had a clearer image, even after Chameleon had been done and dusted, | 0:48:28 | 0:48:33 | |
the advert would have had more ring to it, it would have made it clear. | 0:48:33 | 0:48:37 | |
-Steven? -I think it was down to Andrew as well. Just because of the confusion of the concept. | 0:48:37 | 0:48:42 | |
-Navdeep? -I agree with the other two. The failure is down to Andrew. | 0:48:42 | 0:48:46 | |
I don't think he was clear enough in the concept. | 0:48:46 | 0:48:49 | |
-We were all very confused, I think. -Hm. | 0:48:49 | 0:48:52 | |
Andrew, who are you bringing back into this boardroom? | 0:48:52 | 0:48:56 | |
I'm going to bring back Navdeep and Steven. | 0:48:56 | 0:48:59 | |
Why are you bringing me back? | 0:48:59 | 0:49:01 | |
-We'll find out in a minute. -I thought it was the advert that was a bad point. | 0:49:01 | 0:49:05 | |
I could not put my finger on what you did well in this task. | 0:49:05 | 0:49:08 | |
-I'm sorry. -Shall we find out later? -No problem. | 0:49:08 | 0:49:12 | |
Lucy, I'll see you on the next task. Off you go. | 0:49:12 | 0:49:15 | |
You three step outside and we'll have a further discussion. | 0:49:15 | 0:49:19 | |
Thank you, Lord Sugar. | 0:49:19 | 0:49:21 | |
When Steven thought of Chameleon, I think he thought the opposite, that it stood out. | 0:49:27 | 0:49:32 | |
In a funny way, he does come up with some ideas. This is the point. | 0:49:32 | 0:49:36 | |
Navdeep sounds like she gave Andrew quite a hard time in this task. | 0:49:37 | 0:49:41 | |
Then again, Andrew has been blamed by everybody. Was he too autocratic? | 0:49:41 | 0:49:46 | |
-PHONE RINGS -Can you send them in, please? | 0:49:48 | 0:49:51 | |
-So, Steven. -Yes, Lord Sugar. | 0:50:08 | 0:50:10 | |
You were surprised when Andrew said he's bringing you back. | 0:50:10 | 0:50:13 | |
Everything Andrew told me to do I did. | 0:50:13 | 0:50:15 | |
-I did the soundtrack, which I surprised myself with. -I heard your voice. | 0:50:15 | 0:50:20 | |
-Thank you. Everyone said... -Ha! -..it was pretty good. | 0:50:20 | 0:50:23 | |
-They said it fitted quite well. -Sounds like a geezer talking! | 0:50:23 | 0:50:26 | |
Which is not bad, if the advert is any good. | 0:50:26 | 0:50:29 | |
Everything we do, I'll always put an idea forward. | 0:50:29 | 0:50:32 | |
Andrew said he can't think of anything I did amazingly well. I can say the same for him. | 0:50:32 | 0:50:37 | |
-Andrew? -Looking at the bottle, I'm thinking, I championed that. | 0:50:37 | 0:50:41 | |
I practically put most of that together. | 0:50:41 | 0:50:44 | |
If anything, Steve moved the slogan to the top. | 0:50:44 | 0:50:47 | |
-Well... -Looking at the advert, I directed that. I edited that. | 0:50:47 | 0:50:51 | |
The advert was awful, and also, with the bottle... | 0:50:51 | 0:50:53 | |
Shall we work on this basis, Steven? Let him say what he's got to say. | 0:50:53 | 0:50:58 | |
-No problem. -You can address it afterwards. | 0:50:58 | 0:51:01 | |
In the making of the bottle, he was saying, "I don't like this. I don't like that." | 0:51:01 | 0:51:07 | |
But he wasn't giving any positive input. | 0:51:07 | 0:51:09 | |
He wasn't saying, "How about this?" | 0:51:09 | 0:51:11 | |
In that design studio, he was a bit of a yes-man, whispering from the background. | 0:51:11 | 0:51:16 | |
That's some sort of tactic you're playing. I totally disagree. | 0:51:16 | 0:51:19 | |
-As opposed to the tactic of blaming the PM? -The PM didn't do a good job. | 0:51:19 | 0:51:23 | |
Three members of a team say the PM didn't do a good job. Something's wrong. | 0:51:23 | 0:51:27 | |
Going back to your product design, if I don't like something, I'm not going to say, "That's good." | 0:51:27 | 0:51:32 | |
-I'm going to say, "I don't like it." -Me as PM, I didn't hear him challenging and speaking up. | 0:51:32 | 0:51:37 | |
-So, your assessment of Steven. -I didn't think he was anything special. | 0:51:37 | 0:51:41 | |
-He wasn't coming up with lots of ideas. -I don't know who you are to say I'm nothing special. | 0:51:41 | 0:51:47 | |
I'm not here to be YOUR special person. | 0:51:47 | 0:51:50 | |
I'm here to show Lord Sugar what I can do. | 0:51:50 | 0:51:53 | |
Nav, do you agree that I had no input? | 0:51:53 | 0:51:55 | |
No. I worked well with Steven. We bounced our ideas well. | 0:51:55 | 0:51:59 | |
I gave ideas to everything I found fault in. | 0:51:59 | 0:52:03 | |
It was more just nod along with Nav and Lucy. That's what I think. | 0:52:03 | 0:52:07 | |
-What's Navdeep doing here? -Navdeep claimed she didn't understand the concept. | 0:52:07 | 0:52:11 | |
She claimed she's an amazing pitcher. | 0:52:11 | 0:52:13 | |
She forgot the basic principle that if you're pitching, you need to be enthusiastic about the product. | 0:52:13 | 0:52:18 | |
When she got in there, it was dull. Now she's claiming... | 0:52:18 | 0:52:22 | |
-You said, "You did very well." -I said, "You did good." | 0:52:22 | 0:52:24 | |
No, you said, "You did very well." | 0:52:24 | 0:52:26 | |
I'm not going to say, "That was rubbish, Nav..." | 0:52:26 | 0:52:30 | |
You thought you'd wait till the boardroom then say it? | 0:52:30 | 0:52:33 | |
-I said that she did good. -You said she did very well. | 0:52:33 | 0:52:37 | |
-You said, "Congratulations. That was very good." -"Congratulations. You were good." | 0:52:37 | 0:52:41 | |
You were like, "You're being negative." | 0:52:41 | 0:52:43 | |
We were trying to criticise it. We know that's going to happen in the pitch. | 0:52:43 | 0:52:47 | |
So we were trying to make something completely waterproof. | 0:52:47 | 0:52:51 | |
Don't look at it as criticism. Look at it as something we can make something from. | 0:52:51 | 0:52:56 | |
-Thank you for the tip, Steven(!) -I'm not saying you didn't ask if we understood the concept. | 0:52:56 | 0:53:01 | |
We said, "Yes, Andrew. We get it." | 0:53:01 | 0:53:04 | |
Day two, I saw the bottle and the back contradicted our point. | 0:53:04 | 0:53:07 | |
I said, "Andrew, again, I'm confused about the design." | 0:53:07 | 0:53:10 | |
It says you're going to stand out for being who you are. | 0:53:10 | 0:53:13 | |
Andrew, you understood it. Your teammates didn't. | 0:53:13 | 0:53:17 | |
-But you didn't say that, did you? -Andrew, every single day! | 0:53:17 | 0:53:21 | |
-Navdeep. -Yeah. -The observation I've had over the weeks so far, | 0:53:21 | 0:53:27 | |
is that there's no question of a doubt that you, academically, seem to shine through in certain things, | 0:53:27 | 0:53:33 | |
but you're kind of lacking in ideas, lacking in business nous. | 0:53:33 | 0:53:38 | |
-How would you address that? -In every task, I've put myself forward and I've done stuff. | 0:53:38 | 0:53:44 | |
This is the second time I've lost. I don't think that's a coincidence. | 0:53:44 | 0:53:47 | |
I do think there is business in me. | 0:53:47 | 0:53:49 | |
I may not have shown it before I came here, but in every task, I have done stuff. | 0:53:49 | 0:53:54 | |
Hm. And Andrew, five-times loser. That's a fact. | 0:53:54 | 0:53:59 | |
-Tell me, why should I leave you in this process? -I have been... | 0:53:59 | 0:54:04 | |
You've got two people, I'm not going to ask who they think is responsible because they think it's you. | 0:54:04 | 0:54:10 | |
I have been in the losing team five times. | 0:54:10 | 0:54:12 | |
This is the second time in the bottom three, with Steven and Nav. | 0:54:12 | 0:54:16 | |
I think my teammates are noticing that I put myself out there, I work hard, I can handle the pressure. | 0:54:16 | 0:54:22 | |
I can create, I can sell. I've demonstrated all these skills to you. | 0:54:22 | 0:54:26 | |
Yeah. But then again, so has Navdeep. | 0:54:26 | 0:54:29 | |
And actually, Steven, I think you've done tremendously well in this process. | 0:54:29 | 0:54:35 | |
-You've got a bit of streetwise. -Yeah. I think so. | 0:54:35 | 0:54:39 | |
If you had to choose, Andrew, out of these two, which one do you think should be fired? | 0:54:39 | 0:54:44 | |
I think Navdeep should be fired. She claims she's this all-rounder and from what I've seen, she's not. | 0:54:44 | 0:54:50 | |
You two have already expressed your opinion about who should be fired. | 0:54:50 | 0:54:55 | |
-Yes. -You're the same opinion, yeah? -Yeah. | 0:54:55 | 0:54:57 | |
Well, look, this is very tough. | 0:54:57 | 0:55:01 | |
Very tough indeed. | 0:55:01 | 0:55:03 | |
Steven, I do like your spirit. | 0:55:06 | 0:55:10 | |
-Thank you. -I like your openness and honesty. | 0:55:10 | 0:55:14 | |
-Today, I'm going to let you go back to the house. -Thank you, Lord Sugar. | 0:55:14 | 0:55:18 | |
-You won't regret it. -Just keep your mouth shut now, OK? | 0:55:18 | 0:55:21 | |
Navdeep, my concern and my instinctive feeling is that yes, you are highly intelligent, | 0:55:23 | 0:55:29 | |
but I still have these feelings | 0:55:29 | 0:55:31 | |
about whether you have got this business nous about you. | 0:55:31 | 0:55:35 | |
But having said that, Andrew, you know, five-times loser. | 0:55:37 | 0:55:41 | |
Five-times loser. If I had to put this information into a computer | 0:55:41 | 0:55:47 | |
and it was done on statistics, not gut-feeling, | 0:55:47 | 0:55:49 | |
-you know what the answer would be. -Yes, Lord Sugar. | 0:55:49 | 0:55:52 | |
Although I'm not a computer, I have to say it's very difficult for me | 0:55:52 | 0:55:57 | |
not to actually act upon that. | 0:55:57 | 0:56:00 | |
And so, you know, it is... | 0:56:00 | 0:56:04 | |
it's regretful... | 0:56:04 | 0:56:06 | |
SIGHS | 0:56:06 | 0:56:08 | |
It is with sincere regret that I'm going to say that | 0:56:08 | 0:56:13 | |
Navdeep... | 0:56:13 | 0:56:15 | |
..you're fired. | 0:56:18 | 0:56:20 | |
-I wish you the best of luck. -Thank you very much, Lord Sugar. | 0:56:20 | 0:56:23 | |
We've got two weeks to go now. We're into the running for this £25,000. | 0:56:27 | 0:56:33 | |
-Go back to the house, the pair of you. -BOTH: Thank you, Lord Sugar. | 0:56:33 | 0:56:37 | |
Three great kids, really. | 0:56:42 | 0:56:44 | |
Navdeep, I feel like I've released her. | 0:56:44 | 0:56:47 | |
I see her as a great advocate. I think she should pursue the law. | 0:56:47 | 0:56:52 | |
Reminds me of my old headmaster when I was in school. | 0:56:52 | 0:56:55 | |
I was telling him that I was going to be this scientist. | 0:56:55 | 0:56:59 | |
He kept nodding his head, saying, "Nah. Not you." He knew what he was talking about. | 0:56:59 | 0:57:03 | |
I'm feeling like him. | 0:57:03 | 0:57:05 | |
To get six weeks into it shows that I've done something amazing. | 0:57:12 | 0:57:16 | |
I'm really proud of myself. I thought I was an amateur. | 0:57:16 | 0:57:19 | |
I've managed to beat a lot of other people, so I do think the future's going to be incredibly good for me. | 0:57:19 | 0:57:25 | |
MARIA: I'm going to be gutted if Nav goes. I love Nav. | 0:57:27 | 0:57:30 | |
LUCY: I'm going to be gutted if any of them go. | 0:57:30 | 0:57:33 | |
There's not one of them I want to see go. | 0:57:33 | 0:57:36 | |
ALL GASP | 0:57:36 | 0:57:38 | |
Come here, Steven! | 0:57:38 | 0:57:40 | |
He said to me that I was going home, so it was Andrew and Nav. | 0:57:42 | 0:57:45 | |
Right before that, he said, "Andrew, regretfully... | 0:57:45 | 0:57:49 | |
-"you've lost five tasks." -LAUGHTER | 0:57:49 | 0:57:52 | |
-Have you lost five tasks? -Yeah. Fifth task now. -Oh, dear! | 0:57:52 | 0:57:56 | |
'Now, six candidates remain | 0:57:57 | 0:58:00 | |
'in the fight to become Lord Sugar's Young Apprentice. | 0:58:00 | 0:58:04 | |
'Next time...' | 0:58:06 | 0:58:08 | |
Your task is all about selling at a festival. | 0:58:08 | 0:58:12 | |
I'm expecting loads of hippies. | 0:58:12 | 0:58:14 | |
'But there's no peace...' | 0:58:14 | 0:58:16 | |
Why would you queue for a smelly Portaloo when you can have this? | 0:58:16 | 0:58:21 | |
-Anyone? -'..or love.' | 0:58:21 | 0:58:23 | |
She's being a bull in a china shop. | 0:58:23 | 0:58:25 | |
Ow! | 0:58:25 | 0:58:27 | |
'Then, two face the music.' | 0:58:29 | 0:58:32 | |
So it is, with regret, you're fired. | 0:58:32 | 0:58:35 | |
You're fired. | 0:58:35 | 0:58:36 | |
Subtitles by Red Bee Media Ltd | 0:58:39 | 0:58:42 | |
E-mail [email protected] | 0:58:42 | 0:58:45 |