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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
-The show searching for the best in young British talent is back. -Some of this... | 0:00:04 | 0:00:10 | |
This year, with a whole new crop of trades, | 0:00:10 | 0:00:12 | |
from tailors to farmers, carpenters to bakers. | 0:00:12 | 0:00:16 | |
If you cut me through, it would say 'bread' on the inside. | 0:00:16 | 0:00:20 | |
These grafters are used to being the very best in their business. | 0:00:20 | 0:00:24 | |
Winning is like a drug, the adrenaline it gives you is just phenomenal. | 0:00:24 | 0:00:27 | |
There's nothing like the feeling that you're a winner. | 0:00:27 | 0:00:30 | |
You get a bit addicted to it at times. | 0:00:30 | 0:00:32 | |
But, over a series of gruelling rounds, our judges will decide | 0:00:32 | 0:00:36 | |
whose talent really shines out, as they push them to breaking point. | 0:00:36 | 0:00:41 | |
I just can't do it. | 0:00:41 | 0:00:43 | |
-Come on, show us passion. -I'm passionate. Sorry. | 0:00:43 | 0:00:48 | |
Well, it's hardly chopped the teat off, so I don't think it's that drastic. | 0:00:48 | 0:00:52 | |
I think he wants to be put back in his place. We're the judges. | 0:00:52 | 0:00:55 | |
With bigger, more extreme challenges than ever before. | 0:00:56 | 0:01:01 | |
This is their chance to prove themselves. | 0:01:01 | 0:01:04 | |
-The vital nutrients are... -You tell me. | 0:01:04 | 0:01:06 | |
It's one of the basics of gardening. If you don't get that right then... | 0:01:06 | 0:01:10 | |
-This is horrible. -Lots of arithmetic going on but not much action. | 0:01:10 | 0:01:14 | |
You look like you're in a nightmare maths A-level. | 0:01:14 | 0:01:17 | |
That's really, really bad. | 0:01:17 | 0:01:19 | |
I'm disappointed in myself. I know I can do better. | 0:01:19 | 0:01:22 | |
If he'd spoken to me like that on my farm, I'd have sent him out the gate. | 0:01:22 | 0:01:25 | |
Each of them desperate to convince the experts they're worthy of the title. | 0:01:25 | 0:01:31 | |
Competition's on, game on. | 0:01:31 | 0:01:33 | |
Tonight, it's the turn of the young tailors. | 0:01:34 | 0:01:38 | |
-As the competition heats up... -Fire in the house! | 0:01:38 | 0:01:41 | |
They go into battle. | 0:01:41 | 0:01:43 | |
She's basically starting to flap now. | 0:01:43 | 0:01:46 | |
Four talented tailors but only one winner. | 0:01:46 | 0:01:51 | |
Hello, I'm George Lamb. Welcome to the show. | 0:01:58 | 0:02:02 | |
Last year, we saw the best of Britain's young talent fight it out. | 0:02:02 | 0:02:06 | |
This year, we're back with the finest in bespoke fashion. | 0:02:06 | 0:02:09 | |
We won't be cutting them any slack as our finalists work their socks off | 0:02:09 | 0:02:13 | |
to prove they're worthy of the title of Young Tailor Of The Year. | 0:02:13 | 0:02:18 | |
Hundreds of hopefuls tried to wow the judges | 0:02:21 | 0:02:24 | |
but only the best in bespoke made it through to the first interview. | 0:02:24 | 0:02:27 | |
Hopefully it's the start of something good. | 0:02:27 | 0:02:29 | |
-Sorry, can I start again? -Of course you can. | 0:02:29 | 0:02:33 | |
God, I can't stop shaking. I'm so sorry. | 0:02:33 | 0:02:36 | |
The top 20 had to face the judges... | 0:02:36 | 0:02:40 | |
..as their tailoring skills were put to the test. | 0:02:41 | 0:02:44 | |
There's a lot of very talented people in there. | 0:02:44 | 0:02:47 | |
And, four finalists were hand-picked by the judges. | 0:02:47 | 0:02:51 | |
-A creative fashion student. -I'm really, happy. I can't believe it. | 0:02:51 | 0:02:55 | |
-A talented coat-maker. -I'm feeling slightly excited and a lot nervous. | 0:02:55 | 0:03:01 | |
-A professional tailor. -Yeah, I'd love to win it. | 0:03:01 | 0:03:04 | |
I'm not going to say I wouldn't. I would love to win it, yeah. | 0:03:04 | 0:03:07 | |
And a young apprentice. | 0:03:07 | 0:03:10 | |
I hope the best tailor wins. | 0:03:10 | 0:03:12 | |
Now that final four must fit, cut and stitch their way to the title. | 0:03:13 | 0:03:18 | |
In less than 60 minutes, we'll know the name | 0:03:18 | 0:03:20 | |
of the first-ever Young Tailor Of The Year. | 0:03:20 | 0:03:24 | |
Time to meet the men and women, who are a cut above the rest, | 0:03:24 | 0:03:27 | |
when it comes to stepping out in style. | 0:03:27 | 0:03:29 | |
Finalist number one, a talented tailor with a vision. | 0:03:42 | 0:03:46 | |
It's 24-year-old David Adams from Hertfordshire. | 0:03:46 | 0:03:49 | |
Three things that set me apart are my style, my creativity and my attention to detail. | 0:03:49 | 0:03:53 | |
Finalist number two, self assured and skilled. | 0:03:56 | 0:03:59 | |
It's 25-year-old Katy Bowles from Wakefield. | 0:03:59 | 0:04:02 | |
I've worked extremely hard to get where I am today. | 0:04:02 | 0:04:06 | |
To win would be the cherry on top of the cake. | 0:04:06 | 0:04:08 | |
Our third finalist from London is creative and confident. | 0:04:10 | 0:04:14 | |
It's 23-year-old Emma Martin. | 0:04:14 | 0:04:16 | |
I've got the talent and I've got the skill. I know what I can do. | 0:04:16 | 0:04:19 | |
I want to prove I can do it. | 0:04:19 | 0:04:22 | |
And last, but not least, our fourth finalist, | 0:04:24 | 0:04:27 | |
traditional tailor with talent. It's 19-year-old Eithen Sweet from Somerset. | 0:04:27 | 0:04:32 | |
To get anywhere in this industry you have to eat, sleep and drink tailoring. | 0:04:32 | 0:04:37 | |
OK, ladies and gentlemen. Well done for getting through to the final. | 0:04:39 | 0:04:43 | |
Have you got what it takes to impress these top dogs of tailoring? | 0:04:43 | 0:04:47 | |
He's unconventional and outspoken. Meet Mark Powell. | 0:04:49 | 0:04:53 | |
One of London's most iconic and influential tailors, | 0:04:56 | 0:05:00 | |
Mark Powell isn't afraid to speak his mind. | 0:05:00 | 0:05:03 | |
I will not accept from these young tailors, boring, uncharismatic people. | 0:05:03 | 0:05:08 | |
That blue's just right, isn't it? | 0:05:08 | 0:05:10 | |
I know lots of people that are great tailors and they're boring BLEEP. | 0:05:10 | 0:05:13 | |
They'll never get any customers. And their work's boring as well. | 0:05:13 | 0:05:17 | |
He's got the pedigree and he's got creative balls. | 0:05:17 | 0:05:20 | |
Tailoring suits for the rich and famous, | 0:05:20 | 0:05:22 | |
he knows what he's talking about. | 0:05:22 | 0:05:24 | |
George Michael, Naomi Campbell, The Killers, Harry Potter. My list is ridiculous. | 0:05:24 | 0:05:30 | |
Paul Weller's a big client of mine. | 0:05:30 | 0:05:32 | |
I make a lot of clothes for Paul Weller. | 0:05:32 | 0:05:34 | |
Let's not forget suiting and booting '60s gangsters, the Kray Twins. | 0:05:34 | 0:05:39 | |
I did do the Krays back in the day | 0:05:39 | 0:05:41 | |
but I'm a lot more than a gangster tailor. | 0:05:41 | 0:05:44 | |
He's been in the business for 30 years, it's Richard Anderson. | 0:05:44 | 0:05:48 | |
Based on the world-famous Savile Row, Richard Anderson is at the heart of great British tailoring. | 0:05:51 | 0:05:57 | |
I describe Savile Row as the best clothing street in the world. Nothing else is like it. | 0:05:57 | 0:06:01 | |
Our clients come to Savile Row for the quality that we offer - | 0:06:01 | 0:06:04 | |
the service that we offer - and ultimately the look of the suit. | 0:06:04 | 0:06:07 | |
But Richard's suits come with a hefty price tag of up to 20 grand. | 0:06:07 | 0:06:13 | |
Thanks. Let's finish that off. | 0:06:13 | 0:06:15 | |
And Richard will accept nothing but the finest quality from our young tailors. | 0:06:15 | 0:06:20 | |
Tailoring's very difficult. | 0:06:20 | 0:06:22 | |
We see a lot of people saying they know it all, | 0:06:22 | 0:06:24 | |
saying they can make a coat, a waistcoat, a trouser. | 0:06:24 | 0:06:27 | |
Maybe they can but not to the standard we're looking for. | 0:06:27 | 0:06:30 | |
Richard, behind every beautiful bespoke suit there's a very talented tailor. | 0:06:30 | 0:06:34 | |
What will you look for from our finalists? | 0:06:34 | 0:06:36 | |
We're looking for accuracy, great enthusiasm and, at the end of the day, a great piece of work. | 0:06:36 | 0:06:42 | |
Mark, you've got a fairly unorthodox approach to tailoring, what will you be looking for? | 0:06:42 | 0:06:46 | |
I'm looking for real passion from what they're going to do | 0:06:46 | 0:06:49 | |
-and also the most important thing for me, incredible visualisation. -All right, guys. | 0:06:49 | 0:06:54 | |
For your first challenge, we're taking you back to basics, | 0:06:54 | 0:06:57 | |
starting with the skill at the heart of it all - stitching. | 0:06:57 | 0:07:02 | |
There's no room for error on this task. | 0:07:04 | 0:07:06 | |
It's an essential thing for bespoke tailoring. If they can't achieve this, they should go home. | 0:07:06 | 0:07:11 | |
OK, guys, you've each got a tailor's dummy | 0:07:11 | 0:07:15 | |
dressed in an unfinished waistcoat. | 0:07:15 | 0:07:17 | |
You have just one hour to finish the waistcoat, | 0:07:17 | 0:07:20 | |
all by hand of course. | 0:07:20 | 0:07:22 | |
Good luck! Your time starts now. | 0:07:22 | 0:07:25 | |
With no time to waste, | 0:07:28 | 0:07:30 | |
the young tailors get cracking with their waistcoats. | 0:07:30 | 0:07:34 | |
Mark, why have we chosen a waistcoat? | 0:07:34 | 0:07:37 | |
A waistcoat actually can make a difference between a good suit and a great suit. | 0:07:37 | 0:07:41 | |
The finalists have been given an unfinished waistcoat | 0:07:41 | 0:07:45 | |
which needs the lapel stitching and two buttonholes cut and sewn. | 0:07:45 | 0:07:49 | |
They need to use edge stitching on the lapel. | 0:07:49 | 0:07:52 | |
And, for the buttonholes, there's also a specific stitch - | 0:07:52 | 0:07:55 | |
buttonhole stitching - where the stitches are tightly packed together to prevent the fabric fraying. | 0:07:55 | 0:08:01 | |
This first challenge will be an opportunity for the judges to get the measure of the tailors. | 0:08:06 | 0:08:10 | |
Like anything that looks easy, there's a right way and a wrong way. | 0:08:10 | 0:08:14 | |
And Savile Row apprentice, Emma, is feeling positive about the task. | 0:08:14 | 0:08:18 | |
-Have you done a lot of work with waistcoats before? -Yeah, quite a bit. | 0:08:18 | 0:08:22 | |
Because I'm a coat-making apprentice, a waistcoat's just an easier, smaller version of it. | 0:08:22 | 0:08:28 | |
Kooky, creative Emma has loved clothes from a very young age. | 0:08:30 | 0:08:36 | |
Ever since I was a young kid, I've always been really out there with outfits. | 0:08:36 | 0:08:41 | |
Emily was a hippy when she was about seven or eight. | 0:08:41 | 0:08:43 | |
She's always dressed different. | 0:08:43 | 0:08:46 | |
But Emma received taunts for her quirky dress sense. | 0:08:48 | 0:08:51 | |
I lived in quite a small town. | 0:08:51 | 0:08:53 | |
If you did anything a bit quirky, people just didn't get it, so they made you feel terrible about it. | 0:08:53 | 0:08:58 | |
She was bullied by her friends because of the way she dressed. | 0:08:58 | 0:09:03 | |
You know, I still knew that's who I was | 0:09:03 | 0:09:06 | |
and I still carried on wearing my quirky little things. | 0:09:06 | 0:09:09 | |
Now, in the bigger scheme of things, | 0:09:09 | 0:09:11 | |
that's what's got me here today really. | 0:09:11 | 0:09:13 | |
Just like believing in what I'm doing. | 0:09:13 | 0:09:15 | |
And it was her fascination with Hollywood glamour | 0:09:15 | 0:09:18 | |
that ignited her desire to be a tailor. | 0:09:18 | 0:09:22 | |
Films like High Society or Some Like It Hot inspired me | 0:09:22 | 0:09:26 | |
to make beautiful, elegant clothes. | 0:09:26 | 0:09:29 | |
And Emma set her heart on the one place she could channel her passion - Savile Row. | 0:09:29 | 0:09:34 | |
Emma stood out to me | 0:09:35 | 0:09:37 | |
because she's got a desire to succeed and come into the trade. | 0:09:37 | 0:09:41 | |
Now an apprentice coat-maker, Emma can't believe | 0:09:41 | 0:09:45 | |
that she's living her dream. | 0:09:45 | 0:09:48 | |
Sometimes I catch myself and right, I'm on Savile Row. I did make it. | 0:09:48 | 0:09:51 | |
Immensely proud of my daughter. Absolutely! | 0:09:51 | 0:09:55 | |
She's wonderful. | 0:09:55 | 0:09:57 | |
It would be great to win this, to make my family and friends proud, | 0:09:57 | 0:10:01 | |
and also to showcase my work and show people what I'm on about. | 0:10:01 | 0:10:04 | |
With everyone's eye on the prize, | 0:10:04 | 0:10:07 | |
-the tailors are feeling the pressure to out stitch one another. -Right, let's get some first impressions. | 0:10:07 | 0:10:14 | |
-Starting with David, what are we thinking? -I think he started a bit slowly. | 0:10:14 | 0:10:17 | |
His stitches were a bit loose for me. | 0:10:17 | 0:10:21 | |
Eithen, what do we think of him? He seems pretty composed, pretty calm. | 0:10:21 | 0:10:25 | |
He's the dark horse in the competition. | 0:10:25 | 0:10:27 | |
His skill levels are very good for the time he's been training. | 0:10:27 | 0:10:30 | |
-What about Emma? -I think she started very strongly but she has worked on waistcoats before. | 0:10:30 | 0:10:34 | |
-She's got a bit of an advantage. -That's right. | 0:10:34 | 0:10:37 | |
And, finally, what about Katy? | 0:10:37 | 0:10:39 | |
She's probably the most experienced one here? | 0:10:39 | 0:10:42 | |
With the amount of experience she's got, I do feel we expect her to be a bit stronger, to be truthful. | 0:10:42 | 0:10:49 | |
With 10 years' experience under her belt, | 0:10:50 | 0:10:53 | |
Katy is feeling the challenge is a bit beneath her. | 0:10:53 | 0:10:58 | |
How are you getting on, Katy, all right? | 0:10:58 | 0:11:00 | |
Struggling, I must admit. Buttonholes are something I would always give to my finisher. | 0:11:00 | 0:11:05 | |
You know, someone else's job. | 0:11:05 | 0:11:07 | |
Not today it isn't, Katy. | 0:11:07 | 0:11:09 | |
The youngest tailor, Eithen, is desperate not to be seen as the underdog. | 0:11:10 | 0:11:16 | |
You do stuff like this day-to-day? | 0:11:16 | 0:11:19 | |
Yeah, I think if you can do a good buttonhole, it says a lot about your work. | 0:11:19 | 0:11:23 | |
But David is struggling to do his stitch in time. | 0:11:23 | 0:11:26 | |
It's a nightmare. | 0:11:26 | 0:11:28 | |
Young David's started on the buttonholes, he's got a bit caught up with it. | 0:11:28 | 0:11:32 | |
-He's not really getting anywhere. -He won't make the time up, Mark. | 0:11:32 | 0:11:35 | |
How are we doing, David? Have you done a lot of stuff like this before? | 0:11:35 | 0:11:40 | |
Yeah, I try and do as much as I can but finishing is not my strong point. | 0:11:40 | 0:11:46 | |
Have you finished college yet, or...? | 0:11:46 | 0:11:49 | |
I'm just about to go into my third year. I'm about to do my final collection. | 0:11:49 | 0:11:53 | |
# They seek him here, they seek him there... # | 0:11:53 | 0:11:58 | |
English eccentric David first got the judges excited at the auditions. | 0:11:58 | 0:12:03 | |
Let's have a look. Quite amazed with myself. Quite proud of it. | 0:12:03 | 0:12:09 | |
And dandy David likes to stand out from the crowd. | 0:12:09 | 0:12:12 | |
The things I wear are quite flamboyant. I have a moustache. | 0:12:12 | 0:12:18 | |
Everyone seems to point it out. He has a moustache. Thank you. | 0:12:18 | 0:12:23 | |
He's not afraid to be different, which I think is marvellous. | 0:12:23 | 0:12:28 | |
As a young boy he was quite shy. So I'm quite surprised. | 0:12:28 | 0:12:32 | |
A student at the London College of Fashion, David is seen as one to watch. | 0:12:32 | 0:12:37 | |
When he graduates, he will be somebody who will be quite sought-after | 0:12:39 | 0:12:44 | |
within the world of tailoring, whether it's Savile Row, London, New York. | 0:12:44 | 0:12:50 | |
If I were a betting man, I'd put money on it. | 0:12:50 | 0:12:52 | |
He's already set up his own label. | 0:12:52 | 0:12:55 | |
I wanted to do something with scissors that suggests tailoring | 0:12:55 | 0:13:00 | |
that's also instantly recognisable and also defines me. | 0:13:00 | 0:13:05 | |
So he won't be trimming his tash any time soon. | 0:13:05 | 0:13:10 | |
I think the moustache will have to stay now, yes. I feel naked without it. | 0:13:10 | 0:13:14 | |
David is hoping that his dedication and flair is recognised by the judges. | 0:13:14 | 0:13:19 | |
I really want to win Young Tailor Of The Year. | 0:13:19 | 0:13:22 | |
It would be amazing to kind of walk away with that accolade. | 0:13:22 | 0:13:25 | |
Time is running out for the tailors to have the challenge sewn up. | 0:13:25 | 0:13:29 | |
Ladies and gentlemen, you've got ten minutes to go. | 0:13:29 | 0:13:33 | |
We need finished waistcoats, please. | 0:13:33 | 0:13:36 | |
-Are you going to be all right? -Er, yes. -Are you on the second hole? -No. | 0:13:36 | 0:13:39 | |
I'm on the first hole but I think I can just about do it. | 0:13:39 | 0:13:43 | |
Emma and Eithen have been very strong. Their handwork's good. So, I think they're going to finish. | 0:13:46 | 0:13:51 | |
I noticed with Katy, you talk to her and she literally would stop. | 0:13:51 | 0:13:55 | |
The pressure's getting to her. | 0:13:55 | 0:13:57 | |
David sort of started and got too involved with the buttonholes | 0:13:57 | 0:14:01 | |
and he's not really focused enough on anything else. | 0:14:01 | 0:14:04 | |
He's a bit all over the place. | 0:14:04 | 0:14:06 | |
Five, four, three, two, one. | 0:14:07 | 0:14:12 | |
Tailors, your time's up. Please, needles and thread down. | 0:14:12 | 0:14:15 | |
Needles and thread down. What don't you understand about that, Eithen? | 0:14:15 | 0:14:19 | |
-I didn't know we'd stop. -It's very difficult to stop. | 0:14:19 | 0:14:22 | |
The first challenge is complete. | 0:14:27 | 0:14:30 | |
And their friends and family are desperate to find out how they've done. | 0:14:30 | 0:14:34 | |
But they'll have to wait a little longer as the judges need to inspect their handiwork. | 0:14:34 | 0:14:39 | |
David has finished the lapel but only managed to complete one of the two required buttonholes. | 0:14:39 | 0:14:45 | |
So, David, tell me about the buttonhole? Do you think a client would be happy with that? | 0:14:45 | 0:14:51 | |
Um, I think they would be. | 0:14:51 | 0:14:54 | |
I think the thing you have to look at is, obviously, with two other buttonholes as well, | 0:14:54 | 0:14:58 | |
how different that buttonhole is to the other two holes. | 0:14:58 | 0:15:00 | |
I mean, that's something we need to...think about. | 0:15:00 | 0:15:03 | |
Yeah, a lot more practise, probably needed. | 0:15:03 | 0:15:07 | |
The first challenge was OK, could've been better. | 0:15:07 | 0:15:11 | |
I am kicking myself a little bit but, at the end of the day, | 0:15:11 | 0:15:13 | |
I did what I can and that's all that matters really. | 0:15:13 | 0:15:17 | |
Professional tailor Katy is quick to make her excuses. | 0:15:17 | 0:15:21 | |
I've finished off garments before | 0:15:21 | 0:15:23 | |
but usually it's my finishers that do the buttonholes. | 0:15:23 | 0:15:26 | |
It's not something that I would do ever, really, in my job role. | 0:15:26 | 0:15:30 | |
And, Katy, | 0:15:30 | 0:15:32 | |
do you think your customers would be happy with the work that you have done today? | 0:15:32 | 0:15:35 | |
What I've done so far? Yes, definitely. | 0:15:35 | 0:15:37 | |
My hand stitching is something that I've worked hard on throughout the years to improve. | 0:15:37 | 0:15:42 | |
All right, lovely, thank you, Katy. Cheers, darling. | 0:15:42 | 0:15:44 | |
Button holes is not something I necessarily do | 0:15:44 | 0:15:47 | |
but I had a good go at it and I think they were happy with it. | 0:15:47 | 0:15:50 | |
It should be OK. | 0:15:50 | 0:15:52 | |
Traditional tailor Eithen has stitched his lapel | 0:15:52 | 0:15:56 | |
but didn't manage both buttonholes. | 0:15:56 | 0:15:58 | |
I'm pretty gutted I didn't get the two buttonholes and the buttons put on | 0:15:58 | 0:16:02 | |
but I would have run out of time. | 0:16:02 | 0:16:03 | |
So, the big question, Eithen. Are you happy with what you've produced? | 0:16:03 | 0:16:06 | |
Erm, the buttonhole I'm not happy with | 0:16:06 | 0:16:09 | |
cos I can see a few frays in it. I wouldn't let that go if it was going to a client. | 0:16:09 | 0:16:12 | |
-Thank you. -Thank you, Eithen. -Thank you. | 0:16:12 | 0:16:14 | |
I feel like my buttonholes could have been better. | 0:16:14 | 0:16:16 | |
If I don't personally like them then why should the client or customer? | 0:16:16 | 0:16:19 | |
Coat-maker Emma got the furthest with the task, | 0:16:19 | 0:16:23 | |
finishing the lapel, one buttonhole and starting the second. | 0:16:23 | 0:16:28 | |
-Do you think your customer would be happy with the work you've done today? -I think so. | 0:16:28 | 0:16:31 | |
-Definitely. -And the buttonhole? | 0:16:31 | 0:16:33 | |
-It's very, very clean, good shape. -I'm quite pleased with it, yeah. | 0:16:33 | 0:16:37 | |
-All right, Emma, well done, darling. -Thank you. -Thank you, Emma. | 0:16:37 | 0:16:41 | |
'I think they were pretty happy.' | 0:16:41 | 0:16:42 | |
There wasn't anything particularly bad they said, | 0:16:42 | 0:16:45 | |
so I'm seeing that as a positive. | 0:16:45 | 0:16:46 | |
Right, well done in the first challenge, guys. | 0:16:46 | 0:16:49 | |
Time now to see if you've impressed our judges. | 0:16:49 | 0:16:51 | |
Their friends and family wait nervously... | 0:16:56 | 0:17:00 | |
and David's mum and sister are on hand to lend their support. | 0:17:00 | 0:17:04 | |
-Went OK? -No, not really. -No?! | 0:17:04 | 0:17:06 | |
-Oh, course it did! -No, no, it didn't. | 0:17:06 | 0:17:09 | |
I think it might be a disadvantage that David's still a student. | 0:17:09 | 0:17:13 | |
Obviously, the others | 0:17:13 | 0:17:15 | |
have got more experience. | 0:17:15 | 0:17:17 | |
Emma's mum and best friends want to get the lowdown on her performance. | 0:17:17 | 0:17:22 | |
It went really well! | 0:17:22 | 0:17:24 | |
Yeah, erm, I had to finish a waistcoat, | 0:17:24 | 0:17:26 | |
which was great because I've done quite a few of them. | 0:17:26 | 0:17:30 | |
I think I did OK and...within the time, | 0:17:30 | 0:17:34 | |
you know, I did more than everyone else. | 0:17:34 | 0:17:36 | |
Flying the flag for team Eithen are mum, dad and sister. | 0:17:36 | 0:17:40 | |
I did my best, so... | 0:17:40 | 0:17:43 | |
What I knew, so I'm just doing what I know, so... | 0:17:43 | 0:17:46 | |
I can't really do much else. | 0:17:46 | 0:17:47 | |
Katy's boss and mum are hoping for good news. | 0:17:47 | 0:17:50 | |
-Well done. -Well done. How do you think you went on? | 0:17:50 | 0:17:53 | |
Erm, it's difficult cos it's not part of my job to do buttonholes and things. | 0:17:53 | 0:17:57 | |
It's good to know how to do it and I can do it | 0:17:57 | 0:17:59 | |
but not to the beautiful standard that some of my finishers do it to. | 0:17:59 | 0:18:02 | |
I can't do that. | 0:18:02 | 0:18:03 | |
It's almost like expecting the architect to do the painting and decorating as well. | 0:18:03 | 0:18:08 | |
Katy was out of her comfort zone. | 0:18:10 | 0:18:12 | |
With this amount of time she's been doing this | 0:18:12 | 0:18:14 | |
she should actually be more at ease with a lot of this stuff. | 0:18:14 | 0:18:18 | |
This is Young Tailor Of The Year, she's got to not be so defensive, | 0:18:18 | 0:18:21 | |
maybe not quite so much attitude | 0:18:21 | 0:18:23 | |
and really grasp this opportunity that she's been given. | 0:18:23 | 0:18:26 | |
Eithen, for a young man of 19, he's picked this up very well. | 0:18:26 | 0:18:29 | |
Also, what I like is, | 0:18:29 | 0:18:30 | |
"how did he handle it because he couldn't finish it?" | 0:18:30 | 0:18:33 | |
He admitted that it wouldn't be acceptable and that says a lot. | 0:18:33 | 0:18:37 | |
David, he didn't achieve a buttonhole. | 0:18:37 | 0:18:40 | |
-The buttonhole he did was very weak. He's a bit jittery. -A little bit rabbit in the headlights! | 0:18:40 | 0:18:44 | |
I thought this challenge wasn't suited to him. | 0:18:44 | 0:18:46 | |
Emma's very confident, certainly very sure of herself in that task. | 0:18:46 | 0:18:50 | |
Emma's buttonhole, I thought, was super. | 0:18:50 | 0:18:52 | |
It was the best buttonhole of anyone in that whole. | 0:18:52 | 0:18:55 | |
-It was the nearest from the example we gave them. -Oh, it was. | 0:18:55 | 0:18:58 | |
OK, guys. Nobody is going to be going home after this first challenge. | 0:19:04 | 0:19:07 | |
However, some of the judges do have some feedback for you. | 0:19:07 | 0:19:10 | |
Well, Eithen, the amount of time that you've been involved in tailoring, | 0:19:10 | 0:19:14 | |
I think you're doing very, very well. | 0:19:14 | 0:19:17 | |
Emma, I was expecting great things from this challenge. | 0:19:17 | 0:19:19 | |
On the minor side who didn't finish but on the plus side, | 0:19:19 | 0:19:22 | |
your buttonholes and your stitching were excellent. | 0:19:22 | 0:19:25 | |
David, I'm really impressed with your passion and drive | 0:19:25 | 0:19:29 | |
but I think you really need to step your game up a little bit. | 0:19:29 | 0:19:33 | |
Katy, I felt your attitude was slightly defensive | 0:19:33 | 0:19:37 | |
when questioned about the quality of the work. | 0:19:37 | 0:19:38 | |
OK, if you were to send somebody home after this first challenge, | 0:19:38 | 0:19:41 | |
Richard, who would it be? | 0:19:41 | 0:19:44 | |
Er, it would be David, for me. | 0:19:47 | 0:19:49 | |
-Mark? -David for me, yes. | 0:19:49 | 0:19:52 | |
Good news, David, is, nobody's going home after this round. | 0:19:55 | 0:19:58 | |
The bad news is, one of you will be out after the next challenge. | 0:19:58 | 0:20:02 | |
I feel pretty lucky that I'm not going home and I get another chance. | 0:20:04 | 0:20:07 | |
It has knocked my confidence a little bit. | 0:20:07 | 0:20:09 | |
I think he's doing very well considering he's still a student. | 0:20:09 | 0:20:14 | |
So, I'm really, really proud of him. | 0:20:14 | 0:20:17 | |
'The judges said that they think I did well,' | 0:20:17 | 0:20:20 | |
my stitches were very nice, erm... | 0:20:20 | 0:20:21 | |
but because I didn't keep it within the time and get it finished | 0:20:21 | 0:20:24 | |
'they were a bit upset about that.' | 0:20:24 | 0:20:26 | |
Yeah, so, the next challenge, I'll just have to be a bit quicker. | 0:20:26 | 0:20:29 | |
When they said I were defensive, it's probably cos I was out of my comfort zone. | 0:20:29 | 0:20:32 | |
I think I'm going to have to start showing a little bit more of my skill. | 0:20:32 | 0:20:35 | |
It's kicked in now, it's happening. The competition's on. | 0:20:35 | 0:20:39 | |
Game on! | 0:20:39 | 0:20:40 | |
OK, guys, things are about to get a whole lot tougher. | 0:20:44 | 0:20:48 | |
We are looking for the best young tailor in Britain after all. | 0:20:48 | 0:20:53 | |
And for this next challenge we've added a twist. | 0:20:53 | 0:20:55 | |
We're taking a trip back in time to test your tailoring knowledge. | 0:20:55 | 0:20:59 | |
Fashion history is a really essential part | 0:20:59 | 0:21:01 | |
of modern day tailoring. | 0:21:01 | 0:21:03 | |
They need to know their history. | 0:21:03 | 0:21:05 | |
This challenge, Mark, is really all about creativity and accuracy. | 0:21:05 | 0:21:08 | |
What I'm really looking forward to seeing with our four contestants | 0:21:08 | 0:21:10 | |
is if they can achieve that for us. | 0:21:10 | 0:21:12 | |
The brief is simple but the task is not. | 0:21:12 | 0:21:16 | |
You have to design, create a pattern, | 0:21:16 | 0:21:18 | |
cut and stitch your very own Oxford bags. | 0:21:18 | 0:21:22 | |
Oxford bags were loose-fitting trousers | 0:21:26 | 0:21:29 | |
worn by members of Oxford University in the 1920s. | 0:21:29 | 0:21:33 | |
They had a big influence in America | 0:21:33 | 0:21:35 | |
and on Hollywood starlets like Marlene Dietrich. | 0:21:35 | 0:21:40 | |
Mark, why have you gone for the Oxford bags? | 0:21:40 | 0:21:42 | |
Well, I think it's the perfect way to express great cut, design, style. | 0:21:42 | 0:21:48 | |
-And, of course, they'll all also need to know what Oxford bags are as well, right? -Absolutely. | 0:21:48 | 0:21:51 | |
Let's hope you know what they are! | 0:21:51 | 0:21:53 | |
Guys, you've got two and a half hours to prove you're not all mouth and no trousers | 0:21:53 | 0:21:58 | |
as your time starts now. | 0:21:58 | 0:22:00 | |
To see what the tailors are made of, they have to design and make a pair of Oxford bags | 0:22:02 | 0:22:06 | |
to very specific measurements they've been given. | 0:22:06 | 0:22:09 | |
-Do you know what Oxford bags are? -I certainly do, yeah. -So we're a quarter of the way there. -Yeah. | 0:22:11 | 0:22:15 | |
They'll need to choose the fabric, create a pattern... | 0:22:15 | 0:22:20 | |
-Do you cut many patterns? -Hundreds! | 0:22:20 | 0:22:22 | |
..and ran up a seamless pair of slacks. | 0:22:22 | 0:22:26 | |
And all in just two and a half hours. | 0:22:26 | 0:22:29 | |
Two and a half hours, it's going to be a push but... | 0:22:29 | 0:22:31 | |
You've got the skills, they're in there somewhere. | 0:22:31 | 0:22:33 | |
I've just got to work them out! | 0:22:33 | 0:22:35 | |
This is the task that'll show the judges | 0:22:35 | 0:22:37 | |
who's got the real flair for trousers. | 0:22:37 | 0:22:39 | |
Londoner Emma kicked ass in the first challenge. | 0:22:41 | 0:22:45 | |
Very, very clean, good shape. | 0:22:47 | 0:22:48 | |
-But appears to be worried about this task. -Oh! | 0:22:50 | 0:22:53 | |
Hello, Emma, I saw you balk at the thought of two and a half hours to make a pair of trousers. | 0:22:53 | 0:22:58 | |
-Yes! -How long would you like to make a pair of trousers? | 0:22:58 | 0:23:02 | |
-As long as it takes me, thank you! -Oh, right, OK. | 0:23:02 | 0:23:04 | |
But for professional tailor Katy, | 0:23:07 | 0:23:09 | |
this challenge is just like a day in the office. | 0:23:09 | 0:23:11 | |
I'm assuming you're a little happier with this one? | 0:23:11 | 0:23:15 | |
-This is your skill set. -Yes. -OK. -Yeah. -So, you should excel? | 0:23:15 | 0:23:19 | |
I hope so. | 0:23:19 | 0:23:20 | |
Pull! | 0:23:20 | 0:23:21 | |
Ambitious Yorkshire lass Katy | 0:23:26 | 0:23:28 | |
has been gunning for success from an early age. | 0:23:28 | 0:23:31 | |
I started when I was young, just sewing with my grandma, | 0:23:31 | 0:23:35 | |
she was a seamstress, | 0:23:35 | 0:23:37 | |
and then from there I got an interest in tailoring. | 0:23:37 | 0:23:40 | |
It was things like watching Michael Jackson videos. | 0:23:40 | 0:23:43 | |
# Because I'm bad I'm bad... # | 0:23:43 | 0:23:46 | |
And it was just that interest that made me look up... | 0:23:46 | 0:23:49 | |
who made things, how it was made. | 0:23:49 | 0:23:51 | |
# Who's bad? # | 0:23:51 | 0:23:54 | |
At just 16 Katy landed a job with Burberry | 0:23:54 | 0:23:57 | |
and set her heart on becoming a world-renowned tailor. | 0:23:57 | 0:24:01 | |
As a teenager she was very shy. | 0:24:01 | 0:24:04 | |
You know, when she first said, "I want to go work on Savile Row," I was just amazed. | 0:24:04 | 0:24:08 | |
You all right? | 0:24:08 | 0:24:10 | |
She is, by far, the brightest star I've ever come across. | 0:24:10 | 0:24:14 | |
Now 25, Katy's is one of the youngest female cutters on the Row. | 0:24:17 | 0:24:22 | |
I think if you believe that you are good at something | 0:24:22 | 0:24:25 | |
and you work very, very hard then you can achieve anything. | 0:24:25 | 0:24:29 | |
You get what you want out of life. | 0:24:29 | 0:24:33 | |
Whilst the girls are measuring up, | 0:24:33 | 0:24:35 | |
the boys aren't looking too good in the trouser department. | 0:24:35 | 0:24:38 | |
You're looking worried. Why are you worried? | 0:24:38 | 0:24:41 | |
I'm just a bit worried about the pattern, I haven't done it for a while, so... | 0:24:41 | 0:24:45 | |
Don't worry about the rules of, the technique of doing it, just do it. | 0:24:45 | 0:24:49 | |
-It's more important how the thing looks at the end. -Yeah. | 0:24:49 | 0:24:52 | |
After performing badly in the first challenge, | 0:24:53 | 0:24:57 | |
David is struggling to get back in the game. | 0:24:57 | 0:25:01 | |
You finding that the boys are dithering a little bit or...? | 0:25:01 | 0:25:04 | |
They are, particularly David. | 0:25:04 | 0:25:06 | |
-Instead of doing all these statistics and figures and that... -Yeah, but he's not... | 0:25:06 | 0:25:10 | |
It's almost like he's putting off the worst, if you know what I mean? | 0:25:10 | 0:25:14 | |
Do you think, maybe, his confidence has been knocked after the first round? | 0:25:14 | 0:25:18 | |
Yeah, definitely. | 0:25:18 | 0:25:19 | |
HE MUMBLES | 0:25:19 | 0:25:21 | |
Whilst his rivals are hard at work, David has hit a wall. | 0:25:21 | 0:25:25 | |
If he doesn't want to get left behind, | 0:25:29 | 0:25:31 | |
he needs to pull his finger out. | 0:25:31 | 0:25:34 | |
-You need to get cracking. -Yeah, I know. | 0:25:34 | 0:25:37 | |
Get your basic shape sorted out, just get... | 0:25:46 | 0:25:49 | |
I know it's imperative, the cut, but you need to get on a bit more. | 0:25:49 | 0:25:54 | |
And 19-year-old Eithen is feeling out of his league. | 0:25:54 | 0:25:59 | |
Eithen, you are the youngest in the competition, | 0:25:59 | 0:26:01 | |
do think that stands against you, or...? | 0:26:01 | 0:26:04 | |
Erm, it's quite intimidating cos these guys have all got far more experience than me. | 0:26:04 | 0:26:08 | |
So, hopefully, I've got enough to know to go against them but we'll see. | 0:26:08 | 0:26:12 | |
I'm just happy to be in the final four. | 0:26:12 | 0:26:15 | |
At just 18, Somerset lad Eithen packed his bags | 0:26:17 | 0:26:19 | |
to pursue his dream of becoming a tailor. | 0:26:19 | 0:26:23 | |
Moving to London, I had to do that because I wanted to be a tailor. | 0:26:24 | 0:26:27 | |
There was nothing for me back in Somerset. | 0:26:27 | 0:26:29 | |
He poddled off one-day, walked down to Savile Row, | 0:26:29 | 0:26:32 | |
walked in the door and said, "Have you got an apprenticeship?" | 0:26:32 | 0:26:35 | |
And that was it. | 0:26:35 | 0:26:38 | |
And for Eithen, tailoring is now a way of life. | 0:26:38 | 0:26:41 | |
You eat, sleep and breathe tailoring | 0:26:41 | 0:26:43 | |
but then what else would you want to do? | 0:26:43 | 0:26:45 | |
If you love your job, it's fine. | 0:26:45 | 0:26:47 | |
You could tell, from the very beginning, | 0:26:47 | 0:26:49 | |
that he's made tailoring his life. | 0:26:49 | 0:26:52 | |
I think it's just very clear that he's in love with it. | 0:26:52 | 0:26:55 | |
And his love of fine clothes is inherited from his grandad. | 0:26:55 | 0:26:58 | |
A very, very smart man and it's just rubbed off. | 0:26:58 | 0:27:02 | |
You know, the lad keeps a picture of him aside his desk all the time. | 0:27:02 | 0:27:05 | |
And it would mean the world for his family for Eithen to win. | 0:27:05 | 0:27:09 | |
To be in the last four is a privilege, | 0:27:09 | 0:27:11 | |
so to win it would be absolutely amazing. | 0:27:11 | 0:27:14 | |
It would mean so much to win Young Tailor Of The Year. | 0:27:14 | 0:27:17 | |
I'm going to give everything I've got to win this competition. | 0:27:17 | 0:27:21 | |
But it's the girls that appear to be running away with this one, | 0:27:21 | 0:27:24 | |
whilst the boys are at a standstill. | 0:27:24 | 0:27:27 | |
Well, we're 40 minutes in now, Mark, | 0:27:27 | 0:27:30 | |
the boys haven't started to do any cutting on their patterns | 0:27:30 | 0:27:32 | |
so by the time they've got their pattern cut and the cloth is cut | 0:27:32 | 0:27:35 | |
and they start machining these trousers they're going to leave themselves no time. | 0:27:35 | 0:27:39 | |
David, it looks like he's doing some mathematical equation on that white paper. | 0:27:39 | 0:27:42 | |
Lots of arithmetic going on but not much action, really. | 0:27:42 | 0:27:46 | |
-The girls are quite advanced now. -Katy's pattern looks very nice. | 0:27:46 | 0:27:49 | |
Even so, I would've expected Katy to have the patent cut and onto the cloth. She's got to speed up. | 0:27:49 | 0:27:55 | |
And, in fact, it's Emma again that's taken the upper hand | 0:27:55 | 0:27:58 | |
and getting on with it. | 0:27:58 | 0:27:59 | |
-She's just getting the cloth. -She's on cue. | 0:27:59 | 0:28:03 | |
Emma is steaming ahead but by choosing a checked fabric | 0:28:03 | 0:28:07 | |
she has just made her job 10 times tougher. | 0:28:07 | 0:28:09 | |
-You've got to match those checks up as well. -Oh, no! | 0:28:11 | 0:28:15 | |
-Oh, I didn't think of that. -Made it harder for yourself. -Yeah, I have. | 0:28:15 | 0:28:18 | |
With time slipping away, Emma decides to ditch the checks | 0:28:20 | 0:28:23 | |
and plays it safe with a plain cloth. | 0:28:23 | 0:28:26 | |
Eithen cottons on to Emma's mistake and switches his fabric choice too. | 0:28:28 | 0:28:33 | |
Why did you pick that fabric? | 0:28:34 | 0:28:37 | |
Well, I went for the checked and then I realised, | 0:28:37 | 0:28:40 | |
-"OK, we're on a timescale, what am I doing?" -That's right, good for you! I think you're absolutely right. | 0:28:40 | 0:28:45 | |
But self-assured Katy is sticking with checks as a tactical move | 0:28:46 | 0:28:50 | |
to show the competition who's boss. | 0:28:50 | 0:28:53 | |
-It's more of a challenge, isn't it? -It is. | 0:28:53 | 0:28:55 | |
Than to just do a plain cloth. | 0:28:55 | 0:28:58 | |
But David is causing alarm bells to ring for the judges. | 0:29:01 | 0:29:03 | |
An hour into the challenge and he still hasn't cut a pattern. | 0:29:03 | 0:29:07 | |
David, what seems to be the problem? You're not progressing. | 0:29:07 | 0:29:11 | |
-No... -As well as we should. -I was just trying to figure out this pattern... | 0:29:11 | 0:29:15 | |
-Might have to just go by eye, I think. -Right. | 0:29:15 | 0:29:19 | |
-I might just have to get on, get it cut... -Just do it, just crack on. -OK. | 0:29:19 | 0:29:24 | |
The judges have given David the kick-start he needed | 0:29:27 | 0:29:30 | |
and he finally sprints into action. | 0:29:30 | 0:29:32 | |
And he's back in the running. | 0:29:35 | 0:29:36 | |
Eithen has also made up ground by taking a few shortcuts. | 0:29:39 | 0:29:43 | |
-How are we doing, Eithen? -Not bad, I think. -Yeah? -Yeah. | 0:29:43 | 0:29:46 | |
-I notice you've done the trousers fold top as well? -Yeah, I think it's quicker. | 0:29:46 | 0:29:50 | |
-It looks a lot better, it's old school... -Yes, it is, exactly. | 0:29:50 | 0:29:53 | |
-What is that? Just break that down for me. -No waistband. | 0:29:53 | 0:29:56 | |
-So you fold it over at the top. -Just fold straight over. | 0:29:56 | 0:29:58 | |
So Eithen's absolutely right, he's saved himself a good half an hour or so. | 0:29:58 | 0:30:02 | |
From where we were, I think the boys have clawed it back quite well. | 0:30:03 | 0:30:06 | |
I think it's incredible, they've bounced back off the ropes, | 0:30:06 | 0:30:10 | |
if you like. And gone from strength to strength. | 0:30:10 | 0:30:14 | |
With the boys on their tail, the girls are starting to panic. | 0:30:15 | 0:30:19 | |
Phhh. | 0:30:21 | 0:30:22 | |
I'm a coat-maker. This is really out of my comfort zone. | 0:30:22 | 0:30:26 | |
It's just a bit of a struggle in the timescale to get this finished. | 0:30:26 | 0:30:29 | |
-Didn't you say a few hours ago you'd be able to? -I hope to, but God knows where the time's gone. | 0:30:29 | 0:30:34 | |
She should've chosen a plain cloth which would have helped her | 0:30:34 | 0:30:36 | |
by 20, 25 minutes. | 0:30:36 | 0:30:38 | |
-But she was very categorical that she wanted to use the check. -Yeah. | 0:30:38 | 0:30:42 | |
And she's basically starting to flap now. | 0:30:42 | 0:30:44 | |
Emma's rushing but is there going to be something good at the end? | 0:30:44 | 0:30:48 | |
-Yes. -On this one, I'm not so sure. | 0:30:48 | 0:30:50 | |
OK, guys, you've got ten minutes left. | 0:30:50 | 0:30:53 | |
Ten minutes and then you'll have to start finishing up. | 0:30:53 | 0:30:56 | |
The clock is ticking | 0:30:56 | 0:30:57 | |
and it's a last-ditch attempt to finish their tailor-made trousers. | 0:30:57 | 0:31:00 | |
-Two minutes to go, guys, two minutes left. -Ah! | 0:31:12 | 0:31:15 | |
Five, four, three, two, one. | 0:31:19 | 0:31:23 | |
That's it, guys, time is up. | 0:31:23 | 0:31:25 | |
Ladies and gentlemen, kit down please. | 0:31:25 | 0:31:27 | |
Sucks. | 0:31:27 | 0:31:30 | |
What the tailors don't know is that the specific measurements | 0:31:30 | 0:31:34 | |
they were given are for the members of a jazz band | 0:31:34 | 0:31:37 | |
in dire need of some trousers. | 0:31:37 | 0:31:39 | |
Now, they know who should be wearing the trousers, | 0:31:48 | 0:31:50 | |
it's time to find out if the tailors have come up with the goods. | 0:31:50 | 0:31:54 | |
-These are never going to fit you. -Oh, man. It's terrible. | 0:31:54 | 0:31:58 | |
Actually looks like a pair of trousers. | 0:31:58 | 0:32:00 | |
Oh, no, this is not going to work. | 0:32:00 | 0:32:02 | |
Trousers on, it's time for the judges to have a closer inspection. | 0:32:04 | 0:32:08 | |
David lost time at the beginning of the challenge and, as a result, | 0:32:08 | 0:32:12 | |
his trousers have no zip or waistband. | 0:32:12 | 0:32:16 | |
Right, David, how we doing, mate? | 0:32:16 | 0:32:18 | |
You looked like you were in a nightmare maths A-level or something. | 0:32:18 | 0:32:22 | |
I wasn't happy at all. | 0:32:22 | 0:32:23 | |
-And then the finished article's not so bad. -I know. | 0:32:23 | 0:32:26 | |
I'm really kicking myself now. | 0:32:26 | 0:32:28 | |
Can we see the front of the trousers? | 0:32:28 | 0:32:30 | |
Yeah, it's really tight across the... I see, OK | 0:32:30 | 0:32:33 | |
-We didn't get to the fly. -No. | 0:32:33 | 0:32:35 | |
All right, David, thank you, sir. | 0:32:35 | 0:32:37 | |
Katy was convinced she had this one in the bag | 0:32:37 | 0:32:40 | |
but she has not concealed the zip or finished her waistband. | 0:32:40 | 0:32:44 | |
Were you happy with the fit? | 0:32:45 | 0:32:46 | |
It's a little bit snug but to say I've never actually met | 0:32:46 | 0:32:49 | |
this gentleman, they're OK fit, yeah. | 0:32:49 | 0:32:52 | |
What do we think, judges, any questions? | 0:32:52 | 0:32:55 | |
Yeah, I was going to say, what are your thoughts about the fly? | 0:32:55 | 0:32:57 | |
I haven't concealed it which is wrong. | 0:32:57 | 0:32:59 | |
I tried to get it ready as quick as possible. | 0:32:59 | 0:33:02 | |
-OK, we happy to move on? -Yup. -All right, guys, thank you. | 0:33:02 | 0:33:06 | |
Coat-maker Emma's Oxford bags are the nearest to completion | 0:33:06 | 0:33:10 | |
but will the judges think she's done a rush job? | 0:33:10 | 0:33:13 | |
Emma, talk us through your Oxford bags. | 0:33:13 | 0:33:17 | |
OK, so, I think they're a little bit tight around his waist. | 0:33:17 | 0:33:20 | |
But I think, you know, the shape, the shape is a nice shape. | 0:33:20 | 0:33:23 | |
What we thinking, judges? | 0:33:23 | 0:33:25 | |
I think they're very good across the seat. Leg length is spot on. | 0:33:25 | 0:33:28 | |
I think the only thing I'd pull you up on, | 0:33:28 | 0:33:30 | |
-the pleats are, they're not a pleat I don't know what they are. -Yeah. | 0:33:30 | 0:33:33 | |
That's the only thing. But apart from that, good silhouette, there. | 0:33:33 | 0:33:38 | |
Eithen is last. | 0:33:38 | 0:33:39 | |
And his made-to-measure trousers are drowning his model. | 0:33:39 | 0:33:44 | |
-How happy with your finished product are you, Eithen? -Not greatly. | 0:33:44 | 0:33:47 | |
But they were too big for him, anyway. Obviously, it's pinned in. | 0:33:47 | 0:33:52 | |
Yeah, I couldn't complete it in the time. There we go. | 0:33:52 | 0:33:55 | |
OK, ladies and gentlemen, one of you will be leaving the competition. | 0:33:55 | 0:34:01 | |
There is nothing more the tailors can do | 0:34:01 | 0:34:03 | |
and it's now up to the judges to decide who's out of the competition. | 0:34:03 | 0:34:07 | |
I'm relieved it's over and I just feel silly | 0:34:08 | 0:34:11 | |
for the amount of panicking I did. | 0:34:11 | 0:34:13 | |
My standard is a hell of a lot higher than what I produced | 0:34:13 | 0:34:17 | |
but, within the competition, I think I did, actually, OK. | 0:34:17 | 0:34:20 | |
You know, it looked like a pair of trousers. | 0:34:20 | 0:34:22 | |
Maybe, in retrospect, I should have spent more time cutting | 0:34:22 | 0:34:27 | |
a plain cloth and concentrated on the tailoring a little bit more. | 0:34:27 | 0:34:31 | |
I wouldn't be surprised to go, because that last challenge was awful. | 0:34:31 | 0:34:34 | |
I think Emma did great. | 0:34:36 | 0:34:38 | |
They were a great-looking pair of trousers at the end | 0:34:38 | 0:34:41 | |
when you consider that she didn't think she had right technique for this. | 0:34:41 | 0:34:44 | |
She managed to cut a pretty good pair of trousers. | 0:34:44 | 0:34:46 | |
Katy's certainly come on a lot better, here, | 0:34:46 | 0:34:49 | |
cos cutting's more of her forte. | 0:34:49 | 0:34:51 | |
There was a few little flutters with her temperament. | 0:34:51 | 0:34:54 | |
First, she was really confident with what she was doing. | 0:34:54 | 0:34:56 | |
Then, "Oh, there's not enough time." | 0:34:56 | 0:34:58 | |
She went for a checked cloth but that sort of got the better of her. | 0:34:58 | 0:35:01 | |
Backfired on her. | 0:35:01 | 0:35:02 | |
-David really lost it for a while. -He lost it. He did well to come back. | 0:35:02 | 0:35:06 | |
He did, actually, incredibly, get a pair of trousers | 0:35:06 | 0:35:08 | |
-that could be put on a model. -With the help of a few pins. | 0:35:08 | 0:35:11 | |
-But he got there. -He still got there. | 0:35:11 | 0:35:13 | |
Eithen started very slowly when we gave him the challenge. | 0:35:13 | 0:35:16 | |
We thought this is not happen for him. Then he slowly got into it. | 0:35:16 | 0:35:19 | |
He produced a very exaggerated pair of bags. | 0:35:19 | 0:35:22 | |
That's what an Oxford bag was meant to be originally. | 0:35:22 | 0:35:24 | |
The trousers weren't to my taste but I think from, where he started, | 0:35:24 | 0:35:27 | |
he finished quite strongly. | 0:35:27 | 0:35:29 | |
I think you'll agree with me here that, you know, | 0:35:29 | 0:35:31 | |
Emma, she's still the governor. | 0:35:31 | 0:35:33 | |
Yes, she more or less won the first two challenges. Let's face it. | 0:35:33 | 0:35:36 | |
OK, tailors, the judges have seen your skills | 0:35:43 | 0:35:46 | |
over the first two rounds. Time now for some feedback. | 0:35:46 | 0:35:49 | |
David, you really seemed to me, on this challenge, | 0:35:49 | 0:35:52 | |
like a rabbit caught in the headlights, actually. | 0:35:52 | 0:35:54 | |
You did produce a pair of trousers at the end | 0:35:54 | 0:35:57 | |
but I think you've really got to learn to trust your instincts more. | 0:35:57 | 0:36:01 | |
Katy, I think you did a great job with the trousers | 0:36:01 | 0:36:05 | |
but you did get a little bit overconfident, | 0:36:05 | 0:36:07 | |
saying you wanted to do them in a checked fabric. | 0:36:07 | 0:36:09 | |
And then, in the end, | 0:36:09 | 0:36:10 | |
you did, actually, find it quite difficult finishing within the time. | 0:36:10 | 0:36:14 | |
Eithen, again, I thought you started very slowly. | 0:36:14 | 0:36:17 | |
To your credit, you didn't panic. Although, I have to say, | 0:36:17 | 0:36:20 | |
I know Mark enjoyed the very baggy Oxford look, | 0:36:20 | 0:36:23 | |
it wasn't to my purist taste. | 0:36:23 | 0:36:24 | |
Emma, you produced, you know, a pretty good pair of trousers. | 0:36:24 | 0:36:28 | |
The pleats weren't great, we know that. | 0:36:28 | 0:36:30 | |
But overall, I think you've done really well with the general cut. | 0:36:30 | 0:36:33 | |
OK, guys, the first tailor to leave us is... | 0:36:33 | 0:36:39 | |
..David. | 0:36:44 | 0:36:46 | |
Did you think it was going to be you? | 0:36:46 | 0:36:48 | |
I didn't perform on the day and that showed. | 0:36:48 | 0:36:51 | |
All right, mate, well done for getting this far. Thank you, David. | 0:36:51 | 0:36:54 | |
Thanks. Good luck. | 0:36:54 | 0:36:56 | |
In the first challenge, David's needlework didn't meet | 0:37:00 | 0:37:03 | |
the professional standard the judges were looking for. | 0:37:03 | 0:37:06 | |
And, in the second task, | 0:37:06 | 0:37:08 | |
he lost valuable time floundering at the start. | 0:37:08 | 0:37:12 | |
By the time he got his creative juices flowing, | 0:37:12 | 0:37:15 | |
it was too little, too late. | 0:37:15 | 0:37:17 | |
Being under that sort of pressure, it got to me a bit. | 0:37:19 | 0:37:21 | |
But it's OK, it's not going to let me get down | 0:37:21 | 0:37:23 | |
and I'm going to come back better, stronger, | 0:37:23 | 0:37:25 | |
keep working so that's not the last you've seen of me. | 0:37:25 | 0:37:30 | |
Right, guys, down to the final three. Good luck in the next challenge. | 0:37:30 | 0:37:35 | |
It was very nerve-wracking, my heart was pounding. | 0:37:36 | 0:37:38 | |
My hands were sweating. | 0:37:38 | 0:37:41 | |
But it's a relief to know that I got another stage to go. | 0:37:41 | 0:37:43 | |
I'm really pleased I got through. So, yeah, I'm just so happy. | 0:37:43 | 0:37:47 | |
It's great to be in the last three. | 0:37:47 | 0:37:49 | |
Now, I've got a point where I'm just relaxing | 0:37:49 | 0:37:52 | |
-and really enjoying the competition and just seeing where it takes me. -Have a seat for us there, please. | 0:37:52 | 0:37:57 | |
Still to come... The interview from hell. | 0:37:57 | 0:38:01 | |
-Who invented the dinner suit? -Ted Baker. No. Yes. This is horrible. | 0:38:01 | 0:38:06 | |
And in a dramatic finale, | 0:38:06 | 0:38:08 | |
can they make a jacket fit for a red carpet event? | 0:38:08 | 0:38:11 | |
The first ever Young Tailor of the Year is... | 0:38:11 | 0:38:15 | |
So, you're down to the final three, well done. Time for the grilling. | 0:38:20 | 0:38:24 | |
How's your theory, Katy? | 0:38:24 | 0:38:27 | |
I hope it's all right. I mean, there's a million things to know. | 0:38:27 | 0:38:30 | |
Emma, you told me you don't answer questions, | 0:38:30 | 0:38:33 | |
you do stuff with your hands. | 0:38:33 | 0:38:35 | |
-Yeah? -Yeah. -All right. Eithen, how do you think your theory is? | 0:38:35 | 0:38:40 | |
-Obviously, only been doing it nine months. -Yeah, we'll see. | 0:38:40 | 0:38:43 | |
-Off you go to the hush room, good luck. -Cheers. | 0:38:43 | 0:38:46 | |
Have a seat for us there, please. | 0:38:51 | 0:38:53 | |
Katy, what's the difference between plus 2's and plus 4's? | 0:38:55 | 0:38:59 | |
Plus 2's, plus 4's... | 0:38:59 | 0:39:01 | |
Oh, God. | 0:39:03 | 0:39:05 | |
Um, it is the length from the knee down. | 0:39:05 | 0:39:09 | |
-It can also be the width of the bottom as well. -That's correct. | 0:39:09 | 0:39:13 | |
CORRECT BUZZER | 0:39:13 | 0:39:15 | |
It's trousers. | 0:39:17 | 0:39:19 | |
Plus 4's, they're slightly baggier, | 0:39:19 | 0:39:22 | |
they're tucked into the socks. | 0:39:22 | 0:39:24 | |
And the plus 2's are smaller, like breeches. | 0:39:24 | 0:39:26 | |
CORRECT BUZZER | 0:39:26 | 0:39:28 | |
-Got to hurry you. -I actually don't know, I'm afraid. | 0:39:28 | 0:39:31 | |
INCORRECT BUZZER | 0:39:31 | 0:39:33 | |
Where would you use wadding? | 0:39:36 | 0:39:37 | |
In the shoulder pad. | 0:39:39 | 0:39:40 | |
CORRECT BUZZER | 0:39:40 | 0:39:42 | |
Round the armhole. CORRECT BUZZER | 0:39:42 | 0:39:45 | |
Wadding, on the sleeve. | 0:39:46 | 0:39:47 | |
INCORRECT BUZZER | 0:39:47 | 0:39:49 | |
Who invented the dinner suit? | 0:39:50 | 0:39:53 | |
The dinner suit. | 0:39:53 | 0:39:55 | |
-Henry Poole. -That's correct. -CORRECT BUZZER | 0:39:57 | 0:40:00 | |
Paul Smith, Paul Smith, ah. | 0:40:00 | 0:40:02 | |
Was it not Henry Poole & Co? | 0:40:05 | 0:40:06 | |
CORRECT BUZZER | 0:40:06 | 0:40:08 | |
Ted Baker, no, yes. | 0:40:08 | 0:40:10 | |
INCORRECT BUZZER | 0:40:10 | 0:40:11 | |
-I would have expected you to know that, Emma. -This is horrible. | 0:40:14 | 0:40:17 | |
Why do you think you should win the Young Tailor of the Year? | 0:40:17 | 0:40:21 | |
Because I hope that I, um, I am a good inspiration. | 0:40:21 | 0:40:25 | |
That if you work really hard and just do the best that you can. | 0:40:25 | 0:40:28 | |
I think that makes me a good candidate. | 0:40:28 | 0:40:31 | |
Every day I wake up, I just want to get in the shop | 0:40:31 | 0:40:33 | |
and start making coats. | 0:40:33 | 0:40:35 | |
I love this industry so much. | 0:40:35 | 0:40:37 | |
I believe that my tailoring will get better and better and better, | 0:40:37 | 0:40:41 | |
not just cos of experience, because of my own judging of myself. | 0:40:41 | 0:40:47 | |
-Thank you very much. -Thanks, guys. -Thank you, Katy, off you go. | 0:40:47 | 0:40:50 | |
In the grilling, Katy got the highest score of eight. | 0:40:50 | 0:40:54 | |
Eithen was close behind her, answering seven questions correctly. | 0:40:54 | 0:40:58 | |
And Emma was at the bottom of the pile with five. | 0:40:58 | 0:41:01 | |
Did it go all right, do you think? | 0:41:03 | 0:41:05 | |
I just, yeah, wanted the ground to open up and eat me. | 0:41:05 | 0:41:09 | |
All right, guys, we'll find out in a minute which one of you | 0:41:09 | 0:41:12 | |
is going to be leaving the competition next. | 0:41:12 | 0:41:14 | |
-What was it like being in that little room? -Petrifying? | 0:41:17 | 0:41:20 | |
Yeah, petrifying, yeah. | 0:41:20 | 0:41:21 | |
It's like being in some sort of interrogation room. | 0:41:21 | 0:41:25 | |
-You all right? -No. | 0:41:25 | 0:41:27 | |
The grilling was terrifying, awful and horrible. | 0:41:27 | 0:41:31 | |
I would probably throw me out, cos it was just awful. | 0:41:31 | 0:41:35 | |
-Katy was very good. -All her answers were on the money, really. | 0:41:39 | 0:41:43 | |
-I thought she came across really strongly, Mark. -Really, really well. | 0:41:43 | 0:41:46 | |
-Eithen, very enthusiastic. -I thought his answers were reasonably good. | 0:41:46 | 0:41:51 | |
Yes. He is very young. He's only 19 and he has done great. | 0:41:51 | 0:41:54 | |
Yup. | 0:41:54 | 0:41:56 | |
Emma was really flying but now, that grilling session we've done | 0:41:56 | 0:41:59 | |
has moved her back in the pecking order a little bit. | 0:41:59 | 0:42:02 | |
-Yeah, it has put it all up in the air a bit. -It has, yeah. | 0:42:02 | 0:42:05 | |
OK, judges, if we can start with some feedback. | 0:42:12 | 0:42:14 | |
Well, Eithen, I was really impressed with your knowledge. | 0:42:14 | 0:42:17 | |
However, I thought your answers lacked a little bit of clarity. | 0:42:17 | 0:42:19 | |
I'd have liked to have seen a little bit more conciseness. | 0:42:19 | 0:42:22 | |
Emma, what can I say? | 0:42:23 | 0:42:26 | |
The two names you said on the tuxedo were quite unbelievable, | 0:42:26 | 0:42:29 | |
Paul Smith and Ted Baker, I mean, I don't know what that was all about. | 0:42:29 | 0:42:32 | |
Katy, I thought answers were, really, very strong today. | 0:42:32 | 0:42:36 | |
I thought this was your best challenge so far. | 0:42:36 | 0:42:39 | |
All right, guys, three tailors, only two places in the final. | 0:42:39 | 0:42:43 | |
The next tailor leaving us is... | 0:42:43 | 0:42:46 | |
..Eithen. How you feeling, Eithen? | 0:42:51 | 0:42:55 | |
I appreciate the feedback and I enjoyed the experience. | 0:42:55 | 0:42:59 | |
You've done really well to get through to the final three. | 0:42:59 | 0:43:02 | |
Thank you very much, Eithen. | 0:43:02 | 0:43:03 | |
Eithen held his own in the first challenge | 0:43:11 | 0:43:13 | |
but the second round exposed his inexperience | 0:43:13 | 0:43:16 | |
at making a garment from scratch. | 0:43:16 | 0:43:19 | |
And although he held his own in the grilling, | 0:43:19 | 0:43:21 | |
it wasn't enough to keep him in the competition. | 0:43:21 | 0:43:25 | |
I'm quite happy to bow out to two of the best young female tailors. | 0:43:25 | 0:43:29 | |
But I am quite gutted that I didn't make it to the final. | 0:43:29 | 0:43:32 | |
Ladies, one of you will be crowned Young Tailor of the Year. Well done. | 0:43:34 | 0:43:40 | |
I am shaking with fear and excitement at the same time. | 0:43:42 | 0:43:47 | |
I really thought I was going. | 0:43:47 | 0:43:49 | |
I'm so thrilled to be through, I'm so happy. | 0:43:49 | 0:43:51 | |
Wow. Great stuff. Great stuff. | 0:43:52 | 0:43:54 | |
It feels fantastic to be through to the final two. | 0:43:54 | 0:43:57 | |
Yeah, really excited. | 0:43:57 | 0:43:59 | |
I think the next round's going to be tough and I just hope I can, | 0:43:59 | 0:44:02 | |
you know, do it to the best my ability, really. | 0:44:02 | 0:44:05 | |
I think she's got a very good chance of winning Tailor of the Year. | 0:44:05 | 0:44:08 | |
I think what she's achieved in her life just shows that, | 0:44:08 | 0:44:11 | |
you know, she deserves to be here. | 0:44:11 | 0:44:13 | |
I've really got to step up my game. | 0:44:13 | 0:44:14 | |
I'm sure Katy's going to give it as much as I am. | 0:44:14 | 0:44:17 | |
Emma definitely deserves to be Young Taylor of the Year. | 0:44:17 | 0:44:21 | |
She has worked so, so hard. Emma's got to win it, she's got to win it. | 0:44:21 | 0:44:25 | |
With an audience of family and friends, | 0:44:29 | 0:44:32 | |
it's time for the young tailors to face their ultimate challenge. | 0:44:32 | 0:44:35 | |
It may, traditionally, be thought of as a man's world, | 0:44:40 | 0:44:43 | |
but it's two girls who will battle it out to be the first ever | 0:44:43 | 0:44:46 | |
Young Tailor of the Year. | 0:44:46 | 0:44:48 | |
Right, Richard, what have you got planned for the final challenge? | 0:44:48 | 0:44:52 | |
Well, this final challenge, really, is the big one. | 0:44:52 | 0:44:55 | |
They have to make of a bespoke jacket for a red carpet fashion event. | 0:44:55 | 0:44:58 | |
So, it's got to be client-ready? | 0:44:58 | 0:44:59 | |
It has to be absolutely client-ready. | 0:44:59 | 0:45:02 | |
OK, make it count, ladies. This one is for the title. | 0:45:02 | 0:45:05 | |
You've got two and a half hours. | 0:45:05 | 0:45:08 | |
Your time starts now. | 0:45:08 | 0:45:11 | |
Could I have my model, please? | 0:45:14 | 0:45:16 | |
It takes up to two months to make a bespoke jacket | 0:45:16 | 0:45:19 | |
so each of the tailors were given a head start. | 0:45:19 | 0:45:22 | |
Three weeks ago, they were all given the brief to design, | 0:45:24 | 0:45:27 | |
cut and make a red carpet-ready, evening jacket. | 0:45:27 | 0:45:30 | |
The lion's share of the work should have been done. | 0:45:31 | 0:45:34 | |
The jacket they've brought along | 0:45:34 | 0:45:35 | |
to the studio should be in a finished state. | 0:45:35 | 0:45:38 | |
Bit snug. | 0:45:38 | 0:45:40 | |
This means all the prep work is done | 0:45:41 | 0:45:43 | |
but they still need to attach the collar and fit and sew the sleeves. | 0:45:43 | 0:45:48 | |
They will need their model for final fittings to ensure the jacket | 0:45:48 | 0:45:51 | |
is a perfect fit. | 0:45:51 | 0:45:53 | |
The finished product should be a show-stopping garment, | 0:45:53 | 0:45:56 | |
suitable for a red carpet occasion. | 0:45:56 | 0:45:59 | |
No mean feat in the time allowed. | 0:45:59 | 0:46:01 | |
To make sure they're on a level playing field, | 0:46:03 | 0:46:07 | |
their models are identical twins. | 0:46:07 | 0:46:09 | |
And in the battle to win the title, | 0:46:11 | 0:46:13 | |
it's the gifted apprentice versus the professional. | 0:46:13 | 0:46:16 | |
But who will have the cutting-edge the judges are looking for? | 0:46:16 | 0:46:19 | |
Talk us through your design. | 0:46:20 | 0:46:22 | |
So, yeah, it's a dinner jacket but just a bit of a different shape. | 0:46:22 | 0:46:26 | |
I didn't want just, like, a skin-tight, kind of, fashiony jacket. | 0:46:26 | 0:46:30 | |
I've picked an unusual cloth for a dinner jacket. | 0:46:31 | 0:46:35 | |
It's got geometrical shapes woven within the pattern. | 0:46:35 | 0:46:38 | |
So, even though it's very classic, | 0:46:38 | 0:46:40 | |
it's got a modern twist through the cloth. | 0:46:40 | 0:46:43 | |
And the judges are impressed with what they're seeing from Katy. | 0:46:43 | 0:46:47 | |
-The body line was fantastic. -She's got a great shoulder line on that. | 0:46:47 | 0:46:50 | |
Super start. | 0:46:50 | 0:46:51 | |
For coat-maker Emma, | 0:46:53 | 0:46:55 | |
this final challenge should be a stroll in the park. | 0:46:55 | 0:46:59 | |
But the judges have spotted a big mistake. | 0:46:59 | 0:47:01 | |
She hasn't read the brief. | 0:47:01 | 0:47:03 | |
I mean, we asked for the coat to be completely finished, | 0:47:03 | 0:47:05 | |
bar the sleeves being put on and the top collar. | 0:47:05 | 0:47:07 | |
So, all the edge stitching done, all the lining felled. | 0:47:07 | 0:47:11 | |
Felling is the stitch used to give a garment a seamless look. | 0:47:11 | 0:47:14 | |
It is a time-consuming task. | 0:47:14 | 0:47:17 | |
She's given herself a mountain to climb. | 0:47:17 | 0:47:19 | |
And one that should have been done before the challenge. | 0:47:19 | 0:47:22 | |
-I see you haven't felled the jacket. -No. | 0:47:22 | 0:47:26 | |
-Basically, I misread the brief. -The brief. | 0:47:26 | 0:47:30 | |
So, bearing that felling in mind, are you still on time, on schedule? | 0:47:30 | 0:47:33 | |
No, I don't think so. | 0:47:34 | 0:47:36 | |
I don't think so either. | 0:47:37 | 0:47:38 | |
With only herself to blame... | 0:47:38 | 0:47:40 | |
..Emma starts to crumble under the pressure. | 0:47:42 | 0:47:45 | |
My iron doesn't work. | 0:47:46 | 0:47:48 | |
It's not on. It's not on. | 0:47:48 | 0:47:51 | |
I need my iron, like, now. | 0:47:52 | 0:47:53 | |
Can I borrow Katy's? | 0:47:53 | 0:47:55 | |
And whilst Emma has hit the panic button, | 0:47:56 | 0:47:59 | |
Katy is cool, calm and collected. | 0:47:59 | 0:48:03 | |
It's quite relaxing. | 0:48:05 | 0:48:07 | |
I'm falling asleep. | 0:48:08 | 0:48:09 | |
It's probably the most chilled-out thing I've done in this competition. | 0:48:09 | 0:48:12 | |
But things are going from bad to worse for Emma. | 0:48:12 | 0:48:16 | |
Oh. | 0:48:16 | 0:48:17 | |
Fire in the house. | 0:48:20 | 0:48:22 | |
With the title at stake, Emma tries to regain composure. | 0:48:24 | 0:48:28 | |
Something her rival, Katy, has bags of. | 0:48:30 | 0:48:33 | |
Hello, Katy's mum and dad. How do you think your girl's doing? | 0:48:33 | 0:48:36 | |
-She's remaining pretty calm. -Yeah, cool. -She's very calm. | 0:48:36 | 0:48:39 | |
-Has she made you a suit yet? -No, not yet. I'm still waiting. | 0:48:39 | 0:48:43 | |
One day, probably. | 0:48:43 | 0:48:45 | |
You've got to get that sorted out. That'd be top of the list of priorities. | 0:48:45 | 0:48:50 | |
But Katy can only concentrate on one dinner jacket right now... | 0:48:50 | 0:48:54 | |
Yeah, I want my model. Chris. | 0:48:54 | 0:48:56 | |
..as she's up to the tricky bit - the sleeves. | 0:48:57 | 0:49:00 | |
-It makes such a different with the sleeve on. -It does. | 0:49:00 | 0:49:03 | |
She needs to make sure the sleeve fits | 0:49:03 | 0:49:05 | |
the natural position of the arm. | 0:49:05 | 0:49:07 | |
-Pitch it slightly forward. -Known in the trade as the pitch. | 0:49:08 | 0:49:13 | |
-Pitch really is how the sleeve falls on the customer. -That's right. | 0:49:13 | 0:49:16 | |
Everyone stands differently. | 0:49:16 | 0:49:17 | |
Some people stand like this, some like this. | 0:49:17 | 0:49:19 | |
-That's right. -The crucial element. | 0:49:19 | 0:49:22 | |
Such a vital stage needs attention to detail. | 0:49:22 | 0:49:24 | |
One slip-up and the whole fit of the jacket is ruined. | 0:49:24 | 0:49:28 | |
-You only had a fitting on one sleeve? -Yeah. | 0:49:31 | 0:49:33 | |
What about the other sleeve? | 0:49:33 | 0:49:35 | |
Because they're both the same measurement | 0:49:35 | 0:49:37 | |
then they're going to be the same pitch, I assume. | 0:49:37 | 0:49:40 | |
Well, I've never known anyone with the same pitch | 0:49:40 | 0:49:42 | |
either side of the body. | 0:49:42 | 0:49:44 | |
Experienced tailor Katy has made a huge mistake | 0:49:45 | 0:49:48 | |
that could undo all of her hard work so far. | 0:49:48 | 0:49:51 | |
-I'm not even sure she knows the mistake, Mark. -No. | 0:49:51 | 0:49:54 | |
She was holding the jacket up as if to say everything's fine. | 0:49:54 | 0:49:57 | |
I don't think she's even recognised the fact that it's not fine. | 0:49:57 | 0:50:00 | |
There's an element of naivety, definitely. | 0:50:00 | 0:50:03 | |
-It's a shame, because the body of the coat was so good. -Beautiful. | 0:50:03 | 0:50:07 | |
Ladies, you're halfway through. | 0:50:08 | 0:50:10 | |
You've got one hour and 15 minutes to go. | 0:50:10 | 0:50:13 | |
From a false start, Emma is finally moving forward with the task. | 0:50:13 | 0:50:17 | |
-Hello, Emma, how you doing? -The collars are done now. | 0:50:17 | 0:50:20 | |
I am putting my sleeves in now. | 0:50:20 | 0:50:23 | |
-An hour and 15 going to be long enough? -Um... | 0:50:23 | 0:50:26 | |
let's hope my sleeves go in lovely and smoothly. | 0:50:26 | 0:50:30 | |
And unlike Katy, star pupil Emma is fitting the sleeves correctly. | 0:50:30 | 0:50:35 | |
She's doing it nicely, holding up the sleeve, looking at it properly. | 0:50:35 | 0:50:39 | |
That's how you do it. You hold it up and look like that. | 0:50:39 | 0:50:42 | |
-That's it. -Look, is it in the centre of the pocket? | 0:50:42 | 0:50:44 | |
That's right, that's the proper way to do it. | 0:50:44 | 0:50:48 | |
But with the pressure of time, | 0:50:48 | 0:50:50 | |
Emma needs to get those hands working. | 0:50:50 | 0:50:53 | |
-Has she got very quick hands? Are you in fashion? -No, I'm not. | 0:50:56 | 0:51:00 | |
But you know quick hands when you see them. | 0:51:00 | 0:51:02 | |
I know quick hands when I see them. | 0:51:02 | 0:51:03 | |
With Emma now hot on her heels, | 0:51:03 | 0:51:07 | |
cool-headed Katy is feeling the strain of the competition. | 0:51:07 | 0:51:10 | |
-Are you feeling the pressure? -Yeah. | 0:51:10 | 0:51:12 | |
You've got ten minutes to go, ten minutes. | 0:51:12 | 0:51:15 | |
This is it. Exhausted by the pressure so far... | 0:51:17 | 0:51:20 | |
I'm so tired. | 0:51:20 | 0:51:22 | |
..the girls give it one last push to the finish line. | 0:51:22 | 0:51:24 | |
So, time's ticking, Emma. Nearly there - is it going to work? | 0:51:24 | 0:51:28 | |
I hope so. | 0:51:28 | 0:51:31 | |
-How we doing, Katy? -Just trying to speed things up. | 0:51:31 | 0:51:33 | |
-It's like a workout in the gym, isn't it? -I know. | 0:51:33 | 0:51:36 | |
They haven't got long to go. It's getting exciting. | 0:51:40 | 0:51:42 | |
Fingers are flying. You think they'll finish? | 0:51:42 | 0:51:45 | |
It's very, very close, who's going to get there first. | 0:51:45 | 0:51:48 | |
I think Emma's done well. | 0:51:48 | 0:51:49 | |
It's like the tortoise and the hare. | 0:51:49 | 0:51:51 | |
She's caught up. | 0:51:51 | 0:51:52 | |
Ladies, one minute left. One minute. | 0:51:52 | 0:51:56 | |
Five, four, three, two, one. | 0:52:01 | 0:52:05 | |
Time's up, ladies. Give them a big round of applause. | 0:52:05 | 0:52:07 | |
This is the moment of truth. | 0:52:16 | 0:52:19 | |
Have the girls pulled off a red carpet-ready evening jacket? | 0:52:19 | 0:52:22 | |
MUSIC: "Sexy And I Know It" by LMFAO | 0:52:22 | 0:52:26 | |
First to cut a dash is Emma's model. | 0:52:26 | 0:52:28 | |
Emma didn't finish her suit jacket. | 0:52:29 | 0:52:31 | |
But will her creative vision still shine through? | 0:52:31 | 0:52:34 | |
Next to show off her wares is Katy's model. | 0:52:37 | 0:52:40 | |
Katy's evening coat is the complete package. | 0:52:41 | 0:52:45 | |
But in her race to be the winner, has she missed the finer details? | 0:52:45 | 0:52:49 | |
CHEERING | 0:52:53 | 0:52:56 | |
Well done, ladies. Emma, you want to talk us through your jacket? | 0:52:56 | 0:52:59 | |
I kept it as classic but, you know, | 0:52:59 | 0:53:01 | |
with the silk, it gave it that modern feel. | 0:53:01 | 0:53:03 | |
It's not quite ready for the red carpet if it was tonight. | 0:53:03 | 0:53:06 | |
Time definitely got to me. | 0:53:06 | 0:53:07 | |
-Are you happy with the sleeve pitching? -Yeah, I'm very happy. | 0:53:07 | 0:53:11 | |
I feel like it sits where his arm naturally wants to be. | 0:53:11 | 0:53:14 | |
OK, Katy, perhaps you could talk us through your jacket, please. | 0:53:15 | 0:53:18 | |
I wanted it to be quite fitted. | 0:53:18 | 0:53:20 | |
Because he's very young, fashionable. | 0:53:20 | 0:53:22 | |
I think it looks really nice. | 0:53:22 | 0:53:24 | |
On the sleeve pitch issue, | 0:53:24 | 0:53:25 | |
you said you were going to take the fitting from the left | 0:53:25 | 0:53:28 | |
and transfer it onto the right. Bearing that in mind, | 0:53:28 | 0:53:30 | |
are you happy with what's happening on the back of the right sleeve? | 0:53:30 | 0:53:33 | |
-Um, no. -You see, here on the right, you just see all the excess. | 0:53:33 | 0:53:37 | |
So, it proves that you do have to take the fitting from both sleeves. | 0:53:37 | 0:53:40 | |
OK, ladies, well done. | 0:53:40 | 0:53:43 | |
Mark, Richard, I'll ask you, for one last time, | 0:53:43 | 0:53:45 | |
to go off to the hush room and make your decision | 0:53:45 | 0:53:48 | |
about who's going to be our Young Tailor of the Year. | 0:53:48 | 0:53:51 | |
I feel I let myself down big-style. | 0:53:52 | 0:53:55 | |
I don't feel too great about that challenge. | 0:53:55 | 0:53:58 | |
We'll see. | 0:53:58 | 0:53:59 | |
You don't know what the judges are looking for. | 0:53:59 | 0:54:01 | |
If they were looking at accuracy of hand stitching | 0:54:01 | 0:54:04 | |
and things like that then I don't know. | 0:54:04 | 0:54:06 | |
But at the end of the day, it's their decision. | 0:54:06 | 0:54:09 | |
-Katy finished the jacket. -It looked a nice coat, coming down the runway. | 0:54:10 | 0:54:13 | |
-Oh, it did. But when you saw it close. -When you saw it close up. | 0:54:13 | 0:54:16 | |
It proves the point of putting a sleeve in | 0:54:16 | 0:54:18 | |
separates a good tailor from a great tailor. | 0:54:18 | 0:54:21 | |
But then she was great on the grilling. Unbelievable. | 0:54:21 | 0:54:23 | |
-Very articulate. -She never got flustered. | 0:54:23 | 0:54:25 | |
Getting on to Emma. The sleeves looked great. | 0:54:25 | 0:54:29 | |
Her pitch was better, much better. | 0:54:29 | 0:54:31 | |
Minus point for her is, obviously, she wasn't ready on time. | 0:54:31 | 0:54:34 | |
As you know, customers will forgive you many things | 0:54:34 | 0:54:36 | |
but if you've got to meet a deadline for a wedding, a party, | 0:54:36 | 0:54:38 | |
whatever it is and you're not ready then, you know, that's really poor. | 0:54:38 | 0:54:42 | |
Emma, throughout the tasks, has been pretty consistent. | 0:54:42 | 0:54:46 | |
Apart from, of course, the grilling. | 0:54:46 | 0:54:49 | |
But we've got to say that the passion the girl's got | 0:54:49 | 0:54:51 | |
is going to take her a long, long way. | 0:54:51 | 0:54:53 | |
-I think my mind's made up. -Yeah, I think mine's made up. -You sure? | 0:54:53 | 0:54:57 | |
-I mean, it's a big decision. We're there. -Good, OK. | 0:54:57 | 0:55:00 | |
Let's bring back our two finalists. | 0:55:04 | 0:55:06 | |
CHEERING | 0:55:08 | 0:55:10 | |
Katy, Emma, it's been an extremely tough contest. | 0:55:14 | 0:55:17 | |
You've both impressed our judges | 0:55:17 | 0:55:19 | |
but only one of you will be going home as the Young Tailor of the Year. | 0:55:19 | 0:55:24 | |
Judges, can we have some feedback? | 0:55:24 | 0:55:26 | |
Katy, I was very impressed with your dedication | 0:55:26 | 0:55:30 | |
and I can see a real, long future for you in the world of tailoring. | 0:55:30 | 0:55:33 | |
Thank you. | 0:55:33 | 0:55:35 | |
And Emma, for the short amount of time you've been on Saville Row, | 0:55:35 | 0:55:38 | |
I think you've been a credit to yourself. | 0:55:38 | 0:55:40 | |
I really think you've brought a nice, fresh enthusiasm to this competition. | 0:55:40 | 0:55:43 | |
Thank you. | 0:55:43 | 0:55:45 | |
OK, ladies, this is it. The judges have reached their decision. | 0:55:45 | 0:55:49 | |
The first ever Young Tailor of the Year is... | 0:55:51 | 0:55:55 | |
..Emma. | 0:56:00 | 0:56:02 | |
-That's yours, congratulations. How you feeling? -Amazing. -Yeah? -Yeah. | 0:56:08 | 0:56:14 | |
-I'm so proud. -Oh, my God, I feel amazing. I can't believe I won. | 0:56:15 | 0:56:22 | |
I feel really, really, really proud. | 0:56:22 | 0:56:24 | |
It's such a beautiful trade and it should never be lost. And it won't. | 0:56:24 | 0:56:29 | |
So, it's been an incredible competition | 0:56:29 | 0:56:32 | |
and congratulations to Emma, | 0:56:32 | 0:56:35 | |
the winner of the Young Tailor of the Year. | 0:56:35 | 0:56:37 | |
Good night. | 0:56:37 | 0:56:39 | |
Subtitles by Red Bee Media Ltd | 0:56:46 | 0:56:49 | |
E-mail [email protected] | 0:56:49 | 0:56:52 |